I-Bc Q.27 II°

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

partbook: 1520-30

Archive	Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark	Q.27 II°
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	142 x 216 mm
Other Identifiers	RISM: I-Bc 27, II CCM: BolC Q27(2)
Notations	black void mensural
External Links	PRoMS Images
Provenance	Bologna, Italy
Contents	12 pieces from 9 composers

General Description

A single Discantus partbook of a set of 5 (the remaining partbooks in BolC Q27 are unrelated). Probably copied in Bologna (Rifkin). THe main body of the ms was copied by a single scribe (c.1520 - Fenlon/Haar) with the later addition in the first half of the sixteenth century of Verdelot's madrigal.

DIAMM, 2022

Binding

Modern covers of brown cardboard.

DIAMM, 2017

Watermark

resemble Briquet #760 and 761

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1520-30 on basis of watermarks and repertory; a. 1520 (LowMCE).

DIAMM, 2017

Foliation

Modem foliation, 1-14

DIAMM, 2017

Decoration

Decorative penwork initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 14ff. Papier, 132 x 210 mm.

Foliotation moderne. Les ff. 1r-v, 14 sont blancs. Notation mesurée blanche. 4 portées par p. Capitales ornées à la plume. Livre du Cantus seul*.

Le répertoire légèrement plus ancien que celui du précédent ms. place la copie de celui-ci aux environs de 1520.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 8 motets, I Italian secular piece = 10

(Craen/C. Festa/A. Févin/Josquin/Morales)-1, (Divitis)-1, (C. Festa/A. Févin/Mouton)-1, (A. Févin)-1, (Jaquet of Mantua)-1, anon-5

1 paper partbook (D-i + 12 + i folios), 142 x 216. Modem foliation, 1-14. Modern covers of brown cardboard. No index. Watermarks resemble Briquet #760 and 761. BolC Q27 is a composite manuscript made up of five partbooks, of which this is the second. Only the first and second books, which are unrelated to each other, contain repertory relevant to this catalogue.

1520-30, on basis of watermarks and repertory; ca. 1520 (LowMCE). Probably copied in Bologna (Rifkin).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–7v	Missa de Beata Virgine	-	Anonymous
Missa de Beata Virgine Anonymous Appears on: 2–7v Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa De beata virgine] Kyrie. Item Bibliography Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 78. Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Pages: I, 114f.
8–9	Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus	A.FEVIN	Leo X (Medici) (1475–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus Leo X (Medici) (1475–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 8–9 Genres: Motet, Psalm Source Attribution: A.FEVIN Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Omnes gentes plaudite manibus Item Bibliography Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 43, I.
8–9	Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus)	A.FEVIN	Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?)
Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?) Appears on: 8–9 Genres: Motet Source Attribution: A.FEVIN Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus deus meus....
9	O Jesu Christe miserere mei quia dolore	[JACHET]	Mantua, Jacquet de (1483–1559)
O Jesu Christe miserere mei quia dolore Mantua, Jacquet de (1483–1559) Appears on: 9 Genres: Motet Source Attribution: [JACHET] Voice: [no designation] Languages: Latin Voice Text: 0 Jhesu Christe miserere mei … General Note Publ. cf. Bc 19, n° 27
9v–10	O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta)	[N. BAULDUIN* ou C.FESTA ou A. FÉVIN ou J. MOUTON* ou JOSQUIN*]	Bauldeweyn, Noel (ca. 1480–1529) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522)
O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) Bauldeweyn, Noel (ca. 1480–1529) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522) Appears on: 9v–10 Genres: Motet Source Attribution: [N. BAULDUIN* ou C.FESTA ou A. FÉVIN ou J. MOUTON* ou JOSQUIN] Voice:* [no designation] Languages: Latin Voice Text: [0] pulcherrima mulierum . . . Concordances 15193 (Josquin à la Table) A-Wn 15941 •"E-Bc 454 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: XI (op.dub.). Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Pages: (Mouton).
10–10v	Defecit in salutare tuum	-	Anonymous
Defecit in salutare tuum Anonymous Appears on: 10–10v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Defecit in salutare tuum . . .
10v–11	Cantantibus organis Cecilia virgo	-	Anonymous
Cantantibus organis Cecilia virgo Anonymous Appears on: 10v–11 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cantantibus organis Cecilia virgo
11	Fiat cor meum	-	Anonymous
Fiat cor meum Anonymous Appears on: 11 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Fiat cor meum . . .
11v–12	Sancta Trinitas unus Deus miserere nobis (4vv)	[A. FEVIN ou N. CRAEN* ou JOSQUIN**]	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 11v–12 Genres: Motet Source Attribution: [A. FEVIN ou N. CRAEN* ou JOSQUIN] Voice: [no designation] Languages: Latin Voice Text:** Sancta trinitas unus deus . . . General Note Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261] Concordances D-brd-Ga 7 D-ddr-EIa (à 6vx.) Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: XI. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5, 13 Motets. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 99 (avec 2vx. ajoutées par Arnold v. Brück, 1555);.
12–12A	Desolatorum consolator - 1a pars (of 2): Desolatorum consolator	A. DIVITIS	Divitis, Antonius (ca. 1470–ca. 1530)
Desolatorum consolator - 1a pars (of 2): Desolatorum consolator Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 12–12A Genres: Motet Source Attribution: A. DIVITIS Voice: [no designation] Languages: Latin Voice Text: Desolatorum consolator . . Concordances *15141 Concordances Petrucci's Motetti de la Corona 1st book, no. 23
12v–13	Desolatorum consolator - 2a pars (of 2): Ora pro nobis Deum	-	Divitis, Antonius (ca. 1470–ca. 1530)
Desolatorum consolator - 2a pars (of 2): Ora pro nobis Deum Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 12v–13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ora pro nobis deum Concordances Petrucci's Motetti de la Corona 1st book, no. 23
13v	Donna leggiadra e bella che con le vostre	[P. VERDELOT]*	Verdelot, Philippe (ca. 1480–ca. 1532)
Donna leggiadra e bella che con le vostre Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 13v Genres: Madrigal (Italian) Source Attribution: [P. VERDELOT]* Voice: [no designation] Languages: Italian Voice Text: Donna ligiadra e bella. General Note [Copié postérieurement] Concordances 15332 Item Bibliography Slim, H Colin. 1972. A Gift of Madrigals and Motets.* Chicago and London. Pages: II. Eitner, Robert, L Erk, and Otto Kade (editors). 1873-. Ein hundert fünfzehn weltliche und einige geistliche Lieder. Text und Musik hergestellt nebst einer. Publikation aelterer praktischer und theoretischer Musikwerke. Leipzig/Berlin: Gesellschaft für Musikforschung. Pages: III.

Composer	Compositions
Anonymous	Cantantibus organis Cecilia virgo – 10v–11 Defecit in salutare tuum – 10–10v Fiat cor meum – 11 Missa de Beata Virgine – 2–7v
Bauldeweyn, Noel (ca. 1480–1529)	(?) O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 9v–10
Divitis, Antonius (ca. 1470–ca. 1530)	Desolatorum consolator - 1a pars (of 2): Desolatorum consolator – 12–12A Desolatorum consolator - 2a pars (of 2): Ora pro nobis Deum – 12v–13
Festa, Costanzo (ca. 1485–1545)	(?) O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 9v–10
Fevin, Antoine de (ca. 1470–ca. 1512)	Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus – 8–9 Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) – 8–9 (?) O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 9v–10 Sancta Trinitas unus Deus miserere nobis (4vv) – 11v–12
Leo X (Medici) (1475–1521)	(?) Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus – 8–9 (?) Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) – 8–9
Mantua, Jacquet de (1483–1559)	O Jesu Christe miserere mei quia dolore – 9
Mouton, Jean (ca. 1459–1522)	O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 9v–10
Verdelot, Philippe (ca. 1480–ca. 1532)	Donna leggiadra e bella che con le vostre – 13v

Composition	Composers (? Uncertain)	Folios / Pages
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus	Leo X (Medici) (1475–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	8–9
Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus)	Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?)	8–9
Cantantibus organis Cecilia virgo	Anonymous	10v–11
Defecit in salutare tuum	Anonymous	10–10v
Desolatorum consolator - 1a pars (of 2): Desolatorum consolator	Divitis, Antonius (ca. 1470–ca. 1530)	12–12A
Desolatorum consolator - 2a pars (of 2): Ora pro nobis Deum	Divitis, Antonius (ca. 1470–ca. 1530)	12v–13
Donna leggiadra e bella che con le vostre	Verdelot, Philippe (ca. 1480–ca. 1532)	13v
Fiat cor meum	Anonymous	11
Missa de Beata Virgine	Anonymous	2–7v
O Jesu Christe miserere mei quia dolore	Mantua, Jacquet de (1483–1559)	9
O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta)	Bauldeweyn, Noel (ca. 1480–1529) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522)	9v–10
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	11v–12

‡ denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 78.

Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Pages: I, 114f.

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Simon Frisch

Saturday, 30 May, 2020

"Ora pro nobis Deum" on 12v–13 identified as second part of Divitis' "Desolatorum", per Petrucci's Motetti de la Corona 1st book.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Bc Q.27 II°

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

partbook: 1520-30

General Description

Binding

Watermark

Notation

Date

Foliation

Decoration

Surface

RISM Description

Census Catalogue of Music Description

Item Bibliography

Item Bibliography

General Note

Concordances

Item Bibliography

General Note

Concordances

Item Bibliography

Concordances

Concordances

Concordances

General Note

Concordances

Item Bibliography

Simon Frisch

Saturday, 30 May, 2020

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017