E-Tc Ms. 7

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: c. 1586

Archive	Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark	Ms. 7
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	544 x 384 mm
Other Identifiers	CCM: ToleBC 7
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists	Duran, Fray Pedro Music
Relationships	Boluda, Ginés de (owner) Toledo Cathedral (owner) Morata, Alonso de (owner) Duran, Fray Pedro (owner)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Spain
Contents	42 pieces from 6 composers

General Description

Copied by a single scribe, possibly Fray Pedro Durán (see below), who also wrote second part of GranCR 3. According to inscription on verso of front flyleaf, this source contains all motets composed by R. Ceballos (see SnowRC and StevnsnSCM for discussion of this claim). Copied in Granada. Purchased by Ginés de Boluda and Alonso de Morata for Toledo cathedral choir in 1586; Boluda and Morata purchased manuscript in Granada from Fray Pedro Durán, an Augustinian friar and copyist (SnowRC).

Cristina Urchueguía, 2010

Physical Description

Folios in very poor condition due to severe ink corrosion; some music illegible.

Cristina Urchueguía, 2010

Binding

Restored and rebound in 1980-1; original wooden boards covered with new leather

Cristina Urchueguía, 2010

Notation

not indicated

Cristina Urchueguía, 2010

Foliation

Original ink foliation, [5]-206 + 268-336 (ff. 1-4 and 207-267 now missing)

Cristina Urchueguía, 2010

Decoration

Inked calligraphic initials.

Cristina Urchueguía, 2010

Surface

Paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 68 motets (1 fragmentary) = 71

J. Aliseda [Aliseda]-2, S. Aliseda [Sanctos]-20, R. Ceballos-43, P. Guerrero-2, Morales-3, Phinot-1

i + 271 paper folios of an original 336, 544 x 384. Folios in very poor condition due to severe ink corrosion; some music illegible. Original ink foliation, [5]-206 + 268-336 (ff. 1-4 and 207-267 now missing). Restored and rebound in 1980-1; original wooden boards covered with new leather. No index remains. Copied by a single scribe, possibly Fray Pedro Durán (see below), who also wrote second part of GranCR 3. Inked calligraphic initials. According to inscription on verso of front flyleaf, this source contains all motets composed by R. Ceballos (see SnowRC and StevnsnSCM for discussion of this claim).

Ca. 1586 (SnowRC). Copied in Granada. Purchased by Ginés de Boluda and Alonso de Morata for Toledo cathedral choir in 1586; Boluda and Morata purchased manuscript in Granada from Fray Pedro Durán, an Augustinian friar and copyist (SnowRC).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
9v–13	Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea)	-	Ceballos, Rodrigo de (ca. 1525–1581)
Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea) Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 9v–13 Genres: Motet
13v–17	Exaltata es sancta Dei genitrix (2p. Virgo Dei genitrix que totus)	-	Ceballos, Rodrigo de (ca. 1525–1581)
Exaltata es sancta Dei genitrix (2p. Virgo Dei genitrix que totus) Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 13v–17 Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
31v–35	Veni Domine et noli tardare	-	Ceballos, Rodrigo de (ca. 1525–1581)
Veni Domine et noli tardare Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 31v–35 Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
117v–119	Super flumina Babylonis	-	Aliseda, Santos de (–1580)
Super flumina Babylonis Aliseda, Santos de (–1580) Appears on: 117v–119 Genres: Motet
121v–123	Aspice Domine	-	Aliseda, Santos de (–1580)
Aspice Domine Aliseda, Santos de (–1580) Appears on: 121v–123 Genres: Motet
123v?	Ne projicias me in tempore senectutis	-	Aliseda, Santos de (–1580)
Ne projicias me in tempore senectutis Aliseda, Santos de (–1580) Appears on: 123v? Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
137v–140	Sub tuum presidium confugimus sancta Dei genitrix	-	Aliseda, Santos de (–1580)
Sub tuum presidium confugimus sancta Dei genitrix Aliseda, Santos de (–1580) Appears on: 137v–140 Genres: Motet
140v–143	Heu mihi	-	Aliseda, Santos de (–1580)
Heu mihi Aliseda, Santos de (–1580) Appears on: 140v–143 Genres: Motet
143v–146	Homo natus de muliere	-	Aliseda, Santos de (–1580)
Homo natus de muliere Aliseda, Santos de (–1580) Appears on: 143v–146 Genres: Motet
146v–149	In illo tempore dixit … Audistis	-	Aliseda, Santos de (–1580)
In illo tempore dixit … Audistis Aliseda, Santos de (–1580) Appears on: 146v–149 Genres: Motet
149v–152	Hodie in monte	-	Aliseda, Santos de (–1580)
Hodie in monte Aliseda, Santos de (–1580) Appears on: 149v–152 Genres: Motet
152v–153	Transeunte Domino clamabat caecus	-	Aliseda, Santos de (–1580)
Transeunte Domino clamabat caecus Aliseda, Santos de (–1580) Appears on: 152v–153 Genres: Motet
153v–?	Dominus paralytico	-	Aliseda, Santos de (–1580)
Dominus paralytico Aliseda, Santos de (–1580) Appears on: 153v–? Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
159v–162	Popule meus quid feci tibi	-	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Popule meus quid feci tibi Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591) Appears on: 159v–162 Genres: Motet
162v–165	O bone Jesu illumina oculos meos	-	Aliseda, Santos de (–1580)
O bone Jesu illumina oculos meos Aliseda, Santos de (–1580) Appears on: 162v–165 Genres: Motet
165v–168	Obsecro Domine mitte quem missurus et	-	Aliseda, Santos de (–1580)
Obsecro Domine mitte quem missurus et Aliseda, Santos de (–1580) Appears on: 165v–168 Genres: Motet
168v–172	Simile est regnum celorum II: Cum sero autem	-	Morales, Cristóbal de (ca. 1500–1553)
Simile est regnum celorum II: Cum sero autem Morales, Cristóbal de (ca. 1500–1553) Appears on: 168v–172 Genres: Motet
172v–174	In illo tempore cum turba plurima convenirent	-	Morales, Cristóbal de (ca. 1500–1553)
In illo tempore cum turba plurima convenirent Morales, Cristóbal de (ca. 1500–1553) Appears on: 172v–174 Genres: Motet
174v–176	In illo tempore assumpsit Jesus duodecim discipulos	-	Morales, Cristóbal de (ca. 1500–1553)
In illo tempore assumpsit Jesus duodecim discipulos Morales, Cristóbal de (ca. 1500–1553) Appears on: 174v–176 Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
177v–?	Puer qui natus est	-	Aliseda, Santos de (–1580)
Puer qui natus est Aliseda, Santos de (–1580) Appears on: 177v–? Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
185v–187	Estote fortes in bello	-	Aliseda, Santos de (–1580)
Estote fortes in bello Aliseda, Santos de (–1580) Appears on: 185v–187 Genres: Motet
187v–?	Surrexit pastor bonus	-	Aliseda, Santos de (–1580)
Surrexit pastor bonus Aliseda, Santos de (–1580) Appears on: 187v–? Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
191v–?	Iste est qui ante Deum	-	Aliseda, Santos de (–1580)
Iste est qui ante Deum Aliseda, Santos de (–1580) Appears on: 191v–? Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
199v–201	Quinque prudentes virgines	-	Guerrero, Pedro
Quinque prudentes virgines Guerrero, Pedro Appears on: 199v–201 Genres: Motet
201v–210	Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	-	Ceballos, Rodrigo de (ca. 1525–1581)
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 201v–210 Genres: Motet, Salve Regina
205v–206	Haec dies	-	Ceballos, Rodrigo de (ca. 1525–1581)
Haec dies Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 205v–206 Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
268v–292	Missa Simile est regnum (8vv): Kyrie: Gloria: 2 partes. Credo: 4 partes Et ascendit: 3 voces. Sanctus with: Benedictus.Agnus.	-	Ceballos, Francisco de (1571–)
Missa Simile est regnum (8vv): Kyrie: Gloria: 2 partes. Credo: 4 partes Et ascendit: 3 voces. Sanctus with: Benedictus.Agnus. Ceballos, Francisco de (1571–) Appears on: 268v–292 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Simile est regnum: Kyrie. Gloria: 2 partes. Credo: 4 partes (Et ascendit: 3 voces). Sanctus (with: Benedictus). Agnus.
292v–313	Missa tertii toni: Kyrie: Gloria Credo: 4 partes Sanctus with: Osanna, Benedictus: 3 voces Agnus I Agnus II = Agnus I Agnus III: 5 voces	-	Ceballos, Francisco de (1571–)
Missa tertii toni: Kyrie: Gloria Credo: 4 partes Sanctus with: Osanna, Benedictus: 3 voces Agnus I Agnus II = Agnus I Agnus III: 5 voces Ceballos, Francisco de (1571–) Appears on: 292v–313 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa tertii toni: Kyrie. Gloria. Credo: 4 partes. Sanctus (with: Osanna, Benedictus: 3 voces). Agnus I. Agnus II = Agnus I. Agnus III: 5 voces.
315v–336	Missa Veni Domine: Kyrie: Gloria: 2 partes. Credo: 4 partes. Sanctus with: Pleni: 3 voces, Osanna I, Benedictus. Agnus I. Agnus II: 5 voces.	-	Ceballos, Francisco de (1571–)
Missa Veni Domine: Kyrie: Gloria: 2 partes. Credo: 4 partes. Sanctus with: Pleni: 3 voces, Osanna I, Benedictus. Agnus I. Agnus II: 5 voces. Ceballos, Francisco de (1571–) Appears on: 315v–336 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Veni domine: Kyrie. Gloria: 2 partes. Credo: 4 partes. Sanctus (with: Pleni: 3 voces, Osanna I, Benedictus). Agnus I. Agnus II: 5 voces.
[-]	Gloria et honore	-	Guerrero, Pedro
Gloria et honore Guerrero, Pedro Appears on: [-] Genres: Motet
[-]	Haec est virgo sapiens	-	Guerrero, Pedro
Haec est virgo sapiens Guerrero, Pedro Appears on: [-] Genres: Motet

Composer	Compositions
Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	Popule meus quid feci tibi – 159v–162
Aliseda, Santos de (–1580)	Aspice Domine – 121v–123 Dominus paralytico – 153v–? Estote fortes in bello – 185v–187 Heu mihi – 140v–143 Hodie in monte – 149v–152 Homo natus de muliere – 143v–146 In illo tempore dixit … Audistis – 146v–149 Iste est qui ante Deum – 191v–? Ne projicias me in tempore senectutis – 123v? O bone Jesu illumina oculos meos – 162v–165 Obsecro Domine mitte quem missurus et – 165v–168 Puer qui natus est – 177v–? Sub tuum presidium confugimus sancta Dei genitrix – 137v–140 Super flumina Babylonis – 117v–119 Surrexit pastor bonus – 187v–? Transeunte Domino clamabat caecus – 152v–153
Ceballos, Francisco de (1571–)	Missa Simile est regnum (8vv): Kyrie: Gloria: 2 partes. Credo: 4 partes Et ascendit: 3 voces. Sanctus with: Benedictus.Agnus. – 268v–292 Missa Veni Domine: Kyrie: Gloria: 2 partes. Credo: 4 partes. Sanctus with: Pleni: 3 voces, Osanna I, Benedictus. Agnus I. Agnus II: 5 voces. – 315v–336 Missa tertii toni: Kyrie: Gloria Credo: 4 partes Sanctus with: Osanna, Benedictus: 3 voces Agnus I Agnus II = Agnus I Agnus III: 5 voces – 292v–313
Ceballos, Rodrigo de (ca. 1525–1581)	Exaltata es sancta Dei genitrix (2p. Virgo Dei genitrix que totus) – 13v–17 Haec dies – 205v–206 Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea) – 9v–13 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia – 201v–210 Veni Domine et noli tardare – 31v–35
Guerrero, Pedro	Gloria et honore – [-] Haec est virgo sapiens – [-] Quinque prudentes virgines – 199v–201
Morales, Cristóbal de (ca. 1500–1553)	In illo tempore assumpsit Jesus duodecim discipulos – 174v–176 In illo tempore cum turba plurima convenirent – 172v–174 Simile est regnum celorum II: Cum sero autem – 168v–172

Composition	Composers (? Uncertain)	Folios / Pages
Aspice Domine	Aliseda, Santos de (–1580)	121v–123
Dominus paralytico	Aliseda, Santos de (–1580)	153v–?
Estote fortes in bello	Aliseda, Santos de (–1580)	185v–187
Exaltata es sancta Dei genitrix (2p. Virgo Dei genitrix que totus)	Ceballos, Rodrigo de (ca. 1525–1581)	13v–17
Gloria et honore	Guerrero, Pedro	[-]
Haec dies	Ceballos, Rodrigo de (ca. 1525–1581)	205v–206
Haec est virgo sapiens	Guerrero, Pedro	[-]
Heu mihi	Aliseda, Santos de (–1580)	140v–143
Hodie in monte	Aliseda, Santos de (–1580)	149v–152
Homo natus de muliere	Aliseda, Santos de (–1580)	143v–146
Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea)	Ceballos, Rodrigo de (ca. 1525–1581)	9v–13
In illo tempore assumpsit Jesus duodecim discipulos	Morales, Cristóbal de (ca. 1500–1553)	174v–176
In illo tempore cum turba plurima convenirent	Morales, Cristóbal de (ca. 1500–1553)	172v–174
In illo tempore dixit … Audistis	Aliseda, Santos de (–1580)	146v–149
Iste est qui ante Deum	Aliseda, Santos de (–1580)	191v–?
Missa Simile est regnum (8vv): Kyrie: Gloria: 2 partes. Credo: 4 partes Et ascendit: 3 voces. Sanctus with: Benedictus.Agnus.	Ceballos, Francisco de (1571–)	268v–292
Missa tertii toni: Kyrie: Gloria Credo: 4 partes Sanctus with: Osanna, Benedictus: 3 voces Agnus I Agnus II = Agnus I Agnus III: 5 voces	Ceballos, Francisco de (1571–)	292v–313
Missa Veni Domine: Kyrie: Gloria: 2 partes. Credo: 4 partes. Sanctus with: Pleni: 3 voces, Osanna I, Benedictus. Agnus I. Agnus II: 5 voces.	Ceballos, Francisco de (1571–)	315v–336
Ne projicias me in tempore senectutis	Aliseda, Santos de (–1580)	123v?
O bone Jesu illumina oculos meos	Aliseda, Santos de (–1580)	162v–165
Obsecro Domine mitte quem missurus et	Aliseda, Santos de (–1580)	165v–168
Popule meus quid feci tibi	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	159v–162
Puer qui natus est	Aliseda, Santos de (–1580)	177v–?
Quinque prudentes virgines	Guerrero, Pedro	199v–201
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Ceballos, Rodrigo de (ca. 1525–1581)	201v–210
Simile est regnum celorum II: Cum sero autem	Morales, Cristóbal de (ca. 1500–1553)	168v–172
Sub tuum presidium confugimus sancta Dei genitrix	Aliseda, Santos de (–1580)	137v–140
Super flumina Babylonis	Aliseda, Santos de (–1580)	117v–119
Surrexit pastor bonus	Aliseda, Santos de (–1580)	187v–?
Transeunte Domino clamabat caecus	Aliseda, Santos de (–1580)	152v–153
Veni Domine et noli tardare	Ceballos, Rodrigo de (ca. 1525–1581)	31v–35

‡ denotes primary source study

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.

Borg, Paul. 1980. The Jacaltenango Miscellany: A Revised Catalogue. Inter-American Music Review, 55-64. Pages: (57).

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography. Detroit. Pages: (22-6, 41-62, 96-7, 106-9).

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 9-49. Pages: (26,28,46).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 91-103, passim.

Merino, Luis Felix. 1972. The Masses of Francisco Guerrero (1528-1599). University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: (I,26).

López Calo, S.J., José. 1963. La Música en la Catedral de Granada en el Sigio XVI. Granada. Pages: (II,xii-xiii.xv).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: (305-6, 315).

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: (IV,393).

Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: (278).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXXIV,23.

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: (23-4).

Cllet, Henri. 1913. Le Mysticisme Musical Espagnol au XVI' Siècle. Paris. Pages: (343).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description