V-CVbav MS Chigi C.VIII.234 (Chigi Codex)

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1498-1503

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Chigi C.VIII.234 (Chigi Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	363 x 278 mm
Other Identifiers	RISM: I-Rvat 234 RISM: Chigi Codex CCM: VatC 234 olim (Former shelfmark): I-Rvat MS Chigi C.VIII.234
Notations	black void mensural
Copyists	? Bourgeois, Martin Text and Music scribal concordance [26], Alamire B (possibly Martin Bourgeois) Text and Music
Relationships	Alexander VII (1599–1667) (owner) Cardona, Folch de (owner) Cordova, Fernandez de (owner) Bouton, Philippe (owner)
External Links	images CMME online edition
Provenance	Brussels, Belgium
Contents	125 pieces from 15 composers

General Description

Main corpus copied by Netherlands court scribe B (= Martin Bourgeois?) (KellJ); later additions, by an unidentified Spanish scribe, on ff. 53'-55, 87'-88, 136'-142, and 284'-287. Main corpus copied in Brussels/Mechlin; belongs to Netherlands court complex (KellC). Originally prepared for the courtier Philippe Bouton (1418-1515)(KellCF). Manuscript subsequently taken to Spain, probably by the latter's son, Claude, or by a Spanish nobleman; later additions copied in Spain. Apparently owned in Spain by Folch de Cardona and Fernandez de Cordova families (coats of arms). Later owned by Fabio Chigi (1599-1667), elected Pope Alexander VII in 1655. Chigi family collection purchased by Italian government in 1918; ceded to present library in 1923.

DIAMM, 2017

Binding

covers of red velvet over wooden boards, with brass corners; 17th-century?

DIAMM, 2017

Notation

black void mensural notation

DIAMM, 2017

Ruling

Staff height 17

DIAMM, 2017

Foliation

Ink foliation (added in Spain after 1514), i-cclxxviiii, on upper right rectos (two consecutive folios numbered 'lxiii'; two consecutive groups of folios numbered 'lxxiiii-lxxviii'; two consecutive folios numbered 'cxv,' followed by folio numbered 'cxvii'). Modern stamped foliation, 1-289, on lower right rectos (cited here)

DIAMM, 2017

Decoration

Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Philippe Bouton originally painted on ff. 3', 19'-20, 56, 107, 143', and 249'; all of preceding arms except those on f. 249' later overpainted with coat of arms of Fernandez de Cordova family. Coat of arms of Folch de Cardona family on f. 284'.

DIAMM, 2017

Index

Index, copied in Spain after 1514, now pasted inside front cover; Masses and motets listed separately, in order of appearance (three motets not listed).

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM

XVe s. 289ff. Parchemin, 370 x 275 mm. Foliotation ancienne souvent fautive en eh. romains: I-CCLXXVIII en haut des ff. et foliotation moderne imprimée au bas des ff. Dans la foliotation ancienne, le f. LXXVIII est suivi de LXXIIII; le ch. CXV est répété deux fois. Dans la foliotation moderne, les ff. 1 à 3, 18v, 19, 34v, 35, 63v, 64, 114v, 115, 142v, 143, 172v, 173, 212v, 213, 240v, 241, 287v à 289v sont blancs. Notation mesurée blanche. 9 portées par p. Lettres et marges ornées de miniatures. Reliure velours rouge, coins métal. Au plat intérieur: Tabla de missas y motetes. Ms. franco-flamand copié dans le dernier quart du XVe s et tout au début du XVIe, vraisemblablement entre 1498 et 1501, probablement par Martin Bourgeois qui, depuis 1498, était calligraphe de musique au service de Marguerite d'Autriche. Les miniatures, de style flamand, sont généralement attribuées à l'atelier du «Maître de l'Hortulus animae» actif à Gand entre 1480 et 1520. Les armoiries qui figurent au f. 20 ont été d'abord attribuées (Besseler, in MGG) à la famille Van der Hoyen de Gand pour laquelle le ms. aurait été constitué. Van der Straeten (VII, 125f) le considère comme lié au répertoire de la chapelle de Philippe le Beau qui l'aurait transporté en Espagne à l'un de ses voyages, ce qui expliquerait les 7 pièces supplémentaires (nos 5, 10, 16, 17, 18, 19, 40) copiées en Espagne en même temps que la Tabla en espagnol, confirmé par la glose italienne collée sur la garde du volume: «usato in Spagna». Cependant, des recherches plus récentes (Keilman) ont amené à la conclusion que le ms. serait en relation avec la famille bourguignonne Bouton dont les armes figurent au f. 219v (facsim. Keilman, Josquin), le nom Bouton sur lequel on a superposé Dieu au f. 282 (facsim., id.) et enfin la devise «ung soeul Button» vers la fin du ms. Commandé directement par le poète Philippe Bouton, qui entretint les meilleures relations avec la cour de France de 1488 jusqu'à sa mort en 1515 (ce qui expliquerait la grande place tenue par Ockeghem dans le ms.), ce recueil aurait été préparé par son fils Claude Bouton, courtisan au service de Philippe le Beau, ramenant ainsi à l'hypothèse du passage du ms. en Espagne. La pièce no 16, en tout cas, n'a pu être incorporée avant 1514 (mort d'Anne de Bretagne).

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

19 Masses, 1 Requiem Mass, 1 Credo, 19 motets (1 without text) = 40

A. Agricola [Allexander]-1, Barbireau-1, Brumel-1, Busnois-1, Compère-2, Compère/(Josquin)-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-1, Isaac-1, Josquin-2, La Rue-2, Madrid-1 + 1?, (Mouton)-1, Ockeghem-15, Regis-4 + 1?, Regis/(Josquin)-1, Weerbecke [Gaspar]-1, anon-2

ii + 285 + ii parchment folios, 363 x 278. Ink foliation (added in Spain after 1514), i-cclxxviiii, on upper right rectos (two consecutive folios numbered "lxiii"; two consecutive groups of folios numbered "lxxiiii-lxxviii"; two consecutive folios numbered "cxv," followed by folio numbered "cxvii"). Modern stamped foliation, 1-289, on lower right rectos (cited below). Later (17th-century?) covers of red velvet over wooden boards, with brass corners. Index, copied in Spain after 1514, now pasted inside front cover; Masses and motets listed separately, in order of appearance (three motets not listed). Main corpus copied by Netherlands court scribe B (= Martin Bourgeois?) (KellJ); see general index for other manuscripts copied by the same scribe. Later additions, by an unidentified Spanish scribe, on ff. 53'-55, 87'-88, 136'-142, and 284'-287. Staff height 17. Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Philippe Bouton originally painted on ff. 3', 19'-20, 56, 107, 143', and 249'; all of preceding arms except those on f. 249' later overpainted with coat of arms of Fernandez de Cordova family. Coat of arms of Folch de Cardona family on f. 284'.

Ca. 1498-1503, with additions after 1514 (KellJ). Main corpus copied in Brussels/Mechlin; belongs to Netherlands court complex (KellC). Originally prepared for the courtier Philippe Bouton (1418-1515)(KellCF). Manuscript subsequently taken to Spain, probably by the latter's son, Claude, or by a Spanish nobleman; later additions copied in Spain. Apparently owned in Spain by Folch de Cardona and Fernandez de Cordova families (coats of arms). Later owned by Fabio Chigi (1599-1667), elected Pope Alexander VII in 1655. Chigi family collection purchased by Italian government in 1918; ceded to present library in 1923.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3v–4	Missa Mi mi: Kyrie	OKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 3v–4 Genres: Kyrie eleison, Mass Ordinary Source Attribution: OKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa My my] Kyrie General Note T: Kyrie My my . . .Publ. cf. Rvat 41 n° 11
4v–8	Missa Mi mi: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 4v–8 Genres: Gloria (et in terra pax), Mass Ordinary
8v–13	Missa Mi mi: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 8v–13 Genres: Credo (patrem omnipotentem), Mass Ordinary
13v–15	Missa Mi mi: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 13v–15 Genres: Mass Ordinary, Sanctus [& Benedictus]
15v–18	Missa Mi mi: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 15v–18 Genres: Agnus Dei, Mass Ordinary
19v–22	Missa Ecce ancilla Domini: Kyrie	OKEGHEM (index)	Ockeghem, Jean de (ca. 1410–1497)
Missa Ecce ancilla Domini: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 19v–22 Genres: Kyrie eleison, Mass Ordinary Source Attribution: OKEGHEM (index) Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Ecce ancilla domini] Kyrie General Note T du Kyrie: Ecce ancilla dominiPubl. cf. MOe M. 1.2. n° 10. Item Bibliography Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation. Pages: f. 20. Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II Taf. 38 f. 19v-20. Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I Facs. Kyrie I.
22v–26	Missa Ecce ancilla Domini: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Ecce ancilla Domini: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 22v–26 Genres: Gloria (et in terra pax), Mass Ordinary
26v–30	Missa Ecce ancilla Domini: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Ecce ancilla Domini: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 26v–30 Genres: Credo (patrem omnipotentem), Mass Ordinary
30v–32	Missa Ecce ancilla Domini: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Ecce ancilla Domini: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 30v–32 Genres: Mass Ordinary, Sanctus [& Benedictus]
32v–34	Missa Ecce ancilla Domini: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Ecce ancilla Domini: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 32v–34 Genres: Agnus Dei, Mass Ordinary
35v–36	Missa L'homme armé: Kyrie	OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 35v–36 Genres: Kyrie eleison, Mass Ordinary Source Attribution: OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa L'omme armé] Kyrie General Note T: Kyrie Lomme armé … Publ. cf. Rvat 35 n° 17 Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I le éd: Facs. Kyrie:.
36v–38	Missa L'homme armé: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 36v–38 Genres: Gloria (et in terra pax), Mass Ordinary
38v–41	Missa L'homme armé: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 38v–41 Genres: Credo (patrem omnipotentem), Mass Ordinary
41v–43	Missa L'homme armé: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 41v–43 Genres: Mass Ordinary, Sanctus [& Benedictus]
43v–45	Missa L'homme armé: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 43v–45 Genres: Agnus Dei, Mass Ordinary
45v–47	Missa Fors seullement: Kyrie	OKEGHEM (index)	Ockeghem, Jean de (ca. 1410–1497)
Missa Fors seullement: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 45v–47 Genres: Kyrie eleison, Mass Ordinary Source Attribution: OKEGHEM (index) Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Fors seullement] Kyrie General Note Sans Sanctus ni Agnus.T: Kyrie Fors seullement Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: II avec facs. du Kyrie.
47v–49	Missa Fors seullement: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Fors seullement: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 47v–49 Genres: Gloria (et in terra pax), Mass Ordinary
49v–53	Missa Fors seullement: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Fors seullement: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 49v–53 Genres: Credo (patrem omnipotentem), Mass Ordinary
53v–54	Regina caeli laetare - 1a pars (of 2): Regina caeli laetare	-	Anonymous
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare Anonymous Appears on: 53v–54 Genres: BVM, Marian antiphon, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia Concordances the version in Barcelona M 454 is for 4vv
54v–55	Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	-	Anonymous
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit Anonymous Appears on: 54v–55 Genres: BVM, Marian antiphon, Regina caeli laetare Concordances the version in Barcelona M 454 is for 4vv
55v–56	Missa Sine nomine (5vv): Kyrie	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Sine nomine (5vv): Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 55v–56 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie General Note Sans Sanctus ni Agnus. Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: II.
56v–58	Missa Sine nomine (5vv): Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Sine nomine (5vv): Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 56v–58 Genres: Gloria (et in terra pax), Mass Ordinary
58v–60	Missa Sine nomine (5vv): Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Sine nomine (5vv): Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 58v–60 Genres: Credo (patrem omnipotentem), Mass Ordinary
60v–61	Missa Ma maitresse: Kyrie	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Ma maitresse: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 60v–61 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Ma mastresse] Kyrie General Note Kyrie et Gloria seul'T: Kyrie. Ma mastresse Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I.
61v–63	Missa Ma maitresse: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Ma maitresse: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 61v–63 Genres: Gloria (et in terra pax), Mass Ordinary
64v–65	Missa Caput: Kyrie	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Caput: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 64v–65 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Caput] Kyrie General Note Au bas du f. 64v: Alterum caput descendendo tenoreni per dyapason et sic per totam missam ColMus V Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: II. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38 (XIX).
65v–67	Missa Caput: Et in terra pax [Gloria]	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Caput: Et in terra pax [Gloria] Ockeghem, Jean de (ca. 1410–1497) Appears on: 65v–67 Genres: Gloria (et in terra pax), Mass Ordinary
67v–70	Missa Caput: Patrem omnipotentem [Credo]	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Caput: Patrem omnipotentem [Credo] Ockeghem, Jean de (ca. 1410–1497) Appears on: 67v–70 Genres: Credo (patrem omnipotentem), Mass Ordinary
70v–73	Missa Caput: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Caput: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 70v–73 Genres: Mass Ordinary, Sanctus [& Benedictus]
73v–75	Missa Caput: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Caput: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 73v–75 Genres: Agnus Dei, Mass Ordinary
75v–76	Missa De plus en plus: Kyrie	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa De plus en plus: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 75v–76 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa De plus en plus] Kyrie General Note T: Kyrie De plus en plus … Publ. cf. Rvat 14 n° 18 Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I Facs. du Credo.
76v–78	Missa De plus en plus: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa De plus en plus: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 76v–78 Genres: Gloria (et in terra pax), Mass Ordinary
78v–82	Missa De plus en plus: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa De plus en plus: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 78v–82 Genres: Credo (patrem omnipotentem), Mass Ordinary
82v–84	Missa De plus en plus: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa De plus en plus: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 82v–84 Genres: Mass Ordinary, Sanctus [& Benedictus]
84v–87	Missa De plus en plus: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa De plus en plus: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 84v–87 Genres: Agnus Dei, Mass Ordinary
87v–88	Sancta Trinitas unus Deus miserere nobis (4vv)	A. de Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 87v–88 Genres: Motet Source Attribution: A. de Fevin Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas unus deus miserere General Note Publ. Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261] Concordances *D-brd-Ga 7 ^D-ddr-EIa
89v–90	Missa Au travail suis: Kyrie	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 89v–90 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Au travel suy] Kyrie Concordances E-Bc 454 General Note [= Missa Laus Maria]T: Kyrie. Au travel suyPubl. cf. Rvat 41 n° 10. Item Bibliography Besseler, Heinrich, and Peter Gülke. 1973. Musik des Mittelalters und der Renaissance. Lfg. 5. Schriftbild der mehrstimmigen Musik. Musikgeschichte in Bildern. Leipzig. Pages: III/5. Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I 2e éd: Facs. f. 89v-90.
90v–92	Missa Au travail suis: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 90v–92 Genres: Gloria (et in terra pax), Mass Ordinary
92v–94	Missa Au travail suis: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 92v–94 Genres: Credo (patrem omnipotentem), Mass Ordinary
94v–95	Missa Au travail suis: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 94v–95 Genres: Mass Ordinary, Sanctus [& Benedictus]
95v–96	Missa Au travail suis: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 95v–96 Genres: Agnus Dei, Mass Ordinary
96v–97	Missa Cuiusvis Toni: Kyrie	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 96v–97 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Greek Voice Text: [Missa] Cujusvis toni.Kyrie General Note Publ. cf. Rvat 35 n° 4. Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I 2e éd:Facs. Kyrie I:.
97v–99	Missa Cuiusvis Toni: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 97v–99 Genres: Gloria (et in terra pax), Mass Ordinary
99v–103	Missa Cuiusvis Toni: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 99v–103 Genres: Credo (patrem omnipotentem), Mass Ordinary
103v–105	Missa Cuiusvis Toni: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 103v–105 Genres: Mass Ordinary, Sanctus [& Benedictus]
105v–106	Missa Cuiusvis Toni: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 105v–106 Genres: Agnus Dei, Mass Ordinary
106v–107	Missa Prolationum: Kyrie	OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Prolationum: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 106v–107 Genres: Kyrie eleison, Mass Ordinary Source Attribution: OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] prolacionum. Kyrie Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: II avec facs. Kyrie, Et in terra, Qui tollis, Patrem, Et resurrexit, Sanctus, Benedictus, Agnus I, II, III.
107v–109	Missa Prolationum: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Prolationum: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 107v–109 Genres: Gloria (et in terra pax), Mass Ordinary
109v–111	Missa Prolationum: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Prolationum: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 109v–111 Genres: Credo (patrem omnipotentem), Mass Ordinary
111v–113	Missa Prolationum: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Prolationum: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 111v–113 Genres: Mass Ordinary, Sanctus [& Benedictus]
113v–114	Missa Prolationum: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Prolationum: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 113v–114 Genres: Agnus Dei, Mass Ordinary
115v–116	Missa Quinti toni: Kyrie	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Quinti toni: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 115v–116 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Quinti thoni. Kyrie Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I.
116v–118	Missa Quinti toni: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Quinti toni: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 116v–118 Genres: Gloria (et in terra pax), Mass Ordinary
118v–121	Missa Quinti toni: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Quinti toni: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 118v–121 Genres: Credo (patrem omnipotentem), Mass Ordinary
121v–123	Missa Quinti toni: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Quinti toni: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 121v–123 Genres: Mass Ordinary, Sanctus [& Benedictus]
123v–125	Missa Quinti toni: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Quinti toni: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 123v–125 Genres: Agnus Dei, Mass Ordinary
125v–126	Missa pro defunctis (Requiem): i - Introit, Requiem aeternam	J. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa pro defunctis (Requiem): i - Introit, Requiem aeternam Ockeghem, Jean de (ca. 1410–1497) Appears on: 125v–126 Genres: Introit, Requiem Source Attribution: J. OCKEGHEM Voice: [no designation] Languages: Latin Voice Text: [Missa] [Requiem] eternam Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: avec facs. Requiem eternam, Rex glorie, Quam olim Abrahe.
126v–127	Missa pro defunctis (Requiem): ii - Kyrie	-	Ockeghem, Jean de (ca. 1410–1497)
Missa pro defunctis (Requiem): ii - Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 126v–127 Genres: Kyrie eleison, Mass Ordinary, Requiem
127v–129	Missa pro defunctis (Requiem): iii - Gradual, Si ambulem	-	Ockeghem, Jean de (ca. 1410–1497)
Missa pro defunctis (Requiem): iii - Gradual, Si ambulem Ockeghem, Jean de (ca. 1410–1497) Appears on: 127v–129 Genres: Gradual, Requiem
129v–132	Missa pro defunctis (Requiem): iv - Tract, Sicut cervus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa pro defunctis (Requiem): iv - Tract, Sicut cervus Ockeghem, Jean de (ca. 1410–1497) Appears on: 129v–132 Genres: Requiem, Tract
132v–136	Missa pro defunctis (Requiem): v - Offertory, Domine Jesu Christe	-	Ockeghem, Jean de (ca. 1410–1497)
Missa pro defunctis (Requiem): v - Offertory, Domine Jesu Christe Ockeghem, Jean de (ca. 1410–1497) Appears on: 132v–136 Genres: Offertory, Requiem
136v–137	Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum Mouton, Jean (ca. 1459–1522) Appears on: 136v–137 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note Publ. cf. CT 95-96 n° 51
137v–138	Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar Mouton, Jean (ca. 1459–1522) Appears on: 137v–138 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note Publ. cf. CT 95-96 n° 51
138v–139	Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes Mouton, Jean (ca. 1459–1522) Appears on: 138v–139 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note Publ. cf. CT 95-96 n° 51
139v–140	Ave Maria gratia plena Dominus tecum	Okeghem	Ockeghem, Jean de (ca. 1410–1497)
Ave Maria gratia plena Dominus tecum Ockeghem, Jean de (ca. 1410–1497) Appears on: 139v–140 Genres: Ave Maria, Marian antiphon, Motet Source Attribution: Okeghem Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
140v–141	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Loyset Compere	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum Compère, Loyset (ca. 1445–1518) Appears on: 140v–141 Genres: Ave Maria, Motet Source Attribution: Loyset Compere Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note [=Sancta Maria quesumus]Publ. cf. Md 2267 n° 38 Concordances 1503'
141v–142	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Loyset Compere	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: 141v–142 Genres: Motet Source Attribution: Loyset Compere Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note Publ. cf. Md 2267 n° 38 Concordances *1503'
143v–145	Missa Virgo parens Christi: Kyrie	J. BARBIREAU (index)	Barbireau, Jacobus (1455–1491)
Missa Virgo parens Christi: Kyrie Barbireau, Jacobus (1455–1491) Appears on: 143v–145 Genres: Kyrie eleison, Mass Ordinary Source Attribution: J. BARBIREAU (index) Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Virgo parens Christi] Kyrie General Note [= Missa De venerabili sacramento. Homo quidam fecit]* T: Virgo parens Christi KyriePubl. cf. Rvat 160 n° 1 Concordances *E-MO 766
145v–147	Missa Virgo parens Christi: Gloria	-	Barbireau, Jacobus (1455–1491)
Missa Virgo parens Christi: Gloria Barbireau, Jacobus (1455–1491) Appears on: 145v–147 Genres: Gloria (et in terra pax), Mass Ordinary
147v–150	Missa Virgo parens Christi: Credo	-	Barbireau, Jacobus (1455–1491)
Missa Virgo parens Christi: Credo Barbireau, Jacobus (1455–1491) Appears on: 147v–150 Genres: Credo (patrem omnipotentem), Mass Ordinary
150v–153	Missa Virgo parens Christi: Sanctus	-	Barbireau, Jacobus (1455–1491)
Missa Virgo parens Christi: Sanctus Barbireau, Jacobus (1455–1491) Appears on: 150v–153 Genres: Mass Ordinary, Sanctus [& Benedictus]
153v–158	Missa In Mynen zyn [In myne sinn]: Gloria	ALLEXANDER	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Gloria Agricola, Alexander (ca. 1445–1506) Appears on: 153v–158 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: ALLEXANDER Voice: [no designation] Languages: Latin Voice Text: [Missa] In myne synn. Et in terra General Note Sans Kyrie. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, I.
158v–163	Missa In Mynen zyn [In myne sinn]: Credo	-	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Credo Agricola, Alexander (ca. 1445–1506) Appears on: 158v–163 Genres: Credo (patrem omnipotentem), Mass Ordinary
163v–168	Missa In Mynen zyn [In myne sinn]: Sanctus	-	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Sanctus Agricola, Alexander (ca. 1445–1506) Appears on: 163v–168 Genres: Mass Ordinary, Sanctus [& Benedictus]
168v–172	Missa In Mynen zyn [In myne sinn]: Agnus Dei	-	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Agnus Dei Agricola, Alexander (ca. 1445–1506) Appears on: 168v–172 Genres: Agnus Dei, Mass Ordinary
173v–175	Missa Almana = Missa Pourquoy non: Kyrie	P[ETRO] DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 173v–175 Genres: Kyrie eleison, Mass Ordinary Source Attribution: P[ETRO] DE LA RUE Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa almana] Kyrie General Note [= Missa Pourquoy non]T: Kyrie. Missa almana eleyson Item Bibliography Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation. Pages: Facs. f. 174:.
175v–177	Missa Almana = Missa Pourquoy non: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 175v–177 Genres: Gloria (et in terra pax), Mass Ordinary
177v–180	Missa Almana = Missa Pourquoy non: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 177v–180 Genres: Credo (patrem omnipotentem), Mass Ordinary
180v–183	Missa Almana = Missa Pourquoy non: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 180v–183 Genres: Mass Ordinary, Sanctus [& Benedictus]
183v–187	Missa Almana = Missa Pourquoy non: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 183v–187 Genres: Agnus Dei, Mass Ordinary
187v–191	Credo [Patrem omnipotentem] (6vv)	DE [LA] RUE	Rue, Pierre de la (ca. 1452–1518)
Credo [Patrem omnipotentem] (6vv) Rue, Pierre de la (ca. 1452–1518) Appears on: 187v–191 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DE [LA] RUE Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
191v–193	Missa L'homme armé sexti toni 6.2: Kyrie	JOSQUEN / JOSQUYN (index)	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 191v–193 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOSQUEN / JOSQUYN (index) Voice: [no designation] Languages: Latin Voice Text: [Missa L'omme armé sexti toni] General Note Mq. Sanctus et Agnus dei. Kyrie T: Kyrie, homme armé eleyson Publ. cf. CMacMtD) n° 15
193v–195	Missa L'homme armé sexti toni 6.2: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 193v–195 Genres: Gloria (et in terra pax), Mass Ordinary
195v–199	Missa L'homme armé sexti toni 6.2: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 195v–199 Genres: Credo (patrem omnipotentem), Mass Ordinary
199v–201	Missa L'homme armé: Kyrie	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513) (?)
Missa L'homme armé: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 199v–201 Source Attribution: BRUMEL Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa L'omme armé] Kyrie General Note T: Kyrie Lomme armé . . .Publ. cf. Md 2268 n° 38 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5,1 ; Facs. f. 199v-200.
201v–203	Missa L'homme armé: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 201v–203
203v–207	Missa L'homme armé. Patrem omnipotentem [Credo]	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé. Patrem omnipotentem [Credo] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 203v–207
207v–210	Missa L'homme armé: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 207v–210
210v–212	Missa L'homme armé: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 210v–212
213v–214	Missa L'homme armé: Kyrie	BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Kyrie Busnoys, Antoine (ca. 1430–1492) Appears on: 213v–214 Genres: Mass Ordinary Source Attribution: BUSNOYS Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa L'omme armé] Kyrie General Note T: Kyrie homme armé . . .Publ. cf. MOas 221 n° 1
214v–217	Missa L'homme armé: Gloria	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Gloria Busnoys, Antoine (ca. 1430–1492) Appears on: 214v–217 Genres: Gloria (et in terra pax), Mass Ordinary
217v–220	Missa L'homme armé: Credo	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Credo Busnoys, Antoine (ca. 1430–1492) Appears on: 217v–220 Genres: Credo (patrem omnipotentem), Mass Ordinary
220v–224	Missa L'homme armé: Sanctus	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Sanctus Busnoys, Antoine (ca. 1430–1492) Appears on: 220v–224 Genres: Mass Ordinary, Sanctus [& Benedictus]
224v–227	Missa L'homme armé: Agnus Dei	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Agnus Dei Busnoys, Antoine (ca. 1430–1492) Appears on: 224v–227 Genres: Agnus Dei, Mass Ordinary
227v–229	Missa L'homme armé 6.1: Kyrie	LOYSET COMPERE [ou JOSQUIN*]	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Kyrie Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 227v–229 Genres: Kyrie eleison, Mass Ordinary Source Attribution: LOYSET COMPERE [ou JOSQUIN] Voice:* [no designation] Languages: Latin, Greek Voice Text: [Missa L'omme armé] Kyrie Concordances *D-brd-Mbs 3154; D-ddr-LEu 51 General Note T: Kyrie homme armé Publ. cf. Rvat 35 n° 9
229v–231	Missa L'homme armé 6.1: Gloria	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Gloria Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 229v–231 Genres: Gloria (et in terra pax), Mass Ordinary
231v–235	Missa L'homme armé 6.1: Credo	-	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Missa L'homme armé 6.1: Credo Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 231v–235 Genres: Credo (patrem omnipotentem), Mass Ordinary
235v–238	Missa L'homme armé 6.1: Sanctus	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Sanctus Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 235v–238 Genres: Mass Ordinary, Sanctus [& Benedictus]
238v–240	Missa L'homme armé 6.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Missa L'homme armé 6.1: Agnus Dei Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 238v–240 Genres: Mass Ordinary
241v–243	Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Josquyn	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Despres, Josquin (ca. 1450–1521) Appears on: 241v–243 Genres: Motet, Stabat Mater Source Attribution: Josquyn Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa General Note Publ. cf. Fn 232 n" 5
243v–245	Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	Josquyn	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire Despres, Josquin (ca. 1450–1521) Appears on: 243v–245 Genres: Motet Source Attribution: Josquyn Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa General Note T des 2 p.: Comme femmePubl. cf. Fn 232 n" 5
245v–249	Stabat Mater Dolorosa	Jaspar [= Gaspar van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Stabat Mater Dolorosa Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 245v–249 Genres: Motet, Stabat Mater Source Attribution: Jaspar [= Gaspar van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa General Note T: Vidi speciosam . . .
249v–251	Angeli archangeli - 1a pars (of 2): Angeli archangeli	H. Yzaac	Isaac, Heinrich (ca. 1450–1517)
Angeli archangeli - 1a pars (of 2): Angeli archangeli Isaac, Heinrich (ca. 1450–1517) Appears on: 249v–251 Genres: Motet Source Attribution: H. Yzaac Voice: [no designation] Languages: Latin Voice Text: Angeli archangeli Concordances D-ddr-LEu 1494 General Note [=O regina nobilissima] T: Comme femme Angeli archangeli. Publ. cf. Fn 232 n" 3
251v–253	Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus	H. Yzaac	Isaac, Heinrich (ca. 1450–1517)
Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus Isaac, Heinrich (ca. 1450–1517) Appears on: 251v–253 Genres: Motet Source Attribution: H. Yzaac Voice: [no designation] Languages: Latin Voice Text: Angeli archangeli Concordances D-ddr-LEu 1494 General Note [=O regina nobilissima] T: Comme femme Angeli archangeli. Publ. cf. Fn 232 n" 3
253v–255	[untexted] - 1a pars (of 2): [untexted] (4vv)	-	-
[untexted] - 1a pars (of 2): [untexted] (4vv) - Appears on: 253v–255 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
255v–257	[untexted] - 2a pars (of 2): [untexted] (6vv)	-	-
[untexted] - 2a pars (of 2): [untexted] (6vv) - Appears on: 255v–257 Genres: textless Voice: [no designation] Languages: none Voice Text: 2a p.: without text
257v–261	Lux solemnis adest rutilans	-	Regis, Johannes (ca. 1425–ca. 1496)
Lux solemnis adest rutilans Regis, Johannes (ca. 1425–ca. 1496) Appears on: 257v–261 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lux solempnis adest rutilans General Note T: Repleti sunt Concordances 1508' Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 9, II.
261v–263	Celcitonantis - 1a pars (of 2): Celcitonantis ave genitrix sublimis Olimpi	Regis	Regis, Johannes (ca. 1425–ca. 1496)
Celcitonantis - 1a pars (of 2): Celcitonantis ave genitrix sublimis Olimpi Regis, Johannes (ca. 1425–ca. 1496) Appears on: 261v–263 Genres: Motet Source Attribution: Regis Voice: [no designation] Languages: Latin Voice Text: Celcitonantis ave genitrix sublimis Olimpi Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 9, II.
263v–265	Celcitonantis - 2a pars (of 2): Abrahae fit promissio	Regis	Regis, Johannes (ca. 1425–ca. 1496)
Celcitonantis - 2a pars (of 2): Abrahae fit promissio Regis, Johannes (ca. 1425–ca. 1496) Appears on: 263v–265 Genres: Motet Source Attribution: Regis Voice: [no designation] Languages: Latin Voice Text: Celcitonantis ave genitrix sublimis Olimpi General Note T des 2 p.: Abrahe fit permissi Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 9, II.
265v–267	Ave rosa speciosa - 1a pars (of 2): Ave rosa speciosa	-	Regis, Johannes (ca. 1425–ca. 1496) (?)
Ave rosa speciosa - 1a pars (of 2): Ave rosa speciosa Regis, Johannes (ca. 1425–ca. 1496) (?) Appears on: 265v–267 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave rosa speciosa General Note T: Fuga. Beata nobis et in nupta virgo . . B: Ave regina ceLorum
267v–269	Ave rosa speciosa - 2a pars (of 2):	-	Regis, Johannes (ca. 1425–ca. 1496) (?)
Ave rosa speciosa - 2a pars (of 2): Regis, Johannes (ca. 1425–ca. 1496) (?) Appears on: 267v–269 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave rosa speciosa
269v–273	O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est	Regis	Despres, Josquin (ca. 1450–1521) (?) Regis, Johannes (ca. 1425–ca. 1496)
O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est Despres, Josquin (ca. 1450–1521) (?) Regis, Johannes (ca. 1425–ca. 1496) Appears on: 269v–273 Genres: Motet Source Attribution: Regis Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note Vagans: Verbum caro factum est Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 9, II.
270v–271	O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est	-	Despres, Josquin (ca. 1450–1521) (?) Regis, Johannes (ca. 1425–ca. 1496)
O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est Despres, Josquin (ca. 1450–1521) (?) Regis, Johannes (ca. 1425–ca. 1496) Appears on: 270v–271 Genres: Motet
271v–273	O admirabile commercium - 3a pars (of 3): Puer natus est nobis	-	Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?)
O admirabile commercium - 3a pars (of 3): Puer natus est nobis Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?) Appears on: 271v–273 Genres: Motet
273v–275	Lauda Sion salvatorem - 1a pars (of 2): Lauda Sion salvatorem	Regis	Regis, Johannes (ca. 1425–ca. 1496)
Lauda Sion salvatorem - 1a pars (of 2): Lauda Sion salvatorem Regis, Johannes (ca. 1425–ca. 1496) Appears on: 273v–275 Genres: Motet Source Attribution: Regis Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem General Note T et B: Ego sum panis vivus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 9, II.
275v–276	Lauda Sion salvatorem - 2a pars (of 2): In hac mensa novi regis	Regis	Regis, Johannes (ca. 1425–ca. 1496)
Lauda Sion salvatorem - 2a pars (of 2): In hac mensa novi regis Regis, Johannes (ca. 1425–ca. 1496) Appears on: 275v–276 Genres: Motet Source Attribution: Regis Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem General Note T: Qui manducai me Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 9, II.
276v–277	Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella	J. Ockeghem	Ockeghem, Jean de (ca. 1410–1497)
Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella Ockeghem, Jean de (ca. 1410–1497) Appears on: 276v–277 Genres: Motet Source Attribution: J. Ockeghem Voice: [no designation] Languages: Latin Voice Text: Intemerata dei mater generosa puella General Note Publ. cf. Rvat 35 n» 3
277v–278	Intemerata Dei mater - 2a pars (of 3): Nec sine te manet	-	Ockeghem, Jean de (ca. 1410–1497)
Intemerata Dei mater - 2a pars (of 3): Nec sine te manet Ockeghem, Jean de (ca. 1410–1497) Appears on: 277v–278 Genres: Motet
278v–279	Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros	-	Ockeghem, Jean de (ca. 1410–1497)
Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros Ockeghem, Jean de (ca. 1410–1497) Appears on: 278v–279 Genres: Motet
279v–280	Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus	-	Compère, Loyset (ca. 1445–1518)
Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus Compère, Loyset (ca. 1445–1518) Appears on: 279v–280 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sile fragor ac rerum tumultus Concordances 1502' General Note Publ. cf. Rvat 15 n° 53. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV: Facs. f. 279v-280.
280v–281	Sile fragor - 2a pars (of 2): Suscipe deitatis mater	-	Compère, Loyset (ca. 1445–1518)
Sile fragor - 2a pars (of 2): Suscipe deitatis mater Compère, Loyset (ca. 1445–1518) Appears on: 280v–281 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sile fragor ac rerum tumultus General Note Publ. cf. Rvat 15 n° 53. Concordances 1502' Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV: Facs. f. 279v-280.
281v–282	Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora	Johannes Regis	Regis, Johannes (ca. 1425–ca. 1496)
Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora Regis, Johannes (ca. 1425–ca. 1496) Appears on: 281v–282 Genres: Motet Source Attribution: Johannes Regis Voice: [no designation] Languages: Latin Voice Text: Clangat plebs flores theotece voce sonora General Note Publ. cf. Rvat 15 n° 44T: Sicut lilium.
282v–284	Clangat plebs - 2a pars (of 3): Carmina cadentem	Johannes Regis	Regis, Johannes (ca. 1425–ca. 1496)
Clangat plebs - 2a pars (of 3): Carmina cadentem Regis, Johannes (ca. 1425–ca. 1496) Appears on: 282v–284 Genres: Motet Source Attribution: Johannes Regis Voice: [no designation] Languages: Latin Voice Text: Clangat plebs flores theotece voce sonora General Note Publ. cf. Rvat 15 n° 44
284v–286	Asperges me Domine isopo et mundabor	Madrid	Madrid, Juan Fernandez de
Asperges me Domine isopo et mundabor Madrid, Juan Fernandez de Appears on: 284v–286 Genres: Asperges me, Hymn Source Attribution: Madrid Voice: [no designation] Languages: Latin Voice Text: Asperges me Domine hysopo
286v–287	Vidi aquam egredientem de templo	-	Madrid, Juan Fernandez de
Vidi aquam egredientem de templo Madrid, Juan Fernandez de Appears on: 286v–287 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Missa In Mynen zyn [In myne sinn]: Agnus Dei – 168v–172 Missa In Mynen zyn [In myne sinn]: Credo – 158v–163 Missa In Mynen zyn [In myne sinn]: Gloria – 153v–158 Missa In Mynen zyn [In myne sinn]: Sanctus – 163v–168
Anonymous	Regina caeli laetare - 1a pars (of 2): Regina caeli laetare – 53v–54 Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit – 54v–55 [untexted] - 1a pars (of 2): [untexted] (4vv) – 253v–255 [untexted] - 2a pars (of 2): [untexted] (6vv) – 255v–257
Barbireau, Jacobus (1455–1491)	Missa Virgo parens Christi: Credo – 147v–150 Missa Virgo parens Christi: Gloria – 145v–147 Missa Virgo parens Christi: Kyrie – 143v–145 Missa Virgo parens Christi: Sanctus – 150v–153
Brumel, Antoine (ca. 1460–ca. 1513)	Missa L'homme armé. Patrem omnipotentem [Credo] – 203v–207 Missa L'homme armé: Agnus Dei – 210v–212 Missa L'homme armé: Gloria – 201v–203 (?) Missa L'homme armé: Kyrie – 199v–201 Missa L'homme armé: Sanctus – 207v–210
Busnoys, Antoine (ca. 1430–1492)	Missa L'homme armé: Agnus Dei – 224v–227 Missa L'homme armé: Credo – 217v–220 Missa L'homme armé: Gloria – 214v–217 Missa L'homme armé: Kyrie – 213v–214 Missa L'homme armé: Sanctus – 220v–224
Compère, Loyset (ca. 1445–1518)	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum – 140v–141 Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum – 141v–142 Missa L'homme armé 6.1: Agnus Dei – 238v–240 Missa L'homme armé 6.1: Credo – 231v–235 Missa L'homme armé 6.1: Gloria – 229v–231 Missa L'homme armé 6.1: Kyrie – 227v–229 Missa L'homme armé 6.1: Sanctus – 235v–238 Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus – 279v–280 Sile fragor - 2a pars (of 2): Suscipe deitatis mater – 280v–281
Despres, Josquin (ca. 1450–1521)	(?) Missa L'homme armé 6.1: Agnus Dei – 238v–240 (?) Missa L'homme armé 6.1: Credo – 231v–235 (?) Missa L'homme armé 6.1: Gloria – 229v–231 (?) Missa L'homme armé 6.1: Kyrie – 227v–229 (?) Missa L'homme armé 6.1: Sanctus – 235v–238 Missa L'homme armé sexti toni 6.2: Credo – 195v–199 Missa L'homme armé sexti toni 6.2: Gloria – 193v–195 Missa L'homme armé sexti toni 6.2: Kyrie – 191v–193 (?) O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est – 269v–273 (?) O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est – 270v–271 (?) O admirabile commercium - 3a pars (of 3): Puer natus est nobis – 271v–273 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem – 241v–243 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire – 243v–245
Fevin, Antoine de (ca. 1470–ca. 1512)	Sancta Trinitas unus Deus miserere nobis (4vv) – 87v–88
Isaac, Heinrich (ca. 1450–1517)	Angeli archangeli - 1a pars (of 2): Angeli archangeli – 249v–251 Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus – 251v–253
Madrid, Juan Fernandez de	Asperges me Domine isopo et mundabor – 284v–286 Vidi aquam egredientem de templo – 286v–287
Mouton, Jean (ca. 1459–1522)	Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum – 136v–137 Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar – 137v–138 Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes – 138v–139
Ockeghem, Jean de (ca. 1410–1497)	Ave Maria gratia plena Dominus tecum – 139v–140 Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella – 276v–277 Intemerata Dei mater - 2a pars (of 3): Nec sine te manet – 277v–278 Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros – 278v–279 Missa Au travail suis: Agnus Dei – 95v–96 Missa Au travail suis: Credo – 92v–94 Missa Au travail suis: Gloria – 90v–92 Missa Au travail suis: Kyrie – 89v–90 Missa Au travail suis: Sanctus – 94v–95 Missa Caput: Agnus Dei – 73v–75 Missa Caput: Et in terra pax [Gloria] – 65v–67 Missa Caput: Kyrie – 64v–65 Missa Caput: Patrem omnipotentem [Credo] – 67v–70 Missa Caput: Sanctus – 70v–73 Missa Cuiusvis Toni: Agnus Dei – 105v–106 Missa Cuiusvis Toni: Credo – 99v–103 Missa Cuiusvis Toni: Gloria – 97v–99 Missa Cuiusvis Toni: Kyrie – 96v–97 Missa Cuiusvis Toni: Sanctus – 103v–105 Missa De plus en plus: Agnus Dei – 84v–87 Missa De plus en plus: Credo – 78v–82 Missa De plus en plus: Gloria – 76v–78 Missa De plus en plus: Kyrie – 75v–76 Missa De plus en plus: Sanctus – 82v–84 Missa Ecce ancilla Domini: Agnus Dei – 32v–34 Missa Ecce ancilla Domini: Credo – 26v–30 Missa Ecce ancilla Domini: Gloria – 22v–26 Missa Ecce ancilla Domini: Kyrie – 19v–22 Missa Ecce ancilla Domini: Sanctus – 30v–32 Missa Fors seullement: Credo – 49v–53 Missa Fors seullement: Gloria – 47v–49 Missa Fors seullement: Kyrie – 45v–47 Missa L'homme armé: Agnus Dei – 43v–45 Missa L'homme armé: Credo – 38v–41 Missa L'homme armé: Gloria – 36v–38 Missa L'homme armé: Kyrie – 35v–36 Missa L'homme armé: Sanctus – 41v–43 Missa Ma maitresse: Gloria – 61v–63 Missa Ma maitresse: Kyrie – 60v–61 Missa Mi mi: Agnus Dei – 15v–18 Missa Mi mi: Credo – 8v–13 Missa Mi mi: Gloria – 4v–8 Missa Mi mi: Kyrie – 3v–4 Missa Mi mi: Sanctus – 13v–15 Missa Prolationum: Agnus Dei – 113v–114 Missa Prolationum: Credo – 109v–111 Missa Prolationum: Gloria – 107v–109 Missa Prolationum: Kyrie – 106v–107 Missa Prolationum: Sanctus – 111v–113 Missa Quinti toni: Agnus Dei – 123v–125 Missa Quinti toni: Credo – 118v–121 Missa Quinti toni: Gloria – 116v–118 Missa Quinti toni: Kyrie – 115v–116 Missa Quinti toni: Sanctus – 121v–123 Missa Sine nomine (5vv): Credo – 58v–60 Missa Sine nomine (5vv): Gloria – 56v–58 Missa Sine nomine (5vv): Kyrie – 55v–56 Missa pro defunctis (Requiem): i - Introit, Requiem aeternam – 125v–126 Missa pro defunctis (Requiem): ii - Kyrie – 126v–127 Missa pro defunctis (Requiem): iii - Gradual, Si ambulem – 127v–129 Missa pro defunctis (Requiem): iv - Tract, Sicut cervus – 129v–132 Missa pro defunctis (Requiem): v - Offertory, Domine Jesu Christe – 132v–136
Regis, Johannes (ca. 1425–ca. 1496)	(?) Ave rosa speciosa - 1a pars (of 2): Ave rosa speciosa – 265v–267 (?) Ave rosa speciosa - 2a pars (of 2): – 267v–269 Celcitonantis - 1a pars (of 2): Celcitonantis ave genitrix sublimis Olimpi – 261v–263 Celcitonantis - 2a pars (of 2): Abrahae fit promissio – 263v–265 Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora – 281v–282 Clangat plebs - 2a pars (of 3): Carmina cadentem – 282v–284 Lauda Sion salvatorem - 1a pars (of 2): Lauda Sion salvatorem – 273v–275 Lauda Sion salvatorem - 2a pars (of 2): In hac mensa novi regis – 275v–276 Lux solemnis adest rutilans – 257v–261 O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est – 269v–273 O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est – 270v–271 O admirabile commercium - 3a pars (of 3): Puer natus est nobis – 271v–273
Rue, Pierre de la (ca. 1452–1518)	Credo [Patrem omnipotentem] (6vv) – 187v–191 Missa Almana = Missa Pourquoy non: Agnus Dei – 183v–187 Missa Almana = Missa Pourquoy non: Credo – 177v–180 Missa Almana = Missa Pourquoy non: Gloria – 175v–177 Missa Almana = Missa Pourquoy non: Kyrie – 173v–175 Missa Almana = Missa Pourquoy non: Sanctus – 180v–183
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Stabat Mater Dolorosa – 245v–249

Composition	Composers (? Uncertain)	Folios / Pages
[untexted] - 1a pars (of 2): [untexted] (4vv)	-	253v–255
[untexted] - 2a pars (of 2): [untexted] (6vv)	-	255v–257
Angeli archangeli - 1a pars (of 2): Angeli archangeli	Isaac, Heinrich (ca. 1450–1517)	249v–251
Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus	Isaac, Heinrich (ca. 1450–1517)	251v–253
Asperges me Domine isopo et mundabor	Madrid, Juan Fernandez de	284v–286
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	140v–141
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	141v–142
Ave Maria gratia plena Dominus tecum	Ockeghem, Jean de (ca. 1410–1497)	139v–140
Ave rosa speciosa - 1a pars (of 2): Ave rosa speciosa	Regis, Johannes (ca. 1425–ca. 1496) (?)	265v–267
Ave rosa speciosa - 2a pars (of 2):	Regis, Johannes (ca. 1425–ca. 1496) (?)	267v–269
Celcitonantis - 1a pars (of 2): Celcitonantis ave genitrix sublimis Olimpi	Regis, Johannes (ca. 1425–ca. 1496)	261v–263
Celcitonantis - 2a pars (of 2): Abrahae fit promissio	Regis, Johannes (ca. 1425–ca. 1496)	263v–265
Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora	Regis, Johannes (ca. 1425–ca. 1496)	281v–282
Clangat plebs - 2a pars (of 3): Carmina cadentem	Regis, Johannes (ca. 1425–ca. 1496)	282v–284
Credo [Patrem omnipotentem] (6vv)	Rue, Pierre de la (ca. 1452–1518)	187v–191
Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella	Ockeghem, Jean de (ca. 1410–1497)	276v–277
Intemerata Dei mater - 2a pars (of 3): Nec sine te manet	Ockeghem, Jean de (ca. 1410–1497)	277v–278
Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros	Ockeghem, Jean de (ca. 1410–1497)	278v–279
Lauda Sion salvatorem - 1a pars (of 2): Lauda Sion salvatorem	Regis, Johannes (ca. 1425–ca. 1496)	273v–275
Lauda Sion salvatorem - 2a pars (of 2): In hac mensa novi regis	Regis, Johannes (ca. 1425–ca. 1496)	275v–276
Lux solemnis adest rutilans	Regis, Johannes (ca. 1425–ca. 1496)	257v–261
Missa Almana = Missa Pourquoy non: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	183v–187
Missa Almana = Missa Pourquoy non: Credo	Rue, Pierre de la (ca. 1452–1518)	177v–180
Missa Almana = Missa Pourquoy non: Gloria	Rue, Pierre de la (ca. 1452–1518)	175v–177
Missa Almana = Missa Pourquoy non: Kyrie	Rue, Pierre de la (ca. 1452–1518)	173v–175
Missa Almana = Missa Pourquoy non: Sanctus	Rue, Pierre de la (ca. 1452–1518)	180v–183
Missa Au travail suis: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	95v–96
Missa Au travail suis: Credo	Ockeghem, Jean de (ca. 1410–1497)	92v–94
Missa Au travail suis: Gloria	Ockeghem, Jean de (ca. 1410–1497)	90v–92
Missa Au travail suis: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	89v–90
Missa Au travail suis: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	94v–95
Missa Caput: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	73v–75
Missa Caput: Et in terra pax [Gloria]	Ockeghem, Jean de (ca. 1410–1497)	65v–67
Missa Caput: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	64v–65
Missa Caput: Patrem omnipotentem [Credo]	Ockeghem, Jean de (ca. 1410–1497)	67v–70
Missa Caput: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	70v–73
Missa Cuiusvis Toni: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	105v–106
Missa Cuiusvis Toni: Credo	Ockeghem, Jean de (ca. 1410–1497)	99v–103
Missa Cuiusvis Toni: Gloria	Ockeghem, Jean de (ca. 1410–1497)	97v–99
Missa Cuiusvis Toni: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	96v–97
Missa Cuiusvis Toni: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	103v–105
Missa De plus en plus: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	84v–87
Missa De plus en plus: Credo	Ockeghem, Jean de (ca. 1410–1497)	78v–82
Missa De plus en plus: Gloria	Ockeghem, Jean de (ca. 1410–1497)	76v–78
Missa De plus en plus: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	75v–76
Missa De plus en plus: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	82v–84
Missa Ecce ancilla Domini: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	32v–34
Missa Ecce ancilla Domini: Credo	Ockeghem, Jean de (ca. 1410–1497)	26v–30
Missa Ecce ancilla Domini: Gloria	Ockeghem, Jean de (ca. 1410–1497)	22v–26
Missa Ecce ancilla Domini: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	19v–22
Missa Ecce ancilla Domini: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	30v–32
Missa Fors seullement: Credo	Ockeghem, Jean de (ca. 1410–1497)	49v–53
Missa Fors seullement: Gloria	Ockeghem, Jean de (ca. 1410–1497)	47v–49
Missa Fors seullement: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	45v–47
Missa In Mynen zyn [In myne sinn]: Agnus Dei	Agricola, Alexander (ca. 1445–1506)	168v–172
Missa In Mynen zyn [In myne sinn]: Credo	Agricola, Alexander (ca. 1445–1506)	158v–163
Missa In Mynen zyn [In myne sinn]: Gloria	Agricola, Alexander (ca. 1445–1506)	153v–158
Missa In Mynen zyn [In myne sinn]: Sanctus	Agricola, Alexander (ca. 1445–1506)	163v–168
Missa L'homme armé 6.1: Agnus Dei	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	238v–240
Missa L'homme armé 6.1: Credo	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	231v–235
Missa L'homme armé 6.1: Gloria	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	229v–231
Missa L'homme armé 6.1: Kyrie	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	227v–229
Missa L'homme armé 6.1: Sanctus	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	235v–238
Missa L'homme armé sexti toni 6.2: Credo	Despres, Josquin (ca. 1450–1521)	195v–199
Missa L'homme armé sexti toni 6.2: Gloria	Despres, Josquin (ca. 1450–1521)	193v–195
Missa L'homme armé sexti toni 6.2: Kyrie	Despres, Josquin (ca. 1450–1521)	191v–193
Missa L'homme armé. Patrem omnipotentem [Credo]	Brumel, Antoine (ca. 1460–ca. 1513)	203v–207
Missa L'homme armé: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	43v–45
Missa L'homme armé: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	210v–212
Missa L'homme armé: Agnus Dei	Busnoys, Antoine (ca. 1430–1492)	224v–227
Missa L'homme armé: Credo	Ockeghem, Jean de (ca. 1410–1497)	38v–41
Missa L'homme armé: Credo	Busnoys, Antoine (ca. 1430–1492)	217v–220
Missa L'homme armé: Gloria	Ockeghem, Jean de (ca. 1410–1497)	36v–38
Missa L'homme armé: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	201v–203
Missa L'homme armé: Gloria	Busnoys, Antoine (ca. 1430–1492)	214v–217
Missa L'homme armé: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	35v–36
Missa L'homme armé: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513) (?)	199v–201
Missa L'homme armé: Kyrie	Busnoys, Antoine (ca. 1430–1492)	213v–214
Missa L'homme armé: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	41v–43
Missa L'homme armé: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	207v–210
Missa L'homme armé: Sanctus	Busnoys, Antoine (ca. 1430–1492)	220v–224
Missa Ma maitresse: Gloria	Ockeghem, Jean de (ca. 1410–1497)	61v–63
Missa Ma maitresse: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	60v–61
Missa Mi mi: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	15v–18
Missa Mi mi: Credo	Ockeghem, Jean de (ca. 1410–1497)	8v–13
Missa Mi mi: Gloria	Ockeghem, Jean de (ca. 1410–1497)	4v–8
Missa Mi mi: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	3v–4
Missa Mi mi: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	13v–15
Missa pro defunctis (Requiem): i - Introit, Requiem aeternam	Ockeghem, Jean de (ca. 1410–1497)	125v–126
Missa pro defunctis (Requiem): ii - Kyrie	Ockeghem, Jean de (ca. 1410–1497)	126v–127
Missa pro defunctis (Requiem): iii - Gradual, Si ambulem	Ockeghem, Jean de (ca. 1410–1497)	127v–129
Missa pro defunctis (Requiem): iv - Tract, Sicut cervus	Ockeghem, Jean de (ca. 1410–1497)	129v–132
Missa pro defunctis (Requiem): v - Offertory, Domine Jesu Christe	Ockeghem, Jean de (ca. 1410–1497)	132v–136
Missa Prolationum: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	113v–114
Missa Prolationum: Credo	Ockeghem, Jean de (ca. 1410–1497)	109v–111
Missa Prolationum: Gloria	Ockeghem, Jean de (ca. 1410–1497)	107v–109
Missa Prolationum: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	106v–107
Missa Prolationum: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	111v–113
Missa Quinti toni: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	123v–125
Missa Quinti toni: Credo	Ockeghem, Jean de (ca. 1410–1497)	118v–121
Missa Quinti toni: Gloria	Ockeghem, Jean de (ca. 1410–1497)	116v–118
Missa Quinti toni: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	115v–116
Missa Quinti toni: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	121v–123
Missa Sine nomine (5vv): Credo	Ockeghem, Jean de (ca. 1410–1497)	58v–60
Missa Sine nomine (5vv): Gloria	Ockeghem, Jean de (ca. 1410–1497)	56v–58
Missa Sine nomine (5vv): Kyrie	Ockeghem, Jean de (ca. 1410–1497)	55v–56
Missa Virgo parens Christi: Credo	Barbireau, Jacobus (1455–1491)	147v–150
Missa Virgo parens Christi: Gloria	Barbireau, Jacobus (1455–1491)	145v–147
Missa Virgo parens Christi: Kyrie	Barbireau, Jacobus (1455–1491)	143v–145
Missa Virgo parens Christi: Sanctus	Barbireau, Jacobus (1455–1491)	150v–153
O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est	Despres, Josquin (ca. 1450–1521) (?) Regis, Johannes (ca. 1425–ca. 1496)	269v–273
O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est	Despres, Josquin (ca. 1450–1521) (?) Regis, Johannes (ca. 1425–ca. 1496)	270v–271
O admirabile commercium - 3a pars (of 3): Puer natus est nobis	Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?)	271v–273
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	Mouton, Jean (ca. 1459–1522)	136v–137
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	Mouton, Jean (ca. 1459–1522)	137v–138
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	Mouton, Jean (ca. 1459–1522)	138v–139
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare	Anonymous	53v–54
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	Anonymous	54v–55
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	87v–88
Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus	Compère, Loyset (ca. 1445–1518)	279v–280
Sile fragor - 2a pars (of 2): Suscipe deitatis mater	Compère, Loyset (ca. 1445–1518)	280v–281
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Despres, Josquin (ca. 1450–1521)	241v–243
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	Despres, Josquin (ca. 1450–1521)	243v–245
Stabat Mater Dolorosa	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	245v–249
Vidi aquam egredientem de templo	Madrid, Juan Fernandez de	286v–287

‡ denotes primary source study

Ros-Fábregas, Emilio. 2002. The Cardona and Fernández de Córdoba Coats of Arms in the Chigi Codex. Early Music History, 223-258 . Pages: esp. 224 and 242.

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, .

Kellman, Herbert (editor). 1988. Vatican, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234. Renaissance Music in Facsimile. New York.

Taruskin, Richard. 1986. Antoine Busnoys and the L'Homme armé Tradition. Journal of the American Musicological Society, 255-93.

Hudson, Barton. 1985. Two Ferrarese Masses by Jacob Obrecht. The Journal of Musicology, 276-302. Pages: 286.

Miyazaki, Haruyo. 1985. New light on Ockeghem's Missa 'Mi-mi'. Early Music, 367-75.

Perkins, Leeman L. 1984. The L'Homme Arme Masses of Busnoys and Okeghem: A Comparison. The Journal of Musicology, 363-96. Pages: 370ff.

Houghton, Edward F. 1983. A 'New' Motet by Johannes Regis. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 49-74.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 101,208,349,373,377.

Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 3-29. Pages: 9-13.

Russell, Eleanor. 1979. The Missa in Agendis Mortuorum of Juan Garcia de Basurto: Johannes Ockeghem, Antoine Brumel, and an Early Spanish Polyphonic Requiem Mass. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 5-14,24-6.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 249-54, 358.

Brown, Howard Mayer. 1976. Instruments and Voices in the Fifteenth-Century Chanson. Current Thought in Musicology, 89-137. Austin. Pages: 117-9.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 193-6, 209-10, Plate 31b-c.

Lowinksy, Edward E (editor). 1976. Kellman, Josquin and the courts of the Netherlands and France: The evidence of the sources in Josquin des Prez. Proceedings of the International Josquin Festival. Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971, 181ff. London. Pages: 184, 195f, 210.

Houghton, Edward F. 1971. Rhythmic Structure in the Masses and Motets of Johannes Ockeghem. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 85ff, passim.

Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle. Brussels, 1867-88. Reprinted New York. Pages: VI, 31ff et VII, 125ff.

Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer. Bilthoven. Pages: 31-3, 144-5.

Henze, Marianne. 1968. Studien zu den Messenkompositionen Johannes Ockeghems. Berliner Studien zur Musikwissenschaft. Pages: 21ff, passim.

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 24-5,43-4,46.

Planchart, Alejandro Enrique (editor). 1964. Missae Caput. Collegium Musicum. New Haven. Pages: 53-97,159,174.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: I,164, Abb. 19; II,31-2,287,292,317.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xix, 105-45.

Fox, Charles Warren. 1960. Barbireau and Barbingant: A Review. Journal of the American Musicological Society, 79-101. Pages: 86, 88.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I,32-3; II,31-2.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,iv; IV,xiii,8-10,49-51.

Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 6-19.

Lindenburg, Cornells W H (editor). 1956. Johannis Regis: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,i-v,5-20,30-42,49-60.

Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, i-ii.

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 39,155,164.

Clendenin, William Ritchie. 1952. The Use of the French Chanson in Some Polyphonic Masses by French and Netherlands Composers, 1450-1550. Iowa State University, Unpublished Ph.D. dissertation. Pages: I, 45, 316ff.

Closson, Ernest, and Charles van den Borren. 1950. La musique en Belgique du Moyen Age à nos jours. Brussels. Pages: 53, 60,471.

Besseler, Heinrich. 1949-79. Apt. Die Musik in Geschichte und Gegenwart, 1st Edition, col.569-570. Pages: 10, n. 2.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: (II, 1190-3, 1595-6, Tafel 38 [incorrect regarding original owner]; IV, 140-1; VII,526; IX, Tafel 94 and 118; XI,300-1.

Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works. American Musicological Society. Pages: I, xvii-ff, passim; Plates IV-V, VII-X; Il.xi-ff, passim; Plates I-IX, XI-XIV.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 120,122,138-9,163-5.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 92f.

Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: D. Plamenac, in Ockeghem I, p. XVII et II, p. XI.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: V, ix-xviii.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VIII,viii-xii.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: A. Smijers, in JosquinMI I, p. VI.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XIV/XV,30; XXXVIII,59-79,176ff.

La Fage, Adrien de. 1864 Reprinted: 1964. Essais de Diphtérographie musicale ou notices, descriptions, analyses, extraits et reproductions de manuscrits relatifs à la pratique, à la théorie et à l'histoire de la musique. 2 vols. Paris. Pages: I, 529.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description