I-Bc A.71

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

theory treatise and non-music MS with interpolated music: 1510-5

Archive Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark A.71
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements 215 x 145 mm
Other Identifiers
  • RISM: I-Bc 71
  • CCM: BolC A71
  • olim (Former shelfmark): 159
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents 27 pieces from 6 composers
General Description

The manuscript contains six treatises on music (Guillermo de Podino-3, Gafurius-2, anon-1); the polyphonic pieces are inserted between the treatises, or in some cases occur as musical examples within the treatises. Possibly compiled at the Spanish College in Bologna. The flyleaves preceding the manuscript proper contain a letter concerning the acquisition of the manuscript by Padre Martini.

DIAMM, 2017
Watermark

(1) generally resembles Briquet #6649; (2) hand sur-mounted by five-petalled flower (not in Briquet).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Pagination, perhaps 18th century, 1-303.

DIAMM, 2017
Index

18th-century index, probably by Padre Martini on front flyleaves

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVe/XVIe s. 303 p. Papier, 215 x 150 mm.

Pagination du P. Martini. Les p. 132, 133, 221, 231, 236 à 240, 249, 250, 253, 257, 265, 277 à 283, 285, 292 à 295 sont blanches. Notation mesurée blanche. 10 portées par p. pleine. Sur un f. limin. n. ch. ajouté plus tard, table du ms. par le P. Martini. Initiales ornées en coul. et titres rubriqués.

Ms. considéré à tort par H. Hewitt (et à sa suite par H. Osthoff, cf. Bibliographie) comme la copie faite au XIXe s. d'un ms. «of the Carmelite monastery of St. Paul at Ferrara», celui-ci étant en réalité le ms. 117 de Faenza dont certaines pièces, transcrites en 1753 par le P. Martini, ont été réunies sous la cote A. 32 (2e partie), ms. qui ne présente donc aucun rapport avec A. 71. Dans une lettre non datée jointe au ms., adressée à Mons. Carampi (vraisemblablement l'archevêque de Montefiascone Giuseppe Garampi, primitivement à Rome, avec lequel le P. Martini entretint une correspondance de 1761 à 1780), on lit: «… sarebbe desiderio grande del P. Martini di fare acquisto del sudetto codice ma conoscendosi troppo ardito, si fa coragio di richiederne una copia.» Malgré ces réticences, Martini acquit le ms. qui entra au Civico Museo avec sa collection et dont il a lui-même rédigé la table. Les traités écrits ou glosés en espagnol suggèrent que certains fascicules tout au moins avaient été copiés à l'usage des étudiants du Collège espagnol de Bologne. Concernant les attributions non confirmées à Tinctoris, on a suivi Van den Borren qui considère les ex. anonymes du De arte contrapuncti comme «l'oeuvre personnelle de Tinctoris» (Biographie nat. de Belgique, XXV). Il semble justifié, en tout cas, de lui attribuer le no 14 dédié à Beatrice d'Aragon qui avait été son élève à Naples.

Ce recueil factice constitué à la fin du XVe s. ou au début du XVIe, contient les traités suivants:

p. 1-131 «Franchini Gafori Laudensis in delubri maioris choro phonacci Theoricum opus Musice discipline féliciter incipit» …

p. 134-190 »Guillermi de Podio presbiteri In Enchiridion de principiis musice discipline contra negantes illa et destruentes. Ad Johanem de Vera decretorum Doctor eximius et ecclesie Valentie precentorem dignissimus Prologus féliciter incipit.»

p. 191-207 «Cinco son las figuras de canto de orguano …» [Résumé des ch. VIII-XXXVIII de l'Ars musicorum de G. de Podio, imprimé à Valencia en 1495].

p. 207-220 Cf. dépouillement musical

p. 222-227 «Incipit compendium musicale de diversis questionibus et diffinitionibus»

p. 228-230 «Divisió monocordi diatonici …» [6 chap, sur le monocorde]

p. 232-235 Courts exemples musicaux de notation proportionnelle

p. 241-248 «Proportio inequalitatis est duarum inequalium quantitatum ad in vicem relatio …» [Extraits du Liv. IV de la Practica musice de Gaffurio]

p. 251-264 Cf. dépouillement musical

p. 266-276 «Canto es movimiento de voces concordante ...» (Cita Papa Johan in Tract ad Fulgentius.)

p. 284 «De proportione subsesquitertia» [Id. p. 248]

p. 286-297 Cf. dépouillement musical.

p. 298-300 Courts faux-bourdons à 4vx. sur les tons 1-4 et 6 des Psaumes, désignés à la table de Martini comme falsobordone

p. 301-303 «De proportione sesquialtera …» [Id. p. 246-248 avec 1 ex. suppl. p. 301]

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 motets, 2 sets of falsobordone pieces, 2 French secular pieces = 11 + ca. 25 brief pieces illustrating mensural proportions and contrapuntal techniques

Josquin-1, Marlet-1, (Silva)-1, (Tinctoris)-2, (Willaert)-1, anonymous

vii + 152 + vi paper folios, 215 x 145. Pagination, perhaps from the 18th century, 1-303. The flyleaves preceding the manuscript proper contain a letter concerning the acquisition of the manuscript by Padre Martini and an 18th-century index, probably by Padre Martini. The manuscript contains six treatises on music (Guillermo de Podino-3, Gafurius-2, anon-1); the polyphonic pieces are inserted between the treatises, or in some cases occur as musical examples within the treatises.

1510-5 (O'DonSCB). Possibly compiled at the Spanish College in Bologna.

Vol 4

Contents:

Collection of treatises, with polyphonic examples:

5 psalms, 8 motets, 1 French secular piece, 1 set of textless melodic formulas

over breves in lower voice, 22 pieces illustrating mensural proportions and

contrapuntal techniques (some textless; some with Latin, French, or Italian

incipits or titles) = 37

Composers: Change "(Tinctoris)-2" to "Tinctoris-10 + 2?"; change "anony-mous" to "anon-21."

Physical: Watermarks: (1) generally resembles Briquet #6649; (2) hand sur-mounted by five-petalled flower (not in Briquet).

Date: Ca. 1515-20 (BlackLG).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
p. 207–p. 208 In illo tempore loquente Jesu ad turbas [A. DE SILVA]
Silva, Andreas de (ca. 1475–ca. 1522)

In illo tempore loquente Jesu ad turbas

Silva, Andreas de (ca. 1475–ca. 1522)
Appears on: p. 207–p. 208
Genres: In illo tempore, Motet
Source Attribution: [A. DE SILVA]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore loquente Iesu
General Note

Publ. cf. Bc 19 n° 31
209–210 Regina caeli (4vv) - 1a pars (of 2): Regina caeli laetare alleluia [B084] [A. WILLAERT]
Willaert, Adrian (ca. 1490–1562)

Regina caeli (4vv) - 1a pars (of 2): Regina caeli laetare alleluia [B084]

Willaert, Adrian (ca. 1490–1562)
Appears on: 209–210
Genres: Motet, Regina caeli laetare
Source Attribution: [A. WILLAERT]
Voice: [no designation]
Languages: Latin
Voice Text: Regina caeli laetare alleluia

Item Bibliography

Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music.  Chicago and London. Pages: II.

209–210 Regina caeli (4vv) - 2a pars (of 2): Resurrexit sicut dixit [B084] [A. WILLAERT]
Willaert, Adrian (ca. 1490–1562)

Regina caeli (4vv) - 2a pars (of 2): Resurrexit sicut dixit [B084]

Willaert, Adrian (ca. 1490–1562)
Appears on: 209–210
Genres: Motet
Source Attribution: [A. WILLAERT]
Voice: [no designation]
Languages: Latin
Voice Text: Regina caeli laetare alleluia
General Note

[2a p.]: Resurrexit sicut dixit . . .

Item Bibliography

Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music.  Chicago and London. Pages: II.

p. 211–212 O quam pulchra Antonius Marlet
Marlet, Antonius

O quam pulchra

Marlet, Antonius
Appears on: p. 211–212
Genres: Motet
Source Attribution: Antonius Marlet
Voice: [no designation]
Languages: Latin
Voice Text: O quam pulchra
General Note

Le nom de l'auteur au bas de la p. 212
213–214 Hodie Maria virgo puerum ofert in templo - Anonymous

Hodie Maria virgo puerum ofert in templo

Anonymous
Appears on: 213–214
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Maria virgo puerum ofert in templo
General Note

In purificatione beate Marie.

215–216 Salve vera parens Christi regina - Anonymous

Salve vera parens Christi regina

Anonymous
Appears on: 215–216
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve vera parens Christi regina
217–218 Tu quem virgineo peperisti corpore nati - Anonymous

Tu quem virgineo peperisti corpore nati

Anonymous
Appears on: 217–218
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tu quem virgineo peperisti corpore nati
219–220 Tu quem virgineo peperisti corpore nati - Anonymous

Tu quem virgineo peperisti corpore nati

Anonymous
Appears on: 219–220
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tu quem virgineo peperisti corpore nati
251–252 Se congié prens de mes belles amours 30.11 JUSQUIN
Despres, Josquin (ca. 1450–1521)

Se congié prens de mes belles amours 30.11

Despres, Josquin (ca. 1450–1521)
Appears on: 251–252
Genres: Chanson
Source Attribution: JUSQUIN
Voice: [no designation]
Languages: Italian
Voice Text: Si congi pran. [sic pour Se congié prens]
General Note

[=0 Maria virgo sanctissima] [= Miserator dominus et misericors*] Canon Je vois devant. Je vois derrière. Va davant Lasa 4 pause de le sede. Va derero lasa 4 De le prime.

Concordances

*D-ddr-LEu 49

Item Bibliography

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931).  Leipzig/ Amsterdam.

254 untexted - -

untexted

Appears on: 254
Voice: [no designation]
Languages: none
255–256 untexted - -

untexted

Appears on: 255–256
Voice: [no designation]
Languages: none
Voice Text: without text
258 Benedicta Virgo - Anonymous

Benedicta Virgo

Anonymous
Appears on: 258
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta ... Virgo
General Note

Sup. seul'
259–264 O precor - Anonymous

O precor

Anonymous
Appears on: 259–264
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O precor
General Note

Ct: O preço2a p.: O precor. [Au bas de la p. 262, à la fin du B: «bene correctum est J. Tintoris»,suivi d'une autre version de la 2a p., p.263-264]
286 Beatissima Beatrix prudens [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

Beatissima Beatrix prudens

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 286
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: Latin
Voice Text: Beatissima Beatrix prudens
Concordances

*Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

287 - - Anonymous

[Unknown Title]

Appears on: 287
288 Sancte Johannes baptista [J. TINCTORIS?]*[
Tinctoris, Johannes (ca. 1435–1511) (?)

Sancte Johannes baptista

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 288
Genres: Motet
Source Attribution: [J. TINCTORIS?]*[
Voice: [no designation]
Languages: Latin
Voice Text: Sancte Ioannes baptista
Concordances

*Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

289 Alleluia [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

Alleluia

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 289
Genres: Alleluia, Proper
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
General Note

[= Alleluya]

Concordances

*Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

289 Alleluia [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

Alleluia

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 289
Genres: Alleluia, Proper
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
General Note

[= Alleluya]

Concordances

*Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

290 Alleluia [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

Alleluia

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 290
Genres: Alleluia, Proper
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
General Note

[= Alleluya**]

Concordances

*E-Sc 28 **Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation.

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18.

290 Philippe nescitis quid petatis - Anonymous

Philippe nescitis quid petatis

Anonymous
Appears on: 290
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Philippe nescitis quid petatis
General Note

T et Ct: Phelipe. Nescitis quod petittis.
291 Canon. Tempora pausabis nina post inde meabis cum pausa tum ibi juncta hoc solum teneas toto tenore gradatim cum tonis et semitonis usque diapason. - Anonymous

Canon. Tempora pausabis nina post inde meabis cum pausa tum ibi juncta hoc solum teneas toto tenore gradatim cum tonis et semitonis usque diapason.

Anonymous
Appears on: 291
Genres: Canon
Voice: Canon
Languages: Latin
Voice Text: ibifiet
Voice: Canon
Languages: Latin
Voice Text: Sis diligens oculis ubi
Voice: Contratenor
Languages: Latin
Voice Text: ibifiet
Voice: Superius
Languages: Latin
Voice Text: Sis diligens oculis ubi
General Note

Canon. Tempora pausabis nina post inde meabis cum pausa tum ibi juncta hoc solum teneas toto tenore gradatim cum tonis et semitonis usque diapason. 2 [= 4]vx. A la fin du Sup.: Sis diligens oculis ubi Contratenor ibifiet.
296 Sanctus= Si vis [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

Sanctus= Si vis

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 296
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: Latin
Voice Text: Si vis [= Sanctus]
General Note

[= Sanctus]

Concordances

*Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

296 Virginis Mariae laudes intonent christiani [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

Virginis Mariae laudes intonent christiani

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 296
Genres: Motet
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: Latin
Voice Text: Virginis Mariae laudes
General Note

[= Virginis Marie laudes intonent christiani]

Concordances

"Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

296 Ego Volo - Anonymous

Ego Volo

Anonymous
Appears on: 296
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ego Volo
General Note

Sup. seul
297 D'un autre aimer mon coeur s'abesseroit [J. TINCTORIS]*
Tinctoris, Johannes (ca. 1435–1511)

D'un autre aimer mon coeur s'abesseroit

Tinctoris, Johannes (ca. 1435–1511)
Appears on: 297
Genres: Chanson
Source Attribution: [J. TINCTORIS]*
Voice: [no designation]
Languages: French
Voice Text: D'ung aultre, [amer]
Concordances

*E-SE

Item Bibliography

Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18.

297 Alleluia [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

Alleluia

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 297
Genres: Alleluia, Proper
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
General Note

[= Alleluya]

Concordances

*Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

298 untexted [J. TINCTORIS?]*
Tinctoris, Johannes (ca. 1435–1511) (?)

untexted

Tinctoris, Johannes (ca. 1435–1511) (?)
Appears on: 298
Genres: textless
Source Attribution: [J. TINCTORIS?]*
Voice: [no designation]
Languages: none
Voice Text: without text
General Note

[avec 2 versions du Sup.]

Concordances

*Tinctoris, Liber de arte contrapuncti (anon.)

Item Bibliography

Coussemaker, Charles Edmond Henri de. 1963. Scriptorum de Musica Medii Aevi. Paris, 1864-76.  Hildesheim. Pages: IV.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M.

Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Marlet, Antonius
Silva, Andreas de (ca. 1475–ca. 1522)
Tinctoris, Johannes (ca. 1435–1511)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Alleluia
Tinctoris, Johannes (ca. 1435–1511) (?)
289
Alleluia
Tinctoris, Johannes (ca. 1435–1511) (?)
289
Alleluia
Tinctoris, Johannes (ca. 1435–1511) (?)
290
Alleluia
Tinctoris, Johannes (ca. 1435–1511) (?)
297
Beatissima Beatrix prudens
Tinctoris, Johannes (ca. 1435–1511) (?)
286
Benedicta Virgo Anonymous 258
Canon. Tempora pausabis nina post inde meabis cum pausa tum ibi juncta hoc solum teneas toto tenore gradatim cum tonis et semitonis usque diapason. Anonymous 291
D'un autre aimer mon coeur s'abesseroit
Tinctoris, Johannes (ca. 1435–1511)
297
Ego Volo Anonymous 296
Hodie Maria virgo puerum ofert in templo Anonymous 213–214
In illo tempore loquente Jesu ad turbas
Silva, Andreas de (ca. 1475–ca. 1522)
p. 207–p. 208
O precor Anonymous 259–264
O quam pulchra
Marlet, Antonius
p. 211–212
Philippe nescitis quid petatis Anonymous 290
Regina caeli (4vv) - 1a pars (of 2): Regina caeli laetare alleluia [B084]
Willaert, Adrian (ca. 1490–1562)
209–210
Regina caeli (4vv) - 2a pars (of 2): Resurrexit sicut dixit [B084]
Willaert, Adrian (ca. 1490–1562)
209–210
Salve vera parens Christi regina Anonymous 215–216
Sancte Johannes baptista
Tinctoris, Johannes (ca. 1435–1511) (?)
288
Sanctus= Si vis
Tinctoris, Johannes (ca. 1435–1511) (?)
296
Se congié prens de mes belles amours 30.11
Despres, Josquin (ca. 1450–1521)
251–252
Tu quem virgineo peperisti corpore nati Anonymous 217–218
Tu quem virgineo peperisti corpore nati Anonymous 219–220
untexted
Tinctoris, Johannes (ca. 1435–1511) (?)
298
Virginis Mariae laudes intonent christiani
Tinctoris, Johannes (ca. 1435–1511) (?)
296

‡ denotes primary source study

Blackburn, Bonnie J. 1981. A Lost Guide to Tinctoris's Teachings Recovered. Early Music History, 29-116. Pages: 36-9,46ff. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 68.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 24-7,42,78-82,91,433,443. Notes: contents list; concordances (partial); mention of MS; discussion.

Gümpel, Karl-Werner. 1973. Das Enchiridion de principiis musice discipline des Guillermus de Podio. Gesammelte Aufsätze zur Kulturgeschichte Spaniens, 359-96. Pages: (concerne surtout les traités).

O'Donoghue, Valerie Weinhouse. 1972. A Music Manuscript from the Spanish College of Bologna: A Study of the Manuscript Bologna, Civico Museo Bibliografico Musicale, MS A 71 (olim 159). University of Illinois, Unpublished Master's thesis. Notes: physical description; mention of MS; discussion; contents list; texts.

Kristeller, Paul Oskar. 1963-67. Iter Italicum, a finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries.  London/Leiden. Pages: I, 29ff.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 220.

Stevenson, Robert. 1960. Spanish Music in the Age of Columbus.  The Hague. Pages: 74-7. Notes: physical description; mention of MS; discussion.

Anglès, Higinio. 1947. La notacion musical espanola de la segunda mitad del sigio XV. Analecta Musicologica, 151ff. Pages: 161ff (Ed. du traité de Podio).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents.  Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 119.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: I, 128 (concerne seul* la 1ère partie du ms. sous la cote Cod. 159).

Anglès, Higinio. 1941. La musica espanda desde la edad media hasta nuestros dias. Catalogo de la exposicion historica celebrada en commemoracion del primer centenário del nacimiento del maestro Felipe Pedrell, 18 mayo-25 junio 1941,  Barcelona. Pages: 64, n" 116.

Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 451-505,575-615. Pages: 479. Notes: mention of MS.

Gaspari, Gaetano. 1890-1943. Catalogo della Biblioteca del Liceo musicale di Bologna. 5 vols. Bologna. Pages: I, 159 et 215. Notes: physical description.

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Reinhard Strohm

Friday, 4 June, 2021

Corrected Guillermo de Podio's name.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description