I-Bc Q.16

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

Manuscript of polyphony: 1487

Archive	Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark	Q.16
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	210 x 140 mm
Other Identifiers	RISM: I-Bc 16 CCM: BolC Q16 olim (Former shelfmark): 109
Notations	black void mensural
Copyists	Marsilius Music
Relationships	Martini, Giovanni Battista 'Padre' (1706–1784) (owner) de'Marsili family, Florence (patron)
External Links	Images PRoMS
Provenance	Italy
Contents	135 pieces from 30 composers

General Description

The main scribe was 'Do[min]us Marsilius,' whose name appears at end of index; five other scribes made later additions (FullA). Probably copied in Naples or Rome (AtlCG, HabkWVS). Once owned by Giovanni Battista Martini (1706-84), whose signature appears on f. 2.

DIAMM, 2017

Physical Description

Ff. 13 and 143 are missing.

DIAMM, 2017

Binding

Original covers of brown tooled leather, with clasps.

DIAMM, 2017

Watermark

(1) resembles Briquet #3861; (2) resembles Briquet #4776-7; (3) resembles Briquet #12149 (JepFR).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation, i-cxxxvi, beginning on 14th folio (excludes back flyleaves; 'xxxiiii' and 'cxiiii' applied, respectively, to two consecutive folios; one unnumbered folio, respectively, between ff. cxxi/cxxii and ff. cxxv/cxxvi). Modern pencil foliation, 1-153 (cited here).

DIAMM, 2017

Decoration

Inked initials.

DIAMM, 2017

Index

Original index on ff. 2-7' groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few pieces not listed).

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVe s. (1487). 153ff. Papier, 213 x 140 mm.

Foliotation ancienne en ch. romains I-CXXXVI commençant au f. 14 de la foliotation moderne 1-153. Les ff. 8, 99v [=85v], 152 [= 135], 153v [= 136v] sont blancs. Le f. 12 mq. et a été remplacé par un f. blanc chiffré [12]. Les ff. [34], [114], [121], et [125] ont été chiffrés 2 fois. Le haut du f. 73 [= 59] déchiré. Notation mesurée blanche. 7 portées par p. Aux ff. 30 [= 17] et 149v-151 [=132v-134], règles de notation en latin et italien. Aux ff. l-7v, table du ms. Capitales ornées à la plume. Reliure ancienne de cuir estampé, bouillons et fermoirs de cuivre.

Ms. de plusieurs mains (on peut en distinguer 7) provenant de la bibliothèque du P. Martini qui a inscrit son nom au bas du f. 3. A la fin de la table: «finis DO9 [Dominicus?] 1.4.8.7.: Marsilius», désigne probablement le scribe qui, en 1487, a copié la plus grande partie du ms. jusqu'au no 107, quatre ou cinq copistes s'étant ensuite succédés après cette date pour compléter le recueil. (Cf. Bibliographie: Fuller). Les filigranes révèlent des papiers employés en Italie de 1484 à 1488, dates qui correspondent à celles du répertoire avec des compositeurs actifs entre 1460 et 1490 environ. Malgré le grand nombre de pièces en français (95), leur orthographe fautive au point de rendre les textes incompréhensibles, alors que les pièces italiennes (19) sont plus correctes, laisse supposer un copiste italien, les concordances avec d'autres mss. suggérant Florence comme origine possible, Naples ayant aussi été proposé (Atlas). Cependant, la présence de 10 pièces espagnoles a permis de penser que le ms. aurait pu être copié, sinon par un espagnol en Espagne ou en Italie, selon l'hypothèse de Anglés, mais dans un centre italien ayant des hens avec l'Espagne, tel que la cour papale alors dominée par le cercle de Rodrigo Borgia (le futur Alessandro VI) ou le royaume de Naples sous les Aragon, (cf. Fuller, 86).

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 5 motets, 87 French secular pieces, 30 Italian secular pieces, 8 Spanish secular pieces = 131

(A. Agricola)-2, (A. Agricola/Compere)-1, (Basin)-1, (Brolo)-1, (Busnois)-9, (Busnois/Felice de Giovanni)-1, (Caron)-4 (Caron/ Busnois)-1, (Caron/Dusart)-1, (Compère)-3, (Dufay?)-1, (Dufay/Ockeghem)-1, (Dux Burgensis)-1, (Giliardi)-1, (Guglielmo)-1, (Hayne van Ghizeghem)-2, J.P.(?)-1, (Josquin)-1, (Josquin/Lannoy)-1, (León)-1, (Martini)-3, (Martini/Malcort/Ockeghem)-1, (Obrecht/Isaac/Weerbecke)-1, (Ockeghem)-1, (Touront)-1, (Vincenet)-1, (Wreede)-2, anon-86

ii + 152 + iv paper folios, 210 x 140. Ff. 13 and 143 are missing. Modern pencil foliation, 1-154, including the two front flyleaves; original ink foliation, I-CXXXVI, beginning on new f. 13. Original covers of brown tooled leather. Original index on ff. 3-8'. Scribe A, a certain Marsilius, copied the first and largest layer, through f. 127', then added an index in a gathering placed at the front of the manuscript; he wrote "finis" at the end of the section he copied, on f. 127', and also at the end of the index, on f. 8'. Scribes B and C added new pieces beginning on f. 128, then added titles of these to the index. Still later, three other scribes added single pieces on blank folios; these were not added to the index. Three watermarks: Briquet #3861 (Palermo, Rome, 1484); Briquet #4776-7 (Lucca, Udine, 1487-8); Briquet #12149 (Rome, 1484). Brief treatises in Latin are found on ff. 2' and 150'-152. Texts consist of incipits only (for all but three pieces); perhaps the repertory is instrumental (FullA).

Section A completed 1487 (inscription on f. 8': "finis / Do. 1487 / Marsilius"); second section added in 1490's (FullA) or 1500-10 (PeasC). Copied in Rome or Naples (FullA); Naples (HabkWVS, AtlCM); Bologna (ChegSB). Coat of arms on f. 2' is that of the de'Marsili family of Florence (PeasRC). Manuscript was in the possession of Padre Martini in the 18th century; his signature and some comments in his hand appear on f. 3.

Vol. 4

1 Mass, 5 motets, 95 French secular pieces (2 incomplete), 19 Italian secular pieces (1 incomplete), 10 Spanish secular pieces = 130*

'Most pieces have text incipits or titles only, often corrupt; in some cases, precise determination of language of incipit is impossible.

(A. Agricola)-1, (A. Agricola/Compère)-1, (A. Agricola/Ghiselin) -1, (Basin)-1, (Brolo)-1, (Busnois)-8, (Busnois/Caron)-1, (Busnois/Isaac)-1, (Busnois-anon)-1, (Caron)-4, (Caron/Dusart)-1, (Compère)-3, (Dufay?-Hémart)-1, (Dufay/Ockeghem)-1, (Dux Burgensis)-1, (Enrique/Wreede)-1, (Guglielmo)-1, (Hayne van Ghizeghem)-1, J.P.-1, (Josquin)-1, (Josquin/Lannoy)-1, (León)-1, (Malcort/Martini/Ockeghem)-1, (Martini)-3, (Morton)-2, (Ockeghem)-1, (Touront)-3, (Vincenet)-1, (Wreede)-1, anon-83

153 + iv paper folios, 214 x 140. Original ink foliation, i-cxxxvi, beginning on 14th folio (excludes back flyleaves; "xxxiiii" and "cxiiii" applied, respec-tively, to two consecutive folios; one unnumbered folio, respectively, between ff. cxxi/cxxii and ff. cxxv/cxxvi). Modern pencil foliation, 1-153 (cited here). Original covers of brown tooled leather, with clasps. Original index on ff. 2-7' groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few pieces not listed). The main scribe was "Do[min]us Marsilius," whose name appears at end of index; five other scribes made later additions (FullA). Inked initials. Watermarks: (1) resembles Briquet #3861; (2) resembles Briquet #4776-7; (3) resembles Briquet #12149 (JepFR).

1487 (date at end of index), with additions in 1490's (FullA). Probably copied in Naples or Rome (AtlCG, HabkWVS). Once owned by Giovanni Battista Martini (1706-84), whose signature appears on f. 2.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
8v–9	Des biens d'amour	J. MARTINI	Martini, Johannes (ca. 1430–1497)
Des biens d'amour Martini, Johannes (ca. 1430–1497) Appears on: 8v–9 Genres: Chanson Source Attribution: J. MARTINI Voice: [no designation] Languages: French Voice Text: Des biens [d'amour] General Note [= Laré] Concordances [= Laré] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pages: I. Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
9v–10	Lisadra damisella.	-	Anonymous
Lisadra damisella. Anonymous Appears on: 9v–10 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Lisadra damisella.
10v–11	Votre amour	-	Anonymous
Votre amour Anonymous Appears on: 10v–11 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Votre amour.
11v	Vostre rigeur trop importune	-	Anonymous
Vostre rigeur trop importune Anonymous Appears on: 11v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Vostre rigeur [trop importune] General Note Sup. et T seul' Concordances F-Pn 4379
13	De vous regarder seulement	-	Anonymous
De vous regarder seulement Anonymous Appears on: 13 Genres: Chanson Voice: [no designation] Languages: French Voice Text: De vos regarder. General Note Ct seul* Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.
13v–14	J'ai beau huer avant que bien avoir	A. AGRICOLA ou L. COMPÈRE*]	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)
J'ai beau huer avant que bien avoir Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 13v–14 Genres: Chanson Source Attribution: A. AGRICOLA ou L. COMPÈRE] Voice:* [no designation] Languages: French Voice Text: J'ay bien et honore. General Note [= J'ai beau huer] [= Robert*]facs. f. [1]: Concordances E-SE c 1535" [= J'ai beau huer] [= Robert] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Pease, Edward Joseph. 1966. A Report on Codex Q16 of the Civico Museo Bibliografico Musicale. Musica Disciplina, 57-94. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Villanis, Louis-Albert. 1903. Une chanson française au XVIe siècle. Revue d'histoire et de critique musicale, 511-8.
14v–15	Loysot denisot.	-	Anonymous
Loysot denisot. Anonymous Appears on: 14v–15 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Loysot denisot. Item Bibliography Fuller, Sarah. 1969. Additional Notes on the 15th-century Chansonnier Bologna Q 16. Musica Disciplina, 81-103.
15v–16	Dides moi	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Dides moi Compère, Loyset (ca. 1445–1518) Appears on: 15v–16 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Dides moy Concordances F-Dm 517 Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27).* Musicological Studies. Brooklyn. Pages: II. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, II.
16v–17	Per la absència	-	Anonymous
Per la absència Anonymous Appears on: 16v–17 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Per la absència Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II (avec facs). Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
17v–18	Jusqu'a rascon	-	Anonymous
Jusqu'a rascon Anonymous Appears on: 17v–18 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Jusca rascon.
18v–19v	Je vous congnois	-	Anonymous
Je vous congnois Anonymous Appears on: 18v–19v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je vous congnois.
19v–20	Merci vos.	-	Anonymous
Merci vos. Anonymous Appears on: 19v–20 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Merci vos.
20v–21	Je me conciens.	-	Anonymous
Je me conciens. Anonymous Appears on: 20v–21 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je me conciens.
21v–22	Malheur me bat / Dieu d'amour	[J. OCKEGHEM* ou J. MARTINI ou L.MALCORT]	Martini, Johannes (ca. 1430–1497) (?) Malcourt, L (?) Ockeghem, Jean de (ca. 1410–1497) (?)
Malheur me bat / Dieu d'amour Martini, Johannes (ca. 1430–1497) (?) Malcourt, L (?) Ockeghem, Jean de (ca. 1410–1497) (?) Appears on: 21v–22 Genres: Chanson Source Attribution: [J. OCKEGHEM* ou J. MARTINI ou L.MALCORT] Voice: [no designation] Languages: French Voice Text: Dieu d'amors. General Note [= Malheur me bat] Concordances 1501; CH-SGs 461 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II. Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: ed. altera I. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I.
22v–23	Puisque si bien m'est advenu	Aime la plus bella	Compère, Loyset (ca. 1445–1518)
Puisque si bien m'est advenu Compère, Loyset (ca. 1445–1518) Appears on: 22v–23 Genres: Chanson Source Attribution: Aime la plus bella Voice: [no designation] Languages: French Voice Text: Aime la plus bella.
23v–24	Je suis en grant	-	Anonymous
Je suis en grant Anonymous Appears on: 23v–24 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je suis en grant.
24v–25	Dites moi toutes vos pensées = Dites le moi	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Dites moi toutes vos pensées = Dites le moi Agricola, Alexander (ca. 1445–1506) Appears on: 24v–25 Genres: Chanson Source Attribution: A. AGRICOLA Voice: [no designation] Languages: French Voice Text: Dictes le moy. General Note [= Dites moi toutes vos pensées] [= Amice ad quid venisti] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV et V.
25v–26	Mon bien inparfait	-	Anonymous
Mon bien inparfait Anonymous Appears on: 25v–26 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon bien inparfait.
26v–27	La taurina	-	Anonymous
La taurina Anonymous Appears on: 26v–27 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La taurina. Item Bibliography Kämper, Dietrich. 1978. Instrumentale Stilelemente bei Alexander Agricola. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-13.
27v–28	Amours amours trop me fiers de tes dars	HAYNE VAN GHIZEGHEM	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 27v–28 Genres: Chanson Source Attribution: HAYNE VAN GHIZEGHEM Voice: [no designation] Languages: French Voice Text: Amours amours [trop me fiers de tes dars]. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: MS 871. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: a 4vx. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14 / 15 (VII) (a 4vx).
28v–29v	A qui dirai je - 1a pars (of 2): A qui dirai je ma penser	L. COMPÈRE	Compère, Loyset (ca. 1445–1518)
A qui dirai je - 1a pars (of 2): A qui dirai je ma penser Compère, Loyset (ca. 1445–1518) Appears on: 28v–29v Genres: Chanson Source Attribution: L. COMPÈRE Voice: [no designation] Languages: French Voice Text: A qui dirai-ge ma pensser Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
28v–29v	A qui dirai je - 2a pars (of 2): Or sus donc	L. COMPÈRE	Compère, Loyset (ca. 1445–1518)
A qui dirai je - 2a pars (of 2): Or sus donc Compère, Loyset (ca. 1445–1518) Appears on: 28v–29v Genres: Chanson Source Attribution: L. COMPÈRE Voice: [no designation] Languages: French Voice Text: Or sus donc Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
30v–31	A une dame j'ai fait veu	A. BUSNOIS*	Busnoys, Antoine (ca. 1430–1492)
A une dame j'ai fait veu Busnoys, Antoine (ca. 1430–1492) Appears on: 30v–31 Genres: Chanson Source Attribution: A. BUSNOIS* Voice: [no designation] Languages: French Voice Text: A une dame j'ay fait veu Concordances F-Dm 517 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Bukofzer, Manfred F. 1942. An unknown chansonnier of the 15th century (The Mellon Chansonnier). The Musical Quarterly, 14ff.
31v–32	Veulliés moi amer madame	-	Anonymous
Veulliés moi amer madame Anonymous Appears on: 31v–32 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Veulliés moy amer madame
32v–33	Tu me congnois	-	Anonymous
Tu me congnois Anonymous Appears on: 32v–33 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tu me congnois
33v–34	Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes	-	Anonymous
Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes Anonymous Appears on: 33v–34 Genres: Motet Voice: [no designation] Languages: French Voice Text: Je m'en voys. General Note . [= Je n'en puis plus se je ne meurs Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
34v–35	Mirando l'ochji de costeyi	-	Anonymous
Mirando l'ochji de costeyi Anonymous Appears on: 34v–35 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Mirando l'ochji de costeyi.
35v–36	Qui es Ane	-	Anonymous
Qui es Ane Anonymous Appears on: 35v–36 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Qui es Ane
36v–37	Pour vous servir belle dame	-	Anonymous
Pour vous servir belle dame Anonymous Appears on: 36v–37 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pour vous servir belle dame
37v–38	Jamais dieux	-	Anonymous
Jamais dieux Anonymous Appears on: 37v–38 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jamais dieux
38v–39	Départes vous male bouche.	J. OCKEGHEM* ou G. DUFAY	Du Fay, Guillaume (1397–1474) (?) Ockeghem, Jean de (ca. 1410–1497) (?)
Départes vous male bouche. Du Fay, Guillaume (1397–1474) (?) Ockeghem, Jean de (ca. 1410–1497) (?) Appears on: 38v–39 Genres: Chanson, Rondeau Source Attribution: J. OCKEGHEM* ou G. DUFAY Voice: [no designation] Languages: French Voice Text: Départes vous maie bouche. Concordances F-Pn 15123 Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical,* 123-53. Pages: Ms 871. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI (op. dub).
39v–40	Tu me comande	-	Anonymous
Tu me comande Anonymous Appears on: 39v–40 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tu me comande
40v–42	Terribile fortuna [= M'a vostre cueur mis en oubli]	A. BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Terribile fortuna [= M'a vostre cueur mis en oubli] Busnoys, Antoine (ca. 1430–1492) Appears on: 40v–42 Genres: Chanson Source Attribution: A. BUSNOIS Voice: [no designation] Languages: Latin Voice Text: Terribile fortuna. General Note [= M'a vostre cueur mis en oubli] [= Ma doulce ceur] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation. Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig.
42v–43	Nostre dame fleur de jonette.	-	Anonymous
Nostre dame fleur de jonette. Anonymous Appears on: 42v–43 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Nostre dame [fleur de jonette]. Concordances E-Sc43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
43v–44	Cassans en dist d'amer	-	Anonymous
Cassans en dist d'amer Anonymous Appears on: 43v–44 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Cassans en dist d'amer
44v–45	Madame trop vous m'esprenez	DUX BURGENSIS	le Téméraire, Charles (1433–1477) (?) Burgensis, Dux
Madame trop vous m'esprenez le Téméraire, Charles (1433–1477) (?) Burgensis, Dux Appears on: 44v–45 Genres: Chanson Source Attribution: DUX BURGENSIS Voice: [no designation] Languages: French Voice Text: Madame trop vous [mesprenés) Concordances F-Pn 15123 CS-HK II.A.7 General Note . [= Si fault] [= Or est mon bien] [= Non sia gyamay] [Domine Deus virtutum]** * Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
45v–46	Trop suis	-	Anonymous
Trop suis Anonymous Appears on: 45v–46 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Trop suis
46v–47	Nul ne me doit de ce blâmer	-	Anonymous
Nul ne me doit de ce blâmer Anonymous Appears on: 46v–47 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Nul ne me doit [de ce blâmer* Concordances *F-Dm 517
47v–48	Advene que advenir	A. BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Advene que advenir Busnoys, Antoine (ca. 1430–1492) Appears on: 47v–48 Genres: Motet Source Attribution: A. BUSNOIS Voice: [no designation] Languages: Latin Voice Text: Advene que advenire Concordances *F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
48v–49	Se doulx penser	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Se doulx penser Caron, Firminus (ca. 1460–ca. 1475) Appears on: 48v–49 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Se deu pensser. General Note [sic pour Se doulx penser] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V 1 / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
49v–50	Merdonez été et vous merdonez.	-	Anonymous
Merdonez été et vous merdonez. Anonymous Appears on: 49v–50 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Merdonez été et vous merdonez.
50v–51	Aviromie de deul.	-	Anonymous
Aviromie de deul. Anonymous Appears on: 50v–51 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Aviromie de deul.
51v–52	Cela sans plus et plus hola	COLINET DE LANNOY	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de
Cela sans plus et plus hola Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de Appears on: 51v–52 Genres: Chanson Source Attribution: COLINET DE LANNOY Voice: [no designation] Languages: French Voice Text: Cela sans plus. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pages: a 4vx. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. Pages: (à 4vx.). Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I (avec facs). Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: II (a 4vx).
52v–53	Environ la saint Valentin	[RUBINET ?	Robinet, F (?)
Environ la saint Valentin Robinet, F (?) Appears on: 52v–53 Genres: Chanson Source Attribution: [RUBINET ? Voice: [no designation] Languages: French Voice Text: Environ la saint Valentin General Note [= EntreParis et St. Quentin] [= Entre Peron etSam Quaintin] [= Der pawir schwantez.Rubinus 4vx.] Concordances D-ddr-Bds 40098 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Eitner, Robert. 1875. Tänze des 15. bis 17. Jahrhunderts aus den Quellen. Monatshefte für Musikgeschichte, .
53v–54	L'aultre jour, par un matin esbatre m'en aloye	-	Anonymous
L'aultre jour, par un matin esbatre m'en aloye Anonymous Appears on: 53v–54 Genres: Chanson Voice: [no designation] Languages: French Voice Text: L'aultre jour, [par un matin esbatre m'en aloye* Concordances F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1966. A Report on Codex Q16 of the Civico Museo Bibliografico Musicale. Musica Disciplina,* 57-94. Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76. Hildesheim. Pages: IV. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
54v–55	Jone dame plaisant - 1a pars (of 2): Jone dame plaisant et belle	-	Anonymous
Jone dame plaisant - 1a pars (of 2): Jone dame plaisant et belle Anonymous Appears on: 54v–55 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jone dame plaisant et belle. General Note [= Jo ne donne ] Concordances F-Pn 15123 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
54v–55	Jone dame plaisant - 2a pars (of 2):	-	Anonymous
Jone dame plaisant - 2a pars (of 2): Anonymous Appears on: 54v–55 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jone dame plaisant et belle. General Note [= Jo ne donne ] Concordances F-Pn 15123 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
55v–56	Joie ne Leesse	-	Anonymous
Joie ne Leesse Anonymous Appears on: 55v–56 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je nay loye [sic pour joie] ne Leesse.
56v–57	De piage core duro più che sasso	-	Anonymous
De piage core duro più che sasso Anonymous Appears on: 56v–57 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: De piage core duro più che sasso
57v–58	Hellas coment avés	J. MARTINI	Martini, Johannes (ca. 1430–1497)
Hellas coment avés Martini, Johannes (ca. 1430–1497) Appears on: 57v–58 Genres: Chanson Source Attribution: J. MARTINI Voice: [no designation] Languages: French Voice Text: Hellas coment avés Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London.
58v–59	Sa paine pert qui fet sic pour sert sans nul guerdon	-	Anonymous
Sa paine pert qui fet sic pour sert sans nul guerdon Anonymous Appears on: 58v–59 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sa paine pert qui fet [sic pour sert] [sans nul guerdon] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
59v–61	Je ne demande lealté	A. BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Je ne demande lealté Busnoys, Antoine (ca. 1430–1492) Appears on: 59v–61 Genres: Chanson Source Attribution: A. BUSNOIS Voice: [no designation] Languages: French Voice Text: Je ne demande [lealté]. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
61v–62	De votre amour suis tant empris	-	Anonymous
De votre amour suis tant empris Anonymous Appears on: 61v–62 Genres: Chanson Voice: [no designation] Languages: French Voice Text: De votre amour suis [tant empris]. Concordances F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
62v–63	Ung amoureux vieux et pelle	-	Anonymous
Ung amoureux vieux et pelle Anonymous Appears on: 62v–63 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ung amoureux [vieux] et pelle
63v–64	Ma tres souveraine princesse	[A. BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Ma tres souveraine princesse Busnoys, Antoine (ca. 1430–1492) Appears on: 63v–64 Genres: Chanson Source Attribution: [A. BUSNOIS Voice: [no designation] Languages: French Voice Text: Ma tres souveraine princesse Concordances . *F-Pn 15123
64v–65	Vous n'avés poient le coeur certain	CARON*	Caron, Firminus (ca. 1460–ca. 1475)
Vous n'avés poient le coeur certain Caron, Firminus (ca. 1460–ca. 1475) Appears on: 64v–65 Genres: Chanson Source Attribution: CARON* Voice: [no designation] Languages: French Voice Text: Vous n'avés poient [le coeur certain]. Concordances F-Pn 15123 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V 1 / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
65v–66	Par un tout seul escondire.	-	Anonymous
Par un tout seul escondire. Anonymous Appears on: 65v–66 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Par ung tout seul [escondire]. Concordances F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
66v–67	Madame faites moi savoir = Madame m'amie = Quanto magnus est	[A. BASIN]	Basin, Adrien (–ca. 1498)
Madame faites moi savoir = Madame m'amie = Quanto magnus est Basin, Adrien (–ca. 1498) Appears on: 66v–67 Genres: Chanson Source Attribution: [A. BASIN] Voice: [no designation] Languages: French Voice Text: Madame faictes moy [savoir] General Note [= Madame ma mie] [ = Quanto magnus eshumilia te] Concordances Text in Q.16, Pixerecourt, Banco Rari 229 "Madame faites moi savoir "; in Roma BC 2856 "Madame, m'amie"; in SA-Ca 12 "Quanto magnus est". Roma BC 2856 attributes to Basin Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
67v–68	Quant serai-je chiame	-	Anonymous
Quant serai-je chiame Anonymous Appears on: 67v–68 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Quant seray-ge chyame.
68v–69	Hau haula apres l'escoufle	-	Anonymous
Hau haula apres l'escoufle Anonymous Appears on: 68v–69 Genres: Chanson Voice: [no designation] Languages: insufficient Voice Text: Hau haula.
69v–70	S'il estoit vrai ce que je pense	-	Anonymous
S'il estoit vrai ce que je pense Anonymous Appears on: 69v–70 Genres: Chanson Voice: [no designation] Languages: French Voice Text: S'il estoit [vray ce que je pense* Concordances *E-Sc 43 Moerk
70v–71	Plus que pour mille vivant	-	Anonymous
Plus que pour mille vivant Anonymous Appears on: 70v–71 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Plus que pour mille vivant
71v–72	Ce n'est pas moi, c'est vous madame	[A. BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Ce n'est pas moi, c'est vous madame Busnoys, Antoine (ca. 1430–1492) Appears on: 71v–72 Genres: Chanson Source Attribution: [A. BUSNOIS Voice: [no designation] Languages: French Voice Text: Ce n'est pas moy [c'est vous madame]. Concordances F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
72v–73	Les Amours que	-	Anonymous
Les Amours que Anonymous Appears on: 72v–73 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Les Amours que General Note mq. inc. du Ct.
73v–74	La bassa Castiglya.	M. GUGLIELMUS	Guglielmo, Miniscalchi
La bassa Castiglya. Guglielmo, Miniscalchi Appears on: 73v–74 Genres: Secular Source Attribution: M. GUGLIELMUS Voice: [no designation] Languages: Italian Voice Text: La bassa Castiglya.* General Note Mq. début du Sup. [= Falla con misuras] Sur le thème de la basse danse La Spagna Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music.* London. Bukofzer, Manfred F. 1950. A Polyphonic basse dance of the Renaissance. Studies in Medieval and Renaissance Music, 190ff. New York: W. W. Norton and Co.
74	Si dio sscendesse in terra me dicesse.	-	Anonymous
Si dio sscendesse in terra me dicesse. Anonymous Appears on: 74 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Si dio sscendesse in terra me dicesse.
74v–75	Faut il que je perde	-	Anonymous
Faut il que je perde Anonymous Appears on: 74v–75 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Faut il que je perde
75v–76	Quien se podra.	-	Anonymous
Quien se podra. Anonymous Appears on: 75v–76 Genres: Secular Voice: [no designation] Languages: Spanish Voice Text: Quien se podra. Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 10.
76v–77	Blandis loquens sermonibus	-	Anonymous
Blandis loquens sermonibus Anonymous Appears on: 76v–77 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Blandis loquens sermonibus
77v	Fayre ne puh	-	Anonymous
Fayre ne puh Anonymous Appears on: 77v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Fayre ne puh
78	Fo qui provare amore	-	Anonymous
Fo qui provare amore Anonymous Appears on: 78 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fo qui provare amore
78v–79	Arenando de mi cuijado	-	Anonymous
Arenando de mi cuijado Anonymous Appears on: 78v–79 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Arenando de mi cuijado
79v–80	Pour l'amour de ma douce amie	-	Anonymous
Pour l'amour de ma douce amie Anonymous Appears on: 79v–80 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pour l'amour de ma.
80v–81	Ma maîtresse	-	Anonymous
Ma maîtresse Anonymous Appears on: 80v–81 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ma mestresse.
81v–82	Madame et souveraine maîtresse	-	Anonymous
Madame et souveraine maîtresse Anonymous Appears on: 81v–82 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Madame et souveraine mastresse
82v–83	Ce n'est pas sans toudis veillez	-	Anonymous
Ce n'est pas sans toudis veillez Anonymous Appears on: 82v–83 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ce n'est pas sans [toudis veillez*] Concordances »GB-Ctc 71
83v–84	La plus mignonne de mon coeur	-	Anonymous
La plus mignonne de mon coeur Anonymous Appears on: 83v–84 Genres: Chanson Voice: [no designation] Languages: French Voice Text: La plus mignonne de mon [coeur] Item Bibliography Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig.
84v–85	Rayson aviti multo ingrosso	-	Anonymous
Rayson aviti multo ingrosso Anonymous Appears on: 84v–85 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Rayson aviti multo ingrosso
85v–86	Per la goula	-	Anonymous
Per la goula Anonymous Appears on: 85v–86 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Per la goula. Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
86v–87	Lassar amore	-	Anonymous
Lassar amore Anonymous Appears on: 86v–87 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Lassar amore
87v–88	I sideri vostri	-	Anonymous
I sideri vostri Anonymous Appears on: 87v–88 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: I sideri vostri.
88v–89	Je ne demano de vos	J.P.	J P
Je ne demano de vos J P Appears on: 88v–89 Genres: Chanson Source Attribution: J.P. Voice: [no designation] Languages: French Voice Text: Je ne demano de vos Item Bibliography Atlas, Allan W. 1985. Music at the Aragonese Court of Naples. Cambridge. Pages: 83-84. Notes: ruling out Prioris on grounds of "the pattern of dissemination of his secular works", Atlas hypothesises that J P could be Jodocus Pratensis - Josquin des pres - who, Lowinsky speculated, might have accompanied Ascanio Sforza to Naples in the early 1480s (Q16 being completed only in 1487)!. Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: (op. dup). Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
89v–90	Amadores sospirar	-	Anonymous
Amadores sospirar Anonymous Appears on: 89v–90 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Amadores sospirar. Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
90v–91	La chason des redictes.	-	Anonymous
La chason des redictes. Anonymous Appears on: 90v–91 Genres: Chanson Voice: [no designation] Languages: French Voice Text: La chason des redictes.
91v–92	Vire la galèe.	-	Anonymous
Vire la galèe. Anonymous Appears on: 91v–92 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Vire la galèe. Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
92v–93	La martinella	J. MARTINI	Martini, Johannes (ca. 1430–1497)
La martinella Martini, Johannes (ca. 1430–1497) Appears on: 92v–93 Genres: Italian secular Source Attribution: J. MARTINI Voice: [no designation] Languages: Italian Voice Text: La martinella. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14 / 15 (VII).
93v–94	Entrepris suis = Congratulamini mihi omnes	[B. BROLO	Brollo, Bartolomeo
Entrepris suis = Congratulamini mihi omnes Brollo, Bartolomeo Appears on: 93v–94 Genres: Contrafactum Source Attribution: [B. BROLO Voice: [no designation] Languages: French Voice Text: Entrepris suis pour, [par grant lyesse] General Note [= Der Entrepris] Concordances GB-Ob 213 *D-ddr-Bds 40098 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, V. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4.
94v–95	L'aultre d'antan	[J. OCKEGHEM]	Ockeghem, Jean de (ca. 1410–1497)
L'aultre d'antan Ockeghem, Jean de (ca. 1410–1497) Appears on: 94v–95 Genres: Chanson Source Attribution: [J. OCKEGHEM] Voice: [no designation] Languages: Italian Voice Text: La trentanta. General Note [sic pour L'autre d'antan] Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
95v–96	Nos espante mi partida.	-	Anonymous
Nos espante mi partida. Anonymous Appears on: 95v–96 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Nos espante mi partida. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
96v–97	En actendant cele	-	Anonymous
En actendant cele Anonymous Appears on: 96v–97 Genres: Chanson Voice: [no designation] Languages: French Voice Text: En actendant cele General Note [= Puisque c'est force] Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation.
97v–98	Cheferay fas fors languir	-	Anonymous
Cheferay fas fors languir Anonymous Appears on: 97v–98 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Cheferay fas fors [languir] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London.
98v–99v	Duo. Le servitor.	HANART	Hanart, Martin
Duo. Le servitor. Hanart, Martin Appears on: 98v–99v Genres: Chanson Source Attribution: HANART Voice: [no designation] Languages: Italian Voice Text: Duo. Le servitor. Concordances *15043
100–110	Missa l'am ormi: Kyrie	-	Anonymous
Missa l'am ormi: Kyrie Anonymous Appears on: 100–110 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: ]Missa de l'am ormi] Kyrie General Note [sic pour L'homme armé] Item Bibliography Pease, Edward Joseph. 1966. A Report on Codex Q16 of the Civico Museo Bibliografico Musicale. Musica Disciplina, 57-94. Feininger, Laurence K (editor). 1964. Documenta majora Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Trent: Tridenti : Societas Universalis Sanctae Ceciliae. Pages: facs. f.100.
110v–111	Faisons grand chiere	-	Anonymous
Faisons grand chiere Anonymous Appears on: 110v–111 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Faisons grant chyere.
111v–112	Sans avoir	A. BUSNOIS ou H. ISAAC*	Busnoys, Antoine (ca. 1430–1492) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Sans avoir Busnoys, Antoine (ca. 1430–1492) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 111v–112 Genres: Chanson Source Attribution: A. BUSNOIS ou H. ISAAC* Voice: [no designation] Languages: French Voice Text: Sans avoir General Note [= Busnois, S'amour vos fai] [= Malagrota] Concordances F-Pn 676 Item Bibliography Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
112v–113	Je suis seulet.	-	Anonymous
Je suis seulet. Anonymous Appears on: 112v–113 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je suis seulet.
113v–114	Per zenteleze	-	Anonymous
Per zenteleze Anonymous Appears on: 113v–114 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Per zenteleze. General Note Facs. f. [100] Item Bibliography Pease, Edward Joseph. 1966. A Report on Codex Q16 of the Civico Museo Bibliografico Musicale. Musica Disciplina, 57-94.
114v–115	Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	-	Touront, Johannes (ca. 1450–ca. 1475)
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere Touront, Johannes (ca. 1450–ca. 1475) Appears on: 114v–115 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: O generosa nata David quia te predixere [= Compangant omnes in hoc festo corde] Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
115v–116	De placebo la vita mia	-	Anonymous
De placebo la vita mia Anonymous Appears on: 115v–116 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De placebo la vita mia
116v–117	Sancte speculum trinitatis (= Fortune par ta cruaulte)	-	Vincenet, Johannes (–ca. 1480)
Sancte speculum trinitatis (= Fortune par ta cruaulte) Vincenet, Johannes (–ca. 1480) Appears on: 116v–117 Genres: Contrafactum, Motet Voice: [no designation] Languages: Italian Voice Text: Sancte speculum trinitatis [= Fortuna par ta cruaulte] General Note added altus different from Q 18
116v–117	Hemi hellas	-	Anonymous
Hemi hellas Anonymous Appears on: 116v–117 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Hemi hellas
117v–119	Reyne muy noble - 1a pars (of 2): Reyne muy noble	-	Anonymous
Reyne muy noble - 1a pars (of 2): Reyne muy noble Anonymous Appears on: 117v–119 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Reyne muy noble. Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
117v–119	Reyne muy noble - 2a pars (of 2): Io so certo	-	Anonymous
Reyne muy noble - 2a pars (of 2): Io so certo Anonymous Appears on: 117v–119 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Io so certo. Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
119v–120	Gardés le tors	-	Anonymous
Gardés le tors Anonymous Appears on: 119v–120 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Gardés le tors. Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.
120v–121	Je la plains celle.	-	Anonymous
Je la plains celle. Anonymous Appears on: 120v–121 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je la plains celle.
121v–122	Eíení et scolorito	R. MORTON	Morton, Robert
Eíení et scolorito Morton, Robert Appears on: 121v–122 Genres: Secular Source Attribution: R. MORTON Voice: [no designation] Languages: Italian Voice Text: [E]íení et scolorito. General Note [= Vive Madame par amours] [= Elend du hast umpfangen mich] [= Tu sine principio*] Concordances F-Pn 15123 EM>rd-Mbs 351a CS-HKII.A.7 Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.* London. Pages: (sans paroles). Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Rosenberg, Herbert (editor). 1933. Ausgewählte Sätze aus dem Schedelschen Liederbuch. Deutsche Liedsätze des fünfzehnten Jahrhunderts. Kassel. Eitner, Robert. 1880. Handschriften des 15. Jahrhunderts. Das Deutsche Lied Des XV Und XVI Jahrunderts, Wort, Melodie und mehrstimmigem Tonsatz. Berlin. Pages: II.
122v–123	Laysiés moi - 1a pars (of 2): Laysiés moi	A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Laysiés moi - 1a pars (of 2): Laysiés moi Busnoys, Antoine (ca. 1430–1492) Appears on: 122v–123 Genres: Chanson Source Attribution: A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: Laysiés moy. General Note . [= Lessez dangier faire tous ces efforts] Concordances F-Pn 57 Item Bibliography Brooks, Catherine V. 1953. Antoine Busnois, Chanson Composer. Journal of the American Musicological Society, 111-35.
122v–123	Laysiés moi - 2a pars (of 2): Amours m'a fait	A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Laysiés moi - 2a pars (of 2): Amours m'a fait Busnoys, Antoine (ca. 1430–1492) Appears on: 122v–123 Genres: Chanson Source Attribution: A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: [2a p:] Amours m'a fait. General Note . [= Lessez dangier fairetous ces efforts][ Concordances F-Pn 57 Item Bibliography Brooks, Catherine V. 1953. Antoine Busnois, Chanson Composer. Journal of the American Musicological Society, 111-35.
123v–124	Jong de vous	-	Anonymous
Jong de vous Anonymous Appears on: 123v–124 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jong de vous, General Note [sic pour Loing de vo tres doulce présence] Concordances US-NH Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven.
124v–125	En voyant sa dame au matin	A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492)
En voyant sa dame au matin Busnoys, Antoine (ca. 1430–1492) Appears on: 124v–125 Genres: Chanson Source Attribution: A. BUSNOIS]* Voice: [no designation] Languages: French Voice Text: En voiant sa dame [au matin]* Concordances F-Dm 517 Item Bibliography Brown, Howard Mayer. 1971. Improvised ornamentation in fifteenth-century chanson. Quadrivium,* 235ff.
125v–126	Ceste dermen venue.	-	Anonymous
Ceste dermen venue. Anonymous Appears on: 125v–126 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ceste dermen venue.
126v	Soit davoir la	-	Anonymous
Soit davoir la Anonymous Appears on: 126v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Soit davoir la
127	Serà nel core mio doglia et tormento	-	Anonymous
Serà nel core mio doglia et tormento Anonymous Appears on: 127 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Sera nel core mio [doglia et tormento] Item Bibliography Cardamone, Donna G. 1972. The canzone villanesca alla napolitana and related Italian vocal-part music from 1537-1570. Harvard University, Ph. D. Dissertation. Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.
127v–128	J'abandonne le souhaitier	-	Anonymous
J'abandonne le souhaitier Anonymous Appears on: 127v–128 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je n'abandone. [sic pour J'abandone le souhaitiez] General Note text: J'en abandone Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4.
128v–129	Helas que pourra devenir	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 128v–129 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Elas que pour[ra] devenir. General Note . [= Helas m'amour] [= Hellas mon ceur] [= Der seyden schwantcz. Ave sydus] Concordances US-Wc 25 ^D-ddr-Bds Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte. Köln. Pages: 22. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V 1/ 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: (a 4vx). Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Pages: (à 4vx.). [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14 / 15 (VII) (a 4vx).
129v–130	Cui diem [Cuidies] vous (B version) = En qunque lentor	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
Cui diem [Cuidies] vous (B version) = En qunque lentor Caron, Firminus (ca. 1460–ca. 1475) Appears on: 129v–130 Genres: Motet Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: En qunque lentor General Note (= Guides vous)(= Fugir non posso) Concordances F-Pn 15123 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: VI / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
130v–131	Rose playsant odorant comme grant = Ave rex regum ditissime salva nos	[Caron ou J.Dusart ou PH.Basiron*]	Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?) Caron, Firminus (ca. 1460–ca. 1475) (?)
Rose playsant odorant comme grant = Ave rex regum ditissime salva nos Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?) Caron, Firminus (ca. 1460–ca. 1475) (?) Appears on: 130v–131 Genres: Chanson, Contrafactum Source Attribution: [Caron ou J.Dusart ou PH.Basiron] Voice:* [no designation] Languages: French Voice Text: Rose plaisant adorant General Note ]=Ave rex regum*] Concordances 15143 *D-ddr-LEu 1494 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V1 / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: II.
113	Rose plaisant adorant.	[CARON ou J. DUSART ou PH. BASIRON*	Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?)
Rose plaisant adorant. Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?) Appears on: 113 Genres: Chanson Source Attribution: [CARON ou J. DUSART ou PH. BASIRON* Voice: [no designation] Languages: French Voice Text: Rose plaisant adorant. General Note [= Ave rex regum*] Concordances 15043 **D-ddr-LEu 1494
132v–133	Fortuna desperata - 1a pars (of 2): Fortuna desperata	[A. BUSNOIS?]*	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata - 1a pars (of 2): Fortuna desperata Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 132v–133 Genres: Italian secular Source Attribution: [A. BUSNOIS?]* Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata. Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 134ff.
133v–134	De tous biens plaine est ma maîtresse	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 133v–134 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: De tous bien plen General Note [ = Cum defecerint ligna* Concordances SA-Csa 12 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie. Milano. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte. Köln. Pages: 22. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: a 4vx. Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
134v–135	Nunca fue pena mayor / Numquam fuit pena magior	[J. URREDE ou ENRIQUE*]	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 134v–135 Genres: Motet Source Attribution: [J. URREDE ou ENRIQUE] Voice:* [no designation] Languages: Latin Voice Text: Nunquam fo pena maior. Concordances E-Sc 28 Item Bibliography Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle.* Brussels, 1867-88. Reprinted New York. Pages: III. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: V.
135v–137	Si dedero somnum oculis meis	[A. AGRICOLA ou VERBONNET*	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 135v–137 Genres: Motet Source Attribution: [A. AGRICOLA ou VERBONNET* Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis Concordances CH-SGs 463 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: III.
137v–138	Le souvenir de vous me tue mon seul bien	[R. MORTON]	Morton, Robert
Le souvenir de vous me tue mon seul bien Morton, Robert Appears on: 137v–138 Genres: Chanson Source Attribution: [R. MORTON] Voice: [no designation] Languages: French Voice Text: Le sovenir [de vous me tue]. Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII. Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig.
138v–139	J'ai pris amours	-	Anonymous
J'ai pris amours Anonymous Appears on: 138v–139 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ja pris amor [à ma devise]. General Note [= Canti zoiosi e dolce melodia] Item Bibliography Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
139v–140	Ay que non se remediarme	[J. DE LEON*]	Leon, J.(uan?) de
Ay que non se remediarme Leon, J.(uan?) de Appears on: 139v–140 Genres: Italian secular Source Attribution: [J. DE LEON] Voice:* [no designation] Languages: Italian Voice Text: Ay que non se remediarme Concordances E-Mp 2 Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften.* Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: V.
140v–142	La rocca de fermeca.	-	Anonymous
La rocca de fermeca. Anonymous Appears on: 140v–142 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La rocca de fermeca. Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
142v–143	O gloriosa regina mundi succurre nobis	[J. TOURONT ou CECUS]	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 142v–143 Genres: Motet Source Attribution: [J. TOURONT ou CECUS] Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis General Note texted 'O gloriosa domina' in this source only Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Besseler, Heinrich. 1950-. Meisterwerke mittelalterlicher Musik. Kassel. Pages: I. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14 / 15 (VIII).
143v–144	Alla caccia	-	Anonymous
Alla caccia Anonymous Appears on: 143v–144 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Alla cacia alla cacia . . . General Note stella was here Item Bibliography Pease, Edward Joseph. 1968. A Re-Examination of the Caccia Found in Bologna, Civico Museo, Codex Q 16. Musica Disciplina, 231-3. Pease, Edward Joseph. 1966. A Report on Codex Q16 of the Civico Museo Bibliografico Musicale. Musica Disciplina, 57-94. Pages: avec facs. Ghisi, Federico. 1942. Bruchstücke einer neuen Musikhandschrift der italienischen Ars Nova und zwei unveröffentlichte Caccien der zweiten Hälfte des 15. Jahrhunderts. Archiv für Musikforschung, 17ff. Pages: Frammenti).
144v–145	De vos de mi quexoso	[J. URREDE]*	Urrede (Wrede), Juan de (fl. 1451-c1482)
De vos de mi quexoso Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 144v–145 Genres: Chanson Source Attribution: [J. URREDE]* Voice: [no designation] Languages: Italian Voice Text: De vos de mi chisose. General Note [sic pour De vos y de mi quexoso] the version here is incomplete, as it lacks the 'mudanza'. Concordances E-Mp2 Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften.* Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: V.
[-]	Madame helas 27.24 (= Dux Carlus WA 19)	-	Despres, Josquin (ca. 1450–1521)
Madame helas 27.24 (= Dux Carlus WA 19) Despres, Josquin (ca. 1450–1521) Appears on: [-] Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Dux Carlus [= Madame helas] WA 19
146v–147	Cent mille escus quand je voldroie	[A. BUSNOIS ou CARON]	Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475)
Cent mille escus quand je voldroie Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475) Appears on: 146v–147 Genres: Chanson Source Attribution: [A. BUSNOIS ou CARON] Voice: [no designation] Languages: Italian Voice Text: Cento milia escute. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: VI\2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation. Pages: (a 4vx). [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: (Dufay).
147v–148	Con gran disdigno	-	Anonymous
Con gran disdigno Anonymous Appears on: 147v–148 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Con gran disdigno
148v–149	La plus dolente	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
La plus dolente Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 148v–149 Genres: Chanson Voice: [no designation] Languages: French Voice Text: La plus dolente General Note [= Non nobis domine non nobis] [= Benedicite] Concordances SA-Csa 12 Item Bibliography Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
151v	Recordare Domine qui quiderit nobis	-	Anonymous
Recordare Domine qui quiderit nobis Anonymous Appears on: 151v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Recordare domine qui quiderit nobis General Note [sic pour Quid acciderit nobis]
[-]	Recordare Domine quit quiderit nobis	-	Anonymous
Recordare Domine quit quiderit nobis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Recordare domine quit quiderit nobis

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Dites moi toutes vos pensées = Dites le moi – 24v–25 (?) J'ai beau huer avant que bien avoir – 13v–14 Si dedero somnum oculis meis – 135v–137
Anonymous	Alla caccia – 143v–144 Amadores sospirar – 89v–90 Arenando de mi cuijado – 78v–79 Aviromie de deul. – 50v–51 Blandis loquens sermonibus – 76v–77 Cassans en dist d'amer – 43v–44 Ce n'est pas sans toudis veillez – 82v–83 Ceste dermen venue. – 125v–126 Cheferay fas fors languir – 97v–98 Con gran disdigno – 147v–148 De piage core duro più che sasso – 56v–57 De placebo la vita mia – 115v–116 De votre amour suis tant empris – 61v–62 De vous regarder seulement – 13 En actendant cele – 96v–97 Faisons grand chiere – 110v–111 Faut il que je perde – 74v–75 Fayre ne puh – 77v Fo qui provare amore – 78 Gardés le tors – 119v–120 Hau haula apres l'escoufle – 68v–69 Hemi hellas – 116v–117 I sideri vostri – 87v–88 J'abandonne le souhaitier – 127v–128 J'ai pris amours – 138v–139 Jamais dieux – 37v–38 Je la plains celle. – 120v–121 Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes – 33v–34 Je me conciens. – 20v–21 Je suis en grant – 23v–24 Je suis seulet. – 112v–113 Je vous congnois – 18v–19v Joie ne Leesse – 55v–56 Jone dame plaisant - 1a pars (of 2): Jone dame plaisant et belle – 54v–55 Jone dame plaisant - 2a pars (of 2): – 54v–55 Jong de vous – 123v–124 Jusqu'a rascon – 17v–18 L'aultre jour, par un matin esbatre m'en aloye – 53v–54 La chason des redictes. – 90v–91 La plus mignonne de mon coeur – 83v–84 La rocca de fermeca. – 140v–142 La taurina – 26v–27 Lassar amore – 86v–87 Les Amours que – 72v–73 Lisadra damisella. – 9v–10 Loysot denisot. – 14v–15 Ma maîtresse – 80v–81 Madame et souveraine maîtresse – 81v–82 Merci vos. – 19v–20 Merdonez été et vous merdonez. – 49v–50 Mirando l'ochji de costeyi – 34v–35 Missa l'am ormi: Kyrie – 100–110 Mon bien inparfait – 25v–26 Nos espante mi partida. – 95v–96 Nostre dame fleur de jonette. – 42v–43 Nul ne me doit de ce blâmer – 46v–47 Par un tout seul escondire. – 65v–66 Per la absència – 16v–17 Per la goula – 85v–86 Per zenteleze – 113v–114 Plus que pour mille vivant – 70v–71 Pour l'amour de ma douce amie – 79v–80 Pour vous servir belle dame – 36v–37 Quant serai-je chiame – 67v–68 Qui es Ane – 35v–36 Quien se podra. – 75v–76 Rayson aviti multo ingrosso – 84v–85 Recordare Domine qui quiderit nobis – 151v Recordare Domine quit quiderit nobis – [-] Reyne muy noble - 1a pars (of 2): Reyne muy noble – 117v–119 Reyne muy noble - 2a pars (of 2): Io so certo – 117v–119 S'il estoit vrai ce que je pense – 69v–70 Sa paine pert qui fet sic pour sert sans nul guerdon – 58v–59 Serà nel core mio doglia et tormento – 127 Si dio sscendesse in terra me dicesse. – 74 Soit davoir la – 126v Trop suis – 45v–46 Tu me comande – 39v–40 Tu me congnois – 32v–33 Ung amoureux vieux et pelle – 62v–63 Veulliés moi amer madame – 31v–32 Vire la galèe. – 91v–92 Vostre rigeur trop importune – 11v Votre amour – 10v–11
Basin, Adrien (–ca. 1498)	Madame faites moi savoir = Madame m'amie = Quanto magnus est – 66v–67
Basiron, Philippe (ca. 1449–1491)	(?) Rose plaisant adorant. – 113 (?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – 130v–131
Brollo, Bartolomeo	Entrepris suis = Congratulamini mihi omnes – 93v–94
Burgensis, Dux	Madame trop vous m'esprenez – 44v–45
Busnoys, Antoine (ca. 1430–1492)	A une dame j'ai fait veu – 30v–31 Advene que advenir – 47v–48 Ce n'est pas moi, c'est vous madame – 71v–72 (?) Cent mille escus quand je voldroie – 146v–147 En voyant sa dame au matin – 124v–125 (?) Fortuna desperata - 1a pars (of 2): Fortuna desperata – 132v–133 Je ne demande lealté – 59v–61 Laysiés moi - 1a pars (of 2): Laysiés moi – 122v–123 Laysiés moi - 2a pars (of 2): Amours m'a fait – 122v–123 Ma tres souveraine princesse – 63v–64 (?) Sans avoir – 111v–112 Terribile fortuna [= M'a vostre cueur mis en oubli] – 40v–42
Caron, Firminus (ca. 1460–ca. 1475)	Cent mille escus quand je voldroie – 146v–147 Cui diem [Cuidies] vous (B version) = En qunque lentor – 129v–130 Helas que pourra devenir – 128v–129 (?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – 130v–131 Se doulx penser – 48v–49 Vous n'avés poient le coeur certain – 64v–65
Compère, Loyset (ca. 1445–1518)	A qui dirai je - 1a pars (of 2): A qui dirai je ma penser – 28v–29v A qui dirai je - 2a pars (of 2): Or sus donc – 28v–29v Dides moi – 15v–16 (?) J'ai beau huer avant que bien avoir – 13v–14 Puisque si bien m'est advenu – 22v–23
Despres, Josquin (ca. 1450–1521)	(?) Cela sans plus et plus hola – 51v–52 Madame helas 27.24 (= Dux Carlus WA 19) – [-]
Du Fay, Guillaume (1397–1474)	(?) Départes vous male bouche. – 38v–39
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 134v–135
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) La plus dolente – 148v–149
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Amours amours trop me fiers de tes dars – 27v–28 De tous biens plaine est ma maîtresse – 133v–134
Guglielmo, Miniscalchi	La bassa Castiglya. – 73v–74
Hanart, Martin	Duo. Le servitor. – 98v–99v
Isaac, Heinrich (ca. 1450–1517)	(?) Sans avoir – 111v–112
J P	Je ne demano de vos – 88v–89
Lannoy, Colinet de	Cela sans plus et plus hola – 51v–52
Leon, J.(uan?) de	Ay que non se remediarme – 139v–140
Malcourt, L	(?) Malheur me bat / Dieu d'amour – 21v–22
Martini, Johannes (ca. 1430–1497)	Des biens d'amour – 8v–9 Hellas coment avés – 57v–58 La martinella – 92v–93 (?) Malheur me bat / Dieu d'amour – 21v–22
Morton, Robert	Eíení et scolorito – 121v–122 Le souvenir de vous me tue mon seul bien – 137v–138
Ockeghem, Jean de (ca. 1410–1497)	(?) Départes vous male bouche. – 38v–39 L'aultre d'antan – 94v–95 (?) Malheur me bat / Dieu d'amour – 21v–22
Robinet, F	(?) Environ la saint Valentin – 52v–53
Sart, Jean du	(?) Rose plaisant adorant. – 113 (?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – 130v–131
Touront, Johannes (ca. 1450–ca. 1475)	Compangant omnes in hoc festo corde = O generosa nata David quia te predixere – 114v–115 O gloriosa regina mundi succurre nobis – 142v–143
Urrede (Wrede), Juan de (fl. 1451-c1482)	De vos de mi quexoso – 144v–145 (?) Nunca fue pena mayor / Numquam fuit pena magior – 134v–135
Vincenet, Johannes (–ca. 1480)	Sancte speculum trinitatis (= Fortune par ta cruaulte) – 116v–117
le Téméraire, Charles (1433–1477)	(?) Madame trop vous m'esprenez – 44v–45

Composition	Composers (? Uncertain)	Folios / Pages
A qui dirai je - 1a pars (of 2): A qui dirai je ma penser	Compère, Loyset (ca. 1445–1518)	28v–29v
A qui dirai je - 2a pars (of 2): Or sus donc	Compère, Loyset (ca. 1445–1518)	28v–29v
A une dame j'ai fait veu	Busnoys, Antoine (ca. 1430–1492)	30v–31
Advene que advenir	Busnoys, Antoine (ca. 1430–1492)	47v–48
Alla caccia	Anonymous	143v–144
Amadores sospirar	Anonymous	89v–90
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	27v–28
Arenando de mi cuijado	Anonymous	78v–79
Aviromie de deul.	Anonymous	50v–51
Ay que non se remediarme	Leon, J.(uan?) de	139v–140
Blandis loquens sermonibus	Anonymous	76v–77
Cassans en dist d'amer	Anonymous	43v–44
Ce n'est pas moi, c'est vous madame	Busnoys, Antoine (ca. 1430–1492)	71v–72
Ce n'est pas sans toudis veillez	Anonymous	82v–83
Cela sans plus et plus hola	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de	51v–52
Cent mille escus quand je voldroie	Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475)	146v–147
Ceste dermen venue.	Anonymous	125v–126
Cheferay fas fors languir	Anonymous	97v–98
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	Touront, Johannes (ca. 1450–ca. 1475)	114v–115
Con gran disdigno	Anonymous	147v–148
Cui diem [Cuidies] vous (B version) = En qunque lentor	Caron, Firminus (ca. 1460–ca. 1475)	129v–130
De piage core duro più che sasso	Anonymous	56v–57
De placebo la vita mia	Anonymous	115v–116
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	133v–134
De vos de mi quexoso	Urrede (Wrede), Juan de (fl. 1451-c1482)	144v–145
De votre amour suis tant empris	Anonymous	61v–62
De vous regarder seulement	Anonymous	13
Des biens d'amour	Martini, Johannes (ca. 1430–1497)	8v–9
Dides moi	Compère, Loyset (ca. 1445–1518)	15v–16
Dites moi toutes vos pensées = Dites le moi	Agricola, Alexander (ca. 1445–1506)	24v–25
Duo. Le servitor.	Hanart, Martin	98v–99v
Départes vous male bouche.	Du Fay, Guillaume (1397–1474) (?) Ockeghem, Jean de (ca. 1410–1497) (?)	38v–39
En actendant cele	Anonymous	96v–97
En voyant sa dame au matin	Busnoys, Antoine (ca. 1430–1492)	124v–125
Entrepris suis = Congratulamini mihi omnes	Brollo, Bartolomeo	93v–94
Environ la saint Valentin	Robinet, F (?)	52v–53
Eíení et scolorito	Morton, Robert	121v–122
Faisons grand chiere	Anonymous	110v–111
Faut il que je perde	Anonymous	74v–75
Fayre ne puh	Anonymous	77v
Fo qui provare amore	Anonymous	78
Fortuna desperata - 1a pars (of 2): Fortuna desperata	Busnoys, Antoine (ca. 1430–1492) (?)	132v–133
Gardés le tors	Anonymous	119v–120
Hau haula apres l'escoufle	Anonymous	68v–69
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	128v–129
Hellas coment avés	Martini, Johannes (ca. 1430–1497)	57v–58
Hemi hellas	Anonymous	116v–117
I sideri vostri	Anonymous	87v–88
J'abandonne le souhaitier	Anonymous	127v–128
J'ai beau huer avant que bien avoir	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)	13v–14
J'ai pris amours	Anonymous	138v–139
Jamais dieux	Anonymous	37v–38
Je la plains celle.	Anonymous	120v–121
Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes	Anonymous	33v–34
Je me conciens.	Anonymous	20v–21
Je ne demande lealté	Busnoys, Antoine (ca. 1430–1492)	59v–61
Je ne demano de vos	J P	88v–89
Je suis en grant	Anonymous	23v–24
Je suis seulet.	Anonymous	112v–113
Je vous congnois	Anonymous	18v–19v
Joie ne Leesse	Anonymous	55v–56
Jone dame plaisant - 1a pars (of 2): Jone dame plaisant et belle	Anonymous	54v–55
Jone dame plaisant - 2a pars (of 2):	Anonymous	54v–55
Jong de vous	Anonymous	123v–124
Jusqu'a rascon	Anonymous	17v–18
L'aultre d'antan	Ockeghem, Jean de (ca. 1410–1497)	94v–95
L'aultre jour, par un matin esbatre m'en aloye	Anonymous	53v–54
La bassa Castiglya.	Guglielmo, Miniscalchi	73v–74
La chason des redictes.	Anonymous	90v–91
La martinella	Martini, Johannes (ca. 1430–1497)	92v–93
La plus dolente	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	148v–149
La plus mignonne de mon coeur	Anonymous	83v–84
La rocca de fermeca.	Anonymous	140v–142
La taurina	Anonymous	26v–27
Lassar amore	Anonymous	86v–87
Laysiés moi - 1a pars (of 2): Laysiés moi	Busnoys, Antoine (ca. 1430–1492)	122v–123
Laysiés moi - 2a pars (of 2): Amours m'a fait	Busnoys, Antoine (ca. 1430–1492)	122v–123
Le souvenir de vous me tue mon seul bien	Morton, Robert	137v–138
Les Amours que	Anonymous	72v–73
Lisadra damisella.	Anonymous	9v–10
Loysot denisot.	Anonymous	14v–15
Ma maîtresse	Anonymous	80v–81
Ma tres souveraine princesse	Busnoys, Antoine (ca. 1430–1492)	63v–64
Madame et souveraine maîtresse	Anonymous	81v–82
Madame faites moi savoir = Madame m'amie = Quanto magnus est	Basin, Adrien (–ca. 1498)	66v–67
Madame helas 27.24 (= Dux Carlus WA 19)	Despres, Josquin (ca. 1450–1521)	[-]
Madame trop vous m'esprenez	le Téméraire, Charles (1433–1477) (?) Burgensis, Dux	44v–45
Malheur me bat / Dieu d'amour	Martini, Johannes (ca. 1430–1497) (?) Malcourt, L (?) Ockeghem, Jean de (ca. 1410–1497) (?)	21v–22
Merci vos.	Anonymous	19v–20
Merdonez été et vous merdonez.	Anonymous	49v–50
Mirando l'ochji de costeyi	Anonymous	34v–35
Missa l'am ormi: Kyrie	Anonymous	100–110
Mon bien inparfait	Anonymous	25v–26
Nos espante mi partida.	Anonymous	95v–96
Nostre dame fleur de jonette.	Anonymous	42v–43
Nul ne me doit de ce blâmer	Anonymous	46v–47
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	134v–135
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	142v–143
Par un tout seul escondire.	Anonymous	65v–66
Per la absència	Anonymous	16v–17
Per la goula	Anonymous	85v–86
Per zenteleze	Anonymous	113v–114
Plus que pour mille vivant	Anonymous	70v–71
Pour l'amour de ma douce amie	Anonymous	79v–80
Pour vous servir belle dame	Anonymous	36v–37
Puisque si bien m'est advenu	Compère, Loyset (ca. 1445–1518)	22v–23
Quant serai-je chiame	Anonymous	67v–68
Qui es Ane	Anonymous	35v–36
Quien se podra.	Anonymous	75v–76
Rayson aviti multo ingrosso	Anonymous	84v–85
Recordare Domine qui quiderit nobis	Anonymous	151v
Recordare Domine quit quiderit nobis	Anonymous	[-]
Reyne muy noble - 1a pars (of 2): Reyne muy noble	Anonymous	117v–119
Reyne muy noble - 2a pars (of 2): Io so certo	Anonymous	117v–119
Rose plaisant adorant.	Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?)	113
Rose playsant odorant comme grant = Ave rex regum ditissime salva nos	Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?) Caron, Firminus (ca. 1460–ca. 1475) (?)	130v–131
S'il estoit vrai ce que je pense	Anonymous	69v–70
Sa paine pert qui fet sic pour sert sans nul guerdon	Anonymous	58v–59
Sancte speculum trinitatis (= Fortune par ta cruaulte)	Vincenet, Johannes (–ca. 1480)	116v–117
Sans avoir	Busnoys, Antoine (ca. 1430–1492) (?) Isaac, Heinrich (ca. 1450–1517) (?)	111v–112
Se doulx penser	Caron, Firminus (ca. 1460–ca. 1475)	48v–49
Serà nel core mio doglia et tormento	Anonymous	127
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	135v–137
Si dio sscendesse in terra me dicesse.	Anonymous	74
Soit davoir la	Anonymous	126v
Terribile fortuna [= M'a vostre cueur mis en oubli]	Busnoys, Antoine (ca. 1430–1492)	40v–42
Trop suis	Anonymous	45v–46
Tu me comande	Anonymous	39v–40
Tu me congnois	Anonymous	32v–33
Ung amoureux vieux et pelle	Anonymous	62v–63
Veulliés moi amer madame	Anonymous	31v–32
Vire la galèe.	Anonymous	91v–92
Vostre rigeur trop importune	Anonymous	11v
Votre amour	Anonymous	10v–11
Vous n'avés poient le coeur certain	Caron, Firminus (ca. 1460–ca. 1475)	64v–65

‡ denotes primary source study

Atlas, Allan W. 1985. Music at the Aragonese Court of Naples. Cambridge. Pages: 84-5,121-3,127-30,152-4,167-89,228-9,233,238. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Fallows, David. 1984. Johannes Ockeghem: The changing image, the songs and a new source. Early Music, 218-30. Pages: 226-7. Notes: contents list (partial); concordances (partial); facsimile (partial).

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 183,211ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii,xxvi-xxvii,xxxvi,70-6, 95-101. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 70.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II,152-3,203ff, 542,573ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: I, 22. Notes: mention of MS.

Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pages: I,50-7,79,135-6,201,253,333-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1977. On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20). Musica Disciplina, 45ff. Pages: 45-9,82ff. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,xxi ,xxxv-xxxviii. Notes: mention of MS; contents list (partial); concordances (partial).

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson. Brooklyn: Institute of Mediaeval Music. Pages: II.ii-iv. Notes: contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,78ff,235-60, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 459-61. Notes: physical description; mention of MS; discussion; concordances (partial).

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Pages: 268. Notes: mention of MS.

Fuller, Sarah. 1969. Additional Notes on the 15th-century Chansonnier Bologna Q 16. Musica Disciplina, 81-103. Notes: contents list (partial); concordances; transcription (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 10ff et 110.

Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 66,73,78,85,290-308. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Pease, Edward Joseph. 1968. A Re-Examination of the Caccia Found in Bologna, Civico Museo, Codex Q 16. Musica Disciplina, 231-3.

Hewitt, Helen Margaret (editor). 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music. Chicago and London. Pages: 10, passim. Notes: mention of MS; concordances (partial).

Pease, Edward Joseph. 1966. A Report on Codex Q16 of the Civico Museo Bibliografico Musicale. Musica Disciplina, 57-94. Notes: physical description; contents list; incipits.

Sheley, Wayne M. 1966. The Instrumental Instructional Duo around 1500. Eastman School of Music, Unpublished D.M.A. thesis. Pages: 4-7. Notes: transcription (partial).

Chegwidden, Lee Malcolm. 1965. Study of a Bologna Chansonnier of the Late Fifteenth Century: Biblioteca del Conservatorio, Ms. Q 16. University of Illinois, Unpublished Master's thesis. Notes: physical description (partial); contents list; concordances; transcription (partial); facsimile (partial); discussion; cussion of the MS.

Kämper, Dietrich. 1965. Das Lehr- und Instrumentalduo um 1500 in Italien. Die Musikforschung, 242-53. Pages: 242ff. Notes: contents list (partial); concordances (partial); transcription (partial); mention of MS; discussion.

Feininger, Laurence K (editor). 1964. Documenta Majora Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Trent. Pages: I. Notes: transcription (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 48, 51. Notes: concordances (partial).

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies. Brooklyn. Pages: 44. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv-xvi; V,xxvii,xxxi. Notes: contents list (partial); concordances (partial).

Brooks, Catherine V. 1951. Antoine Busnois as a Composer of Chansons. New York University, Unpublished Ph.D. dissertation. Pages: 151, 157ff, passim. Notes: contents list (partial); mention of MS; concordances (partial); incipits (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XV, Tafel 32. Notes: facsimile (partial).

Ghisi, Federico. 1942. Bruchstücke einer neuen Musikhandschrift der italienischen Ars Nova. Archiv für Musikforschung, 17-39. Pages: 31-2,38-9. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Ghisi, Federico. 1942. Bruchstücke einer neuen Musikhandschrift der italienischen Ars Nova und zwei unveröffentlichte Caccien der zweiten Hälfte des 15. Jahrhunderts. Archiv für Musikforschung, 17ff. Pages: 31.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 113, passim. Notes: mention of MS; concordances (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 119 (Cod. 109).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 169-70. Notes: concordances (partial).

Anglès, Higinio. 1929. El Chansonnier français de la Colombina de Sevilla. Estudis Universitaris Catalans, 227ff. Pages: 28ff.

Anglès, Higinio. 1929. El 'Chansonnier Français' de la Colombina de Sevilla. Estudis Universitaris Catalans, 227ff. Pages: 227. Notes: physical description; contents list; Dpcontents list (partial).

Vatielli, Francesco, and Luigi Torri (editors). 1929. Primo congresso internazionale di bibliografia e bibliofilia. Mostra bibliografica musicale, Bologna, Archiginnasio, Giugno 1929. Bologna. Pages: 17 n° XXXVII.

Novati, Francesco. 1906-7. Contributi alla storia della lirica musicale neolatina. Studi Medievali, 303-26. Pages: 317. Notes: physical description.

Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 451-505,575-615. Pages: 499.

Gaspari, Gaetano (compiler). 1905. Catalogo della biblioteca del Liceo musicale di Bologna compilato da Gaetano Gaspari: compiuto e pubblicato da Dr Raffaele Cadolini, aggiunto al bibliotecario. 4 vols. Bologna. Pages: III, 3. Notes: physical description; contents list; incipitsst of contents (partial).

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Scott Metcalfe

Wednesday, 31 January, 2024

merged 'Dieu d'amour (f.16) with other concordant versions of 'Malheur me bat'. “La trentanta,” f. 94v-95, re-titled with its proper name “L’autre d’antan”; “La trentanta” seems to be an attempt to convert the sounds of the French words into a plausible Italian tite

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Bc Q.16

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

Manuscript of polyphony: 1487

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