| Archive | Universitätsbibliothek, München (Munich), Germany (D-Mu) |
|---|---|
| Shelfmark | MS 8° 328 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 139 x 214 mm |
| Other Identifiers |
|
| Notations |
|
| Copyists |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | 143 pieces from 16 composers |
A Tenor partbook from a set originally of five volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438. Perhaps written for Hieronymus Welser; a coat of arms with his name and the year 1527 (in A, T, and B partbooks) was discovered after a restoration in 1974. It seems that Welser sold the partbooks even before binding, probably to Glarean (Meconi 2009). Full texts for many pieces copied separately on rectos of Tenor book after each piece; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810. Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin & Fallows).
(Note: the first 18 pieces in the Tenor appear in none of the other books; and only from the 44th piece - In meinen Sinn - do parts appear in all the books.)
v + 156 + ii folios
Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties
Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898
black void mensural
Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals
Inked calligraphic initials
Original alphabetical indices on flyleaves I(r)-IV(v) at beginning of each book
Paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 motets, 13 German sacred pieces, 106 German secular pieces, 5 French secular pieces, 3 Dutch secular pieces, 2 Italian secular pieces, 14 textless pieces (most entitled "Carmen") = 145 (many incomplete)
(Barbireau/Isaac/Obrecht)-1, (Bauldeweyn/Grefinger)-1, (Bauldeweyn/La Rue)-1, (Brumel)-1, (Finck)-1, (Grefinger/Senfl)-2, (Hofhaimer)-6 + 2?, (Hofhaimer/Isaac)-2, (Isaac)-20 + 1?, (Josquin)-2, (La Rue)-2, (La Rue/Pietrequin)-1, (Rener)-2, (Senfl)-46 + 28?*, (Singer)-1, (Sygler)-1, anon-24
*See BenteNW, 253ff.
4 paper partbooks of an original 5 (D-vi + 100 + i folios, A-v + 73 + i, T-v + 156 + ii, B-v + 85 + ii), 139 x 214. Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals. Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties. Original alphabetical indices on flyleaves at beginning of each book. Copied by a single scribe. Inked calligraphic initials. Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898 (also appears in VienNB 18810). Full texts for many pieces copied separately on rectos of T book; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810.
After 1523 (BenteNW); 1526-30 (GottUM). Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin).
Vol 4
Composers: Change "(Bauldeweyn/La Rue)-1" to "(Bauldeweyn/Büchner/ La Rue)-1."
Physical: Copied by a single scribe, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438.
Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1–2 | Ohn Freud verzehr ich manchen Tag | [Hofhaimer] | |
|
Appears on:
1–2
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Voice Text:
On frewd verzer ich manchen tag
|
|||
| 2v–3 | Herz ainigs lieb dich nit betrieb | [Senfl?] | |
|
Appears on:
2v–3
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Hertz ainigs lieb dich nit betrieb
|
|||
| 3v–4 | Ein Dirnlein zart nach wohlgmüts Art | [Singer] | |
|
Appears on:
3v–4
Genres:
Song
Source Attribution:
[Singer]
Voice:
[no designation]
Languages:
German
Voice Text:
Ain diernlein zart nach wolgmüts art
|
|||
| 4v–5v | Nun grues dich Gott du edler safft | [Senfl] | |
|
Appears on:
4v–5v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Nun grues dich Got du edler safft
|
|||
| 6v | Süsser Vater, Herre Gott, verleih (I) | [Isaac?] | |
|
Appears on:
6v
Genres:
Sacred Song
Source Attribution:
[Isaac?]
Voice:
[no designation]
Languages:
German
Voice Text:
Suesser vatter Herre Gott
|
|||
| 7 | Süsser Vater, Herre Gott, verleih (II) | [Isaac] | |
|
Appears on:
7
Genres:
Sacred Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Suesser vatter Herre Gott
|
|||
| 7v | Süsser Vater, Herre Gott, verleih (III) | [Isaac] | |
|
Appears on:
7v
Genres:
Sacred Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Suesser vatter Herre Gott
|
|||
| 8v–9 | Erst ist benügt das Herze mein | [Senfl] | |
|
Appears on:
8v–9
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Erst ist benüegt das hertze mein
|
|||
| 9v–11v | Bischoff von Regenspurg / 'Das Lang' / Trium | Anon. | |
|
Appears on:
9v–11v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Bischoff von Regenspurg
|
|||
| 12v–13 | Ach Maidlein rein ich hab allein | [Grefinger/Senfl] | |
|
Appears on:
12v–13
Genres:
Song
Source Attribution:
[Grefinger/Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Ach maÿdlein rain ich hab allain
|
|||
| 13v–14 | Ich wolt wol gern mocht es gesein | [Senfl?] | |
|
Appears on:
13v–14
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Ich wolt wol gern mocht es gesein
|
|||
| 14v–15 | Brich nit halt stät ob man dich bat | [Senfl?] | |
|
Appears on:
14v–15
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Brich nit halt stät ob man dich bat
|
|||
| 15v–17 | Capitan Herr Gott vater mein Dein gnad (S33) | [Senfl?] | |
|
Appears on:
15v–17
Genres:
Sacred Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Capitan Herr Got vater mein dein gnad
|
|||
| 17v–18 | Wohl kommt der Mai mit macherlei der Blümlein (S348) | [Grefinger/Senfl] | |
|
Appears on:
17v–18
Genres:
Song
Source Attribution:
[Grefinger/Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Wol kumpt der may mit mangerlaÿ
|
|||
| 18v–19 | So ich herzlieb nu von dir schaÿd | [Senfl] | |
|
Appears on:
18v–19
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
So ich hertzlieb nu von dir schaÿd
|
|||
| 19v–20 | Lust frewd und mut du stiller hut | Anon. | |
|
Appears on:
19v–20
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Lust frewd und mut du stiller hut
|
|||
| 20v–21 | Lug wol und schaw nÿemandt vertraw | Anon. | |
|
Appears on:
20v–21
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Lug wol und schaw nÿemandt vertraw
|
|||
| 21v–22v | Leut seltzam sind mancherlai kind | [Senfl] | |
|
Appears on:
21v–22v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Lewt seltzam sind mancherlaÿ kind
|
|||
| 23v–24 | Villeicht möcht mir nach langer Gier | [Senfl?] | |
|
Appears on:
23v–24
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Villeÿcht möcht mir nach langer gir
|
|||
| 24v–25 | Elend behend hat sich gewend | [Senfl?] | |
|
Appears on:
24v–25
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Ellend behendt hat sich gewendt
|
|||
| 25v–26 | All mein Lebtag kein Klag mir so lag | [Senfl?] | |
|
Appears on:
25v–26
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
All mein lebtag kain clag mir so lag
|
|||
| 26v–27 | Lust mag mein herz ohn scherz nit haben | [Senfl] | |
|
Appears on:
26v–27
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Lust mag mein hertz on schertz nit
|
|||
| 27v–28 | Sing ich nit wol das ist mir laÿd (S279) | Anon. | |
|
Appears on:
27v–28
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Sing ich nit wol das ist mir laÿd
|
|||
| 28v–29 | Sing ich nit wol das ist mir laÿd (S280) | Anon. | |
|
Appears on:
28v–29
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Sing ich nit wol das ist mir laÿd
|
|||
| 29v–30 | Dein treuer Will, den du in still | [Senfl?] | |
|
Appears on:
29v–30
Genres:
Motet
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Dein trewer will den du in still
|
|||
| 30v–31 | Ein Junckfrau mir gefallen tät | [Senfl] | |
|
Appears on:
30v–31
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Ain junckfraw mir gefallen thet
|
|||
| 31v–32 | Sie ist erwählt und wohl bestellt | Anon. | |
|
Appears on:
31v–32
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Sy ist erwelt und wol bestelt
|
|||
| 32v–33 | Ursach mich fast zwingt tringt | [Senfl?] | |
|
Appears on:
32v–33
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Ursach mich fast zwingt tringt
|
|||
| 33v–34 | Es darff nit wort an disem ort | [Senfl?] | |
|
Appears on:
33v–34
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Es darff nit wort an disem ort
|
|||
| 34v–35 | Wohl kommt der Mai [S349] | [Senfl] | |
|
Appears on:
34v–35
Genres:
Lied
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Wol kumpt der maÿ mit mangerlaÿ
|
|||
| 35v | Man hat bis her no further text | Anon. | |
|
Appears on:
35v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Man hat bis her [no further text]
|
|||
| 36v–37 | Hab grossen dank der liebe Dein | [Senfl] | |
|
Appears on:
36v–37
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Hab grossen danck der liebe dein
|
|||
| 37v–38 | Erfrew dich werde Christenhait das Got | Anon. | |
|
Appears on:
37v–38
Genres:
Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Erfrew dich werde Christenhait das Got
|
|||
| 38v–39 | Ungnad begehr ich nit von ihr, hoff auch | [Senfl] | |
|
Appears on:
38v–39
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Ungnad beger ich nit von ÿr hoff auch
|
|||
| 39v–40 | Tag und auch nacht leid ich gross not | Anon. | |
|
Appears on:
39v–40
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Tag und auch nacht leÿd ich gros not
|
|||
| 40v–41 | Schön wol zu loben mit geperd und wol | [Senfl?] | |
|
Appears on:
40v–41
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Schön wol zu loben mit geperd und wol
|
|||
| 41v–45 | Ach Jupiter hetzt du gewalt so manigfalt | [Senfl] | |
|
Appears on:
41v–45
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Ach Jupitter hetzt du gewalt so manigfalt
|
|||
| 45v | Fortuna desperata iniqua e maledecta (S107) | [Senfl?] | |
|
Appears on:
45v
Genres:
Chanson
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Fortuna [desperata iniqua e maledecta]
|
|||
| 46v–47v | Wann ich lang such der Gsellschaft viel | [Senfl] | |
|
Appears on:
46v–47v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Wann ich lang such der gsellschafft vil
|
|||
| 48v | Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) | [Isaac] | |
|
Appears on:
48v
Genres:
Contrafactum, Kyrie eleison, Mass Ordinary, Motet
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Insprugk ich mus dich lassen [= Christe II from Missa Carminum]
|
|||
| 49v | Bruder Conrat | Anon. | Anonymous |
Bruder ConratAnonymous
Appears on:
49v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Bruder Conrat
|
|||
| 50v | Fortuna [desperata] | [Senfl?] | Anonymous |
Fortuna [desperata]Anonymous
Appears on:
50v
Genres:
Chanson
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Fortuna [desperata iniqua e maledecta]
General NoteAttributed to Senfl by Bente 1968, tentatively attributed to Isaac by Birkendorf 1994. Meconi 2001 argues against Senfl’s authorship, as the c.f. differs from Senfl’s other settings (and is transposed). |
|||
| 51–51v | In Gottes namen fahren wir | [Isaac] | |
|
Appears on:
51–51v
Genres:
Sacred Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
In Gottes namen faren wir
|
|||
| 52v | Es wollt ein Maidlein waschen gahn | [Isaac] | |
|
Appears on:
52v
Genres:
Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Es wolt ain maydlein grasen gan
|
|||
| 53v–54v | Inn meinem sÿnn hadde ick vercoren (i) | [Isaac] | |
|
Appears on:
53v–54v
Genres:
Lied
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Inn meinem sÿnn [hadde ick vercoren]
|
|||
| 54v–55 | Inn meinem sÿnn hadde ick vercoren (ii) | [Isaac] | |
|
Appears on:
54v–55
Genres:
Lied
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Inn meinem sÿnn [hadde ick vercoren]
|
|||
| 55v–56v | Den meinen Sack hab ich verloren | Anon. | Anonymous |
Den meinen Sack hab ich verlorenAnonymous
Appears on:
55v–56v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Den meinen sack hab ich verloren
|
|||
| 57–58 | Allez regrets vuides de ma présence | [Senfl] | |
|
Appears on:
57–58
Genres:
Chanson
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
French
Voice Text:
Alles regretz [vuides de ma présence]
|
|||
| 58–58v | Entre je suis en grand pensée 28.13 | [Josquin] | |
|
Appears on:
58–58v
Genres:
Chanson
Source Attribution:
[Josquin]
Voice:
[no designation]
Languages:
French
Voice Text:
Entre je suis [en grant pensée] 28.13
|
|||
| 59 | Leal schray tante! | [La Rue] | |
|
Appears on:
59
Genres:
Secular
Source Attribution:
[La Rue]
Voice:
[no designation]
Languages:
German
Voice Text:
Carmen in re [= Leal schray tante]
|
|||
| 59v–60 | Secrets regrets de nature ennemis par grief | [La Rue] | |
|
Appears on:
59v–60
Genres:
Chanson
Source Attribution:
[La Rue]
Voice:
[no designation]
Languages:
French
Voice Text:
Carmen in la [= Secretz regretz de nature ennemis par grief]
|
|||
| 60–61 | Missa Wohlauf gut Gsell von hinnen: Qui tollis peccata | [Isaac] | |
|
Appears on:
60–61
Genres:
Agnus Dei, Contrafactum, Mass Ordinary, Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Wol auff gut gsell von hinnen [= Qui tollis peccata from Missa Wohlauff gut gesell von hinnen]
|
|||
| 61v–62 | Die Brünnlein, die da fliessen | [Hofhaimer/Isaac] |
Hofhaimer, Paul
(?)
|
|
Appears on:
61v–62
Genres:
Song
Source Attribution:
[Hofhaimer/Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Die prünlein die da fliessen
|
|||
| 62v–63 | Parcere prostratis (= Pour vous plaisiers) | [Isaac] | |
|
Appears on:
62v–63
Genres:
Chanson
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Parcere prostratis [= Pour vous plaisiers]
|
|||
| 63–63v | Gottes namen faren wir | [Senfl] | |
|
Appears on:
63–63v
Genres:
Chorale, Sacred Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Gottes namen faren wir [seiner gnaden]
|
|||
| 63v–64 | Will niemand singen, so sing aber ich | [Senfl] | |
|
Appears on:
63v–64
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Will nÿemandt singen so sing aber ich
|
|||
| 65 | Wann ich des morgens früh aufstan' [S320] | [Senfl] | |
|
Appears on:
65
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Wann ich des morgens früe auff stan
|
|||
| 65v–66 | Ach Elslein liebes Elslein mein / Es taget vor dem walde / Wann ich des morgens frhüe [S005] | [Senfl] | |
|
Appears on:
65v–66
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
O Elslein [liebes Elslein mein]/Es taget vor dem walde/Wann ich des morgens früe
|
|||
| 66v–67 | So man lang macht betracht und acht [S283, 4vv] | [Senfl] | |
|
Appears on:
66v–67
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
So man lang macht betracht und acht
|
|||
| 67v–68 | Geduld und Huld will haben ich und leiden | [Senfl] | |
|
Appears on:
67v–68
Genres:
Sacred Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Geduld umb huld will haben ich
|
|||
| 68v–69 | Mach mich mein glück mit fug und gschick (S216) | [Senfl] | |
|
Appears on:
68v–69
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Mach mich mein glück mit fug und gschick
|
|||
| 69v | Willig geneigt | [Senfl?] | |
|
Appears on:
69v
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Willig genaÿgt
|
|||
| 70v | Mein Ding erfreut für als auf Erd | Anon. | |
|
Appears on:
70v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Main ding erfrewt für als auf erd
|
|||
| 71v | Man sing, man sag hab freud all Tag | [Senfl] | |
|
Appears on:
71v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Man sing man sag [hab freud all tag]
|
|||
| 72v | Es taget vor dem walde steh auff [S92] | [Senfl] | |
|
Appears on:
72v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Es taget vor dem walde [stand uff]
|
|||
| 73v | Maria, du bist gnadenvoll / Maria zart von edler Art [S225] | [Senfl] | |
|
Appears on:
73v
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Maria du bist gnaden vol/[Maria zart von edler art]
|
|||
| 74v | Wohlauf, wir wöllens wecken, dann er ist an der zeit | [Senfl] | |
|
Appears on:
74v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Wol auff wir wöllens wecken [dann er ist an der zeit]
|
|||
| 75v | Ach Gott wem soll ichs klagen das heimliche leiden | [Bauldeweyn/Grefinger] | |
|
Appears on:
75v
Genres:
Song
Source Attribution:
[Bauldeweyn/Grefinger]
Voice:
[no designation]
Languages:
German
Voice Text:
Ach Got wem soll ichs clagen
|
|||
| 76v–77 | O du armer Judas was hast du getan | [Senfl] | |
|
Appears on:
76v–77
Genres:
Motet, Sacred Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
O du armer Judas [was hast du getan]
|
|||
| 77–78 | Tandernacken am rine lagk | [Senfl] | |
|
Appears on:
77–78
Genres:
Contrafactum, Secular
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin, German
Voice Text:
Tanndernac am rine lagk [= Felices quicunque deo confidere]
|
|||
| 78v–79 | Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) | [Senfl] | |
|
Appears on:
78v–79
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Mein vleÿss und müe ich nÿe hab gspart
|
|||
| 79v–80 | Mag gleÿch wol sein die schuld seÿ mein | [Senfl] | |
|
Appears on:
79v–80
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Mag gleÿch wol sein die schuld seÿ mein
|
|||
| 80v–81v | Wann ich lang such der Gsellschaft viel | [Senfl] | |
|
Appears on:
80v–81v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Wann ich lang such der gsellschafft vil
|
|||
| 82v–83 | Mein höchste frucht Dein schön und zucht | [Rener] | |
|
Appears on:
82v–83
Genres:
Song
Source Attribution:
[Rener]
Voice:
[no designation]
Languages:
German
Voice Text:
Mein höchste frucht dein schön und zucht
|
|||
| 83v–84 | Jetz hat vollbracht Unfall sein Macht | [Rener] | |
|
Appears on:
83v–84
Genres:
Song
Source Attribution:
[Rener]
Voice:
[no designation]
Languages:
German
Voice Text:
Jetz hat volpracht unfal sein macht
|
|||
| 84v–85v | Mag ich dem glück nit danken vil | [Senfl?] | |
|
Appears on:
84v–85v
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Mag ich dem glück nit dancken vil
|
|||
| 86v–87 | Die not sucht weg der ich jetzt pfleg | [Senfl] | |
|
Appears on:
86v–87
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Die not sucht weg der ich jetzt pfleg
|
|||
| 87v–88 | Ursach hab ich zu klagen mich | [Senfl?] | |
|
Appears on:
87v–88
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Ursach hab ich zu klagen mich
|
|||
| 88v–89 | Annehmlich schön ich krön ihr Tugend sehr | [Senfl] | |
|
Appears on:
88v–89
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
An nemlich schön ich krön ÿr tugendt ser
|
|||
| 89v–90v | Mich wundert seer ÿe mer und mer | [Senfl] | |
|
Appears on:
89v–90v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Mich wundert seer ÿe mer und mer
|
|||
| 91v–92v | Kundt ich herzlieb erwerben dich | [Hofhaimer?] |
Hofhaimer, Paul
(?)
|
|
Appears on:
91v–92v
Genres:
Song
Source Attribution:
[Hofhaimer?]
Voice:
[no designation]
Languages:
German
Voice Text:
Kundt ich hertzlieb erwerben dich
|
|||
| 93v–94 | Ey fraintlichs herz was grossen schmertz | Anon. | |
|
Appears on:
93v–94
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Ey fraintlichs hertz was grossen schmertz
|
|||
| 94v–95 | An aller welte zier in mir wirt gsehen | [Senfl] | |
|
Appears on:
94v–95
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
An aller welte zier in mir wirt gsehen
|
|||
| 95v–96 | Mach mich mein glück mit fug und gschick (S215) | [Senfl] | |
|
Appears on:
95v–96
Genres:
Lied
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Mach mich mein glück mit fug und gschick
|
|||
| 96v–97 | Das uns der Winter | [Senfl?] | |
|
Appears on:
96v–97
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Das uns der winter
|
|||
| 97v–98 | Jetz scheiden bringt mir schwer und macht | [Senfl] | |
|
Appears on:
97v–98
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Jetzt schaÿden pringt mir schwer
|
|||
| 98–99 | All mein Gemüht und Sinn setz ich dahin | Anon. | |
|
Appears on:
98–99
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
All mein gemüet und sÿn setz ich dahin
|
|||
| 99v–100 | Tandernaken al op den Rijn | [Brumel] | |
|
Appears on:
99v–100
Genres:
Secular, Song
Source Attribution:
[Brumel]
Voice:
[no designation]
Languages:
Dutch
Voice Text:
Tandernac [= Tandernaken al op den Rijn]
|
|||
| 100v–101 | Der veh lienlin solt sein der lest | Anon. | Anonymous |
Der veh lienlin solt sein der lestAnonymous
Appears on:
100v–101
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Der veh lienlin solt sein der lest
|
|||
| 101v–102v | Aus Herzen bin ich dir geneigt | Anon. | Anonymous |
Aus Herzen bin ich dir geneigtAnonymous
Appears on:
101v–102v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Aus hertzen bin ich dir genaÿgt
|
|||
| 103v–104 | Sich hat hewr gmert und nit verkert | Anon. | Anonymous |
Sich hat hewr gmert und nit verkertAnonymous
Appears on:
103v–104
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Sich hat hewr gmert und nit verkert
|
|||
| 104v | Kum edle zeit | Anon. | |
|
Appears on:
104v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Kum edle zeÿt
|
|||
| 105v–106 | Mich freudt ein pild so mild und schön | [Senfl?] | |
|
Appears on:
105v–106
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Mich frewdt ain pild so mild und schön
|
|||
| 106v–107v | Dein gestalt fieng mich mit gwalt | [Senfl?] | |
|
Appears on:
106v–107v
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
C dein gestalt fieng mich mit gwalt
|
|||
| 108v–109 | Gsellschafft ist gut gibt hochen mut | [Senfl] | |
|
Appears on:
108v–109
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Gsellschafft ist gut gibt hochen mut
|
|||
| 109v–110 | Wes ich mich leyd reyd ich die pein | [Sygler] | |
|
Appears on:
109v–110
Genres:
Song
Source Attribution:
[Sygler]
Voice:
[no designation]
Languages:
German
Voice Text:
Wes ich mich leyd reyd ich die pein
|
|||
| 110v | O Venus bant O vierich brand | Anon. | Anonymous |
O Venus bant O vierich brandAnonymous
Appears on:
110v
Genres:
Secular
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, German
Voice Text:
O Venus pand [O vierich brand]
|
|||
| 111 | Hab ich Lieb | [Isaac] | |
|
Appears on:
111
Genres:
Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
French, German
Voice Text:
Hab mich lieb [= Par ung jour de matinée]
|
|||
| 111v–112 | Auf dieser Erd ist gar kein Lust | [Senfl?] | |
|
Appears on:
111v–112
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Auff diser erd ist gar kain lust
|
|||
| 112v–113 | Ein adel plau im Schopf fast grau | [Senfl?] | |
|
Appears on:
112v–113
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Ain adel plaw im schopff fast graw
|
|||
| 113v–114v | Plus oultre pretens parvenir | Anon. | Anonymous |
Plus oultre pretens parvenirAnonymous
Appears on:
113v–114v
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Voice Text:
Plus oultre pretens
|
|||
| 114v | Es taget vor dem walde stand auff / O Elslin liebes Elslin [S004] | [Senfl] | |
|
Appears on:
114v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Es taget vor dem walde/O Elslin liebes Elslin
|
|||
| 115v | Erst weis ich was die liebe ist (Carmen in sol) | [Hofhaimer/Isaac] | |
|
Appears on:
115v
Genres:
Song
Source Attribution:
[Hofhaimer/Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Carmen in sol [= Erst weis ich was die liebe ist]
|
|||
| 116v–117 | Mir leÿt ser an das ich nit kan | Anon. | Anonymous |
Mir leÿt ser an das ich nit kanAnonymous
Appears on:
116v–117
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Mir leÿt ser an das ich nit kan
|
|||
| 117v–118 | Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das | [Finck] | |
|
Appears on:
117v–118
Genres:
Song
Source Attribution:
[Finck]
Voice:
[no designation]
Languages:
German
Voice Text:
Eyffrer greiner [= Greiner zanner eifrer wie gefelt dir das]
|
|||
| 118v–119 | Ein grosser, dicker Kutten Mann | Anon. | Anonymous |
Ein grosser, dicker Kutten MannAnonymous
Appears on:
118v–119
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Ain grosser dicker kutten man
|
|||
| 119v | Zwischen Berg und tiefe Tal, da liegt | [Senfl] | |
|
Appears on:
119v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Zwischen perg und tieffen tal [da ligt]
|
|||
| 120v–121 | Comme femme | [Senfl?] | |
|
Appears on:
120v–121
Genres:
Chanson
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
French
Voice Text:
Comme feme [desconfortée sur toutes autres]
|
|||
| 121v–122 | Ein frölich wesen hab ich erlesen | [Barbireau/Isaac/Obrecht] | |
|
Appears on:
121v–122
Genres:
Song
Source Attribution:
[Barbireau/Isaac/Obrecht]
Voice:
[no designation]
Languages:
German
Voice Text:
Ain frölich wesen [hab ich erlesen] [= Een vroelic wesen myn oogskins saghen, Quen dites vous feres vous rien, Se une fois avant]
|
|||
| 122v | Christ ist erstanden von der marter alle | [Isaac] | |
|
Appears on:
122v
Genres:
Hymn, Motet, Sacred Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German, Greek
Voice Text:
Christ ist erstanden [von der marter alle]
|
|||
| 123v | Es wolt ein maidlein waschen | Anon. | Anonymous |
Es wolt ein maidlein waschenAnonymous
Appears on:
123v
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Es wolt ain maÿdlin waschen gan
|
|||
| 124v | Parce Domine parce populo tuo qui pius | [Isaac] | |
|
Appears on:
124v
Genres:
Motet
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Parce domine [parce populo tuo qui pius]
|
|||
| 124v–125 | Gottes namen fahren wir seiner gnaden | [Hofhaimer] | |
|
Appears on:
124v–125
Genres:
Sacred Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Voice Text:
Gottes namen faren wir [seiner gnaden]
|
|||
| 125v–126 | Carmen in fa = Carmen Hercules | [Hofhaimer?] |
Hofhaimer, Paul
(?)
|
|
Appears on:
125v–126
Genres:
Song
Source Attribution:
[Hofhaimer?]
Voice:
[no designation]
Languages:
insufficient
Voice Text:
Carmen in fa [= Carmen Hercules]
|
|||
| 126v–127 | Carmen in re | [Hofhaimer] | |
|
Appears on:
126v–127
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
insufficient
Voice Text:
Carmen in re
|
|||
| 127–127v | Qui belles amours 28.29 | [Josquin] | |
|
Appears on:
127–127v
Genres:
Chanson
Source Attribution:
[Josquin]
Voice:
[no designation]
Languages:
French
Voice Text:
Qui belles amours 28.28
|
|||
| 127v–128v | Maudit soit cil qui trouva jaulosie (Carmen in sol) | [Isaac] | |
|
Appears on:
127v–128v
Genres:
Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
French
Voice Text:
Carmen in sol [= Maudit soit cil qui trouva jaulosie]
|
|||
| 129 | Lass rauschen lieb, ist acht nit | [Isaac] | |
|
Appears on:
129
Genres:
Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
La[s] rauschen [lieb ist acht nit]
|
|||
| 129v | Froh bin ich Dein Herz, liebste mein (I) | [Hofhaimer] | |
|
Appears on:
129v
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Voice Text:
Fro bin ich dein [hertz liebste mein]
|
|||
| 130v | Froh bin ich Dein Herz, liebste mein (II) | [Hofhaimer] | |
|
Appears on:
130v
Genres:
Lied
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Voice Text:
Fro bin ich dein [hertz liebste mein]
|
|||
| 131v–132 | Missa Lalahe: Pleni sunt caeli | [Isaac] | |
|
Appears on:
131v–132
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Carmen in fa [= Pleni sunt caeli from Missa Lalahe]
|
|||
| 132v | Vous marchez du bout du pied marionette | [Busnois/Isaac] | |
|
Appears on:
132v
Genres:
Chanson
Source Attribution:
[Busnois/Isaac]
Voice:
[no designation]
Languages:
French
Voice Text:
Carmen in fa [= Vous marchez du bout du pie]
|
|||
| 133–134v | En l'ombre d'un buissonet au matinet | [Isaac] | |
|
Appears on:
133–134v
Genres:
Chanson
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
French
Voice Text:
Carmen in re [= En l'ombre d'ung buisonnet au matinet]
|
|||
| 134v–135 | Adieux Florens la jolie = Carmen in sol | [La Rue/Pietrequin] | |
|
Appears on:
134v–135
Genres:
Chanson
Source Attribution:
[La Rue/Pietrequin]
Voice:
[no designation]
Languages:
French
Voice Text:
Carmen in sol [= Adieu Florens la yolye]
|
|||
| 135v | Carmen in fa | [Isaac] | |
|
Appears on:
135v
Genres:
Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
insufficient
Voice Text:
Carmen in fa
|
|||
| 136–136v | Carmen in sol | [Hofhaimer] | |
|
Appears on:
136–136v
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
insufficient
Voice Text:
Carmen in sol
|
|||
| 137 | Zwischen Berg und tiefe Tal, da liegt | [Isaac] | |
|
Appears on:
137
Genres:
Song
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
German
Voice Text:
Zwischen perg und tieffe tal [da ligt]
|
|||
| 137v–138 | Mit Lust tritt ich in diesen Tanz | [Senfl] | |
|
Appears on:
137v–138
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Mit lust tritt ich an disen dantz
|
|||
| 138v–140 | Es wollt ein Maidlein Wasser hol'n [S100] | [Senfl?] | |
|
Appears on:
138v–140
Genres:
Lied
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Es wolt ain maÿdlin wasser holln
|
|||
| 140v–141 | Wann Glück wohl wollt als sollt und vor | [Senfl?] | |
|
Appears on:
140v–141
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Wann glück wol wolt als solt und vor
|
|||
| 141v–142 | O Herr was last antast uns nemen hie | [Senfl?] | |
|
Appears on:
141v–142
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
O Herr was last antast uns nemen hie
|
|||
| 142v–143 | Theur hoch erleicht sein Nam' vergleicht | [Senfl] | |
|
Appears on:
142v–143
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Theur hoch erleÿcht sein nam vergleÿcht
|
|||
| 143v–144 | Wann ich nit wer | [Senfl] | |
|
Appears on:
143v–144
Genres:
Lied
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Wann ich nit wer des fürwitz gwant
|
|||
| 144v | O schaÿden hin bist mir beschert | [Senfl] | |
|
Appears on:
144v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
O schaÿden hin [bist mir beschert]
|
|||
| 145v | Holdseligs lieb (= Kein lieb ohn treu beleiben) | [Senfl] | |
|
Appears on:
145v
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Holdseligs lieb [= Kein lieb ohn treu beleiben]
|
|||
| 146v–147 | Es wer mein ger von Herzen ser | [Senfl?] | |
|
Appears on:
146v–147
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Es wer mein ger von hertzen ser
|
|||
| 147v–148 | Jederman gut auf ubermut will ainr den anderen | [Senfl] | |
|
Appears on:
147v–148
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Jederman gut auf ubermut will ainr den anderen
|
|||
| 148v–149 | Des claffers art der sich nit spart | Anon. | |
|
Appears on:
148v–149
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Des claffers art der sich nit spart
|
|||
| 149v–150 | Mein herz in hohen Freuden steht | [Senfl] | |
|
Appears on:
149v–150
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Mein hertz in hohen frewden [steht]
|
|||
| 150–151 | Missa Lalahe: Gloria | [Isaac] | |
|
Appears on:
150–151
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[L]alla hoe hoe [= Gloria from Missa Lalahe]
|
|||
| 151v–152 | Was schat nu das ob ich fürbas | [Senfl] | |
|
Appears on:
151v–152
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Was schat nu das ob ich fürbas
|
|||
| 152v–153 | Alls ab on sie, die ich mir erwählet | [Senfl?] | |
|
Appears on:
152v–153
Genres:
Song
Source Attribution:
[Senfl?]
Voice:
[no designation]
Languages:
German
Voice Text:
Alls ab on sÿ die ich mir erwelet
|
|||
| 153v–154 | Ob glück hat neÿd und unfal freyd | [Senfl] | |
|
Appears on:
153v–154
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Voice Text:
Ob glück hat neÿd und unfal freÿd
|
|||
‡ denotes primary source study
Meconi, Honey. 2009. The Ghost of Perfection: Some Thoughts on the Munich Partbooks. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee, 85-101. Farnham.
Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.
Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126. Notes: identifies scribe as Bernard Rem; proposes Augsburg origin.
Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II,11, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 72,75-9,90-1. Notes: facsimile (partial); mention of MS; discussion.
Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 264-91. Pages: 269-70, 280-1. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxxiii-xxxiv, 27-8, 30, 49, 78; III, 49, 57, 201. Notes: physical description; contents list (partial); concordances (partial).
Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 65ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
‡ Smithers, Don. 1970. A Textual-Musical Inventory and Concordance of Munich University MS 328-331. Royal Musical Association Research Chronicle, 34-89. Notes: physical description; contents list; concordances.
Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 72-4, 267, 295, 313. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 83-4. Notes: physical description (partial); contents list (partial); concordances (partial).
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 253-70. Notes: physical description; contents list; concordances; facsimile (partial); mention of MS; discussion.
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München. Wiesbaden. Pages: 83-97. Notes: physical description; contents list; concordances.
Parker, Robert LeRoy. 1966. The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works. Paul A Pisk: Essays in His Honor, 38-56. Austin, Texas. Pages: 43, 46. Notes: contents list (partial); concordances (partial); facsimile (partial).
Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 363-4. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: V, 163-4, 175 [sometimes erroneously referred to as MSS 228-231]. Notes: contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IX, 903. Notes: physical description (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109; VI, 56-7, 94, 99. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, xi, 82-106, 124ff; XV, 142ff, LXX, 184-8, 193,209. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).
Moser, Hans Joachim. 1929. Paul Hofhaimer: Ein Lied- und Orgelmeister des Deutschen Humanismus. Stuttgart and Berlin. Pages: I, 121ff, passim; II, 184-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 455. Notes: physical description (partial).
Bernoulli, Eduard. 1910. Aus Liederbüchern der Humanistenzeit: Eine Bibliographische und Notentypographische Studie. Leipzig. Pages: 16ff, 33ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI, xi, xxii. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Eitner, Robert. 1900. Ein deutsches Liederbuch im Manuscript. Monatshefte für Musikgeschichte, 97-109,113-5. Notes: physical description (partial); contents list; concordances (partial); texts (partial).
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 172, passim; LXXII, 101ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
Spotted the above comment: thank you! Inventory and foliation is now corrected in all volumes. (NB 'contribute a change' generates a notification to DIAMM editors so we can follow up; 'comments' do not.) -- David Wyatt, for DIAMM
The inventory seems copied from the tenor book. Foliation varies in the other volumes, and the Altus MS 8° 330 lacks Innsbruck and Bruder Conrat altogether.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description