I-Bc Q.18

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

manuscript of polyphony: Early 16th century

Archive	Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark	Q.18
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	170 x 240 mm
Other Identifiers	RISM: I-Bc 18 CCM: BolC Q18 olim (Former shelfmark): 143
Notations	black void mensural
Copyists	Spataro, Giovanni (1458–1541) Music
External Links	Images PRoMS
Provenance	Bologna, Italy
Contents	93 pieces from 27 composers

General Description

Copied by two or three main scribes, including Giovanni Spataro; ff. 18'-19 copied by different hand (WeissB). Lute tablature on f. 1 is later addition by another scribe. Only incipits of text are given for most pieces. Copied in Bologna (WeissB).

DIAMM, 2017

Physical Description

Folios 10, 47, and 56 are missing; manuscript is incomplete at end.

DIAMM, 2017

Binding

Original covers of brown tooled leather over boards, with blind-stamped ornamental designs.

DIAMM, 2017

Watermark

three-peaked mountain surmounted by cross (not in Briquet; see WeissB for discussion of other prints and manuscripts with similar marks)

DIAMM, 2017

Notation

black void mensural; lute tablature

DIAMM, 2017

Foliation

Original ink foliation, 1-93, on upper right rectos (excludes first original folio; ff. 10, 47, 56, and [94] now missing).

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

The composition "In te, Domine, speravi" attributed doubtfully to Josquin Desprez has two different text-traditions; the first one, that of Petrucci's Frottole libro primo (1504), is a bilingual "frottola", a secular Italian music and poetic genre; its first two lines' reading is "In te, Domine, speravi | per trovar pietà in eterno". Instead "In te, Domine, speravi non confundar" is a contrafactum of the frottola linked with the german and protestant tradition of the musical text; its first appearance may be, I am not sure, Georg Rahw's Symphoniae iucundae atque adeo breves quatuor vocum (1538). I-Bc Q.18, F-Pn Cons. Rés. Vm7 676 and I-Fc MS Basevi 2441 - considering just those sources known to me - include the frottola, not the latin contrafactum.

Giacomo Pirani, 2018

RISM Description

RISM

XVIe s. 93ff. Papier, 170 x 240 mm.

Foliotation ancienne en ch. arabes. Les ff. 10, 47, 56 mq. Notation mesurée blanche. 6 portées par p. Au f. 1, tablature copiée postérieurement, portant les initiales S.M.C. Reliure ancienne veau estampé, dos refait.

Ce ms., probablement copié dans l'Italie du nord au début du XVIe s., est mentionné dans sa collection comme «un manoscritto antico» par le P. Martini qui en donne ensuite Vindice (cf. Bibliographie, Ms. Misc.H.83). Le filigrane (le Mont surmonté d'une croix) révèle un papier signalé à Bologne en 1482 (CM. Briquet, Les filigranes no 11712). D'autre part, aux paroles des 29 dernières pièces (nos 65 à 92) on peut reconnaître l'écriture de Spataro (à comparer avec I-Bsp XXXXV) ce qui pourrait indiquer que ce livre a été employé dans la schola du musicien alors qu'il était maître de chapelle à San Petronio de Bologne, c'est à dire de 1512 à sa mort en 1541. Les compositeurs que l'on peut identifier ne s'opposent pas non plus à ce que le ms. ait été copié dans les premières années du XVIe s, sans que l'on puisse affirmer avec certitude que cette copie ait été exécutée à Bologne même.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus, 26 motets, I Latin/Italian secular piece, 28 Italian secular pieces, 23 French secular pieces, 3 Flemish secular pieces, 2 Spanish secular pieces, 2 pieces with solmization incipits (including Isaac's "La mi 1a sol"), 4 textless pieces (identified from concordant sources as 1 Mass Ordinary section, 2 Italian secular pieces, and 1 French secular piece) = 90

(A. Agricola)-2, (Antenori)-1, (Brumel)-3, (Busnois)-1, (Cara)-1, (Caron)-2, (Compère)-3, (Compère/Obrecht)-1, (Congiet/Japart)-1, (Isaac)-9, (Josquin)-5, (Lurano)-1, (Malcort/Martini/Ockeghem)-1, (Obrecht)-2, (Pesenti)-1, Rubinet/(Compère/Stokhem)-1, (Tromboncino)-4, (Vincenet)-1, (Wreede)-1, anon-49

90 paper folios, 168 x 240. Ff. 10, 47, and 56 are missing; manuscript is incomplete at end. Original ink foliation, 1-93. Original covers of brown tooled leather over boards. No index. One of the two scribes has been identified by Sergio Paganelli as Giovanni Spataro. No watermarks visible. Only incipits of text are given for most pieces.

Early 16th century. Copied in Bologna.

Vol 4

1 Agnus, 1 Mass Ordinary section (without text), 2 Mass Proper sections, 17 motets (1 incomplete), * 9 pieces with other Latin incipits (mottoes, classical names, solmization syllables, etc.), 2 laude, 1 Latin/Italian secular piece (without text), 30 Italian secular pieces (2 incomplete; 2 without text), 22 French secular pieces (1 incomplete; 1 without text), 3 Dutch secular pieces, 2 Spanish secular pieces (1 incomplete), 1 textless piece (incomplete) = 91

Despite their apparent motet text incipits, some of these pieces are probably non-liturgical instrumental compositions (WeissB).

(A. Agricola)-1, (A. Agricola/Ghiselin)-1, (Antenori)-1, (Brumel) -3, (Busnois)-2, (Cara)-1, (Cara/Tromboncino)-1, (Caron)-2, (Compère)-3, (Compère/Obrecht)-1, (Congiet/Japart)-1, (Enrique/ Wreede)-1, (G.F.)-1, (Isaac)-9, (Josquin)-5, (Lurano)-1, (Malcort/ Martini/Ockeghem)-1, (Martini)-1, (Obrecht)-1, (Pesenti)-1, Rubinet/(Compère/Stokhem)-1, (Tromboncino)-5, (Vincenet)-1, anon-46

í + 91 paper folios, 168 x 240. Original ink foliation, 1-93, on upper right rectos (excludes first original folio; ff. 10, 47, 56, and [94] now missing). Original covers of brown leather over boards, with blind-stamped ornamental designs. No index. Copied by two or three main scribes, including Giovanni Spataro (Sergio Paganelli; see general index for other manuscripts attributed to Spataro); ff. 18'-19 copied by different hand (WeissB). Lute tablature on f. 1 is later addition by another scribe. No initials or decoration. Watermark: three-peaked mountain surmounted by cross (not in Briquet; see WeissB for discussion of other prints and manuscripts with similar marks). Many pieces have text incipits or titles only.

Ca. 1502-6 (WeissB). Copied in Bologna (WeissB).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2	Lontan pur mi convien partir da te	-	Anonymous
Lontan pur mi convien partir da te Anonymous Appears on: 1v–2 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Lontan pur mi convien partir da te … General Note [= Jesu dolce mio sposo] [= Peregrinando vo] Concordances SA-Csa 12 *GB-Lbm 3051 Item Bibliography Jeppesen, Knud. 1968-70. La Frottola.* Acta Jutlandica. 3 vols. Copenhagen. Pages: III. Giazotto, Remo. 1959. Onde musicali nella corrente poetica di Serafino dall'Aquila in Musurgia nova. 3ff. Milano. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76.
2v–3	De per dio non mi far torto	[B. TROMBONCINO]*	Tromboncino, Bartolomeo (1470–ca. 1534)
De per dio non mi far torto Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 2v–3 Genres: Motet Source Attribution: [B. TROMBONCINO]* Voice: [no designation] Languages: Italian Voice Text: De per dio non mi far torto … Concordances 15044 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig. Vatielli, Francesco, and Luigi Torri (editors). 1929. Primo congresso internazionale di bibliografia e bibliofilia. Mostra bibliografica musicale, Bologna, Archiginnasio, Giugno 1929. Bologna.
3v–4	Se ben or non schopro il foco	[B. TROMBONCINO	Tromboncino, Bartolomeo (1470–ca. 1534)
Se ben or non schopro il foco Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 3v–4 Genres: Italian secular Source Attribution: [B. TROMBONCINO Voice: [no designation] Languages: Italian Voice Text: Se ben or non schopro il foco ….[[= L'oration è sempre bona] Concordances SA-Csa 12 Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: III. Giazotto, Remo. 1959. Onde musicali nella corrente poetica di Serafino dall'Aquila in Musurgia nova. 3ff. Milano. Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
4v–5	Oime che sempre spero	-	Anonymous
Oime che sempre spero Anonymous Appears on: 4v–5 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Oime che sempre spero …
5v–6	Con qual fronte a te Maria	-	Anonymous
Con qual fronte a te Maria Anonymous Appears on: 5v–6 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Con qual fronte a te Maria … Item Bibliography Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 45-75.
6v–7	Alla fé si alla fé bona	-	Anonymous
Alla fé si alla fé bona Anonymous Appears on: 6v–7 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Alla fé si alla fé bona …
7v	Io ti lasso donna hor mai	[F.D.L.] [= FILIPPO LURANO?]	Lurano, Filippo de (?)
Io ti lasso donna hor mai Lurano, Filippo de (?) Appears on: 7v Genres: Italian secular Source Attribution: [F.D.L.] [= FILIPPO LURANO?] Voice: [no designation] Languages: Italian Voice Text: Io te lasso donna hor mai … Concordances *15056
8v–9	Va va iniqua e disleale	-	Anonymous
Va va iniqua e disleale Anonymous Appears on: 8v–9 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Va va iniqua e disleale … General Note Les paroles ne sont pas sous la musique.
9v	Poi che 'l ciel contrario	[B. TROMBONCINO	Tromboncino, Bartolomeo (1470–ca. 1534)
Poi che 'l ciel contrario Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 9v Genres: Italian secular Source Attribution: [B. TROMBONCINO Voice: [no designation] Languages: Italian Voice Text: Poi chel ciel contrario . . . General Note Sup. et T seul'++ Concordances 15044 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
11	Se de fede hor vento a meno	[M. CARA]*	Cara, Marchetto
Se de fede hor vento a meno Cara, Marchetto Appears on: 11 Genres: Italian secular Source Attribution: [M. CARA]* Voice: [no designation] Languages: Italian Voice Text: [Se de fede hor vento a meno] Concordances 15044 General Note Ct et B seul' Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
11v–12	Dimi un pocho che voi dire	[M. PESENTI]*	Pesenti, Martino
Dimi un pocho che voi dire Pesenti, Martino Appears on: 11v–12 Genres: Italian secular Source Attribution: [M. PESENTI]* Voice: [no designation] Languages: Italian Voice Text: Dimi un pocho che voi dire … Concordances 15044 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
12v–13	In te, Domine, speravi per trovar pietà in eterno 28.18	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521) (?)
In te, Domine, speravi per trovar pietà in eterno 28.18 Despres, Josquin (ca. 1450–1521) (?) Appears on: 12v–13 Genres: Frottola Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: In te Domine speravi, per trovar pietà in eterno General Note The same composition as in Petrucci's Frottole, but without the verbal text (confirmed by Giacomo Pirani, 2018). Item Bibliography Davison, Archibald Thompson, and Willi Apel (editors). 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music. Cambridge, Massachusetts. Albrecht, Hans, and Georg Rhau (editors). 1957. Symphoniae jucundae, atque adeo breves 4 vocum, ab optimis quibusque musicis compositae, 1538. Musikdrucke aus den Jahren 1538 bis 1545. Kassel. Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: V. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
13v–14	Se'l mi dole esser gabato	-	Anonymous
Se'l mi dole esser gabato Anonymous Appears on: 13v–14 Voice: [no designation] Languages: Italian Voice Text: Se'l mi dole esser gabato lo dimestoz nella spesto - chel dolor cho deum alpecto inadificor General Note Text: Se'l mi dole esser gabato
14v–15	De si de no de si	M. CARA* ou B. TROMBONCINO**	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?)
De si de no de si Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?) Appears on: 14v–15 Genres: Italian secular Source Attribution: M. CARA* ou B. TROMBONCINO Voice: [no designation] Languages: Italian Voice Text:** De si de no de si … Concordances 15044 15093 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
15v–16	Come el piombin	-	Anonymous
Come el piombin Anonymous Appears on: 15v–16 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Come el piombin Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: III. Giazotto, Remo. 1959. Onde musicali nella corrente poetica di Serafino dall'Aquila in Musurgia nova. 3ff. Milano.
16v–17	Poiché l'alma per se molta	[B. TROMBONCINO]*	Tromboncino, Bartolomeo (1470–ca. 1534)
Poiché l'alma per se molta Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 16v–17 Genres: Italian secular Source Attribution: [B. TROMBONCINO]* Voice: [no designation] Languages: Italian Voice Text: Poi che l'alma per se molta … General Note Les paroles ne sont pas sous la musique Concordances 15044 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig. Pages: sur T:+1+3+8+6].
17v–18	Sensa te sacra regina	-	Anonymous
Sensa te sacra regina Anonymous Appears on: 17v–18 Genres: Sacred Song Voice: [no designation] Languages: Italian Voice Text: Sensa te sacra regina … General Note Les paroles ne sont pas sous la musique.
18v–19	Viva e morta voglio amarte	[HONOFRIUS ANTENOREUS PATAVINUS*]	Patavinus, Antonius Stringarius
Viva e morta voglio amarte Patavinus, Antonius Stringarius Appears on: 18v–19 Genres: Italian secular Source Attribution: [HONOFRIUS ANTENOREUS PATAVINUS] Voice:* [no designation] Languages: Italian Voice Text: Viva e morta voglio amarte Concordances 15033 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff.
19v–20	Ave Maria gratia plena Dominus tecum	B. TROMBONCINO	Tromboncino, Bartolomeo (1470–ca. 1534)
Ave Maria gratia plena Dominus tecum Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 19v–20 Genres: Ave Maria, Lauda Source Attribution: B. TROMBONCINO Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Concordances 15083 Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500.* Leipzig and Copenhagen.
20v–21	Salva nos Domine vigilantes custodi nos	-	Tromboncino, Bartolomeo (1470–ca. 1534)
Salva nos Domine vigilantes custodi nos Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 20v–21 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Salva nos Domine vigilantes
21v–22	Ave regina caelorum	-	Isaac, Heinrich (ca. 1450–1517)
Ave regina caelorum Isaac, Heinrich (ca. 1450–1517) Appears on: 21v–22 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
22v–23	Noe noe noe [= Bonus et rectus Dominus propterea docebit]	A. BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Noe noe noe [= Bonus et rectus Dominus propterea docebit] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 22v–23 Genres: Cantio Source Attribution: A. BRUMEL Voice: [no designation] Languages: Latin Voice Text: Noe noe noe [= Bonus et rectus dominus propterea docebit] Concordances 15022 D-ddr-GRu 640-641 (Sup. et B seul') Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502.* Monuments of Renaissance Music. Chicago. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
23v–24	Venimus princeps	-	Brumel, Antoine (ca. 1460–ca. 1513)
Venimus princeps Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 23v–24 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Venimus princeps
24v–25	In te Domine sperabo	-	Anonymous
In te Domine sperabo Anonymous Appears on: 24v–25 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In te domine speravi
25v–26	Le despourveu infortune = Tanto e l'affanno	[CARON	Caron, Firminus (ca. 1460–ca. 1475)
Le despourveu infortune = Tanto e l'affanno Caron, Firminus (ca. 1460–ca. 1475) Appears on: 25v–26 Genres: Chanson Source Attribution: [CARON Voice: [no designation] Languages: Latin Voice Text: In te domine speravi General Note [= Le despourveu infortuné à 3vx.] Text: Tanto e lafano (=l'affanno) Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V 1 / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Wolf, Johannes. 1936. Eine deutsche Quelle geistlicher Musik aus dem Ende des 15. Jahrhunderts. Jahrbuch der Musikbibliothek Peters, . [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4.
26v–28	La mi la sol (= Rogamus te piissime)	[H. ISAAC	Isaac, Heinrich (ca. 1450–1517)
La mi la sol (= Rogamus te piissime) Isaac, Heinrich (ca. 1450–1517) Appears on: 26v–28 Genres: Chanson, Contrafactum Source Attribution: [H. ISAAC Voice: [no designation] Languages: Latin Voice Text: [Missa La mi la sol / 0 praeclara.Fragments du Credo] General Note Fragments of Credo]lLa mi la sol.[ = Patrem] [ = Rogamus te piissima virgo]2a p. [Et unam sanctam] [= 0 Maria o regina] Le B mq. Item Bibliography Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: I. Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VIII. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
26v–28	O Maria o regina (= Missa O praeclara: Et unam sanctam)	[H. ISAAC	Isaac, Heinrich (ca. 1450–1517)
O Maria o regina (= Missa O praeclara: Et unam sanctam) Isaac, Heinrich (ca. 1450–1517) Appears on: 26v–28 Genres: Credo (patrem omnipotentem), Mass Ordinary, Motet Source Attribution: [H. ISAAC Voice: [no designation] Languages: Latin Voice Text: 2a p. [Et unam sanctam] [=0 Maria o regina] General Note Fragments du Credo]ha mi la sol.[ = Patrem] [ = Rogamus te piissima virgo] Item Bibliography Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: I. Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VIII. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
28v–29	Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	-	Anonymous
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti Anonymous Appears on: 28v–29 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata.
29v–30	Surge amica mea speciosa mea et veni	-	Anonymous
Surge amica mea speciosa mea et veni Anonymous Appears on: 29v–30 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Surge amica mea speciosa mea et veni
30v–31	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 30v–31 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
31v–32	Deus fortitudo mea	-	Anonymous
Deus fortitudo mea Anonymous Appears on: 31v–32 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus fortitudo mea
32v–33	Je ne me puis vivre à mon ayse = Gaude virgo	H. ISAAC	Isaac, Heinrich (ca. 1450–1517)
Je ne me puis vivre à mon ayse = Gaude virgo Isaac, Heinrich (ca. 1450–1517) Appears on: 32v–33 Genres: Motet Source Attribution: H. ISAAC Voice: [no designation] Languages: Latin Voice Text: Gaude virgo [= Je ne me puis vivre à mon ayse] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, XIV.
33v–34	Dapo che gionta e l'ora	-	Anonymous
Dapo che gionta e l'ora Anonymous Appears on: 33v–34 Voice: [no designation] Languages: Latin Voice Text: Gaude virgo [= Je ne me puis vivre à mon ayse]
34v–35	La quercia	-	Anonymous
La quercia Anonymous Appears on: 34v–35 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La quercia.
35v–36	Helas que pourra devenir	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 35v–36 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Helasso [que pourra devenir]. General Note [= Helas mon euer] [= Helas m'amour][= Der seyden schwantcz. Ave sydus]Publ. cf. Bc 16, n° 110 Concordances US-Wc 25 **D-ddr-Bds 40098
36v–37	De tous biens plaine est ma maîtresse	-	Busnoys, Antoine (ca. 1430–1492)
De tous biens plaine est ma maîtresse Busnoys, Antoine (ca. 1430–1492) Appears on: 36v–37 Genres: Motet Voice: [no designation] Languages: French Voice Text: De tous bien plen
37v–38	Fortune par ta cruaulte	J. VINCENET	Vincenet, Johannes (–ca. 1480)
Fortune par ta cruaulte Vincenet, Johannes (–ca. 1480) Appears on: 37v–38 Genres: Chanson, Contrafactum, Motet Source Attribution: J. VINCENET Voice: [no designation] Languages: French Voice Text: Fortuna par te [crualté] [= Nihil enim est opertum] General Note Publ. cf. Bc, 16 n° 113 Concordances SA-Csa 12
38v–39	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 38v–39 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas
39v–40	Benedicta semper sancta sit trinitas = Je ne demande autre degre	A. BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Benedicta semper sancta sit trinitas = Je ne demande autre degre Busnoys, Antoine (ca. 1430–1492) Appears on: 39v–40 Genres: Chanson, Contrafactum, Motet Source Attribution: A. BUSNOIS Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: I.
40v–41	Forsa chi schopra	-	Anonymous
Forsa chi schopra Anonymous Appears on: 40v–41 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Forsa chi schopra
41v–42	Spes mea	-	Anonymous
Spes mea Anonymous Appears on: 41v–42 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spes mea
42v–43	Ma temo	-	Anonymous
Ma temo Anonymous Appears on: 42v–43 Voice: [no designation] Languages: Latin Voice Text: Spes mea
43v–44	Probasti cor meum Deus	-	Anonymous
Probasti cor meum Deus Anonymous Appears on: 43v–44 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Probasti cor meum deus
44v–45	Adjuva nos Deus salutaris noster?	-	Anonymous
Adjuva nos Deus salutaris noster? Anonymous Appears on: 44v–45 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adiuva me deus (?)
45v–46	Adjuva nos Deus salutaris noster?	-	Anonymous
Adjuva nos Deus salutaris noster? Anonymous Appears on: 45v–46 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adiuva me deus (?)
46v	Nunquam fuit pena major	-	Anonymous
Nunquam fuit pena major Anonymous Appears on: 46v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nunquam fuit pena major General Note Sup. et T seul'
48	untexted	-	-
untexted Appears on: 48 Voice: [no designation] Languages: none Voice Text: without text General Note Sans texte. A et B seul'
48v–49	La Spagna	-	Anonymous
La Spagna Anonymous Appears on: 48v–49 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La Spagna. Item Bibliography Gombosi, Otto Johannes (editor). 1955. Compositione di Meser Vincenzo Capirola Lutebook (circa 1517). Neuilly s/Seine.
49v–50	La Spagna	-	Anonymous
La Spagna Anonymous Appears on: 49v–50 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La Spagna Item Bibliography Gombosi, Otto Johannes (editor). 1955. Compositione di Meser Vincenzo Capirola Lutebook (circa 1517). Neuilly s/Seine.
50v–51	Nunc scio vere quia misit Dominus	-	Anonymous
Nunc scio vere quia misit Dominus Anonymous Appears on: 50v–51 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Nunc scio vere
51v–52	De tous bien plein	-	Anonymous
De tous bien plein Anonymous Appears on: 51v–52 Genres: Introit, Proper Voice: [no designation] Languages: French Voice Text: De tous bien plein General Note Original tenor used as cantus
52v–53	Neoptolemus [i]	-	Anonymous
Neoptolemus [i] Anonymous Appears on: 52v–53 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Neptolemus
53v–54	Neoptolemus [ii]	-	Anonymous
Neoptolemus [ii] Anonymous Appears on: 53v–54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Neptolemus Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II: facs.
54v–55	Bonus et miserator Dominus	-	Anonymous
Bonus et miserator Dominus Anonymous Appears on: 54v–55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Bonus et miserator dominus
55v	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	[JOSQUIN DES PRÉS	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 55v Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [JOSQUIN DES PRÉS Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Sup. et T. seul Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
57	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	-	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 57 Genres: Alma redemptoris mater, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Sans texte. A et B seul'
57v–58	Per votro amours	-	Anonymous
Per votro amours Anonymous Appears on: 57v–58 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Per votro amours
58v–59	Fille vous have mal guarde / Ave sanctissima Maria	[H. ISAAC	Isaac, Heinrich (ca. 1450–1517)
Fille vous have mal guarde / Ave sanctissima Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 58v–59 Genres: Contrafactum, Marian antiphon, Song Source Attribution: [H. ISAAC Voice: [no designation] Languages: French Voice Text: Figlie vos have mal grande General Note Publ. cf. BC 17, n° 59
59v–60	Je pris amor	-	Anonymous
Je pris amor Anonymous Appears on: 59v–60 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Je pris amor.
60v–61	Venus bant	-	Anonymous
Venus bant Anonymous Appears on: 60v–61 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Venus bant
61v–62	Venus bant	-	Anonymous
Venus bant Anonymous Appears on: 61v–62 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Venus bant
62v–63	L'homme banni de sa plaisance vide de joie	[A. AGRICOLA]* Lomo bani	Agricola, Alexander (ca. 1445–1506)
L'homme banni de sa plaisance vide de joie Agricola, Alexander (ca. 1445–1506) Appears on: 62v–63 Genres: Chanson Source Attribution: [A. AGRICOLA]* Lomo bani Voice: [no designation] Languages: Italian Voice Text: L'orno bani Concordances 1501 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
63v–64	Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:)	H. ISAAC	Isaac, Heinrich (ca. 1450–1517)
Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:) Isaac, Heinrich (ca. 1450–1517) Appears on: 63v–64 Genres: Contrafactum, Motet Source Attribution: H. ISAAC Voice: [no designation] Languages: Latin Voice Text: [Missa quant j'ay au cor. Benedictus] Absque verbis General Note [Kyrie: +2+3+5+7] Concordances SartoriB n° 28 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie. Milano. Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: X. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Plamenac, Dragan. 1928. Autour d'Ockeghem. La Revue Musicale, 26-47. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
64v–65	Des biens d'amours	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Des biens d'amours Isaac, Heinrich (ca. 1450–1517) Appears on: 64v–65 Genres: Chanson Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: D]es bien d'amors. General Note [= Ave amatör casti] [= Omnis habet finem labor]Publ. cf. Bc 16, n° 1 Concordances D-ddr-Bds 40021 **SA-Csa 12 Panciatichi 27 & Codex Grey (3.b.12) have text "Omnis [habet finem] labor"; former has "Les Bien amore" in Superius. Berlin 40021 has text "Ave amator casti"
65v–66	Tant ay d'ennuy et tant de desconfort (= O vos omnes)	[L. COMPÈRE] Tant hai de mui [sic]	Obrecht, Jacobus (ca. 1457–1505) (?) Compère, Loyset (ca. 1445–1518) (?)
Tant ay d'ennuy et tant de desconfort (= O vos omnes) Obrecht, Jacobus (ca. 1457–1505) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 65v–66 Genres: Motet Source Attribution: [L. COMPÈRE] Tant hai de mui [sic] Voice: [no designation] Languages: French Voice Text: Tant hai de mui. [sic pour d'ennui] Concordances B-Br 228 General Note [=0 devots cueurs] [=0 vos omnes] Publ. cf. Bc 17, n° 10
66v–67	Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2)	-	Pisano, Bernardo
Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2) Pisano, Bernardo Appears on: 66v–67 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Tristis est anima mea usque ad mortem
67v–68	D'un bel matin che fu sera de fora	-	Anonymous
D'un bel matin che fu sera de fora Anonymous Appears on: 67v–68 Genres: Chanson Voice: [no designation] Languages: French Voice Text: D'un bel maitim.
68v–69	Comment poit avoir joie	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Comment poit avoir joie Isaac, Heinrich (ca. 1450–1517) Appears on: 68v–69 Genres: Chanson Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: Coment poult, [avoir joie] General Note [= Et Incarnatus de 1a Missa Wohlauf Gesell à 4vx.] [ = Et in spiritum de 1a Missa Wohlauf Geseüàóvx.] D-brd-Mbs 3154 Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: X (Messe). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
69v–70	La tortorella che è semplice uccelletto	-	Obrecht, Jacobus (ca. 1457–1505)
La tortorella che è semplice uccelletto Obrecht, Jacobus (ca. 1457–1505) Appears on: 69v–70 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La turturella.
70v–71	Si dedero somnum oculis meis	A. AGRICOLA ou VERBONNET	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 70v–71 Genres: Motet Source Attribution: A. AGRICOLA ou VERBONNET Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note Publ. cf. BC 16, n" 117 Concordances »CH-SGs 463
71v–72	Je cuide se ce temps me dure	P. CONGIET ou J. JAPART	Japart, Jean (?) Congiet, Petrus (?)
Je cuide se ce temps me dure Japart, Jean (?) Congiet, Petrus (?) Appears on: 71v–72 Genres: Chanson Source Attribution: P. CONGIET ou J. JAPART Voice: [no designation] Languages: French Voice Text: Je quide [= Primum querite regnum dei] General Note [= Primum querite regnumdei] Concordances SA-Csa 12 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
72v–73	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	[H. ISAAC	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 72v–73 Genres: Italian secular Source Attribution: [H. ISAAC Voice: [no designation] Languages: Italian Voice Text: La mora, [dona gentile] General Note . [= Elaes] [= Veni sancte spiritus. Reple tuorum corda] [= O regina*] Concordances F-Pn 676 »»E-SE *D-ddr-LEu 1494 »»"CH-SGs 462 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 32. Riemann, Hugo. 1908-9. Kleine Studien zu Joh. Wolfs neuem Isaak-Band. Sammelbände der internationalen Musikgesellschaft, 115ff. Pages: 125-132. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
73v–74	Mais que ce fut secrètement	MALCORT ou J. MARTINI ou J. OCKEGHEM*	Ockeghem, Jean de (ca. 1410–1497) (?) Malcourt, L (?) Martini, Johannes (ca. 1430–1497) (?)
Mais que ce fut secrètement Ockeghem, Jean de (ca. 1410–1497) (?) Malcourt, L (?) Martini, Johannes (ca. 1430–1497) (?) Appears on: 73v–74 Genres: Chanson, Contrafactum Source Attribution: MALCORT ou J. MARTINI ou J. OCKEGHEM* Voice: [no designation] Languages: French Voice Text: Malur me bat [= Dieu d'amors] General Note = Dieu d'amors]Publ. cf. Bc 16, n° 14 Concordances *1501; CH-SGs 461
74v–75	Une mosche de Bischaye 28.35	JOSQUIN DES PRÉS	Despres, Josquin (ca. 1450–1521)
Une mosche de Bischaye 28.35 Despres, Josquin (ca. 1450–1521) Appears on: 74v–75 Genres: Chanson Source Attribution: JOSQUIN DES PRÉS Voice: [no designation] Languages: Italian Voice Text: Una musca General Note Publ. cf. Bc 17, n° 69
75v–76	Mater patris et filia mulierum laetitia	A. BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Mater patris et filia mulierum laetitia Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 75v–76 Genres: Sequence Source Attribution: A. BRUMEL Voice: [no designation] Languages: Latin Voice Text: Mater patris Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: V. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Elústiza, Juan B de, and Gonzalo Castillo Hernandez. 1933. Antología Musical. Siglo de Oro de la Música Litúrgica en España. Polifonía Vocal de los siglos XV y XVI. Barcelona. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam.
76v–77	Borgo loco	-	Anonymous
Borgo loco Anonymous Appears on: 76v–77 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Borgo loco
77v–78	Nam edunt de micis / Biblis	-	Anonymous
Nam edunt de micis / Biblis Anonymous Appears on: 77v–78 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nam edunt de micis / Biblis Concordances SA-Csa 12 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76 (Nam edunt).
78v–79	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 78v–79 Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: ] Adie mes amours General Note Publ. cf. Bc 17, n' 54
79v–80	Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] Isaac, Heinrich (ca. 1450–1517) Appears on: 79v–80 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: With title "Thysis" Concordances F-Pn 676 E-SE General Note .[=Gratis accepistis] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Davison, Archibald Thompson, and Willi Apel (editors). 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music. Cambridge, Massachusetts. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 8, XIV(p. 119, n° 51, sans paroles).
80v–81	Ha traite amours me sçauroes-tu feire pis	RUBINET* [ou L. COMPERE** ou J. STOCKEM]	Stockem, Johannes de (ca. 1445–1487) (?) Robinet, F (?) Compère, Loyset (ca. 1445–1518) (?)
Ha traite amours me sçauroes-tu feire pis Stockem, Johannes de (ca. 1445–1487) (?) Robinet, F (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 80v–81 Genres: Chanson Source Attribution: RUBINET* [ou L. COMPERE ou J. STOCKEM] Voice: [no designation] Languages: French Voice Text:** [Ha traitre amour] General Note Ce nom d'auteur (?) sous la musique aux 3vx.Publ. cf. Bc 17, n° 38 Concordances *c. 153514
81v–82	Non te smarir cor mio va passo passo	-	Anonymous
Non te smarir cor mio va passo passo Anonymous Appears on: 81v–82 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Non ti smarir cor mio.
82v–83	La Bernardina 27.21	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
La Bernardina 27.21 Despres, Josquin (ca. 1450–1521) Appears on: 82v–83 Genres: Secular Source Attribution: [JOSQUIN DES PRÉS]* Voice: [no designation] Languages: Italian Voice Text: La bernardina. Concordances . 15043 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931).* Leipzig/ Amsterdam.
83v–84	Speciosa facta es	-	Anonymous
Speciosa facta es Anonymous Appears on: 83v–84 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Speciosa facta es
84v–85	Parce Domine populo tuo quia pius es	[J. OBRECHT]*	Obrecht, Jacobus (ca. 1457–1505)
Parce Domine populo tuo quia pius es Obrecht, Jacobus (ca. 1457–1505) Appears on: 84v–85 Genres: Motet Source Attribution: [J. OBRECHT]* Voice: [no designation] Languages: Latin Voice Text: Parce domine populo tuo quia pius es General Note Publ. cf. Bc 17, n° 1 Concordances *1503'
85v–86	Agnus Dei	A. BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 85v–86 Genres: Agnus Dei, Mass Ordinary Source Attribution: A. BRUMEL Voice: [no designation] Languages: Latin Voice Text: Agnus dei. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, I.
86v–87	De tous biens playne (= E chi le dira?)	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
De tous biens playne (= E chi le dira?) Isaac, Heinrich (ca. 1450–1517) Appears on: 86v–87 Genres: Lauda Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Italian Voice Text: E chi le dira. Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: VI. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, XIV.
87v–88	Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte	[L. COMPÈRE ou C. FESTA*]	Compère, Loyset (ca. 1445–1518) (?) Festa, Costanzo (ca. 1485–1545) (?)
Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte Compère, Loyset (ca. 1445–1518) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 87v–88 Genres: Sacred Song Source Attribution: [L. COMPÈRE ou C. FESTA] Voice:* [no designation] Languages: French Voice Text: Me doibt. [sic pour Ne doibt] .[= Venite amanti insieme a pianger forte] Concordances 155626 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
88v–89	Mij morghen gaf	-	Anonymous
Mij morghen gaf Anonymous Appears on: 88v–89 Genres: Secular Voice: [no designation] Languages: Flemish Voice Text: Mij morghen gaf. Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
89v–90	Nunca fue pena mayor / Numquam fuit pena magior	[J. URREDE ou ENRIQUE*]	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 89v–90 Genres: Motet Source Attribution: [J. URREDE ou ENRIQUE] Voice:* [no designation] Languages: Latin Voice Text: Nuncha fu pena maior. General Note Publ. cf. Bc 16, n° 116 Concordances *E-Sc 28
90v–91	Guerisses moi du grant mal que je porte	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Guerisses moi du grant mal que je porte Compère, Loyset (ca. 1445–1518) Appears on: 90v–91 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Garisés moi [du grant mal que je porte]. Concordances E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
91v–92	En atendant de vous [=d'avoir] secours	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
En atendant de vous [=d'avoir] secours Compère, Loyset (ca. 1445–1518) Appears on: 91v–92 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: En atendant [de vous secours]. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Villanis, Louis-Albert. 1905. Alcuni Codici Manoscritti di Musica del Secolo XVI Posseduti dalla Biblioteca Nazionale di Torino. Atti del Congresso internationale di scienze storiche, .
92v–93	O virgo	-	Anonymous
O virgo Anonymous Appears on: 92v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O virgo
93v	A qui dirette sa pensé la fille	-	Anonymous
A qui dirette sa pensé la fille Anonymous Appears on: 93v Genres: Chanson Voice: [no designation] Languages: French Voice Text: A qui dirette sa pensé General Note Sup. et T seul Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	L'homme banni de sa plaisance vide de joie – 62v–63 Si dedero somnum oculis meis – 70v–71
Anonymous	A qui dirette sa pensé la fille – 93v Adjuva nos Deus salutaris noster? – 45v–46 Adjuva nos Deus salutaris noster? – 44v–45 Alla fé si alla fé bona – 6v–7 Bonus et miserator Dominus – 54v–55 Borgo loco – 76v–77 Come el piombin – 15v–16 Con qual fronte a te Maria – 5v–6 D'un bel matin che fu sera de fora – 67v–68 Da pacem Domine in diebus nostris – 30v–31 Dapo che gionta e l'ora – 33v–34 De tous bien plein – 51v–52 Deus fortitudo mea – 31v–32 Forsa chi schopra – 40v–41 Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti – 28v–29 In te Domine sperabo – 24v–25 Je pris amor – 59v–60 La Spagna – 48v–49 La Spagna – 49v–50 La quercia – 34v–35 Lontan pur mi convien partir da te – 1v–2 Ma temo – 42v–43 Mij morghen gaf – 88v–89 Nam edunt de micis / Biblis – 77v–78 Neoptolemus [i] – 52v–53 Neoptolemus [ii] – 53v–54 Non te smarir cor mio va passo passo – 81v–82 Nunc scio vere quia misit Dominus – 50v–51 Nunquam fuit pena major – 46v O virgo – 92v–93 Oime che sempre spero – 4v–5 Per votro amours – 57v–58 Probasti cor meum Deus – 43v–44 Se'l mi dole esser gabato – 13v–14 Sensa te sacra regina – 17v–18 Speciosa facta es – 83v–84 Spes mea – 41v–42 Surge amica mea speciosa mea et veni – 29v–30 Va va iniqua e disleale – 8v–9 Venus bant – 61v–62 Venus bant – 60v–61 [No description] – 48
Brumel, Antoine (ca. 1460–ca. 1513)	Agnus Dei – 85v–86 Mater patris et filia mulierum laetitia – 75v–76 Noe noe noe [= Bonus et rectus Dominus propterea docebit] – 22v–23 Venimus princeps – 23v–24
Busnoys, Antoine (ca. 1430–1492)	Benedicta semper sancta sit trinitas = Je ne demande autre degre – 39v–40 De tous biens plaine est ma maîtresse – 36v–37
Cara, Marchetto	(?) De si de no de si – 14v–15 Se de fede hor vento a meno – 11
Caron, Firminus (ca. 1460–ca. 1475)	Helas que pourra devenir – 35v–36 Le despourveu infortune = Tanto e l'affanno – 25v–26
Compère, Loyset (ca. 1445–1518)	En atendant de vous [=d'avoir] secours – 91v–92 Guerisses moi du grant mal que je porte – 90v–91 (?) Ha traite amours me sçauroes-tu feire pis – 80v–81 (?) Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte – 87v–88 (?) Tant ay d'ennuy et tant de desconfort (= O vos omnes) – 65v–66
Congiet, Petrus	(?) Je cuide se ce temps me dure – 71v–72
Despres, Josquin (ca. 1450–1521)	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 78v–79 Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 55v Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 57 (?) In te, Domine, speravi per trovar pietà in eterno 28.18 – 12v–13 La Bernardina 27.21 – 82v–83 Une mosche de Bischaye 28.35 – 74v–75
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 89v–90
Festa, Costanzo (ca. 1485–1545)	(?) Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte – 87v–88
G.F.	Benedicta semper sancta sit trinitas – 38v–39
Isaac, Heinrich (ca. 1450–1517)	Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:) – 63v–64 Ave regina caelorum – 21v–22 Comment poit avoir joie – 68v–69 De tous biens playne (= E chi le dira?) – 86v–87 Des biens d'amours – 64v–65 Fille vous have mal guarde / Ave sanctissima Maria – 58v–59 Je ne me puis vivre à mon ayse = Gaude virgo – 32v–33 La mi la sol (= Rogamus te piissime) – 26v–28 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 72v–73 O Maria o regina (= Missa O praeclara: Et unam sanctam) – 26v–28 Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] – 79v–80
Japart, Jean	(?) Je cuide se ce temps me dure – 71v–72
Lurano, Filippo de	(?) Io ti lasso donna hor mai – 7v
Malcourt, L	(?) Mais que ce fut secrètement – 73v–74
Martini, Johannes (ca. 1430–1497)	(?) Mais que ce fut secrètement – 73v–74
Obrecht, Jacobus (ca. 1457–1505)	La tortorella che è semplice uccelletto – 69v–70 Parce Domine populo tuo quia pius es – 84v–85 (?) Tant ay d'ennuy et tant de desconfort (= O vos omnes) – 65v–66
Ockeghem, Jean de (ca. 1410–1497)	(?) Mais que ce fut secrètement – 73v–74
Patavinus, Antonius Stringarius	Viva e morta voglio amarte – 18v–19
Pesenti, Martino	Dimi un pocho che voi dire – 11v–12
Pisano, Bernardo	Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2) – 66v–67
Robinet, F	(?) Ha traite amours me sçauroes-tu feire pis – 80v–81
Stockem, Johannes de (ca. 1445–1487)	(?) Ha traite amours me sçauroes-tu feire pis – 80v–81
Tromboncino, Bartolomeo (1470–ca. 1534)	Ave Maria gratia plena Dominus tecum – 19v–20 De per dio non mi far torto – 2v–3 (?) De si de no de si – 14v–15 Poi che 'l ciel contrario – 9v Poiché l'alma per se molta – 16v–17 Salva nos Domine vigilantes custodi nos – 20v–21 Se ben or non schopro il foco – 3v–4
Urrede (Wrede), Juan de (fl. 1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 89v–90
Vincenet, Johannes (–ca. 1480)	Fortune par ta cruaulte – 37v–38

Composition	Composers (? Uncertain)	Folios / Pages
A qui dirette sa pensé la fille	Anonymous	93v
Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:)	Isaac, Heinrich (ca. 1450–1517)	63v–64
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	78v–79
Adjuva nos Deus salutaris noster?	Anonymous	44v–45
Adjuva nos Deus salutaris noster?	Anonymous	45v–46
Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	85v–86
Alla fé si alla fé bona	Anonymous	6v–7
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	55v
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	57
Ave Maria gratia plena Dominus tecum	Tromboncino, Bartolomeo (1470–ca. 1534)	19v–20
Ave regina caelorum	Isaac, Heinrich (ca. 1450–1517)	21v–22
Benedicta semper sancta sit trinitas	G.F.	38v–39
Benedicta semper sancta sit trinitas = Je ne demande autre degre	Busnoys, Antoine (ca. 1430–1492)	39v–40
Bonus et miserator Dominus	Anonymous	54v–55
Borgo loco	Anonymous	76v–77
Come el piombin	Anonymous	15v–16
Comment poit avoir joie	Isaac, Heinrich (ca. 1450–1517)	68v–69
Con qual fronte a te Maria	Anonymous	5v–6
D'un bel matin che fu sera de fora	Anonymous	67v–68
Da pacem Domine in diebus nostris	Anonymous	30v–31
Dapo che gionta e l'ora	Anonymous	33v–34
De per dio non mi far torto	Tromboncino, Bartolomeo (1470–ca. 1534)	2v–3
De si de no de si	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?)	14v–15
De tous bien plein	Anonymous	51v–52
De tous biens plaine est ma maîtresse	Busnoys, Antoine (ca. 1430–1492)	36v–37
De tous biens playne (= E chi le dira?)	Isaac, Heinrich (ca. 1450–1517)	86v–87
Des biens d'amours	Isaac, Heinrich (ca. 1450–1517)	64v–65
Deus fortitudo mea	Anonymous	31v–32
Dimi un pocho che voi dire	Pesenti, Martino	11v–12
En atendant de vous [=d'avoir] secours	Compère, Loyset (ca. 1445–1518)	91v–92
Fille vous have mal guarde / Ave sanctissima Maria	Isaac, Heinrich (ca. 1450–1517)	58v–59
Forsa chi schopra	Anonymous	40v–41
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	Anonymous	28v–29
Fortune par ta cruaulte	Vincenet, Johannes (–ca. 1480)	37v–38
Guerisses moi du grant mal que je porte	Compère, Loyset (ca. 1445–1518)	90v–91
Ha traite amours me sçauroes-tu feire pis	Stockem, Johannes de (ca. 1445–1487) (?) Robinet, F (?) Compère, Loyset (ca. 1445–1518) (?)	80v–81
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	35v–36
In te Domine sperabo	Anonymous	24v–25
In te, Domine, speravi per trovar pietà in eterno 28.18	Despres, Josquin (ca. 1450–1521) (?)	12v–13
Io ti lasso donna hor mai	Lurano, Filippo de (?)	7v
Je cuide se ce temps me dure	Japart, Jean (?) Congiet, Petrus (?)	71v–72
Je ne me puis vivre à mon ayse = Gaude virgo	Isaac, Heinrich (ca. 1450–1517)	32v–33
Je pris amor	Anonymous	59v–60
L'homme banni de sa plaisance vide de joie	Agricola, Alexander (ca. 1445–1506)	62v–63
La Bernardina 27.21	Despres, Josquin (ca. 1450–1521)	82v–83
La mi la sol (= Rogamus te piissime)	Isaac, Heinrich (ca. 1450–1517)	26v–28
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	72v–73
La quercia	Anonymous	34v–35
La Spagna	Anonymous	48v–49
La Spagna	Anonymous	49v–50
La tortorella che è semplice uccelletto	Obrecht, Jacobus (ca. 1457–1505)	69v–70
Le despourveu infortune = Tanto e l'affanno	Caron, Firminus (ca. 1460–ca. 1475)	25v–26
Lontan pur mi convien partir da te	Anonymous	1v–2
Ma temo	Anonymous	42v–43
Mais que ce fut secrètement	Ockeghem, Jean de (ca. 1410–1497) (?) Malcourt, L (?) Martini, Johannes (ca. 1430–1497) (?)	73v–74
Mater patris et filia mulierum laetitia	Brumel, Antoine (ca. 1460–ca. 1513)	75v–76
Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte	Compère, Loyset (ca. 1445–1518) (?) Festa, Costanzo (ca. 1485–1545) (?)	87v–88
Mij morghen gaf	Anonymous	88v–89
Nam edunt de micis / Biblis	Anonymous	77v–78
Neoptolemus [i]	Anonymous	52v–53
Neoptolemus [ii]	Anonymous	53v–54
Noe noe noe [= Bonus et rectus Dominus propterea docebit]	Brumel, Antoine (ca. 1460–ca. 1513)	22v–23
Non te smarir cor mio va passo passo	Anonymous	81v–82
Nunc scio vere quia misit Dominus	Anonymous	50v–51
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	89v–90
Nunquam fuit pena major	Anonymous	46v
O Maria o regina (= Missa O praeclara: Et unam sanctam)	Isaac, Heinrich (ca. 1450–1517)	26v–28
O virgo	Anonymous	92v–93
Oime che sempre spero	Anonymous	4v–5
Parce Domine populo tuo quia pius es	Obrecht, Jacobus (ca. 1457–1505)	84v–85
Per votro amours	Anonymous	57v–58
Poi che 'l ciel contrario	Tromboncino, Bartolomeo (1470–ca. 1534)	9v
Poiché l'alma per se molta	Tromboncino, Bartolomeo (1470–ca. 1534)	16v–17
Probasti cor meum Deus	Anonymous	43v–44
Salva nos Domine vigilantes custodi nos	Tromboncino, Bartolomeo (1470–ca. 1534)	20v–21
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	Isaac, Heinrich (ca. 1450–1517)	79v–80
Se ben or non schopro il foco	Tromboncino, Bartolomeo (1470–ca. 1534)	3v–4
Se de fede hor vento a meno	Cara, Marchetto	11
Se'l mi dole esser gabato	Anonymous	13v–14
Sensa te sacra regina	Anonymous	17v–18
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	70v–71
Speciosa facta es	Anonymous	83v–84
Spes mea	Anonymous	41v–42
Surge amica mea speciosa mea et veni	Anonymous	29v–30
Tant ay d'ennuy et tant de desconfort (= O vos omnes)	Obrecht, Jacobus (ca. 1457–1505) (?) Compère, Loyset (ca. 1445–1518) (?)	65v–66
Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2)	Pisano, Bernardo	66v–67
Une mosche de Bischaye 28.35	Despres, Josquin (ca. 1450–1521)	74v–75
Va va iniqua e disleale	Anonymous	8v–9
Venimus princeps	Brumel, Antoine (ca. 1460–ca. 1513)	23v–24
Venus bant	Anonymous	60v–61
Venus bant	Anonymous	61v–62
Viva e morta voglio amarte	Patavinus, Antonius Stringarius	18v–19

‡ denotes primary source study

Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; incipits; transcription (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 133,144,183,210ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brown, Howard Mayer. 1983. A 'New' Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report. Musica Disciplina, 171-233. Pages: 197,199-200,206-7. Notes: contents list (partial); concordances (partial).

Buxton, Ralph W. 1981. Johannes Japart: A Fifteenth-Century Chanson Composer. Current Musicology, 7-38.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 72.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II,153,259-60. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 293ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial).

Boorman, Stanley. 1977. The 'First' Edition of the Odhecaton A. Journal of the American Musicological Society, 183-207. Pages: 199-207.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xix-xx,28-34,62,86-7; II1,49. Notes: physical description; contents list (partial); concordances (partial).

Gallico, Claudio. 1976. Josquin's Compositions on Italian Texts and the Frottola. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 446-54. London, New York, and Toronto. Pages: 451.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,61ff,237. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: II,48-9,80,119-20,148. Notes: contents list (partial); concordances (partial).

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: Vl.xxxii-xxxiii, 184; VII,xix-xxi. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Prizer, William Flaville. 1974. Marchetta Cara and the North Italian Frottola. University of North Carolina, Unpublished Ph.D. dissertation. Pages: II, 13,24,29. Notes: physical description (partial); contents list (partial); concordances (partial).

Cattin, Giulio. 1973. Nuova Fonte Italiana della Polifonia intorno al 1500 (MS. Cape Town, Grey 3.b.l2). Acta Musicologica, 165-221. Pages: 179ff. Notes: contents list (partial); concordances (partial).

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: Bologna, Civico Mus. bibi. mus., Ms. Misc. H. 83, f. 52 (p. 29).

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 463-4.

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Pages: 272.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xvii; V,xxxiii-xxxiv,xxxviii. Notes: contents list (partial); concordances (partial); discussion; cussion of the MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 10 et 108f.

Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I, 73ff, passim; II,25. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hewitt, Helen Margaret (editor). 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music. Chicago and London. Pages: 11, passim.

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 50-2.

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Pages: 3, 6.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV.xv-xvi; V.lxviii-lxix.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,349-50. Notes: physical description; contents list (partial); concordances (partial).

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: Staehelin, VIII, 144 AtlasTC, 237.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII,144,171-2. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 115, passim. Notes: contents list (partial); concordances (partial).

Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Pages: Ixiii-lxiv. Notes: physical description; contents list; incipitsst of contents (partial).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 170 (identifications incompl. et pas toujours exactes).

Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 451-505,575-615. Pages: 502ff.

Gaspari, Gaetano. 1890-1943. Catalogo della Biblioteca del Liceo musicale di Bologna. 5 vols. Bologna. Pages: III, 4.

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Giacomo Pirani

Tuesday, 17 November, 2020

Note re: In te, Domine, speravi on ff. 12v-13 - that it matches the text in Petrucci's Frottole libro primo (1504). And also that this is followed by the composition 'Se'l mi dole esser gabato' on ff. 13v-14.

Laura Dümpelmann

Tuesday, 15 September, 2020

Incorrect composition on f. 51v-52 - changed to 'De tous biens plaine'

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Bc Q.18

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

manuscript of polyphony: Early 16th century

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