NL-Uu Hs. 3 L 16 (Lerma Codex)

Universiteitsbibliotheek, Utrecht, Netherlands

manuscript of polyphony: 1600-1620

Archive	Universiteitsbibliotheek, Utrecht, Netherlands (NL-Uu)
Shelfmark	Hs. 3 L 16 (Lerma Codex)
Surface	Paper
Numbering System	Foliation
Measurements	550 x 420 mm
Other Identifiers	CCM: UtreR 3.L.16
Relationships	Sandoval, Francisco Gomez de (patron)
External Links	digital images
Provenance	Spain
Contents	184 pieces from 35 composers

General Description

Main layer copied by a single scribe; several other scribes made later additions on openings left blank by main scribe. Pieces in main layer arranged as follows: (1) 4-voice works (ff. 1'-71); (2) 5-voice works (ff. 72'-136); (3) 6-voice works (ff. 146'-174); (4) 7-voice works (ff. 174'-183). Perhaps copied in Lerma, for use by court chapel of Francisco Gómez de Sandoval, Duke of Lerma. Remained at ducal palace in Lerma until 1959, then purchased by University of Utrecht.

DIAMM, 2017

Physical Description

Some folios damaged by ink corrosion or tearing

DIAMM, 2017

Binding

Rebound in modern covers of cloth over boards, with light brown leather spine and corners

DIAMM, 2017

Watermark

Main watermark generally resembles Briquet #13165 and Heawood #2173; second watermark generally resembles Heawood #2177; third watermark (not in Briquet): grape cluster with initials "GP"(?)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Modern foliation, 1-190, on upper right rectos (ff. 2, 20-21, 31, 40, 45-46, 58, 61-62, 89-100, 120, 137, 145 now missing; f. 1 and f. 3 not numbered, but counted as such in enumeration).

DIAMM, 2017

Decoration

Some pieces in main layer have painted and inked block style initials in red, blue, yellow, and green within square borders ornamented with floral motifs; no other decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 psalms, 3 hymns, 11 motets, 82 French secular pieces (11 incomplete), 26 Italian secular pieces (3 incomplete), 2 Spanish secular pieces, 11 falsobordone settings (most without text), 45 textless pieces = 182

(Baston)-1, Baston/(Clemens non Papa/Janequin/Pathie?)-1, Berchem [Jaquet]-1, Canis-1, Clemens non Papa-17, Corfini-4, Crecquillon-11, Crecquillon/(Gombert)-1, Crecquillon/(Hanache) -1, (Ebran)-1, (D. Ferrabosco)-1, (G. Ferretti)-1, Gandí-1, Godard/(Lortin)-1, Gombert-7, (Janequin)-1, Josquin-2, Lassus-43, Lassus/(Donato)-1, Lupi-1, Marenzio-1, Philippe de Monte-4, Morales-5 + 1?, Moreau-1, Morel-1, Primavera-2, (Rore)-1, (Ruffo)-1, Striggio-10, Verdelot-2, (Wismes)-1, (Wreede)-1, anon-53

165 paper folios of an original 190, 550 x 420. Some folios damaged by ink corrosion or tearing. Modern foliation, 1-190, on upper right rectos (ff. 2, 20-21, 31, 40, 45-46, 58, 61-62, 89-100, 120, 137, 145 now missing; f. 1 and f. 3 not numbered, but counted as such in enumeration). Rebound in modern covers of cloth over boards, with light brown leather spine and corners. No index. Main layer copied by a single scribe; several other scribes made later additions on openings left blank by main scribe. Some pieces in main layer have painted and inked block style initials in red, blue, yellow, and green within square borders ornamented with floral motifs; no other decoration. Main watermark generally resembles Briquet #13165 and Heawood #2173; second watermark generally resembles Heawood #2177; third watermark (not in Briquet): grape cluster with initials "GP"(?). Pieces in main layer arranged as follows: (1) 4-voice works (ff. 1'-71); (2) 5-voice works (ff. 72'-136); (3) 6-voice works (ff. 146'-174); (4) 7-voice works (ff. 174'-183).

1600-20 (EldLC). Perhaps copied in Lerma, for use by court chapel of Francisco Gómez de Sandoval, Duke of Lerma. Remained at ducal palace in Lerma until 1959, then purchased by University of Utrecht.

Vol 4

Composers: Change "Lassus/(Donato)-1" to "Lassus/(Donato/Willaert)-1"; change "Verdelot-2" to "(Verdelot)-1, Verdelot/(A. Ferrabosco I)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	untexted fragment later addition	-	-
untexted fragment later addition Appears on: 1 Voice: [no designation] Languages: none Voice Text: Textless fragment (later addition)
1v	Martin menoit son pourceau au marche	[Janequin]	Janequin, Clement (ca. 1485–ca. 1558)
Martin menoit son pourceau au marche Janequin, Clement (ca. 1485–ca. 1558) Appears on: 1v Genres: Chanson Source Attribution: [Janequin] Voice: [no designation] Languages: French Voice Text: Martiminoit [= Martin menoit son pourceau au marché] [fragment]
3	Petitte folle estes vous pas contente	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Petitte folle estes vous pas contente Lassus, Orlande de (ca. 1532–1594) Appears on: 3 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Petitte folle [estes vous pas contente] [incomplete]
3v–4	A ce matin ce seroit bonne estreine	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
A ce matin ce seroit bonne estreine Lassus, Orlande de (ca. 1532–1594) Appears on: 3v–4 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: A ce matin [ce seroit bonne estreine]
4v–5	Maistre Robin (= Monsieur l'Abbé et monsieur son valet)	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Maistre Robin (= Monsieur l'Abbé et monsieur son valet) Lassus, Orlande de (ca. 1532–1594) Appears on: 4v–5 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Maistre Robin = Monsieur l'Abbé et monsieur son varlet
5v–6	Avecque vous mon amour finira Puisque mon coeur	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Avecque vous mon amour finira Puisque mon coeur Lassus, Orlande de (ca. 1532–1594) Appears on: 5v–6 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Avecque vous [mon amour finira puis que mon cueur]
6v–7	Quand mon mari vient de dehors ma rente	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Quand mon mari vient de dehors ma rente Lassus, Orlande de (ca. 1532–1594) Appears on: 6v–7 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: Italian Voice Text: Quand mon mari vient de dehors [ma rente]
7v–8	Trop endurer sans avoir allegeance	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Trop endurer sans avoir allegeance Lassus, Orlande de (ca. 1532–1594) Appears on: 7v–8 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Trop endurer [sans avoir allegeance]
8v–9	Je layme bien et l'aymeray en ce propos	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Je layme bien et l'aymeray en ce propos Lassus, Orlande de (ca. 1532–1594) Appears on: 8v–9 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Je layme bien [et lvaymeray en ce propos]
9v–10	Fuyons tous d'amour le ieu comme le feu	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Fuyons tous d'amour le ieu comme le feu Lassus, Orlande de (ca. 1532–1594) Appears on: 9v–10 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Fuyons tous damour le ieu [comme le feu]
10v–11	Helas quel jour seray-je à mon vouloir	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Helas quel jour seray-je à mon vouloir Lassus, Orlande de (ca. 1532–1594) Appears on: 10v–11 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Helas quel iour [seray-je à mon vouloir]
11v–12	Le temps peult bien un beau teint effacer	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Le temps peult bien un beau teint effacer Lassus, Orlande de (ca. 1532–1594) Appears on: 11v–12 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Le temps peult bien [un beau teint effacer]
12v–13	Si par souhait ie vous tenoye secretement	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Si par souhait ie vous tenoye secretement Lassus, Orlande de (ca. 1532–1594) Appears on: 12v–13 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Si par souhait ie vous tenoye [secretement]
13v–14	Bon jour mon coeur bon jour ma douce vie	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Bon jour mon coeur bon jour ma douce vie Lassus, Orlande de (ca. 1532–1594) Appears on: 13v–14 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Bon iour mon coeur [bon jour ma douce vie]
14v–15	Margot laboures les vignes vigne vigne	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Margot laboures les vignes vigne vigne Lassus, Orlande de (ca. 1532–1594) Appears on: 14v–15 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Margot laboures les vignes [vigne vigne]
15v–16	Ardant amour souvent me fait instance	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Ardant amour souvent me fait instance Lassus, Orlande de (ca. 1532–1594) Appears on: 15v–16 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Ardant amour [souvent me fait instance]
16v–17	Soyons ioyeux sur la plaisante verdure	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Soyons ioyeux sur la plaisante verdure Lassus, Orlande de (ca. 1532–1594) Appears on: 16v–17 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Soyons ioyeux [sur la plaisante verdure]
17v–18	Ce faux amour d'arc et de fléches s'arme	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Ce faux amour d'arc et de fléches s'arme Lassus, Orlande de (ca. 1532–1594) Appears on: 17v–18 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Ce faux amour [d'arc et de fléches s'arme]
18v–19	En espoir vis et crainte me tourmente	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
En espoir vis et crainte me tourmente Lassus, Orlande de (ca. 1532–1594) Appears on: 18v–19 Genres: Chanson Source Attribution: [Lassus] Voice: [no designation] Languages: French Voice Text: En espoir vis [et crainte me tourmente]
19v	Du corps absent le coeur je te presente	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Du corps absent le coeur je te presente Lassus, Orlande de (ca. 1532–1594) Appears on: 19v Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Du corps absent [le coeur je te presente] [incomplete]
22	Haste vous de moi faire grace sans point	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Haste vous de moi faire grace sans point Lassus, Orlande de (ca. 1532–1594) Appears on: 22 Genres: Chanson Source Attribution: [Lassus] Voice: [no designation] Languages: French Voice Text: Haste vous de moy faire grace [sans point] [incomplete]
22v–23	Qui dort icy le faut il demander	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Qui dort icy le faut il demander Lassus, Orlande de (ca. 1532–1594) Appears on: 22v–23 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Qui dort icy le faut il demander
23v–24	Las voules vous qu'une personne chante	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Las voules vous qu'une personne chante Lassus, Orlande de (ca. 1532–1594) Appears on: 23v–24 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Las voles vous [qu'une personne chante]
24v–25	Un doulx nenni avec un doulx soubrire	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Un doulx nenni avec un doulx soubrire Lassus, Orlande de (ca. 1532–1594) Appears on: 24v–25 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Ung doux nenny [avec un doux sourire]
25v–26	O come heureux j'estimeroys mon coeur	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
O come heureux j'estimeroys mon coeur Lassus, Orlande de (ca. 1532–1594) Appears on: 25v–26 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: O come heureux [j'estimeroys mon coeur]
26v–27	Si pur ti gardo dolce anima mia	Orlando [de Lassus]/[Donato/Willaert]	Lassus, Orlande de (ca. 1532–1594)
Si pur ti gardo dolce anima mia Lassus, Orlande de (ca. 1532–1594) Appears on: 26v–27 Genres: Chanson Source Attribution: Orlando [de Lassus]/[Donato/Willaert] Voice: [no designation] Languages: Italian Voice Text: Si pur ti gardo [dolce anima mia]
27v–28	Pange lingua gloriosi (I)	[Wreede]	Urrede (Wrede), Juan de (fl. 1451-c1482)
Pange lingua gloriosi (I) Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 27v–28 Genres: Hymn Source Attribution: [Wreede] Voice: [no designation] Languages: Latin Voice Text: Pange lingua [gloriosi corporis mysterium]
28v–29	Sacra solemniis juncta sint gaudia	Anon.	Anonymous
Sacra solemniis juncta sint gaudia Anonymous Appears on: 28v–29 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sacri solenis [= Sacra solemniis juncta sint gaudia]
29v–30	untexted falsobordone: Primero tono	Anon.	-
untexted falsobordone: Primero tono Appears on: 29v–30 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless falsobordone: Primero tono
29v–30	untexted falsobordone: Quarto tono	Anon.	-
untexted falsobordone: Quarto tono Appears on: 29v–30 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless falsobordone: Quarto tono
29v–30	untexted falsobordone: Sexto tono	Anon.	-
untexted falsobordone: Sexto tono Appears on: 29v–30 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless falsobordone: Sexto tono
29v–30	untexted falsobordone: Septimo tono	Anon.	-
untexted falsobordone: Septimo tono Appears on: 29v–30 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless falsobordone: Septimo tono
29v–30	untexted falsobordone: Octavo tono	Anon.	-
untexted falsobordone: Octavo tono Appears on: 29v–30 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless falsobordone: Octavo tono
30v	Ancor che co'l partire io mi sento morire	[Rore]	Rore, Cipriano de (ca. 1515–1565)
Ancor che co'l partire io mi sento morire Rore, Cipriano de (ca. 1515–1565) Appears on: 30v Genres: Italian secular Source Attribution: [Rore] Voice: [no designation] Languages: Italian Voice Text: Anchor che col partire [io mi senta morire] [incomplete]
32	Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri	[D. Ferrabosco]	Ferrabosco, Domenico Maria
Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri Ferrabosco, Domenico Maria Appears on: 32 Genres: Madrigal (Italian) Source Attribution: [D. Ferrabosco] Voice: [no designation] Languages: Italian Voice Text: Io son pur giovinetta [= Io mi son giovinetta e volentieri] [incomplete]
32v–33	Jouons beau jeu tout en riant si faisons	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jouons beau jeu tout en riant si faisons Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 32v–33 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Juvons beau ieu [tout en riant si faisons]
33v–34	Tu sai madonna mia ch'io t'amo et voglio	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Tu sai madonna mia ch'io t'amo et voglio Lassus, Orlande de (ca. 1532–1594) Appears on: 33v–34 Genres: Italian secular Source Attribution: Orlando di Lassus Voice: [no designation] Languages: Italian Voice Text: Tu sai madonna mia [ch'io t'amo et voglio]
34v–35	La cortesia voi donne predicate ma mai	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
La cortesia voi donne predicate ma mai Lassus, Orlande de (ca. 1532–1594) Appears on: 34v–35 Genres: Italian secular Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: Italian Voice Text: La cortesia [voi donne predicate ma mai]
35v–36	Alix avoit aux dens la male rage	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Alix avoit aux dens la male rage Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 35v–36 Genres: Chanson Source Attribution: Thomas Crequillon Voice: [no designation] Languages: French Voice Text: Alix avoit [au dens la male rage]
36v–37	Entre vous filles de quinze ans ne venes	Clemens non Papa (Attribution mostly cut off)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Entre vous filles de quinze ans ne venes Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 36v–37 Genres: Chanson Source Attribution: Clemens non Papa (Attribution mostly cut off) Voice: [no designation] Languages: French Voice Text: Entre vous fille[s de quinze ans]
37v–38	Ce mois de may sur la rousée jouer irons	Goddart/[Lortin]	Lortin (?) Godard, Robert (?)
Ce mois de may sur la rousée jouer irons Lortin (?) Godard, Robert (?) Appears on: 37v–38 Genres: Chanson Source Attribution: Goddart/[Lortin] Voice: [no designation] Languages: French Voice Text: Ce mois de may [sur la rousée jouer irons]
38v–39	Demande vous qui me fait si joyeux	Thomas Crecquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Demande vous qui me fait si joyeux Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 38v–39 Genres: Chanson Source Attribution: Thomas Crecquillon Voice: [no designation] Languages: French Voice Text: Demande vous [qui me faict si joyeulx]
39v	Je prens en gre le dure mort (4vv)	Joan Baston/[Clemens non Papa/Janequin/Pathie?]	Baston, Josquin (fl. 1542–63) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Je prens en gre le dure mort (4vv) Baston, Josquin (fl. 1542–63) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 39v Genres: Motet Source Attribution: Joan Baston/[Clemens non Papa/Janequin/Pathie?] Voice: [no designation] Languages: French Voice Text: Je prens en gre [la dure mort] [incomplete]
41	Orsus a cop qu'on se resveille venez ouir	Tho. Crecquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Orsus a cop qu'on se resveille venez ouir Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 41 Genres: Chanson Source Attribution: Tho. Crecquillon Voice: [no designation] Languages: French Voice Text: Orsus a cop [qu'on se resveille venez ouir] [incomplete]
41v	Ps. 50: Miserere mei Deus secundum magnam	Anon.	Anonymous
Ps. 50: Miserere mei Deus secundum magnam Anonymous Appears on: 41v Genres: Miserere mei Deus, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 50: Miserere mei deus secundum magnam
42	Ps. 4: Cum invocarem exaudivit me Deus	Anon.	Anonymous
Ps. 4: Cum invocarem exaudivit me Deus Anonymous Appears on: 42 Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 4: Cum invocarem [exaudivit me deus]
42v–43	untexted falsobordone	Morales	Morales, Cristóbal de (ca. 1500–1553)
untexted falsobordone Morales, Cristóbal de (ca. 1500–1553) Appears on: 42v–43 Genres: Fauxbourdon/faburden, textless Source Attribution: Morales Voice: [no designation] Languages: none Voice Text: Textless falsobordone
42v–43	untexted falsobordone	Morales	Morales, Cristóbal de (ca. 1500–1553)
untexted falsobordone Morales, Cristóbal de (ca. 1500–1553) Appears on: 42v–43 Genres: Fauxbourdon/faburden, textless Source Attribution: Morales Voice: [no designation] Languages: none Voice Text: Textless falsobordone
42v–43	untexted falsobordone	Morales	Morales, Cristóbal de (ca. 1500–1553)
untexted falsobordone Morales, Cristóbal de (ca. 1500–1553) Appears on: 42v–43 Genres: Fauxbourdon/faburden, textless Source Attribution: Morales Voice: [no designation] Languages: none Voice Text: Textless falsobordone
42v–43	untexted falsobordone	Morales	Morales, Cristóbal de (ca. 1500–1553)
untexted falsobordone Morales, Cristóbal de (ca. 1500–1553) Appears on: 42v–43 Genres: Fauxbourdon/faburden, textless Source Attribution: Morales Voice: [no designation] Languages: none Voice Text: Textless falsobordone
42v–43	untexted falsobordone	Morales	Morales, Cristóbal de (ca. 1500–1553)
untexted falsobordone Morales, Cristóbal de (ca. 1500–1553) Appears on: 42v–43 Genres: Fauxbourdon/faburden, textless Source Attribution: Morales Voice: [no designation] Languages: none Voice Text: Textless falsobordone
43v–44	Par tous moiens j'ai cherchie	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Par tous moiens j'ai cherchie Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 43v–44 Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Voice Text: Partus moyens [= Par tous moyens j'ay cherchie]
44v	Puisque voulez que je vous laisse adieu	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Puisque voulez que je vous laisse adieu Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 44v Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Pousque voulemque [= Puisque voulez que je vous laisse adieu] [incomplete]
47	Soyons ioyeulx joyeusement et puis chantons	[Wismes]	Wisme (Vuismes), Nicholas de
Soyons ioyeulx joyeusement et puis chantons Wisme (Vuismes), Nicholas de Appears on: 47 Genres: Chanson Source Attribution: [Wismes] Voice: [no designation] Languages: French Voice Text: Sayons [= Soyons ioyeulx joyeusement et puis chantons] [incomplete]
47v–48	Fa re mi la re sol fa	Anon.	Anonymous
Fa re mi la re sol fa Anonymous Appears on: 47v–48 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Solfegge Voice Text: Fa re mi la re sol fa
48v–49	Hortens	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Hortens Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 48v–49 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: insufficient Voice Text: Hortens
49v–50	Lutens	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lutens Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 49v–50 Genres: not defined Source Attribution: Clemens non Papa Voice: [no designation] Languages: insufficient Voice Text: Lutens
50v–51	Un gay berger prioit une bergère	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Un gay berger prioit une bergère Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 50v–51 Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Voice Text: Un gai bergier [prioit une bergiere]
51v–52	Un souvenir en fermete constante jamais	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Un souvenir en fermete constante jamais Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 51v–52 Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Voice Text: Un souvenir [en fermete constante jamais]
52v–53	Vivons vivons joyeusement sans plus grand soucy	Clemens Morel	Merulo, Claudio (1533–1604)
Vivons vivons joyeusement sans plus grand soucy Merulo, Claudio (1533–1604) Appears on: 52v–53 Genres: Chanson Source Attribution: Clemens Morel Voice: [no designation] Languages: French Voice Text: Vivons vivons [joyeusement sans plus grand soucy]
53v–54	Venes mes serfs et Bachus adorons	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venes mes serfs et Bachus adorons Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 53v–54 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Venes mens [= Venes mes serfs et Bacchus adorons]
54v–55	Justempus	Anon.	Anonymous
Justempus Anonymous Appears on: 54v–55 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Justempus
55v–56	Sapia	Anon.	Anonymous
Sapia Anonymous Appears on: 55v–56 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: insufficient Voice Text: Sapia
56v–57	Pavana Francesa	Anon.	Anonymous
Pavana Francesa Anonymous Appears on: 56v–57 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Pavana Francesa
57v	untexted	Anon.	-
untexted Appears on: 57v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
59	untexted	Anon.	-
untexted Appears on: 59 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless [incomplete]
59v	La segidillas	Anon.	Anonymous
La segidillas Anonymous Appears on: 59v Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: La segidillas
60v, 63	untexted	Anon.	-
untexted Appears on: 60v, 63 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
63v–64	untexted	Morales	Morales, Cristóbal de (ca. 1500–1553)
untexted Morales, Cristóbal de (ca. 1500–1553) Appears on: 63v–64 Genres: textless Source Attribution: Morales Voice: [no designation] Languages: none Voice Text: Textless
64v–65	untexted	Anon.	-
untexted Appears on: 64v–65 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
65v–66	untexted	Anon.	-
untexted Appears on: 65v–66 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
65v–66	untexted	Anon.	-
untexted Appears on: 65v–66 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
66v–67	untexted	Anon.	-
untexted Appears on: 66v–67 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
66v–67	untexted	Anon.	-
untexted Appears on: 66v–67 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
67v–68	untexted	Anon.	-
untexted Appears on: 67v–68 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
67v–68	untexted	Anon.	-
untexted Appears on: 67v–68 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
67v–68	untexted	Anon.	-
untexted Appears on: 67v–68 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
68v–69	untexted	Anon.	-
untexted Appears on: 68v–69 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
68v–69	untexted	Anon.	-
untexted Appears on: 68v–69 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
68v–69	untexted	Anon.	-
untexted Appears on: 68v–69 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
68v–69	untexted	Anon.	-
untexted Appears on: 68v–69 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
69v–70	untexted	Anon.	-
untexted Appears on: 69v–70 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
69v–70	untexted	Anon.	-
untexted Appears on: 69v–70 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
70v–71	untexted crossed out	Anon.	-
untexted crossed out Appears on: 70v–71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless [crossed out]
70v–71	untexted	Anon.	-
untexted Appears on: 70v–71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
70v–71	untexted	Anon.	-
untexted Appears on: 70v–71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
70v–71	untexted	Anon.	-
untexted Appears on: 70v–71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
71v	untexted falsobordone	Anon.	Anonymous
untexted falsobordone Anonymous Appears on: 71v Genres: Fauxbourdon/faburden, textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless falsobordone
72v–73	Regret, ennuye, travail et déplaisance	Thomas Crecquillon/[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Regret, ennuye, travail et déplaisance Gombert, Nicolas (ca. 1495–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 72v–73 Genres: Chanson Source Attribution: Thomas Crecquillon/[Gombert] Voice: [no designation] Languages: French Voice Text: Regret ennuÿ [travail et desplaisance]
73v–74	La me tiendraÿ = Cherchant plaisir je meur du mal d'aymer	Thomas Crecquillon/[Hanache]	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Hanache (?)
La me tiendraÿ = Cherchant plaisir je meur du mal d'aymer Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Hanache (?) Appears on: 73v–74 Genres: Chanson Source Attribution: Thomas Crecquillon/[Hanache] Voice: [no designation] Languages: French Voice Text: La me tiendraÿ [= Cherchant plaisir je meur du mal d'aymer]
74v–75	Crainte et espoir m'oppressent grandement	Thomas Crecquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Crainte et espoir m'oppressent grandement Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 74v–75 Genres: Chanson Source Attribution: Thomas Crecquillon Voice: [no designation] Languages: French Voice Text: Crainte et espoir [m'oppressent grandement]
75v–76	Pis ne me peult venir que j'ai jusques ici	Tho: Crecquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pis ne me peult venir que j'ai jusques ici Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 75v–76 Genres: Chanson Source Attribution: Tho: Crecquillon Voice: [no designation] Languages: French Voice Text: Pis ne me peult venir [que j'ay jusques icy]
76v–77	Susanne un jour d'amour solicitée par deux viellards	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 76v–77 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Susanna ung iour [d'amour solicitée]
77v–78	Comme un qui prend une couppe seul	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Comme un qui prend une couppe seul Lassus, Orlande de (ca. 1532–1594) Appears on: 77v–78 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Comme un qui prend [une couppe seul]
78v–79	De tout mon coeur j'aime la Marguerite	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
De tout mon coeur j'aime la Marguerite Lassus, Orlande de (ca. 1532–1594) Appears on: 78v–79 Genres: Chanson Source Attribution: [Lassus] Voice: [no designation] Languages: French Voice Text: De tout mon ceur [j'ayme la Marguerite]
79v–80	Mon coeur ravi d'amour fort variable	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Mon coeur ravi d'amour fort variable Lassus, Orlande de (ca. 1532–1594) Appears on: 79v–80 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Mon ceur ravi damour [fort variable]
80v–81	Ung triste coeur rempli de fantasie	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Ung triste coeur rempli de fantasie Lassus, Orlande de (ca. 1532–1594) Appears on: 80v–81 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Ung triste ceur [remply de fantasie]
81v–82	Ardant amour souvent me fait instance	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Ardant amour souvent me fait instance Lassus, Orlande de (ca. 1532–1594) Appears on: 81v–82 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Ardant amour [souvent me fait instance]
82v–83	J'attens le temps ayant ferme esperance	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
J'attens le temps ayant ferme esperance Lassus, Orlande de (ca. 1532–1594) Appears on: 82v–83 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Jattens le temps [ayant ferme esperance]
83v–84	Mon coeur se recommande a vous	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Mon coeur se recommande a vous Lassus, Orlande de (ca. 1532–1594) Appears on: 83v–84 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Mon coeur se recommande a vous
84v–85	Vous qui ayme les dames bland loquimini	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Vous qui ayme les dames bland loquimini Lassus, Orlande de (ca. 1532–1594) Appears on: 84v–85 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Vous qui ayme les dames [bland loquimini]
85v–86	Le voules vous je suis tresbien contente	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Le voules vous je suis tresbien contente Lassus, Orlande de (ca. 1532–1594) Appears on: 85v–86 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Le vole vous [= Le voulez vous j'en suis tresbien contente] (Designated here as "Secunda parte." Actually a response to "Veux tu ton mal" on ff. 86v-87)
86v–87	Veux tu ton mal et le mien secourir (= Alleluia. Vox laeta)	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Veux tu ton mal et le mien secourir (= Alleluia. Vox laeta) Lassus, Orlande de (ca. 1532–1594) Appears on: 86v–87 Genres: Chanson, Contrafactum Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Veux tu ton mal [et le mien secourir]
87v–88	Le rossignol plaisant et gracieulx	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Le rossignol plaisant et gracieulx Lassus, Orlande de (ca. 1532–1594) Appears on: 87v–88 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Le rossignol [plaisant et gratieux]
88v	Apri vulcan lo speco	Phillippe de Monte	Monte, Philippe de
Apri vulcan lo speco Monte, Philippe de Appears on: 88v Genres: Italian secular Source Attribution: Phillippe de Monte Voice: [no designation] Languages: Italian Voice Text: Apri vulcan lo speco [incomplete]
101	Ayme qui vouldra le mieulx qui pourra	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Ayme qui vouldra le mieulx qui pourra Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 101 Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: Ayme qui vouldra [le mieulx qui pourra] [incomplete]
101v–102	Triste depart m'avoit mis en douleur	Nicolas Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Triste depart m'avoit mis en douleur Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 101v–102 Genres: Chanson Source Attribution: Nicolas Gombert Voice: [no designation] Languages: French Voice Text: Triste depart [m'avoit mis en douleur]
102v–103	Si par souffrir l'on peult vaincre fortune	Cornelius Canis	Canis, Cornelius
Si par souffrir l'on peult vaincre fortune Canis, Cornelius Appears on: 102v–103 Genres: Chanson Source Attribution: Cornelius Canis Voice: [no designation] Languages: French Voice Text: Si par souffrir [l'on peult vaincre fortune]
103v–104	Souffrir me convient je dis pour un temps	Nicolas Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Souffrir me convient je dis pour un temps Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 103v–104 Genres: Chanson Source Attribution: Nicolas Gombert Voice: [no designation] Languages: French Voice Text: Souffrir me convient [je dis pour ung temps]
104v–105	Jendure un tourment des tourments le pire	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Jendure un tourment des tourments le pire Lassus, Orlande de (ca. 1532–1594) Appears on: 104v–105 Genres: Chanson Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: French Voice Text: Jendure [un] tourment [des tourments le pire]
105v–106	Las pour souffrire ne puis vaincre fortune	[Philippe de Monte]	Monte, Philippe de
Las pour souffrire ne puis vaincre fortune Monte, Philippe de Appears on: 105v–106 Genres: Chanson Source Attribution: [Philippe de Monte] Voice: [no designation] Languages: French Voice Text: Las pour souffrire [ne puis vaincre fortune]
106v–107	Quant ie suis au prez de mamie	Nicolaus Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Quant ie suis au prez de mamie Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 106v–107 Genres: Chanson Source Attribution: Nicolaus Gombert Voice: [no designation] Languages: French Voice Text: Quant ie suis [au] prez de mamie
107v–108	Le bergier et la bergiere sont a l'ombre	Nicolaus Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Le bergier et la bergiere sont a l'ombre Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 107v–108 Genres: Chanson Source Attribution: Nicolaus Gombert Voice: [no designation] Languages: French Voice Text: Le bergier et la bergiere [sont a l'ombre]
108v–109	Sur tous regrets le mien plus piteux	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Sur tous regrets le mien plus piteux Lassus, Orlande de (ca. 1532–1594) Appears on: 108v–109 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: French Voice Text: Sur tous regretz [le mien plus piteux]
109v–110	Si par souffrir l'on peult vaincre fortune	Philippe de Monte	Monte, Philippe de
Si par souffrir l'on peult vaincre fortune Monte, Philippe de Appears on: 109v–110 Genres: Chanson Source Attribution: Philippe de Monte Voice: [no designation] Languages: French Voice Text: Si par souffrir [l'on peult vaincre fortune]
110v–111	Elle s'en va de moi la mieux aimée	Orlando di Lassus	Lassus, Orlande de (ca. 1532–1594)
Elle s'en va de moi la mieux aimée Lassus, Orlande de (ca. 1532–1594) Appears on: 110v–111 Genres: Chanson Source Attribution: Orlando di Lassus Voice: [no designation] Languages: Italian Voice Text: Elle s'en va [de moy la mieux aymée]
111v–112	Au joli bois sur la verdure de mon ami	Joannes Lupi	Lupi, Johannes (ca. 1506–1539)
Au joli bois sur la verdure de mon ami Lupi, Johannes (ca. 1506–1539) Appears on: 111v–112 Genres: Chanson Source Attribution: Joannes Lupi Voice: [no designation] Languages: French Voice Text: Au ioly bois [sur la verdure de mon amy]
112v–113	La [Las] non ailleurs le triste coeur demeure	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
La [Las] non ailleurs le triste coeur demeure Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 112v–113 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: La non ailleurs [le triste cueur demeure]
113v–114	D'ami parfait le vrai tiltre et honneur	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
D'ami parfait le vrai tiltre et honneur Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 113v–114 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Damy parfaict [le vray tiltre et honneur]
114v–115	Il me suffit de tous mes maulx	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Il me suffit de tous mes maulx Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 114v–115 Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: French Voice Text: Il me suffit [de tous mes maulx]
115v–116	Elle a mon coeur	Anon.	Anonymous
Elle a mon coeur Anonymous Appears on: 115v–116 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Elle a mon coeur
116v–117	Le temps viendra	Anon.	Anonymous
Le temps viendra Anonymous Appears on: 116v–117 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Le temps viendra
117v–118	Vous seulement	Simon Morea[u]	Moreau, Simon
Vous seulement Moreau, Simon Appears on: 117v–118 Genres: Chanson Source Attribution: Simon Morea[u] Voice: [no designation] Languages: French Voice Text: Vous seulement
118v–119	Mon pere si me Maria vous m'entendes	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Mon pere si me Maria vous m'entendes Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 118v–119 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: Mon pere si me maria [vous m'entendes]
119v	Plaisir n'ai plus mais vis en desconfort	Crecquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Plaisir n'ai plus mais vis en desconfort Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 119v Genres: Chanson Source Attribution: Crecquillon Voice: [no designation] Languages: French Voice Text: Plaisir nay plus [mais vis en desconfort] [incomplete]
121	Si je prometz	Anon.	Anonymous
Si je prometz Anonymous Appears on: 121 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Si ie prometz [incomplete]
121v–122	Resveilles vous c'est trop dormy faisons?	Cleme[n]s non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Resveilles vous c'est trop dormy faisons? Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 121v–122 Genres: Chanson Source Attribution: Cleme[n]s non Papa Voice: [no designation] Languages: French Voice Text: Resveilles vous [c'est trop dormy faisons?]
122v–125	Tirsi morir volea gl'occhi mirando di colei (2p. Frenò Tirsi il desio ch'havea di pur; 3p. Cosi moriro i fortunati amanti)	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Tirsi morir volea gl'occhi mirando di colei (2p. Frenò Tirsi il desio ch'havea di pur; 3p. Cosi moriro i fortunati amanti) Marenzio, Luca (ca. 1553–1599) Appears on: 122v–125 Genres: Italian secular Source Attribution: Luca Marenzio Voice: [no designation] Languages: Italian Voice Text: Tirsi morir volea [gl'occhi mirando di colei] II: Frenò Tirsi il desio [ch'havea di pur] III: Cosi moriro [i fortunati amanti]
126v–127	No me podre quexar damor	Anon.	Anonymous
No me podre quexar damor Anonymous Appears on: 126v–127 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Spanish Voice Text: No me podre quexar damor
127v–128	Si el mirar	Anon.	Anonymous
Si el mirar Anonymous Appears on: 127v–128 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Si el mirar
128v–129	Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?)
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?) Appears on: 128v–129 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Hec est arbor dignissima [in qua salutis]
129v–130	O felici ochi miei quando fusti beati	Jaquet [Berchem]	Berchem, Jacques (ca. 1505–1567)
O felici ochi miei quando fusti beati Berchem, Jacques (ca. 1505–1567) Appears on: 129v–130 Genres: Motet Source Attribution: Jaquet [Berchem] Voice: [no designation] Languages: Italian Voice Text: O felici ochi miei [quanto fusti beati]
130v–131	Or il ne m'est possible d'avoir quelque confort	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Or il ne m'est possible d'avoir quelque confort Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 130v–131 Genres: Chanson Source Attribution: Clemens [non Papa] Voice: [no designation] Languages: French Voice Text: Orriel [= Or il ne m'est possible d'avoir]
131v–132	Forbons	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Forbons Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 131v–132 Genres: Fauxbourdon/faburden Source Attribution: Clemens [non Papa] Voice: [no designation] Languages: none Voice Text: Forbons
132v–133	Vostre a jamais par heritage me poves	[Baston]	Baston, Josquin (fl. 1542–63)
Vostre a jamais par heritage me poves Baston, Josquin (fl. 1542–63) Appears on: 132v–133 Genres: Chanson Source Attribution: [Baston] Voice: [no designation] Languages: French Voice Text: Vostre [a jamais par heritage me poves]
133v–135	Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 133v–135 Genres: Motet Source Attribution: Clemens [non Papa] Voice: [no designation] Languages: Latin Voice Text: Venit vox de celo [cum luce superna] II: Respondit milles [quis es tu domine]
135v–136	Fiera stella - 2a pars (of 2): Ma tu prende a diletto i dolor miei	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Fiera stella - 2a pars (of 2): Ma tu prende a diletto i dolor miei Lassus, Orlande de (ca. 1532–1594) Appears on: 135v–136 Genres: Madrigal (Italian) Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: Italian Voice Text: Ma tu prende a diletto [i dolor miei] [Pars II of Fiera stella se'l ciel]
136v	untexted	Anon.	-
untexted Appears on: 136v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
138	untexted	Anon.	-
untexted Appears on: 138 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
138v–139	untexted	Anon.	-
untexted Appears on: 138v–139 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
139v–140	untexted	Anon.	-
untexted Appears on: 139v–140 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
140v–141	untexted	Anon.	-
untexted Appears on: 140v–141 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
141v–142	untexted	Anon.	-
untexted Appears on: 141v–142 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
142v–143	untexted	Anon.	-
untexted Appears on: 142v–143 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
143v–144	untexted	Anon.	-
untexted Appears on: 143v–144 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
144v	untexted	Anon.	-
untexted Appears on: 144v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
146v–147	Nasce la gioia mia ogni volta ch'io	[G. Ferretti]	Ferretti, Giovanni
Nasce la gioia mia ogni volta ch'io Ferretti, Giovanni Appears on: 146v–147 Genres: Italian secular Source Attribution: [G. Ferretti] Voice: [no designation] Languages: Italian Voice Text: Nasce la gioia mia [ogni volta ch'io]
147v–148	Nasce la pena mia non potendo mirar	Allexandro Striggio/[Marenzio]	Striggio, Alessandro (ca. 1536–1592)
Nasce la pena mia non potendo mirar Striggio, Alessandro (ca. 1536–1592) Appears on: 147v–148 Genres: Italian secular Source Attribution: Allexandro Striggio/[Marenzio] Voice: [no designation] Languages: Italian Voice Text: Nasce la pena mia [non potendo mirar]
148v–149	O messaggi del cor - 2a pars (of 2): Sara che cessi O che s'allenti mai	Alexandro Striggio	Striggio, Alessandro (ca. 1536–1592)
O messaggi del cor - 2a pars (of 2): Sara che cessi O che s'allenti mai Striggio, Alessandro (ca. 1536–1592) Appears on: 148v–149 Genres: Italian secular Source Attribution: Alexandro Striggio Voice: [no designation] Languages: Italian Voice Text: Sara che cessi [O che s'allenti mai] [Pars II of O messaggi del cor sospiri ardenti]
149v–150	Voglia mi sprona amor mi guida e scorge	Alexandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Voglia mi sprona amor mi guida e scorge Striggio, Alessandro (ca. 1536–1592) Appears on: 149v–150 Genres: Italian secular Source Attribution: Alexandro Striggio Voice: [no designation] Languages: Italian Voice Text: Voglia mi sprona [amor mi guida e scorge]
150v–151	La ver l'aurora che sì dolce l'aura	[Striggio]	Striggio, Alessandro (ca. 1536–1592)
La ver l'aurora che sì dolce l'aura Striggio, Alessandro (ca. 1536–1592) Appears on: 150v–151 Genres: Italian secular Source Attribution: [Striggio] Voice: [no designation] Languages: Italian Voice Text: La ver lvaurora [che sì dolce lvaura]
151v–152	Amor io fallo - 2a pars (of 2): Pero s'oltra suo stil ella s'avventa	[Striggio]	Striggio, Alessandro (ca. 1536–1592)
Amor io fallo - 2a pars (of 2): Pero s'oltra suo stil ella s'avventa Striggio, Alessandro (ca. 1536–1592) Appears on: 151v–152 Genres: Italian secular Source Attribution: [Striggio] Voice: [no designation] Languages: Italian Voice Text: Pero s'oltra suo stil [ella s'avventa] [Pars II of Amor io fallo e veggio il mio fallire]
152v–154	Poi che spiegat'ho l'ale al bel desio II: La voce del mio cor per l'aria	Alexandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Poi che spiegat'ho l'ale al bel desio II: La voce del mio cor per l'aria Striggio, Alessandro (ca. 1536–1592) Appears on: 152v–154 Genres: Italian secular Source Attribution: Alexandro Striggio Voice: [no designation] Languages: Italian Voice Text: Poi che spiegat'ho l'ale [al bel desio] II: La voce del mio cor [per l'aria]
154v–155	S' ogni mio ben havete raccolto in le rosate	[Striggio]	Striggio, Alessandro (ca. 1536–1592)
S' ogni mio ben havete raccolto in le rosate Striggio, Alessandro (ca. 1536–1592) Appears on: 154v–155 Genres: Italian secular Source Attribution: [Striggio] Voice: [no designation] Languages: Italian Voice Text: Sogni mio ben havete [raccolto in le rosate]
155v–156	Fortuna alata il pie calva la testa	Alexandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Fortuna alata il pie calva la testa Striggio, Alessandro (ca. 1536–1592) Appears on: 155v–156 Genres: Italian secular Source Attribution: Alexandro Striggio Voice: [no designation] Languages: Italian Voice Text: Fortuna alata il pie [calva la testa]
156v–157	Nasce la gioia mia ogni volta ch'io	[Primavera]	Primavera, Giovan Leonardo
Nasce la gioia mia ogni volta ch'io Primavera, Giovan Leonardo Appears on: 156v–157 Genres: Italian secular Source Attribution: [Primavera] Voice: [no designation] Languages: Italian Voice Text: Nasce la gioia mia [ogni volta ch'io]
157v–158	Dolce cantar s'udia gioia et dolcezza	Gio. Leonardo Primavera	Primavera, Giovan Leonardo
Dolce cantar s'udia gioia et dolcezza Primavera, Giovan Leonardo Appears on: 157v–158 Genres: Italian secular Source Attribution: Gio. Leonardo Primavera Voice: [no designation] Languages: Italian Voice Text: Dolce cantar svudia [gioia et dolcezza]
158v–159	Ancor ch'io possa dire che d'haver (6vv)	Alex: Stri:	Striggio, Alessandro (ca. 1536–1592)
Ancor ch'io possa dire che d'haver (6vv) Striggio, Alessandro (ca. 1536–1592) Appears on: 158v–159 Genres: Madrigal (Italian) Source Attribution: Alex: Stri: Voice: [no designation] Languages: Italian Voice Text: Ancor ch'io possa dire [che d'haver]
159v–160	Si me tenes tant de rigueur madame	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Si me tenes tant de rigueur madame Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 159v–160 Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: French Voice Text: Si me tenes tant de rigueurs [madame]
160v–161	Tous les regrets qu'oncques furent au monde	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Tous les regrets qu'oncques furent au monde Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 160v–161 Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: Tous les regretz [qu'oncques furent au monde]
161v–162	Ultimi miei sospiri che mi lasciate	Verdelot/[A. Ferrabosco I]	Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Ultimi miei sospiri che mi lasciate Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 161v–162 Genres: Madrigal (Italian) Source Attribution: Verdelot/[A. Ferrabosco I] Voice: [no designation] Languages: Italian Voice Text: Ultimi miei sospiri [che mi lasciate]
162v–163	A qui me dois je retirer Puisque mon ami	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
A qui me dois je retirer Puisque mon ami Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 162v–163 Genres: Chanson Source Attribution: Clemens non Papa Voice: [no designation] Languages: French Voice Text: A qui me doige retirer [= A qui me doibs je retirer puisque mon amy]
163v–164	Languir me fais sans t'avoir offensée	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Languir me fais sans t'avoir offensée Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 163v–164 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: French Voice Text: Languir me fais [sans t'avoir offensée]
164v–165	Ecco ch'io lass'il core a chi nutrisce	Anon.	Anonymous
Ecco ch'io lass'il core a chi nutrisce Anonymous Appears on: 164v–165 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Ecco [ch'io lass'il core a chi nutrisce]
165v–167	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Despres, Josquin (ca. 1450–1521) Appears on: 165v–167 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Benedicta [es celorum regina et mundi] 23.13 III: [Nunc mater exora natum] (Pars II not present in this source)
167v–168	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Josquin de Pres	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Despres, Josquin (ca. 1450–1521) Appears on: 167v–168 Genres: Ave Maria, Motet Source Attribution: Josquin de Pres Voice: [no designation] Languages: Latin Voice Text: Ave Maria [gratia plena dominus tecum] 20.9 [Pars II of Pater noster qui es in celis]
168v–170	Fremuit spiritu Jesus et turbavit seipsum II: Videns Dominus flentes sorores Lazari	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
Fremuit spiritu Jesus et turbavit seipsum II: Videns Dominus flentes sorores Lazari Lassus, Orlande de (ca. 1532–1594) Appears on: 168v–170 Genres: Motet Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: Latin Voice Text: Fremuit spiritus Jesus [et turbavit seipsum] II: Videns dominus [flentes sorores Lazari]
170v–172	In te Domine speravi (2p. Quoniam fortitudo mea) (6vv)	Orlando [de Lassus]	Lassus, Orlande de (ca. 1532–1594)
In te Domine speravi (2p. Quoniam fortitudo mea) (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 170v–172 Genres: Motet Source Attribution: Orlando [de Lassus] Voice: [no designation] Languages: Latin Voice Text: In te domine speravi [non confundar] II: Quoniam fortitudo mea [et refugium]
172v–173	Tant vous alles doulx Guillemette	[Ebran]	Ebran
Tant vous alles doulx Guillemette Ebran Appears on: 172v–173 Genres: Motet Source Attribution: [Ebran] Voice: [no designation] Languages: French Voice Text: Tant vous alles doulx [Guillemette]
173v–174	Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta	Ibricio Gaudi [= Gandí]	Gandi, Ibrico
Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta Gandi, Ibrico Appears on: 173v–174 Genres: Motet Source Attribution: Ibricio Gaudi [= Gandí] Voice: [no designation] Languages: Latin Voice Text: [Pange lingua gloriosi corporis mysterium] 2 Nobis datus [nobis natus ex intacta]
174v–175	Stolto mio core ove sì lieto vai	[Philippe de Monte]	Monte, Philippe de
Stolto mio core ove sì lieto vai Monte, Philippe de Appears on: 174v–175 Genres: Italian secular Source Attribution: [Philippe de Monte] Voice: [no designation] Languages: Italian Voice Text: Stolto mio core [ove sì lieto vai]
175v–176	Tua est potentia tuum regnum Domine	Jacopo Corfini	Corfini, Jacopo (ca. 1540–1591)
Tua est potentia tuum regnum Domine Corfini, Jacopo (ca. 1540–1591) Appears on: 175v–176 Genres: Motet Source Attribution: Jacopo Corfini Voice: [no designation] Languages: Latin Voice Text: Tua est potentia [tuum regnum domine]
176v–177	O Domine salvum me fac O Domine	Jacopo Corfini	Corfini, Jacopo (ca. 1540–1591)
O Domine salvum me fac O Domine Corfini, Jacopo (ca. 1540–1591) Appears on: 176v–177 Genres: Motet Source Attribution: Jacopo Corfini Voice: [no designation] Languages: Latin Voice Text: O domine [salvum me fac O domine]
177v–178	O crucis victoria et admirabilem signum	Jacopo Corfini	Corfini, Jacopo (ca. 1540–1591)
O crucis victoria et admirabilem signum Corfini, Jacopo (ca. 1540–1591) Appears on: 177v–178 Genres: Motet Source Attribution: Jacopo Corfini Voice: [no designation] Languages: Latin Voice Text: O crucis victoria [et admirabilem signum]
178v–179	Quem vidistis pastores dicite annunciate	Jacopo Corfini	Corfini, Jacopo (ca. 1540–1591)
Quem vidistis pastores dicite annunciate Corfini, Jacopo (ca. 1540–1591) Appears on: 178v–179 Genres: Motet Source Attribution: Jacopo Corfini Voice: [no designation] Languages: Latin Voice Text: Quem vidistis pastores [dicite annunciate]
179v–180	Mon seul	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Mon seul Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 179v–180 Genres: Chanson Source Attribution: Gombert Voice: [no designation] Languages: French Voice Text: Mon seul
180v–182	Beata es virgo Maria quae Dominum portasti	[Verdelot]	Lheritier, Jean (ca. 1480–ca. 1551) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Beata es virgo Maria quae Dominum portasti Lheritier, Jean (ca. 1480–ca. 1551) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 180v–182 Genres: Motet Source Attribution: [Verdelot] Voice: [no designation] Languages: Latin Voice Text: Beata es virgo Maria [que dominum portasti] II: Ave Maria [gratia plena dominus tecum]
182v–183	Che debb'io far - 7a pars (of 7): Pon fren al gran dolor	[Ruffo]	Ruffo, Vincenzo (ca. 1508–1587)
Che debb'io far - 7a pars (of 7): Pon fren al gran dolor Ruffo, Vincenzo (ca. 1508–1587) Appears on: 182v–183 Genres: Secular Source Attribution: [Ruffo] Voice: [no designation] Languages: Italian Voice Text: Pon fren al gran dolor [Pars VII of Che debbvio far che mi consigli amore]
184v–185	untexted	Anon.	-
untexted Appears on: 184v–185 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
185v–186	untexted	Anon.	-
untexted Appears on: 185v–186 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
186v–187	untexted	Anon.	-
untexted Appears on: 186v–187 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
187v–188	untexted	Anon.	-
untexted Appears on: 187v–188 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
188v–189	untexted	Anon.	-
untexted Appears on: 188v–189 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
189v–190	untexted	Anon.	-
untexted Appears on: 189v–190 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless

Composer	Compositions
Anonymous	Ecco ch'io lass'il core a chi nutrisce – 164v–165 Elle a mon coeur – 115v–116 Fa re mi la re sol fa – 47v–48 Justempus – 54v–55 La segidillas – 59v Le temps viendra – 116v–117 No me podre quexar damor – 126v–127 Pavana Francesa – 56v–57 Ps. 4: Cum invocarem exaudivit me Deus – 42 Ps. 50: Miserere mei Deus secundum magnam – 41v Sacra solemniis juncta sint gaudia – 28v–29 Sapia – 55v–56 Si el mirar – 127v–128 Si je prometz – 121 untexted falsobordone – 71v [No description] – 69v–70 [No description] – 59 [No description] – 60v, 63 [No description] – 64v–65 [No description] – 65v–66 [No description] – 65v–66 [No description] – 66v–67 [No description] – 67v–68 [No description] – 67v–68 [No description] – 67v–68 [No description] – 68v–69 [No description] – 68v–69 [No description] – 69v–70 [No description] – 70v–71 [No description] – 70v–71 [No description] – 70v–71 [No description] – 136v [No description] – 138 [No description] – 138v–139 [No description] – 139v–140 [No description] – 140v–141 [No description] – 141v–142 [No description] – 142v–143 [No description] – 143v–144 [No description] – 144v [No description] – 29v–30 [No description] – 29v–30 [No description] – 29v–30 [No description] – 29v–30 [No description] – 184v–185 [No description] – 185v–186 [No description] – 186v–187 [No description] – 187v–188 [No description] – 189v–190 [No description] – 57v [No description] – 188v–189 [No description] – 29v–30 [No description] – 1 [No description] – 70v–71 [No description] – 68v–69 [No description] – 68v–69 [No description] – 66v–67
Baston, Josquin (fl. 1542–63)	(?) Je prens en gre le dure mort (4vv) – 39v Vostre a jamais par heritage me poves – 132v–133
Berchem, Jacques (ca. 1505–1567)	O felici ochi miei quando fusti beati – 129v–130
Canis, Cornelius	Si par souffrir l'on peult vaincre fortune – 102v–103
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	A qui me dois je retirer Puisque mon ami – 162v–163 D'ami parfait le vrai tiltre et honneur – 113v–114 Entre vous filles de quinze ans ne venes – 36v–37 Forbons – 131v–132 (?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 128v–129 Hortens – 48v–49 (?) Je prens en gre le dure mort (4vv) – 39v Jouons beau jeu tout en riant si faisons – 32v–33 La [Las] non ailleurs le triste coeur demeure – 112v–113 Languir me fais sans t'avoir offensée – 163v–164 Lutens – 49v–50 Mon pere si me Maria vous m'entendes – 118v–119 Or il ne m'est possible d'avoir quelque confort – 130v–131 Puisque voulez que je vous laisse adieu – 44v Resveilles vous c'est trop dormy faisons? – 121v–122 Venes mes serfs et Bachus adorons – 53v–54 Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) – 133v–135
Corfini, Jacopo (ca. 1540–1591)	O Domine salvum me fac O Domine – 176v–177 O crucis victoria et admirabilem signum – 177v–178 Quem vidistis pastores dicite annunciate – 178v–179 Tua est potentia tuum regnum Domine – 175v–176
Crecquillon, Thomas (ca. 1505–ca. 1557)	Alix avoit aux dens la male rage – 35v–36 (?) Beata es virgo Maria quae Dominum portasti – 180v–182 Crainte et espoir m'oppressent grandement – 74v–75 Demande vous qui me fait si joyeux – 38v–39 Il me suffit de tous mes maulx – 114v–115 (?) La me tiendraÿ = Cherchant plaisir je meur du mal d'aymer – 73v–74 Orsus a cop qu'on se resveille venez ouir – 41 Par tous moiens j'ai cherchie – 43v–44 Pis ne me peult venir que j'ai jusques ici – 75v–76 Plaisir n'ai plus mais vis en desconfort – 119v (?) Regret, ennuye, travail et déplaisance – 72v–73 Si me tenes tant de rigueur madame – 159v–160 Un gay berger prioit une bergère – 50v–51 Un souvenir en fermete constante jamais – 51v–52
Despres, Josquin (ca. 1450–1521)	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) – 165v–167 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 167v–168
Ebran	Tant vous alles doulx Guillemette – 172v–173
Ferrabosco, Alfonso (the elder) (1543–1588)	(?) Ultimi miei sospiri che mi lasciate – 161v–162
Ferrabosco, Domenico Maria	Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri – 32
Ferretti, Giovanni	Nasce la gioia mia ogni volta ch'io – 146v–147
Gandi, Ibrico	Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta – 173v–174
Godard, Robert	(?) Ce mois de may sur la rousée jouer irons – 37v–38
Gombert, Nicolas (ca. 1495–ca. 1560)	Ayme qui vouldra le mieulx qui pourra – 101 Le bergier et la bergiere sont a l'ombre – 107v–108 Mon seul – 179v–180 Quant ie suis au prez de mamie – 106v–107 (?) Regret, ennuye, travail et déplaisance – 72v–73 Souffrir me convient je dis pour un temps – 103v–104 Tous les regrets qu'oncques furent au monde – 160v–161 Triste depart m'avoit mis en douleur – 101v–102
Hanache	(?) La me tiendraÿ = Cherchant plaisir je meur du mal d'aymer – 73v–74
Janequin, Clement (ca. 1485–ca. 1558)	(?) Je prens en gre le dure mort (4vv) – 39v Martin menoit son pourceau au marche – 1v
Lassus, Orlande de (ca. 1532–1594)	A ce matin ce seroit bonne estreine – 3v–4 Ardant amour souvent me fait instance – 81v–82 Ardant amour souvent me fait instance – 15v–16 Avecque vous mon amour finira Puisque mon coeur – 5v–6 Bon jour mon coeur bon jour ma douce vie – 13v–14 Ce faux amour d'arc et de fléches s'arme – 17v–18 Comme un qui prend une couppe seul – 77v–78 De tout mon coeur j'aime la Marguerite – 78v–79 Du corps absent le coeur je te presente – 19v Elle s'en va de moi la mieux aimée – 110v–111 En espoir vis et crainte me tourmente – 18v–19 Fiera stella - 2a pars (of 2): Ma tu prende a diletto i dolor miei – 135v–136 Fremuit spiritu Jesus et turbavit seipsum II: Videns Dominus flentes sorores Lazari – 168v–170 Fuyons tous d'amour le ieu comme le feu – 9v–10 Haste vous de moi faire grace sans point – 22 Helas quel jour seray-je à mon vouloir – 10v–11 In te Domine speravi (2p. Quoniam fortitudo mea) (6vv) – 170v–172 J'attens le temps ayant ferme esperance – 82v–83 Je layme bien et l'aymeray en ce propos – 8v–9 Jendure un tourment des tourments le pire – 104v–105 La cortesia voi donne predicate ma mai – 34v–35 Las voules vous qu'une personne chante – 23v–24 Le rossignol plaisant et gracieulx – 87v–88 Le temps peult bien un beau teint effacer – 11v–12 Le voules vous je suis tresbien contente – 85v–86 Maistre Robin (= Monsieur l'Abbé et monsieur son valet) – 4v–5 Margot laboures les vignes vigne vigne – 14v–15 Mon coeur ravi d'amour fort variable – 79v–80 Mon coeur se recommande a vous – 83v–84 O come heureux j'estimeroys mon coeur – 25v–26 Petitte folle estes vous pas contente – 3 Quand mon mari vient de dehors ma rente – 6v–7 Qui dort icy le faut il demander – 22v–23 Si par souhait ie vous tenoye secretement – 12v–13 Si pur ti gardo dolce anima mia – 26v–27 Soyons ioyeux sur la plaisante verdure – 16v–17 Sur tous regrets le mien plus piteux – 108v–109 Susanne un jour d'amour solicitée par deux viellards – 76v–77 Trop endurer sans avoir allegeance – 7v–8 Tu sai madonna mia ch'io t'amo et voglio – 33v–34 Un doulx nenni avec un doulx soubrire – 24v–25 Ung triste coeur rempli de fantasie – 80v–81 Veux tu ton mal et le mien secourir (= Alleluia. Vox laeta) – 86v–87 Vous qui ayme les dames bland loquimini – 84v–85
Lheritier, Jean (ca. 1480–ca. 1551)	(?) Beata es virgo Maria quae Dominum portasti – 180v–182
Lortin	(?) Ce mois de may sur la rousée jouer irons – 37v–38
Louys, Jean (ca. 1530–1563)	(?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 128v–129
Lupi, Johannes (ca. 1506–1539)	Au joli bois sur la verdure de mon ami – 111v–112
Marenzio, Luca (ca. 1553–1599)	Tirsi morir volea gl'occhi mirando di colei (2p. Frenò Tirsi il desio ch'havea di pur; 3p. Cosi moriro i fortunati amanti) – 122v–125
Merulo, Claudio (1533–1604)	Vivons vivons joyeusement sans plus grand soucy – 52v–53
Monte, Philippe de	Apri vulcan lo speco – 88v Las pour souffrire ne puis vaincre fortune – 105v–106 Si par souffrir l'on peult vaincre fortune – 109v–110 Stolto mio core ove sì lieto vai – 174v–175
Morales, Cristóbal de (ca. 1500–1553)	untexted – 63v–64 untexted falsobordone – 42v–43 untexted falsobordone – 42v–43 untexted falsobordone – 42v–43 untexted falsobordone – 42v–43 untexted falsobordone – 42v–43
Moreau, Simon	Vous seulement – 117v–118
Pathie, Rogier (ca. 1510–ca. 1564)	(?) Je prens en gre le dure mort (4vv) – 39v
Primavera, Giovan Leonardo	Dolce cantar s'udia gioia et dolcezza – 157v–158 Nasce la gioia mia ogni volta ch'io – 156v–157
Rore, Cipriano de (ca. 1515–1565)	Ancor che co'l partire io mi sento morire – 30v
Ruffo, Vincenzo (ca. 1508–1587)	Che debb'io far - 7a pars (of 7): Pon fren al gran dolor – 182v–183
Striggio, Alessandro (ca. 1536–1592)	Amor io fallo - 2a pars (of 2): Pero s'oltra suo stil ella s'avventa – 151v–152 Ancor ch'io possa dire che d'haver (6vv) – 158v–159 Fortuna alata il pie calva la testa – 155v–156 La ver l'aurora che sì dolce l'aura – 150v–151 Nasce la pena mia non potendo mirar – 147v–148 O messaggi del cor - 2a pars (of 2): Sara che cessi O che s'allenti mai – 148v–149 Poi che spiegat'ho l'ale al bel desio II: La voce del mio cor per l'aria – 152v–154 S' ogni mio ben havete raccolto in le rosate – 154v–155 Voglia mi sprona amor mi guida e scorge – 149v–150
Urrede (Wrede), Juan de (fl. 1451-c1482)	Pange lingua gloriosi (I) – 27v–28
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Beata es virgo Maria quae Dominum portasti – 180v–182 Ultimi miei sospiri che mi lasciate – 161v–162
Wisme (Vuismes), Nicholas de	Soyons ioyeulx joyeusement et puis chantons – 47

Composition	Composers (? Uncertain)	Folios / Pages
A ce matin ce seroit bonne estreine	Lassus, Orlande de (ca. 1532–1594)	3v–4
A qui me dois je retirer Puisque mon ami	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	162v–163
Alix avoit aux dens la male rage	Crecquillon, Thomas (ca. 1505–ca. 1557)	35v–36
Amor io fallo - 2a pars (of 2): Pero s'oltra suo stil ella s'avventa	Striggio, Alessandro (ca. 1536–1592)	151v–152
Ancor ch'io possa dire che d'haver (6vv)	Striggio, Alessandro (ca. 1536–1592)	158v–159
Ancor che co'l partire io mi sento morire	Rore, Cipriano de (ca. 1515–1565)	30v
Apri vulcan lo speco	Monte, Philippe de	88v
Ardant amour souvent me fait instance	Lassus, Orlande de (ca. 1532–1594)	15v–16
Ardant amour souvent me fait instance	Lassus, Orlande de (ca. 1532–1594)	81v–82
Au joli bois sur la verdure de mon ami	Lupi, Johannes (ca. 1506–1539)	111v–112
Avecque vous mon amour finira Puisque mon coeur	Lassus, Orlande de (ca. 1532–1594)	5v–6
Ayme qui vouldra le mieulx qui pourra	Gombert, Nicolas (ca. 1495–ca. 1560)	101
Beata es virgo Maria quae Dominum portasti	Lheritier, Jean (ca. 1480–ca. 1551) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	180v–182
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	Despres, Josquin (ca. 1450–1521)	165v–167
Bon jour mon coeur bon jour ma douce vie	Lassus, Orlande de (ca. 1532–1594)	13v–14
Ce faux amour d'arc et de fléches s'arme	Lassus, Orlande de (ca. 1532–1594)	17v–18
Ce mois de may sur la rousée jouer irons	Lortin (?) Godard, Robert (?)	37v–38
Che debb'io far - 7a pars (of 7): Pon fren al gran dolor	Ruffo, Vincenzo (ca. 1508–1587)	182v–183
Comme un qui prend une couppe seul	Lassus, Orlande de (ca. 1532–1594)	77v–78
Crainte et espoir m'oppressent grandement	Crecquillon, Thomas (ca. 1505–ca. 1557)	74v–75
D'ami parfait le vrai tiltre et honneur	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	113v–114
De tout mon coeur j'aime la Marguerite	Lassus, Orlande de (ca. 1532–1594)	78v–79
Demande vous qui me fait si joyeux	Crecquillon, Thomas (ca. 1505–ca. 1557)	38v–39
Dolce cantar s'udia gioia et dolcezza	Primavera, Giovan Leonardo	157v–158
Du corps absent le coeur je te presente	Lassus, Orlande de (ca. 1532–1594)	19v
Ecco ch'io lass'il core a chi nutrisce	Anonymous	164v–165
Elle a mon coeur	Anonymous	115v–116
Elle s'en va de moi la mieux aimée	Lassus, Orlande de (ca. 1532–1594)	110v–111
En espoir vis et crainte me tourmente	Lassus, Orlande de (ca. 1532–1594)	18v–19
Entre vous filles de quinze ans ne venes	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	36v–37
Fa re mi la re sol fa	Anonymous	47v–48
Fiera stella - 2a pars (of 2): Ma tu prende a diletto i dolor miei	Lassus, Orlande de (ca. 1532–1594)	135v–136
Forbons	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	131v–132
Fortuna alata il pie calva la testa	Striggio, Alessandro (ca. 1536–1592)	155v–156
Fremuit spiritu Jesus et turbavit seipsum II: Videns Dominus flentes sorores Lazari	Lassus, Orlande de (ca. 1532–1594)	168v–170
Fuyons tous d'amour le ieu comme le feu	Lassus, Orlande de (ca. 1532–1594)	9v–10
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?)	128v–129
Haste vous de moi faire grace sans point	Lassus, Orlande de (ca. 1532–1594)	22
Helas quel jour seray-je à mon vouloir	Lassus, Orlande de (ca. 1532–1594)	10v–11
Hortens	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	48v–49
Il me suffit de tous mes maulx	Crecquillon, Thomas (ca. 1505–ca. 1557)	114v–115
In te Domine speravi (2p. Quoniam fortitudo mea) (6vv)	Lassus, Orlande de (ca. 1532–1594)	170v–172
Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri	Ferrabosco, Domenico Maria	32
J'attens le temps ayant ferme esperance	Lassus, Orlande de (ca. 1532–1594)	82v–83
Je layme bien et l'aymeray en ce propos	Lassus, Orlande de (ca. 1532–1594)	8v–9
Je prens en gre le dure mort (4vv)	Baston, Josquin (fl. 1542–63) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	39v
Jendure un tourment des tourments le pire	Lassus, Orlande de (ca. 1532–1594)	104v–105
Jouons beau jeu tout en riant si faisons	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	32v–33
Justempus	Anonymous	54v–55
La [Las] non ailleurs le triste coeur demeure	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	112v–113
La cortesia voi donne predicate ma mai	Lassus, Orlande de (ca. 1532–1594)	34v–35
La me tiendraÿ = Cherchant plaisir je meur du mal d'aymer	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Hanache (?)	73v–74
La segidillas	Anonymous	59v
La ver l'aurora che sì dolce l'aura	Striggio, Alessandro (ca. 1536–1592)	150v–151
Languir me fais sans t'avoir offensée	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	163v–164
Las pour souffrire ne puis vaincre fortune	Monte, Philippe de	105v–106
Las voules vous qu'une personne chante	Lassus, Orlande de (ca. 1532–1594)	23v–24
Le bergier et la bergiere sont a l'ombre	Gombert, Nicolas (ca. 1495–ca. 1560)	107v–108
Le rossignol plaisant et gracieulx	Lassus, Orlande de (ca. 1532–1594)	87v–88
Le temps peult bien un beau teint effacer	Lassus, Orlande de (ca. 1532–1594)	11v–12
Le temps viendra	Anonymous	116v–117
Le voules vous je suis tresbien contente	Lassus, Orlande de (ca. 1532–1594)	85v–86
Lutens	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	49v–50
Maistre Robin (= Monsieur l'Abbé et monsieur son valet)	Lassus, Orlande de (ca. 1532–1594)	4v–5
Margot laboures les vignes vigne vigne	Lassus, Orlande de (ca. 1532–1594)	14v–15
Martin menoit son pourceau au marche	Janequin, Clement (ca. 1485–ca. 1558)	1v
Mon coeur ravi d'amour fort variable	Lassus, Orlande de (ca. 1532–1594)	79v–80
Mon coeur se recommande a vous	Lassus, Orlande de (ca. 1532–1594)	83v–84
Mon pere si me Maria vous m'entendes	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	118v–119
Mon seul	Gombert, Nicolas (ca. 1495–ca. 1560)	179v–180
Nasce la gioia mia ogni volta ch'io	Ferretti, Giovanni	146v–147
Nasce la gioia mia ogni volta ch'io	Primavera, Giovan Leonardo	156v–157
Nasce la pena mia non potendo mirar	Striggio, Alessandro (ca. 1536–1592)	147v–148
No me podre quexar damor	Anonymous	126v–127
O come heureux j'estimeroys mon coeur	Lassus, Orlande de (ca. 1532–1594)	25v–26
O crucis victoria et admirabilem signum	Corfini, Jacopo (ca. 1540–1591)	177v–178
O Domine salvum me fac O Domine	Corfini, Jacopo (ca. 1540–1591)	176v–177
O felici ochi miei quando fusti beati	Berchem, Jacques (ca. 1505–1567)	129v–130
O messaggi del cor - 2a pars (of 2): Sara che cessi O che s'allenti mai	Striggio, Alessandro (ca. 1536–1592)	148v–149
Or il ne m'est possible d'avoir quelque confort	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	130v–131
Orsus a cop qu'on se resveille venez ouir	Crecquillon, Thomas (ca. 1505–ca. 1557)	41
Pange lingua gloriosi (I)	Urrede (Wrede), Juan de (fl. 1451-c1482)	27v–28
Pange lingua gloriosi corporis mysterium 2 Nobis datus nobis natus ex intacta	Gandi, Ibrico	173v–174
Par tous moiens j'ai cherchie	Crecquillon, Thomas (ca. 1505–ca. 1557)	43v–44
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Despres, Josquin (ca. 1450–1521)	167v–168
Pavana Francesa	Anonymous	56v–57
Petitte folle estes vous pas contente	Lassus, Orlande de (ca. 1532–1594)	3
Pis ne me peult venir que j'ai jusques ici	Crecquillon, Thomas (ca. 1505–ca. 1557)	75v–76
Plaisir n'ai plus mais vis en desconfort	Crecquillon, Thomas (ca. 1505–ca. 1557)	119v
Poi che spiegat'ho l'ale al bel desio II: La voce del mio cor per l'aria	Striggio, Alessandro (ca. 1536–1592)	152v–154
Ps. 4: Cum invocarem exaudivit me Deus	Anonymous	42
Ps. 50: Miserere mei Deus secundum magnam	Anonymous	41v
Puisque voulez que je vous laisse adieu	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	44v
Quand mon mari vient de dehors ma rente	Lassus, Orlande de (ca. 1532–1594)	6v–7
Quant ie suis au prez de mamie	Gombert, Nicolas (ca. 1495–ca. 1560)	106v–107
Quem vidistis pastores dicite annunciate	Corfini, Jacopo (ca. 1540–1591)	178v–179
Qui dort icy le faut il demander	Lassus, Orlande de (ca. 1532–1594)	22v–23
Regret, ennuye, travail et déplaisance	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	72v–73
Resveilles vous c'est trop dormy faisons?	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	121v–122
S' ogni mio ben havete raccolto in le rosate	Striggio, Alessandro (ca. 1536–1592)	154v–155
Sacra solemniis juncta sint gaudia	Anonymous	28v–29
Sapia	Anonymous	55v–56
Si el mirar	Anonymous	127v–128
Si je prometz	Anonymous	121
Si me tenes tant de rigueur madame	Crecquillon, Thomas (ca. 1505–ca. 1557)	159v–160
Si par souffrir l'on peult vaincre fortune	Canis, Cornelius	102v–103
Si par souffrir l'on peult vaincre fortune	Monte, Philippe de	109v–110
Si par souhait ie vous tenoye secretement	Lassus, Orlande de (ca. 1532–1594)	12v–13
Si pur ti gardo dolce anima mia	Lassus, Orlande de (ca. 1532–1594)	26v–27
Souffrir me convient je dis pour un temps	Gombert, Nicolas (ca. 1495–ca. 1560)	103v–104
Soyons ioyeulx joyeusement et puis chantons	Wisme (Vuismes), Nicholas de	47
Soyons ioyeux sur la plaisante verdure	Lassus, Orlande de (ca. 1532–1594)	16v–17
Stolto mio core ove sì lieto vai	Monte, Philippe de	174v–175
Sur tous regrets le mien plus piteux	Lassus, Orlande de (ca. 1532–1594)	108v–109
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	76v–77
Tant vous alles doulx Guillemette	Ebran	172v–173
Tirsi morir volea gl'occhi mirando di colei (2p. Frenò Tirsi il desio ch'havea di pur; 3p. Cosi moriro i fortunati amanti)	Marenzio, Luca (ca. 1553–1599)	122v–125
Tous les regrets qu'oncques furent au monde	Gombert, Nicolas (ca. 1495–ca. 1560)	160v–161
Triste depart m'avoit mis en douleur	Gombert, Nicolas (ca. 1495–ca. 1560)	101v–102
Trop endurer sans avoir allegeance	Lassus, Orlande de (ca. 1532–1594)	7v–8
Tu sai madonna mia ch'io t'amo et voglio	Lassus, Orlande de (ca. 1532–1594)	33v–34
Tua est potentia tuum regnum Domine	Corfini, Jacopo (ca. 1540–1591)	175v–176
Ultimi miei sospiri che mi lasciate	Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?)	161v–162
Un doulx nenni avec un doulx soubrire	Lassus, Orlande de (ca. 1532–1594)	24v–25
Un gay berger prioit une bergère	Crecquillon, Thomas (ca. 1505–ca. 1557)	50v–51
Un souvenir en fermete constante jamais	Crecquillon, Thomas (ca. 1505–ca. 1557)	51v–52
Ung triste coeur rempli de fantasie	Lassus, Orlande de (ca. 1532–1594)	80v–81
untexted	Morales, Cristóbal de (ca. 1500–1553)	63v–64
untexted falsobordone	Morales, Cristóbal de (ca. 1500–1553)	42v–43
untexted falsobordone	Morales, Cristóbal de (ca. 1500–1553)	42v–43
untexted falsobordone	Morales, Cristóbal de (ca. 1500–1553)	42v–43
untexted falsobordone	Morales, Cristóbal de (ca. 1500–1553)	42v–43
untexted falsobordone	Morales, Cristóbal de (ca. 1500–1553)	42v–43
untexted falsobordone	Anonymous	71v
Venes mes serfs et Bachus adorons	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	53v–54
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	133v–135
Veux tu ton mal et le mien secourir (= Alleluia. Vox laeta)	Lassus, Orlande de (ca. 1532–1594)	86v–87
Vivons vivons joyeusement sans plus grand soucy	Merulo, Claudio (1533–1604)	52v–53
Voglia mi sprona amor mi guida e scorge	Striggio, Alessandro (ca. 1536–1592)	149v–150
Vostre a jamais par heritage me poves	Baston, Josquin (fl. 1542–63)	132v–133
Vous qui ayme les dames bland loquimini	Lassus, Orlande de (ca. 1532–1594)	84v–85
Vous seulement	Moreau, Simon	117v–118

‡ denotes primary source study

Bragard, Murray C. 1978. The Falsobordone: A Study in Renaissance and Baroque Music. Musicological Studies and Documents. American Institute of Musicology. Pages: 170.

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 194, 467, 549.

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 68-9.

Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 735-6.

Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 227.

Elders, Willem. 1964-7. The Lerma Codex: A Newly-Discovered Choirbook from Seventeenth-Century Spain. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 187-205.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XI, vii, 101-6.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description