US-NYp Mus. Res. Drexel 4180

Public Library, Music Division, New York, United States

partbook: 17th century and c. 1500 (flyleaves)

Archive	Public Library, Music Division, New York, United States (US-NYp)
Shelfmark	Mus. Res. Drexel 4180
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	145 x 195 mm
Other Identifiers	CCM: NYorkP 4180-5
Notations	black void mensural
Copyists	Merro, John Music scribal concordance [88] Music
Relationships	Merro, John (owner) Drexel, Joseph W. (owner) Rimbault, Edward (1816–1876) (owner)
External Links	Wikipedia (contents & summary of scholarship)
Provenance	England
Contents	255 pieces from 59 composers

General Description

A Discantus partbook from a set of six volumes, including polyphony-bearing flyleaves cut from older, unrelated music manuscript. The original owner and scribe was John Merro. Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown.

Flyleaves from 1 or 2 Discantus partbook(s), with concordances in Fayrfax MS. Front flyleaf copied by a scribe who also copied pieces in Oxford MS. Mus. d. 103. These and other related fragments are brought together in a 'virtual manuscript' here.

Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

DIAMM, 2017

Binding

Rebound in 1950 in modern covers of dark brown leather.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 13 (16-17 on flyleaves)

DIAMM, 2017

Foliation

Original ink foliation in each book, with errors and omissions; some modern foliation.

DIAMM, 2017

Decoration

A few small inked initials; no other decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2022

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 1 Lamentation, 24 motets, 84 anthems, 3 fragmentary English sacred pieces (on flyleaves; see below), 82 English secular pieces, 10 fragmentary English secular pieces (on flyleaves), 25 Italian secular pieces, 31 instrumental pieces (Fantasias, In nomines, etc.), 2 textless fragments (on flyleaves) = 263

Amner-13, Bateson-1, (Bennet)-1, Bruster-1, Bull-1, Byrd-21, (Byrd/R. Farrant/R. Parsons I)-1, Byrd/(Gibbons)-1, Byrd/(T. Mudd II)-1, Byrd/(J. Mundy)-1, Byrd/Tallis-1, Clemens non Papa -3, (Coste)-1, M. East/(Simmes)-1, (Eremita)-1, (Faignient)-1, (Fayrfax)-1, A. Ferrabosco I-2, A. Ferrabosco I/Marenzio-1, A. Ferrabosco I/(Pinello di Ghirardi)-1, A. Ferrabosco II-1, (G. Ferretti)-1, Ford/(Byrd)-1, (A. Gabrieli)-2, (G. Gabrieli)-4, (Ellis Gibbons)-1, Gibbons-11, N. Giles-1, (Hilton the Elder)-1, Hooper/(Fox)-1, Ives-4, M. Jeffries-1, Jenkins-2, R. Johnson I-1, (Lassus)-3, T. Lupo-2, Marenzio-10, Morley-2, J. Mundy-3, (J. Mundy/W. Mundy)-2, (J. Mundy/W. Mundy/Shepherd/R. White)-1, (J. Mundy/Tallis)-1, J. or W.? Mundy [Mr. Mundie]-1, J. or W.? Mundy [Mr. Mundie]/(R. White)-1, W. Mundy-2, W. Mundy/Tallis-1, (W. Mundy/Tallis)-1, (Newark)-1, Nicholson-2, (Norcome)-1, (Palestrina)-7, (Pallavicino)-1, R. Parsons I-4, W. Randall-1, (Shepherd)-3, W.? Smith [Mr. Smithe]-1, Smith of Gloucester-1, Smith of Salop-1, Strogers-1, Strogers/(Shepherd)-1, Tallis-10, (Taverner)-1, Tomkins-21, (E. Tucker)-1, Tye-2, (Orazio Vecchi)-1, Weelkes-11 + 1?, R. White-1, R. White/(Byrd/ R. Parsons I /Strogers)-1, Wilbye -12, anon -47

6 paper partbooks (D-n + i + 190 + i + ii folios, A-ii + 191 + i + ii, T-ii + 196 + ii, B-ii + 192 + i + ii, Q-ii + i + 159 + i + ii, S-ii + i + 111 + i + it), 145 x 195. Original flyleaves cut from older, unrelated music manuscript; polyphony on these leaves included in summary of contents and composers above. Original ink foliation in each book, with errors and omissions; some modern foliation. Rebound in 1950 in modern covers of dark brown leather. Original indices at beginning of T and B books group pieces by number of voices; within each group, pieces listed in order of appearance (with some inconsistencies). Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Staff height 13 (15-18 on flyleaves). A few small inked initials; no other decoration.

First half of 17th century (main corpus); ca. 1500 (flyleaves). Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown. The original owner and scribe was John Merro. Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
front flyleaf (recto)–front flyleaf (verso)	In a slumber late as I was	-	Anonymous
In a slumber late as I was Anonymous Appears on: front flyleaf (recto)–front flyleaf (verso) Genres: Carol
front flyleaf (verso)	My mode is changed / A blessed Jesu	-	Davy, Richard
My mode is changed / A blessed Jesu Davy, Richard Appears on: front flyleaf (verso) Genres: Song
0v	O Lord the maker of all things	-	White, Robert (ca. 1538–1574) (?) Sheppard, John (ca. 1515–1558) (?) Mundy, William (ca. 1528–ca. 1591) Mundy, John (ca. 1555–1630) (?)
O Lord the maker of all things White, Robert (ca. 1538–1574) (?) Sheppard, John (ca. 1515–1558) (?) Mundy, William (ca. 1528–ca. 1591) Mundy, John (ca. 1555–1630) (?) Appears on: 0v Genres: Anthem
1	O Lord, give thy Holy Spirit	-	Tallis, Thomas (ca. 1505–1585)
O Lord, give thy Holy Spirit Tallis, Thomas (ca. 1505–1585) Appears on: 1 Genres: Anthem
1v–2	Give alms unto the poor	-	Anonymous
Give alms unto the poor Anonymous Appears on: 1v–2 Genres: Anthem
2v–3	My God, my God, look upon me	-	Smith of Salop
My God, my God, look upon me Smith of Salop Appears on: 2v–3
3v	If ye love me keep my commandments	-	Tallis, Thomas (ca. 1505–1585)
If ye love me keep my commandments Tallis, Thomas (ca. 1505–1585) Appears on: 3v Genres: Anthem
3–4	I give you a new commandment	-	Sheppard, John (ca. 1515–1558)
I give you a new commandment Sheppard, John (ca. 1515–1558) Appears on: 3–4 Genres: Anthem
4v–5	Hear the voice and prayer	-	Tallis, Thomas (ca. 1505–1585)
Hear the voice and prayer Tallis, Thomas (ca. 1505–1585) Appears on: 4v–5 Genres: Anthem
5–5v	Let us now laud and magnify	-	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)
Let us now laud and magnify Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?) Appears on: 5–5v Genres: Anthem
6	A new commandment	-	Mundy, William (ca. 1528–ca. 1591)
A new commandment Mundy, William (ca. 1528–ca. 1591) Appears on: 6 Genres: Anthem
6v	This is my commandment	-	Johnson (II), Robert (?) Tallis, Thomas (ca. 1505–1585) (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?) Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)
This is my commandment Johnson (II), Robert (?) Tallis, Thomas (ca. 1505–1585) (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?) Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?) Appears on: 6v Genres: Anthem
6v–7	If ye be risen again	-	Tye, Christopher (ca. 1505–ca. 1573)
If ye be risen again Tye, Christopher (ca. 1505–ca. 1573) Appears on: 6v–7
7v–8	Rejoice in the Lord always	-	Strogers, Nicholas (?) Sheppard, John (ca. 1515–1558) (?)
Rejoice in the Lord always Strogers, Nicholas (?) Sheppard, John (ca. 1515–1558) (?) Appears on: 7v–8 Genres: Anthem
8v	A new commandment	-	Tallis, Thomas (ca. 1505–1585)
A new commandment Tallis, Thomas (ca. 1505–1585) Appears on: 8v Genres: Anthem
9	Submit yourselves one to another	-	Sheppard, John (ca. 1515–1558)
Submit yourselves one to another Sheppard, John (ca. 1515–1558) Appears on: 9 Genres: Anthem
9v	He that hath my commandments	-	Mundy, William (ca. 1528–ca. 1591) (?)
He that hath my commandments Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 9v Genres: Anthem
10	He that hath my commandments	-	Coste, [Thomas?]
He that hath my commandments Coste, [Thomas?] Appears on: 10 Genres: Anthem
10v	Behold, it is Christ	-	Mundy, John (ca. 1555–1630)
Behold, it is Christ Mundy, John (ca. 1555–1630) Appears on: 10v Genres: Anthem
11	Praise the Lord, O my soul	-	Mundy, John (ca. 1555–1630)
Praise the Lord, O my soul Mundy, John (ca. 1555–1630) Appears on: 11
11v–12	O Lord from us	-	Anonymous
O Lord from us Anonymous Appears on: 11v–12 Genres: Anthem
12v	I will always give thanks	-	Anonymous
I will always give thanks Anonymous Appears on: 12v Genres: Anthem
13–13v	This sweet and merry month of May	-	Byrd, William (ca. 1540–1623)
This sweet and merry month of May Byrd, William (ca. 1540–1623) Appears on: 13–13v Genres: Madrigal (English)
14–14v	Every singing bird (= Vezzosi augelli)	-	Marenzio, Luca (ca. 1553–1599)
Every singing bird (= Vezzosi augelli) Marenzio, Luca (ca. 1553–1599) Appears on: 14–14v Genres: Contrafactum, Madrigal (English)
15	When first my heedless eyes beheld (= Non vidi mai)	-	Marenzio, Luca (ca. 1553–1599)
When first my heedless eyes beheld (= Non vidi mai) Marenzio, Luca (ca. 1553–1599) Appears on: 15 Genres: Contrafactum, Madrigal (English)
15v	O merry world (= I lieti amanti)	-	Marenzio, Luca (ca. 1553–1599)
O merry world (= I lieti amanti) Marenzio, Luca (ca. 1553–1599) Appears on: 15v Genres: Contrafactum, Madrigal (English)
16	Zephyrus breathing (= Zephiro torna, 1a pars)	-	Marenzio, Luca (ca. 1553–1599)
Zephyrus breathing (= Zephiro torna, 1a pars) Marenzio, Luca (ca. 1553–1599) Appears on: 16 Genres: Contrafactum, Madrigal (English)
16v	Fair shepherd's queen (= Madonna sua merce)	-	Marenzio, Luca (ca. 1553–1599)
Fair shepherd's queen (= Madonna sua merce) Marenzio, Luca (ca. 1553–1599) Appears on: 16v Genres: Contrafactum, Madrigal (English)
17–17v	Circumdederunt me - 1a pars (of 2): Circumdederunt me	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Circumdederunt me - 1a pars (of 2): Circumdederunt me Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 17–17v Genres: Motet
17v–18	Circumdederunt me - 2a pars (of 2): Quoniam tribulatio	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Circumdederunt me - 2a pars (of 2): Quoniam tribulatio Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 17v–18 Genres: Motet
18v	Saint Marie now - 1a pars (of 3): Saint Marie now	-	Amner, John (1579–1641)
Saint Marie now - 1a pars (of 3): Saint Marie now Amner, John (1579–1641) Appears on: 18v Genres: Anthem
18v–19	Saint Marie now - 2a pars (of 3): At length to Christ	-	Amner, John (1579–1641)
Saint Marie now - 2a pars (of 3): At length to Christ Amner, John (1579–1641) Appears on: 18v–19 Genres: Anthem
19	Saint Marie now - 3a pars (of 3): But he the God of love	-	Amner, John (1579–1641)
Saint Marie now - 3a pars (of 3): But he the God of love Amner, John (1579–1641) Appears on: 19 Genres: Anthem
19v–20v	Sweet are the thoughts	-	Amner, John (1579–1641)
Sweet are the thoughts Amner, John (1579–1641) Appears on: 19v–20v Genres: Anthem
21	Come let us rejoice	-	Amner, John (1579–1641)
Come let us rejoice Amner, John (1579–1641) Appears on: 21 Genres: Anthem
21v–22	O griefe, if yet my griefe (= Dolor, se 'l mio dolor)	-	Donato, Baldassare (ca. 1529–1603)
O griefe, if yet my griefe (= Dolor, se 'l mio dolor) Donato, Baldassare (ca. 1529–1603) Appears on: 21v–22 Genres: Madrigal (English)
22v	My heart, why hast thou	-	Morley, Thomas (ca. 1557–1602)
My heart, why hast thou Morley, Thomas (ca. 1557–1602) Appears on: 22v Genres: Consort song
23	Still it frieth, yet my heart never dieth	-	Morley, Thomas (ca. 1557–1602)
Still it frieth, yet my heart never dieth Morley, Thomas (ca. 1557–1602) Appears on: 23 Genres: Madrigal (English)
23v	O God give ear (5vv)	-	Byrd, William (ca. 1540–1623)
O God give ear (5vv) Byrd, William (ca. 1540–1623) Appears on: 23v Genres: Anthem
24–24v	O mortal man	-	Anonymous
O mortal man Anonymous Appears on: 24–24v Genres: Anthem
25–25v	O Lord, I bow the knees of my heart	-	Mundy, William (ca. 1528–ca. 1591)
O Lord, I bow the knees of my heart Mundy, William (ca. 1528–ca. 1591) Appears on: 25–25v Genres: Anthem
26	Grant unto us, O Lord	-	Strogers, Nicholas
Grant unto us, O Lord Strogers, Nicholas Appears on: 26 Genres: Anthem
26v–27	Wipe away my sins [=Absterge Domine]	-	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 26v–27
27v	Deliver me from mine enemies	-	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)
Deliver me from mine enemies Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 27v Genres: Quodlibet
28–29	Lord who shall dwell	-	White, Robert (ca. 1538–1574)
Lord who shall dwell White, Robert (ca. 1538–1574) Appears on: 28–29 Genres: Anthem
29v	Prevent us, O Lord	-	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 29v Genres: Anthem
30	Blessed be thy name (= Mihi autem nimis)	-	Tallis, Thomas (ca. 1505–1585)
Blessed be thy name (= Mihi autem nimis) Tallis, Thomas (ca. 1505–1585) Appears on: 30 Genres: Anthem, Contrafactum
30v	Set up thyself	-	Smith of Gloucester
Set up thyself Smith of Gloucester Appears on: 30v Genres: Anthem
31–31v	Almighty God, the fountain of all wisdom	Mr Tomkins of Woster	Tomkins, Thomas (1572–1656)
Almighty God, the fountain of all wisdom Tomkins, Thomas (1572–1656) Appears on: 31–31v Source Attribution: Mr Tomkins of Woster
32	I will sing unto the Lord	-	Amner, John (1579–1641)
I will sing unto the Lord Amner, John (1579–1641) Appears on: 32 Genres: Anthem
32v	The heavens stood all amazed	-	Amner, John (1579–1641)
The heavens stood all amazed Amner, John (1579–1641) Appears on: 32v Genres: Anthem
33	He that descended	-	Amner, John (1579–1641)
He that descended Amner, John (1579–1641) Appears on: 33 Genres: Anthem
33v	How doth the city	-	Amner, John (1579–1641)
How doth the city Amner, John (1579–1641) Appears on: 33v Genres: Anthem
34	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	-	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 34 Genres: Anthem
34–35	When Israel came out - 2a pars (of 2): What aileth thee	-	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 34–35 Genres: Anthem
35v	Rise, O my soul - 1a pars (of 3): Rise, O my soul	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul Simmes, William (?) East, Michael (?) Appears on: 35v Genres: Anthem
36	Rise, O my soul - 2a pars (of 3): And thou, my soul	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul Simmes, William (?) East, Michael (?) Appears on: 36 Genres: Anthem
36v	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	-	East, Michael (?) Simmes, William (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus East, Michael (?) Simmes, William (?) Appears on: 36v Genres: Anthem
37–37v?	Do not repine fair sun	-	Gibbons, Orlando (ca. 1583–1625)
Do not repine fair sun Gibbons, Orlando (ca. 1583–1625) Appears on: 37–37v? Genres: Song
40	Vergine bella	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine bella Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 40 Genres: Madrigal (Italian)
40v	Vergine saggia	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine saggia Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 40v Genres: Madrigal (Italian)
41	Vergine pura	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine pura Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 41 Genres: Madrigal (Italian)
41v	Vergine santa	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine santa Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 41v Genres: Madrigal (Italian)
42	Vergine sol' al mondo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine sol' al mondo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 42 Genres: Madrigal (Italian)
42v	Vergine chiara	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine chiara Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 42v Genres: Madrigal (Italian)
43	Vergine quante lagrime	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine quante lagrime Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 43 Genres: Madrigal (Italian)
43v	Fantasia a5 (I)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (I) Lupo, Thomas (ca. 1571–1627) Appears on: 43v Genres: Fantasia
44	Fantasia a5 (II)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (II) Lupo, Thomas (ca. 1571–1627) Appears on: 44 Genres: Fantasia
44v	Fantasia a5 (III)	-	Dering, Richard
Fantasia a5 (III) Dering, Richard Appears on: 44v Genres: Fantasia
45	Fantasia a5 (IV)	-	Dering, Richard
Fantasia a5 (IV) Dering, Richard Appears on: 45 Genres: Fantasia
45v	The white delightful swan (= Il bianco e dolce cigno)	-	Vecchi, Orazio (1550–1605)
The white delightful swan (= Il bianco e dolce cigno) Vecchi, Orazio (1550–1605) Appears on: 45v Genres: Contrafactum, Madrigal (English)
46	Cinthia thy song (= Cinthia el tuo dolce canto)	-	Croce, Giovanni (ca. 1557–1609)
Cinthia thy song (= Cinthia el tuo dolce canto) Croce, Giovanni (ca. 1557–1609) Appears on: 46 Genres: Contrafactum, Madrigal (English)
46v	Le rossignol plaisant et gratieux	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Le rossignol plaisant et gratieux Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46v Genres: Madrigal General Note Here called "Larissinall"
47	When I would thee embrace (= Quand' io voleva)	-	Pinello di Ghirardi, Giovanni Battista
When I would thee embrace (= Quand' io voleva) Pinello di Ghirardi, Giovanni Battista Appears on: 47 Genres: Contrafactum, Madrigal (English)
47v	When shall I cease lamenting (= Chi per voi non sospira)	-	Faignient, Noë
When shall I cease lamenting (= Chi per voi non sospira) Faignient, Noë Appears on: 47v Genres: Contrafactum, Madrigal (English)
48	I must depart (= Io partiro)	-	Marenzio, Luca (ca. 1553–1599)
I must depart (= Io partiro) Marenzio, Luca (ca. 1553–1599) Appears on: 48 Genres: Contrafactum, Madrigal (English)
48v	Susanna fair (= Susanne un jour)	-	Lassus, Orlande de (ca. 1532–1594)
Susanna fair (= Susanne un jour) Lassus, Orlande de (ca. 1532–1594) Appears on: 48v Genres: Contrafactum, Madrigal (English)
49	So gratious	-	Ferretti, Giovanni
So gratious Ferretti, Giovanni Appears on: 49 Genres: Contrafactum, Madrigal (English)
49v	In paradise	-	Anonymous
In paradise Anonymous Appears on: 49v Genres: Consort song
50	Delight is dead	-	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 50 Genres: Consort song
50v	Come pretty babe	-	Byrd, William (ca. 1540–1623)
Come pretty babe Byrd, William (ca. 1540–1623) Appears on: 50v Genres: Consort song
51	Abradad	-	Anonymous
Abradad Anonymous Appears on: 51 Genres: Consort song
52–52v	Farewell the bliss	-	Anonymous
Farewell the bliss Anonymous Appears on: 52–52v Genres: Consort song
53–53v	Come Charon come	-	Anonymous
Come Charon come Anonymous Appears on: 53–53v Genres: Consort song
54	In fields abroad	-	Byrd, William (ca. 1540–1623)
In fields abroad Byrd, William (ca. 1540–1623) Appears on: 54 Genres: Song
54v	Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	-	Byrd, William (ca. 1540–1623)
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby Byrd, William (ca. 1540–1623) Appears on: 54v Genres: Song
54v–55	Lullaby - 2a pars (of 2): Be still, my blessed babe	-	Byrd, William (ca. 1540–1623)
Lullaby - 2a pars (of 2): Be still, my blessed babe Byrd, William (ca. 1540–1623) Appears on: 54v–55 Genres: Song
55v	Prostrate, O Lord, I lie	-	Byrd, William (ca. 1540–1623)
Prostrate, O Lord, I lie Byrd, William (ca. 1540–1623) Appears on: 55v Genres: Anthem
55v–56	Constant Penelope	-	Byrd, William (ca. 1540–1623)
Constant Penelope Byrd, William (ca. 1540–1623) Appears on: 55v–56 Genres: Consort song
56v–57	O sing unto the Lord a new song	-	Tomkins, Thomas (1572–1656)
O sing unto the Lord a new song Tomkins, Thomas (1572–1656) Appears on: 56v–57 Genres: Anthem
57v	Sing we merrily - 1a pars (of 3): Sing we merrily	-	East, Michael
Sing we merrily - 1a pars (of 3): Sing we merrily East, Michael Appears on: 57v Genres: Anthem
57v–58	Sing we merrily - 2a pars (of 3): Take the psalm	-	East, Michael
Sing we merrily - 2a pars (of 3): Take the psalm East, Michael Appears on: 57v–58 Genres: Anthem
58–58v	Sing we merrily - 3a pars (of 3): Blow up the trumpet	-	East, Michael
Sing we merrily - 3a pars (of 3): Blow up the trumpet East, Michael Appears on: 58–58v Genres: Anthem
59	Why dost thou shoot	-	Wilbye, John (1574–1638)
Why dost thou shoot Wilbye, John (1574–1638) Appears on: 59 Genres: Madrigal (English)
59v	Of joys and pleasing pains	-	Wilbye, John (1574–1638)
Of joys and pleasing pains Wilbye, John (1574–1638) Appears on: 59v Genres: Madrigal (English)
60	My throat is sore	-	Wilbye, John (1574–1638)
My throat is sore Wilbye, John (1574–1638) Appears on: 60 Genres: Madrigal (English)
60v–61	O ye little flocks - 1a pars (of 3): O ye little flocks	-	Amner, John (1579–1641)
O ye little flocks - 1a pars (of 3): O ye little flocks Amner, John (1579–1641) Appears on: 60v–61 Genres: Anthem
61v	O ye little flocks - 2a pars (of 3): Fear not	-	Amner, John (1579–1641)
O ye little flocks - 2a pars (of 3): Fear not Amner, John (1579–1641) Appears on: 61v Genres: Anthem
62	O ye little flocks - 3a pars (of 3): And they cry	-	Amner, John (1579–1641)
O ye little flocks - 3a pars (of 3): And they cry Amner, John (1579–1641) Appears on: 62 Genres: Anthem
62v	Lo how from heaven - 1a pars (of 2): Lo how from heaven	-	Amner, John (1579–1641)
Lo how from heaven - 1a pars (of 2): Lo how from heaven Amner, John (1579–1641) Appears on: 62v Genres: Anthem
63	Lo how from heaven - 2a pars (of 2): I bring you tidings	-	Amner, John (1579–1641)
Lo how from heaven - 2a pars (of 2): I bring you tidings Amner, John (1579–1641) Appears on: 63 Genres: Anthem
63v	A stranger here	-	Amner, John (1579–1641)
A stranger here Amner, John (1579–1641) Appears on: 63v Genres: Anthem
64	My Lord is hence removed	-	Amner, John (1579–1641)
My Lord is hence removed Amner, John (1579–1641) Appears on: 64 Genres: Anthem
64v	Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength Byrd, William (ca. 1540–1623) Appears on: 64v Genres: Anthem
65	Sing joyfully - 2a pars (of 2): Blow the trumpet	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 2a pars (of 2): Blow the trumpet Byrd, William (ca. 1540–1623) Appears on: 65 Genres: Anthem
65v	O God, the proud are risen	-	Tomkins, Thomas (1572–1656)
O God, the proud are risen Tomkins, Thomas (1572–1656) Appears on: 65v Genres: Anthem
66–66v	Christ rising again - 1a pars (of 2): Christ rising again	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 1a pars (of 2): Christ rising again Tallis, Thomas (ca. 1505–1585) Appears on: 66–66v Genres: Anthem
66v–67	Christ rising again - 2a pars (of 2): Christ is risen	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 2a pars (of 2): Christ is risen Tallis, Thomas (ca. 1505–1585) Appears on: 66v–67 Genres: Anthem
67v–68	O Lord how long wilt thou forget	-	Anonymous
O Lord how long wilt thou forget Anonymous Appears on: 67v–68 Genres: Anthem
68v	Salvator mundi (I)	-	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 68v Genres: Motet
69–69v	Absterge Domine	-	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 69–69v
70–71	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 70–71 Genres: Lamentations, Motet
71v	In resurrectione tua	-	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 71v Genres: Motet
72–72v	Adolescentulus sum ego	-	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 72–72v Genres: Motet
73	Jerusalem plantabis vineam (8vv)	-	Anonymous
Jerusalem plantabis vineam (8vv) Anonymous Appears on: 73 Genres: Motet
73v	Credo quod redemptor meus vivit	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 73v Genres: Credo (patrem omnipotentem), Mass Ordinary
74	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 74 Genres: Motet
74v	Homo quidam fecit caenam magnam et misit	-	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 74v Genres: Motet
75	In nomine (V) a5	-	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 75 Genres: In nomine, Viol piece
75v	In nomine a5	-	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine a5 Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 75v Genres: In nomine
[foliation re-starts at 58]	In nomine a5	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
In nomine a5 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: [foliation re-starts at 58] Genres: In nomine
58v	In nomine a 5	-	Brewster
In nomine a 5 Brewster Appears on: 58v Genres: In nomine, Viol piece
59	De la court - 1a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 59 Genres: Chanson
59v	De la court - 2a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 2a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 59v Genres: Chanson
61v–62	Musica e lo mio core	-	Hassler, Hans Leo (1564–1612)
Musica e lo mio core Hassler, Hans Leo (1564–1612) Appears on: 61v–62 Genres: Madrigal (Italian)
62v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 62v Genres: Madrigal (Italian)
63	Ma la fiamma de l'alma	-	Hassler, Hans Leo (1564–1612)
Ma la fiamma de l'alma Hassler, Hans Leo (1564–1612) Appears on: 63 Genres: Madrigal (Italian)
63v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 63v Genres: Madrigal (Italian)
64	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 64 Genres: Madrigal (Italian)
64v	Care lagrime mie	-	Hassler, Hans Leo (1564–1612)
Care lagrime mie Hassler, Hans Leo (1564–1612) Appears on: 64v Genres: Madrigal (Italian)
65	Dolorosi martir', fieri tormenti	-	Marenzio, Luca (ca. 1553–1599)
Dolorosi martir', fieri tormenti Marenzio, Luca (ca. 1553–1599) Appears on: 65 Genres: Madrigal (Italian)
65v	Now must I part (= Parto da voi)	-	Marenzio, Luca (ca. 1553–1599)
Now must I part (= Parto da voi) Marenzio, Luca (ca. 1553–1599) Appears on: 65v Genres: Contrafactum, Madrigal
66	So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 66 Genres: Contrafactum, Madrigal (English)
66v	So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 66v Genres: Madrigal (English)
67	I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) Marenzio, Luca (ca. 1553–1599) Appears on: 67 Genres: Contrafactum, Madrigal
67v	I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) Marenzio, Luca (ca. 1553–1599) Appears on: 67v Genres: Contrafactum, Madrigal
68–69	Laudate pueri Dominum	-	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 68–69
69v–70v	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	-	Sheppard, John (ca. 1515–1558)
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] Sheppard, John (ca. 1515–1558) Appears on: 69v–70v Genres: Motet
71–72	Deus misereatur nostri et benedicat nobis	-	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 71–72 Genres: Anglican Service Music, Motet
72v–73	Domine non est exaltatum	-	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 72v–73 Genres: Motet
73v	Libera nos, salva nos [I]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 73v Genres: Motet
74	Libera nos, salva nos [II]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 74 Genres: Motet
74	Magnificat a6: (exc) Esurientes	-	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 74 Genres: BVM, Canticle, Magnificat
74–74v	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 74–74v Genres: Motet
75	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 75 Genres: Motet
75v	Veni electa mea - 1a pars (of 2): Veni electa mea	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 1a pars (of 2): Veni electa mea Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 75v Genres: Motet
76	Veni electa mea - 2a pars (of 2): Audi filia	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 2a pars (of 2): Audi filia Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 76 Genres: Motet
76v–77	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	-	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 76v–77 Genres: Motet
77v	Cantate Domino	-	Nicholson, Richard (1563–1639)
Cantate Domino Nicholson, Richard (1563–1639) Appears on: 77v Genres: Anthem
78–78v	Blessed art thou that fearest God (II)	-	Anonymous
Blessed art thou that fearest God (II) Anonymous Appears on: 78–78v
79	Veni in hortum meum	-	Lassus, Orlande de (ca. 1532–1594)
Veni in hortum meum Lassus, Orlande de (ca. 1532–1594) Appears on: 79 Genres: Motet
79v	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 79v Genres: Motet
80	Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	-	Mundy, William (ca. 1528–ca. 1591) (?)
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 80 Genres: Anthem
80v	Cante cantate	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Cante cantate Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 80v Genres: Anthem
81–81v	A knell	-	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)
A knell Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?) Appears on: 81–81v
82	Alas, alack, my heart is woe	-	Anonymous
Alas, alack, my heart is woe Anonymous Appears on: 82 Genres: Song
82v–83	Holy Holy Holy, Lord God Almighty	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Holy Holy Holy, Lord God Almighty Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 82v–83 Genres: Anthem
83v	All ye people clap your hands	-	Byrd, William (ca. 1540–1623)
All ye people clap your hands Byrd, William (ca. 1540–1623) Appears on: 83v Genres: Anthem
84	O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 84 Genres: Anthem, Contrafactum
84v–85	O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) Byrd, William (ca. 1540–1623) Appears on: 84v–85 Genres: Anthem, Contrafactum
85v–86	Out of the deep (I)	-	Byrd, William (ca. 1540–1623)
Out of the deep (I) Byrd, William (ca. 1540–1623) Appears on: 85v–86 Genres: Anthem
86v–87	Behold how good and joyful	-	Anonymous
Behold how good and joyful Anonymous Appears on: 86v–87 Genres: Anthem
87v–89	How long shall mine enemies triumph	-	Byrd, William (ca. 1540–1623)
How long shall mine enemies triumph Byrd, William (ca. 1540–1623) Appears on: 87v–89 Genres: Anthem
89v–90	O Lord, make thy servant, Elizabeth [or James, or King Charles]	-	Byrd, William (ca. 1540–1623)
O Lord, make thy servant, Elizabeth [or James, or King Charles] Byrd, William (ca. 1540–1623) Appears on: 89v–90 Genres: Anthem
90v–91	O fools can you not	-	Wilbye, John (1574–1638)
O fools can you not Wilbye, John (1574–1638) Appears on: 90v–91 Genres: Madrigal (English)
91v–92	Alas what hope	-	Wilbye, John (1574–1638)
Alas what hope Wilbye, John (1574–1638) Appears on: 91v–92 Genres: Madrigal (English)
92v–93	Lady when I behold	-	Wilbye, John (1574–1638)
Lady when I behold Wilbye, John (1574–1638) Appears on: 92v–93 Genres: Madrigal (English)
93v	Thus saith my Cloris	-	Wilbye, John (1574–1638)
Thus saith my Cloris Wilbye, John (1574–1638) Appears on: 93v Genres: Madrigal (English)
94	Adieu sweet Amaryllis	-	Wilbye, John (1574–1638)
Adieu sweet Amaryllis Wilbye, John (1574–1638) Appears on: 94 Genres: Madrigal (English)
94v	Die hapless man	-	Wilbye, John (1574–1638)
Die hapless man Wilbye, John (1574–1638) Appears on: 94v Genres: Madrigal (English)
95	I fall, I fall, O stay me	-	Wilbye, John (1574–1638)
I fall, I fall, O stay me Wilbye, John (1574–1638) Appears on: 95 Genres: Madrigal (English)
95v	Unkind o stay thy flying	-	Wilbye, John (1574–1638)
Unkind o stay thy flying Wilbye, John (1574–1638) Appears on: 95v Genres: Madrigal (English)
96	Flora gave me fairest flowers	-	Wilbye, John (1574–1638)
Flora gave me fairest flowers Wilbye, John (1574–1638) Appears on: 96 Genres: Madrigal (English)
96v–97	I sung sometimes my thoughts	-	Wilbye, John (1574–1638)
I sung sometimes my thoughts Wilbye, John (1574–1638) Appears on: 96v–97 Genres: Madrigal (English)
97v	When David heard that Absalom	-	Smith, (W. ?)
When David heard that Absalom Smith, (W. ?) Appears on: 97v Genres: Anthem
98–98v	O give thanks unto the Lord	-	Giles, Nathaniel (ca. 1558–1634)
O give thanks unto the Lord Giles, Nathaniel (ca. 1558–1634) Appears on: 98–98v Genres: Anthem
99–99v	Behold, it is Christ	-	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 99–99v Genres: Anthem
100–101	Rejoice in the Lord O ye righteous	-	Davies, Hugh
Rejoice in the Lord O ye righteous Davies, Hugh Appears on: 100–101 Genres: Anthem
101v–102	God whom our offences	-	Byrd, William (ca. 1540–1623)
God whom our offences Byrd, William (ca. 1540–1623) Appears on: 101v–102 Genres: Anthem
102v–103v	Hear my crying, O God (2p. O Lord, I will dwell)	-	Anonymous
Hear my crying, O God (2p. O Lord, I will dwell) Anonymous Appears on: 102v–103v Genres: Anthem
104–104v	All people, clap your hands	-	Weelkes, Thomas (ca. 1576–1623)
All people, clap your hands Weelkes, Thomas (ca. 1576–1623) Appears on: 104–104v Genres: Anthem
105–105v	O Lord, rebuke me not in thine indignation	-	Anonymous
O Lord, rebuke me not in thine indignation Anonymous Appears on: 105–105v Genres: Anthem
106	Christ rising - 1a pars (of 2): Christ rising again	-	Tucker, Edmund
Christ rising - 1a pars (of 2): Christ rising again Tucker, Edmund Appears on: 106 Genres: Anthem
106v	Christ rising - 2a pars (of 2): Christ is risen	-	Tucker, Edmund
Christ rising - 2a pars (of 2): Christ is risen Tucker, Edmund Appears on: 106v Genres: Anthem
107a v–109	The country cry 'God give you good morrow, sir rise'	-	Dering, Richard
The country cry 'God give you good morrow, sir rise' Dering, Richard Appears on: 107a v–109 Genres: Song
109v–111	The cries of London - 1a pars (of 2): God give you good morrow, my masters	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 109v–111 Genres: In nomine, Song
111–112	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 111–112 Genres: Song
112v–113v	The cry of London	-	Anonymous
The cry of London Anonymous Appears on: 112v–113v Genres: Consort song
114	O amica mea - 1a pars (of 2): O amica mea	-	Morley, Thomas (ca. 1557–1602)
O amica mea - 1a pars (of 2): O amica mea Morley, Thomas (ca. 1557–1602) Appears on: 114 Genres: Motet
114v	All at once well met	-	Weelkes, Thomas (ca. 1576–1623)
All at once well met Weelkes, Thomas (ca. 1576–1623) Appears on: 114v Genres: Madrigal (English)
115	To shorten winter's sadness	-	Weelkes, Thomas (ca. 1576–1623)
To shorten winter's sadness Weelkes, Thomas (ca. 1576–1623) Appears on: 115 Genres: Madrigal (English)
115v	Whilst youthful sports are lasting	-	Weelkes, Thomas (ca. 1576–1623)
Whilst youthful sports are lasting Weelkes, Thomas (ca. 1576–1623) Appears on: 115v Genres: Madrigal (English)
116	On the plains, fairy trains	-	Weelkes, Thomas (ca. 1576–1623)
On the plains, fairy trains Weelkes, Thomas (ca. 1576–1623) Appears on: 116 Genres: Madrigal (English)
116v	Hark all ye lovely saints above	-	Weelkes, Thomas (ca. 1576–1623)
Hark all ye lovely saints above Weelkes, Thomas (ca. 1576–1623) Appears on: 116v Genres: Madrigal (English)
117	Say, dainty dames	-	Weelkes, Thomas (ca. 1576–1623)
Say, dainty dames Weelkes, Thomas (ca. 1576–1623) Appears on: 117 Genres: Madrigal (English)
117v	In pride of May	-	Weelkes, Thomas (ca. 1576–1623)
In pride of May Weelkes, Thomas (ca. 1576–1623) Appears on: 117v Genres: Madrigal (English)
118	We shepherds sing	-	Weelkes, Thomas (ca. 1576–1623)
We shepherds sing Weelkes, Thomas (ca. 1576–1623) Appears on: 118 Genres: Madrigal (English)
118v–119	I love and have my love	-	Weelkes, Thomas (ca. 1576–1623)
I love and have my love Weelkes, Thomas (ca. 1576–1623) Appears on: 118v–119 Genres: Madrigal (English)
119v	Give me my heart	-	Weelkes, Thomas (ca. 1576–1623)
Give me my heart Weelkes, Thomas (ca. 1576–1623) Appears on: 119v Genres: Consort song
120	Now is my Cloris fresh	-	Weelkes, Thomas (ca. 1576–1623)
Now is my Cloris fresh Weelkes, Thomas (ca. 1576–1623) Appears on: 120 Genres: Consort song
120v–121	Cease now delight	-	Weelkes, Thomas (ca. 1576–1623)
Cease now delight Weelkes, Thomas (ca. 1576–1623) Appears on: 120v–121 Genres: Song
121v	Come clap - 1a pars (of 2): Come clap thy hands	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 1a pars (of 2): Come clap thy hands Weelkes, Thomas (ca. 1576–1623) Appears on: 121v Genres: Consort song
122a	Come clap - 2a pars (of 2): Phillis hath sworn	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 2a pars (of 2): Phillis hath sworn Weelkes, Thomas (ca. 1576–1623) Appears on: 122a Genres: Consort song
122a v	Give sentence with me	-	Randall, William (I)
Give sentence with me Randall, William (I) Appears on: 122a v Genres: Anthem
123v–124	Let God arise	-	Ford, Thomas
Let God arise Ford, Thomas Appears on: 123v–124 Genres: Anthem
125	Too much I once lamented	-	Tomkins, Thomas (1572–1656)
Too much I once lamented Tomkins, Thomas (1572–1656) Appears on: 125 Genres: Consort song
125v–126	To the shady woods	-	Tomkins, Thomas (1572–1656)
To the shady woods Tomkins, Thomas (1572–1656) Appears on: 125v–126 Genres: Consort song
126v–127	Come shepherds sing with me	-	Tomkins, Thomas (1572–1656)
Come shepherds sing with me Tomkins, Thomas (1572–1656) Appears on: 126v–127 Genres: Consort song
127v–128	Cloris, why still repliest thou no?	-	Tomkins, Thomas (1572–1656)
Cloris, why still repliest thou no? Tomkins, Thomas (1572–1656) Appears on: 127v–128 Genres: Consort song
128v–129	See the shepherd's queen	-	Tomkins, Thomas (1572–1656)
See the shepherd's queen Tomkins, Thomas (1572–1656) Appears on: 128v–129 Genres: Consort song
129v–130	Phillis now cease	-	Tomkins, Thomas (1572–1656)
Phillis now cease Tomkins, Thomas (1572–1656) Appears on: 129v–130 Genres: Consort song
130v–131	When David heard that Absalom	-	Tomkins, Thomas (1572–1656)
When David heard that Absalom Tomkins, Thomas (1572–1656) Appears on: 130v–131 Genres: Anthem
131v–132	Phillis, yet see him	-	Tomkins, Thomas (1572–1656)
Phillis, yet see him Tomkins, Thomas (1572–1656) Appears on: 131v–132 Genres: Consort song
132v–133	Fusca, in thy starry eyes	-	Tomkins, Thomas (1572–1656)
Fusca, in thy starry eyes Tomkins, Thomas (1572–1656) Appears on: 132v–133 Genres: Consort song
133v–134	Adieu ye city prisoning towers	-	Tomkins, Thomas (1572–1656)
Adieu ye city prisoning towers Tomkins, Thomas (1572–1656) Appears on: 133v–134 Genres: Consort song
134v–135	When I observe those beauty's wonderments	-	Tomkins, Thomas (1572–1656)
When I observe those beauty's wonderments Tomkins, Thomas (1572–1656) Appears on: 134v–135 Genres: Consort song
135v–136	Music divine, proceeding from above	-	Tomkins, Thomas (1572–1656)
Music divine, proceeding from above Tomkins, Thomas (1572–1656) Appears on: 135v–136 Genres: Consort song
136v–137	Oft did I mar'l [marvel]	-	Tomkins, Thomas (1572–1656)
Oft did I mar'l [marvel] Tomkins, Thomas (1572–1656) Appears on: 136v–137 Genres: Madrigal (English)
137v	Woe is me that I am constrained	-	Tomkins, Thomas (1572–1656)
Woe is me that I am constrained Tomkins, Thomas (1572–1656) Appears on: 137v Genres: Anthem
138	Turn unto the Lord our God	-	Tomkins, Thomas (1572–1656)
Turn unto the Lord our God Tomkins, Thomas (1572–1656) Appears on: 138 Genres: Anthem
138v	It is my well beloved's voice	-	Tomkins, Thomas (1572–1656)
It is my well beloved's voice Tomkins, Thomas (1572–1656) Appears on: 138v Genres: Anthem
139v–140	A le guancie di rose	-	Gabrieli, Andrea (ca. 1532–1585)
A le guancie di rose Gabrieli, Andrea (ca. 1532–1585) Appears on: 139v–140 Genres: Canzon
140v–141	Ecco Vinegia bella	-	Gabrieli, Andrea (ca. 1532–1585)
Ecco Vinegia bella Gabrieli, Andrea (ca. 1532–1585) Appears on: 140v–141 Genres: Canzon
141v–142	Sacri di Giove	-	Gabrieli, Giovanni (ca. 1554–1612)
Sacri di Giove Gabrieli, Giovanni (ca. 1554–1612) Appears on: 141v–142 Genres: Canzon
142v–143	O passi sparsi	-	Gabrieli, Andrea (ca. 1532–1585)
O passi sparsi Gabrieli, Andrea (ca. 1532–1585) Appears on: 142v–143 Genres: Madrigal (Italian)
143v–144	Addio dolce mia vita	-	Gabrieli, Giovanni (ca. 1554–1612)
Addio dolce mia vita Gabrieli, Giovanni (ca. 1554–1612) Appears on: 143v–144 Genres: Madrigal (Italian)
144v–145	D'un si bel foco	-	Striggio, Alessandro (ca. 1536–1592)
D'un si bel foco Striggio, Alessandro (ca. 1536–1592) Appears on: 144v–145 Genres: Madrigal (Italian)
145v–146	Quei, vinto dal furor	-	Gabrieli, Andrea (ca. 1532–1585)
Quei, vinto dal furor Gabrieli, Andrea (ca. 1532–1585) Appears on: 145v–146 Genres: Madrigal (Italian)
146v–147	Ecco l'alma beata	-	Croce, Giovanni (ca. 1557–1609)
Ecco l'alma beata Croce, Giovanni (ca. 1557–1609) Appears on: 146v–147 Genres: Madrigal (Italian)
147v–148	Basti fin qui le pen' e i duri affanni (10vv)	-	Marenzio, Luca (ca. 1553–1599)
Basti fin qui le pen' e i duri affanni (10vv) Marenzio, Luca (ca. 1553–1599) Appears on: 147v–148 Genres: Madrigal (Italian)
148v	Lieto godea sedendo	-	Gabrieli, Giovanni (ca. 1554–1612)
Lieto godea sedendo Gabrieli, Giovanni (ca. 1554–1612) Appears on: 148v Genres: Canzon
149	O misero mio core	-	Eremita, Giulio
O misero mio core Eremita, Giulio Appears on: 149 Genres: Madrigal (Italian)
149v–150	Hence stars, too dim of light	-	East, Michael
Hence stars, too dim of light East, Michael Appears on: 149v–150 Genres: Madrigal (English)
150v–151	With angel's face	-	Norcome, Daniel
With angel's face Norcome, Daniel Appears on: 150v–151 Genres: Consort song
151v–152	Lightly she whipped o'er the dales	-	Mundy, John (ca. 1555–1630)
Lightly she whipped o'er the dales Mundy, John (ca. 1555–1630) Appears on: 151v–152 Genres: Consort song
152v–153	Long live fair Oriana	-	Gibbons, Ellis
Long live fair Oriana Gibbons, Ellis Appears on: 152v–153 Genres: Consort song
153v–154	All creatures now are merry minded	-	Bennett, John (fl. 1599-1614)
All creatures now are merry minded Bennett, John (fl. 1599-1614) Appears on: 153v–154 Genres: Madrigal (English)
154v–155	Fair Oriana, beauty's queen	-	Hilton (Senior), John
Fair Oriana, beauty's queen Hilton (Senior), John Appears on: 154v–155 Genres: Madrigal (English)
155v–156	Sing shepherds all and in your roundelays	-	Nicholson, Richard (1563–1639)
Sing shepherds all and in your roundelays Nicholson, Richard (1563–1639) Appears on: 155v–156 Genres: Madrigal (English)
156v–157	Tutt' eri foco amore	-	Pallavicino, Benedetto
Tutt' eri foco amore Pallavicino, Benedetto Appears on: 156v–157 Genres: Madrigal (Italian)
157v–158	[untitled madrigal]	-	Anonymous
[untitled madrigal] Anonymous Appears on: 157v–158 Genres: Madrigal (Italian)
158v–159v	O sing unto the Lord a7	-	Amner, John (1579–1641)
O sing unto the Lord a7 Amner, John (1579–1641) Appears on: 158v–159v Genres: Anthem
160	Holy Holy Holy Lord God Almighty	-	Bateson, Thomas (ca. 1570–1630)
Holy Holy Holy Lord God Almighty Bateson, Thomas (ca. 1570–1630) Appears on: 160 Genres: Anthem
160v–161v	Out of the deep (II)	-	Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?)
Out of the deep (II) Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 160v–161v
162–162v	Rejoice in the Lord O ye righteous	-	Jeffries (Jeffreys), Matthew (?)
Rejoice in the Lord O ye righteous Jeffries (Jeffreys), Matthew (?) Appears on: 162–162v Genres: Anthem
163–164	O give thanks unto the Lord	-	Mundy, John (ca. 1555–1630)
O give thanks unto the Lord Mundy, John (ca. 1555–1630) Appears on: 163–164 Genres: Anthem
164v–165v	Awake up my glory	Mr. Hugh Davies of Hereford	Davies, Hugh
Awake up my glory Davies, Hugh Appears on: 164v–165v Genres: Anthem Source Attribution: Mr. Hugh Davies of Hereford
166	Lord enter not into judgement	-	Tomkins, Thomas (1572–1656)
Lord enter not into judgement Tomkins, Thomas (1572–1656) Appears on: 166 Genres: Anthem
166v–167	O praise the Lord, all ye heathen	-	Tomkins, Thomas (1572–1656)
O praise the Lord, all ye heathen Tomkins, Thomas (1572–1656) Appears on: 166v–167 Genres: Anthem
167v–168	O Lord arise	-	Weelkes, Thomas (ca. 1576–1623)
O Lord arise Weelkes, Thomas (ca. 1576–1623) Appears on: 167v–168 Genres: Anthem
168v	Fantasia a6 (III)	-	Byrd, William (ca. 1540–1623)
Fantasia a6 (III) Byrd, William (ca. 1540–1623) Appears on: 168v Genres: Fantasia
169v	Fantasia a5	-	Byrd, William (ca. 1540–1623)
Fantasia a5 Byrd, William (ca. 1540–1623) Appears on: 169v Genres: Fantasia
169v	Fantasia a5	-	Anonymous
Fantasia a5 Anonymous Appears on: 169v Genres: Fantasia
rear flyleaf (recto)	Alack good John what may you please / John is sick and ill at ease	-	Davy, Richard
Alack good John what may you please / John is sick and ill at ease Davy, Richard Appears on: rear flyleaf (recto) Genres: Song
rear flyleaf (verso)	The red rose fair and sweet of scent	-	Anonymous
The red rose fair and sweet of scent Anonymous Appears on: rear flyleaf (verso) Genres: Carol

Composer	Compositions
Amner, John (1579–1641)	A stranger here – 63v Come let us rejoice – 21 He that descended – 33 How doth the city – 33v I will sing unto the Lord – 32 Lo how from heaven - 1a pars (of 2): Lo how from heaven – 62v Lo how from heaven - 2a pars (of 2): I bring you tidings – 63 My Lord is hence removed – 64 O sing unto the Lord a7 – 158v–159v O ye little flocks - 1a pars (of 3): O ye little flocks – 60v–61 O ye little flocks - 2a pars (of 3): Fear not – 61v O ye little flocks - 3a pars (of 3): And they cry – 62 Saint Marie now - 1a pars (of 3): Saint Marie now – 18v Saint Marie now - 2a pars (of 3): At length to Christ – 18v–19 Saint Marie now - 3a pars (of 3): But he the God of love – 19 Sweet are the thoughts – 19v–20v The heavens stood all amazed – 32v
Anonymous	Abradad – 51 Alas, alack, my heart is woe – 82 Behold how good and joyful – 86v–87 Blessed art thou that fearest God (II) – 78–78v Come Charon come – 53–53v Fantasia a5 – 169v Farewell the bliss – 52–52v Give alms unto the poor – 1v–2 Hear my crying, O God (2p. O Lord, I will dwell) – 102v–103v I will always give thanks – 12v In a slumber late as I was – front flyleaf (recto)–front flyleaf (verso) In paradise – 49v Jerusalem plantabis vineam (8vv) – 73 O Lord from us – 11v–12 O Lord how long wilt thou forget – 67v–68 O Lord, rebuke me not in thine indignation – 105–105v O mortal man – 24–24v The cry of London – 112v–113v The red rose fair and sweet of scent – rear flyleaf (verso) [unidentified Italian madrigal] – 64 [unidentified Italian madrigal] – 63v [unidentified Italian madrigal] – 62v [untitled madrigal] – 157v–158
Bateson, Thomas (ca. 1570–1630)	Holy Holy Holy Lord God Almighty – 160
Bennett, John (fl. 1599-1614)	All creatures now are merry minded – 153v–154
Brewster	In nomine a 5 – 58v
Byrd, William (ca. 1540–1623)	All ye people clap your hands – 83v Come pretty babe – 50v Constant Penelope – 55v–56 Delight is dead – 50 (?) Deliver me from mine enemies – 27v Fantasia a5 – 169v Fantasia a6 (III) – 168v God whom our offences – 101v–102 How long shall mine enemies triumph – 87v–89 In fields abroad – 54 In nomine (V) a5 – 75 In resurrectione tua – 71v Laudate pueri Dominum – 68–69 Lullaby - 1a pars (of 2): Lullaby, my sweet little baby – 54v Lullaby - 2a pars (of 2): Be still, my blessed babe – 54v–55 O God give ear (5vv) – 23v O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) – 84 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) – 84v–85 O Lord, make thy servant, Elizabeth [or James, or King Charles] – 89v–90 Out of the deep (I) – 85v–86 (?) Out of the deep (II) – 160v–161v Prevent us, O Lord – 29v Prostrate, O Lord, I lie – 55v Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength – 64v Sing joyfully - 2a pars (of 2): Blow the trumpet – 65 This sweet and merry month of May – 13–13v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Circumdederunt me - 1a pars (of 2): Circumdederunt me – 17–17v Circumdederunt me - 2a pars (of 2): Quoniam tribulatio – 17v–18 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 74–74v Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 75 Veni electa mea - 1a pars (of 2): Veni electa mea – 75v Veni electa mea - 2a pars (of 2): Audi filia – 76
Coste, [Thomas?]	He that hath my commandments – 10
Croce, Giovanni (ca. 1557–1609)	Cinthia thy song (= Cinthia el tuo dolce canto) – 46 Ecco l'alma beata – 146v–147
Davies, Hugh	Awake up my glory – 164v–165v Rejoice in the Lord O ye righteous – 100–101
Davy, Richard	Alack good John what may you please / John is sick and ill at ease – rear flyleaf (recto) My mode is changed / A blessed Jesu – front flyleaf (verso)
Dering, Richard	Fantasia a5 (III) – 44v Fantasia a5 (IV) – 45 The country cry 'God give you good morrow, sir rise' – 107a v–109
Donato, Baldassare (ca. 1529–1603)	O griefe, if yet my griefe (= Dolor, se 'l mio dolor) – 21v–22
East, Michael	Hence stars, too dim of light – 149v–150 (?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 35v (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 36 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 36v Sing we merrily - 1a pars (of 3): Sing we merrily – 57v Sing we merrily - 2a pars (of 3): Take the psalm – 57v–58 Sing we merrily - 3a pars (of 3): Blow up the trumpet – 58–58v When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 34 When Israel came out - 2a pars (of 2): What aileth thee – 34–35
Eremita, Giulio	O misero mio core – 149
Faignient, Noë	When shall I cease lamenting (= Chi per voi non sospira) – 47v
Ferrabosco, Alfonso (the elder) (1543–1588)	Le rossignol plaisant et gratieux – 46v So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) – 66 So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) – 66v
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	In nomine a5 – [foliation re-starts at 58]
Ferretti, Giovanni	So gratious – 49
Ford, Thomas	Let God arise – 123v–124
Gabrieli, Andrea (ca. 1532–1585)	A le guancie di rose – 139v–140 Ecco Vinegia bella – 140v–141 O passi sparsi – 142v–143 Quei, vinto dal furor – 145v–146
Gabrieli, Giovanni (ca. 1554–1612)	Addio dolce mia vita – 143v–144 Lieto godea sedendo – 148v Sacri di Giove – 141v–142
Gibbons, Ellis	Long live fair Oriana – 152v–153
Gibbons, Orlando (ca. 1583–1625)	Do not repine fair sun – 37–37v? (?) Out of the deep (II) – 160v–161v The cries of London - 1a pars (of 2): God give you good morrow, my masters – 109v–111 The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 111–112
Giles, Nathaniel (ca. 1558–1634)	O give thanks unto the Lord – 98–98v
Hassler, Hans Leo (1564–1612)	Care lagrime mie – 64v Ma la fiamma de l'alma – 63 Musica e lo mio core – 61v–62
Hilton (Senior), John	Fair Oriana, beauty's queen – 154v–155
Hooper, Edmund	Behold, it is Christ – 99–99v
Jeffries (Jeffreys), Matthew	(?) Rejoice in the Lord O ye righteous – 162–162v
Johnson (I), Robert (ca. 1500–ca. 1560)	(?) A knell – 81–81v (?) This is my commandment – 6v
Johnson (II), Robert	(?) A knell – 81–81v (?) This is my commandment – 6v
Lassus, Orlande de (ca. 1532–1594)	Angelus ad pastores ait annuntio vobis – 79v Susanna fair (= Susanne un jour) – 48v Veni in hortum meum – 79
Lupo, Thomas (ca. 1571–1627)	Fantasia a5 (I) – 43v Fantasia a5 (II) – 44
Marenzio, Luca (ca. 1553–1599)	Basti fin qui le pen' e i duri affanni (10vv) – 147v–148 Dolorosi martir', fieri tormenti – 65 Every singing bird (= Vezzosi augelli) – 14–14v Fair shepherd's queen (= Madonna sua merce) – 16v I must depart (= Io partiro) – 48 I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) – 67 I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) – 67v Now must I part (= Parto da voi) – 65v O merry world (= I lieti amanti) – 15v When first my heedless eyes beheld (= Non vidi mai) – 15 Zephyrus breathing (= Zephiro torna, 1a pars) – 16
Morley, Thomas (ca. 1557–1602)	My heart, why hast thou – 22v O amica mea - 1a pars (of 2): O amica mea – 114 Still it frieth, yet my heart never dieth – 23
Mundy, John (ca. 1555–1630)	Behold, it is Christ – 10v (?) Let us now laud and magnify – 5–5v Lightly she whipped o'er the dales – 151v–152 (?) O Lord the maker of all things – 0v O give thanks unto the Lord – 163–164 Praise the Lord, O my soul – 11 (?) This is my commandment – 6v
Mundy, William (ca. 1528–ca. 1591)	A new commandment – 6 Adolescentulus sum ego – 72–72v Domine non est exaltatum – 72v–73 (?) He that hath my commandments – 9v (?) Let us now laud and magnify – 5–5v O Lord the maker of all things – 0v O Lord, I bow the knees of my heart – 25–25v (?) Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] – 80 (?) This is my commandment – 6v
Nicholson, Richard (1563–1639)	Cantate Domino – 77v Sing shepherds all and in your roundelays – 155v–156
Norcome, Daniel	With angel's face – 150v–151
Palestrina, Giovanni Pierluigi da (1525–1594)	Vergine bella – 40 Vergine chiara – 42v Vergine pura – 41 Vergine quante lagrime – 43 Vergine saggia – 40v Vergine santa – 41v Vergine sol' al mondo – 42
Pallavicino, Benedetto	Tutt' eri foco amore – 156v–157
Parsons (I), Robert (ca. 1535–ca. 1572)	Cante cantate – 80v Credo quod redemptor meus vivit – 73v De la court - 1a pars – 59 De la court - 2a pars – 59v (?) Deliver me from mine enemies – 27v Holy Holy Holy, Lord God Almighty – 82v–83 In nomine a5 – 75v
Pinello di Ghirardi, Giovanni Battista	When I would thee embrace (= Quand' io voleva) – 47
Randall, William (I)	Give sentence with me – 122a v
Sheppard, John (ca. 1515–1558)	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] – 69v–70v I give you a new commandment – 3–4 Libera nos, salva nos [II] – 74 Libera nos, salva nos [I] – 73v Magnificat a6: (exc) Esurientes – 74 (?) O Lord the maker of all things – 0v (?) Rejoice in the Lord always – 7v–8 Submit yourselves one to another – 9
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 35v (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 36 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 36v
Smith of Gloucester	Set up thyself – 30v
Smith of Salop	My God, my God, look upon me – 2v–3
Smith, (W. ?)	When David heard that Absalom – 97v
Striggio, Alessandro (ca. 1536–1592)	D'un si bel foco – 144v–145
Strogers, Nicholas	Grant unto us, O Lord – 26 (?) Rejoice in the Lord always – 7v–8
Tallis, Thomas (ca. 1505–1585)	A new commandment – 8v Absterge Domine – 69–69v Blessed be thy name (= Mihi autem nimis) – 30 Christ rising again - 1a pars (of 2): Christ rising again – 66–66v Christ rising again - 2a pars (of 2): Christ is risen – 66v–67 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 76v–77 Hear the voice and prayer – 4v–5 Homo quidam fecit caenam magnam et misit – 74v If ye love me keep my commandments – 3v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 70–71 O Lord, give thy Holy Spirit – 1 O sacrum convivium in quo Christus sumitur – 74 Salvator mundi (I) – 68v (?) This is my commandment – 6v Wipe away my sins [=Absterge Domine] – 26v–27
Tomkins, Thomas (1572–1656)	Adieu ye city prisoning towers – 133v–134 Almighty God, the fountain of all wisdom – 31–31v Cloris, why still repliest thou no? – 127v–128 Come shepherds sing with me – 126v–127 Fusca, in thy starry eyes – 132v–133 It is my well beloved's voice – 138v Lord enter not into judgement – 166 Music divine, proceeding from above – 135v–136 O God, the proud are risen – 65v O praise the Lord, all ye heathen – 166v–167 O sing unto the Lord a new song – 56v–57 Oft did I mar'l [marvel] – 136v–137 Phillis now cease – 129v–130 Phillis, yet see him – 131v–132 See the shepherd's queen – 128v–129 To the shady woods – 125v–126 Too much I once lamented – 125 Turn unto the Lord our God – 138 When David heard that Absalom – 130v–131 When I observe those beauty's wonderments – 134v–135 Woe is me that I am constrained – 137v
Tucker, Edmund	Christ rising - 1a pars (of 2): Christ rising again – 106 Christ rising - 2a pars (of 2): Christ is risen – 106v
Tye, Christopher (ca. 1505–ca. 1573)	If ye be risen again – 6v–7
Vecchi, Orazio (1550–1605)	The white delightful swan (= Il bianco e dolce cigno) – 45v
Weelkes, Thomas (ca. 1576–1623)	All at once well met – 114v All people, clap your hands – 104–104v Cease now delight – 120v–121 Come clap - 1a pars (of 2): Come clap thy hands – 121v Come clap - 2a pars (of 2): Phillis hath sworn – 122a Give me my heart – 119v Hark all ye lovely saints above – 116v I love and have my love – 118v–119 In pride of May – 117v Now is my Cloris fresh – 120 O Lord arise – 167v–168 On the plains, fairy trains – 116 Say, dainty dames – 117 To shorten winter's sadness – 115 We shepherds sing – 118 Whilst youthful sports are lasting – 115v
White, Robert (ca. 1538–1574)	Deus misereatur nostri et benedicat nobis – 71–72 Lord who shall dwell – 28–29 (?) O Lord the maker of all things – 0v
Wilbye, John (1574–1638)	Adieu sweet Amaryllis – 94 Alas what hope – 91v–92 Die hapless man – 94v Flora gave me fairest flowers – 96 I fall, I fall, O stay me – 95 I sung sometimes my thoughts – 96v–97 Lady when I behold – 92v–93 My throat is sore – 60 O fools can you not – 90v–91 Of joys and pleasing pains – 59v Thus saith my Cloris – 93v Unkind o stay thy flying – 95v Why dost thou shoot – 59

Composition	Composers (? Uncertain)	Folios / Pages
[unidentified Italian madrigal]	Anonymous	62v
[unidentified Italian madrigal]	Anonymous	63v
[unidentified Italian madrigal]	Anonymous	64
[untitled madrigal]	Anonymous	157v–158
A knell	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)	81–81v
A le guancie di rose	Gabrieli, Andrea (ca. 1532–1585)	139v–140
A new commandment	Mundy, William (ca. 1528–ca. 1591)	6
A new commandment	Tallis, Thomas (ca. 1505–1585)	8v
A stranger here	Amner, John (1579–1641)	63v
Abradad	Anonymous	51
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	69–69v
Addio dolce mia vita	Gabrieli, Giovanni (ca. 1554–1612)	143v–144
Adieu sweet Amaryllis	Wilbye, John (1574–1638)	94
Adieu ye city prisoning towers	Tomkins, Thomas (1572–1656)	133v–134
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	72–72v
Alack good John what may you please / John is sick and ill at ease	Davy, Richard	rear flyleaf (recto)
Alas what hope	Wilbye, John (1574–1638)	91v–92
Alas, alack, my heart is woe	Anonymous	82
All at once well met	Weelkes, Thomas (ca. 1576–1623)	114v
All creatures now are merry minded	Bennett, John (fl. 1599-1614)	153v–154
All people, clap your hands	Weelkes, Thomas (ca. 1576–1623)	104–104v
All ye people clap your hands	Byrd, William (ca. 1540–1623)	83v
Almighty God, the fountain of all wisdom	Tomkins, Thomas (1572–1656)	31–31v
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	79v
Awake up my glory	Davies, Hugh	164v–165v
Basti fin qui le pen' e i duri affanni (10vv)	Marenzio, Luca (ca. 1553–1599)	147v–148
Behold how good and joyful	Anonymous	86v–87
Behold, it is Christ	Mundy, John (ca. 1555–1630)	10v
Behold, it is Christ	Hooper, Edmund	99–99v
Blessed art thou that fearest God (II)	Anonymous	78–78v
Blessed be thy name (= Mihi autem nimis)	Tallis, Thomas (ca. 1505–1585)	30
Cantate Domino	Nicholson, Richard (1563–1639)	77v
Cante cantate	Parsons (I), Robert (ca. 1535–ca. 1572)	80v
Care lagrime mie	Hassler, Hans Leo (1564–1612)	64v
Cease now delight	Weelkes, Thomas (ca. 1576–1623)	120v–121
Christ rising - 1a pars (of 2): Christ rising again	Tucker, Edmund	106
Christ rising - 2a pars (of 2): Christ is risen	Tucker, Edmund	106v
Christ rising again - 1a pars (of 2): Christ rising again	Tallis, Thomas (ca. 1505–1585)	66–66v
Christ rising again - 2a pars (of 2): Christ is risen	Tallis, Thomas (ca. 1505–1585)	66v–67
Cinthia thy song (= Cinthia el tuo dolce canto)	Croce, Giovanni (ca. 1557–1609)	46
Circumdederunt me - 1a pars (of 2): Circumdederunt me	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	17–17v
Circumdederunt me - 2a pars (of 2): Quoniam tribulatio	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	17v–18
Cloris, why still repliest thou no?	Tomkins, Thomas (1572–1656)	127v–128
Come Charon come	Anonymous	53–53v
Come clap - 1a pars (of 2): Come clap thy hands	Weelkes, Thomas (ca. 1576–1623)	121v
Come clap - 2a pars (of 2): Phillis hath sworn	Weelkes, Thomas (ca. 1576–1623)	122a
Come let us rejoice	Amner, John (1579–1641)	21
Come pretty babe	Byrd, William (ca. 1540–1623)	50v
Come shepherds sing with me	Tomkins, Thomas (1572–1656)	126v–127
Constant Penelope	Byrd, William (ca. 1540–1623)	55v–56
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	73v
D'un si bel foco	Striggio, Alessandro (ca. 1536–1592)	144v–145
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	59
De la court - 2a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	59v
Delight is dead	Byrd, William (ca. 1540–1623)	50
Deliver me from mine enemies	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)	27v
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Sheppard, John (ca. 1515–1558)	69v–70v
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	71–72
Die hapless man	Wilbye, John (1574–1638)	94v
Do not repine fair sun	Gibbons, Orlando (ca. 1583–1625)	37–37v?
Dolorosi martir', fieri tormenti	Marenzio, Luca (ca. 1553–1599)	65
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	72v–73
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	76v–77
Ecco l'alma beata	Croce, Giovanni (ca. 1557–1609)	146v–147
Ecco Vinegia bella	Gabrieli, Andrea (ca. 1532–1585)	140v–141
Every singing bird (= Vezzosi augelli)	Marenzio, Luca (ca. 1553–1599)	14–14v
Fair Oriana, beauty's queen	Hilton (Senior), John	154v–155
Fair shepherd's queen (= Madonna sua merce)	Marenzio, Luca (ca. 1553–1599)	16v
Fantasia a5	Byrd, William (ca. 1540–1623)	169v
Fantasia a5	Anonymous	169v
Fantasia a5 (I)	Lupo, Thomas (ca. 1571–1627)	43v
Fantasia a5 (II)	Lupo, Thomas (ca. 1571–1627)	44
Fantasia a5 (III)	Dering, Richard	44v
Fantasia a5 (IV)	Dering, Richard	45
Fantasia a6 (III)	Byrd, William (ca. 1540–1623)	168v
Farewell the bliss	Anonymous	52–52v
Flora gave me fairest flowers	Wilbye, John (1574–1638)	96
Fusca, in thy starry eyes	Tomkins, Thomas (1572–1656)	132v–133
Give alms unto the poor	Anonymous	1v–2
Give me my heart	Weelkes, Thomas (ca. 1576–1623)	119v
Give sentence with me	Randall, William (I)	122a v
God whom our offences	Byrd, William (ca. 1540–1623)	101v–102
Grant unto us, O Lord	Strogers, Nicholas	26
Hark all ye lovely saints above	Weelkes, Thomas (ca. 1576–1623)	116v
He that descended	Amner, John (1579–1641)	33
He that hath my commandments	Mundy, William (ca. 1528–ca. 1591) (?)	9v
He that hath my commandments	Coste, [Thomas?]	10
Hear my crying, O God (2p. O Lord, I will dwell)	Anonymous	102v–103v
Hear the voice and prayer	Tallis, Thomas (ca. 1505–1585)	4v–5
Hence stars, too dim of light	East, Michael	149v–150
Holy Holy Holy Lord God Almighty	Bateson, Thomas (ca. 1570–1630)	160
Holy Holy Holy, Lord God Almighty	Parsons (I), Robert (ca. 1535–ca. 1572)	82v–83
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	74v
How doth the city	Amner, John (1579–1641)	33v
How long shall mine enemies triumph	Byrd, William (ca. 1540–1623)	87v–89
I fall, I fall, O stay me	Wilbye, John (1574–1638)	95
I give you a new commandment	Sheppard, John (ca. 1515–1558)	3–4
I love and have my love	Weelkes, Thomas (ca. 1576–1623)	118v–119
I must depart (= Io partiro)	Marenzio, Luca (ca. 1553–1599)	48
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	Marenzio, Luca (ca. 1553–1599)	67
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	Marenzio, Luca (ca. 1553–1599)	67v
I sung sometimes my thoughts	Wilbye, John (1574–1638)	96v–97
I will always give thanks	Anonymous	12v
I will sing unto the Lord	Amner, John (1579–1641)	32
If ye be risen again	Tye, Christopher (ca. 1505–ca. 1573)	6v–7
If ye love me keep my commandments	Tallis, Thomas (ca. 1505–1585)	3v
In a slumber late as I was	Anonymous	front flyleaf (recto)–front flyleaf (verso)
In fields abroad	Byrd, William (ca. 1540–1623)	54
In nomine (V) a5	Byrd, William (ca. 1540–1623)	75
In nomine a 5	Brewster	58v
In nomine a5	Parsons (I), Robert (ca. 1535–ca. 1572)	75v
In nomine a5	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	[foliation re-starts at 58]
In paradise	Anonymous	49v
In pride of May	Weelkes, Thomas (ca. 1576–1623)	117v
In resurrectione tua	Byrd, William (ca. 1540–1623)	71v
It is my well beloved's voice	Tomkins, Thomas (1572–1656)	138v
Jerusalem plantabis vineam (8vv)	Anonymous	73
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	74–74v
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	75
Lady when I behold	Wilbye, John (1574–1638)	92v–93
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	70–71
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	68–69
Le rossignol plaisant et gratieux	Ferrabosco, Alfonso (the elder) (1543–1588)	46v
Let God arise	Ford, Thomas	123v–124
Let us now laud and magnify	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)	5–5v
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	73v
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	74
Lieto godea sedendo	Gabrieli, Giovanni (ca. 1554–1612)	148v
Lightly she whipped o'er the dales	Mundy, John (ca. 1555–1630)	151v–152
Lo how from heaven - 1a pars (of 2): Lo how from heaven	Amner, John (1579–1641)	62v
Lo how from heaven - 2a pars (of 2): I bring you tidings	Amner, John (1579–1641)	63
Long live fair Oriana	Gibbons, Ellis	152v–153
Lord enter not into judgement	Tomkins, Thomas (1572–1656)	166
Lord who shall dwell	White, Robert (ca. 1538–1574)	28–29
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	Byrd, William (ca. 1540–1623)	54v
Lullaby - 2a pars (of 2): Be still, my blessed babe	Byrd, William (ca. 1540–1623)	54v–55
Ma la fiamma de l'alma	Hassler, Hans Leo (1564–1612)	63
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	74
Music divine, proceeding from above	Tomkins, Thomas (1572–1656)	135v–136
Musica e lo mio core	Hassler, Hans Leo (1564–1612)	61v–62
My God, my God, look upon me	Smith of Salop	2v–3
My heart, why hast thou	Morley, Thomas (ca. 1557–1602)	22v
My Lord is hence removed	Amner, John (1579–1641)	64
My mode is changed / A blessed Jesu	Davy, Richard	front flyleaf (verso)
My throat is sore	Wilbye, John (1574–1638)	60
Now is my Cloris fresh	Weelkes, Thomas (ca. 1576–1623)	120
Now must I part (= Parto da voi)	Marenzio, Luca (ca. 1553–1599)	65v
O amica mea - 1a pars (of 2): O amica mea	Morley, Thomas (ca. 1557–1602)	114
O fools can you not	Wilbye, John (1574–1638)	90v–91
O give thanks unto the Lord	Giles, Nathaniel (ca. 1558–1634)	98–98v
O give thanks unto the Lord	Mundy, John (ca. 1555–1630)	163–164
O God give ear (5vv)	Byrd, William (ca. 1540–1623)	23v
O God, the proud are risen	Tomkins, Thomas (1572–1656)	65v
O griefe, if yet my griefe (= Dolor, se 'l mio dolor)	Donato, Baldassare (ca. 1529–1603)	21v–22
O Lord arise	Weelkes, Thomas (ca. 1576–1623)	167v–168
O Lord from us	Anonymous	11v–12
O Lord how long wilt thou forget	Anonymous	67v–68
O Lord the maker of all things	White, Robert (ca. 1538–1574) (?) Sheppard, John (ca. 1515–1558) (?) Mundy, William (ca. 1528–ca. 1591) Mundy, John (ca. 1555–1630) (?)	0v
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	Byrd, William (ca. 1540–1623)	84
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	Byrd, William (ca. 1540–1623)	84v–85
O Lord, give thy Holy Spirit	Tallis, Thomas (ca. 1505–1585)	1
O Lord, I bow the knees of my heart	Mundy, William (ca. 1528–ca. 1591)	25–25v
O Lord, make thy servant, Elizabeth [or James, or King Charles]	Byrd, William (ca. 1540–1623)	89v–90
O Lord, rebuke me not in thine indignation	Anonymous	105–105v
O merry world (= I lieti amanti)	Marenzio, Luca (ca. 1553–1599)	15v
O misero mio core	Eremita, Giulio	149
O mortal man	Anonymous	24–24v
O passi sparsi	Gabrieli, Andrea (ca. 1532–1585)	142v–143
O praise the Lord, all ye heathen	Tomkins, Thomas (1572–1656)	166v–167
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	74
O sing unto the Lord a new song	Tomkins, Thomas (1572–1656)	56v–57
O sing unto the Lord a7	Amner, John (1579–1641)	158v–159v
O ye little flocks - 1a pars (of 3): O ye little flocks	Amner, John (1579–1641)	60v–61
O ye little flocks - 2a pars (of 3): Fear not	Amner, John (1579–1641)	61v
O ye little flocks - 3a pars (of 3): And they cry	Amner, John (1579–1641)	62
Of joys and pleasing pains	Wilbye, John (1574–1638)	59v
Oft did I mar'l [marvel]	Tomkins, Thomas (1572–1656)	136v–137
On the plains, fairy trains	Weelkes, Thomas (ca. 1576–1623)	116
Out of the deep (I)	Byrd, William (ca. 1540–1623)	85v–86
Out of the deep (II)	Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?)	160v–161v
Phillis now cease	Tomkins, Thomas (1572–1656)	129v–130
Phillis, yet see him	Tomkins, Thomas (1572–1656)	131v–132
Praise the Lord, O my soul	Mundy, John (ca. 1555–1630)	11
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	29v
Prostrate, O Lord, I lie	Byrd, William (ca. 1540–1623)	55v
Quei, vinto dal furor	Gabrieli, Andrea (ca. 1532–1585)	145v–146
Rejoice in the Lord always	Strogers, Nicholas (?) Sheppard, John (ca. 1515–1558) (?)	7v–8
Rejoice in the Lord O ye righteous	Davies, Hugh	100–101
Rejoice in the Lord O ye righteous	Jeffries (Jeffreys), Matthew (?)	162–162v
Rise, O my soul - 1a pars (of 3): Rise, O my soul	Simmes, William (?) East, Michael (?)	35v
Rise, O my soul - 2a pars (of 3): And thou, my soul	Simmes, William (?) East, Michael (?)	36
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	East, Michael (?) Simmes, William (?)	36v
Sacri di Giove	Gabrieli, Giovanni (ca. 1554–1612)	141v–142
Saint Marie now - 1a pars (of 3): Saint Marie now	Amner, John (1579–1641)	18v
Saint Marie now - 2a pars (of 3): At length to Christ	Amner, John (1579–1641)	18v–19
Saint Marie now - 3a pars (of 3): But he the God of love	Amner, John (1579–1641)	19
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	68v
Say, dainty dames	Weelkes, Thomas (ca. 1576–1623)	117
See the shepherd's queen	Tomkins, Thomas (1572–1656)	128v–129
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	Mundy, William (ca. 1528–ca. 1591) (?)	80
Set up thyself	Smith of Gloucester	30v
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	Byrd, William (ca. 1540–1623)	64v
Sing joyfully - 2a pars (of 2): Blow the trumpet	Byrd, William (ca. 1540–1623)	65
Sing shepherds all and in your roundelays	Nicholson, Richard (1563–1639)	155v–156
Sing we merrily - 1a pars (of 3): Sing we merrily	East, Michael	57v
Sing we merrily - 2a pars (of 3): Take the psalm	East, Michael	57v–58
Sing we merrily - 3a pars (of 3): Blow up the trumpet	East, Michael	58–58v
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	Ferrabosco, Alfonso (the elder) (1543–1588)	66
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	Ferrabosco, Alfonso (the elder) (1543–1588)	66v
So gratious	Ferretti, Giovanni	49
Still it frieth, yet my heart never dieth	Morley, Thomas (ca. 1557–1602)	23
Submit yourselves one to another	Sheppard, John (ca. 1515–1558)	9
Susanna fair (= Susanne un jour)	Lassus, Orlande de (ca. 1532–1594)	48v
Sweet are the thoughts	Amner, John (1579–1641)	19v–20v
The country cry 'God give you good morrow, sir rise'	Dering, Richard	107a v–109
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	109v–111
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	111–112
The cry of London	Anonymous	112v–113v
The heavens stood all amazed	Amner, John (1579–1641)	32v
The red rose fair and sweet of scent	Anonymous	rear flyleaf (verso)
The white delightful swan (= Il bianco e dolce cigno)	Vecchi, Orazio (1550–1605)	45v
This is my commandment	Johnson (II), Robert (?) Tallis, Thomas (ca. 1505–1585) (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?) Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)	6v
This sweet and merry month of May	Byrd, William (ca. 1540–1623)	13–13v
Thus saith my Cloris	Wilbye, John (1574–1638)	93v
To shorten winter's sadness	Weelkes, Thomas (ca. 1576–1623)	115
To the shady woods	Tomkins, Thomas (1572–1656)	125v–126
Too much I once lamented	Tomkins, Thomas (1572–1656)	125
Turn unto the Lord our God	Tomkins, Thomas (1572–1656)	138
Tutt' eri foco amore	Pallavicino, Benedetto	156v–157
Unkind o stay thy flying	Wilbye, John (1574–1638)	95v
Veni electa mea - 1a pars (of 2): Veni electa mea	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	75v
Veni electa mea - 2a pars (of 2): Audi filia	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	76
Veni in hortum meum	Lassus, Orlande de (ca. 1532–1594)	79
Vergine bella	Palestrina, Giovanni Pierluigi da (1525–1594)	40
Vergine chiara	Palestrina, Giovanni Pierluigi da (1525–1594)	42v
Vergine pura	Palestrina, Giovanni Pierluigi da (1525–1594)	41
Vergine quante lagrime	Palestrina, Giovanni Pierluigi da (1525–1594)	43
Vergine saggia	Palestrina, Giovanni Pierluigi da (1525–1594)	40v
Vergine santa	Palestrina, Giovanni Pierluigi da (1525–1594)	41v
Vergine sol' al mondo	Palestrina, Giovanni Pierluigi da (1525–1594)	42
We shepherds sing	Weelkes, Thomas (ca. 1576–1623)	118
When David heard that Absalom	Smith, (W. ?)	97v
When David heard that Absalom	Tomkins, Thomas (1572–1656)	130v–131
When first my heedless eyes beheld (= Non vidi mai)	Marenzio, Luca (ca. 1553–1599)	15
When I observe those beauty's wonderments	Tomkins, Thomas (1572–1656)	134v–135
When I would thee embrace (= Quand' io voleva)	Pinello di Ghirardi, Giovanni Battista	47
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	34
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	34–35
When shall I cease lamenting (= Chi per voi non sospira)	Faignient, Noë	47v
Whilst youthful sports are lasting	Weelkes, Thomas (ca. 1576–1623)	115v
Why dost thou shoot	Wilbye, John (1574–1638)	59
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	26v–27
With angel's face	Norcome, Daniel	150v–151
Woe is me that I am constrained	Tomkins, Thomas (1572–1656)	137v
Zephyrus breathing (= Zephiro torna, 1a pars)	Marenzio, Luca (ca. 1553–1599)	16

Images © Public Library, Music Division, New York

Set: Mus. Res. Drexel 4180-4185

Type: Partbooks

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Fallows, David. 1993. The Drexel Fragments of Early Tudor Song. Royal Musical Association Research Chronicle, 5-18. Notes: discussion; contents list (partial); description of MS.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 159,194. Notes: contents list (partial); concordances (partial).

Monson, Craig. 1982. Voices and Viols in England, 1600-1650: The Sources and the Music. Ann Arbor. Pages: 133-58. Notes: discussion (with inventory).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I:172,176; II:76,79,86.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 56,61,156-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 33-4, 110,135-43,235-7.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: ll, 218; XII,115-7,120-1; XIII.206; XIX,326; XXI, 94-105,203; XXIII,146; XXIX,128,134; XXX, 178. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 363, 365. Notes: contents list (partial); concordances (partial).

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court. Cambridge. Pages: 362,375,378, 426-8.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX,228; XVIII,110; XXII,6-8,46-7, 53-5, 114-32, 173, 177-8, 181, 185-7; XXIII, 126, 128, 133; XXXVI, xix, 160ff; XLIV, 184,186,188-91,194. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XV,1847.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 59-62, 107-10, 166, 172, 175; XVII, 150-3, 158, 162. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description