A-Wn Mus.Hs. 18810 [Discantus]

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: c. 1524-33

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 18810 [Discantus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 152 x 210 mm
Other Identifiers
  • CCM: VienNB Mus. 18810
  • olim (Former shelfmark): A.N. 35.E.126
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Augsburg? Bavaria, Germany
Contents 86 pieces from 24 composers
General Description

A Discantus partbook from a set of five volumes. Music, text incipits, and titles copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote MunU 328-31, VienNB Mus. 18745, and ZürZ 438; 6 pieces copied by a second scribe who also copied the last piece in Pal.Lat.1976-1979 and much of the manuscript portion of Munich Art.401 (RifMichel).

Repertoriai connections (39 concordances) with MunU 328-31. Eighteen Senfl pieces unique to this source; some probably composed for Duke Albert of Prussia (BenteNW). Probably copied in Augsburg (StaeLW) or Munich (BenteNW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Extent

ii + 75 folios

DIAMM, 2023
Binding

Original leather covers stamped with decorative designs, initials 'H.H.' and date 1524.

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Watermark

(1) resembles Briquet #12270; (2) resembles Briquet #9898

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Notation

black void mensural

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Foliation

Original ink foliation in each book.

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Decoration

No initials or decoration.

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Index

Original index on ff. iii-vi' of Quintus book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Surface

paper

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00479537), 2014
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 motets, 4 German sacred pieces, 47 German secular pieces, 17 French secular pieces, 3 Dutch secular pieces, 11 instrumental pieces = 86*

*Most pieces have text incipits only, or titles such as "Carmen."

A. Agricola-1, Alamire-1, Bauldeweyn/(Buchner/La Rue)-1, Bauldeweyn/(Grefinger)-1, Blanckenmüller-2, Brumel-1, Finck-1, Herbaut-1, Hofhaimer-7 + 1?, Hofhaimer/(Isaac)-1, Isaac-13, Isaac/(Busnois)-1, Isaac/(Hofhaimer)-1, Isaac/(La Rue)-1, Josquin -3, La Rue-2, La Rue/(Josquin)-1, La Rue/(Pietrequin)-1, La Rue/(Pipelare)-1, La Rue/(Sermisy)-1, (Lebrun)-1, Rener-3, Rupsch/(Walter)-1, Senfl-25, Singer-1, Sygler-1, anon-11

5 paper partbooks (D-ii + 75 folios, A-ii + 64, T-ii + 75, B-ii + 71, Q-viii + 24), 152 x 210. Original ink foliation in each book. Blank folios, or blank staves only—D: ff. 56'-75'; A: ff. 51'-64'; T: ff. 57-75'; B: ff. 54'-71'; Q: ff. 10-24'. Original leather covers stamped with decorative designs, initials "H.H." and date 1524. Original index on ff. iii-vi' of Q book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).

Music, text incipits, and titles copied by a single scribe, who also wrote MunU 328-31, VienNB Mus. 18745, and ZürZ 438; additional text added by second scribe. No initials or decoration. Watermarks: (1) resembles Briquet #12270; (2) resembles Briquet #9898 (BenteNW). Répertoriai connections (39 concordances) with MunU 328-31. Eighteen Senfl pieces unique to this source; some probably composed for Duke Albert of Prussia (BenteNW).

Ca. 1524-33 (date 1524 on covers; three Senfl pieces dated 1533). Probably copied in Augsburg (StaeLW) or Munich (BenteNW). Once owned by Fugger family of Augsburg (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Ach einigs ein Adam Reneri
Appears on: 1
Genres: Song
Source Attribution: Adam Reneri
Voice: [no designation]
Languages: German
Voice Text: Ach ainigs ain
1v Ohn Freud verzehr ich manchen Tag Paulus Hofhaÿmer
Appears on: 1v
Genres: Song
Source Attribution: Paulus Hofhaÿmer
Voice: [no designation]
Languages: German
Voice Text: On frewdt verzer [ich manchen tag]
2 Ein Dirnlein zart nach wohlgmüts Art Bartolome Singer
Appears on: 2
Genres: Song
Source Attribution: Bartolome Singer
Voice: [no designation]
Languages: German
Voice Text: Ain diernlein zart [nach wolgmüts art]
2v–3 Ach Gott wem soll ichs klagen das heimliche leiden Noel Balduin/[Grefinger]
Appears on: 2v–3
Genres: Song
Source Attribution: Noel Balduin/[Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Ach Got wem soll ichs clagen [das heimlich leiden] [= En douleur en tristesse languiray-je tousjours]
3–3v Allez regrets vuides de ma présence Ludwig Sennfl
Appears on: 3–3v
Genres: Chanson
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: French
Voice Text: Alles regretz [vuides de ma présence]
4–4v Entre je suis en grand pensée 28.13 Josquin de Pres
Appears on: 4–4v
Genres: Chanson
Source Attribution: Josquin de Pres
Voice: [no designation]
Languages: French
Voice Text: Entre ie suis [en grant pensée] 28.13 [= Par vous je suis, In mynem sinn hadde ick vercoren]
4v–5 Carmen / Lamentatio (S202) Ludwig Sennfl
Appears on: 4v–5
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Carmen/Lamentatio
5–5v Carmen (I) (S35) Ludwig Sennfl
Appears on: 5–5v
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen
5v–6 Carmen (II) (S36) Ludwig Sennfl
Appears on: 5v–6
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen
6–6v Secrets regrets de nature ennemis par grief Petri de.la.Rue
Appears on: 6–6v
Genres: Chanson
Source Attribution: Petri de.la.Rue
Voice: [no designation]
Languages: French
Voice Text: [Secretz regretz de nature ennemis par grief]
7 Leal schray tante! Petri.de.la.Rue
Appears on: 7
Genres: Secular
Source Attribution: Petri.de.la.Rue
Voice: [no designation]
Languages: German
Voice Text: [Leal schray tante]
7v Tag und auch nacht leid ich gross not Ludwig Senfl
Appears on: 7v
Genres: Song
Source Attribution: Ludwig Senfl
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen
General Note

attributed (without title - simply 'Carmen') in Vienna 18810; titled (without attribution) in Munich 328-331

7v–8 Brich nit an mir mein zuversicht ich richt Anon. Anonymous
Appears on: 7v–8
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Brich nit an mir [mein zuversicht ich richt]
8–8v Die Brünnlein, die da fliessen Pauls Hofhaÿmer/[Isaac]
Appears on: 8–8v
Genres: Song
Source Attribution: Pauls Hofhaÿmer/[Isaac]
Voice: [no designation]
Languages: German
Voice Text: Die prunlein die da vliessen
8v–9v Plus mils regrets 28.28 (= Plus nulz regrets) Josquin de Pres
Appears on: 8v–9v
Genres: Chanson
Source Attribution: Josquin de Pres
Voice: [no designation]
Languages: French
Voice Text: Plus mils regres [= Plus nulz regretz grans moyens] 28.27
9v–10 Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Qui tollis Henricus Ÿsaac
Appears on: 9v–10
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: Latin
Voice Text: Wolauff gut gsell von hinnen [= Qui tollis peccata from Missa Wohlauff gut gesell von hinnen]
General Note

Qui tollis only

10v Waÿs nit Anon. Anonymous

Waÿs nit

Anonymous
Appears on: 10v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Waÿs nit
11–11v Zart liebste frucht Henricus Ÿsaac
Appears on: 11–11v
Genres: Song
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: German
Voice Text: Zart liebste frucht
11v–12 Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das Henricus Finck
Appears on: 11v–12
Genres: Song
Source Attribution: Henricus Finck
Voice: [no designation]
Languages: German
Voice Text: Greiner zanner [eifrer wie gefällt dir das]
12v Mir leÿt ser an das ich nit kan Anon. Anonymous
Appears on: 12v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Mir leÿt ser an [das ich nit kan]
12v–13 Hab ich Lieb Henricus Ÿsaac
Appears on: 12v–13
Genres: Song
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: French, German
Voice Text: Hab mich lieb [= Par ung jour de matinee]
13–13v Jetz scheiden bringt mir schwer und macht Adam Reneri
Appears on: 13–13v
Genres: Song
Source Attribution: Adam Reneri
Voice: [no designation]
Languages: German
Voice Text: Jetzt hat volbracht [unfal sein macht]
13v–14 Jetz scheiden bringt mir schwer und macht Ludwig Sennfl
Appears on: 13v–14
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Jetz schaÿden pringt mir schwer [und macht]
14–14v Erst weis ich was die liebe ist Henricus Ÿsaac/[Hofhaimer]
Appears on: 14–14v
Genres: Song
Source Attribution: Henricus Ÿsaac/[Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: [Erst weis ich was die liebe ist]
14v–15 Mein höchste frucht Dein schön und zucht Adam Reneri
Appears on: 14v–15
Genres: Song
Source Attribution: Adam Reneri
Voice: [no designation]
Languages: German
Voice Text: Mein höchste frucht [dein schön und zucht]
15–15v O Venus bant O vierich brand Anon. Anonymous
Appears on: 15–15v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: O Venus pandt [O vierich brand]
15v–16 Ob glück hat neÿd und unfal freyd Ludwig Sennfl
Appears on: 15v–16
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Ob glück hat neÿd [und unfal freyd]
16–17 Tandernack uf dem Rhein lag Petrus Alamire
Appears on: 16–17
Genres: Song
Source Attribution: Petrus Alamire
Voice: [no designation]
Languages: German
Voice Text: Tandernack [auf dem Rhein]
17–17v Ich hab ain fraintlich lieb erwelt Anon. Anonymous
Appears on: 17–17v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich hab ain fraintlich lieb erwelt
17v–18 Wes ich mich leyd reyd ich die pein Maÿster Hans Sigler
Appears on: 17v–18
Genres: Song
Source Attribution: Maÿster Hans Sigler
Voice: [no designation]
Languages: German
Voice Text: Wes ich mich leÿd [reyd ich die pein]
18–18v Zwischen Berg und tiefe Tal, da liegt Henricus Ÿsaac
Appears on: 18–18v
Genres: Song
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: German
Voice Text: Zwischen perg und tieffe tal [da ligt]
18v–19 Vil glück und haÿl Anon. Anonymous
Appears on: 18v–19
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Vil glück und haÿl
19–19v Plus oultre pretens parvenir Anon. Anonymous
Appears on: 19–19v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Plus oultre pretens
20 Christ ist erstanden von der marter alle Henricus Ÿsaac
Appears on: 20
Genres: Hymn, Motet, Sacred Song
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
20–21 Missa Lalahe: Gloria Henricus Ÿsaac
Appears on: 20–21
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: Latin
Voice Text: La la hoe hoe [= Gloria from Missa Lalahe]
21–22 En l'ombre d'un buissonet au matinet Henricus Ÿsaac
Appears on: 21–22
Genres: Chanson
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: French
Voice Text: [En] Lombre [d'ung buissonet au matinet]
22–22v Es wolt ein maidlein waschen Anon. Anonymous
Appears on: 22–22v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maÿdlein waschen gan
22v–23 Bruder Conrad / Fortuna desperata Henricus Ÿsaac
Appears on: 22v–23
Genres: Lied
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna [desperata]/Bruder Conrat
23 Adieux Florens la jolie = Carmen in sol Petri.de.la.Rue/[Pietrequin]
Appears on: 23
Genres: Chanson
Source Attribution: Petri.de.la.Rue/[Pietrequin]
Voice: [no designation]
Languages: French
Voice Text: [Adieu Florens la yolye]
23v Carmen Henricus Ÿsaac
Appears on: 23v
Genres: Song
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen
23v–24 Ein fröhlich Wesen hab ich erlesen Petri.de.la.Rue/[Pipelare]
Appears on: 23v–24
Genres: Song
Source Attribution: Petri.de.la.Rue/[Pipelare]
Voice: [no designation]
Languages: German
Voice Text: Ain frölich wesen [hab ich erlesen]
General Note

Attributed here to La Rue; to Pipelare in Basevi & the Pernner codex. Anonymous in Trent 1947-4. The 'split' signature in Basevi & the high transposition (up a fifth) perhaps indicate that Vienna is a better source, and therefore that La Rue is the composer? (Notes from W G Kempster.) (On the other hand, Basevi was copied by one of the court scribes in Mechelen; should that scribe therefore have known if La Rue was the composer?)

24v–25 Gottes namen fahren wir seiner gnaden Pauls Hofhaÿmer unwirdiger Ritter
Appears on: 24v–25
Genres: Sacred Song
Source Attribution: Pauls Hofhaÿmer unwirdiger Ritter
Voice: [no designation]
Languages: German
Voice Text: Gottes namen faren wir [seiner gnaden]
25–25v Carmen in fa = Carmen Hercules [Hofhaimer?]
Appears on: 25–25v
Genres: Song
Source Attribution: [Hofhaimer?]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen Hercules
25v–26 Carmen Pauls Hofhaimer unschuldiger Ritter
Appears on: 25v–26
Genres: Song
Source Attribution: Pauls Hofhaimer unschuldiger Ritter
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen
26v Qui belles amours 28.29 Josquin de Pres
Appears on: 26v
Genres: Chanson
Source Attribution: Josquin de Pres
Voice: [no designation]
Languages: French
Voice Text: Qui belles amours [= Ach unfal was] 28.28
27–27v Maudit soit cil qui trouva jaulosie (Carmen in sol) Henricus Ysaac
Appears on: 27–27v
Genres: Song
Source Attribution: Henricus Ysaac
Voice: [no designation]
Languages: French
Voice Text: Mandit soÿt [= Mauldit soit cil qui trouva jalousie]
27v Lass rauschen lieb, ist acht nit Henricus Ÿsaac
Appears on: 27v
Genres: Song
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: German
Voice Text: Las rauschen [lieb ist acht nit]
28 Froh bin ich Dein Herz, liebste mein (III) Pauls Hofhaÿmer
Appears on: 28
Genres: Lied
Source Attribution: Pauls Hofhaÿmer
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
28–28v Froh bin ich Dein Herz, liebste mein (I) Pauls Hofhaimer
Appears on: 28–28v
Genres: Song
Source Attribution: Pauls Hofhaimer
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
28v–29 Froh bin ich Dein Herz, liebste mein (II) Pauls Hofhaÿmer
Appears on: 28v–29
Genres: Lied
Source Attribution: Pauls Hofhaÿmer
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
29–29v Fille vous have mal guarde / Ave sanctissima Maria Henricus Ÿsaac
Appears on: 29–29v
Genres: Contrafactum, Marian antiphon, Song
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: Italian
Voice Text: File vos [= Fille vous have mal guarde le pan devant, Ave sanctissima Maria]
29v–30 Oblier veult douleur et tristesse (= Carmen in sol) Alexander Agricola
Appears on: 29v–30
Genres: Chanson
Source Attribution: Alexander Agricola
Voice: [no designation]
Languages: French
Voice Text: [Oublier veult douleur et tristesse]
30–30v Carmen Pauls Hofhaÿmer
Appears on: 30–30v
Genres: Song
Source Attribution: Pauls Hofhaÿmer
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen
31 Missa Lalahe: Pleni sunt caeli Henricus Ÿsaac
Appears on: 31
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Henricus Ÿsaac
Voice: [no designation]
Languages: Latin
Voice Text: [Pleni sunt celi from Missa Lalahe]
31v–32 Vous marchez du bout du pied marionette Henricus Ÿsaac/[Busnois]
Appears on: 31v–32
Genres: Chanson
Source Attribution: Henricus Ÿsaac/[Busnois]
Voice: [no designation]
Languages: French
Voice Text: [Vous marchez du bout du pie]
32–32v Von Herzen Dein Johann Herbaut
Appears on: 32–32v
Genres: Song
Source Attribution: Johann Herbaut
Voice: [no designation]
Languages: German
Voice Text: Von hertzen dein
33–34 Guretzsch (=Si dormiero) Henricus Ÿsaac/[Josquin/La Rue]
Appears on: 33–34
Genres: Contrafactum, Motet, Song
Source Attribution: Henricus Ÿsaac/[Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Guretzsch [= Si dormiero, O mitis mater Christi] 14.12
34–35 Carmen Anon. Anonymous

Carmen

Anonymous
Appears on: 34–35
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen
35v–36 Ach hulf mich leid und sendlich Klag 28.2 Noel Balduin/[Buchner/Josquin/La Rue]
Appears on: 35v–36
Genres: Song
Source Attribution: Noel Balduin/[Buchner/Josquin/La Rue]
Voice: [no designation]
Languages: German
Voice Text: Ach hulff mich laÿd [und sehnlich klag] 28.2
36–38 Tandernaken al op den Rijn Anthonius Brumel
Appears on: 36–38
Genres: Secular, Song
Source Attribution: Anthonius Brumel
Voice: [no designation]
Languages: Dutch
Voice Text: Tanndernac [al op den Rijn]
38–38v Kein Klag hab ich dann, dass ich dich Jorg Planckenmüller
Appears on: 38–38v
Genres: Song
Source Attribution: Jorg Planckenmüller
Voice: [no designation]
Languages: German
Voice Text: Kain clag hab ich dann das ich dich
38v–39 Lust hab ich ghabt zur Musica von jugend Ludwig Sennfl
Appears on: 38v–39
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Lust hab ich ghabt zur Musica von jugend
39v–40 Unseglich Schmerz empfind mein herz Ludwig Sennfl
Appears on: 39v–40
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Unseglich schmertz [empfindt mein hertz]
40 Inn stetter hut leÿb er und gut Jörg Blanck[e]nmuller
Appears on: 40
Genres: Song
Source Attribution: Jörg Blanck[e]nmuller
Voice: [no designation]
Languages: German
Voice Text: Inn stetter hut leÿb er und gut
40v–41 Noch waÿs ich ein schöne junckfraw Anon. Anonymous
Appears on: 40v–41
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Noch waÿs ich ein schöne junckfraw
41v Jouissance vous donnerai, mon ami Petri.de.la.Rue/[Sermisy]
Appears on: 41v
Genres: Chanson
Source Attribution: Petri.de.la.Rue/[Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jam sauche [= Jouyssance vous donneray mon amy]
42–42v Tous les regrets qui les coeurs tormentés 28.34 Petri.de.la.Rue/[Josquin]
Appears on: 42–42v
Genres: Song
Source Attribution: Petri.de.la.Rue/[Josquin]
Voice: [no designation]
Languages: French
Voice Text: Tous les regres [qui les cueurs] 28.33
42v–43 Nasci pati mori / Fortuna desperata (S112) Ludovicus Sennfl
Appears on: 42v–43
Genres: Motet
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: Italian
Voice Text: Nasci pati mori/Fortuna [desperata]
43–44 Ich stund an einem morgen heimlich / Fortuna desperata [S111 - 5vv] Ludovicus Sennfl
Appears on: 43–44
Genres: Song
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: German
Voice Text: Ich stund an ainem morgen/ Fortuna [desperata]
44–45 Helena desiderio plena orabat cum lachrimis / Fortuna desperata (S110) Ludovicus Sennfl
Appears on: 44–45
Genres: Italian secular
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Helena desiderio plena orabat cum lachrimis/Fortuna [desperata]
45v–46 Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) Ludovicus Sennfl
Appears on: 45v–46
Genres: Contrafactum, Motet
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima quo progrederis quasi aurora/Fortuna [desperata]
46v–47 Die Brünnlein, die da fliessen (6vv, S55) Ludovicus Sennfl
Appears on: 46v–47
Genres: Lied
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: German
Voice Text: Die prunlein die da fliessen
47–47v N'aves vous point veu mal assenee 29.15 [Josquin/Lebrun]
Appears on: 47–47v
Genres: Chanson
Source Attribution: [Josquin/Lebrun]
Voice: [no designation]
Languages: French
Voice Text: Naves pont [= N'a vous point veu mal assenée] 29.15
48 Jouissance vous donnerai, mon ami Anon. Anonymous
Appears on: 48
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Jam sauche [= Joyssance vous donneray mon amy]
48v Kein sach mir nie auf Erden hat großern Ludwig Sennfl
Appears on: 48v
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Kain sach mir nie auff erden hat grossern
49–49v Warhafftig mag ich sprechen wol was von Got Ludwig Sennfl
Appears on: 49–49v
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Warhafftig mag ich sprechen wol was von Got
49v–50 K. Dein bin ich du frewest mich [S189] Ludovicus Sennfl
Appears on: 49v–50
Genres: Song
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: German
Voice Text: .K. dein bin ich du frewest mich
50v–51 Ich sag und clag vergangen tag ellend Ludovicus Sennfl
Appears on: 50v–51
Genres: Song
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: German
Voice Text: Ich sag und clag vergangen tag ellend
51–51v M. Dein bin ich / Es taget vor dem walde [S213] Ludwig Sennfl
Appears on: 51–51v
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: M. dein bin ich/Es taget vor dem walde
52 M. Dein bin ich / Es taget vor dem Walde [S214] Ludwig Sennfl
Appears on: 52
Genres: Lied
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: M. dein bin ich/Es taget vor dem walde
52v–53 Nun bitten wir den heiligen geist (5vv) Conradus Rupsch der Junger/[Walter]
Appears on: 52v–53
Genres: Motet, Veni sancte spiritus
Source Attribution: Conradus Rupsch der Junger/[Walter]
Voice: [no designation]
Languages: German
Voice Text: Nun bitt[en] wir den haÿligen gaÿst
53 Ohn allen Scherz ist mir mein Herz Ludwig Sennfl
Appears on: 53
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: On allen schertz ist mir mein hertz
53v–54 Dem ewigen Gott sei Lob und Dank Ludwig Sennfl
Appears on: 53v–54
Genres: Motet
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Dem ewigen Got [sey lob und danck]
54–54v Albrecht mirs schwer und gross Leid Ludwig Sennfl
Appears on: 54–54v
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Albrecht mirs schwer und gros laÿd
54v–55 In lieb und freid hab ich mein bscheid Ludwig Sennfl
Appears on: 54v–55
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: In lieb und freid hab ich mein bscheid
55v–56 Ich armer Mann, mein Herz ist alles Traurens voll / Ach Gott wem soll ich's klagen Ludwig Sennfl
Appears on: 55v–56
Genres: Song
Source Attribution: Ludwig Sennfl
Voice: [no designation]
Languages: German
Voice Text: Ich armer man mein hertz ist alles traurens vol/Ach Got wem soll ichs clagen
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Alamire, Petrus (ca. 1470–1536)
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Blanckenmuller, Georg
Brumel, Antoine (ca. 1460–ca. 1513)
Buchner, Hans
Busnoys, Antoine (ca. 1430–1492)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Grefinger, Wolfgang
Herbaut, Johann
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Pipelare, Mattheus (ca. 1450–ca. 1515)
Rener, Adam (ca. 1485–ca. 1520)
Rue, Pierre de la (ca. 1452–1518)
Rupsch, Conrad
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Sigler, Hans
Singer, Bartolomeus
Walter, Johann (1496–1570)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Ach einigs ein 1
Ach Gott wem soll ichs klagen das heimliche leiden 2v–3
Ach hulf mich leid und sendlich Klag 28.2 35v–36
Adieux Florens la jolie = Carmen in sol 23
Albrecht mirs schwer und gross Leid 54–54v
Allez regrets vuides de ma présence 3–3v
Brich nit an mir mein zuversicht ich richt Anonymous 7v–8
Bruder Conrad / Fortuna desperata 22v–23
Carmen 23v
Carmen 25v–26
Carmen 30–30v
Carmen Anonymous 34–35
Carmen (I) (S35) 5–5v
Carmen (II) (S36) 5v–6
Carmen / Lamentatio (S202) 4v–5
Carmen in fa = Carmen Hercules 25–25v
Christ ist erstanden von der marter alle 20
Dem ewigen Gott sei Lob und Dank 53v–54
Die Brünnlein, die da fliessen 8–8v
Die Brünnlein, die da fliessen (6vv, S55) 46v–47
Ein Dirnlein zart nach wohlgmüts Art 2
Ein fröhlich Wesen hab ich erlesen 23v–24
En l'ombre d'un buissonet au matinet 21–22
Entre je suis en grand pensée 28.13 4–4v
Erst weis ich was die liebe ist 14–14v
Es wolt ein maidlein waschen Anonymous 22–22v
Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das 11v–12
Fille vous have mal guarde / Ave sanctissima Maria 29–29v
Froh bin ich Dein Herz, liebste mein (I) 28–28v
Froh bin ich Dein Herz, liebste mein (II) 28v–29
Froh bin ich Dein Herz, liebste mein (III) 28
Gottes namen fahren wir seiner gnaden 24v–25
Guretzsch (=Si dormiero) 33–34
Hab ich Lieb 12v–13
Helena desiderio plena orabat cum lachrimis / Fortuna desperata (S110) 44–45
Ich armer Mann, mein Herz ist alles Traurens voll / Ach Gott wem soll ich's klagen 55v–56
Ich hab ain fraintlich lieb erwelt Anonymous 17–17v
Ich sag und clag vergangen tag ellend 50v–51
Ich stund an einem morgen heimlich / Fortuna desperata [S111 - 5vv] 43–44
In lieb und freid hab ich mein bscheid 54v–55
Inn stetter hut leÿb er und gut 40
Jetz scheiden bringt mir schwer und macht 13–13v
Jetz scheiden bringt mir schwer und macht 13v–14
Jouissance vous donnerai, mon ami 41v
Jouissance vous donnerai, mon ami Anonymous 48
K. Dein bin ich du frewest mich [S189] 49v–50
Kein Klag hab ich dann, dass ich dich 38–38v
Kein sach mir nie auf Erden hat großern 48v
Lass rauschen lieb, ist acht nit 27v
Leal schray tante! 7
Lust hab ich ghabt zur Musica von jugend 38v–39
M. Dein bin ich / Es taget vor dem walde [S213] 51–51v
M. Dein bin ich / Es taget vor dem Walde [S214] 52
Maudit soit cil qui trouva jaulosie (Carmen in sol) 27–27v
Mein höchste frucht Dein schön und zucht 14v–15
Mir leÿt ser an das ich nit kan Anonymous 12v
Missa Lalahe: Gloria 20–21
Missa Lalahe: Pleni sunt caeli 31
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Qui tollis 9v–10
N'aves vous point veu mal assenee 29.15 47–47v
Nasci pati mori / Fortuna desperata (S112) 42v–43
Noch waÿs ich ein schöne junckfraw Anonymous 40v–41
Nun bitten wir den heiligen geist (5vv) 52v–53
O Venus bant O vierich brand Anonymous 15–15v
Ob glück hat neÿd und unfal freyd 15v–16
Oblier veult douleur et tristesse (= Carmen in sol) 29v–30
Ohn allen Scherz ist mir mein Herz 53
Ohn Freud verzehr ich manchen Tag 1v
Plus mils regrets 28.28 (= Plus nulz regrets) 8v–9v
Plus oultre pretens parvenir Anonymous 19–19v
Qui belles amours 28.29 26v
Secrets regrets de nature ennemis par grief 6–6v
Tag und auch nacht leid ich gross not 7v
Tandernack uf dem Rhein lag 16–17
Tandernaken al op den Rijn 36–38
Tous les regrets qui les coeurs tormentés 28.34 42–42v
Unseglich Schmerz empfind mein herz 39v–40
Vil glück und haÿl Anonymous 18v–19
Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) 45v–46
Von Herzen Dein 32–32v
Vous marchez du bout du pied marionette 31v–32
Warhafftig mag ich sprechen wol was von Got 49–49v
Waÿs nit Anonymous 10v
Wes ich mich leyd reyd ich die pein 17v–18
Zart liebste frucht 11–11v
Zwischen Berg und tiefe Tal, da liegt 18–18v

Set: Mus.Hs. 18810 Mus

Type: Partbooks

No images available

A-Wn Mus.Hs. 18810 [Altus]

No images available

A-Wn Mus.Hs. 18810 [Bassus]

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A-Wn Mus.Hs. 18810 [Discantus]

No images available

A-Wn Mus.Hs. 18810 [Quintus]

No images available

A-Wn Mus.Hs. 18810 [Tenor]

denotes primary source study

Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126.

Robinson, John Orian. 1983-5. Vienna, Austrian National Library, Manuscript , 18810: A Repertory Study and Manuscript Inventory with Concordances. Royal Musical Association Research Chronicle, 68-84. Notes: physical description (partial); contents list; concordances (partial); transcription (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London. Pages: 197, 239, 266-7. Notes: contents list (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II, 12, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 325-33. Notes: contents list; incipits.

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts,  Cambridge. Pages: 277, 281-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 72, 75-7, 92-3. Notes: facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xliv, 28, 30, 49, 78 II, 98-9 III, 49, 180-1. Notes: physical description; contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I, 61, 144-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Robinson, John Orian. 1975. Vienna, Nationalbibliothek Manuscript 18810: A Transcription of the Unpublished Pieces with Comments on Performance Practices in Early Sixteenth Century Germany. Stanford University, Unpublished D.M.A. thesis. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1972. Neues zu Bartholomäus Frank. Festschrift Arnold Geering zum 70. Geburtstag, 119-28. Bern. Pages: 120-1, 125. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xxv, xxviii, 88-92. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 119, 229, 234, 244, 256-68. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Parker, Robert LeRoy. 1966. The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works. Paul A Pisk: Essays in His Honor, 38-56. Austin, Texas. Pages: 39-40, 43, 53-4, 56. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 97-114. Pages: 109, 112. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 375-6. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VII, 530. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 58-68, 95, 101 VII, 10-4, xiv, xvi. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak,  Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 53-81, 125, 130 XV, 143, 145, 151 LXX, 184-8, 194, 209. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: III, ix, xiii V, ix-xi. Notes: physical description (partial); contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 174, passim LXXII, 32-3, 36, 101ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 219-24. Notes: physical description (partial); contents list.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description