D-Mbs Clm. 14274 (Codex Sankt Emmeram)

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: 15th century, c. 1440-50

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Clm. 14274 (Codex Sankt Emmeram)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	285 x 210 mm
Other Identifiers	CCM: MunBS Lat. 14274 olim (Former shelfmark): Mus. 3232a; Cim. 352c
Notations	black full mensural black void mensural coloration in black void coloration in red void
Copyists	Potzlinger, Hermann Text and Music scribal concordance [27] Music
Relationships	Poetzlinger, Hermann (contemporary editor) St. Emmeram Benedictine monastery (owner)
External Links	images 14th-century French music notation tutorials transcribed texts
External Authorities	RISM Online (sources/456053010)
Provenance	St. Emmeram Benedictine monastery , Regensburg? Bavaria, Germany
Contents	322 pieces from 39 composers

General Description

Composite of originally separate fascicles copied at different times. Copied by four main scribes, including the original owner, Hermann Poetzlinger (RumboldC); another of the main scribes also wrote f. 148bis of VienNB 5094 (WrdCE). Nine or ten additional scribes. Many motets are contrafacta of secular works. Copied in Vienna, Regensburg, and Leipzig (BraunschS). Original owner and compiler was the clergyman Hermann Poetzlinger (RumboldC). Probably bequeathed by Poetzlinger (d. 1469) to St. Emmeram Benedictine monastery at Regensburg, although manuscript not identifiable in lists of monastery's books prior to 1748 catalogue by Johann Baptist Kraus. Transferred to Bayerische Staatsbibliothek in 1811.

DIAMM, 2017

Physical Description

ff. 37-38 missing;159v not visible, glued to back flyleaf.

DIAMM, 2017

Binding

Original covers of leather over wooden boards (restored in 1966), with 18th-century inscription 'Cantus missae … 'on spine; metal edges and leather ties now missing

DIAMM, 2017

Watermark

(1) resembles PiccardWA V, 315; (2) resembles PiccardWA V, 316; (3-4) generally resemble Briquet #15622; (5) resembles PiccardO XII, 359; (6) resembles PiccardO XII, 358; (7) resembles PiccardO XIII, 225; (8-10) leopard (three forms, none in Briquet); (11) resembles PiccardWA I, 58; (12) resembles PiccardWA I, 60; (13) resembles PiccardT I, 266; (14) resembles PiccardT I, 252; (15-16) generally resemble Briquet #11696; (17-18) generally resemble Briquet #11662; (19) PiccardWE IV, 1117; (20) PiccardWE IV, 1116; (21-22) generally resemble Briquet #11881. See RumboldC for reproduction

DIAMM, 2017

Notation

black void mensural on 1-12v, 81v-99 & 100-158; black full mensural with red or black void coloration on 13-36, 39-81 & 99v-100 except for occasional Gothic chant and a few later additions in black void mensural.

DIAMM, 2017

Foliation

159 ff

DIAMM, 2017

Foliation

Original ink foliation, 1-140 (ff. 37-38 now missing); modern foliation, 141-159.

DIAMM, 2017

Decoration

Inked Gothic initials in red and black, some with filigree work.

DIAMM, 2017

Index

Incomplete original index on f. 159 (formerly glued to rear parchment flyleaf, but removed from flyleaf and fastened to verso of f. 158 in 1966); pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017

Surface

i parchment + 157 paper + i parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Handschriften-Inkunabel-abteilung. MS Latinus monacensis 14274 (olim Mus. 3232a; Cim. 352c) ("St. Emmeram Codex")

33 Kyries, 16 Glorias (1 lost in modern times), 2 troped Glorias, 13 Credos, 8 Sanctus, 1 Sanctus-Agnus pair, 23 Mass Proper sections, 8 Magnificats, 16 psalm tone formulas, 25 office hymns, 1 processional hymn, 92 motets (1 lost in modern times), 2 sets of responses, 2 Latin/German sacred pieces, 3 German sacred pieces, 10 French secular pieces, 7 textless pieces = 262 + 4 duplicates = 266

(Antonio da Cividale)-2, Benet-2, Binchois-13, Blasius-1, Bosco [Bosquet]/(Nicolaus de Capua)-1, Brassart-4, Dufay-36, (Dunstable)-20, Dunstable/(Binchois)-2, Dunstable/(Dufay)-1, (Dunstable/Power)-1, Edlerawer-7, Forest-1, (Franchois)-3, Grossin-3, Kungsperger-3, (Landini)-1, A. Lantins-1, (R. Liebert)-3, Loqueville-1, (Machaut)-1, (Machaut/Vaillant)-1, (N. Merques)-1, Portugal(?)-1, Power [Leonellus]-2, Roullet-8, Rudolffi(?)-1, Sweitzl-1, Walonis-1, Waring-1, P. Wilhelmi-2 + 1?, Wiquardus-3 [one attribution erased], Zachara da Teramo [Zacharie]-1, anon-149

i parchment + 157 paper + i parchment folios, 285 x 210. Composite of originally separate fascicles copied at different times by different scribes. Original ink foliation, 1-140 (ff. 37-38 now missing); modern foliation, 141-159. Original covers of leather over wooden boards, with 17th-century inscription "Cantus missae saec. XV. C. XCIII" on spine; metal edges and leather ties now missing. Incomplete original index on f. 159 (now glued to rear parchment flyleaf); pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

White mensural notation on ff. 1-12', 81-99, and 100-158; black mensural notation with red or black void coloration on ff. 13-36, 39-81, and 99'-100 (except for occasional Gothic chant notation and a few later additions in white mensural notation). Copied by at least 13 scribes, one of whom also copied f. 148bis of VienNB 5094 (WrdCE). Inked Gothic initials in red and black, some with filigree work. Watermarks: (1) scales (similar but not identical to Briquet #2410); (2) scales in circle; (3) three-peaked mountain; (4) three-peaked mountain in circle; (5) anvil; (6) pillar; (7) ox head with six-petalled flower; (8) animal (cat?); (9) human head. Many motets are contrafacta of secular works.

Ca. 1440-50 (Ward). Presumably copied at St. Emmeram Benedictine monastery in Regensburg (DèzE); three gatherings possibly copied at Augustinian convent of St. John the Baptist and St. John the Evangelist in Munich (WrdCE). Owned since mid 18th century by St. Emmeram monastery in Regensburg; transferred to Bayerische Staatsbibliothek in early 19th century.

Vol 4

Composers: Change "Kungsperger-3" to "Kungsperger-3 + 1?"; change "Rudolffi(?)-1" to "Rudolf von Heringen [Rudolffi]-1"; change "Sweitzl-1" to "Schweikl [Sweikl]-1"; change "anon-149" to "anon-148."

Physical: i parchment + 157 paper + i parchment folios, 288 x 209. Original ink foliation, 1-140 (ff. 37-38 now missing) + modern foliation, 141-159. Original covers of leather over wooden boards (restored in 1966), with 18th-century inscription "Cantus missae . . ."on spine; metal edges and leather ties now missing. Incomplete original index on f. 159 (formerly glued to rear parchment flyleaf, but removed from flyleaf and fastened to verso of f. 158 in 1966); pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

White mensural notation on ff. 1-12', 81'-99, and 100-158; black mensural notation with red or black void coloration on ff. 13-36, 39-81, and 99'-100 (except for some Gothic chant notation and a few later additions in white mensural notation). Copied by four main scribes, including the original owner, Hermann Poetzlinger (RumboldC); another of the main scribes also wrote f. 148bis of VienNB 5094 (WrdCE). Nine or ten additional scribes. Inked Gothic initials in red and black, some with filigree work. Watermarks (see RumboldC for reproductions): (1) resembles PiccardWA V, 315; (2) resembles PiccardWA V, 316; (3-4) generally resemble Briquet #15622; (5) resembles PiccardO XII, 359; (6) resembles PiccardO XII, 358; (7) resembles PiccardO XIII, 225; (8-10) leopard (three forms, none in Briquet); (11) resembles PiccardWA I, 58; (12) resembles PiccardWA I, 60; (13) resembles PiccardT I, 266; (14) resembles PiccardT I, 252; (15-16) generally resemble Briquet #11696; (17-18) generally resemble Briquet #11662; (19) PiccardWE IV, 1117; (20) PiccardWE IV, 1116; (21-22) generally resemble Briquet #11881.

Date/provenance: Ca. 1436-48 (RumboldC); ca. 1436-59 (BraunschS). Copied in Vienna, Regensburg, and Leipzig (BraunschS). Original owner and compiler was the clergyman Hermann Poetzlinger (RumboldC). Probably bequeathed by Poetzlinger (d. 1469) to St. Emmeram Benedictine monastery at Regensburg, although manuscript not identifiable in lists of monastery's books prior to 1748 catalogue by Johann Baptist Kraus. Transferred to Bayerische Staatsbibliothek in 1811.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
01	Qui latuit in virgine (=Je sui si povre)	-	Du Fay, Guillaume (1397–1474)
Qui latuit in virgine (=Je sui si povre) Du Fay, Guillaume (1397–1474) Appears on: 01 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Qui latuit in virgine [= Je sui si povre ?] General Note Dufay GA I (CMM 1/I), p. 27
01v–03	Portugal Et in terra = Gloria	-	Anonymous
Portugal Et in terra = Gloria Anonymous Appears on: 01v–03 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Portugal. Et in terra (= Gloria)
03v–04	O Maria stella maris	-	Walonis (fl. c1440)
O Maria stella maris Walonis (fl. c1440) Appears on: 03v–04 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: O Maria stella maris
04	Festum nunc celebre	-	Anonymous
Festum nunc celebre Anonymous Appears on: 04 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Festum nunc celebre
04v–05	Resurrexit victor (= Love wolle I withoute)	-	Biquardus
Resurrexit victor (= Love wolle I withoute) Biquardus Appears on: 04v–05 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Resurrexit victor [= Love wolle I withoute]
05	Ave corpus Christi (=Adieu mes tres belles amours)	Wintzois (=Binchois)	Binchois, Gilles (ca. 1400–1460)
Ave corpus Christi (=Adieu mes tres belles amours) Binchois, Gilles (ca. 1400–1460) Appears on: 05 Genres: Contrafactum Source Attribution: Wintzois (=Binchois) Voice: [no designation] Languages: Latin Voice Text: Ave corpus Christi [= Adieu mes tres belles amours] General Note Binchois Chansons GA (Complete Edition), p. 4 General Note contrafactum text "Ave corpus Christi"
05v–07	Gaude virgo mater - 1a pars (of 2): Gaude virgo mater Christi	-	Du Fay, Guillaume (1397–1474)
Gaude virgo mater - 1a pars (of 2): Gaude virgo mater Christi Du Fay, Guillaume (1397–1474) Appears on: 05v–07 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater Christi General Note Dufay GA V (CMM 1/V), p. 1
05v–07	Gaude virgo mater - 2a pars (of 2): Gaude Christo ascendente	-	Du Fay, Guillaume (1397–1474)
Gaude virgo mater - 2a pars (of 2): Gaude Christo ascendente Du Fay, Guillaume (1397–1474) Appears on: 05v–07 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude christo ascendente General Note Dufay GA V (CMM 1/V), p. 1
07v–08v	Beata Dei genitrix - 1a pars (of 3): Beata Dei genitrix	Dunstable	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)
Beata Dei genitrix - 1a pars (of 3): Beata Dei genitrix Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 07v–08v Genres: Motet Source Attribution: Dunstable Voice: [no designation] Languages: Latin Voice Text: Beata dei genitrix Maria General Note Dunstable GA (MB VIII), p. 108
07v–08v	Beata Dei genitrix - 2a pars (of 3): Subveni clamantibus	-	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)
Beata Dei genitrix - 2a pars (of 3): Subveni clamantibus Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 07v–08v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Subveni clamantibus General Note Dunstable GA (MB VIII), p. 108
07v–08v	Beata Dei genitrix - 3a pars (of 3): Sola sine exemplo	-	Binchois, Gilles (ca. 1400–1460) Dunstaple, John (ca. 1390–1453)
Beata Dei genitrix - 3a pars (of 3): Sola sine exemplo Binchois, Gilles (ca. 1400–1460) Dunstaple, John (ca. 1390–1453) Appears on: 07v–08v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sola sine exemplo General Note Dunstable GA (MB VIII), p. 108
08v–09	Beata mater - 1a pars (of 3): Beata mater et innupta	-	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)
Beata mater - 1a pars (of 3): Beata mater et innupta Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 08v–09 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata mater et innupta General Note Dunstable GA (MB VIII), p. 110
08v–09	Beata mater - 2a pars (of 3): Gloriosa regina mundi	-	Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)
Beata mater - 2a pars (of 3): Gloriosa regina mundi Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 08v–09 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gloriosa regina mundi General Note Dunstable GA (MB VIII), p. 110
08v–09	Beata mater - 3a pars (of 3): Intercede pro nobis	-	Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)
Beata mater - 3a pars (of 3): Intercede pro nobis Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 08v–09 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Intercede pro nobis General Note Dunstable GA (MB VIII), p. 110
09v–10	Audi nos - 1a pars (of 3): Audi nos nam te filius	-	Ammon, Blasius (fl. c1440)
Audi nos - 1a pars (of 3): Audi nos nam te filius Ammon, Blasius (fl. c1440) Appears on: 09v–10 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Audi nos nam te filius General Note (=Ave praeclara maris)
09v–10	Audi nos - 2a pars (of 3): Da fontem boni	-	Ammon, Blasius (fl. c1440)
Audi nos - 2a pars (of 3): Da fontem boni Ammon, Blasius (fl. c1440) Appears on: 09v–10 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da fontem boni
09v–10	Audi nos - 3a pars (of 3): Christianismi	-	Ammon, Blasius (fl. c1440)
Audi nos - 3a pars (of 3): Christianismi Ammon, Blasius (fl. c1440) Appears on: 09v–10 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christianismi
10v–11	Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud ave	-	Edelrawer, Hermann
Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud ave Edelrawer, Hermann Appears on: 10v–11 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum bonum et suave
10v–11	Verbum bonum - 2a pars (of 3): Ave veri salomonis	-	Edelrawer, Hermann
Verbum bonum - 2a pars (of 3): Ave veri salomonis Edelrawer, Hermann Appears on: 10v–11 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave veri salomonis
10v–11	Verbum bonum - 3a pars (of 3): Ave sponsa verbi	-	Edelrawer, Hermann
Verbum bonum - 3a pars (of 3): Ave sponsa verbi Edelrawer, Hermann Appears on: 10v–11 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave sponsa verbi
11	Hic iucundus sumit mundus	-	Du Fay, Guillaume (1397–1474)
Hic iucundus sumit mundus Du Fay, Guillaume (1397–1474) Appears on: 11 Genres: Contrafactum, Rondeau Voice: [no designation] Languages: Latin Voice Text: Hic iucundus sumit mundus General Note Dufay GA VI (CMM 1/VI), p. 75
11v–12	Kyrie fons bonitatis, Virginitatis amator	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Kyrie fons bonitatis, Virginitatis amator Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 11v–12 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis General Note Codex Tridentinus 90, 65v
12v	Kyrie pater omnipotens	-	Anonymous
Kyrie pater omnipotens Anonymous Appears on: 12v Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie pater omnipotens General Note Tenor in Hufnagelnotation
12v	Kyrie pater omnipotens	-	Anonymous
Kyrie pater omnipotens Anonymous Appears on: 12v Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie pater omnipotens General Note Tenor in Hufnagelnotation
12v	Kyrie pater omnipotens	-	Anonymous
Kyrie pater omnipotens Anonymous Appears on: 12v Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie pater omnipotens General Note Tenor in Hufnagelnotation
13–20v	Monophonic Credo	-	Anonymous
Monophonic Credo Anonymous Appears on: 13–20v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Monophonic Credo General Note Mensural Notation, See S. Marxer: p 163, 166, 149, 168
13–20v	Monophonic Credo	-	Anonymous
Monophonic Credo Anonymous Appears on: 13–20v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Monophonic Credo General Note Mensural Notation, See S. Marxer: p 163, 166, 149, 168
13–20v	Monophonic Credo	-	Anonymous
Monophonic Credo Anonymous Appears on: 13–20v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Monophonic Credo General Note Mensural Notation, See S. Marxer: p 163, 166, 149, 168
13–20v	Monophonic Credo	-	Anonymous
Monophonic Credo Anonymous Appears on: 13–20v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Monophonic Credo General Note Mensural Notation, See S. Marxer: p 163, 166, 149, 168
13–20v	Monophonic Credo	-	Anonymous
Monophonic Credo Anonymous Appears on: 13–20v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Monophonic Credo General Note Mensural Notation, See S. Marxer: p 163, 166, 149, 168
20v–21	Monophonic Kyrie	-	Anonymous
Monophonic Kyrie Anonymous Appears on: 20v–21 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Monophonic Kyrie General Note in Hufnagelnotation
20v–21	Monophonic Kyrie	-	Anonymous
Monophonic Kyrie Anonymous Appears on: 20v–21 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Monophonic Kyrie General Note Mensural Notation
20v–21	Monophonic Kyrie	-	Anonymous
Monophonic Kyrie Anonymous Appears on: 20v–21 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Monophonic Kyrie General Note Mensural Notation. See Melnicki Nr 97
21v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 21v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson
22	Monophonic Kyrie	-	Anonymous
Monophonic Kyrie Anonymous Appears on: 22 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Monophonic Kyrie General Note in Hufnagelnotation. See Melnicki Nr 166.
22	Monophonic Kyrie	-	Anonymous
Monophonic Kyrie Anonymous Appears on: 22 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Monophonic Kyrie General Note in Hufnagelnotation. See Melnicki Nr 166.
22v	O regina clementissima	-	Loqueville, Richard (–1418)
O regina clementissima Loqueville, Richard (–1418) Appears on: 22v Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: O regina clementissima General Note CMM 11/III, p. 24
22v–23	Ave regis angelorum	-	Anonymous
Ave regis angelorum Anonymous Appears on: 22v–23 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave regis angelorum
23	Grates nunc omnes	-	Anonymous
Grates nunc omnes Anonymous Appears on: 23 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes
23v	Jesu judex veritatis (=Bon jour)	-	Du Fay, Guillaume (1397–1474)
Jesu judex veritatis (=Bon jour) Du Fay, Guillaume (1397–1474) Appears on: 23v Genres: Contrafactum Voice: [no designation] Languages: French Voice Text: Iesu iudex veritatis [= Bon jour] General Note Dufay GA VI (CMM 1/VI), p 77
23v–24	Ave plena gratia = Gracieuse	-	Anonymous
Ave plena gratia = Gracieuse Anonymous Appears on: 23v–24 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave plena gratia [= Gracieuse]
24v	Verbum patris intonuit	-	Anonymous
Verbum patris intonuit Anonymous Appears on: 24v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Verbum patris intonuit
24v	Resonet in laudibus cum jocundis plausibus	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 24v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus cum iocundis General Note Cantus of a polyphonic piece
25	Resonet in laudibus cum jocundis plausibus	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 25 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus cum iocundis
25	O Maria virgo pia = Quant loin	-	Anonymous
O Maria virgo pia = Quant loin Anonymous Appears on: 25 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O Maria virgo pia [= Quant loin]
25	Omnium gubernatori (= Tesse dame)	-	Anonymous
Omnium gubernatori (= Tesse dame) Anonymous Appears on: 25 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Omnium gubernatori [= Tesse dame]
25v	Nymphae Dei pura - 1a pars (of 2): Nymphae Dei pur	-	Anonymous
Nymphae Dei pura - 1a pars (of 2): Nymphae Dei pur Anonymous Appears on: 25v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nymphae dei pura
25v	Nymphae Dei pura - 2a pars (of 2): Stupet natura	-	Anonymous
Nymphae Dei pura - 2a pars (of 2): Stupet natura Anonymous Appears on: 25v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Stupet natura
25v–26	Toni psalmorum on the text: Laudate pueri Dominum	-	Anonymous
Toni psalmorum on the text: Laudate pueri Dominum Anonymous Appears on: 25v–26 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Toni psalmorum (on the text: Laudate pueri dominum) General Note RuhlandP. Addendum in white mensuralnotation, fauxbourdon settings noted in two parts for Tonus I-IV, without instructions for the middle part
25v–26	Toni psalmorum on the text: Laudate pueri Dominum	-	Anonymous
Toni psalmorum on the text: Laudate pueri Dominum Anonymous Appears on: 25v–26 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Toni psalmorum (on the text: Laudate pueri dominum) General Note RuhlandP. Addendum in white mensuralnotation, fauxbourdon settings noted in two parts for Tonus I-IV, without instructions for the middle part
25v–26	Toni psalmorum on the text: Laudate pueri Dominum	-	Anonymous
Toni psalmorum on the text: Laudate pueri Dominum Anonymous Appears on: 25v–26 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Toni psalmorum (on the text: Laudate pueri dominum) General Note RuhlandP. Addendum in white mensuralnotation, fauxbourdon settings noted in two parts for Tonus I-IV, without instructions for the middle part
25v–26	Toni psalmorum on the text: Laudate pueri Dominum	-	Anonymous
Toni psalmorum on the text: Laudate pueri Dominum Anonymous Appears on: 25v–26 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Toni psalmorum (on the text: Laudate pueri dominum) General Note RuhlandP. Addendum in white mensuralnotation, fauxbourdon settings noted in two parts for Tonus I-IV, without instructions for the middle part
26	A son plaisir = Virgo beata salusque	-	Fontaine, Pierre (?) Legrant, Guillaume (?)
A son plaisir = Virgo beata salusque Fontaine, Pierre (?) Legrant, Guillaume (?) Appears on: 26 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Virgo beata salusque [= A son plaisir] General Note MarM, p. 9
26v	O clementudinis	-	Anonymous
O clementudinis Anonymous Appears on: 26v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O de terdenis cordulis General Note only one part noted; text corrupted
27	Ad Dominum Deum tuum	-	Anonymous
Ad Dominum Deum tuum Anonymous Appears on: 27 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad dominum deum tuum General Note Fragment of a Chorale, in Hufnagelnotation
27v–28	Par maintes fois ay oy recorder	-	Vaillant, Jacob (fl. 1360–90)
Par maintes fois ay oy recorder Vaillant, Jacob (fl. 1360–90) Appears on: 27v–28 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Per montes foys ad honorem [= Virelai Par maintes foys] General Note Without Contratenor; CMM 53/I, p. 222
28v–29	Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 28v–29 Genres: Canonic Voice: [no designation] Languages: Latin Voice Text: Praesulem ephebeatum trabeatum radiatum/Salvatoris pisticus stirpe tu eugenius/Hiis denegans tue nutum anime/Atque nimis denegans saporis General Note One part noted
29	Martino divo praesuli - 1a pars (of 2): Martino divo praesuli	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Martino divo praesuli - 1a pars (of 2): Martino divo praesuli Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 29 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Martino divo praesuli
29	Martino divo praesuli - 2a pars (of 2): Cuius gratia protegente	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Martino divo praesuli - 2a pars (of 2): Cuius gratia protegente Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 29 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cuius gracia protegente
29–30	Ave verum corpus - 1a pars (of 2): Ave verum corpus natum	-	Anonymous
Ave verum corpus - 1a pars (of 2): Ave verum corpus natum Anonymous Appears on: 29–30 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus natum
29–30	Ave verum corpus - 2a pars (of 2): Esto nobis pregustatum	-	Anonymous
Ave verum corpus - 2a pars (of 2): Esto nobis pregustatum Anonymous Appears on: 29–30 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Esto nobis pregustatum
30	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 30 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi General Note Ward 1980, no. 492
30	Kyrie [Tro] Fons Bonitatis	-	Anonymous
Kyrie [Tro] Fons Bonitatis Anonymous Appears on: 30 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie-Tropus, Fons Bonitatis General Note text only
30v	Hymnizemus omnes unanimiter	-	Anonymous
Hymnizemus omnes unanimiter Anonymous Appears on: 30v Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Hymnizemus omnes unanimiter
30v–31	Kyrie fons bonitatis	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 30v–31 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis General Note Tenor in Hufnagelnotation
31	Virgo maris stella (= J'aime bien celui)	-	Anonymous
Virgo maris stella (= J'aime bien celui) Anonymous Appears on: 31 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Virgo maris stella [= J'ayme bien celui]
30v–31	untexted	-	-
untexted Appears on: 30v–31 Voice: [no designation] Languages: none Voice Text: [without text] General Note one-part addition in white mensural notation
31v	Kyrie eleison (KGC group - iv/1)	-	Du Fay, Guillaume (1397–1474)
Kyrie eleison (KGC group - iv/1) Du Fay, Guillaume (1397–1474) Appears on: 31v Genres: Kyrie eleison, Motet Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson General Note Without Canto; Dufay GA IV (CMM 1/IV), p. 3
31v–32	Kyrie 'Cunctipotens genitor'	-	Du Fay, Guillaume (1397–1474)
Kyrie 'Cunctipotens genitor' Du Fay, Guillaume (1397–1474) Appears on: 31v–32 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson General Note Chorale-notation in Hufnagelschrift at the end of the tenor matches the modell; Dufay GA IV (CMM 1/IV), p. 62
32	Pange lingua gloriosi corporis misterium	-	Merques, Nicolas
Pange lingua gloriosi corporis misterium Merques, Nicolas Appears on: 32 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi General Note Fauxbourdon instructions missing for the tenor; Ward 1980, no. 452; DTO, vol. 53, p. 84
32v	Kyrie Summe clementissime	-	Graneti, Johanes
Kyrie Summe clementissime Graneti, Johanes Appears on: 32v Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie summe clemencie General Note On the top Hufnagelnotation with the annotation 'de apostolis'
32v–33	Kyrie fons bonitatis	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 32v–33 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis
33v	Officium Paschale. Kyrie eleison	-	Anonymous
Officium Paschale. Kyrie eleison Anonymous Appears on: 33v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Officium Paschale. Kyrieleyson
33v–34	Kyrie De martyribus / In diebus Dominicis / Orbis factor	-	Du Fay, Guillaume (1397–1474)
Kyrie De martyribus / In diebus Dominicis / Orbis factor Du Fay, Guillaume (1397–1474) Appears on: 33v–34 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Officium De martiribus. Kyrieleyson General Note Dufay GA IV (CMM 1/IV), p. 63
34	Toni psalmorum on the text: Laudate pueri Dominum	-	Anonymous
Toni psalmorum on the text: Laudate pueri Dominum Anonymous Appears on: 34 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Toni psalmorum (on the text: Laudate pueri dominum) General Note RuhlandP.; postscript in black mensural notation; fauxbourdon-settings noted in two parts for Tonus V-VI, without instructions for the middle part
34	Toni psalmorum on the text: Laudate pueri Dominum	-	Anonymous
Toni psalmorum on the text: Laudate pueri Dominum Anonymous Appears on: 34 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Toni psalmorum (on the text: Laudate pueri dominum) General Note RuhlandP.; postscript in black mensural notation; fauxbourdon-settings noted in two parts for Tonus V-VI, without instructions for the middle part
34v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 34v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson General Note Followed by Kyrie Melnicki no. 1 in Hufnagelnotation, probably Chorale-section for alternatim performance
34v–35	Kyrie Lux et origo (or Pascale)	-	Du Fay, Guillaume (1397–1474)
Kyrie Lux et origo (or Pascale) Du Fay, Guillaume (1397–1474) Appears on: 34v–35 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Officium Paschale. Kyrieleyson General Note with sections, noted in Hufnagelnotation, to be performed chorally in the tenor; Dufay GA IV (CMM 1/IV), p. 68
35	Toni psalmorum	-	Anonymous
Toni psalmorum Anonymous Appears on: 35 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum General Note postscript in black mensural notation; fauxbourdon-settings noted in two parts for Tonus VII-VIII, without instructions for the middle part
35	Toni psalmorum	-	Anonymous
Toni psalmorum Anonymous Appears on: 35 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum
35v–36	Et in terra pax [Gloria] (III)	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Bosquet, Johannes (–ca. 1406) (?) Capua, Nicolaus de (?)
Et in terra pax [Gloria] (III) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Bosquet, Johannes (–ca. 1406) (?) Capua, Nicolaus de (?) Appears on: 35v–36 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (=Gloria) General Note CMM 11/II, p. 7
36	En naturarum - 1a pars (of 2): En naturarum Dominus regum	-	Anonymous
En naturarum - 1a pars (of 2): En naturarum Dominus regum Anonymous Appears on: 36 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: En naturarum dominus regum
36	En naturarum - 2a pars (of 2): O Christe rex	-	Anonymous
En naturarum - 2a pars (of 2): O Christe rex Anonymous Appears on: 36 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O christe rex
37	Recordare virgo mater dum steteris	-	Anonymous
Recordare virgo mater dum steteris Anonymous Appears on: 37 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Recordare virgo mater dum steteris
37v–38	Et in terra pax [Gloria], [Tro] Gloria Laus Honor	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Et in terra pax [Gloria], [Tro] Gloria Laus Honor Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 37v–38 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note CMM 11/VI, p. 72
39	Orto Dei filio - 1a pars (of 2): Orto Dei filio	-	Anonymous
Orto Dei filio - 1a pars (of 2): Orto Dei filio Anonymous Appears on: 39 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Orto dei filio
39	Orto Dei filio - 2a pars (of 2): Quem parit juvencula	-	Anonymous
Orto Dei filio - 2a pars (of 2): Quem parit juvencula Anonymous Appears on: 39 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quem parit iuvencula
39	Exultet caelum laudibus	-	Anonymous
Exultet caelum laudibus Anonymous Appears on: 39 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exultet celum laudibus General Note Only beginning of the text noted; Ward 1980, no. 243; KanP, p. 60
39v	Et in terra pax [Gloria]	-	Cividale, Antonius de
Et in terra pax [Gloria] Cividale, Antonius de Appears on: 39v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note A third part (Contratenor) is missing; fragment of the Contratenor in Mus. Ms. 3224, no. 6
40v–41v	Et in terra pax [Gloria]	-	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) Appears on: 40v–41v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note A fourth part (Canto II) is missing; Dufay GA IV (CMM 1/IV), p. 20
41v–42	Magnificat primi toni [K.118]	-	Anonymous
Magnificat primi toni [K.118] Anonymous Appears on: 41v–42 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat I. toni General Note Intonation in the Canto, beginnings of the verses to be performed choraliter in the tenor: faubourdon piece, corresponsing indication in the tenor missing; KirschQM, no. 118;
42v–43	Patrem omnipotentem [Credo]	-	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] Du Fay, Guillaume (1397–1474) Appears on: 42v–43 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo) General Note A third part (contratenor) is missing; Dufay GA IV (CMM 1/IV), p. 17
43v–44	Mittit ad virginem	-	Anonymous
Mittit ad virginem Anonymous Appears on: 43v–44 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem General Note Chev. 11653, 1-2, 7-8, 11
44	Cedit hiems eminus	-	Anonymous
Cedit hiems eminus Anonymous Appears on: 44 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cedit hiems eminus General Note Chev. 2711, 1
44v–45	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 44v–45 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo) General Note Incipit in ZfMw 10 (1927/28), p. 75; set up to "sepultus est", then "Amen"; tenor noted only with the beginning ("Initium") and in the "Amen"; identical with the corresponding sections in the monophonic Credo on fols 16-17v (MarxerC, p, 149), which is obviously the C.f. of the setting
45	Christ ist erstanden	-	Anonymous
Christ ist erstanden Anonymous Appears on: 45 Genres: Motet Voice: [no designation] Languages: German Voice Text: Crist ist erstanden General Note Also in Clm 5023; text in Wackernagel 1877, II, no. 40, 1
45v	Adieu Adieu, mon joyeux souvenir	-	Binchois, Gilles (ca. 1400–1460)
Adieu Adieu, mon joyeux souvenir Binchois, Gilles (ca. 1400–1460) Appears on: 45v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu adieu, mon joyeux souvenir General Note Musikalische Denkmäler II. p. 1
45v–46	Adieu mon amoureuse joye	-	Binchois, Gilles (ca. 1400–1460)
Adieu mon amoureuse joye Binchois, Gilles (ca. 1400–1460) Appears on: 45v–46 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu mon amoureuse joye General Note Musikalische Denkmäler II. p. 43
46	Christus surrexit mala nostra texit	-	Anonymous
Christus surrexit mala nostra texit Anonymous Appears on: 46 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Christus surrexit mala nostra texit General Note Text in Chev. 3244, 1
46v–47	Christus rex pacificus = Jour à jour la vie	-	Machaut, Guillaume de (ca. 1300–1377)
Christus rex pacificus = Jour à jour la vie Machaut, Guillaume de (ca. 1300–1377) Appears on: 46v–47 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Cristus rex pacificus [= Jour à jour la vie] General Note text with the annotation "comitis de flandorum Jorlavie"; eidition in ZfMw 10 (1927/28), p. 99
47	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 47 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieeleyson General Note modelled on Gregorian chorale, cf. Hufnagelnotation at the end
47v–48	Regi unico Dei omnipotentis Benedicamus Domino	-	Anonymous
Regi unico Dei omnipotentis Benedicamus Domino Anonymous Appears on: 47v–48 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Regi unico dei omnipotentis (Benedicamus domino)
48	O pulchra lux	-	Anonymous
O pulchra lux Anonymous Appears on: 48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pulchra lux
48v	In pharaonis atrio - 1a pars (of 2): In pharaonis atrio	-	Anonymous
In pharaonis atrio - 1a pars (of 2): In pharaonis atrio Anonymous Appears on: 48v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In Pharaonis atrio
48v	In pharaonis atrio - 2a pars (of 2): Nescit quo fit	-	Anonymous
In pharaonis atrio - 2a pars (of 2): Nescit quo fit Anonymous Appears on: 48v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nescit quo fit
49	Kyrie 'angelorum'	-	Binchois, Gilles (ca. 1400–1460)
Kyrie 'angelorum' Binchois, Gilles (ca. 1400–1460) Appears on: 49 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson
49v–50	Patrem omnipotentem [Credo]	-	Cividale, Antonius de
Patrem omnipotentem [Credo] Cividale, Antonius de Appears on: 49v–50 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo) General Note A third part (Contratenor) is missing; CMM 11/V, p. 18
50	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 50 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
50v–51	Ibo mihi ad montem	-	Anonymous
Ibo mihi ad montem Anonymous Appears on: 50v–51 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ibo mihi ad montem
51v–52	Levat autentica - 1a pars (of 2): Levat autentica - Christ der ist erstanden	-	Von Heringen, Rudolf Volkard (?)
Levat autentica - 1a pars (of 2): Levat autentica - Christ der ist erstanden Von Heringen, Rudolf Volkard (?) Appears on: 51v–52 Genres: Cantio Voice: [no designation] Languages: Latin, German Voice Text: Levat autentica - Christ der ist erstanden General Note With Ouvert and Clos
51v–52	Levat autentica - 2a pars (of 2): Ergo christo resonemus / Christ der ist erstanden	-	Von Heringen, Rudolf Volkard (?)
Levat autentica - 2a pars (of 2): Ergo christo resonemus / Christ der ist erstanden Von Heringen, Rudolf Volkard (?) Appears on: 51v–52 Genres: Motet Voice: [no designation] Languages: Latin, German Voice Text: Ergo christo resonemus / Crist der ist erstanden
52	Je donne a tous les amoureux	-	Du Fay, Guillaume (1397–1474)
Je donne a tous les amoureux Du Fay, Guillaume (1397–1474) Appears on: 52 Genres: Chanson, Rondeau Voice: [no designation] Languages: Latin Voice Text: O Maria maris stella [= Je donne a tous] General Note CMM 1/VI, p. 71
52	Verbum supernum prodiens	-	Anonymous
Verbum supernum prodiens Anonymous Appears on: 52 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum supernum prodiens General Note Fauxbourdon piece; corresponding instruction in the tenor missing; Ward 1980, no. 681
52v–53	Et in terra pax [Gloria]	-	Grossin, Estienne
Et in terra pax [Gloria] Grossin, Estienne Appears on: 52v–53 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria)
53	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 53 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
53v–54	Sanctus pater ingenitus	-	Von Heringen, Rudolf Volkard
Sanctus pater ingenitus Von Heringen, Rudolf Volkard Appears on: 53v–54 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus pater ingenitus General Note according to index: "Sancus rudolffi"
54v–55	Benedicamus in laude	-	Anonymous
Benedicamus in laude Anonymous Appears on: 54v–55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus in laude General Note Contratenor postscriptum in white mensural notation
54v–55	Craindre vous vueil doulce damme de pris	-	Du Fay, Guillaume (1397–1474)
Craindre vous vueil doulce damme de pris Du Fay, Guillaume (1397–1474) Appears on: 54v–55 Genres: Chanson, Rondeau Voice: [no designation] Languages: Latin Voice Text: Bone pastor [= Craindre vous] General Note Without third part (Canto) of the Rondeau; CMM 1/VI, p. 79
55	Veni creator spiritus	-	Du Fay, Guillaume (1397–1474)
Veni creator spiritus Du Fay, Guillaume (1397–1474) Appears on: 55 Genres: Hymn, Veni creator spiritus Voice: [no designation] Languages: Latin Voice Text: Veni creator General Note Ward 1980, no. 622; CMM 1/V, p. 51; compared to the edition here a fifth lower
55	A solis ortus cardine ad usque terrae	-	Anonymous
A solis ortus cardine ad usque terrae Anonymous Appears on: 55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: A solis ortus General Note Ward 1980, no. 47
55v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 55v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson
55v–56	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 55v–56 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson
56v–57	O Maria virgo davitica virginum flos / O Maria maris stella plena gratie	-	Anonymous
O Maria virgo davitica virginum flos / O Maria maris stella plena gratie Anonymous Appears on: 56v–57 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O Maria virgo davitica/O Maria maris stella
57	Kyrie Cum Jubilo in festis B.M.V. ou De domina	-	Du Fay, Guillaume (1397–1474)
Kyrie Cum Jubilo in festis B.M.V. ou De domina Du Fay, Guillaume (1397–1474) Appears on: 57 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson General Note CMM 1/IV, p. 67
57v	Et in terra pax [Gloria] 'Spiritus et alme'	-	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] 'Spiritus et alme' Du Fay, Guillaume (1397–1474) Appears on: 57v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note CMM 1/IV, p. 24
58v–59	Kyrie eleison = Ballata Questa franciulla	-	Landini, Francesco (ca. 1325–1397)
Kyrie eleison = Ballata Questa franciulla Landini, Francesco (ca. 1325–1397) Appears on: 58v–59 Genres: Contrafactum, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrieleyson [= Ballata Questa franciulla] General Note Contratenor postcriptum in white mensural notation; PMFC4, p. 116
58v–59	Regina caeli laetare alleluia	-	Du Fay, Guillaume (1397–1474)
Regina caeli laetare alleluia Du Fay, Guillaume (1397–1474) Appears on: 58v–59 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
59v	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Du Fay, Guillaume (1397–1474)
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Du Fay, Guillaume (1397–1474) Appears on: 59v Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes General Note uneven-numbered verses to be performed choraliter in Quadratnotation (only beginnings); CMM 1/V, p. 11
60	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 60 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi General Note Ward 1980, no. 461
60v	Dimissa sunt ei peccata - 1a pars (of 2): Dimissa sunt ei peccata	-	Anonymous
Dimissa sunt ei peccata - 1a pars (of 2): Dimissa sunt ei peccata Anonymous Appears on: 60v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dimissa sunt ei peccata General Note Fauxbourdon piece; corresponding indication in the tenor missing
60v	Dimissa sunt ei peccata - 2a pars (of 2): Gloria Patri	-	Anonymous
Dimissa sunt ei peccata - 2a pars (of 2): Gloria Patri Anonymous Appears on: 60v Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria Patri General Note Fauxbourdon piece; corresponding indication in the tenor missing
61	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 61 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
61	Rex de caelo prodiit	-	Anonymous
Rex de caelo prodiit Anonymous Appears on: 61 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Rex de caelo prodiit General Note poscript in white mensural notation
61v–62	Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino Anonymous Appears on: 61v–62 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
61v–62	Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum	-	Anonymous
Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum Anonymous Appears on: 61v–62 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Versus super gaudeamus Cantate domino canticum novum quia vel Eructavit cor meum
62	Nunc rogemus / Veni rerum conditor / Nun bitten wir	-	Anonymous
Nunc rogemus / Veni rerum conditor / Nun bitten wir Anonymous Appears on: 62 Genres: Motet Voice: [no designation] Languages: Latin, German Voice Text: Nunc rogemus/Veni rerum conditor/Nun bitten wir General Note Three texts refer to the three parts
62v	Et in terra pax [Gloria]	-	Gemblaco (Gembloux), Johannes Franchois de
Et in terra pax [Gloria] Gemblaco (Gembloux), Johannes Franchois de Appears on: 62v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note NRMI 4 (1970), p. 29
63	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 63 Genres: Ave maris stella, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note Ward 1980, no, 137
63	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 63 Genres: Ave maris stella, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note Ward 1980, no, 138
63v–64	Quam pulchra es et quam decora	-	Egidius (?) Dunstaple, John (ca. 1390–1453) (?)
Quam pulchra es et quam decora Egidius (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 63v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora General Note MB VIII, p. 112
64	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 64 Genres: Ave maris stella, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note Ward 1980, no. 139; WardTP, II, p. 516
64v–65	Veni rerum conditor = Gar leis in senfter weis	-	Anonymous
Veni rerum conditor = Gar leis in senfter weis Anonymous Appears on: 64v–65 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Veni rerum conditor [= Gar leis in senfter weis]
65	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 65 Genres: Ave maris stella, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note Ward 1980, no. 140
65	Or me veult de bien Esperance mentir	-	Du Fay, Guillaume (1397–1474) (?)
Or me veult de bien Esperance mentir Du Fay, Guillaume (1397–1474) (?) Appears on: 65 Genres: Ballade, Chanson Voice: [no designation] Languages: French Voice Text: "Portugal" [= first half of Ballad 'Or me veult'] General Note Without text; postscript in white mensural notation; fragment; CMM 1/VI, p. 106 (Opus dubium) -- though the version in MuB 3224 is ascribed to Du Fay
65v	Spiritus et alme orphanorum paraclite	-	Anonymous
Spiritus et alme orphanorum paraclite Anonymous Appears on: 65v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus et alme General Note '6 partes'
65v–66	Vo regard et douce	-	Du Fay, Guillaume (1397–1474)
Vo regard et douce Du Fay, Guillaume (1397–1474) Appears on: 65v–66 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Vo regard et douce General Note text not noted; CMM 1/VI, p. 74
66	Veni dulcis consolator tenebrarum illustrator	-	Anonymous
Veni dulcis consolator tenebrarum illustrator Anonymous Appears on: 66 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Veni dulcis consolator tenebrarum illustrator General Note text in Chev. 21213
66v–67	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 66v–67 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
67	Asperges me Domine isopo et mundabor	-	Anonymous
Asperges me Domine isopo et mundabor Anonymous Appears on: 67 Genres: Asperges me, Motet Voice: [no designation] Languages: Latin Voice Text: Asperges me Domine hysopo General Note the sections to be performed choraliter noted partly in the Cantus, partly in the Tenor
67	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 67 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino General Note the same as no. 222
67v–69	Lauda Sion salvatorem	-	Du Fay, Guillaume (1397–1474)
Lauda Sion salvatorem Du Fay, Guillaume (1397–1474) Appears on: 67v–69 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem General Note uneven-numbered verses choraliter in Quadratnotation; CMM 1/V, p. 21
69v	Salve sancta parens - 1a pars (of 3): Salve sancta parens	-	Libert, Reginaldus
Salve sancta parens - 1a pars (of 3): Salve sancta parens Libert, Reginaldus Appears on: 69v Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens General Note Third voice (Contratenor) missing; intonation in the Canto; DTO, vol. 53, p. 1
69v	Salve sancta parens - 2a pars (of 3): Sola sine exemplo	-	Libert, Reginaldus
Salve sancta parens - 2a pars (of 3): Sola sine exemplo Libert, Reginaldus Appears on: 69v Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Sola sine exemplo General Note Third voice (Contratenor) missing; intonation in the Canto; DTO, vol. 53, p. 1
69v	Salve sancta parens - 3a pars (of 3): Gloria patri	-	Libert, Reginaldus
Salve sancta parens - 3a pars (of 3): Gloria patri Libert, Reginaldus Appears on: 69v Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri General Note Third voice (Contratenor) missing; intonation in the Canto; DTO, vol. 53, p. 1
70v–71	Sanctus, trope Gustasti necis pocula	-	Sweikl
Sanctus, trope Gustasti necis pocula Sweikl Appears on: 70v–71 Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus, [trope] Gustasti necis pocula General Note Acc. to index "Sanctus Sweikl"
71	Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	-	Du Fay, Guillaume (1397–1474)
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] Du Fay, Guillaume (1397–1474) Appears on: 71 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Exultet caelum laudibus General Note Ward 1980, no. 231a and b; see also below, no. 141; CMM 1/V, p. 64
71v–72	Sanctus	-	Libert, Reginaldus
Sanctus Libert, Reginaldus Appears on: 71v–72 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note A third voice (Contratenor) is missing; DTO, vol. 53, p. 16
72	Agnus Dei	-	Libert, Reginaldus
Agnus Dei Libert, Reginaldus Appears on: 72 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note A third voice (Contratenor) is missing; DTO, vol. 53, p. 17
72v	Gaude palmes vitis vera	-	Anonymous
Gaude palmes vitis vera Anonymous Appears on: 72v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Gaude palmes vitis vera
72v	Solis lux et aurora	-	Anonymous
Solis lux et aurora Anonymous Appears on: 72v Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Solis lux et aurora
73	Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	-	Du Fay, Guillaume (1397–1474)
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] Du Fay, Guillaume (1397–1474) Appears on: 73 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Exultet caelum laudibus General Note Ward 1980, no. 231a and b; see also above, no. 136; CMM 1/V, p. 64, version b
73	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 73 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson
73v	Cibavit eos - 1a pars (of 2): Cibavit eos ex adipe	-	Anonymous
Cibavit eos - 1a pars (of 2): Cibavit eos ex adipe Anonymous Appears on: 73v Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe
73v	Cibavit eos - 2a pars (of 2): Exultate deo adjutori	-	Anonymous
Cibavit eos - 2a pars (of 2): Exultate deo adjutori Anonymous Appears on: 73v Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Exultate deo adiutori
74	Laetabitur justus	-	Anonymous
Laetabitur justus Anonymous Appears on: 74 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Laetabitur iustus
74v	Ex ore infantium - 1a pars (of 2): Ex ore infantium Deus et lactencium	-	Anonymous
Ex ore infantium - 1a pars (of 2): Ex ore infantium Deus et lactencium Anonymous Appears on: 74v Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Ex ore infantium deus et lactencium
74v	Ex ore infantium - 2a pars (of 2): Domine Dominus noster	-	Anonymous
Ex ore infantium - 2a pars (of 2): Domine Dominus noster Anonymous Appears on: 74v Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Domine dominus noster
75	Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicite dominum omnes angeli
75	Benedicite dominum - 2a pars (of 2): Benedic anima mea	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Benedicite dominum - 2a pars (of 2): Benedic anima mea Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedic anima mea
75v–76	Puer natus est nobis - 1a pars (of 3): Puer natus est nobis	-	Du Fay, Guillaume (1397–1474) (?)
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis Du Fay, Guillaume (1397–1474) (?) Appears on: 75v–76 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis General Note At "Et vocabitur" the Cantus has the annotation "per faulx wurodon"; sections to be performed choraliter in the Cantus in white Quadratnotation; DangelM, p. 245
75v–76	Puer natus est nobis - 2a pars (of 3): Cantate Domino canticum novum quia	-	Anonymous
Puer natus est nobis - 2a pars (of 3): Cantate Domino canticum novum quia Anonymous Appears on: 75v–76 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum quia General Note At "Et vocabitur" the Cantus has the annotation "per faulx wurodon"; sections to be performed choraliter in the Cantus in white Quadratnotation; DangelM, p. 245
75v–76	Puer natus est nobis - 3a pars (of 3): Gloria patri	-	Anonymous
Puer natus est nobis - 3a pars (of 3): Gloria patri Anonymous Appears on: 75v–76 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri General Note Sections to be performed choraliter in the Cantus in white Quadratnotation; DangelM, p. 245
76v–77	Salve sancta parens - 1a pars (of 3): Salve sancta parens	-	Anonymous
Salve sancta parens - 1a pars (of 3): Salve sancta parens Anonymous Appears on: 76v–77 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens General Note Intonation in the Cantus in white Quadratnotation; DangelM, p. 249
76v–77	Salve sancta parens - 2a pars (of 3): Virgo Dei genitrix quem totus non capit	-	Anonymous
Salve sancta parens - 2a pars (of 3): Virgo Dei genitrix quem totus non capit Anonymous Appears on: 76v–77 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Virgo dei genitrix General Note Intonation in the Cantus in white Quadratnotation; DangelM, p. 249
76v–77	Salve sancta parens - 3a pars (of 3): Gloria patri	-	Anonymous
Salve sancta parens - 3a pars (of 3): Gloria patri Anonymous Appears on: 76v–77 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri General Note Intonation in the Cantus in white Quadratnotation; DangelM, p. 249
77	Portig	-	Anonymous
Portig Anonymous Appears on: 77 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Portig General Note same as no. 126
77v–78	Ave Regina caelorum (2) - 1a pars (of 3): Ave regina caelorum	-	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (2) - 1a pars (of 3): Ave regina caelorum Du Fay, Guillaume (1397–1474) Appears on: 77v–78 Genres: Ave regina caelorum, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note CMM 1/V, p. 121
77v–78	Ave Regina caelorum (2) - 2a pars (of 3): Gaude gloriosa	-	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (2) - 2a pars (of 3): Gaude gloriosa Du Fay, Guillaume (1397–1474) Appears on: 77v–78 Genres: Ave regina caelorum, Motet Voice: [no designation] Languages: Latin Voice Text: Gaude gloriosa General Note CMM 1/V, p. 121
77v–78	Ave Regina caelorum (2) - 3a pars (of 3): Et pro nobis	-	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (2) - 3a pars (of 3): Et pro nobis Du Fay, Guillaume (1397–1474) Appears on: 77v–78 Genres: Ave regina caelorum, Motet Voice: [no designation] Languages: Latin Voice Text: Et pro nobis General Note CMM 1/V, p. 121
78v	Assumpta est Maria in caelum gaudent angeli	-	Anonymous
Assumpta est Maria in caelum gaudent angeli Anonymous Appears on: 78v Genres: Antiphon Voice: [no designation] Languages: Latin Voice Text: Assumpta est Maria
78v	Maria virgo assumpta est	-	Kerle, Jacobus de
Maria virgo assumpta est Kerle, Jacobus de Appears on: 78v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Maria virgo assumpta est
78v–79	Et in terra pax [Gloria]	-	Dunstaple, John (ca. 1390–1453)
Et in terra pax [Gloria] Dunstaple, John (ca. 1390–1453) Appears on: 78v–79 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note MB VIII, p. 14
79v–80	Magnificat primi toni: Et exultavit [K.127]	-	Anonymous
Magnificat primi toni: Et exultavit [K.127] Anonymous Appears on: 79v–80 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (=Magnificat I. toni) General Note KirschQM, no. 127
80	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 80 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson General Note same modell as no. 59
80v–81	Imera dat hodierno	-	Grossin, Estienne
Imera dat hodierno Grossin, Estienne Appears on: 80v–81 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Imera dat hodierno General Note CMM 11/III, p. 59
81v	Ave maris stella Sumens illud ave	-	Du Fay, Guillaume (1397–1474)
Ave maris stella Sumens illud ave Du Fay, Guillaume (1397–1474) Appears on: 81v Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maris stella Sumens illud ave [1a pars] General Note Ward 1980, no. 83, fauxbourdon instruction in the Tenor missing, independent Cantus not noted; CMM 1/V, p. 56
81v–82	Ave digna angelorum	-	Anonymous
Ave digna angelorum Anonymous Appears on: 81v–82 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave digna angelorum
82	Vo regard et douce	-	Du Fay, Guillaume (1397–1474)
Vo regard et douce Du Fay, Guillaume (1397–1474) Appears on: 82 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Vo regard et douce General Note same as no. 128; text not noted
82v–83	O pulcherrima mulierum (= S'il est plaisir)	-	Du Fay, Guillaume (1397–1474)
O pulcherrima mulierum (= S'il est plaisir) Du Fay, Guillaume (1397–1474) Appears on: 82v–83 Genres: Chanson, Contrafactum, Virelai Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum [= S'il est plaisir] General Note CMM 1/VI, p. 39 Incipits of French text in both Cantus voices; contratenor stops after 29 breves with marking "etc." [PlanchartD notes that the French text does not fit Cantus 2, and suggests this is an added voice not by Du Fay, replacing a now-lost Ct in Du Fay's original; with the 'new' fragment of Ct being (partly) composed to create a 4vv song.]
83v–84	Patrem omnipotentem [Credo]	-	Brassart, Johannes (ca. 1400–1455)
Patrem omnipotentem [Credo] Brassart, Johannes (ca. 1400–1455) Appears on: 83v–84 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo) General Note only up to "et homo factus est'; CMM 35/I, p. 48
85	Christe qui lux es	-	Anonymous
Christe qui lux es Anonymous Appears on: 85 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Christe qui lux es General Note Ward 1980, no. 147
85	Rex gloriose martyrum	-	Roullet, Johannes
Rex gloriose martyrum Roullet, Johannes Appears on: 85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Rex gloriose martirum General Note Ward 1980, no. 532; Codex....
85	Lumen ad revelationem gentium et gloriam	-	Anonymous
Lumen ad revelationem gentium et gloriam Anonymous Appears on: 85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lumen ad revelationem gentium et gloriam
85v	Urbs beata Jerusalem	-	Anonymous
Urbs beata Jerusalem Anonymous Appears on: 85v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Urbs beata Ierusalem General Note Chev. 20918
85v	Conditor alme siderum	-	Du Fay, Guillaume (1397–1474)
Conditor alme siderum Du Fay, Guillaume (1397–1474) Appears on: 85v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Conditor alme siderum General Note Ward 1980, no. 184; CMM 1/V, p. 39 Item Bibliography Ward, Tom Robert. 1980. The Polyphonic Office Hymn 1400-1520: A Descriptive Catalogue. Renaissance Manuscript Studies. Stuttgart. Pages: no. 184. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1/V, p. 39.
85v	Amen	-	Anonymous
Amen Anonymous Appears on: 85v Genres: Motet Voice: [no designation] Languages: Hebrew Voice Text: Amen General Note apparently belonging to no. 166
85v	Amen	-	Anonymous
Amen Anonymous Appears on: 85v Genres: Motet Voice: [no designation] Languages: Hebrew Voice Text: Amen General Note apparently belonging to no. 166
86	Mille bonjours	-	Du Fay, Guillaume (1397–1474)
Mille bonjours Du Fay, Guillaume (1397–1474) Appears on: 86 Genres: Chanson, Rondeau Voice: [no designation] Languages: Latin Voice Text: Imperatrix caelestis [= Mille bonjours] General Note CMM 1/VI, p. 81
86v	Adieu ma douce	-	Binchois, Gilles (ca. 1400–1460)
Adieu ma douce Binchois, Gilles (ca. 1400–1460) Appears on: 86v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu ma doulce General Note only beginning of text noted; Musikalische Denkmäler, II, p. 4
86v–87	Ut queant laxis resonare fibris	-	Binchois, Gilles (ca. 1400–1460)
Ut queant laxis resonare fibris Binchois, Gilles (ca. 1400–1460) Appears on: 86v–87 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis General Note Ward 1980, no. 593
87	Deo gratias (=Adieu ma tres belle maistresse)	-	Binchois, Gilles (ca. 1400–1460)
Deo gratias (=Adieu ma tres belle maistresse) Binchois, Gilles (ca. 1400–1460) Appears on: 87 Genres: Contrafactum, Deo gratias Voice: [no designation] Languages: Latin Voice Text: Deo gratias [= Adieu ma tres belle maistresse] General Note Contratenor missing; DTO, vol. 22, p. 95 General Note [contrafactum title 'Deo Gratias', but music untexted]
87	Christ ist erstanden	-	Anonymous
Christ ist erstanden Anonymous Appears on: 87 Genres: Motet Voice: [no designation] Languages: German Voice Text: Crist ist erstanden
87v	untexted, probably a Ballade	-	Anonymous
untexted, probably a Ballade Anonymous Appears on: 87v Genres: Ballade Voice: [no designation] Languages: none Voice Text: Without text, probably a Ballade
87v	Da pacem Domine in diebus nostris	-	Binchois, Gilles (ca. 1400–1460)
Da pacem Domine in diebus nostris Binchois, Gilles (ca. 1400–1460) Appears on: 87v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris General Note text as in no. 115
88	Pange lingua gloriosi corporis misterium	-	Merques, Nicolas
Pange lingua gloriosi corporis misterium Merques, Nicolas Appears on: 88 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi corporis misterium General Note WardTP, II, p. 518 (second version); DTO, vol. 53, p. 88 (firt version)
88v–89	Veni sancte spiritus et emitte caelitus	-	Du Fay, Guillaume (1397–1474) (?)
Veni sancte spiritus et emitte caelitus Du Fay, Guillaume (1397–1474) (?) Appears on: 88v–89 Genres: Sequence, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus General Note uneven-numbered verses choraliter, noted in the tenor in white Quadratnotation
89v	Magnificat octavi toni: Et exultavit [K.376]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.376] Anonymous Appears on: 89v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat VIII. toni) General Note KirschQM, no. 376; verses 2 and 12 fauxbourdon settings, corresponding instruction missing
90	Magnificat Sexti Toni: Et exultavit [K.293]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.293] Anonymous Appears on: 90 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat VI. toni) General Note KirschQM, no. 293
90v	Haec dies - 1a pars (of 2): Haec dies quam fecit Dominus hodie	-	Anonymous
Haec dies - 1a pars (of 2): Haec dies quam fecit Dominus hodie Anonymous Appears on: 90v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Haec dies quam fecit dominus hodie
90v	Haec dies - 2a pars (of 2): Hodie mortem quam	-	Anonymous
Haec dies - 2a pars (of 2): Hodie mortem quam Anonymous Appears on: 90v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie mortem quam
90v	Hodie Deus homo factus	-	Anonymous
Hodie Deus homo factus Anonymous Appears on: 90v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie deus homo factus General Note Part III of no. 180
91	Toni psalmorum, Tonus I: sine differentia	-	Anonymous
Toni psalmorum, Tonus I: sine differentia Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus I: sine differentia General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91	Toni psalmorum, Tonus I: cum differentia	-	Anonymous
Toni psalmorum, Tonus I: cum differentia Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus I: cum differentia General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91	Toni psalmorum, Tonus II	-	Anonymous
Toni psalmorum, Tonus II Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus II General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91	Toni psalmorum, Tonus III	-	Anonymous
Toni psalmorum, Tonus III Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus III General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91	Toni psalmorum, Tonus IV	-	Anonymous
Toni psalmorum, Tonus IV Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus IV General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91	Toni psalmorum, Tonus V	-	Anonymous
Toni psalmorum, Tonus V Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus V General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91	Toni psalmorum, Tonus VI	-	Anonymous
Toni psalmorum, Tonus VI Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus VI General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91	Toni psalmorum, Tonus VII	-	Anonymous
Toni psalmorum, Tonus VII Anonymous Appears on: 91 Genres: Psalm Voice: [no designation] Languages: none Voice Text: Toni psalmorum, Tonus VII General Note fauxbourdon setting; respective instruction in the Tenor missing, RuhlandP, p. 181
91v–92	Magnificat Septimi Toni [K.355]	-	Anonymous
Magnificat Septimi Toni [K.355] Anonymous Appears on: 91v–92 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat VII. toni General Note KirschQM, no. 355; intonation in the Cantus; fauxbourdon setting, respective instruction in the tenor missing
91v–92	no piece designated	-	Anonymous
no piece designated Anonymous Appears on: 91v–92 Genres: none Voice: [no designation] Languages: insufficient Voice Text: [no piece designated] General Note see 190 (the same piece, given two numbers)
92v–93	Ave tota casta (= Or me veult)	-	Du Fay, Guillaume (1397–1474) (?)
Ave tota casta (= Or me veult) Du Fay, Guillaume (1397–1474) (?) Appears on: 92v–93 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave tota casta [= Or me veult] General Note marked "Portagaler"
93	Christus natus est hodie = Hardament	-	Roullet, Johannes
Christus natus est hodie = Hardament Roullet, Johannes Appears on: 93 Genres: Contrafactum Voice: [no designation] Languages: French Voice Text: Hardament General Note text not noted; settings also under no. 204 (with Contratenor)
93v–95	Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris	-	Anonymous
Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris Anonymous Appears on: 93v–95 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancta Maria succurre miseris
93v–95	Sancta Maria succurre - 2a pars (of 2): Ora pro populo	-	Anonymous
Sancta Maria succurre - 2a pars (of 2): Ora pro populo Anonymous Appears on: 93v–95 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ora pro populo
93v–95	Sancta Maria succurre - 3a pars (of 2): Intercede pro devoto	-	Anonymous
Sancta Maria succurre - 3a pars (of 2): Intercede pro devoto Anonymous Appears on: 93v–95 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Intercede pro devoto
94v	Ave mundi gaudium	-	Libert, Reginaldus
Ave mundi gaudium Libert, Reginaldus Appears on: 94v Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Ave mundi gaudium General Note "5 partes"; a third part (Contratenor) is missing; DTO, vol. 53, p. 5
95v	Officium paschalae; Kyrie eleison	-	Roullet, Johannes
Officium paschalae; Kyrie eleison Roullet, Johannes Appears on: 95v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Officium paschalae; Kyrie leyson
95v–96	Responsiones ad missam	-	Anonymous
Responsiones ad missam Anonymous Appears on: 95v–96 Genres: Proper Voice: [no designation] Languages: Latin Voice Text: Responsiones ad missam General Note in two versions, 2-3 and 3 voices
96	Navré je suis d'un dart penetratif	-	Du Fay, Guillaume (1397–1474)
Navré je suis d'un dart penetratif Du Fay, Guillaume (1397–1474) Appears on: 96 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Navré je sui d'un dart penetratif General Note text not noted; CMM 1/VI, p. 55
96v	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 96v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens General Note two parts, text not noted; intonation in the Cantus
97	Beata viscera Mariae virginis	-	Edelrawer, Hermann
Beata viscera Mariae virginis Edelrawer, Hermann Appears on: 97 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata viscera Mariae virginis
97	Wo ich in aller Welt	-	Roullet, Johannes
Wo ich in aller Welt Roullet, Johannes Appears on: 97 Genres: Song Voice: [no designation] Languages: German Voice Text: Wo ich in aller werld General Note Only two ines of the text extant, noted separately
97v–98	Et in terra pax [Gloria]	-	Du Fay, Guillaume (1397–1474) (?)
Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) (?) Appears on: 97v–98 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note CMM 1/IV, p. 97 (as opus dubium)
98	Mon bien tout	-	Anonymous
Mon bien tout Anonymous Appears on: 98 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon byen tout General Note text not noted
98v	Christus natus est hodie = Hardament	-	Roullet, Johannes
Christus natus est hodie = Hardament Roullet, Johannes Appears on: 98v Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Christus natus est hodie [= Hardament] General Note setting also under no. 193 (without Contratenor)
98v–99	Benedicamus Domino. Alleluia	-	Anonymous
Benedicamus Domino. Alleluia Anonymous Appears on: 98v–99 Genres: Alleluia, Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino alleluia
99	Ayes pitie de vostre creature	-	Anonymous
Ayes pitie de vostre creature Anonymous Appears on: 99 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ayes pite de vostre General Note text not noted
99v–100	Officium Dominicale: Sanctus	-	Anonymous
Officium Dominicale: Sanctus Anonymous Appears on: 99v–100 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Officium Dominicale: Sanctus General Note Incipit see ZfMw 10 (1927/28), p. 75
100	Viderunt omnes fines terrae salutare	-	Anonymous
Viderunt omnes fines terrae salutare Anonymous Appears on: 100 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Viderunt omnes fines terrae salutare
100	Hodie Deus homo factus	-	Anonymous
Hodie Deus homo factus Anonymous Appears on: 100 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie deus homo factus General Note cf. no. 181
100v–101	Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas	-	Anonymous
Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas Anonymous Appears on: 100v–101 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Benedicta sit sancta trinitas General Note fauxbourdon piece, respecitve instruction in the tenore missing
100v–101	Benedicta sit sancta trinitas - 2a pars (of 2): Benedicamus patrem et filium	-	Anonymous
Benedicta sit sancta trinitas - 2a pars (of 2): Benedicamus patrem et filium Anonymous Appears on: 100v–101 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus patrem et filium General Note fauxbourdon piece, respecitve instruction in the tenore missing
101	Spiritus et alme orphanorum paraclite	-	Anonymous
Spiritus et alme orphanorum paraclite Anonymous Appears on: 101 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus et alme General Note "6 partes",text = trope to the Gloria, cf. no. 109
101v–102	Statuit ei Dominus - 1a pars (of 3): Statuit ei Dominus	-	Anonymous
Statuit ei Dominus - 1a pars (of 3): Statuit ei Dominus Anonymous Appears on: 101v–102 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Statuit ei dominus General Note Sections to be performed choraliter in the Cantus; DangelM, p. 249
101v–102	Statuit ei Dominus - 2a pars (of 3): Misericordias Domini in aeternum	-	Anonymous
Statuit ei Dominus - 2a pars (of 3): Misericordias Domini in aeternum Anonymous Appears on: 101v–102 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Misericordias domini in eternum General Note Sections to be performed choraliter in the Cantus; DangelM, p. 249
101v–102	Statuit ei Dominus - 3a pars (of 3): Gloria patri	-	Anonymous
Statuit ei Dominus - 3a pars (of 3): Gloria patri Anonymous Appears on: 101v–102 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri General Note Sections to be performed choraliter in the Cantus; DangelM, p. 249
102	In medio ecclesiae - 1a pars (of 2): In medio ecclesiae	-	Anonymous
In medio ecclesiae - 1a pars (of 2): In medio ecclesiae Anonymous Appears on: 102 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: In medio ecclesiae
102	In medio ecclesiae - 2a pars (of 2): Bonum est confiteri	-	Anonymous
In medio ecclesiae - 2a pars (of 2): Bonum est confiteri Anonymous Appears on: 102 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Bonum est cofiteri
102v–103	Kyrie eleison	-	Du Fay, Guillaume (1397–1474)
Kyrie eleison Du Fay, Guillaume (1397–1474) Appears on: 102v–103 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note fauxbourdon setting, respective instruction in the Tenor missing; CMM 1/IV, p. 65
103	untexted	-	Edelrawer, Hermann
untexted Edelrawer, Hermann Appears on: 103 Genres: textless Voice: [no designation] Languages: none Voice Text: Without text
103v–105	Amen	-	Edelrawer, Hermann
Amen Edelrawer, Hermann Appears on: 103v–105 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Hebrew Voice Text: Amen
105	Amen	-	Anonymous
Amen Anonymous Appears on: 105 Genres: Motet Voice: [no designation] Languages: Hebrew Voice Text: Amen
105v–106v	Patrem omnipotentem [Credo] 'Alma redemptoris'	-	Gemblaco (Gembloux), Johannes Franchois de
Patrem omnipotentem [Credo] 'Alma redemptoris' Gemblaco (Gembloux), Johannes Franchois de Appears on: 105v–106v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo) General Note NRMI, vol. 4 (1970), p. 21
107	Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv)	-	Binchois, Gilles (ca. 1400–1460)
Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv) Binchois, Gilles (ca. 1400–1460) Appears on: 107 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Dueil angwisseux rage General Note Only Iniitum of text noted; Musikalische Denkmäler, vol. II (1957), p. 45
107v–109	Supremum est mortalibus bonum - 1a pars (of 2): Supremum est mortalibus bonum	-	Du Fay, Guillaume (1397–1474)
Supremum est mortalibus bonum - 1a pars (of 2): Supremum est mortalibus bonum Du Fay, Guillaume (1397–1474) Appears on: 107v–109 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Supremum est mortalibus bonum General Note CMM 1/I,2, p. 23
107v–109	Supremum est mortalibus bonum - 2a pars (of 2): O sancta pax	-	Du Fay, Guillaume (1397–1474)
Supremum est mortalibus bonum - 2a pars (of 2): O sancta pax Du Fay, Guillaume (1397–1474) Appears on: 107v–109 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sancta pax General Note CMM 1/I,2, p. 23
109v–110	Ave virgo quae de caelis	-	Du Fay, Guillaume (1397–1474)
Ave virgo quae de caelis Du Fay, Guillaume (1397–1474) Appears on: 109v–110 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave virgo quae de caelis General Note CMM 1/I,1, p. 19
110v	Virginis proles	-	Anonymous
Virginis proles Anonymous Appears on: 110v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Virginis proles General Note Ward 1980, no. 693
110v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 110v Genres: Benedicamus Domino Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
111	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 111 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
111v–113	Et in terra pax [Gloria]	-	Power, Leonel (–1445)
Et in terra pax [Gloria] Power, Leonel (–1445) Appears on: 111v–113 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria) General Note DTO, vol. 61, p. 104
113v	Verbum bonum et suave personemus illud ave	-	Anonymous
Verbum bonum et suave personemus illud ave Anonymous Appears on: 113v Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Verbum bonum et suave
113v	Ave veri Salomonis belongs to 225	-	Anonymous
Ave veri Salomonis belongs to 225 Anonymous Appears on: 113v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave veri Salomonis (belongs to 225)
114	Officium Dominicale: Kyrie eleison	-	Edelrawer, Hermann
Officium Dominicale: Kyrie eleison Edelrawer, Hermann Appears on: 114 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Officium Dominicale: Kyrie leyson
114	Chorale-intonation Gloria in excelsis deo	-	Anonymous
Chorale-intonation Gloria in excelsis deo Anonymous Appears on: 114 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Chorale-intonation Gloria in excelsis deo General Note in white Quadratnotation
114v	Missa De Capella Domini burdelagensis archiepiscopi: Kyrie eleison	-	Anonymous
Missa De Capella Domini burdelagensis archiepiscopi: Kyrie eleison Anonymous Appears on: 114v Genres: Kyrie eleison Voice: [no designation] Languages: Latin, Greek Voice Text: De Capella domini burdelagensis archiephiscopi / Kyrie leyson General Note ZfMw 10 (1927/28), p. 103
115v–116	Gaudeamus omnes - 1a pars (of 3): Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes - 1a pars (of 3): Gaudeamus omnes in Domino Anonymous Appears on: 115v–116 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino General Note Intonation in the Cantus
115v–116	Gaudeamus omnes - 2a pars (of 3):	-	Anonymous
Gaudeamus omnes - 2a pars (of 3): Anonymous Appears on: 115v–116 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Eructavit cor meum
115v–116	Gaudeamus omnes - 3a pars (of 3):Gloria patri	-	Anonymous
Gaudeamus omnes - 3a pars (of 3):Gloria patri Anonymous Appears on: 115v–116 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri General Note Intonation in the Cantus
116v–117	Christi nutu sublimato - 1a pars (of 2): Christi nutu sublimato	-	Brassart, Johannes (ca. 1400–1455)
Christi nutu sublimato - 1a pars (of 2): Christi nutu sublimato Brassart, Johannes (ca. 1400–1455) Appears on: 116v–117 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christi nutu sublimato
117v	Christi nutu sublimato - 2a pars (of 2): Praecemur christi adlethan	-	Brassart, Johannes (ca. 1400–1455)
Christi nutu sublimato - 2a pars (of 2): Praecemur christi adlethan Brassart, Johannes (ca. 1400–1455) Appears on: 117v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Precemur christi adlethan (part II of 231)
117v	Gaudeamus omnes in Domino fragment of Cantus of no. 235	-	Anonymous
Gaudeamus omnes in Domino fragment of Cantus of no. 235 Anonymous Appears on: 117v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino (fragment of Cantus of no. 235)
118	Domine ad adjuvandum me festina gloria	-	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 118 Genres: Offertory, Proper Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
118–119	Gaudeamus omnes	-	Anonymous
Gaudeamus omnes Anonymous Appears on: 118–119 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino General Note Intonation in the Cantus; cf. no 233; DangelM, p. 257
119v–120	Magnificat octavi toni: Et exultavit spiritus meus [K.377]	-	Lymburgia, Johannes de (?)
Magnificat octavi toni: Et exultavit spiritus meus [K.377] Lymburgia, Johannes de (?) Appears on: 119v–120 Genres: BVM, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat VIII. toni) General Note KirschQM, no. 377; a third voice (Cantus) is missing
120	Ecce panis angelorum factus cibus = Umb im Pad	-	Roullet, Johannes
Ecce panis angelorum factus cibus = Umb im Pad Roullet, Johannes Appears on: 120 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ecce panis angelorum factus cibus [= Umb im Pad]
120v	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 120v Genres: Ave Maria, Motet, Offertory Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note acc. to index; "Ave gracia Offertorium"
120v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 120v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
121	untexted	-	-
untexted Appears on: 121 Voice: [no designation] Languages: none Voice Text: Without text
121v–123	Gloria Rex saeculorum. Et in terra	-	Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?)
Gloria Rex saeculorum. Et in terra Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 121v–123 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (=Gloria) General Note MB VIII, p. 47
122	Ave digna angelorum	-	Anonymous
Ave digna angelorum Anonymous Appears on: 122 Genres: Kyrie eleison Voice: [no designation] Languages: Latin Voice Text: Ave digna angelorum
123v	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 123v Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens General Note Intonation in the Cantus in white mensural notation
124v–126	Et in terra pax [Gloria] [Tro] Spiritus et alme	-	Anonymous
Et in terra pax [Gloria] [Tro] Spiritus et alme Anonymous Appears on: 124v–126 Genres: Mass Ordinary, Troped Gloria Voice: [no designation] Languages: Latin Voice Text: Et in terra (=Gloria) [tropes Spiritus et alme] General Note "Et in terra beate virginis" acc. to register
126v	Magnificat Sexti Toni ad omnes versus	-	Binchois, Gilles (ca. 1400–1460) (?)
Magnificat Sexti Toni ad omnes versus Binchois, Gilles (ca. 1400–1460) (?) Appears on: 126v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat sexti toni ad omnes versus General Note Musikalische Denkmäler, II (1975), p. 28
126v–127	Esclave puist il donc en	Egidius Prachoys	Binchois, Gilles (ca. 1400–1460)
Esclave puist il donc en Binchois, Gilles (ca. 1400–1460) Appears on: 126v–127 Genres: Motet Source Attribution: Egidius Prachoys Voice: [no designation] Languages: French Voice Text: Esclave peut yl General Note Only text, incomplete; Musikalische Denkmäler, II (1975), p. 13
127	Cest assez	Egidius Prachoys	Binchois, Gilles (ca. 1400–1460)
Cest assez Binchois, Gilles (ca. 1400–1460) Appears on: 127 Genres: Chanson Source Attribution: Egidius Prachoys Voice: [no designation] Languages: French Voice Text: Cest assez General Note Only text, incomplete; Musikalische Denkmäler, II (1975), p. 10
127v–128	Kyrie 'fons bonitatis'	-	Du Fay, Guillaume (1397–1474)
Kyrie 'fons bonitatis' Du Fay, Guillaume (1397–1474) Appears on: 127v–128 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Officium Solenne: Kyrie Fons bonitatis General Note CMM 1/IV, p. 69
128v	Alle Dei filius ab hoste superbissimo	-	Nachtigal, Sebald (?)
Alle Dei filius ab hoste superbissimo Nachtigal, Sebald (?) Appears on: 128v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alle dei filius ab hoste superbissimo General Note ZfMw 10 (1927/28), p. 74
129	Virgo rosa venustatis (= C'est assez)	Wintzois	Binchois, Gilles (ca. 1400–1460)
Virgo rosa venustatis (= C'est assez) Binchois, Gilles (ca. 1400–1460) Appears on: 129 Genres: Contrafactum, Sacred Song Source Attribution: Wintzois Voice: [no designation] Languages: Latin Voice Text: Virgo rosa venustatis [= C'est assez]
129v–130	Ave stella matutina peccatoris medicina	-	Biquardus
Ave stella matutina peccatoris medicina Biquardus Appears on: 129v–130 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave stella matutina peccatoris medicina
130v–131	Sanctus	-	L'Huyllier
Sanctus L'Huyllier Appears on: 130v–131 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
131v–132	O virgo pia (= Pour l'amour)	-	Du Fay, Guillaume (1397–1474)
O virgo pia (= Pour l'amour) Du Fay, Guillaume (1397–1474) Appears on: 131v–132 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: O virgo pia [= Pour l'amour] General Note CMM 1/VI, p. 67 4 voice-parts, but the 4th is an alternative Ct, probably not by Du Fay but nonetheless "marvelous" (PlanchartD)
132v	O flos florum virginum	-	Du Fay, Guillaume (1397–1474) (?)
O flos florum virginum Du Fay, Guillaume (1397–1474) (?) Appears on: 132v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O flos florum virginum General Note CMM 1/V, p. 107 (as Opus dubium)
133	Kyrie mangne Deus potentiae	-	Kungsperger, Urbanus
Kyrie mangne Deus potentiae Kungsperger, Urbanus Appears on: 133 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie mangne deus potencie General Note ZfMw 10 (1927/28), p. 74
133v	Urbs beata Jerusalem	-	Kungsperger, Urbanus
Urbs beata Jerusalem Kungsperger, Urbanus Appears on: 133v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Urbs beata Ierusalem General Note Ward 1980, no. 588
134–135	Hostis Herodes Impie	-	Anonymous
Hostis Herodes Impie Anonymous Appears on: 134–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hostis Herodes Impie General Note Ward 1980, no. 311; postcript of a different "Tenor fabordon hostis" in a different hand, incomplete
134v	In excelsis te laudant	-	Biquardus
In excelsis te laudant Biquardus Appears on: 134v Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: In excelsis te laudant
135	Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis Anonymous Appears on: 135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
135	Salve festa dies - 2a pars (of 2): Ecce renascentis testatur mundi	-	Anonymous
Salve festa dies - 2a pars (of 2): Ecce renascentis testatur mundi Anonymous Appears on: 135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce renascentis testatur
135v–136	Quae corda nostra	-	Edelrawer, Hermann
Quae corda nostra Edelrawer, Hermann Appears on: 135v–136 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Quae corda nostra General Note "12 partes'
136v–138	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	-	Lantins, Arnold de (–1432) (?)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Lantins, Arnold de (–1432) (?) Appears on: 136v–138 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Borren 1932a, p. 262
136v–138	Tota pulchra es - 2a pars (of 2): Flores apparuerunt	-	Lantins, Arnold de (–1432) (?)
Tota pulchra es - 2a pars (of 2): Flores apparuerunt Lantins, Arnold de (–1432) (?) Appears on: 136v–138 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Flores apparuerunt General Note Borren 1932a, p. 262
138v–139	Magnificat sexti toni: Anima mea [K.749]	Dunstable	Du Fay, Guillaume (1397–1474) Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)
Magnificat sexti toni: Anima mea [K.749] Du Fay, Guillaume (1397–1474) Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 138v–139 Genres: BVM, Canticle, Magnificat Source Attribution: Dunstable Voice: [no designation] Languages: Latin Voice Text: Magnificat anima mea Dominum General Note KirschQM, no. 749; Intonation in the Cantus in Quadratnotation; CMM 1/V, p. 75
140v–141	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 140v–141 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria)
141v–142v	Patrem omnipotentem [Credo]	-	Benet, John (–ca. 1458)
Patrem omnipotentem [Credo] Benet, John (–ca. 1458) Appears on: 141v–142v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo)
142v–143	Amours helas = Vexillum victoris	-	Roullet, Johannes
Amours helas = Vexillum victoris Roullet, Johannes Appears on: 142v–143 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Vexillum victoris [= Amours helas]
143	Joie et confort = Post biduum victor	-	Roullet, Johannes
Joie et confort = Post biduum victor Roullet, Johannes Appears on: 143 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Post biduum victor [= Joye et confort]
143v–145	Officium paschcale I: Sanctus = Crux columpa preelecta	-	Roullet, Johannes
Officium paschcale I: Sanctus = Crux columpa preelecta Roullet, Johannes Appears on: 143v–145 Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Officium paschcale (!): Sanctus (= Crux columpa preelecta)
145	Christ ist erstanden	-	Brassart, Johannes (ca. 1400–1455)
Christ ist erstanden Brassart, Johannes (ca. 1400–1455) Appears on: 145 Genres: Motet Voice: [no designation] Languages: German Voice Text: Crist ist erstanden General Note CMM 35/II, p. 1
145v–147	Et in terra pax [Gloria]	-	Benet, John (–ca. 1458)
Et in terra pax [Gloria] Benet, John (–ca. 1458) Appears on: 145v–147 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (=Gloria)
147v–149	Salve regina - 1a pars (of 2): Salve regina mater misericordiae	-	Anonymous
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Anonymous Appears on: 147v–149 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Intonation in the Cantus in white semibreves with fermatas
147v–149	Salve regina - 2a pars (of 2): Eya ergo advocata	-	Anonymous
Salve regina - 2a pars (of 2): Eya ergo advocata Anonymous Appears on: 147v–149 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eya ergo advocata General Note Intonation in the Cantus in white semibreves with fermatas
149v–150	Kyrie 'cunctipotens'	-	Binchois, Gilles (ca. 1400–1460)
Kyrie 'cunctipotens' Binchois, Gilles (ca. 1400–1460) Appears on: 149v–150 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kyrie leyson General Note DTO, vol. 61, p. 65
150v–151v	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	-	Power, Leonel (–1445)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est Power, Leonel (–1445) Appears on: 150v–151v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note Text insertion in first section: 'Christus resurgens'; CMM 50/I, p. 36
150v–151v	Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum	-	Power, Leonel (–1445)
Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum Power, Leonel (–1445) Appears on: 150v–151v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tulerunt pallium meum General Note CMM 50/I, p. 36
150v–151v	Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo	-	Power, Leonel (–1445)
Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo Power, Leonel (–1445) Appears on: 150v–151v Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Quia amore langweo General Note CMM 50/I, p. 36
151v–152	Conscendit jubilans laetus (= Festum nunc celebrere)	-	Du Fay, Guillaume (1397–1474) (?)
Conscendit jubilans laetus (= Festum nunc celebrere) Du Fay, Guillaume (1397–1474) (?) Appears on: 151v–152 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Conscendit iubilans letus (= Festum nunc celebrere) General Note Ward 1980, no. 257; CMM 1/V, p. 139 (as Opus dubium)
152v–153	Et in terra pax [Gloria]	-	Lantins, Hugo de (fl. 1420-30) (?) Forest (?)
Et in terra pax [Gloria] Lantins, Hugo de (fl. 1420-30) (?) Forest (?) Appears on: 152v–153 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria)
153v–155	Patrem omnipotentem [Credo]	-	Gemblaco (Gembloux), Johannes Franchois de
Patrem omnipotentem [Credo] Gemblaco (Gembloux), Johannes Franchois de Appears on: 153v–155 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo) General Note from 'Et in spiritum" onwards missing; Borren 1932a, p. 99
155v–158	Lauda Sion salvatorem	-	Edelrawer, Hermann
Lauda Sion salvatorem Edelrawer, Hermann Appears on: 155v–158 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem General Note "14 partes"; Codex Tridentinus 93, 226v
?	Praedulcis eurus turbinis rigore ventilante	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praedulcis eurus turbinis rigore ventilante Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: ? Genres: Cantio

Composer	Compositions
Ammon, Blasius (fl. c1440)	Audi nos - 1a pars (of 3): Audi nos nam te filius – 09v–10 Audi nos - 2a pars (of 3): Da fontem boni – 09v–10 Audi nos - 3a pars (of 3): Christianismi – 09v–10
Anonymous	A solis ortus cardine ad usque terrae – 55 Ad Dominum Deum tuum – 27 Amen – 85v Amen – 85v Amen – 105 Asperges me Domine isopo et mundabor – 67 Assumpta est Maria in caelum gaudent angeli – 78v Ave Maria gratia plena Dominus tecum – 120v Ave digna angelorum – 122 Ave digna angelorum – 81v–82 Ave maris stella – 64 Ave maris stella – 63 Ave maris stella – 63 Ave maris stella – 65 Ave plena gratia = Gracieuse – 23v–24 Ave regis angelorum – 22v–23 Ave veri Salomonis belongs to 225 – 113v Ave verum corpus - 1a pars (of 2): Ave verum corpus natum – 29–30 Ave verum corpus - 2a pars (of 2): Esto nobis pregustatum – 29–30 Ayes pitie de vostre creature – 99 Benedicamus Domino – 67 Benedicamus Domino – 120v Benedicamus Domino – 50 Benedicamus Domino – 110v Benedicamus Domino. Alleluia – 98v–99 Benedicamus in laude – 54v–55 Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas – 100v–101 Benedicta sit sancta trinitas - 2a pars (of 2): Benedicamus patrem et filium – 100v–101 Cedit hiems eminus – 44 Chorale-intonation Gloria in excelsis deo – 114 Christ ist erstanden – 45 Christ ist erstanden – 87 Christe qui lux es – 85 Christus surrexit mala nostra texit – 46 Cibavit eos - 1a pars (of 2): Cibavit eos ex adipe – 73v Cibavit eos - 2a pars (of 2): Exultate deo adjutori – 73v Da pacem Domine in diebus nostris – 61 Dimissa sunt ei peccata - 1a pars (of 2): Dimissa sunt ei peccata – 60v Dimissa sunt ei peccata - 2a pars (of 2): Gloria Patri – 60v Domine ad adjuvandum me festina gloria – 118 En naturarum - 1a pars (of 2): En naturarum Dominus regum – 36 En naturarum - 2a pars (of 2): O Christe rex – 36 Et in terra pax [Gloria] – 140v–141 Et in terra pax [Gloria] [Tro] Spiritus et alme – 124v–126 Ex ore infantium - 1a pars (of 2): Ex ore infantium Deus et lactencium – 74v Ex ore infantium - 2a pars (of 2): Domine Dominus noster – 74v Exultet caelum laudibus – 39 Festum nunc celebre – 04 Gaude palmes vitis vera – 72v Gaudeamus omnes – 118–119 Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino – 61v–62 Gaudeamus omnes - 1a pars (of 3): Gaudeamus omnes in Domino – 115v–116 Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum – 61v–62 Gaudeamus omnes - 2a pars (of 3): – 115v–116 Gaudeamus omnes - 3a pars (of 3):Gloria patri – 115v–116 Gaudeamus omnes in Domino fragment of Cantus of no. 235 – 117v Grates nunc omnes – 23 Haec dies - 1a pars (of 2): Haec dies quam fecit Dominus hodie – 90v Haec dies - 2a pars (of 2): Hodie mortem quam – 90v Hodie Deus homo factus – 100 Hodie Deus homo factus – 90v Hostis Herodes Impie – 134–135 Hymnizemus omnes unanimiter – 30v Ibo mihi ad montem – 50v–51 In medio ecclesiae - 1a pars (of 2): In medio ecclesiae – 102 In medio ecclesiae - 2a pars (of 2): Bonum est confiteri – 102 In pharaonis atrio - 1a pars (of 2): In pharaonis atrio – 48v In pharaonis atrio - 2a pars (of 2): Nescit quo fit – 48v Kyrie [Tro] Fons Bonitatis – 30 Kyrie eleison – 47 Kyrie eleison – 55v Kyrie eleison – 34v Kyrie eleison – 55v–56 Kyrie eleison – 21v Kyrie eleison – 73 Kyrie eleison – 80 Kyrie fons bonitatis – 32v–33 Kyrie fons bonitatis – 30v–31 Kyrie pater omnipotens – 12v Kyrie pater omnipotens – 12v Kyrie pater omnipotens – 12v Laetabitur justus – 74 Lumen ad revelationem gentium et gloriam – 85 Magnificat Septimi Toni [K.355] – 91v–92 Magnificat Sexti Toni: Et exultavit [K.293] – 90 Magnificat octavi toni: Et exultavit [K.376] – 89v Magnificat primi toni [K.118] – 41v–42 Magnificat primi toni: Et exultavit [K.127] – 79v–80 Missa De Capella Domini burdelagensis archiepiscopi: Kyrie eleison – 114v Mittit ad virginem – 43v–44 Mon bien tout – 98 Monophonic Credo – 13–20v Monophonic Credo – 13–20v Monophonic Credo – 13–20v Monophonic Credo – 13–20v Monophonic Credo – 13–20v Monophonic Kyrie – 20v–21 Monophonic Kyrie – 20v–21 Monophonic Kyrie – 22 Monophonic Kyrie – 22 Monophonic Kyrie – 20v–21 Nunc rogemus / Veni rerum conditor / Nun bitten wir – 62 Nymphae Dei pura - 1a pars (of 2): Nymphae Dei pur – 25v Nymphae Dei pura - 2a pars (of 2): Stupet natura – 25v O Maria virgo davitica virginum flos / O Maria maris stella plena gratie – 56v–57 O Maria virgo pia = Quant loin – 25 O clementudinis – 26v O pulchra lux – 48 Officium Dominicale: Sanctus – 99v–100 Officium Paschale. Kyrie eleison – 33v Omnium gubernatori (= Tesse dame) – 25 Orto Dei filio - 1a pars (of 2): Orto Dei filio – 39 Orto Dei filio - 2a pars (of 2): Quem parit juvencula – 39 Pange lingua gloriosi corporis misterium – 60 Pange lingua gloriosi corporis misterium – 30 Patrem omnipotentem [Credo] – 44v–45 Portig – 77 Portugal Et in terra = Gloria – 01v–03 Puer natus est nobis - 2a pars (of 3): Cantate Domino canticum novum quia – 75v–76 Puer natus est nobis - 3a pars (of 3): Gloria patri – 75v–76 Recordare virgo mater dum steteris – 37 Regi unico Dei omnipotentis Benedicamus Domino – 47v–48 Resonet in laudibus cum jocundis plausibus – 24v Resonet in laudibus cum jocundis plausibus – 25 Responsiones ad missam – 95v–96 Rex de caelo prodiit – 61 Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis – 135 Salve festa dies - 2a pars (of 2): Ecce renascentis testatur mundi – 135 Salve regina - 1a pars (of 2): Salve regina mater misericordiae – 147v–149 Salve regina - 2a pars (of 2): Eya ergo advocata – 147v–149 Salve sancta parens – 96v Salve sancta parens – 123v Salve sancta parens - 1a pars (of 3): Salve sancta parens – 76v–77 Salve sancta parens - 2a pars (of 3): Virgo Dei genitrix quem totus non capit – 76v–77 Salve sancta parens - 3a pars (of 3): Gloria patri – 76v–77 Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris – 93v–95 Sancta Maria succurre - 2a pars (of 2): Ora pro populo – 93v–95 Sancta Maria succurre - 3a pars (of 2): Intercede pro devoto – 93v–95 Sanctus – 53 Sanctus – 66v–67 Sanctus – 111 Solis lux et aurora – 72v Spiritus et alme orphanorum paraclite – 101 Spiritus et alme orphanorum paraclite – 65v Statuit ei Dominus - 1a pars (of 3): Statuit ei Dominus – 101v–102 Statuit ei Dominus - 2a pars (of 3): Misericordias Domini in aeternum – 101v–102 Statuit ei Dominus - 3a pars (of 3): Gloria patri – 101v–102 Toni psalmorum – 35 Toni psalmorum – 35 Toni psalmorum on the text: Laudate pueri Dominum – 25v–26 Toni psalmorum on the text: Laudate pueri Dominum – 34 Toni psalmorum on the text: Laudate pueri Dominum – 34 Toni psalmorum on the text: Laudate pueri Dominum – 25v–26 Toni psalmorum on the text: Laudate pueri Dominum – 25v–26 Toni psalmorum on the text: Laudate pueri Dominum – 25v–26 Toni psalmorum, Tonus I: cum differentia – 91 Toni psalmorum, Tonus I: sine differentia – 91 Toni psalmorum, Tonus II – 91 Toni psalmorum, Tonus III – 91 Toni psalmorum, Tonus IV – 91 Toni psalmorum, Tonus V – 91 Toni psalmorum, Tonus VI – 91 Toni psalmorum, Tonus VII – 91 Urbs beata Jerusalem – 85v Veni dulcis consolator tenebrarum illustrator – 66 Veni rerum conditor = Gar leis in senfter weis – 64v–65 Verbum bonum et suave personemus illud ave – 113v Verbum patris intonuit – 24v Verbum supernum prodiens – 52 Viderunt omnes fines terrae salutare – 100 Virginis proles – 110v Virgo maris stella (= J'aime bien celui) – 31 no piece designated – 91v–92 untexted, probably a Ballade – 87v [No description] – 121 [No description] – 30v–31
Benet, John (–ca. 1458)	Et in terra pax [Gloria] – 145v–147 Patrem omnipotentem [Credo] – 141v–142v
Binchois, Gilles (ca. 1400–1460)	Adieu Adieu, mon joyeux souvenir – 45v Adieu ma douce – 86v Adieu mon amoureuse joye – 45v–46 Ave corpus Christi (=Adieu mes tres belles amours) – 05 (?) Beata Dei genitrix - 1a pars (of 3): Beata Dei genitrix – 07v–08v (?) Beata Dei genitrix - 2a pars (of 3): Subveni clamantibus – 07v–08v Beata Dei genitrix - 3a pars (of 3): Sola sine exemplo – 07v–08v (?) Beata mater - 1a pars (of 3): Beata mater et innupta – 08v–09 (?) Beata mater - 2a pars (of 3): Gloriosa regina mundi – 08v–09 (?) Beata mater - 3a pars (of 3): Intercede pro nobis – 08v–09 Cest assez – 127 Da pacem Domine in diebus nostris – 87v Deo gratias (=Adieu ma tres belle maistresse) – 87 Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv) – 107 Esclave puist il donc en – 126v–127 Kyrie 'angelorum' – 49 Kyrie 'cunctipotens' – 149v–150 (?) Magnificat Sexti Toni ad omnes versus – 126v (?) Magnificat sexti toni: Anima mea [K.749] – 138v–139 Ut queant laxis resonare fibris – 86v–87 Virgo rosa venustatis (= C'est assez) – 129
Biquardus	Ave stella matutina peccatoris medicina – 129v–130 In excelsis te laudant – 134v Resurrexit victor (= Love wolle I withoute) – 04v–05
Bosquet, Johannes (–ca. 1406)	(?) Et in terra pax [Gloria] (III) – 35v–36
Brassart, Johannes (ca. 1400–1455)	Christ ist erstanden – 145 Christi nutu sublimato - 1a pars (of 2): Christi nutu sublimato – 116v–117 Christi nutu sublimato - 2a pars (of 2): Praecemur christi adlethan – 117v Patrem omnipotentem [Credo] – 83v–84
Capua, Nicolaus de	(?) Et in terra pax [Gloria] (III) – 35v–36
Cividale, Antonius de	Et in terra pax [Gloria] – 39v Patrem omnipotentem [Credo] – 49v–50
Du Fay, Guillaume (1397–1474)	Ave Regina caelorum (2) - 1a pars (of 3): Ave regina caelorum – 77v–78 Ave Regina caelorum (2) - 2a pars (of 3): Gaude gloriosa – 77v–78 Ave Regina caelorum (2) - 3a pars (of 3): Et pro nobis – 77v–78 Ave maris stella Sumens illud ave – 81v (?) Ave tota casta (= Or me veult) – 92v–93 Ave virgo quae de caelis – 109v–110 (?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 75 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 75 Conditor alme siderum – 85v (?) Conscendit jubilans laetus (= Festum nunc celebrere) – 151v–152 Craindre vous vueil doulce damme de pris – 54v–55 Et in terra pax [Gloria] – 40v–41v (?) Et in terra pax [Gloria] – 97v–98 Et in terra pax [Gloria] 'Spiritus et alme' – 57v Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] – 73 Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] – 71 Gaude virgo mater - 1a pars (of 2): Gaude virgo mater Christi – 05v–07 Gaude virgo mater - 2a pars (of 2): Gaude Christo ascendente – 05v–07 Hic iucundus sumit mundus – 11 Je donne a tous les amoureux – 52 Jesu judex veritatis (=Bon jour) – 23v Kyrie 'Cunctipotens genitor' – 31v–32 Kyrie 'fons bonitatis' – 127v–128 Kyrie Cum Jubilo in festis B.M.V. ou De domina – 57 Kyrie De martyribus / In diebus Dominicis / Orbis factor – 33v–34 Kyrie Lux et origo (or Pascale) – 34v–35 Kyrie eleison – 102v–103 Kyrie eleison (KGC group - iv/1) – 31v Lauda Sion salvatorem – 67v–69 Magnificat sexti toni: Anima mea [K.749] – 138v–139 Mille bonjours – 86 Navré je suis d'un dart penetratif – 96 (?) O flos florum virginum – 132v O pulcherrima mulierum (= S'il est plaisir) – 82v–83 O virgo pia (= Pour l'amour) – 131v–132 (?) Or me veult de bien Esperance mentir – 65 Patrem omnipotentem [Credo] – 42v–43 (?) Puer natus est nobis - 1a pars (of 3): Puer natus est nobis – 75v–76 Qui latuit in virgine (=Je sui si povre) – 01 Regina caeli laetare alleluia – 58v–59 Supremum est mortalibus bonum - 1a pars (of 2): Supremum est mortalibus bonum – 107v–109 Supremum est mortalibus bonum - 2a pars (of 2): O sancta pax – 107v–109 Veni creator spiritus – 55 (?) Veni sancte spiritus et emitte caelitus – 88v–89 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 59v Vo regard et douce – 82 Vo regard et douce – 65v–66
Dunstaple, John (ca. 1390–1453)	Beata Dei genitrix - 1a pars (of 3): Beata Dei genitrix – 07v–08v Beata Dei genitrix - 2a pars (of 3): Subveni clamantibus – 07v–08v Beata Dei genitrix - 3a pars (of 3): Sola sine exemplo – 07v–08v (?) Beata mater - 1a pars (of 3): Beata mater et innupta – 08v–09 (?) Beata mater - 2a pars (of 3): Gloriosa regina mundi – 08v–09 (?) Beata mater - 3a pars (of 3): Intercede pro nobis – 08v–09 Et in terra pax [Gloria] – 78v–79 (?) Gloria Rex saeculorum. Et in terra – 121v–123 (?) Magnificat sexti toni: Anima mea [K.749] – 138v–139 (?) Quam pulchra es et quam decora – 63v–64
Edelrawer, Hermann	Amen – 103v–105 Beata viscera Mariae virginis – 97 Lauda Sion salvatorem – 155v–158 Officium Dominicale: Kyrie eleison – 114 Quae corda nostra – 135v–136 Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud ave – 10v–11 Verbum bonum - 2a pars (of 3): Ave veri salomonis – 10v–11 Verbum bonum - 3a pars (of 3): Ave sponsa verbi – 10v–11 untexted – 103
Egidius	(?) Quam pulchra es et quam decora – 63v–64
Fontaine, Pierre	(?) A son plaisir = Virgo beata salusque – 26
Forest	(?) Et in terra pax [Gloria] – 152v–153
Gemblaco (Gembloux), Johannes Franchois de	Et in terra pax [Gloria] – 62v Patrem omnipotentem [Credo] – 153v–155 Patrem omnipotentem [Credo] 'Alma redemptoris' – 105v–106v
Graneti, Johanes	Kyrie Summe clementissime – 32v
Grossin, Estienne	Et in terra pax [Gloria] – 52v–53 Imera dat hodierno – 80v–81
Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	Kyrie fons bonitatis, Virginitatis amator – 11v–12 Martino divo praesuli - 1a pars (of 2): Martino divo praesuli – 29 Martino divo praesuli - 2a pars (of 2): Cuius gratia protegente – 29 Praedulcis eurus turbinis rigore ventilante – ? Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis – 28v–29
Kerle, Jacobus de	Maria virgo assumpta est – 78v
Kungsperger, Urbanus	Kyrie mangne Deus potentiae – 133 Urbs beata Jerusalem – 133v
L'Huyllier	Sanctus – 130v–131
Landini, Francesco (ca. 1325–1397)	Kyrie eleison = Ballata Questa franciulla – 58v–59
Lantins, Arnold de (–1432)	(?) Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 136v–138 (?) Tota pulchra es - 2a pars (of 2): Flores apparuerunt – 136v–138
Lantins, Hugo de (fl. 1420-30)	(?) Et in terra pax [Gloria] – 152v–153
Legrant, Guillaume	(?) A son plaisir = Virgo beata salusque – 26
Libert, Reginaldus	Agnus Dei – 72 Ave mundi gaudium – 94v Salve sancta parens - 1a pars (of 3): Salve sancta parens – 69v Salve sancta parens - 2a pars (of 3): Sola sine exemplo – 69v Salve sancta parens - 3a pars (of 3): Gloria patri – 69v Sanctus – 71v–72
Loqueville, Richard (–1418)	O regina clementissima – 22v
Lymburgia, Johannes de	(?) Magnificat octavi toni: Et exultavit spiritus meus [K.377] – 119v–120
Machaut, Guillaume de (ca. 1300–1377)	Christus rex pacificus = Jour à jour la vie – 46v–47
Merques, Nicolas	(?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 75 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 75 Pange lingua gloriosi corporis misterium – 32 Pange lingua gloriosi corporis misterium – 88
Nachtigal, Sebald	(?) Alle Dei filius ab hoste superbissimo – 128v
Power, Leonel (–1445)	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est – 150v–151v Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum – 150v–151v Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo – 150v–151v Et in terra pax [Gloria] – 111v–113 (?) Gloria Rex saeculorum. Et in terra – 121v–123
Roullet, Johannes	Amours helas = Vexillum victoris – 142v–143 Christus natus est hodie = Hardament – 93 Christus natus est hodie = Hardament – 98v Ecce panis angelorum factus cibus = Umb im Pad – 120 Joie et confort = Post biduum victor – 143 Officium paschalae; Kyrie eleison – 95v Officium paschcale I: Sanctus = Crux columpa preelecta – 143v–145 Rex gloriose martyrum – 85 Wo ich in aller Welt – 97
Sweikl	Sanctus, trope Gustasti necis pocula – 70v–71
Vaillant, Jacob (fl. 1360–90)	Par maintes fois ay oy recorder – 27v–28
Von Heringen, Rudolf Volkard	(?) Levat autentica - 1a pars (of 2): Levat autentica - Christ der ist erstanden – 51v–52 (?) Levat autentica - 2a pars (of 2): Ergo christo resonemus / Christ der ist erstanden – 51v–52 Sanctus pater ingenitus – 53v–54
Walonis (fl. c1440)	O Maria stella maris – 03v–04
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	(?) Et in terra pax [Gloria] (III) – 35v–36 Et in terra pax [Gloria], [Tro] Gloria Laus Honor – 37v–38

Composition	Composers (? Uncertain)	Folios / Pages
A solis ortus cardine ad usque terrae	Anonymous	55
A son plaisir = Virgo beata salusque	Fontaine, Pierre (?) Legrant, Guillaume (?)	26
Ad Dominum Deum tuum	Anonymous	27
Adieu Adieu, mon joyeux souvenir	Binchois, Gilles (ca. 1400–1460)	45v
Adieu ma douce	Binchois, Gilles (ca. 1400–1460)	86v
Adieu mon amoureuse joye	Binchois, Gilles (ca. 1400–1460)	45v–46
Agnus Dei	Libert, Reginaldus	72
Alle Dei filius ab hoste superbissimo	Nachtigal, Sebald (?)	128v
Amen	Anonymous	85v
Amen	Anonymous	85v
Amen	Edelrawer, Hermann	103v–105
Amen	Anonymous	105
Amours helas = Vexillum victoris	Roullet, Johannes	142v–143
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	Power, Leonel (–1445)	150v–151v
Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum	Power, Leonel (–1445)	150v–151v
Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo	Power, Leonel (–1445)	150v–151v
Asperges me Domine isopo et mundabor	Anonymous	67
Assumpta est Maria in caelum gaudent angeli	Anonymous	78v
Audi nos - 1a pars (of 3): Audi nos nam te filius	Ammon, Blasius (fl. c1440)	09v–10
Audi nos - 2a pars (of 3): Da fontem boni	Ammon, Blasius (fl. c1440)	09v–10
Audi nos - 3a pars (of 3): Christianismi	Ammon, Blasius (fl. c1440)	09v–10
Ave corpus Christi (=Adieu mes tres belles amours)	Binchois, Gilles (ca. 1400–1460)	05
Ave digna angelorum	Anonymous	81v–82
Ave digna angelorum	Anonymous	122
Ave Maria gratia plena Dominus tecum	Anonymous	120v
Ave maris stella	Anonymous	63
Ave maris stella	Anonymous	63
Ave maris stella	Anonymous	64
Ave maris stella	Anonymous	65
Ave maris stella Sumens illud ave	Du Fay, Guillaume (1397–1474)	81v
Ave mundi gaudium	Libert, Reginaldus	94v
Ave plena gratia = Gracieuse	Anonymous	23v–24
Ave Regina caelorum (2) - 1a pars (of 3): Ave regina caelorum	Du Fay, Guillaume (1397–1474)	77v–78
Ave Regina caelorum (2) - 2a pars (of 3): Gaude gloriosa	Du Fay, Guillaume (1397–1474)	77v–78
Ave Regina caelorum (2) - 3a pars (of 3): Et pro nobis	Du Fay, Guillaume (1397–1474)	77v–78
Ave regis angelorum	Anonymous	22v–23
Ave stella matutina peccatoris medicina	Biquardus	129v–130
Ave tota casta (= Or me veult)	Du Fay, Guillaume (1397–1474) (?)	92v–93
Ave veri Salomonis belongs to 225	Anonymous	113v
Ave verum corpus - 1a pars (of 2): Ave verum corpus natum	Anonymous	29–30
Ave verum corpus - 2a pars (of 2): Esto nobis pregustatum	Anonymous	29–30
Ave virgo quae de caelis	Du Fay, Guillaume (1397–1474)	109v–110
Ayes pitie de vostre creature	Anonymous	99
Beata Dei genitrix - 1a pars (of 3): Beata Dei genitrix	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)	07v–08v
Beata Dei genitrix - 2a pars (of 3): Subveni clamantibus	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)	07v–08v
Beata Dei genitrix - 3a pars (of 3): Sola sine exemplo	Binchois, Gilles (ca. 1400–1460) Dunstaple, John (ca. 1390–1453)	07v–08v
Beata mater - 1a pars (of 3): Beata mater et innupta	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)	08v–09
Beata mater - 2a pars (of 3): Gloriosa regina mundi	Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)	08v–09
Beata mater - 3a pars (of 3): Intercede pro nobis	Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)	08v–09
Beata viscera Mariae virginis	Edelrawer, Hermann	97
Benedicamus Domino	Anonymous	50
Benedicamus Domino	Anonymous	67
Benedicamus Domino	Anonymous	110v
Benedicamus Domino	Anonymous	120v
Benedicamus Domino. Alleluia	Anonymous	98v–99
Benedicamus in laude	Anonymous	54v–55
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	75
Benedicite dominum - 2a pars (of 2): Benedic anima mea	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	75
Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas	Anonymous	100v–101
Benedicta sit sancta trinitas - 2a pars (of 2): Benedicamus patrem et filium	Anonymous	100v–101
Cedit hiems eminus	Anonymous	44
Cest assez	Binchois, Gilles (ca. 1400–1460)	127
Chorale-intonation Gloria in excelsis deo	Anonymous	114
Christ ist erstanden	Anonymous	45
Christ ist erstanden	Anonymous	87
Christ ist erstanden	Brassart, Johannes (ca. 1400–1455)	145
Christe qui lux es	Anonymous	85
Christi nutu sublimato - 1a pars (of 2): Christi nutu sublimato	Brassart, Johannes (ca. 1400–1455)	116v–117
Christi nutu sublimato - 2a pars (of 2): Praecemur christi adlethan	Brassart, Johannes (ca. 1400–1455)	117v
Christus natus est hodie = Hardament	Roullet, Johannes	93
Christus natus est hodie = Hardament	Roullet, Johannes	98v
Christus rex pacificus = Jour à jour la vie	Machaut, Guillaume de (ca. 1300–1377)	46v–47
Christus surrexit mala nostra texit	Anonymous	46
Cibavit eos - 1a pars (of 2): Cibavit eos ex adipe	Anonymous	73v
Cibavit eos - 2a pars (of 2): Exultate deo adjutori	Anonymous	73v
Conditor alme siderum	Du Fay, Guillaume (1397–1474)	85v
Conscendit jubilans laetus (= Festum nunc celebrere)	Du Fay, Guillaume (1397–1474) (?)	151v–152
Craindre vous vueil doulce damme de pris	Du Fay, Guillaume (1397–1474)	54v–55
Da pacem Domine in diebus nostris	Anonymous	61
Da pacem Domine in diebus nostris	Binchois, Gilles (ca. 1400–1460)	87v
Deo gratias (=Adieu ma tres belle maistresse)	Binchois, Gilles (ca. 1400–1460)	87
Dimissa sunt ei peccata - 1a pars (of 2): Dimissa sunt ei peccata	Anonymous	60v
Dimissa sunt ei peccata - 2a pars (of 2): Gloria Patri	Anonymous	60v
Domine ad adjuvandum me festina gloria	Anonymous	118
Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv)	Binchois, Gilles (ca. 1400–1460)	107
Ecce panis angelorum factus cibus = Umb im Pad	Roullet, Johannes	120
En naturarum - 1a pars (of 2): En naturarum Dominus regum	Anonymous	36
En naturarum - 2a pars (of 2): O Christe rex	Anonymous	36
Esclave puist il donc en	Binchois, Gilles (ca. 1400–1460)	126v–127
Et in terra pax [Gloria]	Cividale, Antonius de	39v
Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474)	40v–41v
Et in terra pax [Gloria]	Grossin, Estienne	52v–53
Et in terra pax [Gloria]	Gemblaco (Gembloux), Johannes Franchois de	62v
Et in terra pax [Gloria]	Dunstaple, John (ca. 1390–1453)	78v–79
Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474) (?)	97v–98
Et in terra pax [Gloria]	Power, Leonel (–1445)	111v–113
Et in terra pax [Gloria]	Anonymous	140v–141
Et in terra pax [Gloria]	Benet, John (–ca. 1458)	145v–147
Et in terra pax [Gloria]	Lantins, Hugo de (fl. 1420-30) (?) Forest (?)	152v–153
Et in terra pax [Gloria] 'Spiritus et alme'	Du Fay, Guillaume (1397–1474)	57v
Et in terra pax [Gloria] (III)	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Bosquet, Johannes (–ca. 1406) (?) Capua, Nicolaus de (?)	35v–36
Et in terra pax [Gloria] [Tro] Spiritus et alme	Anonymous	124v–126
Et in terra pax [Gloria], [Tro] Gloria Laus Honor	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	37v–38
Ex ore infantium - 1a pars (of 2): Ex ore infantium Deus et lactencium	Anonymous	74v
Ex ore infantium - 2a pars (of 2): Domine Dominus noster	Anonymous	74v
Exultet caelum laudibus	Anonymous	39
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	Du Fay, Guillaume (1397–1474)	71
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	Du Fay, Guillaume (1397–1474)	73
Festum nunc celebre	Anonymous	04
Gaude palmes vitis vera	Anonymous	72v
Gaude virgo mater - 1a pars (of 2): Gaude virgo mater Christi	Du Fay, Guillaume (1397–1474)	05v–07
Gaude virgo mater - 2a pars (of 2): Gaude Christo ascendente	Du Fay, Guillaume (1397–1474)	05v–07
Gaudeamus omnes	Anonymous	118–119
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	Anonymous	61v–62
Gaudeamus omnes - 1a pars (of 3): Gaudeamus omnes in Domino	Anonymous	115v–116
Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum	Anonymous	61v–62
Gaudeamus omnes - 2a pars (of 3):	Anonymous	115v–116
Gaudeamus omnes - 3a pars (of 3):Gloria patri	Anonymous	115v–116
Gaudeamus omnes in Domino fragment of Cantus of no. 235	Anonymous	117v
Gloria Rex saeculorum. Et in terra	Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?)	121v–123
Grates nunc omnes	Anonymous	23
Haec dies - 1a pars (of 2): Haec dies quam fecit Dominus hodie	Anonymous	90v
Haec dies - 2a pars (of 2): Hodie mortem quam	Anonymous	90v
Hic iucundus sumit mundus	Du Fay, Guillaume (1397–1474)	11
Hodie Deus homo factus	Anonymous	90v
Hodie Deus homo factus	Anonymous	100
Hostis Herodes Impie	Anonymous	134–135
Hymnizemus omnes unanimiter	Anonymous	30v
Ibo mihi ad montem	Anonymous	50v–51
Imera dat hodierno	Grossin, Estienne	80v–81
In excelsis te laudant	Biquardus	134v
In medio ecclesiae - 1a pars (of 2): In medio ecclesiae	Anonymous	102
In medio ecclesiae - 2a pars (of 2): Bonum est confiteri	Anonymous	102
In pharaonis atrio - 1a pars (of 2): In pharaonis atrio	Anonymous	48v
In pharaonis atrio - 2a pars (of 2): Nescit quo fit	Anonymous	48v
Je donne a tous les amoureux	Du Fay, Guillaume (1397–1474)	52
Jesu judex veritatis (=Bon jour)	Du Fay, Guillaume (1397–1474)	23v
Joie et confort = Post biduum victor	Roullet, Johannes	143
Kyrie 'angelorum'	Binchois, Gilles (ca. 1400–1460)	49
Kyrie 'Cunctipotens genitor'	Du Fay, Guillaume (1397–1474)	31v–32
Kyrie 'cunctipotens'	Binchois, Gilles (ca. 1400–1460)	149v–150
Kyrie 'fons bonitatis'	Du Fay, Guillaume (1397–1474)	127v–128
Kyrie [Tro] Fons Bonitatis	Anonymous	30
Kyrie Cum Jubilo in festis B.M.V. ou De domina	Du Fay, Guillaume (1397–1474)	57
Kyrie De martyribus / In diebus Dominicis / Orbis factor	Du Fay, Guillaume (1397–1474)	33v–34
Kyrie eleison	Anonymous	21v
Kyrie eleison	Anonymous	34v
Kyrie eleison	Anonymous	47
Kyrie eleison	Anonymous	55v
Kyrie eleison	Anonymous	55v–56
Kyrie eleison	Anonymous	73
Kyrie eleison	Anonymous	80
Kyrie eleison	Du Fay, Guillaume (1397–1474)	102v–103
Kyrie eleison (KGC group - iv/1)	Du Fay, Guillaume (1397–1474)	31v
Kyrie eleison = Ballata Questa franciulla	Landini, Francesco (ca. 1325–1397)	58v–59
Kyrie fons bonitatis	Anonymous	30v–31
Kyrie fons bonitatis	Anonymous	32v–33
Kyrie fons bonitatis, Virginitatis amator	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	11v–12
Kyrie Lux et origo (or Pascale)	Du Fay, Guillaume (1397–1474)	34v–35
Kyrie mangne Deus potentiae	Kungsperger, Urbanus	133
Kyrie pater omnipotens	Anonymous	12v
Kyrie pater omnipotens	Anonymous	12v
Kyrie pater omnipotens	Anonymous	12v
Kyrie Summe clementissime	Graneti, Johanes	32v
Laetabitur justus	Anonymous	74
Lauda Sion salvatorem	Du Fay, Guillaume (1397–1474)	67v–69
Lauda Sion salvatorem	Edelrawer, Hermann	155v–158
Levat autentica - 1a pars (of 2): Levat autentica - Christ der ist erstanden	Von Heringen, Rudolf Volkard (?)	51v–52
Levat autentica - 2a pars (of 2): Ergo christo resonemus / Christ der ist erstanden	Von Heringen, Rudolf Volkard (?)	51v–52
Lumen ad revelationem gentium et gloriam	Anonymous	85
Magnificat octavi toni: Et exultavit [K.376]	Anonymous	89v
Magnificat octavi toni: Et exultavit spiritus meus [K.377]	Lymburgia, Johannes de (?)	119v–120
Magnificat primi toni [K.118]	Anonymous	41v–42
Magnificat primi toni: Et exultavit [K.127]	Anonymous	79v–80
Magnificat Septimi Toni [K.355]	Anonymous	91v–92
Magnificat Sexti Toni ad omnes versus	Binchois, Gilles (ca. 1400–1460) (?)	126v
Magnificat sexti toni: Anima mea [K.749]	Du Fay, Guillaume (1397–1474) Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)	138v–139
Magnificat Sexti Toni: Et exultavit [K.293]	Anonymous	90
Maria virgo assumpta est	Kerle, Jacobus de	78v
Martino divo praesuli - 1a pars (of 2): Martino divo praesuli	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	29
Martino divo praesuli - 2a pars (of 2): Cuius gratia protegente	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	29
Mille bonjours	Du Fay, Guillaume (1397–1474)	86
Missa De Capella Domini burdelagensis archiepiscopi: Kyrie eleison	Anonymous	114v
Mittit ad virginem	Anonymous	43v–44
Mon bien tout	Anonymous	98
Monophonic Credo	Anonymous	13–20v
Monophonic Credo	Anonymous	13–20v
Monophonic Credo	Anonymous	13–20v
Monophonic Credo	Anonymous	13–20v
Monophonic Credo	Anonymous	13–20v
Monophonic Kyrie	Anonymous	20v–21
Monophonic Kyrie	Anonymous	20v–21
Monophonic Kyrie	Anonymous	20v–21
Monophonic Kyrie	Anonymous	22
Monophonic Kyrie	Anonymous	22
Navré je suis d'un dart penetratif	Du Fay, Guillaume (1397–1474)	96
no piece designated	Anonymous	91v–92
Nunc rogemus / Veni rerum conditor / Nun bitten wir	Anonymous	62
Nymphae Dei pura - 1a pars (of 2): Nymphae Dei pur	Anonymous	25v
Nymphae Dei pura - 2a pars (of 2): Stupet natura	Anonymous	25v
O clementudinis	Anonymous	26v
O flos florum virginum	Du Fay, Guillaume (1397–1474) (?)	132v
O Maria stella maris	Walonis (fl. c1440)	03v–04
O Maria virgo davitica virginum flos / O Maria maris stella plena gratie	Anonymous	56v–57
O Maria virgo pia = Quant loin	Anonymous	25
O pulcherrima mulierum (= S'il est plaisir)	Du Fay, Guillaume (1397–1474)	82v–83
O pulchra lux	Anonymous	48
O regina clementissima	Loqueville, Richard (–1418)	22v
O virgo pia (= Pour l'amour)	Du Fay, Guillaume (1397–1474)	131v–132
Officium Dominicale: Kyrie eleison	Edelrawer, Hermann	114
Officium Dominicale: Sanctus	Anonymous	99v–100
Officium paschalae; Kyrie eleison	Roullet, Johannes	95v
Officium Paschale. Kyrie eleison	Anonymous	33v
Officium paschcale I: Sanctus = Crux columpa preelecta	Roullet, Johannes	143v–145
Omnium gubernatori (= Tesse dame)	Anonymous	25
Or me veult de bien Esperance mentir	Du Fay, Guillaume (1397–1474) (?)	65
Orto Dei filio - 1a pars (of 2): Orto Dei filio	Anonymous	39
Orto Dei filio - 2a pars (of 2): Quem parit juvencula	Anonymous	39
Pange lingua gloriosi corporis misterium	Anonymous	30
Pange lingua gloriosi corporis misterium	Merques, Nicolas	32
Pange lingua gloriosi corporis misterium	Anonymous	60
Pange lingua gloriosi corporis misterium	Merques, Nicolas	88
Par maintes fois ay oy recorder	Vaillant, Jacob (fl. 1360–90)	27v–28
Patrem omnipotentem [Credo]	Du Fay, Guillaume (1397–1474)	42v–43
Patrem omnipotentem [Credo]	Anonymous	44v–45
Patrem omnipotentem [Credo]	Cividale, Antonius de	49v–50
Patrem omnipotentem [Credo]	Brassart, Johannes (ca. 1400–1455)	83v–84
Patrem omnipotentem [Credo]	Benet, John (–ca. 1458)	141v–142v
Patrem omnipotentem [Credo]	Gemblaco (Gembloux), Johannes Franchois de	153v–155
Patrem omnipotentem [Credo] 'Alma redemptoris'	Gemblaco (Gembloux), Johannes Franchois de	105v–106v
Portig	Anonymous	77
Portugal Et in terra = Gloria	Anonymous	01v–03
Praedulcis eurus turbinis rigore ventilante	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	?
Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	28v–29
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis	Du Fay, Guillaume (1397–1474) (?)	75v–76
Puer natus est nobis - 2a pars (of 3): Cantate Domino canticum novum quia	Anonymous	75v–76
Puer natus est nobis - 3a pars (of 3): Gloria patri	Anonymous	75v–76
Quae corda nostra	Edelrawer, Hermann	135v–136
Quam pulchra es et quam decora	Egidius (?) Dunstaple, John (ca. 1390–1453) (?)	63v–64
Qui latuit in virgine (=Je sui si povre)	Du Fay, Guillaume (1397–1474)	01
Recordare virgo mater dum steteris	Anonymous	37
Regi unico Dei omnipotentis Benedicamus Domino	Anonymous	47v–48
Regina caeli laetare alleluia	Du Fay, Guillaume (1397–1474)	58v–59
Resonet in laudibus cum jocundis plausibus	Anonymous	24v
Resonet in laudibus cum jocundis plausibus	Anonymous	25
Responsiones ad missam	Anonymous	95v–96
Resurrexit victor (= Love wolle I withoute)	Biquardus	04v–05
Rex de caelo prodiit	Anonymous	61
Rex gloriose martyrum	Roullet, Johannes	85
Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis	Anonymous	135
Salve festa dies - 2a pars (of 2): Ecce renascentis testatur mundi	Anonymous	135
Salve regina - 1a pars (of 2): Salve regina mater misericordiae	Anonymous	147v–149
Salve regina - 2a pars (of 2): Eya ergo advocata	Anonymous	147v–149
Salve sancta parens	Anonymous	96v
Salve sancta parens	Anonymous	123v
Salve sancta parens - 1a pars (of 3): Salve sancta parens	Libert, Reginaldus	69v
Salve sancta parens - 1a pars (of 3): Salve sancta parens	Anonymous	76v–77
Salve sancta parens - 2a pars (of 3): Sola sine exemplo	Libert, Reginaldus	69v
Salve sancta parens - 2a pars (of 3): Virgo Dei genitrix quem totus non capit	Anonymous	76v–77
Salve sancta parens - 3a pars (of 3): Gloria patri	Libert, Reginaldus	69v
Salve sancta parens - 3a pars (of 3): Gloria patri	Anonymous	76v–77
Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris	Anonymous	93v–95
Sancta Maria succurre - 2a pars (of 2): Ora pro populo	Anonymous	93v–95
Sancta Maria succurre - 3a pars (of 2): Intercede pro devoto	Anonymous	93v–95
Sanctus	Anonymous	53
Sanctus	Anonymous	66v–67
Sanctus	Libert, Reginaldus	71v–72
Sanctus	Anonymous	111
Sanctus	L'Huyllier	130v–131
Sanctus pater ingenitus	Von Heringen, Rudolf Volkard	53v–54
Sanctus, trope Gustasti necis pocula	Sweikl	70v–71
Solis lux et aurora	Anonymous	72v
Spiritus et alme orphanorum paraclite	Anonymous	65v
Spiritus et alme orphanorum paraclite	Anonymous	101
Statuit ei Dominus - 1a pars (of 3): Statuit ei Dominus	Anonymous	101v–102
Statuit ei Dominus - 2a pars (of 3): Misericordias Domini in aeternum	Anonymous	101v–102
Statuit ei Dominus - 3a pars (of 3): Gloria patri	Anonymous	101v–102
Supremum est mortalibus bonum - 1a pars (of 2): Supremum est mortalibus bonum	Du Fay, Guillaume (1397–1474)	107v–109
Supremum est mortalibus bonum - 2a pars (of 2): O sancta pax	Du Fay, Guillaume (1397–1474)	107v–109
Toni psalmorum	Anonymous	35
Toni psalmorum	Anonymous	35
Toni psalmorum on the text: Laudate pueri Dominum	Anonymous	25v–26
Toni psalmorum on the text: Laudate pueri Dominum	Anonymous	25v–26
Toni psalmorum on the text: Laudate pueri Dominum	Anonymous	25v–26
Toni psalmorum on the text: Laudate pueri Dominum	Anonymous	25v–26
Toni psalmorum on the text: Laudate pueri Dominum	Anonymous	34
Toni psalmorum on the text: Laudate pueri Dominum	Anonymous	34
Toni psalmorum, Tonus I: cum differentia	Anonymous	91
Toni psalmorum, Tonus I: sine differentia	Anonymous	91
Toni psalmorum, Tonus II	Anonymous	91
Toni psalmorum, Tonus III	Anonymous	91
Toni psalmorum, Tonus IV	Anonymous	91
Toni psalmorum, Tonus V	Anonymous	91
Toni psalmorum, Tonus VI	Anonymous	91
Toni psalmorum, Tonus VII	Anonymous	91
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Lantins, Arnold de (–1432) (?)	136v–138
Tota pulchra es - 2a pars (of 2): Flores apparuerunt	Lantins, Arnold de (–1432) (?)	136v–138
untexted	Edelrawer, Hermann	103
untexted, probably a Ballade	Anonymous	87v
Urbs beata Jerusalem	Anonymous	85v
Urbs beata Jerusalem	Kungsperger, Urbanus	133v
Ut queant laxis resonare fibris	Binchois, Gilles (ca. 1400–1460)	86v–87
Veni creator spiritus	Du Fay, Guillaume (1397–1474)	55
Veni dulcis consolator tenebrarum illustrator	Anonymous	66
Veni rerum conditor = Gar leis in senfter weis	Anonymous	64v–65
Veni sancte spiritus et emitte caelitus	Du Fay, Guillaume (1397–1474) (?)	88v–89
Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud ave	Edelrawer, Hermann	10v–11
Verbum bonum - 2a pars (of 3): Ave veri salomonis	Edelrawer, Hermann	10v–11
Verbum bonum - 3a pars (of 3): Ave sponsa verbi	Edelrawer, Hermann	10v–11
Verbum bonum et suave personemus illud ave	Anonymous	113v
Verbum patris intonuit	Anonymous	24v
Verbum supernum prodiens	Anonymous	52
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Du Fay, Guillaume (1397–1474)	59v
Viderunt omnes fines terrae salutare	Anonymous	100
Virginis proles	Anonymous	110v
Virgo maris stella (= J'aime bien celui)	Anonymous	31
Virgo rosa venustatis (= C'est assez)	Binchois, Gilles (ca. 1400–1460)	129
Vo regard et douce	Du Fay, Guillaume (1397–1474)	65v–66
Vo regard et douce	Du Fay, Guillaume (1397–1474)	82
Wo ich in aller Welt	Roullet, Johannes	97

‡ denotes primary source study

Kirnbauer, Martin. 2001. Hartmann Schedel und sein “Liederbuch”. Bern.

Earp, Lawrence M. 1995. Guillaume de Machaut: A Guide to Research. New York and London: Garland.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Schmid, Bernhold. 1985. Chansonsatz und rhythmische Einstimmigkeit: Zu einer Gloria-Komposition aus dem St. Emmeram-Codex der Bayerischen Staatsbibliothek München. Musik in Bayern, 27-37. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Strohm, Reinhard. 1983. Zur Datierung des Codex St: Emmeram (Clm 14274): ein Zwischenbericht. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 229-38. Wiesbaden. Notes: physical description (partial); mention of MS; discussion.

Braunschweig-Pauli, Dagmar. 1982. Studien zum sogenannten Codex St. Emmeram: Entstehung, Datierung und Besitzer der Handschrift München, Bayerische Staatsbibliothek, Clm 14274 (Olim Mus. ms. 3232 a). Kirchenmusikalisches Jahrbuch, 1-48. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Rumbold, Ian. 1982. The Compilation and Ownership of the 'St Emmeram' Codex (Munich, Bayerische Staatsbibliothek, Clm 14274). Early Music History, 161-235. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Braunschweig-Pauli, Dagmar. 1981. Neue Ergebnisse zum Codex St. Emmeram. Kirchenmusikalisches Jahrbuch, 1-5. Notes: contents list (partial); mention of MS; discussion.

Strohm, Reinhard. 1981. European Politics and the Distribution of Music in the Early Fifteenth Century. Early Music History, 305-23. Pages: 310-1, 319-20. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1981. A Central European Repertory in Munich, Bayerische Staatsbibliothek, Clm 14274. Early Music History, 325-43.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: (II, 165-6,393-5.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology.

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,102ff, 170-3,336-54, passim.

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 195-238. Pages: 229,232-3.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: 138,146-9,181ff,245-50,259-61, passim.

Ruhland, Konrad. 1975. Der Mehrstimmige Psalmvortrag im 15. und 16. Jahrhundert: Studien zur Psalmodie auf der Grundlage von Faburdon, Fauxbourdon und Falsobordone. Ludwig-Maximilians-Universität (Munich), Ph.D. dissertation. Pages: 157-93. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Timm, Erika. 1972. Die Überlieferung der Lieder Oswalds von Wolkenstein. Germanische Studien. Lübeck and Hamburg. Pages: 135ff, 160-1.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.],xxiv,14,184,187,195-7.

Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: l,xxi,xxiv.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: I,86-91; II,60,68-9,77.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 150-1.

Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xviii,xxiv,xxvi-xxvii; Il,xiii,xvi,l.

Gennrich, Friedrich. 1965. Abriss der Mensuralnotation des XIV. und der ersten Hälfie des XV. Jahrhunderts. Musikwissenschaftliche Studien-Bibliothek. Langen bei Frankfurt. Pages: 54-5.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: II,xiii; III,xi-ff,24; V, xvii,47-53; VI,ix,xxii-xxiii.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: II,13*,4-5,28, 62ff.

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig. Pages: 2-8,19,48,109,186.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1339; III,1327-9, Tafel 22; V,1141; VI,1022-3; IX,902-3).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, IV-VI, passim.

Dèzes, Karl. 1927-8. Der Mensuralcodex des Benediktinerklosters Sancti Emmerami zu Regensburg. Zeitschrift für Musikwissenschaft, 65-105.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description