I-Fn MS Banco Rari 229

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: 1492-3

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Banco Rari 229
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	240 x 170 mm
Other Identifiers	RISM: I-Fn 229 CCM: FlorBN BR 229 olim (Former shelfmark): Magl. XIX. 59
Notations	black void mensural
Copyists	Fora, Gherardo and Monte de Giovanni del Illuminator
Relationships	Braccesi, Alessandro (owner) Ramis, Bartholomeus (mentioned in dedication)
External Links	images images
Provenance	Firenze (Florence), Italy
Contents	268 pieces from 40 composers

General Description

Closely related to ParisBNF 15123, VatG XIII.27, RomeC 2856, and FlorBN Magl. 178. Copied in Florence; once owned by the Braccesi family of Florence (coat of arms on f. iv'). The opening fascicle alternates the works of Isaac & Martini, maestri di capella at Florence & neighbouring Ferrara at this time (LockRF).

DIAMM, 2017

Binding

Brown tooled leather covers, with 'Sonate di vari autori' stamped on spine.

DIAMM, 2017

Liminary Note

homage to Ramos on f. 3': "Mundo et musice et totus concentus Bartholomeus Ramis."

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern foliation

DIAMM, 2017

Decoration

All folios have illuminated initials; the parchment folios at the beginning and end have elaborate illuminations laid over a solid, deep-blue background, including a portrait which is probably that of Alessandro Braccesi, the owner of the manuscript (Howard M. Brown); miniatures and initials attributed to the brothers Gherardo and Monte de Giovanni del Fora, who worked in Florence between 1470 and 1495 (BragardM); ParisBNF 15123 was also decorated by the same workshop. Edges of folios are painted gold and bear tooled designs. F. iii' has a circular canon with an homage to Ramos written inside: 'Mundo et musice et totus concentus Bartholomeus Ramis.'

DIAMM, 2017

Surface

v parchment + 325 paper + i parchment

DIAMM, 2017

RISM Description

RISM

XVe s. 325ff. (+ 5ff. limin. en parchemin ch. I-V). Papier, 235 x 177 mm. Foliotation moderne au bas des ff. Les ff. 1, 195v à 200v, 291 à 325v. sont blancs. Notation mesurée blanche. 8 portées par p. Miniatures et marges ornées or et coul. aux ff. IIv, IIIv, IVv et V. Capitales ornées en couleurs jusqu'au f. 180v. Tranches dorées. Rehure ancienne cuir estampé, dos refait portant par erreur „Sonate di vari autori."

Ce ms. («Provenienza Gaddi no 1024») a toujours été considéré comme ayant été compilé à Florence aux environs de 1491-1492 pour la famille Braccesi dont les armoiries figurent au f. IVv. Mais H. M. Brown a démontré récemment que le recueil fut d'abord préparé pour Mathias Corvin, puis à sa mort en 1491 racheté par Lorenzo Medici qui l'aurait finalement offert à Alessandro Braccesi. Brown pense aussi que le portrait au f. V, considéré jusqu'à présent comme celui de Johannes Martini, serait plus probablement celui de Braccesi lui-même. En tout cas, celui-ci ayant quitté Florence pour Rome en 1494, le ms. n'aurait pu être copié après cette date. D'autre part, Gherardo et Monte di Giovanni del Fora auxquels sont attribuées les miniatures, tinrent un atelier à Florence de 1470 à 1495. Enfin, les deux compositeurs les mieux représentés, Isaac et Agricola avec plus de 20 pièces chacun, étaient à Florence entre 1491 et 1492. Au f. III, un canon circulaire porte l'inscription «Mundo et musica et totus concentus Bartolomeus Rami», avec, à l'intérieur du cercle les injonctions pour la résolution du canon données par le théoricien Ramos de Pareja qui avait d'ailleurs séjourné à Florence entre 1482 et 1487 (Seay). Parmi les 268 pièces (en majorité ch. françaises), à côte d'Isaac et Agricola, on trouve J. Martini avec 21 pièces et aussi un grand nombre d'autres musiciens franco-flamands comme Collinet de Lannoy (n° 98), chantre à S. Giovanni en 1490, et "ietrequin lui aussi à S. Giovanni dont les adieux à Florence (n° 146) ont dû être composés en 1492, date où il disparaît des archives.

Editions

Transcription du ms. entier: BrownAF.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 163 French secular pieces, 1 French/Latin secular piece (with Latin incipit only in this manuscript), 15 Italian secular pieces, 1 Flemish secular piece (many of the preceding have text incipits or titles only), 86 textless pieces = 268 (Of the textless pieces, the following have been identified from concordant sources: 5 Mass Ordinary sections, 3 motets, 20 French secular pieces, 4 Flemish secular pieces, 3 Italian secular pieces, 1 German secular piece = 36)

A. Agricola-23, A. Agricola/Rompere)-1, (A. Agricola/Compere)-2, A. Agricola/(Fresneau)-1, (A. Agricola/Fresneau)-1, A. Agricola/(Ghiselin/Isaac)-1, J. Agricola/(Elive)-1, Barle-2, (Basin)-1, (Bosfrin)-1, Busnois-18, Busnois/(Caron)-1, Busnois/ (Compère/Mureau)-1, (Busnois/Hayne van Ghizeghem)-2, (Busnois/Japart)-1, Caron-8, Caron/(Busnois)-2, Caron/(Dusart)-1, (Caron/Morton)-1, Compère-6, (Compère/Pietrequin)-1, (Compère/Tinctoris)-1, Congiet-1, Congiet/(Japart)-1, (Dufay)-1, (Fresneau/Hayne van Ghizeghem)-1, (Hayne van Ghizeghem)-4, Hémart-1, Isaac-23, (Isaac/Japart/Obrecht)-1, Japart-4, Japart/ (Busnois/La Rue [Pirson])-1, Japart/(Josquin/Joye)-1, Josquin -4, Josquin/(A. Agricola)-1, (Joye)-2, Lannoy/(Josquin)-1, Martini-20, Martini/(Isaac)-1, Martini/(Malcort/Ockeghem)-1, Mureau [Murian]-1, Obrecht-3, (Obrecht-Virgilius)-1, (Phillipet de Pres)-1, Pietrequin/(La Rue)-1, Planquard-1, Regis-1, Rubinet-5, Rubinet/(Isaac)-1, (Stokhem)-2, Stokhem/(Compère/Rubinet)-1, Tinctoris-1, (Vincenet)-1, (Weerbecke)-4, anon-98

v parchment + 325 paper + i parchment folios, 240 x 170. Modern foliation. Brown tooled leather covers, with "Sonate di vari autori" stamped on spine. No index. All folios have illuminated initials; the parchment folios at the beginning and end have elaborate illuminations laid over a solid, deep-blue background, including a portrait which is probably that of Alessandro Braccesi, the owner of the manuscript (Howard M. Brown); miniatures and initials attributed to the brothers Gherardo and Monte de Giovanni del Fora, who worked in Florence between 1470 and 1495 (BragardM); ParisBNF 15123 was also decorated by the same workshop. Edges of folios are painted gold and bear tooled designs. F. iii' has a circular canon with an homage to Ramos written inside: "Mundo et musice et totus concentus Bartholomeus Ramis." The manuscript is closely related to ParisBNF 15123, VatG XIII.27, RomeC 2856, and FlorBN Magl. 178.

1492-3 (RifPB). Copied in Florence; once owned by the Braccesi family of Florence (coat of arms on f. iv').

Editions

Transcription du ms. entier: BrownAF.

Vol 4

Contents: 8 Mass Ordinary sections (without text), 6 motets (5 without text), 1 motet-chanson (with Latin incipit only), 182 French secular pieces (22 without text), 16 Italian secular pieces (2 without text), 8 Dutch secular pieces (5 without text), 1 German secular piece (without text), 46 textless pieces = 268

Composers: Change "J. Agricola/(Elive)-1" to "J. Agricola/(Eline)-1"; change "Barle-2" to "Barle/(Isaac)-2"; add "(Brumel)-3"; change "Caron-8" to "Caron-9"; change "Caron/(Busnois)-2" to "Caron/(Busnois)-1"; add "(Dux Burgensis)-1"; change "Martini-20" to "Martini-21"; remove "Martini/ (Isaac)-1"; change "anon-98" to "anon-94."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
0v (IIIIv)–V	Très douce regard	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Très douce regard Martini, Johannes (ca. 1430–1497) Appears on: 0v (IIIIv)–V Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: French Voice Text: [Très doulx regart] Concordances 15043 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Gatti, Guido M, and Alberto Basso (editors). 1966. La Musica Enciclopedia Storica. 4 vols. Torino: Unione Tipografico-Editrice Torinese. Pages: II, 1814 facs. du f. IIIIv.
1v–2	Hé logierons nous céans l'hôtesse.	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Hé logierons nous céans l'hôtesse. Isaac, Heinrich (ca. 1450–1517) Appears on: 1v–2 Genres: Chanson Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: French Voice Text: He logierons [nous céans l'hôtesse]. General Note Publ. cf. Bc 17 n° 56
2v–3	Tant que Dieu voudra	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Tant que Dieu voudra Martini, Johannes (ca. 1430–1497) Appears on: 2v–3 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: French Voice Text: [Tant que dieu voudra] Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
3v–4	Mon pere m'a done mari	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Mon pere m'a done mari Isaac, Heinrich (ca. 1450–1517) Appears on: 3v–4 Genres: Chanson Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: French Voice Text: Mon pere m'a done mari Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
4v–4	Se mai el cielo et fati fur benigni = Je remerchi dieu	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Se mai el cielo et fati fur benigni = Je remerchi dieu Martini, Johannes (ca. 1430–1497) Appears on: 4v–4 Genres: Chanson, Italian secular Source Attribution: JANNES MARTINI Voice: [no designation] Languages: Italian Voice Text: Se mai il cielo e fati fur benigni. [= Je remerchi dieu] General Note Publ. cf. Fn 178 n° 61
5v–6	Helas que pourra devenir	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Helas que pourra devenir Isaac, Heinrich (ca. 1450–1517) Appears on: 5v–6 Genres: Chanson Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: French Voice Text: Hélas que devera mon cuer. General Note Publ. cf. Fn 27 n° 167
6v–7	O di prudenza fonte = Per faire toujours	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
O di prudenza fonte = Per faire toujours Martini, Johannes (ca. 1430–1497) Appears on: 6v–7 Genres: Chanson, Italian secular Source Attribution: JANNES MARTINI Voice: [no designation] Languages: Italian Voice Text: O di prudenza fonte. [= Per faire toujours] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pages: facs. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
7v–8	J'ay prins amours à ma devise (3vv)	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
J'ay prins amours à ma devise (3vv) Isaac, Heinrich (ca. 1450–1517) Appears on: 7v–8 Genres: Chanson Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: French Voice Text: J'ay pris amours à ma devise … Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, (XIV).
8v–9	untexted	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
untexted Martini, Johannes (ca. 1430–1497) Appears on: 8v–9 Genres: textless Source Attribution: JANNES MARTINI Voice: [no designation] Languages: none Voice Text: without text
9v–10	Missa Quant j'ai au coeur: Benedictus	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 9v–10 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: Latin Voice Text: Missa Quant j'ay au cor. Benedictus = Absque verbis] General Note Publ. cf. Bc 18 n° 62 Concordances SartoriB n» 28
10v–11	Malheur me bat / Dieu d'amour	JANNES MARTINI [ou MALCORT ou J. OCKEGHEM*]	Ockeghem, Jean de (ca. 1410–1497) (?) Martini, Johannes (ca. 1430–1497) (?) Malcourt, L (?)
Malheur me bat / Dieu d'amour Ockeghem, Jean de (ca. 1410–1497) (?) Martini, Johannes (ca. 1430–1497) (?) Malcourt, L (?) Appears on: 10v–11 Genres: Chanson Source Attribution: JANNES MARTINI [ou MALCORT ou J. OCKEGHEM] Voice:* [no designation] Languages: French Voice Text: [Malheur me bat] [= Dieu d'amour] General Note Publ. cf. Bc 16 a° 14 Concordances *1501
11v–12	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 11v–12 Genres: Italian secular Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: Latin Voice Text: [La morra dona gentile] [= Elaes][= O regina*] General Note Publ. cf. Bc 18 n° 71 Concordances _F-Pn 676 "E-SE ""CH-SGs 462 ****D-ddr-LEu 1494
12v–13	La martinella	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
La martinella Martini, Johannes (ca. 1430–1497) Appears on: 12v–13 Genres: Italian secular Source Attribution: JANNES MARTINI Voice: [no designation] Languages: Italian Voice Text: Martinella General Note Publ. cf. Bc 16 no 84
13v–14	My my	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
My my Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–14 Genres: Song Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: English Voice Text: [My my] Concordances E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
14v–15	L'espoir mieux	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
L'espoir mieux Martini, Johannes (ca. 1430–1497) Appears on: 14v–15 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: French Voice Text: [J'espoir mieux] Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
15v–16	Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil)	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil) Isaac, Heinrich (ca. 1450–1517) Appears on: 15v–16 Genres: Motet Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: French Voice Text: [Amie des que] [= Votre amour] [= Memento mei domine] General Note Christe eleison only. Publ. cf. Fn 178 n° 48 Concordances E-SE SA-Csa 12 *SartoriB n° 28
16v–17	II est toujours	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
II est toujours Martini, Johannes (ca. 1430–1497) Appears on: 16v–17 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: Latin Voice Text: [II est toujours] Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
17v–18	untexted	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
untexted Isaac, Heinrich (ca. 1450–1517) Appears on: 17v–18 Genres: textless Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, (XIV). Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
18v–19	Des biens d'amour	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Des biens d'amour Martini, Johannes (ca. 1430–1497) Appears on: 18v–19 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: French Voice Text: Des biens [d'amour]. [= La ré] General Note Publ. cf. Bc 16 n° 1
19v–20	Virgo Dei throno digna	JO. TINTORIS	Tinctoris, Johannes (ca. 1435–1511)
Virgo Dei throno digna Tinctoris, Johannes (ca. 1435–1511) Appears on: 19v–20 Genres: Motet Source Attribution: JO. TINTORIS Voice: [no designation] Languages: Latin Voice Text: Virgo dei throno digna General Note Publ. cf. Bu 2573 n° 1 Item Bibliography Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: [facs.] 194.
20v–21	J'ai beau huer avant que bien avoir	[A. AGRICOLA ou L. COMPÈRE*]	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)
J'ai beau huer avant que bien avoir Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 20v–21 Genres: Chanson Source Attribution: [A. AGRICOLA ou L. COMPÈRE] Voice:* [no designation] Languages: Latin Voice Text: Virgo dei throno digna General Note Publ. cf. Bc 16 n° 6 Concordances E-SE c. 1535" Item Bibliography Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.* New Haven and London. Pages: [facs.] 194.
21v–22	Dat ik mijn lijden aldus helen moet	JANNES AGRICOLA [ou P. ELINE*]	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?)
Dat ik mijn lijden aldus helen moet Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?) Appears on: 21v–22 Genres: Song Source Attribution: JANNES AGRICOLA [ou P. ELINE] Voice:* [no designation] Languages: German Voice Text: [Dat ik mijn lijden] General Note Publ. cf. Bc 17 n° 16 Concordances . E-SE
22v–23	Ha traite amours me sçauroes-tu feire pis	JANNES STOCHEM [ou L. COMPÈRE* ou RUBINET]	Compère, Loyset (ca. 1445–1518) (?) Robinet, F (?) Stockem, Johannes de (ca. 1445–1487) (?)
Ha traite amours me sçauroes-tu feire pis Compère, Loyset (ca. 1445–1518) (?) Robinet, F (?) Stockem, Johannes de (ca. 1445–1487) (?) Appears on: 22v–23 Genres: Chanson Source Attribution: JANNES STOCHEM [ou L. COMPÈRE* ou RUBINET] Voice: [no designation] Languages: French Voice Text: Ha traistre amours me scauroes tu feire pis … General Note Publ cf. Bc 17 no 38 Concordances *153514
23v–24	Moins ai repos plus accrois mon affaire	-	Anonymous
Moins ai repos plus accrois mon affaire Anonymous Appears on: 23v–24 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Moins ai repos plus accrois mon affaire] Concordances . DK-Kk 1848
24v–25	Adieu bon temps	-	Anonymous
Adieu bon temps Anonymous Appears on: 24v–25 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu bon temps General Note Publ. cf. Fn 178 n° 59 (Adiu per bon temps)
25v–26	Du tout m'estoye abandonné.	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Du tout m'estoye abandonné. Du Fay, Guillaume (1397–1474) Appears on: 25v–26 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY]* Voice: [no designation] Languages: French Voice Text: Du tout m'estoie abandone … General Note Publ. cf. Fn 176 n° 7 Concordances *F-Pn 15123
26v–27	Je ne puis plus	[A. AGRICOLA ou L. COMPÈRE*]	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)
Je ne puis plus Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 26v–27 Genres: Chanson, Contrafactum Source Attribution: [A. AGRICOLA ou L. COMPÈRE] Voice:* [no designation] Languages: Latin, French Voice Text: Je ne puis plus, Benedic anima mea domino General Note Publ. cf. Fn 178 n° 50 Concordances Segovia s.s. (f 192r): Je ne puis plus - Loyset Compere Florence Magl XIX 178 (ff. 54v-55r): Je ne puis haver - Alexander [Agricola] Florence Magl. XIX 59 (ff. 26v-27r: Je nem puis - anon Cape Town, 3.b.12 (f. 120v): Benedic anima mea Domino - anon Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pages: facs.
27v–28	Le bien fet	-	Anonymous
Le bien fet Anonymous Appears on: 27v–28 Genres: Chanson Voice: [no designation] Languages: Latin, French Voice Text: Je ne puis plus, Benedic anima mea domino Concordances *E-Sc 43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
28v–29	J'ay bien choisi - 2a pars (of 2): Je suis venu vers mon ami	[A. BUSNOIS* ou HAYNE VAN GHIZEGHEM] * Je suis	Busnoys, Antoine (ca. 1430–1492) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
J'ay bien choisi - 2a pars (of 2): Je suis venu vers mon ami Busnoys, Antoine (ca. 1430–1492) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 28v–29 Genres: Motet Source Attribution: [A. BUSNOIS* ou HAYNE VAN GHIZEGHEM] * Je suis Voice: [no designation] Languages: French Voice Text: Je suis [venu vers mon ami]. [=0 stella maris*] Concordances F-Pn 15123 *D-ddr-Bds 40098 Item Bibliography Naumann, Emil. None. Illustrierte Musikgeschichte. Vollständig neu bearbeitet von E Schmitz.* Stuttgart. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Aldrich, Putnam. 1969. An approach to the analysis of Renaissance music. The Music Review, 1ff. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74 (op. dub). Wooldridge, Harry Ellis. 1901. Oxford History of Music I. Oxford: Clarendon. Pages: II. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: II.
29v–30	Plus nay d'espoir.	-	Anonymous
Plus nay d'espoir. Anonymous Appears on: 29v–30 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Plus nay d'espoir.
30v–31	Pius qu'elle est morte	-	Anonymous
Pius qu'elle est morte Anonymous Appears on: 30v–31 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Pius qu'elle est morte
31v–32	C'est un bon bruit par dieu ma dame	A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
C'est un bon bruit par dieu ma dame Agricola, Alexander (ca. 1445–1506) Appears on: 31v–32 Genres: Chanson Source Attribution: A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: C'est ung bon bruit. Concordances DK-Kk 1848 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
32v–33	Guarde votre visage.	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Guarde votre visage. Agricola, Alexander (ca. 1445–1506) Appears on: 32v–33 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: Italian Voice Text: [Guarde vostre visage Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
33v–34	[untexted]	-	-
[untexted] - Appears on: 33v–34 Voice: [no designation] Languages: none Voice Text: without text
34v–35	[untexted]	-	-
[untexted] - Appears on: 34v–35 Voice: [no designation] Languages: none Voice Text: without text
35v–36	Ma bouche plaint les pleurs de ma pensee	-	Anonymous
Ma bouche plaint les pleurs de ma pensee Anonymous Appears on: 35v–36 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ma bouche plant Item Bibliography Kottick, Edward Leon. 1968. Flats, modality and musica ficta in some early Renaissance chansons. Journal of music theory, 264ff.
36v–37	Sa paine pert qui fet sic pour sert sans nul guerdon	-	Anonymous
Sa paine pert qui fet sic pour sert sans nul guerdon Anonymous Appears on: 36v–37 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sa paine pere qui sert sans nul guerdon … General Note Publ. cf. Bc 16 n« 49 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pages: facs. f. 36 v.
37v–38	Helas	-	Anonymous
Helas Anonymous Appears on: 37v–38 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Hellas
38v–39	Vostre bouche dist baysez moi	[A. AGRICOLA]*	Agricola, Alexander (ca. 1445–1506)
Vostre bouche dist baysez moi Agricola, Alexander (ca. 1445–1506) Appears on: 38v–39 Genres: Chanson Source Attribution: [A. AGRICOLA]* Voice: [no designation] Languages: French Voice Text: Vostre bouche [dist baysez moy] Concordances DK-Kk 1848 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
39v–40	Faultes	-	Anonymous
Faultes Anonymous Appears on: 39v–40 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Faultes
40v–41	Venus.	-	Anonymous
Venus. Anonymous Appears on: 40v–41 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Venus. General Note Publ. cf. Bc 17 n° 42 Concordances -
41v–42	Pensés y celle = Pensez y se le povez faire	MURIAN	Mureau, Gilles
Pensés y celle = Pensez y se le povez faire Mureau, Gilles Appears on: 41v–42 Genres: Chanson Source Attribution: MURIAN Voice: [no designation] Languages: French Voice Text: Pensés ycelle.
42v–43	Le renvoi d'un coeur esgaré	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Le renvoi d'un coeur esgaré Compère, Loyset (ca. 1445–1518) Appears on: 42v–43 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Le renvoi [d'ung cueur esgaré]. General Note Publ. cf. Bc 17 n° 23
43v–44	Que vous madame / In pace in idipsum 27.33	JOSQUIN [ou A. AGRICOLA*]	Despres, Josquin (ca. 1450–1521) Agricola, Alexander (ca. 1445–1506) (?)
Que vous madame / In pace in idipsum 27.33 Despres, Josquin (ca. 1450–1521) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 43v–44 Genres: Motet Source Attribution: JOSQUIN [ou A. AGRICOLA] Voice:* [no designation] Languages: Latin Voice Text: In pace in idipsum [= Que vous madame] General Note Publ. cf. Bc 17 n° 31 Concordances *15043
44v–45	In pace in idipsum = Que vous madame = La Martinella (variant)	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
In pace in idipsum = Que vous madame = La Martinella (variant) Martini, Johannes (ca. 1430–1497) Appears on: 44v–45 Genres: Motet Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Latin Voice Text: In pace in idipsum [= Que vous madame] Concordances *E-Sc43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
45v–46	J'ai bien nori sept ans 27.16	JANNES JAPART [ou JOSQUIN DES PRÉS ou J. JOYE*]	Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?) Joye, Gilles (?)
J'ai bien nori sept ans 27.16 Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?) Joye, Gilles (?) Appears on: 45v–46 Genres: Chanson Source Attribution: JANNES JAPART [ou JOSQUIN DES PRÉS ou J. JOYE] Voice:* [no designation] Languages: French Voice Text: J'ay bien nori [sept ans] General Note Publ. cf. Fn 178 n' 28 Concordances *E-SE
46v–47	En e fait = En riens de remede	-	Anonymous
En e fait = En riens de remede Anonymous Appears on: 46v–47 Genres: Chanson Voice: [no designation] Languages: French Voice Text: En riens de remede. [= En e fait] General Note Publ. cf. Bc 17 n° 37
47v–48	Vous n'avés poient le coeur certain	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
Vous n'avés poient le coeur certain Caron, Firminus (ca. 1460–ca. 1475) Appears on: 47v–48 Genres: Chanson Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: Vous n'avés point le cuer certain … General Note Publ. cf. Bc 16 n° 54 Concordances *F-Pn 15123
48v–49	Mon seul et cele souvenir = Mon seul et sangle souvenir	[A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492)
Mon seul et cele souvenir = Mon seul et sangle souvenir Busnoys, Antoine (ca. 1430–1492) Appears on: 48v–49 Genres: Chanson Source Attribution: [A. BUSNOIS]* Voice: [no designation] Languages: French Voice Text: Mon seul et cede [souvenir].[= Mon seul et sangle souvenir] General Note Publ. cf. Fn 176 n° 12 Concordances F-Pn 15123 **D-ddr-Bds 40098
49v–50	D'un bon du coeur sans autre amer	-	Anonymous
D'un bon du coeur sans autre amer Anonymous Appears on: 49v–50 Genres: Chanson Voice: [no designation] Languages: French Voice Text: D'un bon du cuer sans aultre amer . . Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
50v–51	Fortune par ta cruaulte	[J. VINCENET]	Vincenet, Johannes (–ca. 1480)
Fortune par ta cruaulte Vincenet, Johannes (–ca. 1480) Appears on: 50v–51 Genres: Chanson, Contrafactum, Motet Source Attribution: [J. VINCENET] Voice: [no designation] Languages: French Voice Text: Fortune per ta crualté … [= Nihil enim est opertum] General Note Publ. cf. Bc 16 n° 113 Concordances SA-Csa 12 **D-brd-As 25
51v–52	Ung plus que tous est en mon souvenir	[A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492)
Ung plus que tous est en mon souvenir Busnoys, Antoine (ca. 1430–1492) Appears on: 51v–52 Genres: Chanson Source Attribution: [A. BUSNOIS]* Voice: [no designation] Languages: French Voice Text: Ung plus que ceulx et mon souvenir . . . Concordances US-NHy Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
52v–53	Con tutta gentilezza	ANTONIUS BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Con tutta gentilezza Busnoys, Antoine (ca. 1430–1492) Appears on: 52v–53 Genres: Italian secular Source Attribution: ANTONIUS BUSNOIS Voice: [no designation] Languages: Italian Voice Text: Chon tutta gentileça … Item Bibliography Haar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
53v–54	Ja doy le diner, sic our: La doy je aymer = Rea doy le diner	-	Anonymous
Ja doy le diner, sic our: La doy je aymer = Rea doy le diner Anonymous Appears on: 53v–54 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ja doy le diner, [sic our: La doy je aymer] [= Rea doy le diner] Concordances ] DK-Kk 1848 Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
54v–55	Je ne fais plus je ne dis ne escris = Au joli mois de may	ANTONIUS BUSNOIS [ou L. COMPÈRE* ou G. MUREAU]	Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?) Appears on: 54v–55 Genres: Chanson Source Attribution: ANTONIUS BUSNOIS [ou L. COMPÈRE* ou G. MUREAU] Voice: [no designation] Languages: French Voice Text: Je ne fay plus ne je ne dis … [= Au joly moys de may] General Note Publ. cf. Bc 17 n° 33 Concordances *E-SE
55v–56	Ci dit on benedicite = Laudem demus parvulo	ANTONIUS BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Ci dit on benedicite = Laudem demus parvulo Busnoys, Antoine (ca. 1430–1492) Appears on: 55v–56 Genres: Chanson, Contrafactum, Motet Source Attribution: ANTONIUS BUSNOIS Voice: [no designation] Languages: Italian Voice Text: Chi dit benedicite madame … [= Cy dit on benedicite] General Note Publ. cf. Bc 18 n° 35 Concordances E-Sc 43 **D-ddr-Bds 40098
56v–57	J'ai mains de biens - 1a pars (of 2): J'ai mains de biens que s'il n'en estoit nuls	BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
J'ai mains de biens - 1a pars (of 2): J'ai mains de biens que s'il n'en estoit nuls Busnoys, Antoine (ca. 1430–1492) Appears on: 56v–57 Genres: Chanson Source Attribution: BUSNOYS Voice: [no designation] Languages: French Voice Text: J'ay mais de biens que s'il n'en estoit nuls … [=0 mira circa nos] Concordances SA-Csa 12 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
57v–59	Faulx mesdisans	BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
Faulx mesdisans Busnoys, Antoine (ca. 1430–1492) Appears on: 57v–59 Genres: Chanson Source Attribution: BUSNOYS Voice: [no designation] Languages: French Voice Text: Faulx mesdisans. Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
59v–61	Je ne demande lealté	A. BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
Je ne demande lealté Busnoys, Antoine (ca. 1430–1492) Appears on: 59v–61 Genres: Chanson Source Attribution: A. BUSNOYS Voice: [no designation] Languages: French Voice Text: Je ne demande lialté. General Note Publ. cf. Bc 16 n» 50
61v–62	Seule a par moi - 1a pars (of 2): Seule a par moi	A. BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
Seule a par moi - 1a pars (of 2): Seule a par moi Busnoys, Antoine (ca. 1430–1492) Appears on: 61v–62 Genres: Chanson Source Attribution: A. BUSNOYS Voice: [no designation] Languages: French Voice Text: Seule a par moy. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pages: facs. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1953. Antoine Busnois, Chanson Composer. Journal of the American Musicological Society, 111-35.
62v–63	Un grand pauvre homme insanne = Se yense an mains [Se j'eusse en mains?]	A. BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
Un grand pauvre homme insanne = Se yense an mains [Se j'eusse en mains?] Busnoys, Antoine (ca. 1430–1492) Appears on: 62v–63 Genres: Chanson Source Attribution: A. BUSNOYS Voice: [no designation] Languages: French Voice Text: Se yense an mains. [= Un grand pauvre homme insanne] Concordances F-Pn 15123 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
63v–64	Una filleresse de stouppes	BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
Una filleresse de stouppes Busnoys, Antoine (ca. 1430–1492) Appears on: 63v–64 Genres: Chanson Source Attribution: BUSNOYS Voice: [no designation] Languages: Italian Voice Text: Una filleresse de stouppes. Concordances *15043 Item Bibliography Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
64v–65	C'est trop sur amours entrepriz (= C'est mal serché (II))	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
C'est trop sur amours entrepriz (= C'est mal serché (II)) Agricola, Alexander (ca. 1445–1506) Appears on: 64v–65 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: C'est trop fus [amour entrepris] [= par erreur: C'est mal serché] General Note Publ. cf. Bc 17 n" 24[= par erreur: C'est mal serché]
65v–66	C'est mal serché votre avantage (I)	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
C'est mal serché votre avantage (I) Agricola, Alexander (ca. 1445–1506) Appears on: 65v–66 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: C'est mal serché [votre avantage]. General Note Publ. cf. Fn 178 n° 16 [= 1d est trophis]
66v–67	Et qui la dira	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Et qui la dira Agricola, Alexander (ca. 1445–1506) Appears on: 66v–67 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: Et qui la dira dira la doleur que mon cuer a ... General Note Publ. cf. Fn 121 no 5 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pages: facs.
67v–68	In minen sin (= Myns herten troest)	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
In minen sin (= Myns herten troest) Agricola, Alexander (ca. 1445–1506) Appears on: 67v–68 Genres: Chanson, Song Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French, Flemish Voice Text: [In minnen zin] [= Le second jour d'avril] General Note Publ. cf. Fn 178 n° 6 [= Si j'aime mon ami] [= Nolite sanctum dare] [= Mijns herten troest mijn siels*] Concordances CH-SGs 462 SA-Csa 12 *B-Br 11-270
68v–69	Vostre hault bruit	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Vostre hault bruit Agricola, Alexander (ca. 1445–1506) Appears on: 68v–69 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: Vostre hault bruit et vostre grant fame . . . General Note Publ. cf. Fn 178 n° 51
69v–70	Si dedero somnum oculis meis	ALEXANDER AGRICOLA [ou VERBONNET*]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 69v–70 Genres: Motet Source Attribution: ALEXANDER AGRICOLA [ou VERBONNET] Voice:* [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note Publ. cf. Bc 16 n° 117 Concordances »CH-SGs 463
70v–71	O Venus bant (I)	Alexander Agricola	Agricola, Alexander (ca. 1445–1506)
O Venus bant (I) Agricola, Alexander (ca. 1445–1506) Appears on: 70v–71 Genres: Chanson Source Attribution: Alexander Agricola Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note Publ. cf. Fn 178 n' 24 Concordances *E-SE
71v–72	Cent mille escus quand je voldroie	BUSNOYS [ou CARON]	Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?)
Cent mille escus quand je voldroie Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 71v–72 Genres: Chanson Source Attribution: BUSNOYS [ou CARON] Voice: [no designation] Languages: French Voice Text: Cent mille escus quant je voldroie … General Note Publ. cf. Bc 16 n° 126 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pages: acs. f. 71v.
72v–73	O vie fortunee (O vive fortune) de diverses atemptans - Adieu fortune	CARON	Caron, Firminus (ca. 1460–ca. 1475)
O vie fortunee (O vive fortune) de diverses atemptans - Adieu fortune Caron, Firminus (ca. 1460–ca. 1475) Appears on: 72v–73 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: O vie fortune de diverse atemptans . . Concordances E-Sc 43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: VI / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4.
73v–74	Se je fay = La plus grant chière de jamais	-	Anonymous
Se je fay = La plus grant chière de jamais Anonymous Appears on: 73v–74 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se je fay. [= La plus grant chière de jamais] General Note [= Se j'ay des maus oultre me sure] Concordances F-Dm 517 *F-Pn 15123 Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.* London. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
74v–75	[untexted]	-	-
[untexted] - Appears on: 74v–75 Voice: [no designation] Languages: none Voice Text: without text
75v–76	Se brief je puis voir ma dame.	CARON [ou BUSNOIS*]	Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475) (?)
Se brief je puis voir ma dame. Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475) (?) Appears on: 75v–76 Genres: Chanson Source Attribution: CARON [ou BUSNOIS] Voice:* [no designation] Languages: French Voice Text: Se bries pius ma dame [voir] Concordances F-Pn 15123 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: VI / 2 (Caron). Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
76v–77	Mort ou merci	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
Mort ou merci Caron, Firminus (ca. 1460–ca. 1475) Appears on: 76v–77 Genres: Chanson Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: Mort ou merchi. Concordances F-Pn 15123 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: VI / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14 / 15 (VII).
77v–78	Laor vous n'estes	-	Anonymous
Laor vous n'estes Anonymous Appears on: 77v–78 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Laor vous n'estes
78v–79	En effet se ne reprens = Quand se viendra	-	Anonymous
En effet se ne reprens = Quand se viendra Anonymous Appears on: 78v–79 Genres: Chanson Voice: [no designation] Languages: French Voice Text: En effet se ne reprens. . [= Quand se viendra] Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation.
79v–80	[untexted]	-	-
[untexted] - Appears on: 79v–80 Voice: [no designation] Languages: none Voice Text: without text
80v–81	J'ars du desir = Mon pere	[A. AGRICOLA ?]	Agricola, Alexander (ca. 1445–1506) (?)
J'ars du desir = Mon pere Agricola, Alexander (ca. 1445–1506) (?) Appears on: 80v–81 Source Attribution: [A. AGRICOLA ?] Voice: [no designation] Languages: French Voice Text: [Mon pere] [= J'ars du désir] General Note Publ. cf. Fn 178 n° 18 Concordances F-Dm 517
81v–82	A toujours mais vous puis donner le nom	-	Anonymous
A toujours mais vous puis donner le nom Anonymous Appears on: 81v–82 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [A toujours mais vous puis donner le nom] Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation.
82v–83	Se je fais bien ou mal aussi	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Se je fais bien ou mal aussi Agricola, Alexander (ca. 1445–1506) Appears on: 82v–83 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: Se je fais bien General Note . Publ. cf. Fn 178 n° 55
83v–84	Tarsis	-	Anonymous
Tarsis Anonymous Appears on: 83v–84 Genres: Secular Voice: [no designation] Languages: insufficient Voice Text: Tarsis
84v–85	Ma perfayte	-	Anonymous
Ma perfayte Anonymous Appears on: 84v–85 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ma perfayte
85v–87	Il n'est vivant tant soit savant ou sage = Penses vivant	ALEXANDER AGRICOLA [ou L. COMPÈRE]	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506)
Il n'est vivant tant soit savant ou sage = Penses vivant Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) Appears on: 85v–87 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA [ou L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Il n'est vivant tant soit scavant ou saige … General Note Publ. cf. Fn 178 n° 9
87v–88	La rouset du mois de may ?	-	Anonymous
La rouset du mois de may ? Anonymous Appears on: 87v–88 Genres: Chanson Voice: [no designation] Languages: French Voice Text: La rouset [du mois de may ?]
88v–89	Mauldicte soit envie et jaulosye	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Mauldicte soit envie et jaulosye Agricola, Alexander (ca. 1445–1506) Appears on: 88v–89 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: Mauldicte soit envie et jaulosye General Note Publ. cf. Fn 178 n° 54
89v–90	[untexted]	-	-
[untexted] - Appears on: 89v–90 Voice: [no designation] Languages: none Voice Text: without text
90v–91	Ung plus que tous c'est mon confort	-	Anonymous
Ung plus que tous c'est mon confort Anonymous Appears on: 90v–91 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ung plus [que tous a mon ressort]. Concordances DK-Kk 1848 Item Bibliography Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
91v–92	Adieu joie	-	Anonymous
Adieu joie Anonymous Appears on: 91v–92 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ade yoye [sic pour: Adieu joie]. Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
92v–93	C'est temps perdu	[CARON ou R. MORTON]	Morton, Robert (?) Caron, Firminus (ca. 1460–ca. 1475) (?)
C'est temps perdu Morton, Robert (?) Caron, Firminus (ca. 1460–ca. 1475) (?) Appears on: 92v–93 Genres: Chanson Source Attribution: [CARON ou R. MORTON] Voice: [no designation] Languages: French Voice Text: C'est temps perdu. Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V I / 2.
93v–94	[untexted]	-	-
[untexted] - Appears on: 93v–94 Voice: [no designation] Languages: none Voice Text: without text
94v–95	Vrai dieu d'amours	-	Anonymous
Vrai dieu d'amours Anonymous Appears on: 94v–95 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Vrai dieu d'amours. Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
95v–96	Je cuide se ce temps me dure	P. CONGIET [ou J. JAPART]	Japart, Jean (?) Congiet, Petrus (?)
Je cuide se ce temps me dure Japart, Jean (?) Congiet, Petrus (?) Appears on: 95v–96 Genres: Chanson Source Attribution: P. CONGIET [ou J. JAPART] Voice: [no designation] Languages: French Voice Text: Je cuide se ce temps. [= Primum querite regnum dei] General Note Publ. cf. Bc 18 n° 70 Concordances SA-Csa 12
96v–97	Faites moi un tout seul plaisir = Fachiés moi	-	Anonymous
Faites moi un tout seul plaisir = Fachiés moi Anonymous Appears on: 96v–97 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Faites moy ung tout seul plaisir. [= Fachiés moy] Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
97v–98	Je n'en pius plus se je ne meurs = Je m'en vois	-	Anonymous
Je n'en pius plus se je ne meurs = Je m'en vois Anonymous Appears on: 97v–98 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je n'en pius plus [se je ne meurs]. [= Je m'en voys] General Note Publ. cf. Bc 16 n° 25
98v–99	Pourtant se mon voloir	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Pourtant se mon voloir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 98v–99 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Pourtant se mon voloir. Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V I / 2.
99v–100	Le despourveu infortune = Tanto e l'affanno	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Le despourveu infortune = Tanto e l'affanno Caron, Firminus (ca. 1460–ca. 1475) Appears on: 99v–100 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: La [sic, for Le] despour [veu infortuné][= Tanto è Tafano] General Note Publ. cf. Bc 18 n° 25
100v–101	Cela sans plus et plus hola	COLLINET DE LANOY	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de
Cela sans plus et plus hola Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de Appears on: 100v–101 Genres: Chanson Source Attribution: COLLINET DE LANOY Voice: [no designation] Languages: French Voice Text: Cela sans plus et plus hola. General Note Publ. cf. Bc 16 n" 42
101v–102	Hellas coment avés	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Hellas coment avés Martini, Johannes (ca. 1430–1497) Appears on: 101v–102 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: French Voice Text: Helas coment General Note Publ. cf. Bc 16 n° 48
102v–103	Pour faire l'alkymie d'amours	-	Anonymous
Pour faire l'alkymie d'amours Anonymous Appears on: 102v–103 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pour faire [l'alkymie d'amours]. Concordances GB-Lbm XVI
103v–104	Piteux adieu	-	Anonymous
Piteux adieu Anonymous Appears on: 103v–104 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Piteux adieu
104v–105	Si vous plait que vostre soye.	JOANNES REGIS	Regis, Johannes (ca. 1425–ca. 1496)
Si vous plait que vostre soye. Regis, Johannes (ca. 1425–ca. 1496) Appears on: 104v–105 Genres: Chanson Source Attribution: JOANNES REGIS Voice: [no designation] Languages: French Voice Text: Si vous plait que vostre soye. Item Bibliography Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 9, II.
105v–106	Lenchioza mia lenchioza balarina che bala	JANNES JAPART	Japart, Jean
Lenchioza mia lenchioza balarina che bala Japart, Jean Appears on: 105v–106 Genres: Italian secular Source Attribution: JANNES JAPART Voice: [no designation] Languages: Italian Voice Text: Nencioçça mia. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: 12. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig.
106v–108	A l'audience aul amans qui vives en souffrance	[HAYNE VAN GHIZEGHEM]*	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
A l'audience aul amans qui vives en souffrance Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 106v–108 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM]* Voice: [no designation] Languages: French Voice Text: A l'audience aul amans qui vives en souffrance … Concordances 1501 Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.* London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
108v–109	Pour mieulx valor = Comt hier	F. RUBINET [ou H. ISAAC*]	Robinet, F (?) Isaac, Heinrich (ca. 1450–1517) (?)
Pour mieulx valor = Comt hier Robinet, F (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 108v–109 Genres: Chanson Source Attribution: F. RUBINET [ou H. ISAAC] Voice:* [no designation] Languages: French Voice Text: Pour mieulx valoir. . [= Come hier] Concordances E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation.
109v–110	Je vois	F. RUBINET	Robinet, F
Je vois Robinet, F Appears on: 109v–110 Genres: Chanson Source Attribution: F. RUBINET Voice: [no designation] Languages: French Voice Text: Je voy.
110v–111	untexted	F. RUBINET	Robinet, F
untexted Robinet, F Appears on: 110v–111 Genres: textless Source Attribution: F. RUBINET Voice: [no designation] Languages: none Voice Text: without text
111v–112	Cela sans plus ne souffi pas	JANNES JAPART	Japart, Jean
Cela sans plus ne souffi pas Japart, Jean Appears on: 111v–112 Genres: Chanson Source Attribution: JANNES JAPART Voice: [no designation] Languages: French Voice Text: Cela sans plus ne souffi pas Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
112v–113	J'ay bien choisi - 1a pars (of 2): J'ay bien choisi a mon voloir	[HAYNE VAN GHIZEGHEM ou A. BUSNOIS*]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)
J'ay bien choisi - 1a pars (of 2): J'ay bien choisi a mon voloir Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 112v–113 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM ou A. BUSNOIS] Voice:* [no designation] Languages: French Voice Text: J'ai bien chosi a mon vofoir … Concordances F-Pn 15123 D-ddr-Bds 40098 Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.* London. Pages: (Hayne). Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74(Op. dub.).
113v–114	Se doulx penser	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Se doulx penser Caron, Firminus (ca. 1460–ca. 1475) Appears on: 113v–114 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Se doulx penser General Note Publ. cf. Bc 16 n° 39
114v–115	Gracieuse fleur.	-	Anonymous
Gracieuse fleur. Anonymous Appears on: 114v–115 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Gracieuse fleur.
115v–116	Tout	-	Anonymous
Tout Anonymous Appears on: 115v–116 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tout
116v–117	Dites moi toutes vos pensées = Dites le moi	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Dites moi toutes vos pensées = Dites le moi Agricola, Alexander (ca. 1445–1506) Appears on: 116v–117 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: Dictes moy toutes [vos pensées]. General Note Publ. cf. Bc 16 n° 17
117v–118	Adieu Adieu, la seigneurie	-	Anonymous
Adieu Adieu, la seigneurie Anonymous Appears on: 117v–118 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu adieu [la seigneurie] Concordances E-Sc 43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
118v–119	Ne vous hastem pas = Adieu ma dame	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518)
Ne vous hastem pas = Adieu ma dame Compère, Loyset (ca. 1445–1518) Appears on: 118v–119 Genres: Chanson Source Attribution: LOYSET COMPÈRE Voice: [no designation] Languages: French Voice Text: Ne vous hastem pas. [= Adieu ma dame] Concordances »CH-SGs 461 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V (avec facs.);. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz.
119v–120	Par un jour de matinée	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Par un jour de matinée Agricola, Alexander (ca. 1445–1506) Appears on: 119v–120 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: [Par un matin] General Note Publ. cf. Bc 17 n° 35 Concordances *GB-Lbm XVI
120v–121	Amours nous traite honestement o josne nymphe et debonaire	ANTONIUS BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Amours nous traite honestement o josne nymphe et debonaire Busnoys, Antoine (ca. 1430–1492) Appears on: 120v–121 Genres: Chanson Source Attribution: ANTONIUS BUSNOIS Voice: [no designation] Languages: French Voice Text: Amours nous traitur [honestement] o josne nymphe et debonaire … Concordances auB Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Plamenac, Dragan. 1952. Deux pièces de 1a Renaissance tirées de fonds florentins. Revue Belge de Musicologie, 12ff. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
121v–122	Le serviteur.	-	Anonymous
Le serviteur. Anonymous Appears on: 121v–122 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le serviteur.
122v–123	La plus.	-	Anonymous
La plus. Anonymous Appears on: 122v–123 Genres: Chanson Voice: [no designation] Languages: French Voice Text: La plus.
123v–124	Madame hélas = Très amoureux	PETRUS CONGIET	Congiet, Petrus
Madame hélas = Très amoureux Congiet, Petrus Appears on: 123v–124 Genres: Chanson Source Attribution: PETRUS CONGIET Voice: [no designation] Languages: French Voice Text: Madame hélas.[= Trays amoureulx] Concordances F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
124v–125	Fortuna trop	-	Anonymous
Fortuna trop Anonymous Appears on: 124v–125 Genres: Secular Voice: [no designation] Languages: French Voice Text: Fortuna trop
125v–126	En attendant la grace de ma dame	[A. AGRICOLA] [	Agricola, Alexander (ca. 1445–1506)
En attendant la grace de ma dame Agricola, Alexander (ca. 1445–1506) Appears on: 125v–126 Genres: Chanson Source Attribution: [A. AGRICOLA] [ Voice: [no designation] Languages: French Voice Text: [En attendant] General Note Publ. cf. Fn 121 n» 27
126v–127	[untexted]	-	-
[untexted] - Appears on: 126v–127 Voice: [no designation] Languages: none Voice Text: without text
127v–128	[untexted]	-	-
[untexted] - Appears on: 127v–128 Voice: [no designation] Languages: none Voice Text: without text
128v–129	Ha qu'il m'ennuie et que je ne treuve	[J. FRESNEAU* ou A. AGRICOLA]	Fresneau, Jehan Agricola, Alexander (ca. 1445–1506) (?)
Ha qu'il m'ennuie et que je ne treuve Fresneau, Jehan Agricola, Alexander (ca. 1445–1506) (?) Appears on: 128v–129 Genres: Chanson Source Attribution: [J. FRESNEAU* ou A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: Ha [qu'il m'ennuie]. General Note Publ. cf. Fn 178 n° 42 Concordances . *F-Pn 2245
129v–130	O intemerata = Der newe pawir schwantcz	[J. MARTINI]*	Martini, Johannes (ca. 1430–1497)
O intemerata = Der newe pawir schwantcz Martini, Johannes (ca. 1430–1497) Appears on: 129v–130 Genres: Motet Source Attribution: [J. MARTINI]* Voice: [no designation] Languages: Latin Voice Text: O intemerata [= Der newe pawir schwantcz] Concordances E-SE D-ddr-Bds 40098 Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1935-1959. Reihe: Reichsdenkmale.* Das Erbe deutscher Musik. Pages: 4.
130v–132	A la mignonne de fortune	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
A la mignonne de fortune Agricola, Alexander (ca. 1445–1506) Appears on: 130v–132 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: Latin Voice Text: O intemerata [= Der newe pawir schwantcz] Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
132v–133	Gentil galans	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Gentil galans Agricola, Alexander (ca. 1445–1506) Appears on: 132v–133 Genres: Secular Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French, Italian Voice Text: [Gentil galans] General Note . Publ. cf. Fn 178 n° 43
133v–134	Je ne me puis vivre à mon ayse = Gaude virgo	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Je ne me puis vivre à mon ayse = Gaude virgo Isaac, Heinrich (ca. 1450–1517) Appears on: 133v–134 Genres: Motet Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: French Voice Text: Je ne pius vivre a mon ayse … [= Gaude virgo] General Note Publ. cf. Bc 18 n" 31
134v–135	Mes pensées ne me laissent une heure 27.26	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Mes pensées ne me laissent une heure 27.26 Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 134v–135 Genres: Chanson Source Attribution: LOYSET COMPÈRE Voice: [no designation] Languages: French Voice Text: Mes pensés [ne me laissent une heure]. General Note Publ. cf. Bc 17 n° 12
135v–136	Het es al ghedaen	JACOBUS BARLE ou H. ISAAC]	Isaac, Heinrich (ca. 1450–1517) (?) Barle, Jacobus (?)
Het es al ghedaen Isaac, Heinrich (ca. 1450–1517) (?) Barle, Jacobus (?) Appears on: 135v–136 Genres: Chanson Source Attribution: JACOBUS BARLE ou H. ISAAC] Voice: [no designation] Languages: Flemish Voice Text: [Het es al ghedaen] Concordances E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation.
136v–137	Moises	JACOBUS BARLE	Barle, Jacobus
Moises Barle, Jacobus Appears on: 136v–137 Genres: Motet Source Attribution: JACOBUS BARLE Voice: [no designation] Languages: Latin Voice Text: Moyses General Note [ = Kyrie de 1a Missa anon. n'l, in E-Bc 454] Concordances *E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation.
137v–138	Seraige	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Seraige Compère, Loyset (ca. 1445–1518) Appears on: 137v–138 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: Latin Voice Text: Moyses Concordances •E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
138v–139	Se une fois puis recouvrir joie	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Se une fois puis recouvrir joie Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 138v–139 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: Si une foys pius. Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4.
139v–140	[untexted]	-	-
[untexted] - Appears on: 139v–140 Voice: [no designation] Languages: none Voice Text: without text
140v–141	Sans si sans	-	Anonymous
Sans si sans Anonymous Appears on: 140v–141 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sans si sans
141v–142	La Martinella = Servitur	-	Anonymous
La Martinella = Servitur Anonymous Appears on: 141v–142 Genres: Secular Voice: [no designation] Languages: French Voice Text: Martinella.[= Servitur] Concordances F-Pn 676 Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
142v–143	Servitur suis = Je suis malcontent = Verumtamen universa vanitas	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Servitur suis = Je suis malcontent = Verumtamen universa vanitas Isaac, Heinrich (ca. 1450–1517) Appears on: 142v–143 Genres: Chanson Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: Serviteur suis [= Je suis malcontent] General Note Publ. cf. Fn 178 n° 56[= Veruntamen universa vanitas] Concordances SA-Csa 12
143v–144	[untexted]	-	-
[untexted] - Appears on: 143v–144 Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.
144v–145	untexted	HENRICUS YCAC	Isaac, Heinrich (ca. 1450–1517)
untexted Isaac, Heinrich (ca. 1450–1517) Appears on: 144v–145 Genres: textless Source Attribution: HENRICUS YCAC Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV). Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig.
145v–146	Missa O Venus bant: Et incarnatus est	[GUASPAR WARBEC]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Et incarnatus est Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 145v–146 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [GUASPAR WARBEC] Voice: [no designation] Languages: Latin Voice Text: [Respice virgo pura] [= Et incarnatus est de la Missa O Venus bant]
146v–147	Missa O Venus bant: Pleni sunt caeli	GUASPAR WARBEC	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Pleni sunt caeli Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 146v–147 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: GUASPAR WARBEC Voice: [no designation] Languages: Latin Voice Text: [Pleni sunt de la Missa O Venus bant]
147v–148	Missa O Venus bant: Benedictus	GUASPAR WARBEC	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Benedictus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 147v–148 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: GUASPAR WARBEC Voice: [no designation] Languages: Latin Voice Text: [Benedictus de la Missa O Venus bant]
148v–149	Fuge la morte = Groent vink	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Fuge la morte = Groent vink Martini, Johannes (ca. 1430–1497) Appears on: 148v–149 Genres: Secular Source Attribution: JANNES MARTINI Voice: [no designation] Languages: none Voice Text: [Fuge la morte] [=Groent vink] Concordances E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
149v–150	Une mosche de Bischaye 28.35	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Une mosche de Bischaye 28.35 Despres, Josquin (ca. 1450–1521) Appears on: 149v–150 Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Une moisque de Biscaie General Note Publ. cf. Bc 17 no 69
150v–151	Adieux Florens la jolie = Carmen in sol	PIETREQUIN [ OU P. DE LA RUE*]	Rue, Pierre de la (ca. 1452–1518)
Adieux Florens la jolie = Carmen in sol Rue, Pierre de la (ca. 1452–1518) Appears on: 150v–151 Genres: Chanson Source Attribution: PIETREQUIN [ OU P. DE LA RUE] Voice:* [no designation] Languages: French Voice Text: Adieux Florens la yolye [=Carmen in sol*] Concordances A-Wn 18810 **D-brd-Mu 328-31
151v–152	Benedicta semper sancta sit trinitas = Je ne demande autre degre	[A. BUSNOIS] * Je ne demande	Busnoys, Antoine (ca. 1430–1492)
Benedicta semper sancta sit trinitas = Je ne demande autre degre Busnoys, Antoine (ca. 1430–1492) Appears on: 151v–152 Genres: Chanson, Contrafactum, Motet Source Attribution: [A. BUSNOIS] * Je ne demande Voice: [no designation] Languages: Latin, French Voice Text: Je ne demande [autre de gre] General Note Publ. cf. Bc 18 no38
152v–153	Helas que il est a mon gré	[J. JAPART]	Japart, Jean
Helas que il est a mon gré Japart, Jean Appears on: 152v–153 Genres: Italian secular Source Attribution: [J. JAPART] Voice: [no designation] Languages: French Voice Text: [Helas que il est a mon gre] General Note Publ. cf. Fn 27 no96
153v–154	Maudit soit cil qui trouva jaulosie (Carmen in sol)	HENRICUS YÇAC	Isaac, Heinrich (ca. 1450–1517)
Maudit soit cil qui trouva jaulosie (Carmen in sol) Isaac, Heinrich (ca. 1450–1517) Appears on: 153v–154 Genres: Song Source Attribution: HENRICUS YÇAC Voice: [no designation] Languages: French Voice Text: Maudit soit cil qui trouva jaulosie General Note Publ. cf. Fn 107bis n° 19
154v–156	Donna di dentro dalla tua casa	HENRICUS YCAC	Isaac, Heinrich (ca. 1450–1517)
Donna di dentro dalla tua casa Isaac, Heinrich (ca. 1450–1517) Appears on: 154v–156 Genres: Italian secular Source Attribution: HENRICUS YCAC Voice: [no designation] Languages: Italian Voice Text: Donna di drento dalla tua casa General Note Publ. cf. CT 95-96 no 20
156v–158	Fortuna d'un gran tempo	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Fortuna d'un gran tempo Martini, Johannes (ca. 1430–1497) Appears on: 156v–158 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: Italian Voice Text: Fortuna d'un gran tempo
158v–159	J'ai pris amours a ma devise	JANNES JAPART	Japart, Jean
J'ai pris amours a ma devise Japart, Jean Appears on: 158v–159 Genres: Chanson Source Attribution: JANNES JAPART Voice: [no designation] Languages: French Voice Text: J'ai pris amours a ma devise General Note Publ. cf. Fn 178 no 3Dans la marge: Antiphrasis baritonat.Au f. 158v: Canon. Ne sonitas a mese / Lycanosipaton summite
159v–160	Hellas dame = Serviteur soye	[J. STOKEM]*	Stockem, Johannes de (ca. 1445–1487)
Hellas dame = Serviteur soye Stockem, Johannes de (ca. 1445–1487) Appears on: 159v–160 Genres: Chanson Source Attribution: [J. STOKEM]* Voice: [no designation] Languages: French Voice Text: Hellas dame. [= Serviteur soye] Concordances 15043
160v–161	Acordés moi - 1a pars (of 2): Acordés moi	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Acordés moi - 1a pars (of 2): Acordés moi Busnoys, Antoine (ca. 1430–1492) Appears on: 160v–161 Genres: textless Source Attribution: [A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: Acordés moy. Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Boer, Coenraad L W. 1938. Chansonvormen op het einde van de xvde eeuw : een studie naar aanleiding van Petrucci's "harmonice musices odhecaton". Amsterdam.
161v–162	Anima mea liquefacta est ut dilectus meus	[GASPAR VAN WERBECKE]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Anima mea liquefacta est ut dilectus meus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 161v–162 Genres: Motet Source Attribution: [GASPAR VAN WERBECKE] Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note Publ. cf. Fn 178 n" 67
162v–163	T'meiskin was jonck = De tous in buse	[H. ISAAC* ou J.JAPART ou J. OBRECHT**]	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Japart, Jean (?)
T'meiskin was jonck = De tous in buse Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Japart, Jean (?) Appears on: 162v–163 Genres: Chanson Source Attribution: [H. ISAAC* ou J.JAPART ou J. OBRECHT] Voice: [no designation] Languages: Latin Voice Text:** Anima mea liquefacta est General Note Publ. cf. Bc 17 n0 63 Concordances 1501 *E-SE
163v–164	Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	JANNES JAPART [ou A.BUSNOIS ou PIERSON = P. DE LA RUE]	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Rue, Pierre de la (ca. 1452–1518) (?)
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 163v–164 Genres: Chanson Source Attribution: JANNES JAPART [ou A.BUSNOIS ou PIERSON = P. DE LA RUE] Voice: [no designation] Languages: French Voice Text: Amours fait molt tant que vestre argent dure General Note Publ. cf. Bc 17 no 58 Concordances *CH-Bu F.X 1-4
164v–165	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 164v–165 Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Adieux mes amours General Note Publ. cf. Bc 17 no 54
165v–166	[untexted]	-	-
[untexted] - Appears on: 165v–166 Voice: [no designation] Languages: none Voice Text: without text
166v–167	[untexted]	-	-
[untexted] - Appears on: 166v–167 Voice: [no designation] Languages: none Voice Text: without text
167v–168	Je suis d'Ellemagne je parle allemand	[J. STOKEM*]	Stockem, Johannes de (ca. 1445–1487)
Je suis d'Ellemagne je parle allemand Stockem, Johannes de (ca. 1445–1487) Appears on: 167v–168 Genres: Chanson Source Attribution: [J. STOKEM] Voice:* [no designation] Languages: French Voice Text: Je suis d'Ellemagne je parle alman..... Concordances 15042 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Pages: facs. f. 167v. Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries. Cambridge, Mass.: Harvard University Press.
168v–170	Je suis d'Ellemagne	-	Anonymous
Je suis d'Ellemagne Anonymous Appears on: 168v–170 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je suis d'Ellemagne Item Bibliography Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries. Cambridge, Mass.: Harvard University Press.
170v–172	Ma dame qui tant est en mon coeur	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Ma dame qui tant est en mon coeur Caron, Firminus (ca. 1460–ca. 1475) Appears on: 170v–172 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Madame qui tant [est en mon cuer]. General Note Publ. cf. Bc 17 n° 25 Concordances *SA-Csa 12
172v–173	Amours, amours	[A. BUSNOIS ou J. JAPART*]	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)
Amours, amours Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Appears on: 172v–173 Genres: Chanson Source Attribution: [A. BUSNOIS ou J. JAPART] Voice:* [no designation] Languages: French Voice Text: Amours amours General Note Publ. cf. Bc 17 n° 62 Concordances *1501
173v–174	untexted	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
untexted Martini, Johannes (ca. 1430–1497) Appears on: 173v–174 Genres: textless Source Attribution: JANNES MARTINI Voice: [no designation] Languages: none Voice Text: without text
174v–175	Heya heya nun wie si grollen	-	Anonymous
Heya heya nun wie si grollen Anonymous Appears on: 174v–175 Genres: Song Voice: [no designation] Languages: German Voice Text: [Heya heya nun wie si grollen] Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 45. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XIV).
175v–176	Quel que paut que je soie.	-	Anonymous
Quel que paut que je soie. Anonymous Appears on: 175v–176 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Quel que paut que je soie. Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
176v–177	Ung franc archier.	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Ung franc archier. Compère, Loyset (ca. 1445–1518) Appears on: 176v–177 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Ung franc archier. Concordances 1501 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
177v–179	Helas madame 27.13	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Helas madame 27.13 Despres, Josquin (ca. 1450–1521) Appears on: 177v–179 Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Hellas madame. General Note . Publ. cf. Fn 178 n° 39
179v–180	Adieu Adieu (= Meskin es hu)	JACOBUS OBRECH	Obrecht, Jacobus (ca. 1457–1505)
Adieu Adieu (= Meskin es hu) Obrecht, Jacobus (ca. 1457–1505) Appears on: 179v–180 Genres: Chanson Source Attribution: JACOBUS OBRECH Voice: [no designation] Languages: French Voice Text: [Adiu adiu] [= Meiskin es hu] General Note Publ. cf. Fn 27 n° 105
180v–181	Scaramella va alla guerra colla lancia	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Scaramella va alla guerra colla lancia Despres, Josquin (ca. 1450–1521) Appears on: 180v–181 Genres: Frottola Source Attribution: JOSQUIN Voice: [no designation] Languages: Italian Voice Text: Scaramella va alla guerra colla lancia . . General Note Publ. cf. Fn 164-67 n° 38
181v–182	untexted	HENRICUS YÇAC	Isaac, Heinrich (ca. 1450–1517)
untexted Isaac, Heinrich (ca. 1450–1517) Appears on: 181v–182 Genres: textless Source Attribution: HENRICUS YÇAC Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV). Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
182v–183	La tortorella che è semplice uccelletto	JACOBUS OBRECH	Obrecht, Jacobus (ca. 1457–1505)
La tortorella che è semplice uccelletto Obrecht, Jacobus (ca. 1457–1505) Appears on: 182v–183 Genres: Italian secular Source Attribution: JACOBUS OBRECH Voice: [no designation] Languages: Italian Voice Text: La tortorella che è semplice uccelletto . . General Note Publ. cf. Fn 164-67 n° 37
183v–185	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: 183v–185 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: Je n'ay duel que de vos viegna. General Note Publ. cf. Bc 17 n° 64
185v–186	[untexted]	-	-
[untexted] - Appears on: 185v–186 Voice: [no designation] Languages: none Voice Text: without text General Note Au f. 185v: Canon. Contra cum discantu. Au f. 186: Canon. Contra cum tenore.
186v–187	Gentil galans	-	Anonymous
Gentil galans Anonymous Appears on: 186v–187 Genres: Chanson Voice: [no designation] Languages: French, Italian Voice Text: Gentil galans
187v–188	De tous biens plaine est ma maîtresse	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 187v–188 Genres: Chanson Voice: [no designation] Languages: French Voice Text: De tous biens plaine …
188v–189	De tous biens plaine est ma maîtresse	DE PLANQUAR	Planquar, De
De tous biens plaine est ma maîtresse Planquar, De Appears on: 188v–189 Genres: Chanson Source Attribution: DE PLANQUAR Voice: [no designation] Languages: French Voice Text: De tous bien. General Note Ct 1: «Fuga de minima.»
189v–190	J'ai pris amours	JANNES MARTINI	Martini, Johannes (ca. 1430–1497) Busnoys, Antoine (ca. 1430–1492) (?)
J'ai pris amours Martini, Johannes (ca. 1430–1497) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 189v–190 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: French Voice Text: J'ay pris amours
190v–191	Vilana che sa tu far	-	Anonymous
Vilana che sa tu far Anonymous Appears on: 190v–191 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [Vilana che sa tu far] Concordances 15043, E-Sc Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
191v–192	La durion dure la durion dure et la dure.	-	Anonymous
La durion dure la durion dure et la dure. Anonymous Appears on: 191v–192 Genres: Chanson Voice: [no designation] Languages: French Voice Text: La durion dure la durion dure et la dure. Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
192v–193	Bon me larim bom bom = Corps digne – Dieu quel mariage	[A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492)
Bon me larim bom bom = Corps digne – Dieu quel mariage Busnoys, Antoine (ca. 1430–1492) Appears on: 192v–193 Genres: Italian secular Source Attribution: [A. BUSNOIS]* Voice: [no designation] Languages: French Voice Text: Bonme larimbombom. General Note [= Corps digne.T et Ct: Dieu quel mariage] Concordances 15043 Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I. Kiesewetter, Raphael Georg. 1829. Die Verdienste der Niederländer um der Tonkunst. Amsterdam.
193v–194	On est bien malade par trop amer	-	Anonymous
On est bien malade par trop amer Anonymous Appears on: 193v–194 Genres: Chanson Voice: [no designation] Languages: French Voice Text: On est bien malade par trop amer …
194v–195	Mon mignault musequin dorelot et poupin / Graveuse = Gracieuse plaisant	ANTONIUS BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Mon mignault musequin dorelot et poupin / Graveuse = Gracieuse plaisant Busnoys, Antoine (ca. 1430–1492) Appears on: 194v–195 Genres: Chanson Source Attribution: ANTONIUS BUSNOIS Voice: [no designation] Languages: French Voice Text: [Mon mignault musequin] Concordances F-Dm 517 Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Boer, Coenraad L W. 1938. Chansonvormen op het einde van de xvde eeuw : een studie naar aanleiding van Petrucci's "harmonice musices odhecaton". Amsterdam. Giesbert, Franz Julius. 1936. Ein altes Spielbuch aus der Zeit um 1500... Pergament-Handschrift (Liber Fridolini Sichery) der Stiftsbibliothek St. Gallen. 2 vols. Mainz.
201	[untexted]	-	-
[untexted] - Appears on: 201 Voice: [no designation] Languages: none Voice Text: without text General Note Ct et fin du T seul1
201v–202	Seul en amours.	-	Anonymous
Seul en amours. Anonymous Appears on: 201v–202 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Seul en amours. Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
202v–203	Se je fuse	-	Anonymous
Se je fuse Anonymous Appears on: 202v–203 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se je fuse Voice: [no designation] Languages: French Voice Text: Se je fuse Voice: [no designation] Languages: French Voice Text: Se je fuse
203v–204	Tel fait semblant	-	Anonymous
Tel fait semblant Anonymous Appears on: 203v–204 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tel fait semblant. Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
204v–205	[untexted]	-	-
[untexted] - Appears on: 204v–205 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
205v–206	Faulx envieulx et megre face	-	Anonymous
Faulx envieulx et megre face Anonymous Appears on: 205v–206 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Faulx envieulx et megre face
206v–207	Pour fort amer et bien servir	-	Anonymous
Pour fort amer et bien servir Anonymous Appears on: 206v–207 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Pour fort amer et bien servir] Concordances E-Sc 43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.
207v–209	La Martinella	HENRICUS YCAC	Isaac, Heinrich (ca. 1450–1517)
La Martinella Isaac, Heinrich (ca. 1450–1517) Appears on: 207v–209 Genres: Italian secular, Tablature Source Attribution: HENRICUS YCAC Voice: [no designation] Languages: Italian Voice Text: Martinella Item Bibliography Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
209v–210	Je me plain de tant affanne	F. RUBINET	Robinet, F
Je me plain de tant affanne Robinet, F Appears on: 209v–210 Genres: Chanson Source Attribution: F. RUBINET Voice: [no designation] Languages: French Voice Text: Je me plain de tant affanne
210v–211	Coda di volpe (Der fochs schwantcz)	-	Anonymous
Coda di volpe (Der fochs schwantcz) Anonymous Appears on: 210v–211 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Coda di volpe. Voice: [no designation] Languages: Italian Voice Text: Coda di volpe. Voice: [no designation] Languages: Italian Voice Text: Coda di volpe. General Note [= Der fochs schwantcz] [= Sancta genitrix] Concordances D-ddr-Bds 40098 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4.
211v–212	[untexted]	-	-
[untexted] - Appears on: 211v–212 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
212v–213	Et trop penser me fet amor 27.9	[BOSFRIN]	Despres, Josquin (ca. 1450–1521) (?)
Et trop penser me fet amor 27.9 Despres, Josquin (ca. 1450–1521) (?) Appears on: 212v–213 Genres: Chanson Source Attribution: [BOSFRIN] Voice: [no designation] Languages: French Voice Text: Et trop penser. Voice: [no designation] Languages: French Voice Text: Et trop penser. Voice: [no designation] Languages: French Voice Text: Et trop penser. General Note Publ. cf. Fn 121 n° 30
213v–214	Ha, que ville et abominable	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Ha, que ville et abominable Busnoys, Antoine (ca. 1430–1492) Appears on: 213v–214 Genres: Chanson Source Attribution: [A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: [A que ville et abominable] F-Dm 517 Voice: [no designation] Languages: French Voice Text: [A que ville et abominable] F-Dm 517 Voice: [no designation] Languages: French Voice Text: [A que ville et abominable] F-Dm 517 Concordances F-Dm 517 General Note En marge du Sup.: Canon. Trinitas in unitate. [Can be sung as 3vv canon on Superius (alone), as alternative to the 3 polyphonic voices written] Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle.* Paris.
214v–215	Helas le bon temps que j'avoie (= Helas Abraham)	[L. COMPÈRE** ou J. TINCTORIS]	Compère, Loyset (ca. 1445–1518) (?) Tinctoris, Johannes (ca. 1435–1511) (?)
Helas le bon temps que j'avoie (= Helas Abraham) Compère, Loyset (ca. 1445–1518) (?) Tinctoris, Johannes (ca. 1435–1511) (?) Appears on: 214v–215 Genres: Chanson Source Attribution: [L. COMPÈRE ou J. TINCTORIS] Voice: [no designation] Languages: French Voice Text: Hellas Voice: [no designation] Languages: French Voice Text: Hellas Voice: [no designation] Languages: French Voice Text:** Hellas General Note Publ. cf. Fn 27 n° 73 Concordances E-Sc 43 *E-SE
215v–216	Que serai las fort languir	-	Anonymous
Que serai las fort languir Anonymous Appears on: 215v–216 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Que serai las fort languir. Voice: [no designation] Languages: French Voice Text: Que serai las fort languir. Voice: [no designation] Languages: French Voice Text: Que serai las fort languir. General Note Publ. cf. Bc 16 n° 89
216v–217	untexted	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
untexted Martini, Johannes (ca. 1430–1497) Appears on: 216v–217 Genres: textless Source Attribution: JANNES MARTINI Voice: [no designation] Languages: none Voice Text: without text
217v–218	untexted	E.RUBINET	Robinet, F
untexted Robinet, F Appears on: 217v–218 Genres: textless Source Attribution: E.RUBINET Voice: [no designation] Languages: none Voice Text: without text
218v–219	Mais que ce fut secrètement en aulcune	[L. COMPERE ou G. PIETREQUIN]	Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?)
Mais que ce fut secrètement en aulcune Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 218v–219 Genres: Chanson Source Attribution: [L. COMPERE ou G. PIETREQUIN] Voice: [no designation] Languages: French Voice Text: Mes que se fut secretement une fois....[= Donzella nomen culpeys 4vx] General Note Publ. cf. Bc17 no 14 Concordances *1501
219v–220	Martinella pizzulo - 1a pars (of 2): Martinella pizzulo	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Martinella pizzulo - 1a pars (of 2): Martinella pizzulo Martini, Johannes (ca. 1430–1497) Appears on: 219v–220 Genres: Italian secular Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Italian Voice Text: Martinella [pizzulo] Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
220v–221	Lembien d'amours	-	Anonymous
Lembien d'amours Anonymous Appears on: 220v–221 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Lembien d'amours
221v–222	Vive Carloys	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Vive Carloys Caron, Firminus (ca. 1460–ca. 1475) Appears on: 221v–222 Genres: Secular Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Vive Charlois [ou Sarlois] Concordances E-Sc 43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: V I / 201121. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
222v–223	Helas que pourra devenir	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 222v–223 Genres: Chanson Source Attribution: CARON Voice: [no designation] Languages: French Voice Text: Helas que poura devenir mon corps... General Note Publ. cf. Bc 16 no 110[=Der seydenscwantcz. Ave sydus][=Dess maynen lust] Concordances US-Wc 25 D-ddr-Bds 40098 *D-brd-As 25
223v–224	Pendicose	-	Anonymous
Pendicose Anonymous Appears on: 223v–224 Genres: Chanson
225v–226	En atendant de vous [=d'avoir] secours	LOYSET COMPERE	Compère, Loyset (ca. 1445–1518)
En atendant de vous [=d'avoir] secours Compère, Loyset (ca. 1445–1518) Appears on: 225v–226 Genres: Chanson Source Attribution: LOYSET COMPERE Voice: [no designation] Languages: French Voice Text: En attendant [de vous secours] General Note Publ. cf. Bc 18 no 90
226v–227	Pour mieux valoir = Come hier	HEMART	Hemart, Jean
Pour mieux valoir = Come hier Hemart, Jean Appears on: 226v–227 Genres: Chanson Source Attribution: HEMART Voice: [no designation] Languages: French Voice Text: Pour mieulx valoir
227v–228	untexted	JACOBUS OBRECH	Obrecht, Jacobus (ca. 1457–1505)
untexted Obrecht, Jacobus (ca. 1457–1505) Appears on: 227v–228 Genres: textless Source Attribution: JACOBUS OBRECH Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
228v–229	Tenes en chause	-	Anonymous
Tenes en chause Anonymous Appears on: 228v–229 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tenes en chause
229v–230	Nos espante mi partida.	-	Anonymous
Nos espante mi partida. Anonymous Appears on: 229v–230 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Nos espant General Note Publ cf. Bc 16 no 87
230v–231	Je quam cheredem	-	Anonymous
Je quam cheredem Anonymous Appears on: 230v–231 Genres: Chanson Voice: [no designation] Languages: Latin, French Voice Text: Je quam cheredem
231v–232	Je quam cheredem	-	Anonymous
Je quam cheredem Anonymous Appears on: 231v–232 Genres: Chanson
232v–233	Missa Ut re mi fa sol la: Benedictus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Benedictus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 232v–233 Genres: Mass Ordinary, Sanctus [& Benedictus]
233v–234	Missa Ut re mi fa sol la: Pleni sunt	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Pleni sunt Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 233v–234 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin Voice Text: [Missa Ut re mi fa sol la. Pleni sunt] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, I.
234v–235	Missa Ut re mi fa sol la: Qui tollis	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Qui tollis Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 234v–235 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin Voice Text: [Missa Ut re mi fa sol la. Gloria....qui tollis] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, I.
235v–236	untexted	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
untexted Martini, Johannes (ca. 1430–1497) Appears on: 235v–236 Genres: textless Source Attribution: JANNES MARTINI Voice: [no designation] Languages: none Voice Text: without text
236v–237	Rose playsant odorant comme grant = Ave rex regum ditissime salva nos	CARON [ ou J. DUSART ou PH.BASIRON*]	Sart, Jean du (?) Basiron, Philippe (ca. 1449–1491) (?) Caron, Firminus (ca. 1460–ca. 1475) (?)
Rose playsant odorant comme grant = Ave rex regum ditissime salva nos Sart, Jean du (?) Basiron, Philippe (ca. 1449–1491) (?) Caron, Firminus (ca. 1460–ca. 1475) (?) Appears on: 236v–237 Genres: Chanson, Contrafactum Source Attribution: CARON [ ou J. DUSART ou PH.BASIRON] Voice:* [no designation] Languages: French Voice Text: Rose playsant adorant comme grant secret d'amours.... General Note Publ. cf. Bc 16 no 112[=Ave rex regnum*] Concordances 15043 **D-ddr-Leu 1494
237v–238	Madame faites moi savoir = Madame m'amie = Quanto magnus est	[A. BASIN]	Basin, Adrien (–ca. 1498)
Madame faites moi savoir = Madame m'amie = Quanto magnus est Basin, Adrien (–ca. 1498) Appears on: 237v–238 Genres: Chanson Source Attribution: [A. BASIN] Voice: [no designation] Languages: French Voice Text: Madame faytes moy savoir..... General Note Publ cf. Bc. 16 no 56 Concordances Text in Banco Rari 229 "Madame faites moi savoir "; in Roma BC 2856 "Madame, m'amie"; in SA-Ca 12 "Quanto magnus est". Roma BC 2856 attributes to Basin
238v–239	Faites de moi tout ce qui vous plaira	ANTONIUS BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
Faites de moi tout ce qui vous plaira Busnoys, Antoine (ca. 1430–1492) Appears on: 238v–239 Genres: Italian secular Source Attribution: ANTONIUS BUSNOIS Voice: [no designation] Languages: French Voice Text: Faites de moy tout [ce] qui vous plaira..... Concordances E-Sc 43 Item Bibliography Brown, Howard Mayer (editor). 1973-. Early Music Series.* London. Pages: Suppl. 1973 no 1. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation.
239v–240	Jone [=Bone] dame plaisante et belle	-	Anonymous
Jone [=Bone] dame plaisante et belle Anonymous Appears on: 239v–240 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Bone dame playsant General Note Publ. cf. Bc 16 no 45 Concordances *F-Pn 15123
240v–241	Combien le joyeux je fasse	-	Anonymous
Combien le joyeux je fasse Anonymous Appears on: 240v–241 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Combien le yoyeulx je fasse] Concordances F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
241v–242	Royne des flours que ie desire tant = C'est vous	[A.AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Royne des flours que ie desire tant = C'est vous Agricola, Alexander (ca. 1445–1506) Appears on: 241v–242 Genres: Chanson Source Attribution: [A.AGRICOLA] Voice: [no designation] Languages: French Voice Text: C'est vous [=Reyne de fleurs] Item Bibliography Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
242v–243	Allez regrets vuides de ma présence	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Allez regrets vuides de ma présence Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 242v–243 Genres: Chanson, Rondeau Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: Ales regret General Note Publ. cf. Bc 17 no 26
243v–244	Mon coeur se plaint	-	Anonymous
Mon coeur se plaint Anonymous Appears on: 243v–244 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon cuer se plaint
244v–245	Notres assovemen	ALEXANDER AGRICOLA [ou J. FRESNEAU]	Fresneau, Jehan (?) Agricola, Alexander (ca. 1445–1506) (?)
Notres assovemen Fresneau, Jehan (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 244v–245 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA [ou J. FRESNEAU] Voice: [no designation] Languages: French Voice Text: [Notres assovemen] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V (op dub.).
245v–247	M'a vostre coeur mis en oubli	[A.BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
M'a vostre coeur mis en oubli Busnoys, Antoine (ca. 1430–1492) Appears on: 245v–247 Genres: Chanson Source Attribution: [A.BUSNOIS] Voice: [no designation] Languages: French Voice Text: M'a vostre cueur General Note Publ. cf. Bc 16 no 32
247v–249	[untexted]	-	-
[untexted] - Appears on: 247v–249 Voice: [no designation] Languages: none Voice Text: without text
249v–250	untexted	HENRICUS YCAC	Isaac, Heinrich (ca. 1450–1517)
untexted Isaac, Heinrich (ca. 1450–1517) Appears on: 249v–250 Genres: textless Source Attribution: HENRICUS YCAC Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV.
250v–251	[untexted]	-	-
[untexted] - Appears on: 250v–251 Voice: [no designation] Languages: none Voice Text: without text
251v–252	Je ne sai plus	-	Anonymous
Je ne sai plus Anonymous Appears on: 251v–252 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je ne sai plus
252v–253	[untexted]	-	-
[untexted] - Appears on: 252v–253 Voice: [no designation] Languages: none Voice Text: without text
253v–254	Je ne serai plus vert vestus	[PHILIPET DE PRES]*	Pres, Philipert de
Je ne serai plus vert vestus Pres, Philipert de Appears on: 253v–254 Genres: Chanson Source Attribution: [PHILIPET DE PRES]* Voice: [no designation] Languages: French Voice Text: Je ne seari plus [vert vestu] Concordances E-Sc 43 Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Plamenac, Dragan. 1951-1952. A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville. The Musical Quarterly, (37) 501-542, (38) 85-117, 245-77.
254v–255	Je seroie bien infortune	-	Anonymous
Je seroie bien infortune Anonymous Appears on: 254v–255 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je seroie bien infortune
255v–256	Non pas que je veuille penser	[G.JOYE]	Joye, Gilles
Non pas que je veuille penser Joye, Gilles Appears on: 255v–256 Genres: Chanson Source Attribution: [G.JOYE] Voice: [no designation] Languages: French Voice Text: Non pas que je veuillie penser Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
256v–257	Si vous voules que je vous faces	-	Anonymous
Si vous voules que je vous faces Anonymous Appears on: 256v–257 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Si vous voules que je vous faces] Concordances *DK-Kk 1848
257v–258	De bien amer	-	Anonymous
De bien amer Anonymous Appears on: 257v–258 Genres: Chanson Voice: [no designation] Languages: French Voice Text: De bien
258v–259	[untexted]	-	-
[untexted] - Appears on: 258v–259 Voice: [no designation] Languages: none Voice Text: without text
259v–260	[untexted]	-	-
[untexted] - Appears on: 259v–260 Voice: [no designation] Languages: none Voice Text: without text
260v–261	[untexted]	-	-
[untexted] - Appears on: 260v–261 Voice: [no designation] Languages: none Voice Text: without text
261v–262	[untexted]	-	-
[untexted] - Appears on: 261v–262 Voice: [no designation] Languages: none Voice Text: without text
262v–263	[untexted]	-	-
[untexted] - Appears on: 262v–263 Voice: [no designation] Languages: none Voice Text: without text
263v–264	[untexted]	-	-
[untexted] - Appears on: 263v–264 Voice: [no designation] Languages: none Voice Text: without text
264v–265	[untexted]	-	-
[untexted] - Appears on: 264v–265 Voice: [no designation] Languages: none Voice Text: without text
265v–267	[untexted]	-	-
[untexted] - Appears on: 265v–267 Voice: [no designation] Languages: none Voice Text: without text
267v–268	Soit loing ou pres tousjours me souviendra	-	Agricola, Alexander (ca. 1445–1506)
Soit loing ou pres tousjours me souviendra Agricola, Alexander (ca. 1445–1506) Appears on: 267v–268 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Soit long [Loing) soit pres General Note Publ. cf. Bc. 17 no 34 Concordances Au T
268v–269	Pour voz plaisirs et solas	[A.AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Pour voz plaisirs et solas Agricola, Alexander (ca. 1445–1506) Appears on: 268v–269 Genres: Chanson, Rondeau Source Attribution: [A.AGRICOLA] Voice: [no designation] Languages: French Voice Text: Pour vous plaisir en solas Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
269v–270	untexted	YZAC	Isaac, Heinrich (ca. 1450–1517)
untexted Isaac, Heinrich (ca. 1450–1517) Appears on: 269v–270 Genres: textless Source Attribution: YZAC Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
270v–271	Et je bois d'autant	YZAC	Isaac, Heinrich (ca. 1450–1517)
Et je bois d'autant Isaac, Heinrich (ca. 1450–1517) Appears on: 270v–271 Genres: Chanson Source Attribution: YZAC Voice: [no designation] Languages: French Voice Text: Et je bois d'autant Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
271v–272	untexted	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
untexted Isaac, Heinrich (ca. 1450–1517) Appears on: 271v–272 Genres: textless Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
272v–273	Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] Isaac, Heinrich (ca. 1450–1517) Appears on: 272v–273 Genres: Motet Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: insufficient Voice Text: [Thisys] Concordances F-Pn 676 E-SE General Note [=Gratis accepistis][=Salve regina. 3a p.**]Publ. cf. Bc 18 no 78 (i.e. part 3 only)
273v–274	untexted	HENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
untexted Isaac, Heinrich (ca. 1450–1517) Appears on: 273v–274 Genres: textless Source Attribution: HENRICUS YZAC Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
274v–275	Je ne suis point	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Je ne suis point Agricola, Alexander (ca. 1445–1506) Appears on: 274v–275 Genres: Chanson Source Attribution: A. AGRICOLA Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Publ. cf. Fn 178 no 60
275v–277	Se vous voulez m'estre loyalle et bonne = Je vous en prise	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Se vous voulez m'estre loyalle et bonne = Je vous en prise Agricola, Alexander (ca. 1445–1506) Appears on: 275v–277 Genres: Chanson Source Attribution: A. AGRICOLA Voice: [no designation] Languages: French Voice Text: Je vous [en prise] [=Se vous voulez m'estre loyalle et bonne] General Note Publ. cf. Fn 178 no 19 Concordances 15043
277v–278	Venus Juno Pallas	-	Anonymous
Venus Juno Pallas Anonymous Appears on: 277v–278 Genres: Secular Voice: [no designation] Languages: Latin Voice Text: Venus Juno Pallas
278v–279	Le serviteur	HENRICUS YCAC	Isaac, Heinrich (ca. 1450–1517)
Le serviteur Isaac, Heinrich (ca. 1450–1517) Appears on: 278v–279 Genres: Chanson Source Attribution: HENRICUS YCAC Voice: [no designation] Languages: French Voice Text: Le serviteur Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
279v–280	Le servieteur hault guerdonne	-	Anonymous
Le servieteur hault guerdonne Anonymous Appears on: 279v–280 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le servieteur hault guerdonne
280v–281	O Pulisina quando ti maritasti	-	Anonymous
O Pulisina quando ti maritasti Anonymous Appears on: 280v–281 Genres: Canzon Voice: [no designation] Languages: Latin Voice Text: Venus Juno Pallas
281v–282	De vous servir m'est prins envie	[HAYNE VAN GHIZEGHEM ou J. FRESNEAU]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Fresneau, Jehan (?)
De vous servir m'est prins envie Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Fresneau, Jehan (?) Appears on: 281v–282 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM ou J. FRESNEAU] Voice: [no designation] Languages: French Voice Text: De vous servir [m'est prins envie] General Note Publ. cf. Bc. 17 no 29
282v–283	Ce qu'on fait a quatimini	[G. JOYE]	Joye, Gilles
Ce qu'on fait a quatimini Joye, Gilles Appears on: 282v–283 Genres: Chanson Source Attribution: [G. JOYE] Voice: [no designation] Languages: French Voice Text: Ce qui on fait a catimini Concordances US-NHy Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Plamenac, Dragan. 1951-1952. A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville. The Musical Quarterly, (37) 501-542, (38) 85-117, 245-77.
283v–284	untexted	F. RUBINET	Robinet, F
untexted Robinet, F Appears on: 283v–284 Genres: textless Source Attribution: F. RUBINET Voice: [no designation] Languages: none Voice Text: without text
284v–285	Madame trop vous m'esprenez	[DUX BURGENSIS]	le Téméraire, Charles (1433–1477) (?) Burgensis, Dux
Madame trop vous m'esprenez le Téméraire, Charles (1433–1477) (?) Burgensis, Dux Appears on: 284v–285 Genres: Chanson Source Attribution: [DUX BURGENSIS] Voice: [no designation] Languages: French Voice Text: Si fault [=Madame trop vous mespresenes] [= Or est mon bien] General Note Publ. cf. Bc 16 no 35
285v–286	Amours amours trop me fiers de tes dars	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 285v–286 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: Amours amours trop me fiers de tes dars General Note Publ. cf. Bc 16 no 20
286v–287	[untexted]	-	-
[untexted] - Appears on: 286v–287 Voice: [no designation] Languages: none Voice Text: without text
287v–288	Se mon service vous plaisoit	-	Anonymous
Se mon service vous plaisoit Anonymous Appears on: 287v–288 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se mon servise vous [plaisoit] Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4.
288v–290	Nec mihi nec tibi = Helas	[J. OBRECHT* ou VIRGILIUS]	Obrecht, Jacobus (ca. 1457–1505) (?) Haugk, Virgilius (ca. 1490–1555) (?)
Nec mihi nec tibi = Helas Obrecht, Jacobus (ca. 1457–1505) (?) Haugk, Virgilius (ca. 1490–1555) (?) Appears on: 288v–290 Genres: Chanson Source Attribution: [J. OBRECHT* ou VIRGILIUS] Voice: [no designation] Languages: French Voice Text: Helas [=Nec mihi nec tibi] Concordances E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
290v–291	Il est tel	JANNES MARTINI	Martini, Johannes (ca. 1430–1497)
Il est tel Martini, Johannes (ca. 1430–1497) Appears on: 290v–291 Genres: Chanson Source Attribution: JANNES MARTINI Voice: [no designation] Languages: French Voice Text: [Il est tel] General Note Sup. et T seul Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	A la mignonne de fortune – 130v–132 (?) Allez regrets vuides de ma présence – 242v–243 C'est mal serché votre avantage (I) – 65v–66 C'est trop sur amours entrepriz (= C'est mal serché (II)) – 64v–65 C'est un bon bruit par dieu ma dame – 31v–32 Dites moi toutes vos pensées = Dites le moi – 116v–117 En attendant la grace de ma dame – 125v–126 Et qui la dira – 66v–67 Gentil galans – 132v–133 Guarde votre visage. – 32v–33 (?) Ha qu'il m'ennuie et que je ne treuve – 128v–129 Il n'est vivant tant soit savant ou sage = Penses vivant – 85v–87 In minen sin (= Myns herten troest) – 67v–68 (?) J'ai beau huer avant que bien avoir – 20v–21 (?) J'ars du desir = Mon pere – 80v–81 Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – 183v–185 (?) Je ne puis plus – 26v–27 Je ne suis point – 274v–275 Mauldicte soit envie et jaulosye – 88v–89 (?) Notres assovemen – 244v–245 O Venus bant (I) – 70v–71 Par un jour de matinée – 119v–120 Pour voz plaisirs et solas – 268v–269 (?) Que vous madame / In pace in idipsum 27.33 – 43v–44 Royne des flours que ie desire tant = C'est vous – 241v–242 Se je fais bien ou mal aussi – 82v–83 Se vous voulez m'estre loyalle et bonne = Je vous en prise – 275v–277 Si dedero somnum oculis meis – 69v–70 Soit loing ou pres tousjours me souviendra – 267v–268 Vostre bouche dist baysez moi – 38v–39 Vostre hault bruit – 68v–69
Agricola, Johannes (ca. 1560–ca. 1601)	(?) Dat ik mijn lijden aldus helen moet – 21v–22
Anonymous	A toujours mais vous puis donner le nom – 81v–82 Adieu Adieu, la seigneurie – 117v–118 Adieu bon temps – 24v–25 Adieu joie – 91v–92 Coda di volpe (Der fochs schwantcz) – 210v–211 Combien le joyeux je fasse – 240v–241 D'un bon du coeur sans autre amer – 49v–50 De bien amer – 257v–258 En e fait = En riens de remede – 46v–47 En effet se ne reprens = Quand se viendra – 78v–79 Faites moi un tout seul plaisir = Fachiés moi – 96v–97 Faultes – 39v–40 Faulx envieulx et megre face – 205v–206 Fortuna trop – 124v–125 Gentil galans – 186v–187 Gracieuse fleur. – 114v–115 Helas – 37v–38 Heya heya nun wie si grollen – 174v–175 Ja doy le diner, sic our: La doy je aymer = Rea doy le diner – 53v–54 Je n'en pius plus se je ne meurs = Je m'en vois – 97v–98 Je ne sai plus – 251v–252 Je quam cheredem – 231v–232 Je quam cheredem – 230v–231 Je seroie bien infortune – 254v–255 Je suis d'Ellemagne – 168v–170 Jone [=Bone] dame plaisante et belle – 239v–240 La Martinella = Servitur – 141v–142 La durion dure la durion dure et la dure. – 191v–192 La plus. – 122v–123 La rouset du mois de may ? – 87v–88 Laor vous n'estes – 77v–78 Le bien fet – 27v–28 Le servieteur hault guerdonne – 279v–280 Le serviteur. – 121v–122 Lembien d'amours – 220v–221 Ma bouche plaint les pleurs de ma pensee – 35v–36 Ma perfayte – 84v–85 Moins ai repos plus accrois mon affaire – 23v–24 Mon coeur se plaint – 243v–244 Nos espante mi partida. – 229v–230 O Pulisina quando ti maritasti – 280v–281 On est bien malade par trop amer – 193v–194 Pendicose – 223v–224 Piteux adieu – 103v–104 Pius qu'elle est morte – 30v–31 Plus nay d'espoir. – 29v–30 Pour faire l'alkymie d'amours – 102v–103 Pour fort amer et bien servir – 206v–207 Que serai las fort languir – 215v–216 Quel que paut que je soie. – 175v–176 Sa paine pert qui fet sic pour sert sans nul guerdon – 36v–37 Sans si sans – 140v–141 Se je fay = La plus grant chière de jamais – 73v–74 Se je fuse – 202v–203 Se mon service vous plaisoit – 287v–288 Seul en amours. – 201v–202 Si vous voules que je vous faces – 256v–257 Tarsis – 83v–84 Tel fait semblant – 203v–204 Tenes en chause – 228v–229 Tout – 115v–116 Ung plus que tous c'est mon confort – 90v–91 Venus Juno Pallas – 277v–278 Venus. – 40v–41 Vilana che sa tu far – 190v–191 Vrai dieu d'amours – 94v–95 [untexted] – 250v–251 [untexted] – 264v–265 [untexted] – 127v–128 [untexted] – 139v–140 [untexted] – 201 [untexted] – 263v–264 [untexted] – 204v–205 [untexted] – 265v–267 [untexted] – 126v–127 [untexted] – 33v–34 [untexted] – 260v–261 [untexted] – 286v–287 [untexted] – 252v–253 [untexted] – 258v–259 [untexted] – 259v–260 [untexted] – 261v–262 [untexted] – 262v–263 [untexted] – 143v–144 [untexted] – 165v–166 [untexted] – 166v–167 [untexted] – 185v–186 [untexted] – 247v–249 [untexted] – 93v–94 [untexted] – 89v–90 [untexted] – 79v–80 [untexted] – 211v–212 [untexted] – 74v–75 [untexted] – 34v–35
Barle, Jacobus	(?) Het es al ghedaen – 135v–136 Moises – 136v–137
Basin, Adrien (–ca. 1498)	Madame faites moi savoir = Madame m'amie = Quanto magnus est – 237v–238
Basiron, Philippe (ca. 1449–1491)	(?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – 236v–237
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Ut re mi fa sol la: Benedictus – 232v–233 Missa Ut re mi fa sol la: Pleni sunt – 233v–234 Missa Ut re mi fa sol la: Qui tollis – 234v–235
Burgensis, Dux	Madame trop vous m'esprenez – 284v–285
Busnoys, Antoine (ca. 1430–1492)	Acordés moi - 1a pars (of 2): Acordés moi – 160v–161 (?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 163v–164 Amours nous traite honestement o josne nymphe et debonaire – 120v–121 (?) Amours, amours – 172v–173 Benedicta semper sancta sit trinitas = Je ne demande autre degre – 151v–152 Bon me larim bom bom = Corps digne – Dieu quel mariage – 192v–193 (?) Cent mille escus quand je voldroie – 71v–72 Ci dit on benedicite = Laudem demus parvulo – 55v–56 Con tutta gentilezza – 52v–53 Faites de moi tout ce qui vous plaira – 238v–239 Faulx mesdisans – 57v–59 Ha, que ville et abominable – 213v–214 J'ai mains de biens - 1a pars (of 2): J'ai mains de biens que s'il n'en estoit nuls – 56v–57 (?) J'ai pris amours – 189v–190 (?) J'ay bien choisi - 1a pars (of 2): J'ay bien choisi a mon voloir – 112v–113 (?) J'ay bien choisi - 2a pars (of 2): Je suis venu vers mon ami – 28v–29 Je ne demande lealté – 59v–61 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 54v–55 M'a vostre coeur mis en oubli – 245v–247 Mon mignault musequin dorelot et poupin / Graveuse = Gracieuse plaisant – 194v–195 Mon seul et cele souvenir = Mon seul et sangle souvenir – 48v–49 (?) Se brief je puis voir ma dame. – 75v–76 Seule a par moi - 1a pars (of 2): Seule a par moi – 61v–62 Un grand pauvre homme insanne = Se yense an mains [Se j'eusse en mains?] – 62v–63 Una filleresse de stouppes – 63v–64 Ung plus que tous est en mon souvenir – 51v–52
Caron, Firminus (ca. 1460–ca. 1475)	(?) C'est temps perdu – 92v–93 Cent mille escus quand je voldroie – 71v–72 Helas que pourra devenir – 222v–223 Le despourveu infortune = Tanto e l'affanno – 99v–100 Ma dame qui tant est en mon coeur – 170v–172 Mort ou merci – 76v–77 O vie fortunee (O vive fortune) de diverses atemptans - Adieu fortune – 72v–73 Pourtant se mon voloir – 98v–99 (?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – 236v–237 (?) Se brief je puis voir ma dame. – 75v–76 Se doulx penser – 113v–114 Vive Carloys – 221v–222 Vous n'avés poient le coeur certain – 47v–48
Compère, Loyset (ca. 1445–1518)	En atendant de vous [=d'avoir] secours – 225v–226 (?) Ha traite amours me sçauroes-tu feire pis – 22v–23 (?) Helas le bon temps que j'avoie (= Helas Abraham) – 214v–215 (?) Il n'est vivant tant soit savant ou sage = Penses vivant – 85v–87 (?) J'ai beau huer avant que bien avoir – 20v–21 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 54v–55 (?) Je ne puis plus – 26v–27 Le renvoi d'un coeur esgaré – 42v–43 (?) Mais que ce fut secrètement en aulcune – 218v–219 Mes pensées ne me laissent une heure 27.26 – 134v–135 Ne vous hastem pas = Adieu ma dame – 118v–119 Seraige – 137v–138 Ung franc archier. – 176v–177
Congiet, Petrus	(?) Je cuide se ce temps me dure – 95v–96 Madame hélas = Très amoureux – 123v–124
Despres, Josquin (ca. 1450–1521)	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 164v–165 (?) Cela sans plus et plus hola – 100v–101 (?) Et trop penser me fet amor 27.9 – 212v–213 Helas madame 27.13 – 177v–179 (?) J'ai bien nori sept ans 27.16 – 45v–46 (?) Mes pensées ne me laissent une heure 27.26 – 134v–135 Que vous madame / In pace in idipsum 27.33 – 43v–44 Scaramella va alla guerra colla lancia – 180v–181 Une mosche de Bischaye 28.35 – 149v–150
Du Fay, Guillaume (1397–1474)	Du tout m'estoye abandonné. – 25v–26
Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506)	(?) Dat ik mijn lijden aldus helen moet – 21v–22
Fresneau, Jehan	(?) De vous servir m'est prins envie – 281v–282 Ha qu'il m'ennuie et que je ne treuve – 128v–129 (?) Notres assovemen – 244v–245
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	A l'audience aul amans qui vives en souffrance – 106v–108 (?) Allez regrets vuides de ma présence – 242v–243 Amours amours trop me fiers de tes dars – 285v–286 De tous biens plaine est ma maîtresse – 187v–188 (?) De vous servir m'est prins envie – 281v–282 (?) J'ay bien choisi - 1a pars (of 2): J'ay bien choisi a mon voloir – 112v–113 (?) J'ay bien choisi - 2a pars (of 2): Je suis venu vers mon ami – 28v–29 Se une fois puis recouvrir joie – 138v–139
Haugk, Virgilius (ca. 1490–1555)	(?) Nec mihi nec tibi = Helas – 288v–290
Hemart, Jean	Pour mieux valoir = Come hier – 226v–227
Isaac, Heinrich (ca. 1450–1517)	Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil) – 15v–16 Donna di dentro dalla tua casa – 154v–156 Et je bois d'autant – 270v–271 Helas que pourra devenir – 5v–6 (?) Het es al ghedaen – 135v–136 Hé logierons nous céans l'hôtesse. – 1v–2 J'ay prins amours à ma devise (3vv) – 7v–8 Je ne me puis vivre à mon ayse = Gaude virgo – 133v–134 La Martinella – 207v–209 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 11v–12 Le serviteur – 278v–279 Maudit soit cil qui trouva jaulosie (Carmen in sol) – 153v–154 Missa Quant j'ai au coeur: Benedictus – 9v–10 Mon pere m'a done mari – 3v–4 My my – 13v–14 (?) Pour mieulx valor = Comt hier – 108v–109 Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] – 272v–273 Servitur suis = Je suis malcontent = Verumtamen universa vanitas – 142v–143 (?) T'meiskin was jonck = De tous in buse – 162v–163 untexted – 271v–272 untexted – 249v–250 untexted – 144v–145 untexted – 269v–270 untexted – 181v–182 untexted – 17v–18 untexted – 273v–274
Japart, Jean	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 163v–164 (?) Amours, amours – 172v–173 Cela sans plus ne souffi pas – 111v–112 Helas que il est a mon gré – 152v–153 (?) J'ai bien nori sept ans 27.16 – 45v–46 J'ai pris amours a ma devise – 158v–159 (?) Je cuide se ce temps me dure – 95v–96 Lenchioza mia lenchioza balarina che bala – 105v–106 (?) T'meiskin was jonck = De tous in buse – 162v–163
Joye, Gilles	Ce qu'on fait a quatimini – 282v–283 (?) J'ai bien nori sept ans 27.16 – 45v–46 Non pas que je veuille penser – 255v–256
Lannoy, Colinet de	Cela sans plus et plus hola – 100v–101
Malcourt, L	(?) Malheur me bat / Dieu d'amour – 10v–11
Martini, Johannes (ca. 1430–1497)	Des biens d'amour – 18v–19 Fortuna d'un gran tempo – 156v–158 Fuge la morte = Groent vink – 148v–149 Hellas coment avés – 101v–102 II est toujours – 16v–17 Il est tel – 290v–291 In pace in idipsum = Que vous madame = La Martinella (variant) – 44v–45 J'ai pris amours – 189v–190 L'espoir mieux – 14v–15 La martinella – 12v–13 (?) Malheur me bat / Dieu d'amour – 10v–11 Martinella pizzulo - 1a pars (of 2): Martinella pizzulo – 219v–220 O di prudenza fonte = Per faire toujours – 6v–7 O intemerata = Der newe pawir schwantcz – 129v–130 Se mai el cielo et fati fur benigni = Je remerchi dieu – 4v–4 Tant que Dieu voudra – 2v–3 Très douce regard – 0v (IIIIv)–V untexted – 173v–174 untexted – 8v–9 untexted – 216v–217 untexted – 235v–236
Morton, Robert	(?) C'est temps perdu – 92v–93
Mureau, Gilles	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 54v–55 Pensés y celle = Pensez y se le povez faire – 41v–42
Obrecht, Jacobus (ca. 1457–1505)	Adieu Adieu (= Meskin es hu) – 179v–180 La tortorella che è semplice uccelletto – 182v–183 (?) Nec mihi nec tibi = Helas – 288v–290 (?) T'meiskin was jonck = De tous in buse – 162v–163 untexted – 227v–228
Ockeghem, Jean de (ca. 1410–1497)	(?) Malheur me bat / Dieu d'amour – 10v–11
Planquar, De	De tous biens plaine est ma maîtresse – 188v–189
Pres, Philipert de	Je ne serai plus vert vestus – 253v–254
Regis, Johannes (ca. 1425–ca. 1496)	Si vous plait que vostre soye. – 104v–105
Robinet, F	(?) Ha traite amours me sçauroes-tu feire pis – 22v–23 Je me plain de tant affanne – 209v–210 Je vois – 109v–110 (?) Pour mieulx valor = Comt hier – 108v–109 untexted – 217v–218 untexted – 283v–284 untexted – 110v–111
Rue, Pierre de la (ca. 1452–1518)	Adieux Florens la jolie = Carmen in sol – 150v–151 (?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 163v–164 (?) Mais que ce fut secrètement en aulcune – 218v–219
Sart, Jean du	(?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – 236v–237
Stockem, Johannes de (ca. 1445–1487)	(?) Ha traite amours me sçauroes-tu feire pis – 22v–23 Hellas dame = Serviteur soye – 159v–160 Je suis d'Ellemagne je parle allemand – 167v–168
Tinctoris, Johannes (ca. 1435–1511)	(?) Helas le bon temps que j'avoie (= Helas Abraham) – 214v–215 Virgo Dei throno digna – 19v–20
Vincenet, Johannes (–ca. 1480)	Fortune par ta cruaulte – 50v–51
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Anima mea liquefacta est ut dilectus meus – 161v–162 Missa O Venus bant: Benedictus – 147v–148 Missa O Venus bant: Et incarnatus est – 145v–146 Missa O Venus bant: Pleni sunt caeli – 146v–147
le Téméraire, Charles (1433–1477)	(?) Madame trop vous m'esprenez – 284v–285

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	-	33v–34
[untexted]	-	34v–35
[untexted]	-	74v–75
[untexted]	-	79v–80
[untexted]	-	89v–90
[untexted]	-	93v–94
[untexted]	-	126v–127
[untexted]	-	127v–128
[untexted]	-	139v–140
[untexted]	-	143v–144
[untexted]	-	165v–166
[untexted]	-	166v–167
[untexted]	-	185v–186
[untexted]	-	201
[untexted]	-	204v–205
[untexted]	-	211v–212
[untexted]	-	247v–249
[untexted]	-	250v–251
[untexted]	-	252v–253
[untexted]	-	258v–259
[untexted]	-	259v–260
[untexted]	-	260v–261
[untexted]	-	261v–262
[untexted]	-	262v–263
[untexted]	-	263v–264
[untexted]	-	264v–265
[untexted]	-	265v–267
[untexted]	-	286v–287
A l'audience aul amans qui vives en souffrance	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	106v–108
A la mignonne de fortune	Agricola, Alexander (ca. 1445–1506)	130v–132
A toujours mais vous puis donner le nom	Anonymous	81v–82
Acordés moi - 1a pars (of 2): Acordés moi	Busnoys, Antoine (ca. 1430–1492)	160v–161
Adieu Adieu (= Meskin es hu)	Obrecht, Jacobus (ca. 1457–1505)	179v–180
Adieu Adieu, la seigneurie	Anonymous	117v–118
Adieu bon temps	Anonymous	24v–25
Adieu joie	Anonymous	91v–92
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	164v–165
Adieux Florens la jolie = Carmen in sol	Rue, Pierre de la (ca. 1452–1518)	150v–151
Allez regrets vuides de ma présence	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	242v–243
Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil)	Isaac, Heinrich (ca. 1450–1517)	15v–16
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Rue, Pierre de la (ca. 1452–1518) (?)	163v–164
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	285v–286
Amours nous traite honestement o josne nymphe et debonaire	Busnoys, Antoine (ca. 1430–1492)	120v–121
Amours, amours	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)	172v–173
Anima mea liquefacta est ut dilectus meus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	161v–162
Benedicta semper sancta sit trinitas = Je ne demande autre degre	Busnoys, Antoine (ca. 1430–1492)	151v–152
Bon me larim bom bom = Corps digne – Dieu quel mariage	Busnoys, Antoine (ca. 1430–1492)	192v–193
C'est mal serché votre avantage (I)	Agricola, Alexander (ca. 1445–1506)	65v–66
C'est temps perdu	Morton, Robert (?) Caron, Firminus (ca. 1460–ca. 1475) (?)	92v–93
C'est trop sur amours entrepriz (= C'est mal serché (II))	Agricola, Alexander (ca. 1445–1506)	64v–65
C'est un bon bruit par dieu ma dame	Agricola, Alexander (ca. 1445–1506)	31v–32
Ce qu'on fait a quatimini	Joye, Gilles	282v–283
Cela sans plus et plus hola	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de	100v–101
Cela sans plus ne souffi pas	Japart, Jean	111v–112
Cent mille escus quand je voldroie	Caron, Firminus (ca. 1460–ca. 1475) Busnoys, Antoine (ca. 1430–1492) (?)	71v–72
Ci dit on benedicite = Laudem demus parvulo	Busnoys, Antoine (ca. 1430–1492)	55v–56
Coda di volpe (Der fochs schwantcz)	Anonymous	210v–211
Combien le joyeux je fasse	Anonymous	240v–241
Con tutta gentilezza	Busnoys, Antoine (ca. 1430–1492)	52v–53
D'un bon du coeur sans autre amer	Anonymous	49v–50
Dat ik mijn lijden aldus helen moet	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?)	21v–22
De bien amer	Anonymous	257v–258
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	187v–188
De tous biens plaine est ma maîtresse	Planquar, De	188v–189
De vous servir m'est prins envie	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Fresneau, Jehan (?)	281v–282
Des biens d'amour	Martini, Johannes (ca. 1430–1497)	18v–19
Dites moi toutes vos pensées = Dites le moi	Agricola, Alexander (ca. 1445–1506)	116v–117
Donna di dentro dalla tua casa	Isaac, Heinrich (ca. 1450–1517)	154v–156
Du tout m'estoye abandonné.	Du Fay, Guillaume (1397–1474)	25v–26
En atendant de vous [=d'avoir] secours	Compère, Loyset (ca. 1445–1518)	225v–226
En attendant la grace de ma dame	Agricola, Alexander (ca. 1445–1506)	125v–126
En e fait = En riens de remede	Anonymous	46v–47
En effet se ne reprens = Quand se viendra	Anonymous	78v–79
Et je bois d'autant	Isaac, Heinrich (ca. 1450–1517)	270v–271
Et qui la dira	Agricola, Alexander (ca. 1445–1506)	66v–67
Et trop penser me fet amor 27.9	Despres, Josquin (ca. 1450–1521) (?)	212v–213
Faites de moi tout ce qui vous plaira	Busnoys, Antoine (ca. 1430–1492)	238v–239
Faites moi un tout seul plaisir = Fachiés moi	Anonymous	96v–97
Faultes	Anonymous	39v–40
Faulx envieulx et megre face	Anonymous	205v–206
Faulx mesdisans	Busnoys, Antoine (ca. 1430–1492)	57v–59
Fortuna d'un gran tempo	Martini, Johannes (ca. 1430–1497)	156v–158
Fortuna trop	Anonymous	124v–125
Fortune par ta cruaulte	Vincenet, Johannes (–ca. 1480)	50v–51
Fuge la morte = Groent vink	Martini, Johannes (ca. 1430–1497)	148v–149
Gentil galans	Agricola, Alexander (ca. 1445–1506)	132v–133
Gentil galans	Anonymous	186v–187
Gracieuse fleur.	Anonymous	114v–115
Guarde votre visage.	Agricola, Alexander (ca. 1445–1506)	32v–33
Ha qu'il m'ennuie et que je ne treuve	Fresneau, Jehan Agricola, Alexander (ca. 1445–1506) (?)	128v–129
Ha traite amours me sçauroes-tu feire pis	Compère, Loyset (ca. 1445–1518) (?) Robinet, F (?) Stockem, Johannes de (ca. 1445–1487) (?)	22v–23
Ha, que ville et abominable	Busnoys, Antoine (ca. 1430–1492)	213v–214
Helas	Anonymous	37v–38
Helas le bon temps que j'avoie (= Helas Abraham)	Compère, Loyset (ca. 1445–1518) (?) Tinctoris, Johannes (ca. 1435–1511) (?)	214v–215
Helas madame 27.13	Despres, Josquin (ca. 1450–1521)	177v–179
Helas que il est a mon gré	Japart, Jean	152v–153
Helas que pourra devenir	Isaac, Heinrich (ca. 1450–1517)	5v–6
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	222v–223
Hellas coment avés	Martini, Johannes (ca. 1430–1497)	101v–102
Hellas dame = Serviteur soye	Stockem, Johannes de (ca. 1445–1487)	159v–160
Het es al ghedaen	Isaac, Heinrich (ca. 1450–1517) (?) Barle, Jacobus (?)	135v–136
Heya heya nun wie si grollen	Anonymous	174v–175
Hé logierons nous céans l'hôtesse.	Isaac, Heinrich (ca. 1450–1517)	1v–2
II est toujours	Martini, Johannes (ca. 1430–1497)	16v–17
Il est tel	Martini, Johannes (ca. 1430–1497)	290v–291
Il n'est vivant tant soit savant ou sage = Penses vivant	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506)	85v–87
In minen sin (= Myns herten troest)	Agricola, Alexander (ca. 1445–1506)	67v–68
In pace in idipsum = Que vous madame = La Martinella (variant)	Martini, Johannes (ca. 1430–1497)	44v–45
J'ai beau huer avant que bien avoir	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)	20v–21
J'ai bien nori sept ans 27.16	Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?) Joye, Gilles (?)	45v–46
J'ai mains de biens - 1a pars (of 2): J'ai mains de biens que s'il n'en estoit nuls	Busnoys, Antoine (ca. 1430–1492)	56v–57
J'ai pris amours	Martini, Johannes (ca. 1430–1497) Busnoys, Antoine (ca. 1430–1492) (?)	189v–190
J'ai pris amours a ma devise	Japart, Jean	158v–159
J'ars du desir = Mon pere	Agricola, Alexander (ca. 1445–1506) (?)	80v–81
J'ay bien choisi - 1a pars (of 2): J'ay bien choisi a mon voloir	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)	112v–113
J'ay bien choisi - 2a pars (of 2): Je suis venu vers mon ami	Busnoys, Antoine (ca. 1430–1492) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	28v–29
J'ay prins amours à ma devise (3vv)	Isaac, Heinrich (ca. 1450–1517)	7v–8
Ja doy le diner, sic our: La doy je aymer = Rea doy le diner	Anonymous	53v–54
Je cuide se ce temps me dure	Japart, Jean (?) Congiet, Petrus (?)	95v–96
Je me plain de tant affanne	Robinet, F	209v–210
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	183v–185
Je n'en pius plus se je ne meurs = Je m'en vois	Anonymous	97v–98
Je ne demande lealté	Busnoys, Antoine (ca. 1430–1492)	59v–61
Je ne fais plus je ne dis ne escris = Au joli mois de may	Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?)	54v–55
Je ne me puis vivre à mon ayse = Gaude virgo	Isaac, Heinrich (ca. 1450–1517)	133v–134
Je ne puis plus	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) (?)	26v–27
Je ne sai plus	Anonymous	251v–252
Je ne serai plus vert vestus	Pres, Philipert de	253v–254
Je ne suis point	Agricola, Alexander (ca. 1445–1506)	274v–275
Je quam cheredem	Anonymous	230v–231
Je quam cheredem	Anonymous	231v–232
Je seroie bien infortune	Anonymous	254v–255
Je suis d'Ellemagne	Anonymous	168v–170
Je suis d'Ellemagne je parle allemand	Stockem, Johannes de (ca. 1445–1487)	167v–168
Je vois	Robinet, F	109v–110
Jone [=Bone] dame plaisante et belle	Anonymous	239v–240
L'espoir mieux	Martini, Johannes (ca. 1430–1497)	14v–15
La durion dure la durion dure et la dure.	Anonymous	191v–192
La martinella	Martini, Johannes (ca. 1430–1497)	12v–13
La Martinella	Isaac, Heinrich (ca. 1450–1517)	207v–209
La Martinella = Servitur	Anonymous	141v–142
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	11v–12
La plus.	Anonymous	122v–123
La rouset du mois de may ?	Anonymous	87v–88
La tortorella che è semplice uccelletto	Obrecht, Jacobus (ca. 1457–1505)	182v–183
Laor vous n'estes	Anonymous	77v–78
Le bien fet	Anonymous	27v–28
Le despourveu infortune = Tanto e l'affanno	Caron, Firminus (ca. 1460–ca. 1475)	99v–100
Le renvoi d'un coeur esgaré	Compère, Loyset (ca. 1445–1518)	42v–43
Le servieteur hault guerdonne	Anonymous	279v–280
Le serviteur	Isaac, Heinrich (ca. 1450–1517)	278v–279
Le serviteur.	Anonymous	121v–122
Lembien d'amours	Anonymous	220v–221
Lenchioza mia lenchioza balarina che bala	Japart, Jean	105v–106
M'a vostre coeur mis en oubli	Busnoys, Antoine (ca. 1430–1492)	245v–247
Ma bouche plaint les pleurs de ma pensee	Anonymous	35v–36
Ma dame qui tant est en mon coeur	Caron, Firminus (ca. 1460–ca. 1475)	170v–172
Ma perfayte	Anonymous	84v–85
Madame faites moi savoir = Madame m'amie = Quanto magnus est	Basin, Adrien (–ca. 1498)	237v–238
Madame hélas = Très amoureux	Congiet, Petrus	123v–124
Madame trop vous m'esprenez	le Téméraire, Charles (1433–1477) (?) Burgensis, Dux	284v–285
Mais que ce fut secrètement en aulcune	Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?)	218v–219
Malheur me bat / Dieu d'amour	Ockeghem, Jean de (ca. 1410–1497) (?) Martini, Johannes (ca. 1430–1497) (?) Malcourt, L (?)	10v–11
Martinella pizzulo - 1a pars (of 2): Martinella pizzulo	Martini, Johannes (ca. 1430–1497)	219v–220
Maudit soit cil qui trouva jaulosie (Carmen in sol)	Isaac, Heinrich (ca. 1450–1517)	153v–154
Mauldicte soit envie et jaulosye	Agricola, Alexander (ca. 1445–1506)	88v–89
Mes pensées ne me laissent une heure 27.26	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	134v–135
Missa O Venus bant: Benedictus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	147v–148
Missa O Venus bant: Et incarnatus est	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	145v–146
Missa O Venus bant: Pleni sunt caeli	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	146v–147
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	9v–10
Missa Ut re mi fa sol la: Benedictus	Brumel, Antoine (ca. 1460–ca. 1513)	232v–233
Missa Ut re mi fa sol la: Pleni sunt	Brumel, Antoine (ca. 1460–ca. 1513)	233v–234
Missa Ut re mi fa sol la: Qui tollis	Brumel, Antoine (ca. 1460–ca. 1513)	234v–235
Moins ai repos plus accrois mon affaire	Anonymous	23v–24
Moises	Barle, Jacobus	136v–137
Mon coeur se plaint	Anonymous	243v–244
Mon mignault musequin dorelot et poupin / Graveuse = Gracieuse plaisant	Busnoys, Antoine (ca. 1430–1492)	194v–195
Mon pere m'a done mari	Isaac, Heinrich (ca. 1450–1517)	3v–4
Mon seul et cele souvenir = Mon seul et sangle souvenir	Busnoys, Antoine (ca. 1430–1492)	48v–49
Mort ou merci	Caron, Firminus (ca. 1460–ca. 1475)	76v–77
My my	Isaac, Heinrich (ca. 1450–1517)	13v–14
Ne vous hastem pas = Adieu ma dame	Compère, Loyset (ca. 1445–1518)	118v–119
Nec mihi nec tibi = Helas	Obrecht, Jacobus (ca. 1457–1505) (?) Haugk, Virgilius (ca. 1490–1555) (?)	288v–290
Non pas que je veuille penser	Joye, Gilles	255v–256
Nos espante mi partida.	Anonymous	229v–230
Notres assovemen	Fresneau, Jehan (?) Agricola, Alexander (ca. 1445–1506) (?)	244v–245
O di prudenza fonte = Per faire toujours	Martini, Johannes (ca. 1430–1497)	6v–7
O intemerata = Der newe pawir schwantcz	Martini, Johannes (ca. 1430–1497)	129v–130
O Pulisina quando ti maritasti	Anonymous	280v–281
O Venus bant (I)	Agricola, Alexander (ca. 1445–1506)	70v–71
O vie fortunee (O vive fortune) de diverses atemptans - Adieu fortune	Caron, Firminus (ca. 1460–ca. 1475)	72v–73
On est bien malade par trop amer	Anonymous	193v–194
Par un jour de matinée	Agricola, Alexander (ca. 1445–1506)	119v–120
Pendicose	Anonymous	223v–224
Pensés y celle = Pensez y se le povez faire	Mureau, Gilles	41v–42
Piteux adieu	Anonymous	103v–104
Pius qu'elle est morte	Anonymous	30v–31
Plus nay d'espoir.	Anonymous	29v–30
Pour faire l'alkymie d'amours	Anonymous	102v–103
Pour fort amer et bien servir	Anonymous	206v–207
Pour mieulx valor = Comt hier	Robinet, F (?) Isaac, Heinrich (ca. 1450–1517) (?)	108v–109
Pour mieux valoir = Come hier	Hemart, Jean	226v–227
Pour voz plaisirs et solas	Agricola, Alexander (ca. 1445–1506)	268v–269
Pourtant se mon voloir	Caron, Firminus (ca. 1460–ca. 1475)	98v–99
Que serai las fort languir	Anonymous	215v–216
Que vous madame / In pace in idipsum 27.33	Despres, Josquin (ca. 1450–1521) Agricola, Alexander (ca. 1445–1506) (?)	43v–44
Quel que paut que je soie.	Anonymous	175v–176
Rose playsant odorant comme grant = Ave rex regum ditissime salva nos	Sart, Jean du (?) Basiron, Philippe (ca. 1449–1491) (?) Caron, Firminus (ca. 1460–ca. 1475) (?)	236v–237
Royne des flours que ie desire tant = C'est vous	Agricola, Alexander (ca. 1445–1506)	241v–242
Sa paine pert qui fet sic pour sert sans nul guerdon	Anonymous	36v–37
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	Isaac, Heinrich (ca. 1450–1517)	272v–273
Sans si sans	Anonymous	140v–141
Scaramella va alla guerra colla lancia	Despres, Josquin (ca. 1450–1521)	180v–181
Se brief je puis voir ma dame.	Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475) (?)	75v–76
Se doulx penser	Caron, Firminus (ca. 1460–ca. 1475)	113v–114
Se je fais bien ou mal aussi	Agricola, Alexander (ca. 1445–1506)	82v–83
Se je fay = La plus grant chière de jamais	Anonymous	73v–74
Se je fuse	Anonymous	202v–203
Se mai el cielo et fati fur benigni = Je remerchi dieu	Martini, Johannes (ca. 1430–1497)	4v–4
Se mon service vous plaisoit	Anonymous	287v–288
Se une fois puis recouvrir joie	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	138v–139
Se vous voulez m'estre loyalle et bonne = Je vous en prise	Agricola, Alexander (ca. 1445–1506)	275v–277
Seraige	Compère, Loyset (ca. 1445–1518)	137v–138
Servitur suis = Je suis malcontent = Verumtamen universa vanitas	Isaac, Heinrich (ca. 1450–1517)	142v–143
Seul en amours.	Anonymous	201v–202
Seule a par moi - 1a pars (of 2): Seule a par moi	Busnoys, Antoine (ca. 1430–1492)	61v–62
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	69v–70
Si vous plait que vostre soye.	Regis, Johannes (ca. 1425–ca. 1496)	104v–105
Si vous voules que je vous faces	Anonymous	256v–257
Soit loing ou pres tousjours me souviendra	Agricola, Alexander (ca. 1445–1506)	267v–268
T'meiskin was jonck = De tous in buse	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Japart, Jean (?)	162v–163
Tant que Dieu voudra	Martini, Johannes (ca. 1430–1497)	2v–3
Tarsis	Anonymous	83v–84
Tel fait semblant	Anonymous	203v–204
Tenes en chause	Anonymous	228v–229
Tout	Anonymous	115v–116
Très douce regard	Martini, Johannes (ca. 1430–1497)	0v (IIIIv)–V
Un grand pauvre homme insanne = Se yense an mains [Se j'eusse en mains?]	Busnoys, Antoine (ca. 1430–1492)	62v–63
Una filleresse de stouppes	Busnoys, Antoine (ca. 1430–1492)	63v–64
Une mosche de Bischaye 28.35	Despres, Josquin (ca. 1450–1521)	149v–150
Ung franc archier.	Compère, Loyset (ca. 1445–1518)	176v–177
Ung plus que tous c'est mon confort	Anonymous	90v–91
Ung plus que tous est en mon souvenir	Busnoys, Antoine (ca. 1430–1492)	51v–52
untexted	Martini, Johannes (ca. 1430–1497)	8v–9
untexted	Isaac, Heinrich (ca. 1450–1517)	17v–18
untexted	Robinet, F	110v–111
untexted	Isaac, Heinrich (ca. 1450–1517)	144v–145
untexted	Martini, Johannes (ca. 1430–1497)	173v–174
untexted	Isaac, Heinrich (ca. 1450–1517)	181v–182
untexted	Martini, Johannes (ca. 1430–1497)	216v–217
untexted	Robinet, F	217v–218
untexted	Obrecht, Jacobus (ca. 1457–1505)	227v–228
untexted	Martini, Johannes (ca. 1430–1497)	235v–236
untexted	Isaac, Heinrich (ca. 1450–1517)	249v–250
untexted	Isaac, Heinrich (ca. 1450–1517)	269v–270
untexted	Isaac, Heinrich (ca. 1450–1517)	271v–272
untexted	Isaac, Heinrich (ca. 1450–1517)	273v–274
untexted	Robinet, F	283v–284
Venus Juno Pallas	Anonymous	277v–278
Venus.	Anonymous	40v–41
Vilana che sa tu far	Anonymous	190v–191
Virgo Dei throno digna	Tinctoris, Johannes (ca. 1435–1511)	19v–20
Vive Carloys	Caron, Firminus (ca. 1460–ca. 1475)	221v–222
Vostre bouche dist baysez moi	Agricola, Alexander (ca. 1445–1506)	38v–39
Vostre hault bruit	Agricola, Alexander (ca. 1445–1506)	68v–69
Vous n'avés poient le coeur certain	Caron, Firminus (ca. 1460–ca. 1475)	47v–48
Vrai dieu d'amours	Anonymous	94v–95

‡ denotes primary source study

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: I,xii-xvi; V,xix-xx. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

‡ Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Notes: physical description; contents list; concordances; texts; transcription; efacsimile (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 285,296,317-8,321. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Brown, Howard Mayer. 1982. Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance. Journal of the American Musicological Society, 1-48. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii,xxix-xxx,62-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XVII, 683. Notes: facsimile (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 219-220.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I,10-5; II,159, 214ff, passim. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Brown, Howard Mayer. 1978. A Guardian God for a Garden of Music. Essays Presented to Myron P. Gilmore, Florence. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I, 29-30, 115; II,xv-xvii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Sherr, Richard Jonathan (editor). 1978. Bertrandi Vaqueras: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv, 152-3. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Boorman, Stanley. 1977. The 'First' Edition of the Odhecaton A. Journal of the American Musicological Society, 183-207. Pages: 199-201, 206. Notes: transcription (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii,xxiv,xxxiii-xlviii. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxii-xxiii,30-4, 62,86-7; II,58; III,70,88-9. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 248.

Brown, Howard Mayer. 1976. The Performance and Interpretation of Josquin's Secular Music [Workshop]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 665-8. Notes: transcription (partial).

Harrán, Don. 1976. Burney and Ambros as Editors of Josquin's Music. Josquin des Prez: Proceedings of the International Josquin Festival-Conference... 21-25 June 1971, 148-77. London, New York, and Toronto. Pages: 172, 177. Notes: contents list (partial); concordances (partial).

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,x,xlix, 186-8; VII.xix-xxi. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Brown, Howard Mayer. 1973. On the performance of fifteenth-century chansons. Early Music, 3-8. Notes: concordances (partial); transcription (partial); mention of MS; discussion.

Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 79-91. Pages: 84. Notes: mention of MS.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 167. Notes: physical description; mention of MS; discussion.

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 483-4. Notes: physical description; mention of MS; discussion; concordances (partial).

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Pages: 271, passim. Notes: mention of MS.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam. Pages: 55-60. Notes: transcription (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 53-4. Notes: physical description; contents list; incipitsst of contents (partial).

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3-47. Pages: 41-7. Notes: concordances (partial).

Wangermée, Robert. 1968. Flemish Music and Society in the Fifteenth and Sixteenth Centuries. New York. Pages: Plates 17, 83. Notes: facsimile (partial).

Bragard, Anne-Marie. 1966. Un manuscrit florentin du quattrocento: le Magi. XIX, 59 (B.R. 229). Revue de Musicologie, 56-72. Notes: contents list; discussion.

Karp, Theodore. 1966. The Secular Works of Johannes Martini. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 455-73. New York. Pages: 455ff. Notes: mention of MS.

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xv-xvi; V, v-ff, 24-5, 30-1, 41-2, 48-50, 97, 122. Notes: concordances (partial); transcription (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 353-4. Notes: physical description; contents list; concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 22-9. Notes: physical description; contents list.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, [ix]. Notes: facsimile (partial).

Seay, Albert. 1956. Florence: The City of Hothby and Ramos. Journal of the American Musicological Society, 193-5. Pages: 193-5. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IV, 396; X, Tafel 108. Notes: physical description; contents list; concordances (partial); facsimile (partial).

Becherini, Bianca. 1948. Mostre Italiane: Cimeli musicali alla 'Mostra d'arte Fiamminga e Olandese' in Firenze. La Bibliofilia, 219-35. Pages: 219-31. Notes: physical description; contents list; concordances (partial); incipits (partial).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 172-3. Notes: contents list (partial).

Jeppesen, Knud (editor). 1927. Der Kopenhagener Chansonnier, das Manuskript Thott 2918 der Königlichen Bibliothek Kopenhagen. Kopenhagen/Leipzig. Notes: contents list; XXII.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 450. Notes: physical description; contents list; incipitsst of contents (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 171-2. Notes: physical description; contents list; concordances (partial).

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Thursday, 17 September, 2020

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description