I-Bc Q.19 (Rusconi Codex)

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

Manuscript of polyphony: c. 1518

Archive	Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark	Q.19 (Rusconi Codex)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	293 x 212 mm
Other Identifiers	RISM: I-Bc 19 CCM: BolC Q19
Notations	black void mensural
Relationships	Rusconi family (owner) Poitiers, Diane de (owner)
External Links	PRoMS CMME online edition
Provenance	Northern Italy, Italy
Contents	133 pieces from 38 composers

General Description

Copied by one scribe. Copied in northern Italy (PerkR), possibly in Cento, or Bologna (CrawF). At one time in the possession of the Bolognese branch of the Rusconi family, whose name is on the spine.

DIAMM, 2017

Binding

Original covers of brown tooled leather over boards

DIAMM, 2017

Watermark

resembles Mosin #397 (LockMM). Initials 'DP' and stag silhouette not related to Diane de Poitiers (LockMM, FinschMK, StaeRMC).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern foliation, 1-6; original foliation, 1-202 (last folio not numbered).

DIAMM, 2017

Decoration

Eight initials, removed from elsewhere, have been pasted at the beginnings of eight pieces; these appear to be in the style of the Ferrarese school of manuscript illumination. On f. 2' is an ink drawing of a white stag lying under a tree, pasted to a black rectangular piece of paper; the initials 'D.P.' have been written over the drawing.

DIAMM, 2017

Index

Original index listing pieces alphabetically, followed by name of composer.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. (1518). 209ff. Papier, 295 x 210 mm.

Foliotation ancienne: 1-203, ne tenant pas compte des 6ff. limin. chiffrés postérieurement 1-6, mais correspondant à celle de la table. Les ff. limin. [I, IIv] sont blancs. Notation mesurée blanche. 10 portées par p. Aux ff. Umin. [rVv-VI] table alphabétique du ms. de 1a main du scribe. Au f. limin. [III], vignette collée postérieurement (Cf. plus bas). Quelques lettres et marges ornées or et coul, découpées d'un autre ms. et collées. Reliure ancienne cuir estampé, liens de coton.

Ce ms. tire son surnom du fait qu'il appartenait à la bibliothèque du marquis Rusconi qui le vendit vers 1862 à Bologne. Il figure dans l'inventaire du Civico museo rédigé en 1888 comme «acquisto recente.» Le filigrane (ancre dans un cercle qui indique un papier vénitien du début du XVIe s.) correspond bien à la date inscrite au f. limin. [Iv]: «1518 adi 10 de zugno.» De nombreuses hypothèses ont été émises concernant l'origine du ms.: alors que Jeppesen pense qu'il a été compilé et copié par Sebastiano Festa qui se serait ainsi réservé le no 1 (MGG IV: S. Festa), Lowinsky penche pour Costanzo Festa et considère que le cerf surmonté des initiales D P qui figure au f. limin. [III] représente l'emblème de Diane de Poitiers à laquelle le ms. aurait appartenu. Enfin Crawford estime que le ms. aurait été copié par les Festa, sinon à Bologne même, du moins dans la région. Quoiqu'il en soit, il s'agit non pas d'un ms. d'apparat, mais d'un ms. d'usage privé, et copié, plutôt que par un scribe professionnel, par un musicien, italien, si l'on en juge par la date rédigée en italien et par l'orthographe fautive des 8 chansons françaises qui, de surcroit, ne comportent que les premiers mots du texte, alors que les pièces religieuses (92) sont pourvues d'un texte complet. On peut remarquer cependant que la graphie «Maester Jhaen» pour Maitre Jan (no 91) est plus nordique qu'italienne, tandis que le texte macaronique germanique du canon no 98, avec l'allusion à la mortadel, peut évoquer la région Modène-Ferrare-Mantoue à laquelle appartiennent en tout cas, deux des compositeurs du ms.: Fogliano et Symon.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 2 Kyrie-Gloria pairs, 3 Magnificats, 75 motets, 2 motet-chansons, 8 French secular pieces, 1 canon = 95

A. Agricola-1, Barra [Hutinet]-1, Bruhier-1, Brumel-3, Carpentras-1, Divitis-2, C. Festa-5, S. Festa-3, A. Févin-2, G. Fogliano-2, Jaquet of Mantua [Jachet]-5, Jaquet of Mantua/(Mouton)-2, Jhan of Ferrara-3, Josquin-1, Lhéritier-1, (Lhéritier/Mouton)-1, Longaval-1, Lupus-4, Lupus/(Conseil)-1, Moulu-3, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Mouton)-1, Mouton-12, Mouton/(Josquin)-1, Pipelare-1, Remi-1, Renaldo-11, Richafort-2, Richafort/(Josquin/Lebrun)-1, Rigamundus-1, (Sermisy)-1, Silva-3, Simon of Ferrara-2, Willaert-3, anon-11

207 paper folios, 293 x 212. Original foliation, 1-202 (first four folios and last folio not numbered). Original covers of brown tooled leather over boards. Original index listing pieces alphabetically, followed by name of composer. Copied by one scribe. Eight initials, removed from elsewhere, have been pasted at the beginnings of eight pieces; these appear to be in the style of the Ferrarese school of manuscript illumination. On f. 2' is an ink drawing of a white stag lying under a tree, pasted to a black rectangular piece of paper; the initials "D.P." have been written over the drawing.

Ca. 1518 (inscription on f. 1': "1518 adi. 10. de zugno"). Copied in northern Italy (PerkR), possibly in Cento, or Bologna (CrawF); of French origin, once in possession of Diane de Poitiers (LowMCE). At one time in the possession of the Bolognese branch of the Rusconi family, whose name is on the spine.

Vol 4

Contents: 4 Masses, 1 Kyrie-Gloria pair, 1 Kyrie, 1 Gloria, 3 Magnificats, 77 motets (1 incomplete), 2 motet-chansons, 8 French secular pieces, 1 canon with macaronic text = 98

Composers: Change "Brumel-3" to "Brumel-2, Brumel/(Isaac)-1 "; change "A. Févin-2" to "A. Févin-1, A. Févin/(Divitis)-1 "; change "Pipelare-1" to "Pipelare/(La Rue)-1"; add "Mouton/(Josquin/Willaert)-1," "(Rein)-1," and "(Roselli)-1."

Physical: 209 paper folios, 293 x 212. Modern foliation, 1-6 + original folia-tion, 1-202 (last folio not numbered). Watermark resembles Mosin #397 (LockMM). Initials "DP" and stag silhouette not related to Diane de Poitiers (LockMM, FinschMK, StaeRMC).

Provenance: Remove "of French origin, once in possession of Diane de Poitiers (LowMCE)."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
Iv–II	Angele Dei qui custos es mei me tibi	Seb. Festa	Festa, Sebastiano (ca. 1490–1524)
Angele Dei qui custos es mei me tibi Festa, Sebastiano (ca. 1490–1524) Appears on: Iv–II Genres: Motet Source Attribution: Seb. Festa Voice: [no designation] Languages: Latin Voice Text: Angele dei qui custos es mei me tibi General Note Facs. Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II.
IIIv–IV	Moriens lux amantissima qui in cruce	Moton [= Mouton]	Mouton, Jean (ca. 1459–1522)
Moriens lux amantissima qui in cruce Mouton, Jean (ca. 1459–1522) Appears on: IIIv–IV Genres: Motet Source Attribution: Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Moriens lux amantissima General Note T: Tibi soli peccavi Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
VI–1	J'ai	P. MOLU (Moulu)	Moulu, Pierre (ca. 1484–ca. 1550)
J'ai Moulu, Pierre (ca. 1484–ca. 1550) Appears on: VI–1 Genres: Secular Source Attribution: P. MOLU (Moulu) Voice: [no designation] Languages: French Voice Text: Jay Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation.
1v–2	Fors seulement l'atent que je meure (II)	PIPLARE [ou P. DE LA RUE]*	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)
Fors seulement l'atent que je meure (II) Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 1v–2 Genres: Chanson Source Attribution: PIPLARE [ou P. DE LA RUE]* Voice: [no designation] Languages: French Voice Text: Fors seullement [= Exortum est] General Note [= Exortum est] Concordances 15022 "E-Sc 28B Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Pages: (Exortum est). Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502.* Monuments of Renaissance Music. Chicago. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 20. Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,.
2v–3	Fors seulement l'attente que je meure	ANDREA DE SYLVA	Silva, Andreas de (ca. 1475–ca. 1522)
Fors seulement l'attente que je meure Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 2v–3 Genres: Chanson Source Attribution: ANDREA DE SYLVA Voice: [no designation] Languages: French Voice Text: Fors seulement
3v–4	Fors seulement l'attente que je meure (2p. Qui n'est douleur)	-	Rue, Pierre de la (ca. 1452–1518)
Fors seulement l'attente que je meure (2p. Qui n'est douleur) Rue, Pierre de la (ca. 1452–1518) Appears on: 3v–4 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Fors seulement
4v–5	Nobis sancte spiritus gratia sit data	Alexander Agricola	Agricola, Alexander (ca. 1445–1506)
Nobis sancte spiritus gratia sit data Agricola, Alexander (ca. 1445–1506) Appears on: 4v–5 Genres: Hymn Source Attribution: Alexander Agricola Voice: [no designation] Languages: Latin Voice Text: Nobis sancte spiritus gratia sit data Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV.
5v–6	Haec dies quam fecit	-	Anonymous
Haec dies quam fecit Anonymous Appears on: 5v–6 Genres: Gradual, Motet Voice: [no designation] Languages: Latin Voice Text: Haec dies quam fecit dominus exultemus
6v–7	Corde et animo Christo canamus gloriam	Jo. Moton [= Mouton]	Mouton, Jean (ca. 1459–1522)
Corde et animo Christo canamus gloriam Mouton, Jean (ca. 1459–1522) Appears on: 6v–7 Genres: Motet Source Attribution: Jo. Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Corde et animo Christo canamus gloriam Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
7v–8	Paradisi portas aperuit nobis jeiunii	Renaldo (ou Lupus)	Hellinck, Lupus (ca. 1494–1541) (?) Reynaldus, Fr. (?)
Paradisi portas aperuit nobis jeiunii Hellinck, Lupus (ca. 1494–1541) (?) Reynaldus, Fr. (?) Appears on: 7v–8 Genres: Motet Source Attribution: Renaldo (ou Lupus) Voice: [no designation] Languages: Latin Voice Text: Paradisi portas aperuit nobis jeiunii
8v–9	Peccantem me quotidie	Hutinet [Barra]	Barra, Hotinet (fl. 1510-23)
Peccantem me quotidie Barra, Hotinet (fl. 1510-23) Appears on: 8v–9 Genres: Motet Source Attribution: Hutinet [Barra] Voice: [no designation] Languages: Latin Voice Text: Peccantem me quotidie
9v–11	Fours seullement - 1a pars (of 2): Fours seullement	ANTONIUS DEVITIS	Divitis, Antonius (ca. 1470–ca. 1530)
Fours seullement - 1a pars (of 2): Fours seullement Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 9v–11 Genres: Chanson Source Attribution: ANTONIUS DEVITIS Voice: [no designation] Languages: French Voice Text: Fours seullement. General Note 2a p.: Qu'il n'est [doleur] que par vosje nesante . . .Texte complet au T seul' (the only texted version of the song in the ms)
9v–11	Fours seullement - 2a pars (of 2): Qu'il n'est doleur que par vosje ne sante	ANTONIUS DEVITIS (could it be ? De Vigne?)	Divitis, Antonius (ca. 1470–ca. 1530) (?)
Fours seullement - 2a pars (of 2): Qu'il n'est doleur que par vosje ne sante Divitis, Antonius (ca. 1470–ca. 1530) (?) Appears on: 9v–11 Genres: Chanson Source Attribution: ANTONIUS DEVITIS (could it be ? De Vigne?) Voice: [no designation] Languages: Latin Voice Text: 2a p.: Qu'il n'est [doleur] que par vosje ne sante . . . General Note Texte complet au T seul'
11v–12	Regem archangelorumDominum venite	Constantius Festa	Festa, Costanzo (ca. 1485–1545)
Regem archangelorumDominum venite Festa, Costanzo (ca. 1485–1545) Appears on: 11v–12 Genres: Motet Source Attribution: Constantius Festa Voice: [no designation] Languages: Latin Voice Text: Regem archangelorum dominum venite Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V. Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 451-505,575-615. Pages: I.
12v–15	Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Ricaforte [= Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Richafort, Jean (ca. 1480–ca. 1550) Appears on: 12v–15 Genres: Motet Source Attribution: Ricaforte [= Richafort] Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius quae ignoranter General Note 2ap.:Peccavimus cum patribus nostris . . . Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London.
12v–15	Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	Ricaforte [= Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris Richafort, Jean (ca. 1480–ca. 1550) Appears on: 12v–15 Genres: Motet Source Attribution: Ricaforte [= Richafort] Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius quae ignoranter Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London.
15v–17	Noe Noe Hodie salvator - 1a pars (of 2): Noe Noe Hodie salvator mundi natus est	Jachet	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)
Noe Noe Hodie salvator - 1a pars (of 2): Noe Noe Hodie salvator mundi natus est Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 15v–17 Genres: Motet Source Attribution: Jachet Voice: [no designation] Languages: Latin Voice Text: Noe noe noe hodie salvator mundi natus General Note 2a p.: Angelus ad pastores ait … Attrib. à Jachet de Mantoue dans ReeseMU, p. 367, par assimilation avec le n° 16 Item Bibliography Reese, Gustave. 1954. Music in the Renaissance. New York. Pages: p 367.
15v–17	Noe Noe Hodie salvator - 2a pars (of 2): Angelus ad pastores ait	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)
Noe Noe Hodie salvator - 2a pars (of 2): Angelus ad pastores ait Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 15v–17 Genres: Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: Noe noe noe hodie salvator mundi natus General Note 2a p.: Angelus ad pastores ait … Attrib. à Jachet de Mantoue dans ReeseMU, p. 367, par assimilation avec le n° 16 Item Bibliography Reese, Gustave. 1954. Music in the Renaissance. New York. Pages: p 367.
17v–21	O vos omnes qui transitis per viam	Jachet [of Mantua] ou Berchem	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)
O vos omnes qui transitis per viam Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 17v–21 Genres: Motet Source Attribution: Jachet [of Mantua] ou Berchem Voice: [no designation] Languages: Latin Voice Text: O vos omnes qui transitis per viam Concordances . RISM J 11 155512 Item Bibliography Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales.* Series A/I. Kassel. Pages: J 11.
21v–22	Veni sancte spiritus reple tuorum corda	Jachet [ou J.Mouton]	Mouton, Jean (ca. 1459–1522) (?) Mantua, Jacquet de (1483–1559) (?)
Veni sancte spiritus reple tuorum corda Mouton, Jean (ca. 1459–1522) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 21v–22 Genres: Motet, Veni sancte spiritus Source Attribution: Jachet [ou J.Mouton] Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum General Note Attrib. à Jachet de Mantoue dans ReeseMU, p.367, par assimilation avec le n° 16 Item Bibliography Reese, Gustave. 1954. Music in the Renaissance. New York. Pages: p 367.
22v–23	Salva nos Domine vigilantes custodi 26.12	Jo. Moton [ou Josquin ou A.Willaert]	Despres, Josquin (ca. 1450–1521) (?) Willaert, Adrian (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)
Salva nos Domine vigilantes custodi 26.12 Despres, Josquin (ca. 1450–1521) (?) Willaert, Adrian (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 22v–23 Genres: Motet Source Attribution: Jo. Moton [ou Josquin ou A.Willaert] Voice: [no designation] Languages: Latin Voice Text: Salva nos Domine vigilantes Concordances 154210 Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino.* Monuments of Renaissance Music. Chicago and London. Pages: (Mouton). Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, IV (Willaert).
23v–25	Illuminavit eum Dominus splendoris	Renaldo	Reynaldus, Fr.
Illuminavit eum Dominus splendoris Reynaldus, Fr. Appears on: 23v–25 Genres: Motet Source Attribution: Renaldo Voice: [no designation] Languages: Latin Voice Text: Illuminavit eum dominus splendoris
25v–26	Haec dies quam fecit Dominus exultemus	Renaldo	Reynaldus, Fr.
Haec dies quam fecit Dominus exultemus Reynaldus, Fr. Appears on: 25v–26 Genres: Gradual Source Attribution: Renaldo Voice: [no designation] Languages: Latin Voice Text: Haec dies quam fecit dominus exultemus
26v–28	Ecclesiam tuam Deus beati Antoni	Jachet	Mantua, Jacquet de (1483–1559)
Ecclesiam tuam Deus beati Antoni Mantua, Jacquet de (1483–1559) Appears on: 26v–28 Genres: Motet Source Attribution: Jachet Voice: [no designation] Languages: Latin Voice Text: Ecclesiam tuam deus beati Antoni General Note Attrib. à Jachet de Mantoue dans ReeseMU, p.367, par assimilation avec le n° 16 Item Bibliography Reese, Gustave. 1954. Music in the Renaissance. New York. Pages: p 367.
28v–30	Vox de caelis - 1a pars (of 2): Vox de caelis intonuit veni electa mea	Matre Jan [= Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Vox de caelis - 1a pars (of 2): Vox de caelis intonuit veni electa mea Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 28v–30 Genres: Motet Source Attribution: Matre Jan [= Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Vox de caelis intonuit veni electa mea General Note 2a p.: Virgo sancta Katerina . . .
28v–30	Vox de caelis - 2a pars (of 2):	Matre Jan [= Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Vox de caelis - 2a pars (of 2): Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 28v–30 Genres: Motet Source Attribution: Matre Jan [= Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Vox de caelis intonuit veni electa mea General Note .
30v–32	Regina caeli laetare - 1a pars (of 2): Regina caeli laetare alleluia	Renaldo	Reynaldus, Fr.
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare alleluia Reynaldus, Fr. Appears on: 30v–32 Genres: Motet, Regina caeli laetare Source Attribution: Renaldo Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note [2a p.] Resurrexit sicut dixit . . .T des 2 p. Sancta Maria ora pro nobis.
30v–32	Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	Renaldo	Reynaldus, Fr.
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit Reynaldus, Fr. Appears on: 30v–32 Genres: Motet Source Attribution: Renaldo Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note T des 2 p. Sancta Maria ora pro nobis.
32v–35	Sufficiebat nobis paupertas nostra - 1a pars (of 2): Sufficiebat nobis paupertas nostra / Mon souvenir	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559)
Sufficiebat nobis paupertas nostra - 1a pars (of 2): Sufficiebat nobis paupertas nostra / Mon souvenir Mantua, Jacquet de (1483–1559) Appears on: 32v–35 Genres: Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: Sufficiebat nobis paupertas nostra General Note T: Mon souvenir mi fait mourir.2a p.: Heume fïlii mi . . .Attrib. à Jachet de Mantoue dans ReeseMU, p.367, par assimilation avec le n° 16 Item Bibliography Reese, Gustave. 1954. Music in the Renaissance. New York. Pages: p 367.
32v–35	Sufficiebat nobis paupertas nostra - 2a pars (of 2): Heu me fili mi et quod te	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559)
Sufficiebat nobis paupertas nostra - 2a pars (of 2): Heu me fili mi et quod te Mantua, Jacquet de (1483–1559) Appears on: 32v–35 Genres: Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: Sufficiebat nobis paupertas nostra General Note T: Mon souvenir mi fait mourir.2a p.: Heume fïlii mi . . .Attrib. à Jachet de Mantoue dans ReeseMU, p.367, par assimilation avec le n° 16
35v–36	Veni sponsa Christi	-	Anonymous
Veni sponsa Christi Anonymous Appears on: 35v–36 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi
36v–37	O Jesu Christe miserere mei quia dolore	Renaldo	Reynaldus, Fr.
O Jesu Christe miserere mei quia dolore Reynaldus, Fr. Appears on: 36v–37 Genres: Motet Source Attribution: Renaldo Voice: [no designation] Languages: Latin Voice Text: O Iesu Christe miserere mei quia dolore
37v–38	O Jesu Christe miserere mei quia dolore	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559)
O Jesu Christe miserere mei quia dolore Mantua, Jacquet de (1483–1559) Appears on: 37v–38 Genres: Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: O Iesu Christe miserere mei quia dolore General Note Attrib. à Jachet de Mantoue dans ReeseMU, p. 367, par assimilation avec le n" 16 Item Bibliography [No Author] None. None ? Music Press Editions, New York: Music Press, Inc. Pages: 74. Reese, Gustave. 1954. Music in the Renaissance. New York. Pages: p 367.
38v–41	Maria ergo unxit pedes - 1a pars (of 2): Maria ergo unxit pedes Jesu et extersit	Symon Ferra[riensis] [= Simon of Ferrara]	Ferrara, Simon de (fl. 13th century)
Maria ergo unxit pedes - 1a pars (of 2): Maria ergo unxit pedes Jesu et extersit Ferrara, Simon de (fl. 13th century) Appears on: 38v–41 Genres: Motet Source Attribution: Symon Ferra[riensis] [= Simon of Ferrara] Voice: Bassus Languages: Latin Voice Text: Maria ergo unxit pedes Iesu et extersit Voice: Cantus Languages: Latin Voice Text: Maria ergo unxit pedes Iesu et extersit Voice: Tenor Languages: Latin Voice Text: Maria ergo unxit pedes Iesu et extersit Voice: Altus Languages: Latin Voice Text: Maria ergo unxit pedes Iesu et extersit General Note 2a p.: Oremus largire nobis … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II.
38v–41	Maria ergo unxit pedes - 2a pars (of 2): Oremus largire nobis	Symon Ferra. [= Simon of Ferrara]	Ferrara, Simon de (fl. 13th century)
Maria ergo unxit pedes - 2a pars (of 2): Oremus largire nobis Ferrara, Simon de (fl. 13th century) Appears on: 38v–41 Genres: Motet Source Attribution: Symon Ferra. [= Simon of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Maria ergo unxit pedes Iesu et extersit General Note 2a p.: Oremus largire nobis … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II.
41v–43	O pulcherima virgo pulchre sunt gene	Con. Festa	Festa, Costanzo (ca. 1485–1545)
O pulcherima virgo pulchre sunt gene Festa, Costanzo (ca. 1485–1545) Appears on: 41v–43 Genres: Motet Source Attribution: Con. Festa Voice: [no designation] Languages: Latin Voice Text: O pulcherrima virgo pulchrae sunt gene Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V.
43v–44	Ave Maria gratia plena (I)	Jo. Moton [= Mouton]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
Ave Maria gratia plena (I) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 43v–44 Genres: Ave Maria, Motet Source Attribution: Jo. Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note Au B Canon contraria contraris currantur. Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
44v–45	In illo tempore loquente Jesu ad turbas	Andreas de Silva	Silva, Andreas de (ca. 1475–ca. 1522)
In illo tempore loquente Jesu ad turbas Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 44v–45 Genres: In illo tempore, Motet Source Attribution: Andreas de Silva Voice: [no designation] Languages: Latin Voice Text: In illo tempore loquente Iesu Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 49, I (avec facs).
45v–46	O Domine Jesu Christe te supplices	Renaldo	Reynaldus, Fr.
O Domine Jesu Christe te supplices Reynaldus, Fr. Appears on: 45v–46 Genres: Motet Source Attribution: Renaldo Voice: [no designation] Languages: Latin Voice Text: O domine Iesu Christe te supplices
46v–48	Hodie salvator mundi natus est venite	J. LHERITIER ou J. MOUTON*	Lheritier, Jean (ca. 1480–ca. 1551) (?) Mouton, Jean (ca. 1459–1522) (?)
Hodie salvator mundi natus est venite Lheritier, Jean (ca. 1480–ca. 1551) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 46v–48 Genres: Motet Source Attribution: J. LHERITIER ou J. MOUTON* Voice: [no designation] Languages: Latin Voice Text: Hodie salvator mundi natus est venite Concordances •I-TVd 8 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48, I.
48v–50	Vivite felices divi sub numine petri - 1a pars (of 2): Vivite felices divi sub numine petri	Bruhier	Bruhier, Antoine (–ca. 1521)
Vivite felices divi sub numine petri - 1a pars (of 2): Vivite felices divi sub numine petri Bruhier, Antoine (–ca. 1521) Appears on: 48v–50 Genres: Motet Source Attribution: Bruhier Voice: [no designation] Languages: Latin Voice Text: Vivite felices divi sub numine petri General Note 2a p.: Sepe merum libate precor . . . Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 120.
48v–50	Vivite felices divi sub numine petri - 2a pars (of 2): Sepe merum libate precor	Bruhier	Bruhier, Antoine (–ca. 1521)
Vivite felices divi sub numine petri - 2a pars (of 2): Sepe merum libate precor Bruhier, Antoine (–ca. 1521) Appears on: 48v–50 Genres: Motet Source Attribution: Bruhier Voice: [no designation] Languages: Latin Voice Text: Vivite felices divi sub numine petri Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 120.
50v–52	Ave sanctissima Maria mater Dei regina	Renaldo (Renaldino)	Reynaldus, Fr.
Ave sanctissima Maria mater Dei regina Reynaldus, Fr. Appears on: 50v–52 Genres: Ave Maria, BVM, Motet Source Attribution: Renaldo (Renaldino) Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei regina
52v–53	Elisabeth beatissima in caelesti aerario	Const[anti]us [= C. Festa]	Festa, Costanzo (ca. 1485–1545)
Elisabeth beatissima in caelesti aerario Festa, Costanzo (ca. 1485–1545) Appears on: 52v–53 Genres: Motet Source Attribution: Const[anti]us [= C. Festa] Voice: [no designation] Languages: Latin Voice Text: Elisabeth beatissima in caelesti aerario General Note Facs. Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Pages: facs. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II.
53v–54	Haec est illa dulcis rosa pulchra nimis	Sebastian Festa	Festa, Sebastiano (ca. 1490–1524)
Haec est illa dulcis rosa pulchra nimis Festa, Sebastiano (ca. 1490–1524) Appears on: 53v–54 Genres: Lauda Source Attribution: Sebastian Festa Voice: [no designation] Languages: Latin Voice Text: Haec est illa dulcis rosa pulchra nimis
54v–55	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 54v–55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris General Note Au B: Canon sub diateseron
55v–57	Circumdederunt me gemitus mortis	Remi	Remi of Auxerre (fl. c862-900)
Circumdederunt me gemitus mortis Remi of Auxerre (fl. c862-900) Appears on: 55v–57 Genres: Introit, Proper Source Attribution: Remi Voice: [no designation] Languages: Latin Voice Text: Circumdederunt me gemitus mortis
57v–61	Dum complerentur - 1a pars (of 2): Dum complerentur dies pentecostes	Jo. Lheritier	Lheritier, Jean (ca. 1480–ca. 1551)
Dum complerentur - 1a pars (of 2): Dum complerentur dies pentecostes Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 57v–61 Genres: Motet Source Attribution: Jo. Lheritier Voice: [no designation] Languages: Latin Voice Text: Dum complerentur dies pentecostes General Note 2a p.: Spiritus domini . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48, I.
57v–61	Dum complerentur - 2a pars (of 2): Spiritus Domini replevit orbem terrarum	Jo. Lheritier	Lheritier, Jean (ca. 1480–ca. 1551)
Dum complerentur - 2a pars (of 2): Spiritus Domini replevit orbem terrarum Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 57v–61 Genres: Motet Source Attribution: Jo. Lheritier Voice: [no designation] Languages: Latin Voice Text: Dum complerentur dies pentecostes General Note 2a p.: Spiritus domini . . .
61v–62	Allez regrets	LONGEVAL (LONGAVAL)	Longueval, Antoine de (fl. 1498-1525)
Allez regrets Longueval, Antoine de (fl. 1498-1525) Appears on: 61v–62 Genres: Motet Source Attribution: LONGEVAL (LONGAVAL) Voice: [no designation] Languages: French Voice Text: Alle regres
62v–63	In illo tempore postquam consummati sunt (4vv)	S. Festa	Festa, Costanzo (ca. 1485–1545) (?) Festa, Sebastiano (ca. 1490–1524)
In illo tempore postquam consummati sunt (4vv) Festa, Costanzo (ca. 1485–1545) (?) Festa, Sebastiano (ca. 1490–1524) Appears on: 62v–63 Genres: Motet Source Attribution: S. Festa Voice: [no designation] Languages: Latin Voice Text: In illo tempore postquam consumati sunt
63v–66	In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome	Jo. Motus [= Mouton]/ [Josquin]	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 63v–66 Genres: Motet Source Attribution: Jo. Motus [= Mouton]/ [Josquin] Voice: [no designation] Languages: Latin Voice Text: In illo tempore Maria Magdalena General Note 2a p.: Die nobis Maria . . . Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Minor, Andrew C (editor). 1964. Music in Medieval and Renaissance Life: anthology of vocal medieval and instrumental music 1200-1614. Columbia. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
63v–66	In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti	Jo. Motus [= Mouton]/ [Josquin]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 63v–66 Genres: Motet Source Attribution: Jo. Motus [= Mouton]/ [Josquin] Voice: [no designation] Languages: Latin Voice Text: In illo tempore Maria Magdalena Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Minor, Andrew C (editor). 1964. Music in Medieval and Renaissance Life: anthology of vocal medieval and instrumental music 1200-1614. Columbia. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
66v–67	O sacrum convivium in quo Christus sumitur	Metre Ian [= Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
O sacrum convivium in quo Christus sumitur Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 66v–67 Genres: Motet Source Attribution: Metre Ian [= Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium
67v–69	Vox in rama audita est murmur heu nimirum	CL. DE SERMISY	Sermisy, Claudin de (ca. 1490–1562)
Vox in rama audita est murmur heu nimirum Sermisy, Claudin de (ca. 1490–1562) Appears on: 67v–69 Genres: Motet Source Attribution: CL. DE SERMISY Voice: [no designation] Languages: Latin Voice Text: Vox in rama audita est murmur heu nimirum
69v–73	Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis)	Jo. Moton [= Mouton]	Mouton, Jean (ca. 1459–1522)
Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis) Mouton, Jean (ca. 1459–1522) Appears on: 69v–73 Genres: Motet Source Attribution: Jo. Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
73v–75	Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi)	Ricaforte [ou Josquin ou J. Lebrun]	le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?)
Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 73v–75 Genres: Motet Source Attribution: Ricaforte [ou Josquin ou J. Lebrun] Voice: [no designation] Languages: Latin Voice Text: Congratulamini mihi omnes qui diligitis General Note 2a p.: Tulemur dominum . . Concordances A-Wn 18825 *D-brd-Rp 852
75v–76	Simile est regnum caelorum homini	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Simile est regnum caelorum homini Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 75v–76 Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Simile est regnum caelorum homini Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
76v–78	Quis dabit oculis nostris - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	Con. Festa [ou L. SENFL*]	Festa, Costanzo (ca. 1485–1545) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Quis dabit oculis nostris - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum Festa, Costanzo (ca. 1485–1545) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 76v–78 Genres: Motet Source Attribution: Con. Festa [ou L. SENFL] Voice:* [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note [2a p.] Heu nobis domine . . .3a p.: Ergo ululate pueri . . . Concordances »15371 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V. Gerstenberg, Walter (editor). 1937. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel. Pages: II. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II.
76v–78	Quis dabit oculis nostris - 2a pars (of 3): Heu nobis Domine	Con. Festa [ou L. SENFL*]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Festa, Costanzo (ca. 1485–1545) (?)
Quis dabit oculis nostris - 2a pars (of 3): Heu nobis Domine Senfl, Ludwig (ca. 1486–ca. 1543) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 76v–78 Genres: Motet Source Attribution: Con. Festa [ou L. SENFL] Voice:* [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note 3a p.: Ergo ululate pueri . . . Concordances »15371 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V. Gerstenberg, Walter (editor). 1937. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel. Pages: II. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II.
76v–78	Quis dabit oculis nostris - 3a pars (of 3): Ergo ululate pueri	Con. Festa [ou L. SENFL*]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Festa, Costanzo (ca. 1485–1545) (?)
Quis dabit oculis nostris - 3a pars (of 3): Ergo ululate pueri Senfl, Ludwig (ca. 1486–ca. 1543) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 76v–78 Genres: Motet Source Attribution: Con. Festa [ou L. SENFL] Voice:* [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrimarum General Note [2a p.] Heu nobis domine . . .3a p.: Ergo ululate pueri . . . Concordances »15371 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V. Gerstenberg, Walter (editor). 1937. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel. Pages: II. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig.
78v–79	Peccata mea Domine sicut sagitte	Jo. Moton [= Mouton]	Mouton, Jean (ca. 1459–1522)
Peccata mea Domine sicut sagitte Mouton, Jean (ca. 1459–1522) Appears on: 78v–79 Genres: Motet Source Attribution: Jo. Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Peccata mea domine sicut sagittae infixa Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
79v–81	Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	P. Molu [ou J. MOUTON ou JOSQUIN]	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 79v–81 Genres: Motet Source Attribution: P. Molu [ou J. MOUTON ou JOSQUIN] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es amica mea General Note 2a p.: Labia tua . . . Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Burney, Charles. 1776-1789. A general history of music from the earliest ages to the present period. 4 vols. London. Pages: II(Mouton, la p. seul').
79v–81	Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	P. Molu	Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 79v–81 Genres: Motet Source Attribution: P. Molu Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es amica mea General Note 2a p.: Labia tua . . . Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Burney, Charles. 1776-1789. A general history of music from the earliest ages to the present period. 4 vols. London. Pages: II (Mouton, la p. seul');.
81v–82	Per lignum salvi facti sumus	Jo. Motun [= Mouton]	Mouton, Jean (ca. 1459–1522)
Per lignum salvi facti sumus Mouton, Jean (ca. 1459–1522) Appears on: 81v–82 Genres: Motet Source Attribution: Jo. Motun [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Per lignum salvi facti sumus Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
82v–83	Sufficiebat nobis paupertas nostra senectutis nostrae	Richaforte	Richafort, Jean (ca. 1480–ca. 1550)
Sufficiebat nobis paupertas nostra senectutis nostrae Richafort, Jean (ca. 1480–ca. 1550) Appears on: 82v–83 Genres: Motet Source Attribution: Richaforte Voice: [no designation] Languages: Latin Voice Text: Sufficiebat nobis paupertas nostra General Note Aux 3 autres vx. Suficiebat nobis paupertas nostra Item Bibliography [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IV.
83v–84	Per lignum salvi facti sumus	Devitis	Divitis, Antonius (ca. 1470–ca. 1530)
Per lignum salvi facti sumus Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 83v–84 Genres: Motet Source Attribution: Devitis Voice: [no designation] Languages: Latin Voice Text: Per lignum salvi facti sumus Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London.
84v–86	In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Lupus	Hellinck, Lupus (ca. 1494–1541)
In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion Hellinck, Lupus (ca. 1494–1541) Appears on: 84v–86 Genres: Motet Source Attribution: Lupus Voice: [no designation] Languages: Latin Voice Text: In convertendo dominus General Note 2a p.: Qui seminant in lacrimis . . Item Bibliography [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IX.
84v–86	In convertendo - 2a pars (of 2): Qui seminant in lachrimis	Lupus	Hellinck, Lupus (ca. 1494–1541)
In convertendo - 2a pars (of 2): Qui seminant in lachrimis Hellinck, Lupus (ca. 1494–1541) Appears on: 84v–86 Genres: Motet Source Attribution: Lupus Voice: [no designation] Languages: Latin Voice Text: In convertendo dominus General Note 2a p.: Qui seminant in lacrimis . . Item Bibliography [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: IX.
86v–87	Benedicta mater matris que est mater	-	Anonymous
Benedicta mater matris que est mater Anonymous Appears on: 86v–87 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicta mater matris que est mater
87v–89	Vulnerasti cor meum (2p. Veni in ortum meum)	-	Rein, Conrad (ca. 1475–1522) (?)
Vulnerasti cor meum (2p. Veni in ortum meum) Rein, Conrad (ca. 1475–1522) (?) Appears on: 87v–89 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vulnerasti cor meum soror mea sponsa General Note 2a p.: Vulnerasti cor meum veni in ortum meum … Item Bibliography Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XV.
89v–91	Ave fuit prima salus - 1a pars (of 2): Ave fuit prima salus	Jo. Mot. [= Mouton]	Mouton, Jean (ca. 1459–1522)
Ave fuit prima salus - 1a pars (of 2): Ave fuit prima salus Mouton, Jean (ca. 1459–1522) Appears on: 89v–91 Genres: Motet Source Attribution: Jo. Mot. [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Ave fuit prima salus General Note 2a p.: Dominus ab inicio destinavit . . . Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 76.
89v–91	Ave fuit prima salus - 2a pars (of 2): Dominus ab inicio destinavit te filio	Jo. Mot. [= Mouton]	Mouton, Jean (ca. 1459–1522)
Ave fuit prima salus - 2a pars (of 2): Dominus ab inicio destinavit te filio Mouton, Jean (ca. 1459–1522) Appears on: 89v–91 Genres: Motet Source Attribution: Jo. Mot. [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Ave fuit prima salus General Note 2a p.: Dominus ab inicio destinavit . . . Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 76.
91v–93	Salve regina Barbara - 1a pars (of 2): Salve regina Barbara mártir sanctissima	P. Molu	Moulu, Pierre (ca. 1484–ca. 1550)
Salve regina Barbara - 1a pars (of 2): Salve regina Barbara mártir sanctissima Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 91v–93 Genres: Motet Source Attribution: P. Molu Voice: [no designation] Languages: Latin Voice Text: Salve regina Barbara martir sanctissima General Note 2a p.: Eya ergo o Barbara Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation.
91v–93	Salve regina Barbara - 2a pars (of 2): Et Jesum benedictum crucifixum	P. Molu	Moulu, Pierre (ca. 1484–ca. 1550)
Salve regina Barbara - 2a pars (of 2): Et Jesum benedictum crucifixum Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 91v–93 Genres: Motet Source Attribution: P. Molu Voice: [no designation] Languages: Latin Voice Text: Salve regina Barbara martir sanctissima General Note 2a p.: Eya ergo o Barbara Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation.
93v–94	O Domine Jesu Christe pastor bone	A. Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
O Domine Jesu Christe pastor bone Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 93v–94 Genres: Motet Source Attribution: A. Brumel Voice: [no designation] Languages: Latin Voice Text: O domine Iesu Christe pastor bone Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
94v–95	Rosa novum - 1a pars (of 2): Rosa novum dans odorem ad ornatum	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Rosa novum - 1a pars (of 2): Rosa novum dans odorem ad ornatum Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 94v–95 Genres: Motet Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Rosa novum dans odorem ad ornatum General Note 2a p.: Constitutum in spe certa … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
94v–95	Rosa novum - 2a pars (of 2): Constitutum in spe certa	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Rosa novum - 2a pars (of 2): Constitutum in spe certa Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 94v–95 Genres: Motet Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Rosa novum dans odorem ad ornatum General Note 2a p.: Constitutum in spe certa … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
98v–100	In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	P. Molu	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Vinders, Jheronimus (fl. c1525-1526) (?)
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Appears on: 98v–100 Genres: Motet Source Attribution: P. Molu Voice: [no designation] Languages: Latin Voice Text: In illo tempore accesserunt ad Iesum General Note 2a p.: Propter hoc dimittet . . . Concordances *15371 Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Pages: (op. dub.). Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
98v–100	In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	P. Molu	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?)
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Appears on: 98v–100 Genres: Motet Source Attribution: P. Molu Voice: [no designation] Languages: Latin Voice Text: In illo tempore accesserunt ad Iesum General Note 2a p.: Propter hoc dimittet . . . Concordances *15371 Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Pages: (op. dub.). Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
100v–101	Ecce tu pulchra es amica mea - 1a pars (of 2): Ecce tu pulchra es amica mea	Josquim [= Josquin]	Mouton, Jean (ca. 1459–1522)
Ecce tu pulchra es amica mea - 1a pars (of 2): Ecce tu pulchra es amica mea Mouton, Jean (ca. 1459–1522) Appears on: 100v–101 Genres: Motet Source Attribution: Josquim [= Josquin] Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulchra es amica mea Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 18. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
101v–102	Ecce tu pulchra es amica mea - 2a pars (of 2):	Jo. Moton	Mouton, Jean (ca. 1459–1522)
Ecce tu pulchra es amica mea - 2a pars (of 2): Mouton, Jean (ca. 1459–1522) Appears on: 101v–102 Genres: Motet Source Attribution: Jo. Moton Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulchra es amica mea General Note [=2ap. du n° 89]
102v–106	Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani	Jo. Moton [= Mouton]	Mouton, Jean (ca. 1459–1522)
Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani Mouton, Jean (ca. 1459–1522) Appears on: 102v–106 Genres: Motet Source Attribution: Jo. Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Lectio actuum apostolorum General Note 2a p.: Stupebant autem omnes … Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Pages: (In diebus illis dum complerentur.
102v–106	Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur	Jo. Moton [= Mouton]	Mouton, Jean (ca. 1459–1522)
Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur Mouton, Jean (ca. 1459–1522) Appears on: 102v–106 Genres: Motet Source Attribution: Jo. Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Lectio actuum apostolorum Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Pages: (In diebus illis dum complerentur).
106v–107	Ave mater matris Dei per quam salvi	Jo. Moton [= Mouton]	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)
Ave mater matris Dei per quam salvi Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 106v–107 Genres: Motet Source Attribution: Jo. Moton [= Mouton] Voice: [no designation] Languages: Latin Voice Text: Ave mater matris dei per quam salvi General Note T: Fortuna desperata.
107v–109	Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena, Dominus tecum virgo serena	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)
Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena, Dominus tecum virgo serena Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 107v–109 Genres: Ave Maria, Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena General Note . 2a p.: Tu civitas regis justitie tu mater … Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
107v–109	Ave Maria ... virgo serena - 2a pars (of 2): Tu civitas regis justicie / Tu mater regis	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)
Ave Maria ... virgo serena - 2a pars (of 2): Tu civitas regis justicie / Tu mater regis Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 107v–109 Genres: Ave Maria, Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena General Note Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
109v–110	O gemma clarissima Katherina virgo sanctissima	Adrianus	Willaert, Adrian (ca. 1490–1562)
O gemma clarissima Katherina virgo sanctissima Willaert, Adrian (ca. 1490–1562) Appears on: 109v–110 Genres: Motet Source Attribution: Adrianus Voice: [no designation] Languages: Latin Voice Text: O gemma clarissima Katherina virgo Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, I (avec facs.).
110v–111	O dulcis amica Dei rosa vernans	-	Moulu, Pierre (ca. 1484–ca. 1550)
O dulcis amica Dei rosa vernans Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 110v–111 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O dulcis amica dei rosa vernans Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation.
111v–113	Judica me Deus - 1a pars (of 2): Judica me Deus	ANDREAS DE SILVA	Silva, Andreas de (ca. 1475–ca. 1522)
Judica me Deus - 1a pars (of 2): Judica me Deus Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 111v–113 Genres: Motet Source Attribution: ANDREAS DE SILVA Voice: [no designation] Languages: Latin Voice Text: Iudica me deus General Note 2a p.: Et introibo ad altare dei . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 49, I.
111v–113	Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei	P. Molu	Silva, Andreas de (ca. 1475–ca. 1522)
Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 111v–113 Genres: Motet Source Attribution: P. Molu Voice: [no designation] Languages: Latin Voice Text: Iudica me deus General Note 2a p.: Et introibo ad altare dei . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 49, I.
113v–114	Hodie completi sunt dies pentecostes	Andreas de Silva	Silva, Andreas de (ca. 1475–ca. 1522)
Hodie completi sunt dies pentecostes Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 113v–114 Genres: Introit, Proper Source Attribution: Andreas de Silva Voice: [no designation] Languages: Latin Voice Text: Hodie completi sunt dies penthecostes
114v–116	Dominus regit me - 1a pars (of 2): Dominus regit me et nihil mihi deerit	ADRIANUS	Willaert, Adrian (ca. 1490–1562)
Dominus regit me - 1a pars (of 2): Dominus regit me et nihil mihi deerit Willaert, Adrian (ca. 1490–1562) Appears on: 114v–116 Genres: Motet Source Attribution: ADRIANUS Voice: [no designation] Languages: Latin Voice Text: Dominus regit me et nihil mihi deerit General Note 2a p.: Parasti in conspectu meo . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, I.
114v–116	Dominus regit me - 2a pars (of 2): Parasti in conspectu meo	ADRIANUS	Willaert, Adrian (ca. 1490–1562)
Dominus regit me - 2a pars (of 2): Parasti in conspectu meo Willaert, Adrian (ca. 1490–1562) Appears on: 114v–116 Genres: Motet Source Attribution: ADRIANUS Voice: [no designation] Languages: Latin Voice Text: Dominus regit me et nihil mihi deerit General Note 2a p.: Parasti in conspectu meo . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, I.
116v–117	Quia devotis laudibus tui memoriam	Adrianus	Willaert, Adrian (ca. 1490–1562)
Quia devotis laudibus tui memoriam Willaert, Adrian (ca. 1490–1562) Appears on: 116v–117 Genres: Psalm Source Attribution: Adrianus Voice: [no designation] Languages: Latin Voice Text: Quia devotis laudibus tui memoriam
117v–119	In nomine Jesu omne - 1a pars (of 2): In nomine Jesu omne genu flectatur	Lupus	Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?)
In nomine Jesu omne - 1a pars (of 2): In nomine Jesu omne genu flectatur Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 117v–119 Genres: Motet Source Attribution: Lupus Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur General Note 2a p.: Oremus sancti nominis tui . . .
117v–119	In nomine Jesu omne - 2a pars (of 2):	Lupus	Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?)
In nomine Jesu omne - 2a pars (of 2): Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 117v–119 Genres: Motet Source Attribution: Lupus Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur General Note 2a p.: Oremus sancti nominis tui . . .
119v–122	De profundis clamavi - 1a pars (of 3): De profundis clamavi ad te Domine	Jacopo Foliano	Fogliano, Giacomo (1468–1548)
De profundis clamavi - 1a pars (of 3): De profundis clamavi ad te Domine Fogliano, Giacomo (1468–1548) Appears on: 119v–122 Genres: De Profundis, Motet Source Attribution: Jacopo Foliano Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine General Note . [2a p.]: Quia apud te propiciatio … [3a p.]: Quia apud dominum … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I.
119v–122	De profundis clamavi - 2a pars (of 3):	Jacopo Foliano	Fogliano, Giacomo (1468–1548)
De profundis clamavi - 2a pars (of 3): Fogliano, Giacomo (1468–1548) Appears on: 119v–122 Genres: De Profundis, Motet Source Attribution: Jacopo Foliano Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine General Note . [2a p.]: Quia apud te propiciatio … [3a p.]: Quia apud dominum … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I.
119v–122	De profundis clamavi - 3a pars (of 3):	Jacopo Foliano	Fogliano, Giacomo (1468–1548)
De profundis clamavi - 3a pars (of 3): Fogliano, Giacomo (1468–1548) Appears on: 119v–122 Genres: De Profundis, Motet Source Attribution: Jacopo Foliano Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine General Note . [2a p.]: Quia apud te propiciatio … [3a p.]: Quia apud dominum … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I.
122v–124	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	Ja. Fol. [= G. Fogliano]	Jacotin, Jacques (1445–1529)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Jacotin, Jacques (1445–1529) Appears on: 122v–124 Genres: Psalm Source Attribution: Ja. Fol. [= G. Fogliano] Voice: [no designation] Languages: Latin Voice Text: Beati omnes qui timent Dominum General Note 2a p: Ecce sic benedicitur Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I.
122v–124	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	Ja. Fol. [= G. Fogliano]	Jacotin, Jacques (1445–1529)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Jacotin, Jacques (1445–1529) Appears on: 122v–124 Genres: Psalm Source Attribution: Ja. Fol. [= G. Fogliano] Voice: [no designation] Languages: Latin Voice Text: Beati omnes qui timent Dominum
124v–127	Regem regum Dominum - 1a pars (of 2): Regem regum Dominum	C. Festa	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Regem regum Dominum - 1a pars (of 2): Regem regum Dominum Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 124v–127 Genres: Psalm Source Attribution: C. Festa Voice: [no designation] Languages: Latin Voice Text: Regem regum dominum General Note 2a p.: Vidi turbam magnani . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V.
124v–127	Regem regum Dominum - 2a pars (of 2):	Ja. Fol. [= G. Fogliano] ou C. Festa	Festa, Costanzo (ca. 1485–1545) Fogliano, Giacomo (1468–1548)
Regem regum Dominum - 2a pars (of 2): Festa, Costanzo (ca. 1485–1545) Fogliano, Giacomo (1468–1548) Appears on: 124v–127 Genres: Motet Source Attribution: Ja. Fol. [= G. Fogliano] ou C. Festa Voice: [no designation] Languages: Latin Voice Text: Regem regum dominum General Note 2a p.: Vidi turbam magnani . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, V.
127v–128	Miserere mei Domine quoniam infirmus	Lupus	Hellinck, Lupus (ca. 1494–1541)
Miserere mei Domine quoniam infirmus Hellinck, Lupus (ca. 1494–1541) Appears on: 127v–128 Genres: Motet Source Attribution: Lupus Voice: [no designation] Languages: Latin Voice Text: Miserere mei domine quoniam infirmus
128v–130	Nisi quia Dominus erat - 1a pars (of 2): Nisi quia Dominus erat	SYMON FERRA[RIENSIS]	Ferrara, Simon de (fl. 13th century)
Nisi quia Dominus erat - 1a pars (of 2): Nisi quia Dominus erat Ferrara, Simon de (fl. 13th century) Appears on: 128v–130 Genres: Psalm Source Attribution: SYMON FERRA[RIENSIS] Voice: [no designation] Languages: Latin Voice Text: Nisi quia dominus erat General Note 2a p.: Benedictus dominus … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II.
128v–130	Nisi quia Dominus erat - 2a pars (of 2):	SYMON FERRA[RIENSIS]	Ferrara, Simon de (fl. 13th century)
Nisi quia Dominus erat - 2a pars (of 2): Ferrara, Simon de (fl. 13th century) Appears on: 128v–130 Genres: Motet Source Attribution: SYMON FERRA[RIENSIS] Voice: [no designation] Languages: Latin Voice Text: Nisi quia dominus erat General Note 2a p.: Benedictus dominus … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II.
130v–131	Miserere mei Deus miserere mei quoniam	LUPUS	Hellinck, Lupus (ca. 1494–1541)
Miserere mei Deus miserere mei quoniam Hellinck, Lupus (ca. 1494–1541) Appears on: 130v–131 Genres: Miserere mei Deus, Motet Source Attribution: LUPUS Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus miserere mei quoniam
131v–141	Missa Sine nomine	RENALDO	Reynaldus, Fr.
Missa Sine nomine Reynaldus, Fr. Appears on: 131v–141 Genres: Kyrie eleison, Mass Ordinary Source Attribution: RENALDO Voice: [no designation] Languages: Latin
141v–155	Missa Ad Placitum = Missa parva	FAVIM	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Ad Placitum = Missa parva Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 141v–155 Genres: Mass Ordinary Source Attribution: FAVIM Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie … General Note this version (only) of the Missa Parva includes the 'elevation motet' Adoramus te, which is also copied into the 'Josquin' Missa Quem dicunt homines in Milan E.46 inf. Clinkscale (ClinkF) believes it fits better here; ElzingaJMQ argues for it 'belonging' to the Missa Quem dicunt.. Item Bibliography Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation.
155v–157	Kyrie eleison	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Kyrie eleison Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 155v–157 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BRUMEL Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa) Kyrie General Note Les autres sections de la messe mq. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, IV.
157v–159	Missa Descendi in ortum meum: Gloria et Credo	A. BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)
Missa Descendi in ortum meum: Gloria et Credo Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 157v–159 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary Source Attribution: A. BRUMEL Voice: [no designation] Languages: Latin Voice Text: [Missa Descendi in hortum] Gloria et Credo.Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, II (Messe entière).
164v–167	Sanctus	A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 164v–167 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: A. BRUMEL] Voice: [no designation] Languages: Latin Voice Text: Sanctus . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, II(Messe entière d'après I-Rvat 23).
164v–167	Missa Dominicalis	A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Dominicalis Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 164v–167 Genres: Mass Ordinary Source Attribution: A. BRUMEL] Voice: [no designation] Languages: Latin Voice Text: [Missa Dominiealis] Agnus I Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, II (Messe entière d'après I-Rvat 23).
168v–170	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 168v–170 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
170v–172	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 170v–172 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
172v–174	Missa Dites-moi m'avés pensé: KG	FAVIM	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: KG Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 172v–174 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: FAVIM Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note Kyrie et Gloria seul'. Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: XI.
176v–185	Missa Benedictus Dominus Deus	RENALDO	Reynaldus, Fr.
Missa Benedictus Dominus Deus Reynaldus, Fr. Appears on: 176v–185 Genres: Kyrie eleison, Mass Ordinary Source Attribution: RENALDO Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
185v–186	Alleluia. Confitemini Domino quoniam (2p. Stetit Jesus in medio discipulorum)	JO. MOTOM	Mouton, Jean (ca. 1459–1522)
Alleluia. Confitemini Domino quoniam (2p. Stetit Jesus in medio discipulorum) Mouton, Jean (ca. 1459–1522) Appears on: 185v–186 Genres: Psalm motet Source Attribution: JO. MOTOM Voice: [no designation] Languages: Latin Voice Text: Alleluia. Confitemini domino quoniam bonus General Note «Secunda pars quere a c. 102» [Stetit Jesus … ] Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Delporte, L'abbé J. 1917-. Revue liturgique et musicale et Collection de polyphonie classique. Paris. Pages: XVI.
186v–188	Nigra sum sed formosa - 1a pars (of 2): Nigra sum sed formosa	]LUPUS	Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?)
Nigra sum sed formosa - 1a pars (of 2): Nigra sum sed formosa Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 186v–188 Genres: Motet Source Attribution: ]LUPUS Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa General Note [2a p.] Ecce tu pulchra es ...
186v–188	Nigra sum sed formosa - 2a pars (of 2):	LUPUS	Lupi, Johannes (ca. 1506–1539) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Nigra sum sed formosa - 2a pars (of 2): Lupi, Johannes (ca. 1506–1539) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 186v–188 Genres: Motet Source Attribution: LUPUS Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa General Note [2a p.] Ecce tu pulchra es ...
188v–190	O magnum mysterium - 1a pars (of 2): O magnum mysterium	MAESTER JHAEN	Ferrara, Maistre Jhan of (ca. 1485–1538)
O magnum mysterium - 1a pars (of 2): O magnum mysterium Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 188v–190 Genres: Motet Source Attribution: MAESTER JHAEN Voice: [no designation] Languages: Latin Voice Text: O magnum mysterium General Note 2a p.: Parvulus filius .
188v–190	O magnum mysterium - 2a pars (of 2):	MAESTER JHAEN	Ferrara, Maistre Jhan of (ca. 1485–1538)
O magnum mysterium - 2a pars (of 2): Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 188v–190 Genres: Motet Source Attribution: MAESTER JHAEN Voice: [no designation] Languages: Latin Voice Text: O magnum mysterium General Note 2a p.: Parvulus filius .
190v–193	Magnificat octavi toni: Et exultavit [K.1000]	RENALDO	Reynaldus, Fr.
Magnificat octavi toni: Et exultavit [K.1000] Reynaldus, Fr. Appears on: 190v–193 Genres: BVM, Canticle, Magnificat Source Attribution: RENALDO Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets pairs.
193v–196	Magnificat quarti toni: Et exultavit [K.999]	RENALDO	Reynaldus, Fr.
Magnificat quarti toni: Et exultavit [K.999] Reynaldus, Fr. Appears on: 193v–196 Genres: BVM, Magnificat Source Attribution: RENALDO Voice: [no designation] Languages: Latin Voice Text: Et exultavit … General Note Versets pairs
196v–197	Cella sans plus	RIGAMUNDUS	Rigamundus
Cella sans plus Rigamundus Appears on: 196v–197 Genres: Chanson Source Attribution: RIGAMUNDUS Voice: [no designation] Languages: French Voice Text: Cella sans plus
197v–200	Magnificat octavi toni: Et exultavit [K.942]	MOTON	Mouton, Jean (ca. 1459–1522)
Magnificat octavi toni: Et exultavit [K.942] Mouton, Jean (ca. 1459–1522) Appears on: 197v–200 Genres: BVM, Magnificat Source Attribution: MOTON Voice: [no designation] Languages: Latin Voice Text: Et exultavit General Note Versets pairs Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
200v–201	Le vilain jaloux	Jo. MOTON	Mouton, Jean (ca. 1459–1522)
Le vilain jaloux Mouton, Jean (ca. 1459–1522) Appears on: 200v–201 Genres: Chanson Source Attribution: Jo. MOTON Voice: [no designation] Languages: French Voice Text: Le villain jaloix
201v–202	O rex gentium et desideratus earum	-	Anonymous
O rex gentium et desideratus earum Anonymous Appears on: 201v–202 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O rex gentium et desideratus earum
202v	Beata Appolonia grave tormentum per Domino	-	Anonymous
Beata Appolonia grave tormentum per Domino Anonymous Appears on: 202v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata Appolonia grave tormentum per domino
202v–203	Beata Appolonia grave tormentum per Domino	-	Anonymous
Beata Appolonia grave tormentum per Domino Anonymous Appears on: 202v–203 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata Appolonia grave tormentum per domino
203v	O dulcis amica Dei rosa vernans	-	Moulu, Pierre (ca. 1484–ca. 1550)
O dulcis amica Dei rosa vernans Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 203v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O dulcis amica dei General Note B du n° 68
203v	T of Cella sans plus (n° 94), copied a second time	-	Anonymous
T of Cella sans plus (n° 94), copied a second time Anonymous Appears on: 203v Genres: Chanson Voice: [no designation] Languages: French Voice Text: T of Cella sans plus (n° 94), copied a second time General Note T de Cella sans plus (n° 94), copié une 2efois.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Nobis sancte spiritus gratia sit data – 4v–5
Anonymous	Beata Appolonia grave tormentum per Domino – 202v–203 Beata Appolonia grave tormentum per Domino – 202v Benedicta mater matris que est mater – 86v–87 Da pacem Domine in diebus nostris – 54v–55 Et in terra pax [Gloria] – 170v–172 Haec dies quam fecit – 5v–6 Kyrie eleison – 168v–170 O rex gentium et desideratus earum – 201v–202 T of Cella sans plus (n° 94), copied a second time – 203v Veni sponsa Christi – 35v–36
Barra, Hotinet (fl. 1510-23)	Peccantem me quotidie – 8v–9
Berchem, Jacques (ca. 1505–1567)	(?) O vos omnes qui transitis per viam – 17v–21
Bruhier, Antoine (–ca. 1521)	Vivite felices divi sub numine petri - 1a pars (of 2): Vivite felices divi sub numine petri – 48v–50 Vivite felices divi sub numine petri - 2a pars (of 2): Sepe merum libate precor – 48v–50
Brumel, Antoine (ca. 1460–ca. 1513)	Kyrie eleison – 155v–157 Missa Descendi in ortum meum: Gloria et Credo – 157v–159 Missa Dominicalis – 164v–167 O Domine Jesu Christe pastor bone – 93v–94 Rosa novum - 1a pars (of 2): Rosa novum dans odorem ad ornatum – 94v–95 Rosa novum - 2a pars (of 2): Constitutum in spe certa – 94v–95 Sanctus – 164v–167
Carpentras, Elzear Genet (ca. 1470–1548)	Simile est regnum caelorum homini – 75v–76
Despres, Josquin (ca. 1450–1521)	(?) Ave Maria gratia plena (I) – 43v–44 (?) Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) – 73v–75 (?) In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome – 63v–66 (?) In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti – 63v–66 (?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 79v–81 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 79v–81 (?) Salva nos Domine vigilantes custodi 26.12 – 22v–23
Divitis, Antonius (ca. 1470–ca. 1530)	Fours seullement - 1a pars (of 2): Fours seullement – 9v–11 (?) Fours seullement - 2a pars (of 2): Qu'il n'est doleur que par vosje ne sante – 9v–11 Per lignum salvi facti sumus – 83v–84
Ferrara, Maistre Jhan of (ca. 1485–1538)	O magnum mysterium - 1a pars (of 2): O magnum mysterium – 188v–190 O magnum mysterium - 2a pars (of 2): – 188v–190 O sacrum convivium in quo Christus sumitur – 66v–67 Vox de caelis - 1a pars (of 2): Vox de caelis intonuit veni electa mea – 28v–30 Vox de caelis - 2a pars (of 2): – 28v–30
Ferrara, Simon de (fl. 13th century)	Maria ergo unxit pedes - 1a pars (of 2): Maria ergo unxit pedes Jesu et extersit – 38v–41 Maria ergo unxit pedes - 2a pars (of 2): Oremus largire nobis – 38v–41 Nisi quia Dominus erat - 1a pars (of 2): Nisi quia Dominus erat – 128v–130 Nisi quia Dominus erat - 2a pars (of 2): – 128v–130
Festa, Costanzo (ca. 1485–1545)	Elisabeth beatissima in caelesti aerario – 52v–53 (?) In illo tempore postquam consummati sunt (4vv) – 62v–63 O pulcherima virgo pulchre sunt gene – 41v–43 (?) Quis dabit oculis nostris - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum – 76v–78 (?) Quis dabit oculis nostris - 2a pars (of 3): Heu nobis Domine – 76v–78 (?) Quis dabit oculis nostris - 3a pars (of 3): Ergo ululate pueri – 76v–78 Regem archangelorumDominum venite – 11v–12 (?) Regem regum Dominum - 1a pars (of 2): Regem regum Dominum – 124v–127 Regem regum Dominum - 2a pars (of 2): – 124v–127
Festa, Sebastiano (ca. 1490–1524)	Angele Dei qui custos es mei me tibi – Iv–II Haec est illa dulcis rosa pulchra nimis – 53v–54 In illo tempore postquam consummati sunt (4vv) – 62v–63
Fevin, Antoine de (ca. 1470–ca. 1512)	Missa Ad Placitum = Missa parva – 141v–155 Missa Dites-moi m'avés pensé: KG – 172v–174
Fogliano, Giacomo (1468–1548)	De profundis clamavi - 1a pars (of 3): De profundis clamavi ad te Domine – 119v–122 De profundis clamavi - 2a pars (of 3): – 119v–122 De profundis clamavi - 3a pars (of 3): – 119v–122 (?) Regem regum Dominum - 1a pars (of 2): Regem regum Dominum – 124v–127 Regem regum Dominum - 2a pars (of 2): – 124v–127
Hellinck, Lupus (ca. 1494–1541)	In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion – 84v–86 In convertendo - 2a pars (of 2): Qui seminant in lachrimis – 84v–86 (?) In nomine Jesu omne - 1a pars (of 2): In nomine Jesu omne genu flectatur – 117v–119 (?) In nomine Jesu omne - 2a pars (of 2): – 117v–119 Miserere mei Deus miserere mei quoniam – 130v–131 Miserere mei Domine quoniam infirmus – 127v–128 (?) Nigra sum sed formosa - 1a pars (of 2): Nigra sum sed formosa – 186v–188 (?) Nigra sum sed formosa - 2a pars (of 2): – 186v–188 (?) Paradisi portas aperuit nobis jeiunii – 7v–8
Isaac, Heinrich (ca. 1450–1517)	(?) Missa Descendi in ortum meum: Gloria et Credo – 157v–159
Jacotin, Jacques (1445–1529)	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum – 122v–124 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum – 122v–124
Lheritier, Jean (ca. 1480–ca. 1551)	Dum complerentur - 1a pars (of 2): Dum complerentur dies pentecostes – 57v–61 Dum complerentur - 2a pars (of 2): Spiritus Domini replevit orbem terrarum – 57v–61 (?) Hodie salvator mundi natus est venite – 46v–48
Longueval, Antoine de (fl. 1498-1525)	Allez regrets – 61v–62
Lupi, Johannes (ca. 1506–1539)	(?) In nomine Jesu omne - 1a pars (of 2): In nomine Jesu omne genu flectatur – 117v–119 (?) In nomine Jesu omne - 2a pars (of 2): – 117v–119 (?) Nigra sum sed formosa - 1a pars (of 2): Nigra sum sed formosa – 186v–188 (?) Nigra sum sed formosa - 2a pars (of 2): – 186v–188
Mantua, Jacquet de (1483–1559)	(?) Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena, Dominus tecum virgo serena – 107v–109 (?) Ave Maria ... virgo serena - 2a pars (of 2): Tu civitas regis justicie / Tu mater regis – 107v–109 (?) Ave mater matris Dei per quam salvi – 106v–107 Ecclesiam tuam Deus beati Antoni – 26v–28 (?) Noe Noe Hodie salvator - 1a pars (of 2): Noe Noe Hodie salvator mundi natus est – 15v–17 (?) Noe Noe Hodie salvator - 2a pars (of 2): Angelus ad pastores ait – 15v–17 O Jesu Christe miserere mei quia dolore – 37v–38 (?) O vos omnes qui transitis per viam – 17v–21 Sufficiebat nobis paupertas nostra - 1a pars (of 2): Sufficiebat nobis paupertas nostra / Mon souvenir – 32v–35 Sufficiebat nobis paupertas nostra - 2a pars (of 2): Heu me fili mi et quod te – 32v–35 (?) Veni sancte spiritus reple tuorum corda – 21v–22
Moulu, Pierre (ca. 1484–ca. 1550)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 98v–100 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 98v–100 J'ai – VI–1 O dulcis amica Dei rosa vernans – 203v O dulcis amica Dei rosa vernans – 110v–111 (?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 79v–81 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 79v–81 Salve regina Barbara - 1a pars (of 2): Salve regina Barbara mártir sanctissima – 91v–93 Salve regina Barbara - 2a pars (of 2): Et Jesum benedictum crucifixum – 91v–93
Mouton, Jean (ca. 1459–1522)	Alleluia. Confitemini Domino quoniam (2p. Stetit Jesus in medio discipulorum) – 185v–186 (?) Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena, Dominus tecum virgo serena – 107v–109 (?) Ave Maria ... virgo serena - 2a pars (of 2): Tu civitas regis justicie / Tu mater regis – 107v–109 (?) Ave Maria gratia plena (I) – 43v–44 Ave fuit prima salus - 1a pars (of 2): Ave fuit prima salus – 89v–91 Ave fuit prima salus - 2a pars (of 2): Dominus ab inicio destinavit te filio – 89v–91 (?) Ave mater matris Dei per quam salvi – 106v–107 Corde et animo Christo canamus gloriam – 6v–7 Ecce tu pulchra es amica mea - 1a pars (of 2): Ecce tu pulchra es amica mea – 100v–101 Ecce tu pulchra es amica mea - 2a pars (of 2): – 101v–102 (?) Hodie salvator mundi natus est venite – 46v–48 (?) In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome – 63v–66 (?) In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti – 63v–66 (?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 98v–100 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 98v–100 Le vilain jaloux – 200v–201 Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani – 102v–106 Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur – 102v–106 Magnificat octavi toni: Et exultavit [K.942] – 197v–200 Moriens lux amantissima qui in cruce – IIIv–IV (?) Noe Noe Hodie salvator - 1a pars (of 2): Noe Noe Hodie salvator mundi natus est – 15v–17 (?) Noe Noe Hodie salvator - 2a pars (of 2): Angelus ad pastores ait – 15v–17 Peccata mea Domine sicut sagitte – 78v–79 Per lignum salvi facti sumus – 81v–82 Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis) – 69v–73 (?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 79v–81 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 79v–81 (?) Salva nos Domine vigilantes custodi 26.12 – 22v–23 (?) Veni sancte spiritus reple tuorum corda – 21v–22
Pipelare, Mattheus (ca. 1450–ca. 1515)	Fors seulement l'atent que je meure (II) – 1v–2
Rein, Conrad (ca. 1475–1522)	(?) Vulnerasti cor meum (2p. Veni in ortum meum) – 87v–89
Remi of Auxerre (fl. c862-900)	Circumdederunt me gemitus mortis – 55v–57
Reynaldus, Fr.	Ave sanctissima Maria mater Dei regina – 50v–52 Haec dies quam fecit Dominus exultemus – 25v–26 Illuminavit eum Dominus splendoris – 23v–25 Magnificat octavi toni: Et exultavit [K.1000] – 190v–193 Magnificat quarti toni: Et exultavit [K.999] – 193v–196 Missa Benedictus Dominus Deus – 176v–185 Missa Sine nomine – 131v–141 O Domine Jesu Christe te supplices – 45v–46 O Jesu Christe miserere mei quia dolore – 36v–37 (?) Paradisi portas aperuit nobis jeiunii – 7v–8 Regina caeli laetare - 1a pars (of 2): Regina caeli laetare alleluia – 30v–32 Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit – 30v–32
Richafort, Jean (ca. 1480–ca. 1550)	(?) Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) – 73v–75 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter – 12v–15 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris – 12v–15 Sufficiebat nobis paupertas nostra senectutis nostrae – 82v–83
Rigamundus	Cella sans plus – 196v–197
Rue, Pierre de la (ca. 1452–1518)	(?) Fors seulement l'atent que je meure (II) – 1v–2 Fors seulement l'attente que je meure (2p. Qui n'est douleur) – 3v–4
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Quis dabit oculis nostris - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum – 76v–78 (?) Quis dabit oculis nostris - 2a pars (of 3): Heu nobis Domine – 76v–78 (?) Quis dabit oculis nostris - 3a pars (of 3): Ergo ululate pueri – 76v–78
Sermisy, Claudin de (ca. 1490–1562)	Vox in rama audita est murmur heu nimirum – 67v–69
Silva, Andreas de (ca. 1475–ca. 1522)	Fors seulement l'attente que je meure – 2v–3 Hodie completi sunt dies pentecostes – 113v–114 In illo tempore loquente Jesu ad turbas – 44v–45 Judica me Deus - 1a pars (of 2): Judica me Deus – 111v–113 Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei – 111v–113
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 79v–81 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 79v–81
Vinders, Jheronimus (fl. c1525-1526)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 98v–100 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 98v–100
Willaert, Adrian (ca. 1490–1562)	Dominus regit me - 1a pars (of 2): Dominus regit me et nihil mihi deerit – 114v–116 Dominus regit me - 2a pars (of 2): Parasti in conspectu meo – 114v–116 O gemma clarissima Katherina virgo sanctissima – 109v–110 Quia devotis laudibus tui memoriam – 116v–117 (?) Salva nos Domine vigilantes custodi 26.12 – 22v–23
le Brun, Jean (fl. early 16th century)	(?) Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) – 73v–75

Composition	Composers (? Uncertain)	Folios / Pages
Alleluia. Confitemini Domino quoniam (2p. Stetit Jesus in medio discipulorum)	Mouton, Jean (ca. 1459–1522)	185v–186
Allez regrets	Longueval, Antoine de (fl. 1498-1525)	61v–62
Angele Dei qui custos es mei me tibi	Festa, Sebastiano (ca. 1490–1524)	Iv–II
Ave fuit prima salus - 1a pars (of 2): Ave fuit prima salus	Mouton, Jean (ca. 1459–1522)	89v–91
Ave fuit prima salus - 2a pars (of 2): Dominus ab inicio destinavit te filio	Mouton, Jean (ca. 1459–1522)	89v–91
Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena, Dominus tecum virgo serena	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)	107v–109
Ave Maria ... virgo serena - 2a pars (of 2): Tu civitas regis justicie / Tu mater regis	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)	107v–109
Ave Maria gratia plena (I)	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	43v–44
Ave mater matris Dei per quam salvi	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)	106v–107
Ave sanctissima Maria mater Dei regina	Reynaldus, Fr.	50v–52
Beata Appolonia grave tormentum per Domino	Anonymous	202v
Beata Appolonia grave tormentum per Domino	Anonymous	202v–203
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	Jacotin, Jacques (1445–1529)	122v–124
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	Jacotin, Jacques (1445–1529)	122v–124
Benedicta mater matris que est mater	Anonymous	86v–87
Cella sans plus	Rigamundus	196v–197
Circumdederunt me gemitus mortis	Remi of Auxerre (fl. c862-900)	55v–57
Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi)	le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?)	73v–75
Corde et animo Christo canamus gloriam	Mouton, Jean (ca. 1459–1522)	6v–7
Da pacem Domine in diebus nostris	Anonymous	54v–55
De profundis clamavi - 1a pars (of 3): De profundis clamavi ad te Domine	Fogliano, Giacomo (1468–1548)	119v–122
De profundis clamavi - 2a pars (of 3):	Fogliano, Giacomo (1468–1548)	119v–122
De profundis clamavi - 3a pars (of 3):	Fogliano, Giacomo (1468–1548)	119v–122
Dominus regit me - 1a pars (of 2): Dominus regit me et nihil mihi deerit	Willaert, Adrian (ca. 1490–1562)	114v–116
Dominus regit me - 2a pars (of 2): Parasti in conspectu meo	Willaert, Adrian (ca. 1490–1562)	114v–116
Dum complerentur - 1a pars (of 2): Dum complerentur dies pentecostes	Lheritier, Jean (ca. 1480–ca. 1551)	57v–61
Dum complerentur - 2a pars (of 2): Spiritus Domini replevit orbem terrarum	Lheritier, Jean (ca. 1480–ca. 1551)	57v–61
Ecce tu pulchra es amica mea - 1a pars (of 2): Ecce tu pulchra es amica mea	Mouton, Jean (ca. 1459–1522)	100v–101
Ecce tu pulchra es amica mea - 2a pars (of 2):	Mouton, Jean (ca. 1459–1522)	101v–102
Ecclesiam tuam Deus beati Antoni	Mantua, Jacquet de (1483–1559)	26v–28
Elisabeth beatissima in caelesti aerario	Festa, Costanzo (ca. 1485–1545)	52v–53
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Richafort, Jean (ca. 1480–ca. 1550)	12v–15
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	Richafort, Jean (ca. 1480–ca. 1550)	12v–15
Et in terra pax [Gloria]	Anonymous	170v–172
Fors seulement l'atent que je meure (II)	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)	1v–2
Fors seulement l'attente que je meure	Silva, Andreas de (ca. 1475–ca. 1522)	2v–3
Fors seulement l'attente que je meure (2p. Qui n'est douleur)	Rue, Pierre de la (ca. 1452–1518)	3v–4
Fours seullement - 1a pars (of 2): Fours seullement	Divitis, Antonius (ca. 1470–ca. 1530)	9v–11
Fours seullement - 2a pars (of 2): Qu'il n'est doleur que par vosje ne sante	Divitis, Antonius (ca. 1470–ca. 1530) (?)	9v–11
Haec dies quam fecit	Anonymous	5v–6
Haec dies quam fecit Dominus exultemus	Reynaldus, Fr.	25v–26
Haec est illa dulcis rosa pulchra nimis	Festa, Sebastiano (ca. 1490–1524)	53v–54
Hodie completi sunt dies pentecostes	Silva, Andreas de (ca. 1475–ca. 1522)	113v–114
Hodie salvator mundi natus est venite	Lheritier, Jean (ca. 1480–ca. 1551) (?) Mouton, Jean (ca. 1459–1522) (?)	46v–48
Illuminavit eum Dominus splendoris	Reynaldus, Fr.	23v–25
In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Hellinck, Lupus (ca. 1494–1541)	84v–86
In convertendo - 2a pars (of 2): Qui seminant in lachrimis	Hellinck, Lupus (ca. 1494–1541)	84v–86
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Vinders, Jheronimus (fl. c1525-1526) (?)	98v–100
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?)	98v–100
In illo tempore loquente Jesu ad turbas	Silva, Andreas de (ca. 1475–ca. 1522)	44v–45
In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	63v–66
In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	63v–66
In illo tempore postquam consummati sunt (4vv)	Festa, Costanzo (ca. 1485–1545) (?) Festa, Sebastiano (ca. 1490–1524)	62v–63
In nomine Jesu omne - 1a pars (of 2): In nomine Jesu omne genu flectatur	Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?)	117v–119
In nomine Jesu omne - 2a pars (of 2):	Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?)	117v–119
J'ai	Moulu, Pierre (ca. 1484–ca. 1550)	VI–1
Judica me Deus - 1a pars (of 2): Judica me Deus	Silva, Andreas de (ca. 1475–ca. 1522)	111v–113
Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei	Silva, Andreas de (ca. 1475–ca. 1522)	111v–113
Kyrie eleison	Brumel, Antoine (ca. 1460–ca. 1513)	155v–157
Kyrie eleison	Anonymous	168v–170
Le vilain jaloux	Mouton, Jean (ca. 1459–1522)	200v–201
Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani	Mouton, Jean (ca. 1459–1522)	102v–106
Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur	Mouton, Jean (ca. 1459–1522)	102v–106
Magnificat octavi toni: Et exultavit [K.1000]	Reynaldus, Fr.	190v–193
Magnificat octavi toni: Et exultavit [K.942]	Mouton, Jean (ca. 1459–1522)	197v–200
Magnificat quarti toni: Et exultavit [K.999]	Reynaldus, Fr.	193v–196
Maria ergo unxit pedes - 1a pars (of 2): Maria ergo unxit pedes Jesu et extersit	Ferrara, Simon de (fl. 13th century)	38v–41
Maria ergo unxit pedes - 2a pars (of 2): Oremus largire nobis	Ferrara, Simon de (fl. 13th century)	38v–41
Miserere mei Deus miserere mei quoniam	Hellinck, Lupus (ca. 1494–1541)	130v–131
Miserere mei Domine quoniam infirmus	Hellinck, Lupus (ca. 1494–1541)	127v–128
Missa Ad Placitum = Missa parva	Fevin, Antoine de (ca. 1470–ca. 1512)	141v–155
Missa Benedictus Dominus Deus	Reynaldus, Fr.	176v–185
Missa Descendi in ortum meum: Gloria et Credo	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)	157v–159
Missa Dites-moi m'avés pensé: KG	Fevin, Antoine de (ca. 1470–ca. 1512)	172v–174
Missa Dominicalis	Brumel, Antoine (ca. 1460–ca. 1513)	164v–167
Missa Sine nomine	Reynaldus, Fr.	131v–141
Moriens lux amantissima qui in cruce	Mouton, Jean (ca. 1459–1522)	IIIv–IV
Nigra sum sed formosa - 1a pars (of 2): Nigra sum sed formosa	Hellinck, Lupus (ca. 1494–1541) (?) Lupi, Johannes (ca. 1506–1539) (?)	186v–188
Nigra sum sed formosa - 2a pars (of 2):	Lupi, Johannes (ca. 1506–1539) (?) Hellinck, Lupus (ca. 1494–1541) (?)	186v–188
Nisi quia Dominus erat - 1a pars (of 2): Nisi quia Dominus erat	Ferrara, Simon de (fl. 13th century)	128v–130
Nisi quia Dominus erat - 2a pars (of 2):	Ferrara, Simon de (fl. 13th century)	128v–130
Nobis sancte spiritus gratia sit data	Agricola, Alexander (ca. 1445–1506)	4v–5
Noe Noe Hodie salvator - 1a pars (of 2): Noe Noe Hodie salvator mundi natus est	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)	15v–17
Noe Noe Hodie salvator - 2a pars (of 2): Angelus ad pastores ait	Mantua, Jacquet de (1483–1559) (?) Mouton, Jean (ca. 1459–1522) (?)	15v–17
O Domine Jesu Christe pastor bone	Brumel, Antoine (ca. 1460–ca. 1513)	93v–94
O Domine Jesu Christe te supplices	Reynaldus, Fr.	45v–46
O dulcis amica Dei rosa vernans	Moulu, Pierre (ca. 1484–ca. 1550)	110v–111
O dulcis amica Dei rosa vernans	Moulu, Pierre (ca. 1484–ca. 1550)	203v
O gemma clarissima Katherina virgo sanctissima	Willaert, Adrian (ca. 1490–1562)	109v–110
O Jesu Christe miserere mei quia dolore	Reynaldus, Fr.	36v–37
O Jesu Christe miserere mei quia dolore	Mantua, Jacquet de (1483–1559)	37v–38
O magnum mysterium - 1a pars (of 2): O magnum mysterium	Ferrara, Maistre Jhan of (ca. 1485–1538)	188v–190
O magnum mysterium - 2a pars (of 2):	Ferrara, Maistre Jhan of (ca. 1485–1538)	188v–190
O pulcherima virgo pulchre sunt gene	Festa, Costanzo (ca. 1485–1545)	41v–43
O rex gentium et desideratus earum	Anonymous	201v–202
O sacrum convivium in quo Christus sumitur	Ferrara, Maistre Jhan of (ca. 1485–1538)	66v–67
O vos omnes qui transitis per viam	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)	17v–21
Paradisi portas aperuit nobis jeiunii	Hellinck, Lupus (ca. 1494–1541) (?) Reynaldus, Fr. (?)	7v–8
Peccantem me quotidie	Barra, Hotinet (fl. 1510-23)	8v–9
Peccata mea Domine sicut sagitte	Mouton, Jean (ca. 1459–1522)	78v–79
Per lignum salvi facti sumus	Mouton, Jean (ca. 1459–1522)	81v–82
Per lignum salvi facti sumus	Divitis, Antonius (ca. 1470–ca. 1530)	83v–84
Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis)	Mouton, Jean (ca. 1459–1522)	69v–73
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)	79v–81
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	79v–81
Quia devotis laudibus tui memoriam	Willaert, Adrian (ca. 1490–1562)	116v–117
Quis dabit oculis nostris - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	Festa, Costanzo (ca. 1485–1545) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	76v–78
Quis dabit oculis nostris - 2a pars (of 3): Heu nobis Domine	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Festa, Costanzo (ca. 1485–1545) (?)	76v–78
Quis dabit oculis nostris - 3a pars (of 3): Ergo ululate pueri	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Festa, Costanzo (ca. 1485–1545) (?)	76v–78
Regem archangelorumDominum venite	Festa, Costanzo (ca. 1485–1545)	11v–12
Regem regum Dominum - 1a pars (of 2): Regem regum Dominum	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	124v–127
Regem regum Dominum - 2a pars (of 2):	Festa, Costanzo (ca. 1485–1545) Fogliano, Giacomo (1468–1548)	124v–127
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare alleluia	Reynaldus, Fr.	30v–32
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	Reynaldus, Fr.	30v–32
Rosa novum - 1a pars (of 2): Rosa novum dans odorem ad ornatum	Brumel, Antoine (ca. 1460–ca. 1513)	94v–95
Rosa novum - 2a pars (of 2): Constitutum in spe certa	Brumel, Antoine (ca. 1460–ca. 1513)	94v–95
Salva nos Domine vigilantes custodi 26.12	Despres, Josquin (ca. 1450–1521) (?) Willaert, Adrian (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)	22v–23
Salve regina Barbara - 1a pars (of 2): Salve regina Barbara mártir sanctissima	Moulu, Pierre (ca. 1484–ca. 1550)	91v–93
Salve regina Barbara - 2a pars (of 2): Et Jesum benedictum crucifixum	Moulu, Pierre (ca. 1484–ca. 1550)	91v–93
Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	164v–167
Simile est regnum caelorum homini	Carpentras, Elzear Genet (ca. 1470–1548)	75v–76
Sufficiebat nobis paupertas nostra - 1a pars (of 2): Sufficiebat nobis paupertas nostra / Mon souvenir	Mantua, Jacquet de (1483–1559)	32v–35
Sufficiebat nobis paupertas nostra - 2a pars (of 2): Heu me fili mi et quod te	Mantua, Jacquet de (1483–1559)	32v–35
Sufficiebat nobis paupertas nostra senectutis nostrae	Richafort, Jean (ca. 1480–ca. 1550)	82v–83
T of Cella sans plus (n° 94), copied a second time	Anonymous	203v
Veni sancte spiritus reple tuorum corda	Mouton, Jean (ca. 1459–1522) (?) Mantua, Jacquet de (1483–1559) (?)	21v–22
Veni sponsa Christi	Anonymous	35v–36
Vivite felices divi sub numine petri - 1a pars (of 2): Vivite felices divi sub numine petri	Bruhier, Antoine (–ca. 1521)	48v–50
Vivite felices divi sub numine petri - 2a pars (of 2): Sepe merum libate precor	Bruhier, Antoine (–ca. 1521)	48v–50
Vox de caelis - 1a pars (of 2): Vox de caelis intonuit veni electa mea	Ferrara, Maistre Jhan of (ca. 1485–1538)	28v–30
Vox de caelis - 2a pars (of 2):	Ferrara, Maistre Jhan of (ca. 1485–1538)	28v–30
Vox in rama audita est murmur heu nimirum	Sermisy, Claudin de (ca. 1490–1562)	67v–69
Vulnerasti cor meum (2p. Veni in ortum meum)	Rein, Conrad (ca. 1475–1522) (?)	87v–89

‡ denotes primary source study

Brauner, Mitchell Paul. 2017. A Tale of Three Manuscripts: On the Origins and Uses of I-Bc Q19, Q20 and Q21. Sources of Identity: Makers, Owners, and Users of Music Sources Before 1600, edited by Mitchell Paul Brauner, 227–238. Turnhout: Brepols.

‡ Heyink, Rainer. 1994. Der Gonzaga-Kodex Bologna Q19. Paderborn, Munich, Vienna, Zurich.

‡ Nosow, Robert. 1991. The Dating and Provenance of Bologna, Civico Museo Bibliografico Musicale, MS Q 19. Journal of Musicology, 92-108.

Bragard, Anne-Marie. 1980. Les musiciens ultramontains des chapelles du pape Médicis Léon X (1513-1521). Bulletin de l'Institut historique belge de Rome, 187ff. Pages: 196ff.

Fenlon, Iain. 1980. Music and patronage in the sixteenth-century Mantua I. Cambridge. Pages: 71-3,76. Notes: contents list (partial); concordances (partial); discussion; cussion of the MS.

Staehelin, Martin. 1980. Review of CR Lowinsky. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici... Journal of the American Musicological Society, 575-87. Notes: physical description (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 73.

Lockwood, Lewis Henry. 1979. Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505-1520. Journal of the American Musicological Society, 191-246. Pages: 199,234-45. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Finscher, Ludwig. 1977. Der Medici-Kodex-Geschichte und Edition. Die Musikforschung, 468-81. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft. Tutzing. Pages: 19, 22-4,50,78-82,433,443,445. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lowinsky, Edward E. 1977. On the Presentation and Interpretation of Evidence: Another Review of Costanzo Festa's Biography. Journal of the American Musicological Society, 106-28. Pages: 117-24. Notes: contents list (partial); mention of MS; discussion.

Silbiger, Alexander. 1977. An Unknown Partbook of Early Sixteenth Century Polyphony. Studi Musicali, 43-67. Pages: 48, 57-60. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xx,52. Notes: physical description; contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. A Review of Costanzo Festa's Biography. Journal of the American Musicological Society, 102-11. Pages: 107-8. Notes: physical description; mention of MS; discussion.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: (I, 144ff)Dis (I, 166-9, 197). Notes: contents list (partial); concordances (partial).

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, x, 111-3. Notes: mention of MS; transcription (partial).

Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, [xx-xxi]. Notes: facsimile (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 364, passim. Notes: mention of MS; concordances (partial).

Nugent, George Edward. 1970. The Life and Works of Antonius Divitis. North Texas State University, Unpublished Ph.D. dissertation. Pages: I,123-4,129-33,138-9; II, 418-32,438-55. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xiv, xvi; IV, 84-6; V, xxxix-xl, 86-8, 103-9. Notes: mention of MS; concordances (partial); transcription (partial).

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 336,338. Notes: contents list (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xl. Notes: physical description; mention of MS; discussion.

Perkins, Leeman L. 1969. Review of CR Lowinsky. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici. The Musical Quarterly, 255-69. Pages: 269ff.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: I, 39. Notes: mention of MS.

Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Pages: I, 52ff, 114 (avec facs. du f. III).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music. Chicago. Pages: III, 52-60. Notes: physical description; mention of MS; discussion; facsimile (partial).

Hewitt, Helen Margaret (editor). 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music. Chicago and London. Pages: 11, passim. Notes: mention of MS; concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 124. Notes: concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,x,xv-xvi,18-43. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I, X.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, 36-7. Notes: transcription (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 350. Notes: physical description; concordances (partial).

Reese, Gustave. 1959. Music in the Renaissance. New York. Pages: 220, 367. Notes: mention of MS.

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: 18, passim. Notes: concordances (partial); mention of MS.

Lowinsky, Edward E. 1957. The Medici Codex: A Document of Music, Art, and Politics in the Renaissance. Annales Musicologiques, 61-178. Pages: 98-106. Notes: physical description; mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IV, 101-3. Notes: physical description; mention of MS; discussion; facsimile (partial).

Reese, Gustave. 1948-49. Maldeghem and His Buried Treasure: A Bibliographical Study. Notes, 75-117. Pages: 81, 87ff. Notes: mention of MS.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: L. Perkins, 48, I, p. XL.

Dagnino, Eduardo (editor). 1936. Constantius Festa, Sacrae cantiones. Monumenta Polyphoniae Italicae. Rome. Pages: viii, x. Notes: mention of MS.

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 179. Notes: contents list (partial).

Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II, 32-4, 45-58, 108-12, 127-30, 134. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VI, v. Notes: physical description.

Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 451-505,575-615. Pages: 502. Notes: physical description; contents list; incipitsst of contents (partial).

Gaspari, Gaetano (compiler). 1905. Catalogo della biblioteca del Liceo musicale di Bologna compilato da Gaetano Gaspari: compiuto e pubblicato da Dr Raffaele Cadolini, aggiunto al bibliotecario. 4 vols. Bologna. Pages: III, 3-4. Notes: physical description; contents list.

Maldeghem, R-J van. 1865-93. Tresor musical: collection authentique de musique sacrée & profane des anciens maîtres belges ... Musique profane. Brussels. Pages: I-III, x-xii, xvii, xx, xxix. Notes: transcription (partial).

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Benjamin Ory

Friday, 28 February, 2025

Notified that ff. 131v–141r is the "Missa Sine nomine" by Renaldo, not "Miserere Mei Deus" (as previously stated); and ff. 176v–185r is the "Missa Benedictus Dominus Deus" by Renaldo

Edward Tambling

Monday, 10 July, 2023

Mis-reading of title of second item corrected: "Moriens lux amantissima" both in the MS and in RISM c.1530/1

Edward Tambling

Monday, 10 July, 2023

Concordance for Veni sponsa Christi (f. 35v–36) found in I-Bc R.142 on 16v–17.

Edward Tambling

Monday, 10 July, 2023

O rex gentium et desideratus earum on 200v–201 corrected to 'Le villain jaloix'.

Patrick Macey

Friday, 19 January, 2018

Bibliography added

Jason Stoessel

Monday, 23 October, 2017

Bibliographical item added

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description