I-Fn MS Panciatichiano 27

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: Early 16th century

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Panciatichiano 27
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	153 x 214 mm
Other Identifiers	RISM: I-Fn 27 CCM: FlorBN Panc. 27
Notations	black void mensural
Provenance	Italy
Contents	216 pieces from 38 composers

General Description

A combination of two smaller manuscripts (ff. 1-120 and ff. 121-216), compiled mostly from Petrucci prints of 1501-3. Copied in northern Italy, probably at the Mantuan court (AtlCM); copied in Florence or somewhere in Tuscany (JepFR). The manuscript is in one hand except for ff. 207'-209. Inscription on f. ii: 'Cantilene sacre e profane.'

DIAMM, 2017

Binding

Modern covers.

DIAMM, 2017

Watermark

generally resembles Briquet #1007 (JepFR).

DIAMM, 2017

Liminary Note

inscription on f. 2: "Cantilene sacre e profane"

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation, 1-120; modern foliation, 121-216

DIAMM, 2017

Decoration

Small inked initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 216ff. (+ au début et à la fin, 1 f. de garde de parchemin tiré d'un bréviaire du XIIe s. et 9ff. récents n.ch. et blancs). Papier, 153 x 214 mm. Foliotation ancienne jusqu'au f. 120, puis moderne à l'encre rouge jusqu'à la fin. Les ff. 89, 104, 120v à 130, 145v, 146, 156v à 207, 213v à 216 sont blancs. Au f. 216v, exercices de notation proportionnelle. Notation mesurée blanche. 6 portées par p.

Ce ms., qui provient de la bibliothèque Panciatichi, famille patricienne de Florence, est généralement considéré comme originaire de cette ville ou tout au moins de Toscane, bien que le filigrane d'un papier de Reggio Emilia, les liens de certains compositeurs avec Mantoue, la prédominance de Vénitiens parmi les compositeurs de pièces italiennes, parlent aussi en faveur de l'Italie du nord (Cattin). Il semble nous être parvenu intact, avec 27 cahiers écrits d'une même main (sauf rares exceptions); mais il est possible qu'il ait consisté primitivement en 2 mss.: I- du. f. 1 à 120 (cahiers 1 à 15 avec foliotation ancienne). II- du f. 130 à la fin (cahiers 17 à 27), le 16e cahier entièrement vide, f. 121 à 129, séparant ces deux parties lors de leur réunion sous une seule reliure. Sur les 187 compositions, on compte 97 pièces latines, 77 sur texte ou titre italiens, 10 chansons françaises, 1 flamande et 2 sans texte et qu'on n'a pu rétablir. 16 concordances avec le ms. F-Pn 676 daté de 1502, 7 avec le 1er livre de Frottole de Petrucci et 7 avec le 3e, imprimés en 1504-1505, en même temps que l'écriture du copiste, situent la compilation du ms. dans les premières années du XVIe s.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Mass sections, 5 Magnificats, 10 hymns, 2 Lamentations, 76 motets, 73 Italian secular pieces, 10 French secular pieces, 1 Flemish secular piece, 6 textless pieces = 187

A. Agricola-3, Bergomotius-1, (Brocco [Jo. Broc.])-2, Brumel-3, Cara [Marcetus]-4, (Cara/Tromboncino)-1, Caron-1, Compère [L.C.]-4, Dionisius Placentinus-1, Dominicus-1, (Dupre [Eneas]) -1, G. Fogliano-2, Ghiselin-2, Hayne van Ghizeghem-2, Hesdimois-1, Isaac-3, (Isaac/Obrecht/Weerbecke)-1, Japart-1, Josquin-3, Musicola-1, Obrecht-1, Pamphilus-1, Peragulfo-1, Pesenti [Micha]-1, Pinarol-1, Pisano-1, Renaldo-1, Stokhem-1, Tinctoris-1, Tromboncino-4, Turis-1, Vilet [Jo. Vilc.]-1, Weerbecke [Gaspar]-7, anon-127

ix + 216 + ix paper folios, 153 x 214. Original foliation, 1-120; modern foliation, 121-216. Modern covers. The manuscript is in one hand except for ff. 207'-209. Inscription on f. ii: "Cantilene sacre e profane." FlorBN Panc. 27 is a combination of two smaller manuscripts (defined by ff. 1-120 and ff. 121-216). Compiled mostly from Petrucci prints of 1501-3.

Early 16th century (BecherC). Copied in northern Italy, probably at the Mantuan court (AtlCM); copied in Florence or somewhere in Tuscany (JepFR).

Vol 4

Contents: 3 Kyries, 1 Credo, 1 Agnus (without text), 1 Mass Ordinary section, 4 Requiem Mass sections, 5 Magnificats, 1 canticle, 7 hymns, 6 Lamentations, 40 motets (1 without text), 5 Benedicamus dominos, 37 Latin and Italian laude, 58 Italian secular pieces, 10 French secular pieces, 1 Latin/Italian secular piece, 1 Dutch secular piece, 4 textless pieces =185 + 2 duplicates = 187

Composers: A. Agricola-2, A. Agricola/(Ghiselin)-1, Bergomotius-1, (Brocco)-2, Brumel-3, (Busnois-anon)-1, Cara [Marcetusl-5, Cara/(Tromboncino)-1, (Cara/Tromboncino)-1, Carón-1, Compère-2 + 1?, Compère/(Prioris)-1, Dionisius of Piacenza-1, Dominicus-1, (Dupre)-1, G. Fogliano-2, Ghiselin-2, Hayne van Ghizeghem-1, (Hayne van Ghizeghem-anon)-1, (Hesdimois)-1, Isaac-7, (Isaac/Obrecht/Weerbecke)-1, Japart-1, Josquin-3, (Lapicida)-1, Musipula-1, (Obrecht)-1, Pamphilus-1, Peragulfo-1, (Pesenti)-1, Pinarol-1, Pisano-1, Renaldo-1, Stokhem-1, Tinctoris/(Compère)-1, Tromboncino-4 + 1?, (Touront)-1, Turis-1, Vilet-1, Weerbecke [Gaspar]-?, (Willaert)-1, anon-114

Physical: i parchment + x + 216 + ix paper + i parchment folios, 153x214. Small inked initials. Watermark generally resembles Briquet #1007 (JepFR). Delete sentence: "Compiled mostly from Petrucci prints of 1501-3."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Disperso per lo mundo peregrino vado	-	Anonymous
Disperso per lo mundo peregrino vado Anonymous Appears on: 1 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Disperso per lo mundo peregrino vado … Voice: [no designation] Languages: Italian Voice Text: Disperso per lo mundo peregrino vado … Voice: [no designation] Languages: Italian Voice Text: Disperso per lo mundo peregrino vado …
1v–2	Ave Maria gratia plena Dominus tecum	Laurentius Bergomotius Muts.	Laurentius, Bergomotius Mutinensis
Ave Maria gratia plena Dominus tecum Laurentius, Bergomotius Mutinensis Appears on: 1v–2 Genres: Ave Maria, Lauda, Motet Source Attribution: Laurentius Bergomotius Muts. Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
2v–3	Ave Maria gratia plena Dominus tecum	Jacobus Foglianus Muts.	Fogliano, Giacomo (1468–1548)
Ave Maria gratia plena Dominus tecum Fogliano, Giacomo (1468–1548) Appears on: 2v–3 Genres: Ave Maria, Lauda, Motet Source Attribution: Jacobus Foglianus Muts. Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
3v–4	Ave Maria gratia plena Dominus tecum	Marcetus	Marcetus
Ave Maria gratia plena Dominus tecum Marcetus Appears on: 3v–4 Genres: Ave Maria, Lauda, Motet Source Attribution: Marcetus Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
3v–4	Qui seminant in lacrimis	-	Anonymous
Qui seminant in lacrimis Anonymous Appears on: 3v–4 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui seminant in lachrimis
4v–5	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 4v–5 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
4v–5	Vidimus enim stellam eius in oriente	-	Anonymous
Vidimus enim stellam eius in oriente Anonymous Appears on: 4v–5 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vidimus enim stellam eius in oriente
5v–7	Ave Maria	Musipula	Musipula
Ave Maria Musipula Appears on: 5v–7 Genres: Ave Maria, Lauda, Motet Source Attribution: Musipula Voice: [no designation] Languages: Latin Voice Text: Ave Maria Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
5v–7	Ave Maria	Musipula	Musipula
Ave Maria Musipula Appears on: 5v–7 Genres: Ave Maria, Motet Source Attribution: Musipula Voice: [no designation] Languages: Latin Voice Text: Ave Maria Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
7v–8	Ave Maria gratia plena Dominus tecum	B.T. [= Tromboncino]	Tromboncino, Bartolomeo (1470–ca. 1534)
Ave Maria gratia plena Dominus tecum Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 7v–8 Genres: Ave Maria, Lauda Source Attribution: B.T. [= Tromboncino] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
8v–9	O admirabile commercium creator generis	-	Anonymous
O admirabile commercium creator generis Anonymous Appears on: 8v–9 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis
9v–12	A la bataglia = O preclarissima - 1a pars (of 3): A la bataglia = O preclarissima	ISAAC	Isaac, Heinrich (ca. 1450–1517)
A la bataglia = O preclarissima - 1a pars (of 3): A la bataglia = O preclarissima Isaac, Heinrich (ca. 1450–1517) Appears on: 9v–12 Genres: Italian secular Source Attribution: ISAAC Voice: [no designation] Languages: Italian Voice Text: A la bataglia [= 0 preclarissima] Item Bibliography Becherini, Bianca. 1953. La Canzone "Alla Battaglia" di Henricus Isac. Revue Belge de Musicologie,* 5ff. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 34. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 32 (XIV).
9v–12	A la bataglia = O preclarissima - 2a pars (of 3): Schinier falda e corazza	ISAAC	Isaac, Heinrich (ca. 1450–1517)
A la bataglia = O preclarissima - 2a pars (of 3): Schinier falda e corazza Isaac, Heinrich (ca. 1450–1517) Appears on: 9v–12 Genres: Italian secular Source Attribution: ISAAC Voice: [no designation] Languages: Italian Voice Text: 2a p.: [Schinier falda e corazza] Item Bibliography Becherini, Bianca. 1953. La Canzone "Alla Battaglia" di Henricus Isac. Revue Belge de Musicologie, 5ff. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 34. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 32 (XIV).
9v–12	A la bataglia = O preclarissima - 3a pars (of 3): Ognun sia presto armato	ISAAC	Isaac, Heinrich (ca. 1450–1517)
A la bataglia = O preclarissima - 3a pars (of 3): Ognun sia presto armato Isaac, Heinrich (ca. 1450–1517) Appears on: 9v–12 Genres: Italian secular Source Attribution: ISAAC Voice: [no designation] Languages: Italian Voice Text: 3a p.: [Ognun sia presto armato] Item Bibliography Becherini, Bianca. 1953. La Canzone "Alla Battaglia" di Henricus Isac. Revue Belge de Musicologie, 5ff. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 34. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 32 (XIV).
12v–13	Aime el cor aime la testa	[M. CARA]*	Cara, Marchetto
Aime el cor aime la testa Cara, Marchetto Appears on: 12v–13 Genres: Italian secular Source Attribution: [M. CARA]* Voice: [no designation] Languages: Italian Voice Text: Aime el cor aime la testa. Voice: [no designation] Languages: Italian Voice Text: Aime el cor aime la testa. Voice: [no designation] Languages: Italian Voice Text: Aime el cor aime la testa. Voice: [no designation] Languages: Italian Voice Text: Aime el cor aime la testa. General Note Publ. cf. Fc 2441 a" 6 Concordances »15044; F-Pn 676
13v	Sofrire son disposto Ave regina virgo gloriosa chi de Dio padre	-	Anonymous
Sofrire son disposto Ave regina virgo gloriosa chi de Dio padre Anonymous Appears on: 13v Genres: BVM Voice: [no designation] Languages: Latin Voice Text: Ave regina virgo gloriosa chi de Dio padre … Voice: [no designation] Languages: Latin Voice Text: Ave regina virgo gloriosa chi de Dio padre … Voice: [no designation] Languages: Latin Voice Text: Ave regina virgo gloriosa chi de Dio padre … Voice: [no designation] Languages: Latin Voice Text: Ave regina virgo gloriosa chi de Dio padre … Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
14	Ave victorioso	-	Anonymous
Ave victorioso Anonymous Appears on: 14 Genres: Motet, textless Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
14v–15	Vive lieto / A Maria fonte d'amore	-	Anonymous
Vive lieto / A Maria fonte d'amore Anonymous Appears on: 14v–15 Genres: Lauda Voice: [no designation] Languages: Italian Voice Text: A Maria fonte d'amore . . . Voice: [no designation] Languages: Italian Voice Text: A Maria fonte d'amore . . . Voice: [no designation] Languages: Italian Voice Text: A Maria fonte d'amore . . . Voice: [no designation] Languages: Italian Voice Text: A Maria fonte d'amore . . .
15v–16	Amice ad quid venisti	Alexander Agricola	Agricola, Alexander (ca. 1445–1506)
Amice ad quid venisti Agricola, Alexander (ca. 1445–1506) Appears on: 15v–16 Genres: Contrafactum, Lauda Source Attribution: Alexander Agricola Voice: [no designation] Languages: Latin Voice Text: Amice ad quid venisti attende tibi [= Dictes moy toutes voz pensées] General Note Publ. cf. Bc 16 n° 17 Concordances Only Panciatichi 27 & ZA-Csa 3.b.12 have contrafact text "Amice ad quid venisti"
16v	Alma svegliate horamai	[JO. BROCUS*]	Brocco, Giovanni
Alma svegliate horamai Brocco, Giovanni Appears on: 16v Genres: Motet Source Attribution: [JO. BROCUS] Voice:* [no designation] Languages: Italian Voice Text: Alma svegliate horamai Concordances *15044
16v	Cucu cucu ognom canti cucu	PAMPHILUS	Pamphilus
Cucu cucu ognom canti cucu Pamphilus Appears on: 16v Genres: Italian secular Source Attribution: PAMPHILUS Voice: Canon Languages: Italian Voice Text: Cucu cucu ognom canti cucu. General Note A la fin: In triplici post sextas et sextamcirculo quoque. Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II.
17	Non expecto già may	-	Anonymous
Non expecto già may Anonymous Appears on: 17 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Non expecto già may … General Note B: Non aspetto già may.
17	Qui nos fecit ex nichilo / Qui nos fecit ex nichilo	-	Anonymous
Qui nos fecit ex nichilo / Qui nos fecit ex nichilo Anonymous Appears on: 17 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Qui nos fecit ex nihilo deo patri
17v–18	Missa Quant j'ai au coeur: Benedictus	ISACHINA	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 17v–18 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: ISACHINA Voice: [no designation] Languages: Latin Voice Text: [Missa Quant j'ay au cor.] Benedictus. [= Absque verbis] General Note Publ. cf. Bc 18 n' 62 Concordances SartoriB n° 28
18v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 18v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
18v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 18v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
18v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 18v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
19	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 19 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
19	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 19 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
19v	Poi che sei dal mondo tolta	BEN.	Ducis, Benedictus (?)
Poi che sei dal mondo tolta Ducis, Benedictus (?) Appears on: 19v Genres: Italian secular Source Attribution: BEN. Voice: [no designation] Languages: Italian Voice Text: Poi che sei dal mondo tolta …
19v–20	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 19v–20 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note . ++ [Paroles de laudi]
20	Cum desiderio vo cercando	-	Anonymous
Cum desiderio vo cercando Anonymous Appears on: 20 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Cum desiderio vo cercando …
20v	Chi serve a dio cum purità di core	-	Anonymous
Chi serve a dio cum purità di core Anonymous Appears on: 20v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Chi serve a dio cum purità di core … Item Bibliography Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing.
20v	Lauda Sion salvatorem	-	Anonymous
Lauda Sion salvatorem Anonymous Appears on: 20v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem
21	Cantons cantons laisons melenconie	JO. VILET	Touront, Johannes (ca. 1450–ca. 1475)
Cantons cantons laisons melenconie Touront, Johannes (ca. 1450–ca. 1475) Appears on: 21 Genres: Chanson, textless Source Attribution: JO. VILET Voice: [no designation] Languages: French Voice Text: Cantons cantons laisons melenconie. [without text]
21v	Contento in foco sto corno fenice	-	Anonymous
Contento in foco sto corno fenice Anonymous Appears on: 21v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Contento in foco sto corno fenice General Note T: Perch'io spero doventar felice .
21v	Detro mia gioia	-	Anonymous
Detro mia gioia Anonymous Appears on: 21v Genres: Canon Voice: Canon Languages: Italian Voice Text: Detro mia gioia General Note A la fin du Sup.: «Circulo quoque oveniat altus post novam»
22	Fortuna che te giova destraciarme	-	Anonymous
Fortuna che te giova destraciarme Anonymous Appears on: 22 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fortuna che te giova destraciarme
22v–23	Poi che te hebi nel core (= Fortuna desperata)	[A. BUSNOIS?]*	Busnoys, Antoine (ca. 1430–1492) (?)
Poi che te hebi nel core (= Fortuna desperata) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 22v–23 Genres: Contrafactum, Lauda Source Attribution: [A. BUSNOIS?]* Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata. Poi che te hebi nel core _ _ _ Concordances Pour attrib. à Busnois, cf. AtlasTC, 134ff Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.* London. Pages: XVIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I.
23v–24	Defecerunt donna hormai sicut sumus dies	[M. CARA*]	Cara, Marchetto
Defecerunt donna hormai sicut sumus dies Cara, Marchetto Appears on: 23v–24 Genres: Motet Source Attribution: [M. CARA] Voice:* [no designation] Languages: Latin Voice Text: Defecerunt donna hormai sicut sumus dies General Note Publ. cf. Fc 2441 n° 20 Concordances *15044
23v–24	O mia infelice sorte	-	Anonymous
O mia infelice sorte Anonymous Appears on: 23v–24 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: O mia infelice sorte … Item Bibliography Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
24v	Dies irae dies illa solvet saeculum	-	Anonymous
Dies irae dies illa solvet saeculum Anonymous Appears on: 24v Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies ire dies illa solvet saeclum
25	De tous biens plaine est ma maîtresse	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 25 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: De tous biens playne. [= Cum defecerint ligna] General Note Publ. cf. Bc 16, n" 115 Concordances SA-Csa 12
25v–26	Altera autem die - 1a pars (of 2): Altera autem die que est post parasceven	-	Anonymous
Altera autem die - 1a pars (of 2): Altera autem die que est post parasceven Anonymous Appears on: 25v–26 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Altera autem die
25v–26	Altera autem die - 2a pars (of 2):	-	Anonymous
Altera autem die - 2a pars (of 2): Anonymous Appears on: 25v–26 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Altera autem die
27	Hogi e'l tempo peccatore	-	Anonymous
Hogi e'l tempo peccatore Anonymous Appears on: 27 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Hogi e'l tempo peccatore. [without text]
27v–28	Arda el ciel e mundo tuto	-	Anonymous
Arda el ciel e mundo tuto Anonymous Appears on: 27v–28 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Arda el ciel e mundo tuto … Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.
27v–28	Utile conscilius	-	Anonymous
Utile conscilius Anonymous Appears on: 27v–28 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Utile conscilius
28v	Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum	-	Quadris, Johannes de
Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum Quadris, Johannes de Appears on: 28v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cum autem venissem ad locum General Note Publ. cf. p. 15; DiedeA, 412-413 (Fn 27), 414-415 (Csa), 416-417 (Pr), 418-420 (Mont), 412-413 (Jepp)
29	Christi corpus ave	-	Anonymous
Christi corpus ave Anonymous Appears on: 29 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christi corpus ave
29v–30	Dolce regina = Ave dulcis ave pia = Popule meus quid feci tibi	-	Anonymous
Dolce regina = Ave dulcis ave pia = Popule meus quid feci tibi Anonymous Appears on: 29v–30 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Popule meus quid feci tibi General Note Dolce regina. [Sans texte] [= Ave dulcis ave pia] [= Popule meus quid feci tibi] Concordances SA-Csa 12 *15083 (Ave dulcis ave pia) Petrucci Laude libro secondo 1508 (Popule meus) Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500.* Leipzig and Copenhagen.
29v–30	Gaude flore virginali / Gaude flore virginali / Gaude flore virginali	-	Anonymous
Gaude flore virginali / Gaude flore virginali / Gaude flore virginali Anonymous Appears on: 29v–30 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Gaude flore virginali
30v	De fusse qui	-	Anonymous
De fusse qui Anonymous Appears on: 30v Genres: Italian secular Voice: [no designation] Languages: none Voice Text: De fusse qui. [without text]
31	De non più tante parole	-	Anonymous
De non più tante parole Anonymous Appears on: 31 Genres: Italian secular, textless Voice: [no designation] Languages: French, none Voice Text: De non più tante parole [without text]
31v–32	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 31v–32 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76.
32v	De si de no de si	[M. CARA* ou B. TROMBONCINO**]	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?)
De si de no de si Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?) Appears on: 32v Genres: Italian secular Source Attribution: [M. CARA* ou B. TROMBONCINO] Voice: [no designation] Languages: Italian Voice Text:** Deh si deh no deh si … General Note Publ. cf. Bc 18 n° 14 Concordances 15044 *15093
33	La node aquieta ogni fiero animale	-	Anonymous
La node aquieta ogni fiero animale Anonymous Appears on: 33 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La node aquieta ogni fiero animale . . . Item Bibliography Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik. Leipzig.
33v–34	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 33v–34 Genres: Italian secular Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Italian Voice Text: La mora [dona gentile] General Note [= Elaes] [=0 regina] [= Veni sancte spiritus. Reple tuorum corda*] Publ. cf. Bc 18 no 71 Concordances F-Pn 676 E-SE ^CH-SGs 462 **D-ddr-LEu 1494
34v–35	La stangetta (= Ortus de caelo)	[J. ISAAC* ou J. OBRECHT ou G. VAN WEERBECKE*]	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)
La stangetta (= Ortus de caelo) Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Appears on: 34v–35 Genres: Chanson Source Attribution: [J. ISAAC* ou J. OBRECHT ou G. VAN WEERBECKE] Voice:* [no designation] Languages: Latin Voice Text: La stangetta. [without text] [= Ortus de ceio fios] Concordances E-SE D-ddr-Z 12 1501 Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
35v–36	Helas que pourra devenir	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 35v–36 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Helas [que pourra devenir] General Note [= Helas mon ceur] [= Helas m'amour] [= Der seyden schwantcz. Ave sydus]Publ. cf. Bc 16 n° 110 Concordances »US-Wc 25 *D-ddr-Bds 40098
36v–37	Hor oires una canzon	-	Anonymous
Hor oires una canzon Anonymous Appears on: 36v–37 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Hor oires una canzon [without text] Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano.
37v–38	Vidi impium superexaltatum = Illuxit dies	-	Anonymous
Vidi impium superexaltatum = Illuxit dies Anonymous Appears on: 37v–38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vidi impium General Note [lliuxit dies] Concordances In SA-Csa 12 "Vidi impium"; in Panciatichi 27 (37v-38r), without text; in D-ddr-Bds 40021 "Illuxit dies" Item Bibliography Kämper, Dietrich. 1978. Instrumentale Stilelemente bei Alexander Agricola. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis,* 1-13.
38v–39	Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte	COMPERE [ou C. FESTA*]	Festa, Costanzo (ca. 1485–1545) (?) Compère, Loyset (ca. 1445–1518) (?)
Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte Festa, Costanzo (ca. 1485–1545) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 38v–39 Genres: Sacred Song Source Attribution: COMPERE [ou C. FESTA] Voice:* [no designation] Languages: French Voice Text: Me [sic pour Ne] doïbt. . [= Venite amanti insieme a pianger forte] General Note Publ. cf. Bc 18 n° 86
39v–40	Mater digna Dei venie via luxque	[G. VAN WEERBECKE]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Mater digna Dei venie via luxque Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 39v–40 Genres: Motet Source Attribution: [G. VAN WEERBECKE] Voice: [no designation] Languages: Latin Voice Text: Mater digna dei veniae via luxque Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
40v	Io son de gabbia non de bosco ocello	[MICHA] [EL PESENTI]*	Pesenti, Martino
Io son de gabbia non de bosco ocello Pesenti, Martino Appears on: 40v Genres: Italian secular Source Attribution: [MICHA] [EL PESENTI]* Voice: [no designation] Languages: Italian Voice Text: Io son de gabbia non de bosco ocello … General Note T: Iste confessor domini. Concordances *15044
40v–41	L'ucello mio chiamo io perdo jornata	-	Anonymous
L'ucello mio chiamo io perdo jornata Anonymous Appears on: 40v–41 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: L'ucelo me chiama Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
41	Io son l'ucello che sopra i rami d'oro	[M. CARA]*	Cara, Marchetto
Io son l'ucello che sopra i rami d'oro Cara, Marchetto Appears on: 41 Genres: Italian secular Source Attribution: [M. CARA]* Voice: [no designation] Languages: Italian Voice Text: Io son l'ucello che sopra i rami d'oro … Concordances 15054 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff.
41v	J'ai pris amours	-	-
J'ai pris amours - Appears on: 41v Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Jo hay pris amor. Canti zoiosi e dolce melodia … [paroles au Ct] General Note Publ. cf. Bc 16 n° 119
42	Io mi voglio lamentare	[IO.] BRO [CUS]*	Brocco, Giovanni
Io mi voglio lamentare Brocco, Giovanni Appears on: 42 Genres: Italian secular Source Attribution: [IO.] BRO [CUS]* Voice: [no designation] Languages: Italian Voice Text: Io mi voglio lamentare General Note [Paroles au B] Concordances *15054
42v–43	In te Domine speravi non confundar 28.18	Josquin. D. [Ascanio]	Despres, Josquin (ca. 1450–1521)
In te Domine speravi non confundar 28.18 Despres, Josquin (ca. 1450–1521) Appears on: 42v–43 Genres: Contrafactum, Motet Source Attribution: Josquin. D. [Ascanio] Voice: [no designation] Languages: Latin Voice Text: In te domine speravi General Note Publ. cf. Bc 18 n" 12
42v–43	Egli è il tuo buon Jesu	FRATER DIONISIUS PLACENTINUS	Placentinus, Dionisius
Egli è il tuo buon Jesu Placentinus, Dionisius Appears on: 42v–43 Genres: Sacred Song Source Attribution: FRATER DIONISIUS PLACENTINUS Voice: [no designation] Languages: Italian Voice Text: Egli è il tuo buon Yhesu … Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
43v–45	A la chaza - 1a pars (of 2): A la chaza su ognun se spazza	-	Anonymous
A la chaza - 1a pars (of 2): A la chaza su ognun se spazza Anonymous Appears on: 43v–45 Genres: Canzon Voice: [no designation] Languages: Italian Voice Text: A la caza. la p.: Jamo a la caza. (à l'A seul') Item Bibliography Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 34.
43v–45	A la chaza - 2a pars (of 2): Te qui balzam, te qui liom	-	-
A la chaza - 2a pars (of 2): Te qui balzam, te qui liom - Appears on: 43v–45 Genres: Canzon Voice: [no designation] Languages: none Voice Text: 2a p.: without text Item Bibliography Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 34.
45v–46	Jesu Jesu Jesu ognon chiami Jesu	-	Anonymous
Jesu Jesu Jesu ognon chiami Jesu Anonymous Appears on: 45v–46 Voice: [no designation] Languages: Italian Voice Text: Jesu Yhesu Iesu ognon chiami Yhesu . . . General Note .++ [= Visin, visin] Item Bibliography Levi, Eugenia. 1905. Lirica italiana antica: novissima scelta di rime dei secoli XIII, XIIII, XV. Firenze.
45v–46	Alto Jesu figlolo de Maria	-	Anonymous
Alto Jesu figlolo de Maria Anonymous Appears on: 45v–46 Genres: Lauda Voice: [no designation] Languages: Italian Voice Text: Alto Yhesu figlolo de Maria …
46v	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 46v Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella
47	Aures ad nostras	-	Anonymous
Aures ad nostras Anonymous Appears on: 47 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Aures ad nostras. [without text]
47v–48	Helas le bon temps que j'avoie (= Helas Abraham)	TINTORIS [ou L. COMPERE**]	Compère, Loyset (ca. 1445–1518) (?) Tinctoris, Johannes (ca. 1435–1511) (?)
Helas le bon temps que j'avoie (= Helas Abraham) Compère, Loyset (ca. 1445–1518) (?) Tinctoris, Johannes (ca. 1435–1511) (?) Appears on: 47v–48 Genres: Chanson Source Attribution: TINTORIS [ou L. COMPERE] Voice: [no designation] Languages: French Voice Text:** Helas [le bon tempo que j'avoie] General Note [= Elaes Abraham] Concordances E-Sc 43 "E-SE Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
48v–49	Miserere mei Deus secundum magnam	-	Anonymous
Miserere mei Deus secundum magnam Anonymous Appears on: 48v–49 Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76.
49v–50	Omnis habet finem labor [= Des biens d'amour]	IZACH	Isaac, Heinrich (ca. 1450–1517)
Omnis habet finem labor [= Des biens d'amour] Isaac, Heinrich (ca. 1450–1517) Appears on: 49v–50 Genres: Contrafactum Source Attribution: IZACH Voice: [no designation] Languages: Latin Voice Text: Omnis labor habet finem. Les bien amore.[= Ave amator casti*] General Note Publ. cf. Bc 18 n° 63 Concordances Panciatichi 27 & Codex Grey (3.b.12) have text "Omnis [habet finem] labor"; former has "Les Bien amore" in Superius. Berlin 40021 has text "Ave amator casti"
50v	O Jesu dolce o infinito amore	-	Anonymous
O Jesu dolce o infinito amore Anonymous Appears on: 50v Genres: Lauda Voice: [no designation] Languages: Italian Voice Text: O Yesu dolce o infinito amore … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76.
51	O misero stato	-	Anonymous
O misero stato Anonymous Appears on: 51 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: O misero stato. [without text]
51v	Oyme ch'io moro	MARCETUS [CARA]	Cara, Marchetto
Oyme ch'io moro Cara, Marchetto Appears on: 51v Genres: Italian secular Source Attribution: MARCETUS [CARA] Voice: [no designation] Languages: Italian Voice Text: Oyme ch[io] moro. [without text]
52	O gloriosa domina	-	Anonymous
O gloriosa domina Anonymous Appears on: 52 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: O gloriosa domina … Item Bibliography Cattin, Giulio. 1972. Canti polifonici del repertorio benedettino in uno sconosciuto 'Liber quadragesimalis' e in altre fonti italiane dei secoli XV e XVI ine. Benedictina, 445-527.
52	Guarda le vestimente	-	Anonymous
Guarda le vestimente Anonymous Appears on: 52 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Guarda le vestimente
52v–53	Omnis laus in fine canitur (= Agnus I from Isaac's Missa Chargé de deuil)	-	Isaac, Heinrich (ca. 1450–1517)
Omnis laus in fine canitur (= Agnus I from Isaac's Missa Chargé de deuil) Isaac, Heinrich (ca. 1450–1517) Appears on: 52v–53 Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Omnis laus in fine canitur. [without text] General Note [= Agnus I de la Missa Chargé de deuil*] Concordances SA-Csa 12 *SartoriB n" 28 Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense.* Veneranda Fabbrica del Duomo di Milano. Pages: X.
52v–53	O madre di Jesu o dea eterna.	-	Anonymous
O madre di Jesu o dea eterna. Anonymous Appears on: 52v–53 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: O madre di Iesu o dea eterna.
53v–54	O gloriosa regina mundi succurre nobis	[J. TOURONT ou CECUS]	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 53v–54 Genres: Motet Source Attribution: [J. TOURONT ou CECUS] Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis General Note Publ. cf. Bc 16 n° 122
54v–55	La speranza me tien vivo	-	Anonymous
La speranza me tien vivo Anonymous Appears on: 54v–55 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La speranza me tien vivo … Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.
55v–56	Se conviene a un cor vilano	-	Anonymous
Se conviene a un cor vilano Anonymous Appears on: 55v–56 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Se conviene a un cor vilano … Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.
56v	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 56v Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
56v	Mille pruova io ho già fatte	-	Anonymous
Mille pruova io ho già fatte Anonymous Appears on: 56v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Mille prove.
57v	Memento mei o sacra virgo	-	Anonymous
Memento mei o sacra virgo Anonymous Appears on: 57v Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Memento mei o sacra virgo
57v–58	Si dedero somnum oculis meis	Alex. Agricola [ou Verbonnet]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 57v–58 Genres: Motet Source Attribution: Alex. Agricola [ou Verbonnet] Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note Publ. cf. Bc 16 n° 117 Concordances »CH-SGs 463
58v–59	Surge propera amica mea speciosa mea	Jo. de Pinarol	Pinarol, Johannes de
Surge propera amica mea speciosa mea Pinarol, Johannes de Appears on: 58v–59 Genres: Motet Source Attribution: Jo. de Pinarol Voice: [no designation] Languages: Latin Voice Text: Surge propera amica mea speciosa mea
59v–60	O pulcherrima mulierum surge propera	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
O pulcherrima mulierum surge propera Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 59v–60 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum surge propera
60v–61	Sí dedero el mio core al dio d'amore	[J. FOGLIANO]	Fogliano, Giacomo (1468–1548)
Sí dedero el mio core al dio d'amore Fogliano, Giacomo (1468–1548) Appears on: 60v–61 Genres: Italian secular Source Attribution: [J. FOGLIANO] Voice: [no designation] Languages: Latin Voice Text: Si dedero [el mio core] [without text]
60v–61	Se ben or non schopro il foco	[B. TROMBONCINO]	Tromboncino, Bartolomeo (1470–ca. 1534)
Se ben or non schopro il foco Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 60v–61 Genres: Italian secular Source Attribution: [B. TROMBONCINO] Voice: [no designation] Languages: Italian Voice Text: Se ben hor [non] scopri el fuoco. General Note [= L'oratione e sempre bona]Publ. cf. Bc 18, n° 3 Concordances SA-Csa 12
61v–63	Regina caeli (I) - 1a pars (of 2): Regina caeli laetare alleluia	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Regina caeli (I) - 1a pars (of 2): Regina caeli laetare alleluia Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 61v–63 Genres: Motet, Regina caeli laetare Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
61v–63	Regina caeli (I) - 2a pars (of 2): Resurrexit sicut dixit	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Regina caeli (I) - 2a pars (of 2): Resurrexit sicut dixit Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 61v–63 Genres: Motet, Regina caeli laetare Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
63v–64	O quam glorifica.	AGRICOLA	Agricola, Alexander (ca. 1445–1506)
O quam glorifica. Agricola, Alexander (ca. 1445–1506) Appears on: 63v–64 Genres: Ballata Source Attribution: AGRICOLA Voice: [no designation] Languages: Latin Voice Text: O quam glorifica. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, IV.
64v–65	Helas que il est a mon gré	JAPART	Japart, Jean
Helas que il est a mon gré Japart, Jean Appears on: 64v–65 Genres: Italian secular Source Attribution: JAPART Voice: [no designation] Languages: French Voice Text: Helas que il est a mon gré. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Boer, Coenraad L W. 1938. Chansonvormen op het einde van de xvde eeuw : een studie naar aanleiding van Petrucci's "harmonice musices odhecaton". Amsterdam.
65v–66	Helas ce n'est pas sans raison si j'ai melancholie	STHOKEM	Stockem, Johannes de (ca. 1445–1487)
Helas ce n'est pas sans raison si j'ai melancholie Stockem, Johannes de (ca. 1445–1487) Appears on: 65v–66 Genres: Chanson Source Attribution: STHOKEM Voice: [no designation] Languages: French Voice Text: Helas [ce n'est pas sans raison] Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
66v–67	Virgo Maria non est tibi similis	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Virgo Maria non est tibi similis Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 66v–67 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Virgo Maria non est tibi similis Item Bibliography Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
67v–68	Christi mater ave sanctissima virgo	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Christi mater ave sanctissima virgo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 67v–68 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Christi mater ave sanctissima virgo Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
68v–69	Trista e la sorte	-	Anonymous
Trista e la sorte Anonymous Appears on: 68v–69 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Trista e la sorte …
68v–69	Piange Pisa	BAR. PISANUS	Pisano, Bernardo
Piange Pisa Pisano, Bernardo Appears on: 68v–69 Genres: Italian secular Source Attribution: BAR. PISANUS Voice: [no designation] Languages: Italian Voice Text: Piange Pisa Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II.
69v–70	Stella caeli extirpavit que lactavit	-	Anonymous
Stella caeli extirpavit que lactavit Anonymous Appears on: 69v–70 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Stella caeli extirpavit que lactavit
70v–71	Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam)	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam) Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 70v–71 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Adonai sanctissime domine deus omnipotens
71v–72	Tristitia vestra vertetur in gaudium	Renaldo	Isaac, Heinrich (ca. 1450–1517)
Tristitia vestra vertetur in gaudium Isaac, Heinrich (ca. 1450–1517) Appears on: 71v–72 Genres: Motet Source Attribution: Renaldo Voice: [no designation] Languages: Italian Voice Text: Tristitia vestra vertetur in gaudium
72v	Adieu Adieu (= Meskin es hu)	[J. OBRECHT]	Obrecht, Jacobus (ca. 1457–1505)
Adieu Adieu (= Meskin es hu) Obrecht, Jacobus (ca. 1457–1505) Appears on: 72v Genres: Chanson Source Attribution: [J. OBRECHT] Voice: [no designation] Languages: Flemish Voice Text: Meskin [es hu][= Adiu adiu] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
73	Quemadmodum desiderat cervus ad fontes	-	Anonymous
Quemadmodum desiderat cervus ad fontes Anonymous Appears on: 73 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Quemadmodum desiderat cervus ad fontes
73v–74	Veni creator spiritus.	-	Anonymous
Veni creator spiritus. Anonymous Appears on: 73v–74 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus.
74v–75	Chyrie eleison	-	Anonymous
Chyrie eleison Anonymous Appears on: 74v–75 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Chyrie eleyson …
75v–76	Lucis creator optime	-	Anonymous
Lucis creator optime Anonymous Appears on: 75v–76 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lucis creator optime
76v	untexted	-	-
untexted Appears on: 76v Voice: [no designation] Languages: none Voice Text: without text
77	Royne du ciel / Regina caeli laetare alleluia	Compere	Compère, Loyset (ca. 1445–1518)
Royne du ciel / Regina caeli laetare alleluia Compère, Loyset (ca. 1445–1518) Appears on: 77 Genres: Motet, Regina caeli laetare Source Attribution: Compere Voice: [no designation] Languages: Latin, French Voice Text: Royne du ciel/Regina caeli laetare alleluia General Note Publ. cf. Bc 17 n' 5 Concordances *15042
77v–78	Miserere al mio perire	-	Anonymous
Miserere al mio perire Anonymous Appears on: 77v–78 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Miserere al mio perire …
78v	Sconsolata Philomena	-	Anonymous
Sconsolata Philomena Anonymous Appears on: 78v Genres: Frottola Voice: [no designation] Languages: Italian Voice Text: Sconsolata phylomena
79	Cum desiderio io vo cercando	-	Anonymous
Cum desiderio io vo cercando Anonymous Appears on: 79 Genres: Lauda Voice: [no designation] Languages: Italian Voice Text: Cum desiderio vo cerchando … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76.
79v–80	Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	Josquin	Despres, Josquin (ca. 1450–1521)
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) Despres, Josquin (ca. 1450–1521) Appears on: 79v–80 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Tu solus qui facis mirabilia General Note [la p.: = Benedictus de la Missa D'ung aultre amer]
79v–80	Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	Josquin	Despres, Josquin (ca. 1450–1521)
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) Despres, Josquin (ca. 1450–1521) Appears on: 79v–80 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Tu solus qui facis mirabilia General Note Une autre version du motet Tu solus qui facis mirabilia différente pour les premiè res notes du Sup. seul1* [=O mater dei et hominis . . .*] Concordances 1503' "15083 et US-Wc 6 (Wolffheim)*JeppesenDM Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500.* Leipzig and Copenhagen. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
80v–81	Patientia ognon mi dice (2p. Io sto male e vivo in stento)	-	Anonymous
Patientia ognon mi dice (2p. Io sto male e vivo in stento) Anonymous Appears on: 80v–81 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Patientia [ognon mi dice] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 76.
81v–82	Verbum caro panem verum	-	Anonymous
Verbum caro panem verum Anonymous Appears on: 81v–82 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum caro panem verum …
82v–84	Lamentationes Jeremiae - 1a pars (of 4): Incipit oratio Jeremiae prophetae	-	Anonymous
Lamentationes Jeremiae - 1a pars (of 4): Incipit oratio Jeremiae prophetae Anonymous Appears on: 82v–84 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin Voice Text: Incipit oratio Hieremiae prophetae
82v–84	Lamentationes Jeremiae - 2a pars (of 4):	-	Anonymous
Lamentationes Jeremiae - 2a pars (of 4): Anonymous Appears on: 82v–84 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae
82v–84	Lamentationes Jeremiae - 3a pars (of 4):	-	Anonymous
Lamentationes Jeremiae - 3a pars (of 4): Anonymous Appears on: 82v–84 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae
82v–84	Lamentationes Jeremiae - 4a pars (of 4):	-	Anonymous
Lamentationes Jeremiae - 4a pars (of 4): Anonymous Appears on: 82v–84 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae
84v–86	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 84v–86 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
86v–87	O Domine Jesu Christe pastor bone	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
O Domine Jesu Christe pastor bone Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 86v–87 Genres: Motet Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin Voice Text: O domine Iesu Christe pastor bone General Note Publ. cf. Bc 19 n° 60
87v–88	O domine Jesu Christe propter illam	-	Anonymous
O domine Jesu Christe propter illam Anonymous Appears on: 87v–88 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O domine Jesu Christe … Voice: [no designation] Languages: Latin Voice Text: O domine Jesu Christe … Voice: [no designation] Languages: Latin Voice Text: O domine Jesu Christe … Voice: [no designation] Languages: Latin Voice Text: O domine Jesu Christe …
88v	Nunc dimittis servum tuum	-	Anonymous
Nunc dimittis servum tuum Anonymous Appears on: 88v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum . . . Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum . . . Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum . . . General Note 3i toni.
89v–91	Magnificat primi toni: Anima mea [K.144]	[J. PRIORIS?]	Prioris, Johannes (Denis, Dionisius) (–1515) (?)
Magnificat primi toni: Anima mea [K.144] Prioris, Johannes (Denis, Dionisius) (–1515) (?) Appears on: 89v–91 Genres: BVM, Canticle, Magnificat Source Attribution: [J. PRIORIS?] Voice: [no designation] Languages: Latin Voice Text: Anima mea Voice: [no designation] Languages: Latin Voice Text: Anima mea Voice: [no designation] Languages: Latin Voice Text: Anima mea Voice: [no designation] Languages: Latin Voice Text: Anima mea General Note Versets imp. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: (op. dub.).
91v–94	La spagna - 1a pars (of 3): untexted	JO. GHISELIN	Ghiselin (Verbonnet), Johannes
La spagna - 1a pars (of 3): untexted Ghiselin (Verbonnet), Johannes Appears on: 91v–94 Genres: textless Source Attribution: JO. GHISELIN Voice: [no designation] Languages: Italian Voice Text: La spagna. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
91v–94	La spagna - 2a pars (of 3): untexted	JO. GHISELIN	Ghiselin (Verbonnet), Johannes
La spagna - 2a pars (of 3): untexted Ghiselin (Verbonnet), Johannes Appears on: 91v–94 Genres: textless Source Attribution: JO. GHISELIN Voice: [no designation] Languages: none Voice Text: without text Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
91v–94	La spagna - 3a pars (of 3): untexted	JO. GHISELIN	Ghiselin (Verbonnet), Johannes
La spagna - 3a pars (of 3): untexted Ghiselin (Verbonnet), Johannes Appears on: 91v–94 Genres: Motet, textless Source Attribution: JO. GHISELIN Voice: [no designation] Languages: none Voice Text: 3a. p: without text Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
94v–95	Regina caeli laetare alleluia	Ant. Perag. Luc. [= Antonius Peragulfus Lucensis]	Peragulfus, Antonius
Regina caeli laetare alleluia Peragulfus, Antonius Appears on: 94v–95 Genres: Motet, Regina caeli laetare Source Attribution: Ant. Perag. Luc. [= Antonius Peragulfus Lucensis] Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Regina celi Voice: [no designation] Languages: Latin Voice Text: Regina celi Voice: [no designation] Languages: Latin Voice Text: Regina celi General Note ANT[ONIUS] PERAG[ULFUS]UC[ENSIS]
95v–97	Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	Compere	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur Compère, Loyset (ca. 1445–1518) Appears on: 95v–97 Genres: Motet Source Attribution: Compere Voice: [no designation] Languages: Latin Voice Text: Propter gravamen et tormentum Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
95v–97	Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	Compere	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima Compère, Loyset (ca. 1445–1518) Appears on: 95v–97 Genres: Motet Source Attribution: Compere Voice: [no designation] Languages: Latin Voice Text: Propter gravamen et tormentum Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
97v–98	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	HAYNE [VAN GHIZEGHEM]	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 97v–98 Genres: Chanson, Contrafactum, Motet Source Attribution: HAYNE [VAN GHIZEGHEM] Voice: [no designation] Languages: Latin Voice Text: Alés regres. General Note . Publ. cf. Bc 17 n° 26
98v–99	La alfonsina	JO. GHISELIN	Ghiselin (Verbonnet), Johannes
La alfonsina Ghiselin (Verbonnet), Johannes Appears on: 98v–99 Genres: Italian secular Source Attribution: JO. GHISELIN Voice: [no designation] Languages: Italian Voice Text: La Alfonsina. [without text] Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV.
99v–100	Ave stella matutina vita nostra lux	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave stella matutina vita nostra lux Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 99v–100 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Ave stella matutina vita nostra lux Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
100v–101	Ibo mihi ad montem	[GASPAR VAN WEERBECKE*]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ibo mihi ad montem Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 100v–101 Genres: Motet Source Attribution: [GASPAR VAN WEERBECKE] Voice:* [no designation] Languages: Latin Voice Text: Ibo mihi ad montem Concordances "15021
101v–102	Mater patris et filia mulierum laetitia	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Mater patris et filia mulierum laetitia Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 101v–102 Genres: Sequence Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Mater patris et filia mulierum laetitia General Note . Publ. cf. Bc 18 n° 74
102v–103	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 102v–103 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
102v	Sancta Maria	-	Anonymous
Sancta Maria Anonymous Appears on: 102v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancta Maria
103	Sancta Maria ora pro nobis	-	Anonymous
Sancta Maria ora pro nobis Anonymous Appears on: 103 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancta Maria ora pro nobis
103v	Dies illa dies irae - 1a pars (of 3): Dies illa dies irae calamitatis et miserie	-	Anonymous
Dies illa dies irae - 1a pars (of 3): Dies illa dies irae calamitatis et miserie Anonymous Appears on: 103v Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies illa dies ire calamitatis et miserie
103v	Dies illa dies irae - 2a pars (of 3):	-	Anonymous
Dies illa dies irae - 2a pars (of 3): Anonymous Appears on: 103v Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies illa dies ire calamitatis et miserie
103v	Dies illa dies irae - 3a pars (of 3):	-	Anonymous
Dies illa dies irae - 3a pars (of 3): Anonymous Appears on: 103v Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies illa dies ire calamitatis et miserie
104v	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 104v Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
105	Alleluia	Dominicus	Lauruo, Domenico (?)
Alleluia Lauruo, Domenico (?) Appears on: 105 Genres: Motet Source Attribution: Dominicus Voice: [no designation] Languages: Latin Voice Text: Alleluia
105v–106	Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] Isaac, Heinrich (ca. 1450–1517) Appears on: 105v–106 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Here texted "Alleluya" General Note Publ. cf. Bc 18 a' 78 Concordances F-Pn 676 *E-SE
106v–107	Fortuna d'un gran tempo 27.12	[JOSQUIN DES PRÉS*]	Despres, Josquin (ca. 1450–1521)
Fortuna d'un gran tempo 27.12 Despres, Josquin (ca. 1450–1521) Appears on: 106v–107 Genres: Italian secular, textless Source Attribution: [JOSQUIN DES PRÉS] Voice:* [no designation] Languages: Italian Voice Text: Fortuna d'um gran tempo. [without text] Concordances CH-Bu F. IX. 22 Item Bibliography Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis.* Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie. Milano. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
107–108	Tenebrae factae sunt dum crucifixissent	-	Anonymous
Tenebrae factae sunt dum crucifixissent Anonymous Appears on: 107–108 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Tenebrae factae sunt dum crucifixissent
108v–109	Ave sanctissima Maria mater Dei piissima	-	Anonymous
Ave sanctissima Maria mater Dei piissima Anonymous Appears on: 108v–109 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei piissima
109v	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 109v Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
110	Se per te mia fin sera	-	Anonymous
Se per te mia fin sera Anonymous Appears on: 110 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Se per te mia fin sera. [without text]
110	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 110 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
110v–111	Se non dormi dona ascolta	[L.C.*]	Compère, Loyset (ca. 1445–1518) (?)
Se non dormi dona ascolta Compère, Loyset (ca. 1445–1518) (?) Appears on: 110v–111 Genres: Frottola Source Attribution: [L.C.] Voice:* [no designation] Languages: Italian Voice Text: Se non dormi dona ascolta … General Note Publ. cf. Fc 2441 n° 32 Concordances *F-Pn 676
110v–111	Siamo done trei romeri	-	Anonymous
Siamo done trei romeri Anonymous Appears on: 110v–111 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Siamo done trei romeri
111v–112	Signora anci mea dea	BARTH. TROMBONCINO]	Tromboncino, Bartolomeo (1470–ca. 1534)
Signora anci mea dea Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 111v–112 Genres: Italian secular Source Attribution: BARTH. TROMBONCINO] Voice: [no designation] Languages: Italian Voice Text: Signora anci mea dea …
111v–112	La virtù si vuol seguire	-	Anonymous
La virtù si vuol seguire Anonymous Appears on: 111v–112 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La virtù se vole seguire …
112	Signora anci mia dea	[B.T* = BARTOLOMEO TROMBONCINO]	Tromboncino, Bartolomeo (1470–ca. 1534)
Signora anci mia dea Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 112 Genres: Italian secular Source Attribution: [B.T* = BARTOLOMEO TROMBONCINO] Voice: [no designation] Languages: Italian Voice Text: Signora anci mia dea. … General Note Cantus ut supra [n° 147: autre version sur le même Sup.] Concordances 15054 Item Bibliography Einstein, Alfred. 1949. The Italian Madrigal.* 3 vols. Princeton. Pages: II.
112v–113	Pocha pace e molta guerra	[B. TROMBONCINO]*	Tromboncino, Bartolomeo (1470–ca. 1534)
Pocha pace e molta guerra Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 112v–113 Genres: Frottola Source Attribution: [B. TROMBONCINO]* Voice: [no designation] Languages: French Voice Text: Poca pace e molta guerra. [without text] Concordances . *F-Pn 676
112v–113	Se l'ortolana vene a la cità	-	Anonymous
Se l'ortolana vene a la cità Anonymous Appears on: 112v–113 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Se l'ortolana vene a la cità …
113v–114	untexted	-	-
untexted Appears on: 113v–114 Voice: [no designation] Languages: none Voice Text: without text
113v–114	Dammi ciò che voi crudel signora	-	Anonymous
Dammi ciò che voi crudel signora Anonymous Appears on: 113v–114 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [D]ammi ciò che voy crudel signora . . .
114v–115	In focho ardente moro corno fenice	-	Anonymous
In focho ardente moro corno fenice Anonymous Appears on: 114v–115 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: In focho ardente moro corno fenice . . ,
114v–115	Serano li mei tanto cocenti	-	Anonymous
Serano li mei tanto cocenti Anonymous Appears on: 114v–115 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Serano li mei tanto cocenti … General Note T: E poi che siano inteiso li mei tormenti ...
114v–115	Non naque al mundo mai el più scontento	-	Anonymous
Non naque al mundo mai el più scontento Anonymous Appears on: 114v–115 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Non naque al mundo mai el più scontento ...
115v–116	Poi che vivo sopra la terra.	-	Anonymous
Poi che vivo sopra la terra. Anonymous Appears on: 115v–116 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Poi che vivo sopra la terra.
116	Giù per la mala via.	-	Anonymous
Giù per la mala via. Anonymous Appears on: 116 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Giù per la mala via.
116v–117	Caminata	-	Anonymous
Caminata Anonymous Appears on: 116v–117 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Caminata.
117v–118	Magnificat octavi toni: Et exultavit [K.423]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.423] Anonymous Appears on: 117v–118 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Vesets pairs.
118v–119	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 118v–119 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
119v–120	Magnificat primi toni: Et exultavit [K.161]	-	Anonymous
Magnificat primi toni: Et exultavit [K.161] Anonymous Appears on: 119v–120 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit. General Note Versets pairs.
130v–132	Felix namque es, sacra virgo Maria	-	Anonymous
Felix namque es, sacra virgo Maria Anonymous Appears on: 130v–132 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria
130v–132	Felix namque es, sacra virgo Maria	-	Anonymous
Felix namque es, sacra virgo Maria Anonymous Appears on: 130v–132 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria
132v–133	Lucis creator optime	-	Anonymous
Lucis creator optime Anonymous Appears on: 132v–133 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lucis creator optime …
133v–135	Magnificat sexti toni: Anima mea [K.296]	-	Anonymous
Magnificat sexti toni: Anima mea [K.296] Anonymous Appears on: 133v–135 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Versets imp.
135v–138	Magnificat octavi toni: Anima mea [K.398]	-	Anonymous
Magnificat octavi toni: Anima mea [K.398] Anonymous Appears on: 135v–138 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Versets imp.
138v–139	Helas que devera mon coeur	-	Anonymous
Helas que devera mon coeur Anonymous Appears on: 138v–139 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Helas [que devera mon cuer] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, (XIV).
139v–140	Non desina	-	Anonymous
Non desina Anonymous Appears on: 139v–140 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Non desina
140v–141	untexted	TURIS	Turis
untexted Turis Appears on: 140v–141 Genres: textless Source Attribution: TURIS Voice: [no designation] Languages: none Voice Text: without text
141v–142	Biancha più che neve sei chiamata	-	Anonymous
Biancha più che neve sei chiamata Anonymous Appears on: 141v–142 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Biancha più che neve sei chiamata
142v–143	Sine fraude	-	Anonymous
Sine fraude Anonymous Appears on: 142v–143 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sine fraude
143v–144	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 143v–144 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
144v–145	Lamentatio Jeremiae - 1a pars (of 2): ]Incipit lamentatio Jeremiae	[E. LAPICIDA]*	Lapicida, Erasmus (ca. 1440–1547)
Lamentatio Jeremiae - 1a pars (of 2): ]Incipit lamentatio Jeremiae Lapicida, Erasmus (ca. 1440–1547) Appears on: 144v–145 Genres: Lamentations Source Attribution: [E. LAPICIDA]* Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentano Jeremie … Concordances 15062 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460).* Musikalische Denkmäler. Pages: VI.
144v–145	Lamentatio Jeremiae - 2a pars (of 2): Aleph. Quomodo sedet	[E. LAPICIDA]*	Lapicida, Erasmus (ca. 1440–1547)
Lamentatio Jeremiae - 2a pars (of 2): Aleph. Quomodo sedet Lapicida, Erasmus (ca. 1440–1547) Appears on: 144v–145 Genres: Motet Source Attribution: [E. LAPICIDA]* Voice: [no designation] Languages: Latin, Hebrew Voice Text: Aleph. Quomodo sedet . . . Concordances 15062 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460).* Musikalische Denkmäler. Pages: VI.
146v–147	Ave Maria gratia plena Dominus tecum	-	Tromboncino, Bartolomeo (1470–ca. 1534)
Ave Maria gratia plena Dominus tecum Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 146v–147 Genres: Ave Maria, Lauda Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen.
147v–149	Lamentationes Jermeiae - 1a pars (of 3): Incipit oratio Jeremiae prophetae	-	Anonymous
Lamentationes Jermeiae - 1a pars (of 3): Incipit oratio Jeremiae prophetae Anonymous Appears on: 147v–149 Genres: Lamentations Voice: [no designation] Languages: Latin Voice Text: Incipit oratio Hieremiae prophetae
147v–149	Lamentationes Jermeiae - 2a pars (of 3):	-	Anonymous
Lamentationes Jermeiae - 2a pars (of 3): Anonymous Appears on: 147v–149 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Incipit oratio Hieremiae prophetae
147v–149	Lamentationes Jermeiae - 3a pars (of 3):	-	Anonymous
Lamentationes Jermeiae - 3a pars (of 3): Anonymous Appears on: 147v–149 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Incipit oratio Hieremiae prophetae
149v–150	Rex autem David cooperto capite incedens	-	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 149v–150 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Rex autem David cooperto capite
150v–152	Lamentationes Jeremiae - 1a pars (of 4): Incipit lamentatio Jeremiae	-	Anonymous
Lamentationes Jeremiae - 1a pars (of 4): Incipit lamentatio Jeremiae Anonymous Appears on: 150v–152 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentano Hieremie … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
150v–152	Lamentationes Jeremiae - 2a pars (of 4): Aleph. Quomodo sedet	-	Anonymous
Lamentationes Jeremiae - 2a pars (of 4): Aleph. Quomodo sedet Anonymous Appears on: 150v–152 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Aleph. Quomodo sedet . . . Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
150v–152	Lamentationes Jeremiae - 3a pars (of 4): Beth. Plorans ploravit	-	Anonymous
Lamentationes Jeremiae - 3a pars (of 4): Beth. Plorans ploravit Anonymous Appears on: 150v–152 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Beth. Plorans ploravit . . . Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
150v–152	Lamentationes Jeremiae - 4a pars (of 4): Jerusalem convertere	-	Anonymous
Lamentationes Jeremiae - 4a pars (of 4): Jerusalem convertere Anonymous Appears on: 150v–152 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . . Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
152v–154v	Lamentations - 1a pars (of 3): Gimel. Migravit Judas	-	Anonymous
Lamentations - 1a pars (of 3): Gimel. Migravit Judas Anonymous Appears on: 152v–154v Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentations] Gimel. Migravit Judas . . .
152v–154v	Lamentations - 2a pars (of 3): Deleth. Vie Sion lugent	-	Anonymous
Lamentations - 2a pars (of 3): Deleth. Vie Sion lugent Anonymous Appears on: 152v–154v Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Deleth. Vie Sion lugent . . .
152v–154v	Lamentations - 3a pars (of 3): Jerusalem convertere	-	Anonymous
Lamentations - 3a pars (of 3): Jerusalem convertere Anonymous Appears on: 152v–154v Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . . Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
154v–156	Lamentations - 1a pars (of 4): He. Facti sunt	-	Anonymous
Lamentations - 1a pars (of 4): He. Facti sunt Anonymous Appears on: 154v–156 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentations] He. Facti sunt . . . Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: Vi.
154v–156	Lamentations - 2a pars (of 4): Vau. Egressus est	-	Anonymous
Lamentations - 2a pars (of 4): Vau. Egressus est Anonymous Appears on: 154v–156 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Vau. Egressus est . . . Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
154v–156	Lamentations - 3a pars (of 4): Zay. Recordata	-	Anonymous
Lamentations - 3a pars (of 4): Zay. Recordata Anonymous Appears on: 154v–156 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Zay. Recordata … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
154v–156	Lamentations - 4a pars (of 4): Jerusalem convertere	-	Anonymous
Lamentations - 4a pars (of 4): Jerusalem convertere Anonymous Appears on: 154v–156 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VI.
207v–208	Tuto el mondo e fantasia	[JO. HESDIMOIS*]	Hesdin, Nicolle des Celliers de (–1538)
Tuto el mondo e fantasia Hesdin, Nicolle des Celliers de (–1538) Appears on: 207v–208 Genres: Italian secular Source Attribution: [JO. HESDIMOIS] Voice:* [no designation] Languages: Italian Voice Text: Tuto el mondo e fantasia … Concordances *1510
208v–209	Di pensier in pensier	-	Anonymous
Di pensier in pensier Anonymous Appears on: 208v–209 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Di pensier in pensier … Concordances DisertoriLEF Item Bibliography Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie. Milano.
209v–210	Requiem aeternam dona eis domine	-	Anonymous
Requiem aeternam dona eis domine Anonymous Appears on: 209v–210 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Requiem aeternam dona eis domine
210v–211	Requiem aeternam dona eis domine	-	Anonymous
Requiem aeternam dona eis domine Anonymous Appears on: 210v–211 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Requiem aeternam dona eis domine
210v–211	Libera me Domine de morte aeterna	-	Anonymous
Libera me Domine de morte aeterna Anonymous Appears on: 210v–211 Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Libera me domine de morte aeterna
210v–211	Dies irae dies illa solvet saeculum	-	Anonymous
Dies irae dies illa solvet saeculum Anonymous Appears on: 210v–211 Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies ire dies illa solvet saeclum
210v–211	Dies irae dies illa solvet saeculum	-	Anonymous
Dies irae dies illa solvet saeculum Anonymous Appears on: 210v–211 Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies ire dies illa solvet saeclum
210v–211	Dies irae dies illa solvet saeculum	-	Anonymous
Dies irae dies illa solvet saeculum Anonymous Appears on: 210v–211 Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies ire dies illa solvet saeclum
211v–212v	Dies irae dies illa solvet saeculum	-	Anonymous
Dies irae dies illa solvet saeculum Anonymous Appears on: 211v–212v Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies ire dies illa solvet saeclum
212v–213	Dies irae dies illa solvet saeculum	-	Anonymous
Dies irae dies illa solvet saeculum Anonymous Appears on: 212v–213 Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: Dies ire dies ilia …

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 97v–98 Amice ad quid venisti – 15v–16 O quam glorifica. – 63v–64 Si dedero somnum oculis meis – 57v–58
Anonymous	A la chaza - 1a pars (of 2): A la chaza su ognun se spazza – 43v–45 A la chaza - 2a pars (of 2): Te qui balzam, te qui liom – 43v–45 Altera autem die - 1a pars (of 2): Altera autem die que est post parasceven – 25v–26 Altera autem die - 2a pars (of 2): – 25v–26 Alto Jesu figlolo de Maria – 45v–46 Arda el ciel e mundo tuto – 27v–28 Aures ad nostras – 47 Ave Maria gratia plena Dominus tecum – 19v–20 Ave Maria gratia plena Dominus tecum – 102v–103 Ave Maria gratia plena Dominus tecum – 143v–144 Ave Maria gratia plena Dominus tecum – 4v–5 Ave maris stella – 46v Ave sanctissima Maria mater Dei piissima – 108v–109 Ave victorioso – 14 Benedicamus Domino – 18v Benedicamus Domino – 19 Benedicamus Domino – 18v Benedicamus Domino – 18v Benedicamus Domino – 19 Biancha più che neve sei chiamata – 141v–142 Caminata – 116v–117 Chi serve a dio cum purità di core – 20v Christi corpus ave – 29 Chyrie eleison – 74v–75 Contento in foco sto corno fenice – 21v Cum desiderio io vo cercando – 79 Cum desiderio vo cercando – 20 Da pacem Domine in diebus nostris – 31v–32 Dammi ciò che voi crudel signora – 113v–114 De fusse qui – 30v De non più tante parole – 31 Detro mia gioia – 21v Di pensier in pensier – 208v–209 Dies illa dies irae - 1a pars (of 3): Dies illa dies irae calamitatis et miserie – 103v Dies illa dies irae - 2a pars (of 3): – 103v Dies illa dies irae - 3a pars (of 3): – 103v Dies irae dies illa solvet saeculum – 210v–211 Dies irae dies illa solvet saeculum – 212v–213 Dies irae dies illa solvet saeculum – 210v–211 Dies irae dies illa solvet saeculum – 24v Dies irae dies illa solvet saeculum – 211v–212v Dies irae dies illa solvet saeculum – 210v–211 Disperso per lo mundo peregrino vado – 1 Dolce regina = Ave dulcis ave pia = Popule meus quid feci tibi – 29v–30 Felix namque es, sacra virgo Maria – 130v–132 Felix namque es, sacra virgo Maria – 130v–132 Fortuna che te giova destraciarme – 22 Gaude flore virginali / Gaude flore virginali / Gaude flore virginali – 29v–30 Giù per la mala via. – 116 Guarda le vestimente – 52 Helas que devera mon coeur – 138v–139 Hogi e'l tempo peccatore – 27 Hor oires una canzon – 36v–37 In focho ardente moro corno fenice – 114v–115 J'ai pris amours – 41v Jesu Jesu Jesu ognon chiami Jesu – 45v–46 Kyrie eleison – 118v–119 L'ucello mio chiamo io perdo jornata – 40v–41 La node aquieta ogni fiero animale – 33 La speranza me tien vivo – 54v–55 La virtù si vuol seguire – 111v–112 Lamentationes Jeremiae - 1a pars (of 4): Incipit lamentatio Jeremiae – 150v–152 Lamentationes Jeremiae - 1a pars (of 4): Incipit oratio Jeremiae prophetae – 82v–84 Lamentationes Jeremiae - 2a pars (of 4): – 82v–84 Lamentationes Jeremiae - 2a pars (of 4): Aleph. Quomodo sedet – 150v–152 Lamentationes Jeremiae - 3a pars (of 4): – 82v–84 Lamentationes Jeremiae - 3a pars (of 4): Beth. Plorans ploravit – 150v–152 Lamentationes Jeremiae - 4a pars (of 4): – 82v–84 Lamentationes Jeremiae - 4a pars (of 4): Jerusalem convertere – 150v–152 Lamentationes Jermeiae - 1a pars (of 3): Incipit oratio Jeremiae prophetae – 147v–149 Lamentationes Jermeiae - 2a pars (of 3): – 147v–149 Lamentationes Jermeiae - 3a pars (of 3): – 147v–149 Lamentations - 1a pars (of 3): Gimel. Migravit Judas – 152v–154v Lamentations - 2a pars (of 3): Deleth. Vie Sion lugent – 152v–154v Lamentations - 3a pars (of 3): Jerusalem convertere – 152v–154v Lamentations - 1a pars (of 4): He. Facti sunt – 154v–156 Lamentations - 2a pars (of 4): Vau. Egressus est – 154v–156 Lamentations - 3a pars (of 4): Zay. Recordata – 154v–156 Lamentations - 4a pars (of 4): Jerusalem convertere – 154v–156 Lauda Sion salvatorem – 20v Libera me Domine de morte aeterna – 210v–211 Lucis creator optime – 75v–76 Lucis creator optime – 132v–133 Magnificat octavi toni: Anima mea [K.398] – 135v–138 Magnificat octavi toni: Et exultavit [K.423] – 117v–118 Magnificat primi toni: Et exultavit [K.161] – 119v–120 Magnificat sexti toni: Anima mea [K.296] – 133v–135 Memento mei o sacra virgo – 57v Mille pruova io ho già fatte – 56v Miserere al mio perire – 77v–78 Miserere mei Deus secundum magnam – 48v–49 Non desina – 139v–140 Non expecto già may – 17 Non naque al mundo mai el più scontento – 114v–115 Nunc dimittis servum tuum – 88v O Jesu dolce o infinito amore – 50v O admirabile commercium creator generis – 8v–9 O domine Jesu Christe propter illam – 87v–88 O gloriosa domina – 52 O madre di Jesu o dea eterna. – 52v–53 O mia infelice sorte – 23v–24 O misero stato – 51 Patientia ognon mi dice (2p. Io sto male e vivo in stento) – 80v–81 Patrem omnipotentem [Credo] – 84v–86 Poi che vivo sopra la terra. – 115v–116 Quemadmodum desiderat cervus ad fontes – 73 Qui nos fecit ex nichilo / Qui nos fecit ex nichilo – 17 Qui seminant in lacrimis – 3v–4 Requiem aeternam dona eis domine – 210v–211 Requiem aeternam dona eis domine – 209v–210 Sancta Maria – 102v Sancta Maria ora pro nobis – 103 Sconsolata Philomena – 78v Se conviene a un cor vilano – 55v–56 Se l'ortolana vene a la cità – 112v–113 Se per te mia fin sera – 110 Serano li mei tanto cocenti – 114v–115 Siamo done trei romeri – 110v–111 Sine fraude – 142v–143 Sofrire son disposto Ave regina virgo gloriosa chi de Dio padre – 13v Stella caeli extirpavit que lactavit – 69v–70 Tenebrae factae sunt dum crucifixissent – 107–108 Trista e la sorte – 68v–69 Utile conscilius – 27v–28 Veni creator spiritus. – 73v–74 Verbum caro factum est de virgine Maria – 109v Verbum caro factum est de virgine Maria – 56v Verbum caro factum est de virgine Maria – 110 Verbum caro factum est de virgine Maria – 104v Verbum caro panem verum – 81v–82 Vidi impium superexaltatum = Illuxit dies – 37v–38 Vidimus enim stellam eius in oriente – 4v–5 Vive lieto / A Maria fonte d'amore – 14v–15 [No description] – 113v–114 [No description] – 76v
Brocco, Giovanni	Alma svegliate horamai – 16v Io mi voglio lamentare – 42
Brumel, Antoine (ca. 1460–ca. 1513)	Mater patris et filia mulierum laetitia – 101v–102 O Domine Jesu Christe pastor bone – 86v–87 Regina caeli (I) - 1a pars (of 2): Regina caeli laetare alleluia – 61v–63 Regina caeli (I) - 2a pars (of 2): Resurrexit sicut dixit – 61v–63
Busnoys, Antoine (ca. 1430–1492)	(?) Poi che te hebi nel core (= Fortuna desperata) – 22v–23
Cara, Marchetto	Aime el cor aime la testa – 12v–13 (?) De si de no de si – 32v Defecerunt donna hormai sicut sumus dies – 23v–24 Io son l'ucello che sopra i rami d'oro – 41 Oyme ch'io moro – 51v
Caron, Firminus (ca. 1460–ca. 1475)	Helas que pourra devenir – 35v–36
Compère, Loyset (ca. 1445–1518)	(?) Helas le bon temps que j'avoie (= Helas Abraham) – 47v–48 (?) Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte – 38v–39 Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur – 95v–97 Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima – 95v–97 Royne du ciel / Regina caeli laetare alleluia – 77 (?) Se non dormi dona ascolta – 110v–111
Despres, Josquin (ca. 1450–1521)	Fortuna d'un gran tempo 27.12 – 106v–107 In te Domine speravi non confundar 28.18 – 42v–43 Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) – 79v–80 Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) – 79v–80
Ducis, Benedictus	(?) Poi che sei dal mondo tolta – 19v
Festa, Costanzo (ca. 1485–1545)	(?) Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte – 38v–39
Fogliano, Giacomo (1468–1548)	Ave Maria gratia plena Dominus tecum – 2v–3 Sí dedero el mio core al dio d'amore – 60v–61
Ghiselin (Verbonnet), Johannes	La alfonsina – 98v–99 La spagna - 1a pars (of 3): untexted – 91v–94 La spagna - 2a pars (of 3): untexted – 91v–94 La spagna - 3a pars (of 3): untexted – 91v–94
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 97v–98 De tous biens plaine est ma maîtresse – 25
Hesdin, Nicolle des Celliers de (–1538)	Tuto el mondo e fantasia – 207v–208
Isaac, Heinrich (ca. 1450–1517)	A la bataglia = O preclarissima - 1a pars (of 3): A la bataglia = O preclarissima – 9v–12 A la bataglia = O preclarissima - 2a pars (of 3): Schinier falda e corazza – 9v–12 A la bataglia = O preclarissima - 3a pars (of 3): Ognun sia presto armato – 9v–12 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 33v–34 (?) La stangetta (= Ortus de caelo) – 34v–35 Missa Quant j'ai au coeur: Benedictus – 17v–18 Omnis habet finem labor [= Des biens d'amour] – 49v–50 Omnis laus in fine canitur (= Agnus I from Isaac's Missa Chargé de deuil) – 52v–53 Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] – 105v–106 Tristitia vestra vertetur in gaudium – 71v–72
Japart, Jean	Helas que il est a mon gré – 64v–65
Lapicida, Erasmus (ca. 1440–1547)	Lamentatio Jeremiae - 1a pars (of 2): ]Incipit lamentatio Jeremiae – 144v–145 Lamentatio Jeremiae - 2a pars (of 2): Aleph. Quomodo sedet – 144v–145
Laurentius, Bergomotius Mutinensis	Ave Maria gratia plena Dominus tecum – 1v–2
Lauruo, Domenico	(?) Alleluia – 105
Marcetus	Ave Maria gratia plena Dominus tecum – 3v–4
Musipula	Ave Maria – 5v–7 Ave Maria – 5v–7
Obrecht, Jacobus (ca. 1457–1505)	Adieu Adieu (= Meskin es hu) – 72v (?) La stangetta (= Ortus de caelo) – 34v–35
Pamphilus	Cucu cucu ognom canti cucu – 16v
Peragulfus, Antonius	Regina caeli laetare alleluia – 94v–95
Pesenti, Martino	Io son de gabbia non de bosco ocello – 40v
Pinarol, Johannes de	Surge propera amica mea speciosa mea – 58v–59
Pisano, Bernardo	Piange Pisa – 68v–69
Placentinus, Dionisius	Egli è il tuo buon Jesu – 42v–43
Prioris, Johannes (Denis, Dionisius) (–1515)	(?) Magnificat primi toni: Anima mea [K.144] – 89v–91
Quadris, Johannes de	Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum – 28v
Stockem, Johannes de (ca. 1445–1487)	Helas ce n'est pas sans raison si j'ai melancholie – 65v–66
Tinctoris, Johannes (ca. 1435–1511)	(?) Helas le bon temps que j'avoie (= Helas Abraham) – 47v–48
Touront, Johannes (ca. 1450–ca. 1475)	Cantons cantons laisons melenconie – 21 O gloriosa regina mundi succurre nobis – 53v–54
Tromboncino, Bartolomeo (1470–ca. 1534)	Ave Maria gratia plena Dominus tecum – 146v–147 Ave Maria gratia plena Dominus tecum – 7v–8 (?) De si de no de si – 32v Pocha pace e molta guerra – 112v–113 Se ben or non schopro il foco – 60v–61 Signora anci mea dea – 111v–112 Signora anci mia dea – 112
Turis	untexted – 140v–141
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam) – 70v–71 Ave stella matutina vita nostra lux – 99v–100 Christi mater ave sanctissima virgo – 67v–68 Ibo mihi ad montem – 100v–101 (?) La stangetta (= Ortus de caelo) – 34v–35 Mater digna Dei venie via luxque – 39v–40 O pulcherrima mulierum surge propera – 59v–60 Virgo Maria non est tibi similis – 66v–67
Willaert, Adrian (ca. 1490–1562)	(?) Rex autem David cooperto capite incedens – 149v–150

Composition	Composers (? Uncertain)	Folios / Pages
A la bataglia = O preclarissima - 1a pars (of 3): A la bataglia = O preclarissima	Isaac, Heinrich (ca. 1450–1517)	9v–12
A la bataglia = O preclarissima - 2a pars (of 3): Schinier falda e corazza	Isaac, Heinrich (ca. 1450–1517)	9v–12
A la bataglia = O preclarissima - 3a pars (of 3): Ognun sia presto armato	Isaac, Heinrich (ca. 1450–1517)	9v–12
A la chaza - 1a pars (of 2): A la chaza su ognun se spazza	Anonymous	43v–45
A la chaza - 2a pars (of 2): Te qui balzam, te qui liom	-	43v–45
Adieu Adieu (= Meskin es hu)	Obrecht, Jacobus (ca. 1457–1505)	72v
Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	70v–71
Aime el cor aime la testa	Cara, Marchetto	12v–13
Alleluia	Lauruo, Domenico (?)	105
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497)	97v–98
Alma svegliate horamai	Brocco, Giovanni	16v
Altera autem die - 1a pars (of 2): Altera autem die que est post parasceven	Anonymous	25v–26
Altera autem die - 2a pars (of 2):	Anonymous	25v–26
Alto Jesu figlolo de Maria	Anonymous	45v–46
Amice ad quid venisti	Agricola, Alexander (ca. 1445–1506)	15v–16
Arda el ciel e mundo tuto	Anonymous	27v–28
Aures ad nostras	Anonymous	47
Ave Maria	Musipula	5v–7
Ave Maria	Musipula	5v–7
Ave Maria gratia plena Dominus tecum	Laurentius, Bergomotius Mutinensis	1v–2
Ave Maria gratia plena Dominus tecum	Fogliano, Giacomo (1468–1548)	2v–3
Ave Maria gratia plena Dominus tecum	Marcetus	3v–4
Ave Maria gratia plena Dominus tecum	Anonymous	4v–5
Ave Maria gratia plena Dominus tecum	Tromboncino, Bartolomeo (1470–ca. 1534)	7v–8
Ave Maria gratia plena Dominus tecum	Anonymous	19v–20
Ave Maria gratia plena Dominus tecum	Anonymous	102v–103
Ave Maria gratia plena Dominus tecum	Anonymous	143v–144
Ave Maria gratia plena Dominus tecum	Tromboncino, Bartolomeo (1470–ca. 1534)	146v–147
Ave maris stella	Anonymous	46v
Ave sanctissima Maria mater Dei piissima	Anonymous	108v–109
Ave stella matutina vita nostra lux	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	99v–100
Ave victorioso	Anonymous	14
Benedicamus Domino	Anonymous	18v
Benedicamus Domino	Anonymous	18v
Benedicamus Domino	Anonymous	18v
Benedicamus Domino	Anonymous	19
Benedicamus Domino	Anonymous	19
Biancha più che neve sei chiamata	Anonymous	141v–142
Caminata	Anonymous	116v–117
Cantons cantons laisons melenconie	Touront, Johannes (ca. 1450–ca. 1475)	21
Chi serve a dio cum purità di core	Anonymous	20v
Christi corpus ave	Anonymous	29
Christi mater ave sanctissima virgo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	67v–68
Chyrie eleison	Anonymous	74v–75
Contento in foco sto corno fenice	Anonymous	21v
Cucu cucu ognom canti cucu	Pamphilus	16v
Cum desiderio io vo cercando	Anonymous	79
Cum desiderio vo cercando	Anonymous	20
Da pacem Domine in diebus nostris	Anonymous	31v–32
Dammi ciò che voi crudel signora	Anonymous	113v–114
De fusse qui	Anonymous	30v
De non più tante parole	Anonymous	31
De si de no de si	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?)	32v
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	25
Defecerunt donna hormai sicut sumus dies	Cara, Marchetto	23v–24
Detro mia gioia	Anonymous	21v
Di pensier in pensier	Anonymous	208v–209
Dies illa dies irae - 1a pars (of 3): Dies illa dies irae calamitatis et miserie	Anonymous	103v
Dies illa dies irae - 2a pars (of 3):	Anonymous	103v
Dies illa dies irae - 3a pars (of 3):	Anonymous	103v
Dies irae dies illa solvet saeculum	Anonymous	24v
Dies irae dies illa solvet saeculum	Anonymous	210v–211
Dies irae dies illa solvet saeculum	Anonymous	210v–211
Dies irae dies illa solvet saeculum	Anonymous	210v–211
Dies irae dies illa solvet saeculum	Anonymous	211v–212v
Dies irae dies illa solvet saeculum	Anonymous	212v–213
Disperso per lo mundo peregrino vado	Anonymous	1
Dolce regina = Ave dulcis ave pia = Popule meus quid feci tibi	Anonymous	29v–30
Egli è il tuo buon Jesu	Placentinus, Dionisius	42v–43
Felix namque es, sacra virgo Maria	Anonymous	130v–132
Felix namque es, sacra virgo Maria	Anonymous	130v–132
Fortuna che te giova destraciarme	Anonymous	22
Fortuna d'un gran tempo 27.12	Despres, Josquin (ca. 1450–1521)	106v–107
Gaude flore virginali / Gaude flore virginali / Gaude flore virginali	Anonymous	29v–30
Giù per la mala via.	Anonymous	116
Guarda le vestimente	Anonymous	52
Helas ce n'est pas sans raison si j'ai melancholie	Stockem, Johannes de (ca. 1445–1487)	65v–66
Helas le bon temps que j'avoie (= Helas Abraham)	Compère, Loyset (ca. 1445–1518) (?) Tinctoris, Johannes (ca. 1435–1511) (?)	47v–48
Helas que devera mon coeur	Anonymous	138v–139
Helas que il est a mon gré	Japart, Jean	64v–65
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	35v–36
Hogi e'l tempo peccatore	Anonymous	27
Hor oires una canzon	Anonymous	36v–37
Ibo mihi ad montem	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	100v–101
In focho ardente moro corno fenice	Anonymous	114v–115
In te Domine speravi non confundar 28.18	Despres, Josquin (ca. 1450–1521)	42v–43
Io mi voglio lamentare	Brocco, Giovanni	42
Io son de gabbia non de bosco ocello	Pesenti, Martino	40v
Io son l'ucello che sopra i rami d'oro	Cara, Marchetto	41
J'ai pris amours	-	41v
Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum	Quadris, Johannes de	28v
Jesu Jesu Jesu ognon chiami Jesu	Anonymous	45v–46
Kyrie eleison	Anonymous	118v–119
L'ucello mio chiamo io perdo jornata	Anonymous	40v–41
La alfonsina	Ghiselin (Verbonnet), Johannes	98v–99
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	33v–34
La node aquieta ogni fiero animale	Anonymous	33
La spagna - 1a pars (of 3): untexted	Ghiselin (Verbonnet), Johannes	91v–94
La spagna - 2a pars (of 3): untexted	Ghiselin (Verbonnet), Johannes	91v–94
La spagna - 3a pars (of 3): untexted	Ghiselin (Verbonnet), Johannes	91v–94
La speranza me tien vivo	Anonymous	54v–55
La stangetta (= Ortus de caelo)	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)	34v–35
La virtù si vuol seguire	Anonymous	111v–112
Lamentatio Jeremiae - 1a pars (of 2): ]Incipit lamentatio Jeremiae	Lapicida, Erasmus (ca. 1440–1547)	144v–145
Lamentatio Jeremiae - 2a pars (of 2): Aleph. Quomodo sedet	Lapicida, Erasmus (ca. 1440–1547)	144v–145
Lamentationes Jeremiae - 1a pars (of 4): Incipit lamentatio Jeremiae	Anonymous	150v–152
Lamentationes Jeremiae - 1a pars (of 4): Incipit oratio Jeremiae prophetae	Anonymous	82v–84
Lamentationes Jeremiae - 2a pars (of 4):	Anonymous	82v–84
Lamentationes Jeremiae - 2a pars (of 4): Aleph. Quomodo sedet	Anonymous	150v–152
Lamentationes Jeremiae - 3a pars (of 4):	Anonymous	82v–84
Lamentationes Jeremiae - 3a pars (of 4): Beth. Plorans ploravit	Anonymous	150v–152
Lamentationes Jeremiae - 4a pars (of 4):	Anonymous	82v–84
Lamentationes Jeremiae - 4a pars (of 4): Jerusalem convertere	Anonymous	150v–152
Lamentationes Jermeiae - 1a pars (of 3): Incipit oratio Jeremiae prophetae	Anonymous	147v–149
Lamentationes Jermeiae - 2a pars (of 3):	Anonymous	147v–149
Lamentationes Jermeiae - 3a pars (of 3):	Anonymous	147v–149
Lamentations - 1a pars (of 3): Gimel. Migravit Judas	Anonymous	152v–154v
Lamentations - 2a pars (of 3): Deleth. Vie Sion lugent	Anonymous	152v–154v
Lamentations - 3a pars (of 3): Jerusalem convertere	Anonymous	152v–154v
Lamentations - 1a pars (of 4): He. Facti sunt	Anonymous	154v–156
Lamentations - 2a pars (of 4): Vau. Egressus est	Anonymous	154v–156
Lamentations - 3a pars (of 4): Zay. Recordata	Anonymous	154v–156
Lamentations - 4a pars (of 4): Jerusalem convertere	Anonymous	154v–156
Lauda Sion salvatorem	Anonymous	20v
Libera me Domine de morte aeterna	Anonymous	210v–211
Lucis creator optime	Anonymous	75v–76
Lucis creator optime	Anonymous	132v–133
Magnificat octavi toni: Anima mea [K.398]	Anonymous	135v–138
Magnificat octavi toni: Et exultavit [K.423]	Anonymous	117v–118
Magnificat primi toni: Anima mea [K.144]	Prioris, Johannes (Denis, Dionisius) (–1515) (?)	89v–91
Magnificat primi toni: Et exultavit [K.161]	Anonymous	119v–120
Magnificat sexti toni: Anima mea [K.296]	Anonymous	133v–135
Mater digna Dei venie via luxque	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	39v–40
Mater patris et filia mulierum laetitia	Brumel, Antoine (ca. 1460–ca. 1513)	101v–102
Me doibt sic pour Ne doibt = Venite amanti insieme a pianger forte	Festa, Costanzo (ca. 1485–1545) (?) Compère, Loyset (ca. 1445–1518) (?)	38v–39
Memento mei o sacra virgo	Anonymous	57v
Mille pruova io ho già fatte	Anonymous	56v
Miserere al mio perire	Anonymous	77v–78
Miserere mei Deus secundum magnam	Anonymous	48v–49
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	17v–18
Non desina	Anonymous	139v–140
Non expecto già may	Anonymous	17
Non naque al mundo mai el più scontento	Anonymous	114v–115
Nunc dimittis servum tuum	Anonymous	88v
O admirabile commercium creator generis	Anonymous	8v–9
O Domine Jesu Christe pastor bone	Brumel, Antoine (ca. 1460–ca. 1513)	86v–87
O domine Jesu Christe propter illam	Anonymous	87v–88
O gloriosa domina	Anonymous	52
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	53v–54
O Jesu dolce o infinito amore	Anonymous	50v
O madre di Jesu o dea eterna.	Anonymous	52v–53
O mia infelice sorte	Anonymous	23v–24
O misero stato	Anonymous	51
O pulcherrima mulierum surge propera	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	59v–60
O quam glorifica.	Agricola, Alexander (ca. 1445–1506)	63v–64
Omnis habet finem labor [= Des biens d'amour]	Isaac, Heinrich (ca. 1450–1517)	49v–50
Omnis laus in fine canitur (= Agnus I from Isaac's Missa Chargé de deuil)	Isaac, Heinrich (ca. 1450–1517)	52v–53
Oyme ch'io moro	Cara, Marchetto	51v
Patientia ognon mi dice (2p. Io sto male e vivo in stento)	Anonymous	80v–81
Patrem omnipotentem [Credo]	Anonymous	84v–86
Piange Pisa	Pisano, Bernardo	68v–69
Pocha pace e molta guerra	Tromboncino, Bartolomeo (1470–ca. 1534)	112v–113
Poi che sei dal mondo tolta	Ducis, Benedictus (?)	19v
Poi che te hebi nel core (= Fortuna desperata)	Busnoys, Antoine (ca. 1430–1492) (?)	22v–23
Poi che vivo sopra la terra.	Anonymous	115v–116
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	Compère, Loyset (ca. 1445–1518)	95v–97
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	Compère, Loyset (ca. 1445–1518)	95v–97
Quemadmodum desiderat cervus ad fontes	Anonymous	73
Qui nos fecit ex nichilo / Qui nos fecit ex nichilo	Anonymous	17
Qui seminant in lacrimis	Anonymous	3v–4
Regina caeli (I) - 1a pars (of 2): Regina caeli laetare alleluia	Brumel, Antoine (ca. 1460–ca. 1513)	61v–63
Regina caeli (I) - 2a pars (of 2): Resurrexit sicut dixit	Brumel, Antoine (ca. 1460–ca. 1513)	61v–63
Regina caeli laetare alleluia	Peragulfus, Antonius	94v–95
Requiem aeternam dona eis domine	Anonymous	209v–210
Requiem aeternam dona eis domine	Anonymous	210v–211
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	149v–150
Royne du ciel / Regina caeli laetare alleluia	Compère, Loyset (ca. 1445–1518)	77
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	Isaac, Heinrich (ca. 1450–1517)	105v–106
Sancta Maria	Anonymous	102v
Sancta Maria ora pro nobis	Anonymous	103
Sconsolata Philomena	Anonymous	78v
Se ben or non schopro il foco	Tromboncino, Bartolomeo (1470–ca. 1534)	60v–61
Se conviene a un cor vilano	Anonymous	55v–56
Se l'ortolana vene a la cità	Anonymous	112v–113
Se non dormi dona ascolta	Compère, Loyset (ca. 1445–1518) (?)	110v–111
Se per te mia fin sera	Anonymous	110
Serano li mei tanto cocenti	Anonymous	114v–115
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	57v–58
Siamo done trei romeri	Anonymous	110v–111
Signora anci mea dea	Tromboncino, Bartolomeo (1470–ca. 1534)	111v–112
Signora anci mia dea	Tromboncino, Bartolomeo (1470–ca. 1534)	112
Sine fraude	Anonymous	142v–143
Sofrire son disposto Ave regina virgo gloriosa chi de Dio padre	Anonymous	13v
Stella caeli extirpavit que lactavit	Anonymous	69v–70
Surge propera amica mea speciosa mea	Pinarol, Johannes de	58v–59
Sí dedero el mio core al dio d'amore	Fogliano, Giacomo (1468–1548)	60v–61
Tenebrae factae sunt dum crucifixissent	Anonymous	107–108
Trista e la sorte	Anonymous	68v–69
Tristitia vestra vertetur in gaudium	Isaac, Heinrich (ca. 1450–1517)	71v–72
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	Despres, Josquin (ca. 1450–1521)	79v–80
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	Despres, Josquin (ca. 1450–1521)	79v–80
Tuto el mondo e fantasia	Hesdin, Nicolle des Celliers de (–1538)	207v–208
untexted	Turis	140v–141
Utile conscilius	Anonymous	27v–28
Veni creator spiritus.	Anonymous	73v–74
Verbum caro factum est de virgine Maria	Anonymous	56v
Verbum caro factum est de virgine Maria	Anonymous	104v
Verbum caro factum est de virgine Maria	Anonymous	109v
Verbum caro factum est de virgine Maria	Anonymous	110
Verbum caro panem verum	Anonymous	81v–82
Vidi impium superexaltatum = Illuxit dies	Anonymous	37v–38
Vidimus enim stellam eius in oriente	Anonymous	4v–5
Virgo Maria non est tibi similis	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	66v–67
Vive lieto / A Maria fonte d'amore	Anonymous	14v–15

‡ denotes primary source study

Filocamo, Gioia (editor). 2010. Florence, BNC, Panciatichi 27. Text and Context. Monumenta Musica Europea. Brepols. Notes: discussion; contents list; concordances; transcriptions.

Campagnolo, Stefano. 1999. Il codice Panciatichi 26 della Biblioteca Nazionale di Firenze nella tradizione delle opere di Francesco Landini. Col dolce suon che da te piove: Studi su Francesco Landini e la musica del suo tempo: In memoria di Nino Pirrotta, 1 vols.77-119. Florence: Sismel.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 88, 133, 186, 209ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 257-8,278,280,283. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 232.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Pages: 80,87,188,192,199, 223,274. Notes: contents list (partial); concordances (partial); incipits (partial).

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 59-60, 293-4,367ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Atlas, Allan W. 1977. On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20). Musica Disciplina, 45ff. Pages: 84ff. Notes: contents list (partial); concordances (partial).

Boorman, Stanley. 1977. The 'First' Edition of the Odhecaton A. Journal of the American Musicological Society, 183-207. Pages: 207. Notes: transcription (partial).

Cattin, Giulio (editor). 1977. Italian Laude & Latin Unica in MS Capetown, Grey 3. b. 12. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x,xxiii,xxvi-xxvii, xxx-xxxii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,xxiii,xxxiv,xxxix. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxii,30-4,62,87; II,28; II1,88-9. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,78ff,252, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Prizer, William Flaville. 1974. Marchetta Cara and the North Italian Frottola. University of North Carolina, Unpublished Ph.D. dissertation. Pages: (II,21-4,27,29. Notes: contents list (partial); concordances (partial).

Cattin, Giulio. 1972. Canti polifonici del repertorio benedettino in uno sconosciuto 'Liber quadragesimalis' e in altre fonti italiane dei secoli XV e XVI ine. Benedictina, 445-527. Pages: 485ff.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 173-8. Notes: physical description; mention of MS; discussion; concordances.

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 493-4. Notes: physical description; mention of MS; discussion; concordances (partial).

Bellingham, Bruce Allan. 1971. The Bicinium in the Lutheran Latin Schools During the Reformation Period. University of Toronto, Unpublished Ph.D. dissertation. Pages: I, 22. Notes: mention of MS.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xxxiii,xxxix-xl. Notes: contents list (partial); concordances (partial).

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: II, passim. Notes: concordances (partial); transcription (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 37ff & 122ff.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 137. Notes: concordances (partial); incipits (partial).

Kämper, Dietrich. 1965. Das Lehr- und Instrumentalduo um 1500 in Italien. Die Musikforschung, 242-53. Pages: 244. Notes: mention of MS.

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies. Brooklyn. Pages: 44. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xiv-xvi,xxv,64; V,xxvii. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 357. Notes: concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 118ff. Notes: physical description; contents list.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VI, 6*,142-8,157,163. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Becherini, Bianca. 1954. Musica Italiana a Firenze nel XV Secolo. Revue Belge de Musicologie, 109-121. Pages: 118-21. Notes: transcription (partial).

Ghisi, Federico. 1953. Strambotti e Laude nel Travestimento Spirituale della Poesia Musicale del Quattrocento. Collectanea Historiae Musicae I, 45-78. Pages: 53-6,69ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 767-8. Notes: facsimile (partial).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 108. Notes: concordances (partial).

Ghisi, Federico. 1937. Canti Carnascialeschi nette Fonti Musicali del XV e XVI Secolo. Florence. Pages: 195. Notes: physical description.

Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Pages: xliii, passim. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: II, v. Notes: physical description; contents list; incipitsst of contents (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXXII, 238. Notes: physical description.

Bartoli, Adolfo. 1887. Il codici Panciatichiani della Biblioteca Nazionale di Firenze. Rome. Pages: 54-8. Notes: physical description; mention of MS; discussion.

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Carlo Bosi

Friday, 16 April, 2021

bibliography updated

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description