I-La MS 184 (Mancini Codex or Lucca Codex)

Archivio di Stato Lucca, Lucca, Italy

complete choirbook: Late 14th and Early 15th century

Archive	Archivio di Stato Lucca, Lucca, Italy (I-La)
Shelfmark	MS 184 (Mancini Codex or Lucca Codex)
Surface	Parchment
Numbering System	None
Measurements	RISM: c.220 x 145-160; original size c. 235 x 162; DIAMM 220 (H) x 160 (W) mm
Other Identifiers	RISM: I-Las184 RISM: Mn, Man, Luc CCM: LucAS 184
Notations	black full mensural coloration in red full coloration in red void
Copyists	scribal concordance [53] Text and Music
Relationships	Mancini, Prof. Augusto (discovered by)
External Links	14th-century French music notation tutorials Transcribed texts
Provenance	Italy
Contents	80 pieces from 16 composers

General Description

Once part of larger musical manuscript; six additional folios from the same manuscript are now I-PEc MS 3065. (The assertion in Ghisi 1946-7 that I-PSac Bibliotheca musicalis, B. 3. 5 is likewise part of this manuscript was refuted in Gotti and Pirrotta 1949). Copied by one main scribe and two additional scribes; one of the latter also wrote parts of US-Cn Case MS Mlo 96.P36 (Lowinsky fragment) and F-Pn fonds italien 568 (Pit) (Pirrotta 1961). Copied either entirely in Lucca (Gotti and Pirrotta 1949); or, main corpus copied elsewhere in northern Italy; manuscript later brought to Lucca, where additions were entered (Clercx 1960). Original manuscript disassembled c. 1485-1589; bifolios used as covers for legal documents. In 1938, Prof. Augusto Mancini recovered the present 18 bifolios from legal documents in the same library.

Nadas and Ziino discovered 2 additional leaves of the codex c2005, subsequent to publishing their facsimile and commentary on the codex in 1990, which have since been added to the fragments collected under this shelfmark.

Dr Giorgio Tori, 2010; DIAMM 2020.

Binding

Preserved loose, as fascicles reflecting the modern pencil numbering of bifolios by Nino Pirrotta, in modern folder

Dr Giorgio Tori, 2010

Notation

Black full mensural with red full and red void coloration

Dr Giorgio Tori, 2010

Ruling

8 black 5-line staves per page, except f.1a-4b which have 7 staves; Width of rastrum 15mm

Dr Giorgio Tori, 2010

Foliation

1-44v

Dr Giorgio Tori, 2010

Foliation

Most original foliation (in red and black ink, entered by several hands) trimmed away. Additional systems of foliation, pagination, or numbering: (1) modern pencil pagination, 1-72, in lower left corner of each page; (2) modern pencil numbering of bifolios by Nino Pirrotta (1a, 1b … 21a, 21b), includes three bifolios from PerBC 3065 (as 7, 13, and 14); (3) earlier modern pagination in lower right corner of many pages, entered prior to reconstitution of fascicles in present form; (4) other numbers at bottoms or sides of various folios appear to be numbering of fragments or, in some cases, numbering of pieces.

Dr Giorgio Tori, 2010

Foliation

Other numberings: Some numbers on folios may be piece numbers

Dr Giorgio Tori, 2010

Decoration

Initials in red and blue.

Dr Giorgio Tori, 2010

Surface

Parchment

Dr Giorgio Tori, 2010

RISM Description

18 bifolios. Modern foliation from 1a-16b; remainder original foliation XX...-LXXXV. 8 black 5-line staves per page, except f.1a-4b which have 7 staves.

RISM B/IV 4: 14./15. Jh.; 36 Blätter Pergament, ca. 220 x 145-160 mm (zum Teil beschnitten); ursprüngliches Format ca. 235 x 162 mm. Moderne Bleistiftfoliierung von f. 1a-16b (nach PirrottaL); Reste der originalen Foliierung (XX…-LXXXV…). Je Seite meist 8 (f. 1a-4b: 7) schwarze Fünfliniensysteme mit schwarzer, schwarz-roter und schwarz-weißer Mensuralnotation des späten 14. u. frühen 15. Jh.

Die aus insgesamt 8 Faszikels stammenden 18 Doppelblätter dieser von A. Mancini 1938 aufgefundenen Handschriften gehören mit den 3 Doppelblättern von I-PEco3065 zu einem ursprünglich umfangreichen Codex. Die einzelnen Doppelblätter dienten im späten 15. und 16. Jh. (ca. 1485-1589) als Deckblätter für Notariatsakten in Lucca. Die Handschrift muß sich also spätestens in der zweiten Hälfte des 15. Jh. in Lucca befunden haben. Über Herkunft und Datierung des Hauptcorpus gehen die Ansichten auseinander. Pirrotta, der als erster die Gesamtordnung der Handschrift erkannt hat, datiert: Lucca, um 1420 (Nachträge bis 1430), Clercx: Oberitalien (Padua?), spätes 14. Jh. (Nachträge: Lucca, bis 1430).

Nach Pirrotta mindestens 3 Schreiberhände: Hauptcorpus Nr. 1, 3-70 von Hand A; Nr. 71-73 von Hand B (toscanische Schrift); Nr. 2 (?) und 74-76 von Hand C; von Händen B und C auch die Komponistennamen bei Nr. 23, 45, 61. - Fehlende Blätter.: vor Nr. 1, zwischen Nr. 4 und 5, 8 und 9, 11 und 12, 17. und 18, 19 und 20, 24 und 25 (2 Blätter), 27 und 28 (2 Blätter), 41 und 42 (3 Blätter), 44 und 45 (3 Blätter), 54 und 55, 65 und 66.

INCIPITVERZEICHNIS

Die im Incipitverzeichnis verwendete Numerierung und arabische Foliierung sind aus PirrottaL I, 134ff. übernommen. In Klammern sind die Reste der Originalfoliierung gesetzt.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

52 Italian secular pieces, 15 French secular pieces, 1 Latin/French secular piece — 68 (some incomplete)

Antonello da Caserta-7, Antonio da Cividale-3, Bartolino da Padua-11, Binchois-1, Ciconia-5 + 1?, Corsini? [… pitor]-1, Giovanni da Foligno [Joh. Fulg]-1, Landini-3, (Machaut?/Vaillant)-1, Nicolaus de Perugia [Ser Niccholay prepositi]-2, (Paulus de Florentia)-1 + 1?, Stephani-3, Zachara da Teramo-6, anon-21

36 parchment folios [= 18 bifolios], ca. 215-20 x 150-62 (trimmed from original size of ca. 235 x 162). Once part of larger musical manuscript; six additional folios from same manuscript now PerBC 3065. (GhiI assertion that Pist AC 5 is likewise part of original manuscript refuted by PirrL). Most original foliation (in red and black ink, entered by several hands) trimmed away. Additional systems of foliation, pagination, or numbering: (1) modern pencil pagination, 1-72, in lower left corner of each page; (2) modern pencil numbering of bifolios by Nino Pirrotta (1a, 1b … 21a, 21b), includes three bifolios from PerBC 3065 (as 7, 13, and 14); (3) earlier modern pagination in lower right corner of many pages, entered prior to reconstitution of fascicles in present form; (4) other numbers at bottoms or sides of various folios appear to be numbering of fragments or, in some cases, numbering of pieces. Preserved loose, as fascicles reflecting order of (2) above, in modern folder. Black mensural notation with red full and red void coloration. Copied by one main scribe and two additional scribes; one of latter also wrote parts of ChiL s.s. and ParisBNI 568 (PirrPT). Initials in red and blue.

Ca. 1420, with additions until ca. 1430 (PirrL); main corpus copied during second half of 14th century (ClercxJC). Copied entirely in Lucca (PirrL). Main corpus copied elsewhere in northern Italy; manuscript later brought to Lucca, where additions were entered (ClercxJC). Original manuscript disassembled ca. 1485-1589; bifolios used as covers for legal documents. In 1938, Prof. Augusto Mancini recovered present 18 bifolios from legal documents in this library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	La douce ciere d'un fier animale	-	Padua, Bartolinus de (fl. 1365-1405)
La douce ciere d'un fier animale Padua, Bartolinus de (fl. 1365-1405) Appears on: 1 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: La douce ciere d'un fier animal ... Layout parts
1v	Donna leggiadra e bella che con le vostre	-	Landini, Francesco (ca. 1325–1397)
Donna leggiadra e bella che con le vostre Landini, Francesco (ca. 1325–1397) Appears on: 1v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [Donna lizadra ...]
2	Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv)	Binchois	Binchois, Gilles (ca. 1400–1460)
Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv) Binchois, Gilles (ca. 1400–1460) Appears on: 2 Genres: Chanson Source Attribution: Binchois Voice: Contratenor Languages: French Clef: c4 Voice Text: Dueil angoisseux. Voice: [no designation] Languages: French Clef: c1 Voice Text: Dueil angoisseux rage desmesuree ... Voice: Tenor Languages: French Clef: c3 Voice Text: Dueil angoisseux rage etc. Layout parts
2v	Serva çiaschuno com'e facto a lui	Fratris Bartholini [de Paduac2]	Padua, Bartolinus de (fl. 1365-1405)
Serva çiaschuno com'e facto a lui Padua, Bartolinus de (fl. 1365-1405) Appears on: 2v Genres: Italian secular Source Attribution: Fratris Bartholini [de Paduac2] Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Serva çiaschuno chom'e facto a luy ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Serva çiaschuno chom'e facto a luy ... Layout parts
2v	Recordate de mi, madonna mia	-	Padua, Bartolinus de (fl. 1365-1405)
Recordate de mi, madonna mia Padua, Bartolinus de (fl. 1365-1405) Appears on: 2v Genres: Ballata Voice: Contratenor Languages: Italian Clef: f2c4 Voice Text: Rechordete de mi madonna mia etc. Layout parts General Note text: "Rechordete de mi madonna"
3	Zoya de novi odori	-	Padua, Bartolinus de (fl. 1365-1405)
Zoya de novi odori Padua, Bartolinus de (fl. 1365-1405) Appears on: 3 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Zoya de novi odori … Voice: [no designation] Languages: Latin Voice Text: Zoya de novi odori …
3v	Per un verde boschetto	-	da Bologna, Bartholomeus (fl. c1405-1427)
Per un verde boschetto da Bologna, Bartholomeus (fl. c1405-1427) Appears on: 3v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [P]er un verde boschetto ...
4	La sacrosancta carità d'amore	-	Padua, Bartolinus de (fl. 1365-1405)
La sacrosancta carità d'amore Padua, Bartolinus de (fl. 1365-1405) Appears on: 4 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La sacrosancta karita d'amore ...
4v	Perche cançato [cangiato] è 'l mondo dall' anticho	Fratris Bartholinj [de Padua]	Padua, Bartolinus de (fl. 1365-1405)
Perche cançato [cangiato] è 'l mondo dall' anticho Padua, Bartolinus de (fl. 1365-1405) Appears on: 4v Genres: Ballata Source Attribution: Fratris Bartholinj [de Padua] Voice: [no designation] Languages: Italian Voice Text: [Per]che cangiato e il mondo ...
5	Le aurate chiome nodose	-	Padua, Bartolinus de (fl. 1365-1405)
Le aurate chiome nodose Padua, Bartolinus de (fl. 1365-1405) Appears on: 5 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Le aurate chiome nodose ...
5v–6	Senpre donna t' amai di pura voia	Fratris Bartholinj de Padua	Padua, Bartolinus de (fl. 1365-1405)
Senpre donna t' amai di pura voia Padua, Bartolinus de (fl. 1365-1405) Appears on: 5v–6 Genres: Italian secular Source Attribution: Fratris Bartholinj de Padua Voice: [no designation] Languages: Italian Voice Text: Sempre donna t'amay ...
6v	Non corer troppo e tien la mano al freno	-	Padua, Bartolinus de (fl. 1365-1405)
Non corer troppo e tien la mano al freno Padua, Bartolinus de (fl. 1365-1405) Appears on: 6v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Non chorrer troppo ...
7	La belle flour etc.	-	Anonymous
La belle flour etc. Anonymous Appears on: 7 Genres: Chanson Voice: Tenor Languages: French Clef: f2c4 Voice Text: La belle flour etc.
7	Mal vi loyaute d'etre amoureux	-	Anonymous
Mal vi loyaute d'etre amoureux Anonymous Appears on: 7 Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: Mal vi loyaute d'estre amoure[ux] ... Voice: Tenor Languages: French Clef: f2c4 Voice Text: Mal vi loyaute etc. Layout parts
7v	Mon bel ami corteuse gratieux	-	Anonymous
Mon bel ami corteuse gratieux Anonymous Appears on: 7v Genres: Chanson Voice: [no designation] Languages: French Clef: no clef Voice Text: [Mon b]el amy corteuse gratieux ... Voice: Tenor Languages: French Clef: no clef Voice Text: Mon bel amy etc. Layout parts
7v	Mon bel ami mon confort et ma joie	-	Anonymous
Mon bel ami mon confort et ma joie Anonymous Appears on: 7v Genres: Chanson Voice: [no designation] Languages: French Clef: no clef Voice Text: [Mon b]el amy mon confort et ma ioye ... Voice: Tenor Languages: French Clef: no clef Voice Text: Mon bel amy mon confort etc. Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Mon bel amy mon confort etc. Layout parts
8	Merçi pour dieu merçi ma dame belle	Fratris Antonij de Cividal	Cividale, Antonius de
Merçi pour dieu merçi ma dame belle Cividale, Antonius de Appears on: 8 Genres: Chanson Source Attribution: Fratris Antonij de Cividal Voice: [no designation] Languages: French Clef: c3 Voice Text: Merçi pour dieu merçi ma dame belle ... Voice: Contratenor Languages: French Clef: f3 Voice Text: Merçi pour dieu merçi etc. Voice: Tenor Languages: French Clef: f3 Voice Text: Merçi pour dieu merçi etc. Layout parts
8v	Loingtemps i'ay mis mon coeur	Fratris Antonij [de Cividal]	Cividale, Antonius de
Loingtemps i'ay mis mon coeur Cividale, Antonius de Appears on: 8v Genres: Chanson Source Attribution: Fratris Antonij [de Cividal] Voice: [no designation] Languages: French Voice Text: [Loin]gtemps i'ay mis mon cuer ... Layout parts
9	Un pur' amore	[Gherardus] de Florentia	Firenze, Gherardello da (ca. 1320–ca. 1363)
Un pur' amore Firenze, Gherardello da (ca. 1320–ca. 1363) Appears on: 9 Genres: Italian secular Source Attribution: [Gherardus] de Florentia Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Donna, s’i t’ò fallito Voice: Tenor Languages: Italian Clef: f3 Voice Text: Donna, s’i t’ò fallito
9	Donna s'i' t'ò fallito	Franciscj cecj [de Florentia]	Landini, Francesco (ca. 1325–1397)
Donna s'i' t'ò fallito Landini, Francesco (ca. 1325–1397) Appears on: 9 Genres: Italian secular Source Attribution: Franciscj cecj [de Florentia] Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Va’ pur, Amore, con le reti tue Voice: Tenor Languages: Italian Clef: c4 Voice Text: Va’ pur, Amore, con le reti tue
10	Cacando un giorno vidi	-	Landini, Francesco (ca. 1325–1397)
Cacando un giorno vidi Landini, Francesco (ca. 1325–1397) Appears on: 10 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Caçando un çorno vidi Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Cacando un giorno vidi
10v–11	L’alma mie piang’e ma’ non può aver pace	Franciscus de Florentia	Landini, Francesco (ca. 1325–1397)
L’alma mie piang’e ma’ non può aver pace Landini, Francesco (ca. 1325–1397) Appears on: 10v–11 Genres: Italian secular Source Attribution: Franciscus de Florentia Voice: [no designation] Languages: Italian Voice Text: L’alma mie piang’e ma’ non può aver pace General Note Cantus, completion of the Contratenor (on fol. 10v)
11v–12	Con gli ochi assai ne miro	-	Landini, Francesco (ca. 1325–1397)
Con gli ochi assai ne miro Landini, Francesco (ca. 1325–1397) Appears on: 11v–12 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Congli ochi assane miro General Note Cantus, Tenor (trimmed)
11v–12r	Donna i' prego amore il qual m'a fatto	-	Landini, Francesco (ca. 1325–1397)
Donna i' prego amore il qual m'a fatto Landini, Francesco (ca. 1325–1397) Appears on: 11v–12r Genres: Italian secular
12v–13	Poiché da te mi convien partir via	Francisci ceci	Landini, Francesco (ca. 1325–1397)
Poiché da te mi convien partir via Landini, Francesco (ca. 1325–1397) Appears on: 12v–13 Genres: Italian secular Source Attribution: Francisci ceci Voice: [no designation] Languages: Italian Voice Text: Poy che datime General Note Cantus (trimmed), Tenor, [Contratenor, unique to the Lucca Codex, is on fo1. LITr]
13v	Mercé o morte o vaga anima mia	Johannes Ciconia	Ciconia, Johannes (ca. 1370–1412) (?)
Mercé o morte o vaga anima mia Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 13v Genres: Ballata Source Attribution: Johannes Ciconia Voice: [no designation] Languages: Italian Voice Text: Mercè, o morte, o vagha anima mia
14	Con lagrime bagnandome el viso	Ciconia	Ciconia, Johannes (ca. 1370–1412)
Con lagrime bagnandome el viso Ciconia, Johannes (ca. 1370–1412) Appears on: 14 Genres: Italian secular Source Attribution: Ciconia Voice: [no designation] Languages: Italian Voice Text: Con lagreme bagnandome el viso ...
14	Ave vergene etc.	-	Ciconia, Johannes (ca. 1370–1412) (?)
Ave vergene etc. Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 14 Genres: Motet Voice: Tenor Languages: Latin Clef: f2c4 Voice Text: Ave vergene etc. Voice: Contratenor Languages: Latin Clef: f2c4 Voice Text: Ave vergene etc. Layout parts
14v	La fiamma del tuo amor'	Johannes Ciconia	Ciconia, Johannes (ca. 1370–1412)
La fiamma del tuo amor' Ciconia, Johannes (ca. 1370–1412) Appears on: 14v Genres: Italian secular Source Attribution: Johannes Ciconia Voice: [no designation] Languages: Italian Clef: c2 Voice Text: La fiamma del t[u]o amor' ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: La fiamma del tuo amore ... Layout parts
15	Donna o donna, posso io sperare / Donna dici a me	Ser Niccholay prepositi	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Perugia, Nicolo da (?)
Donna o donna, posso io sperare / Donna dici a me Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Perugia, Nicolo da (?) Appears on: 15 Genres: Ballata Source Attribution: Ser Niccholay prepositi Voice: Tenor Languages: Italian Clef: f2c4 Voice Text: Donna dici a me ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Donna o donna donna donna posso io sperare .. Layout parts General Note despite erasure of attribution to Zacharias, Gozzi upholds this in preference to the other attribution Item Bibliography Gozzi, Marco. 2004. Zacara nel Codex Mancini: considerazioni sulla notazione e nuove attribuzioni. Antonio Zacara da Teramo e il suo tempo, Libreria Musicale Italiana. 135-168. Istituto Abruzzese di StoriaMusicale.
15v–16	Rosetta che non canbi	Magister Antonius Çachara [de Teramo]	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Rosetta che non canbi Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 15v–16 Genres: Ballata Source Attribution: Magister Antonius Çachara [de Teramo] Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Rosetta che non canbi may colore ... Layout parts
16v	D’amor languire, suspirare e piangere	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
D’amor languire, suspirare e piangere Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 16v Genres: Ballata Voice: [no designation] Languages: Italian Voice Text: D’amor languire, suspirare e piangere
17	Un fiore gentil m'apparse / Venne etc.	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Un fiore gentil m'apparse / Venne etc. Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 17 Genres: Ballata Voice: Tenor Languages: Italian Clef: c2 Voice Text: Un fiore gentil m'apparse ... Voice: Contratenor Languages: Italian Clef: c3 Voice Text: Venne etc.
17v–18v	Plorans ploravi perché la fortuna / In ulnis patris	de Teramo	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Plorans ploravi perché la fortuna / In ulnis patris Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 17v–18v Genres: Italian secular Source Attribution: de Teramo Voice: [no designation] Languages: Italian Mensuration: octonaria .o. Clef: no clef Voice Text: In ulnis patris ... Voice: [no designation] Languages: Italian Mensuration: octonaria .o. Clef: c1 Voice Text: In ulnis patris ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Plorans ploravi perche la fortuna ... Layout parts
19	Sol mi trafigge 'l cor l'aquila bella	Magister Zacharias	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Sol mi trafigge 'l cor l'aquila bella Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 19 Genres: Ballata Source Attribution: Magister Zacharias Voice: Contratenor Languages: Italian Clef: f3c5 Voice Text: Sol me trafige 'l cor etc. Voice: [no designation] Languages: Italian Voice Text: Sol me trafige 'l cor ... Voice: [no designation] Languages: Italian Voice Text: Sol me trafige 'l cor etc. Layout parts
19v–20	Ciaramella me dolçe Ciaramella	Magister Antonius Çachara de Teramo	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Ciaramella me dolçe Ciaramella Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 19v–20 Genres: Ballata Source Attribution: Magister Antonius Çachara de Teramo Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Ciaramella me dolçe Ciaramella ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Ciaramella me dolçe Ciaramella ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Ciaramella me dolçe Ciaramella ... Layout parts
20v–21	Je suis navres tan fort / Je suis navres de quoy et de le dames / Gnaff' a le guagnele	M Zacharias de Teramo	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Je suis navres tan fort / Je suis navres de quoy et de le dames / Gnaff' a le guagnele Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 20v–21 Genres: Ballata Source Attribution: M Zacharias de Teramo Voice: Tenor Languages: French Clef: f2 Voice Text: Je suy navres de quoy et de le dames ... Voice: [no designation] Languages: French Clef: c2 Voice Text: Je suy navres tan fort ... Voice: Contratenor Languages: French Clef: f2 Voice Text: gnaff' a le guagnele ... Layout parts
21v–22	Ad ogne vento volta come foglia	Zacharias de Teramo	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Ad ogne vento volta come foglia Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 21v–22 Genres: Ballata Source Attribution: Zacharias de Teramo Voice: Contratenor Languages: Italian Clef: f2c4 Voice Text: Ad ogne vento etc. Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Ad ogne vento volta come foglia .... Voice: [no designation] Languages: Italian Clef: f3c5 Voice Text: Ad onne vento volta ... Layout parts
21v–22	Spesso fortuna cridote tu dici	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Spesso fortuna cridote tu dici Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 21v–22 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3c5 Voice Text: Spesso fortuna cridote tu dici ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Spesso fortuna cridote tu dici ... Layout parts
22v–23	Del glorioso titolo d'esto duce	Anthonellus Marot de Caserta	Caserta, Antonello da (fl. c1400)
Del glorioso titolo d'esto duce Caserta, Antonello da (fl. c1400) Appears on: 22v–23 Genres: Italian secular Source Attribution: Anthonellus Marot de Caserta Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Del glorioso titolo d'esto duce ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Del glorioso titolo d'esto duce ... Layout parts
23	De mia farina fo le mie lasagne	-	Anonymous
De mia farina fo le mie lasagne Anonymous Appears on: 23 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: De mia farina fo le mie lasagne ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: De mia farina fo le mie lasagne ... Layout parts
23v–24	A pianger l'ochi l'ochi mei	Antonellus Marot	Caserta, Antonello da (fl. c1400)
A pianger l'ochi l'ochi mei Caserta, Antonello da (fl. c1400) Appears on: 23v–24 Genres: Italian secular Source Attribution: Antonellus Marot Voice: [no designation] Languages: Italian Clef: c1 Voice Text: A pianger l'ochi l'ochi mey ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: A pinçer l'ochi l'ochi mie ... Layout parts
24v	Piu chiar che 'l sol in lo mio cor	Antonellus	Caserta, Antonello da (fl. c1400)
Piu chiar che 'l sol in lo mio cor Caserta, Antonello da (fl. c1400) Appears on: 24v Genres: Italian secular Source Attribution: Antonellus Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Piu chiar che 'l sol in lo mio [cor] ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Piu chiar che 'l sol in lo mio [cor] ... Voice: Contratenor Languages: Italian Clef: c3 Voice Text: Piu chiar etc. Layout parts
25	Deh vogliateme oldire donna	-	Caserta, Antonello da (fl. c1400)
Deh vogliateme oldire donna Caserta, Antonello da (fl. c1400) Appears on: 25 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Deh vogliateme oldire donna Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Deh vogliateme oldire donna
25v	Con dogliosi martire che 'l mio cor	Antonellus [Marot]	Caserta, Antonello da (fl. c1400)
Con dogliosi martire che 'l mio cor Caserta, Antonello da (fl. c1400) Appears on: 25v Genres: Italian secular Source Attribution: Antonellus [Marot] Voice: [no designation] Languages: Italian Clef: [f3] Voice Text: Con dogliosi martire ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Con dogliosi martire che 'l mio cor ... Layout parts
26	Or tolta pur me sei	Anthonellus Marot	Caserta, Antonello da (fl. c1400)
Or tolta pur me sei Caserta, Antonello da (fl. c1400) Appears on: 26 Genres: Motet Source Attribution: Anthonellus Marot Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Or tolta pur me sey Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Or tolta pur me sey
26v	Madonna io me ramento del tuo polito viso	Antonellus	Caserta, Antonello da (fl. c1400)
Madonna io me ramento del tuo polito viso Caserta, Antonello da (fl. c1400) Appears on: 26v Genres: Italian secular Source Attribution: Antonellus Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Madonna io me ramento del tuo polito viso ... Voice: [no designation] Languages: Italian Clef: [c2] Voice Text: Madonna io me ramento del tuo polito viso ... Layout parts
27	A la mort ay madame	-	Anonymous
A la mort ay madame Anonymous Appears on: 27 Genres: Chanson Voice: [no designation] Languages: French Voice Text: […] a la mort ay madame
27v	Atandre, atandre et atendus ay	[Fratris Antonij] de Cividal	Cividale, Antonius de (?)
Atandre, atandre et atendus ay Cividale, Antonius de (?) Appears on: 27v Genres: Chanson Source Attribution: [Fratris Antonij] de Cividal Voice: Contratenor Languages: French Clef: c5 Voice Text: Atandre. Layout parts
28	Vous soyez tres bien venus	[Fratris Antonij] de Cividal	Cividale, Antonius de
Vous soyez tres bien venus Cividale, Antonius de Appears on: 28 Genres: Chanson Source Attribution: [Fratris Antonij] de Cividal Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: French Clef: c3 Voice Text: Vous soyes tres bien venus ... Voice: Triplum Languages: French Clef: c1 Voice Text: Vous soyes tres bien venus ... Voice: [no designation] Languages: French Clef: c1 Voice Text: Vous soyes tres bien venus ... Layout parts
28v–29	Par maintes fois ay oy recorder	-	Vaillant, Jacob (fl. 1360–90)
Par maintes fois ay oy recorder Vaillant, Jacob (fl. 1360–90) Appears on: 28v–29 Genres: Motet Voice: Contratenor Languages: French Clef: c3 Voice Text: Par maintes fois etc. Voice: [no designation] Languages: French Clef: c1 Voice Text: Par maintes fois ay auy recorder ... Voice: Tenor Languages: French Clef: c3 Voice Text: Par maintes fois etc. Layout parts
30	Noble signour [unicum]	-	Anonymous
Noble signour [unicum] Anonymous Appears on: 30
30v	Or sus, vous dormez trop, ma dame	-	Anonymous
Or sus, vous dormez trop, ma dame Anonymous Appears on: 30v Genres: Motet
31	Mercede o donna mercede o donna io moro	Joh. Fulg[inatis]	Fulginatis, Johannes
Mercede o donna mercede o donna io moro Fulginatis, Johannes Appears on: 31 Genres: Italian secular Source Attribution: Joh. Fulg[inatis] Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Mercede o donna mercede o donna io moro ... Voice: [no designation] Languages: Italian Clef: f2 Voice Text: Mercede o donna mercede o donna io moro ... Layout parts
31v	I cani sono fuora per le mosse	Magister Johannes Ciconia	Ciconia, Johannes (ca. 1370–1412)
I cani sono fuora per le mosse Ciconia, Johannes (ca. 1370–1412) Appears on: 31v Genres: Italian secular Source Attribution: Magister Johannes Ciconia Voice: [no designation] Languages: Italian Clef: c1 Voice Text: I canj sono fuora per le mosse ... Layout parts
31v	Chi vuole amar a me con vera fede	-	Ciconia, Johannes (ca. 1370–1412) (?)
Chi vuole amar a me con vera fede Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 31v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Chi vole amar a me cun vera fede ... Layout parts
32	Per quella strada lactea del cielo	Magister Johannes Ciconia	Ciconia, Johannes (ca. 1370–1412)
Per quella strada lactea del cielo Ciconia, Johannes (ca. 1370–1412) Appears on: 32 Genres: Italian secular Source Attribution: Magister Johannes Ciconia Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Per quella strada lactea del cielo ... Layout parts
32v	Poy che morir mi convien per to amore	Johannes [Ciconia]	Ciconia, Johannes (ca. 1370–1412)
Poy che morir mi convien per to amore Ciconia, Johannes (ca. 1370–1412) Appears on: 32v Genres: Italian secular Source Attribution: Johannes [Ciconia] Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Poy che morir mi convien per to amore ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Poy che morir mi convien per to amore ... Layout parts
33	Piangono l'ochi e l'alma mia suspira	-	Anonymous
Piangono l'ochi e l'alma mia suspira Anonymous Appears on: 33 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Piangono l'ochi e l'alma mia suspira ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Piangono l'ochi e l'alma mia suspira ... Layout parts
33v–34	Ayme per tutto l'or per tucto l'or una da undici	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)
Ayme per tutto l'or per tucto l'or una da undici Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Appears on: 33v–34 Genres: Ballata Voice: [no designation] Languages: Italian Clef: f3c5 Voice Text: Ayme per tucto per tucto l'or una da undicj ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Ayme per tutto l'or per tucto l'or una da undicj ... Layout parts General Note attributed to Zacara by Gozzi & others on basis of similarities to 'Rosetta' Item Bibliography Gozzi, Marco. 2004. Zacara nel Codex Mancini: considerazioni sulla notazione e nuove attribuzioni. Antonio Zacara da Teramo e il suo tempo, Libreria Musicale Italiana. 135-168. Istituto Abruzzese di StoriaMusicale. Notes: attribution to Zacara.
33v–34	Aylas quand ie pans le biaute de m'amour	-	Anonymous
Aylas quand ie pans le biaute de m'amour Anonymous Appears on: 33v–34 Genres: Chanson Voice: Tenor Languages: French Clef: f4 Voice Text: Aylas quant je pans etc. Voice: [no designation] Languages: French Clef: c3 Voice Text: Aylas quant ie pans le biaute de m'amour ... Voice: Contratenor Languages: French Clef: f4 Voice Text: Aylas quant je pans etc. Layout parts
34v–35	Non credo, donna, che la dolce fiamma	-	Ciconia, Johannes (ca. 1370–1412) (?) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)
Non credo, donna, che la dolce fiamma Ciconia, Johannes (ca. 1370–1412) (?) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Appears on: 34v–35 Genres: Ballata Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Non credo donna che la dolçe fiamma ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Non credo donna che la dolçe fiamma ... Layout parts Item Bibliography Gozzi, Marco. 2004. Zacara nel Codex Mancini: considerazioni sulla notazione e nuove attribuzioni. Antonio Zacara da Teramo e il suo tempo, Libreria Musicale Italiana. 135-168. Istituto Abruzzese di StoriaMusicale. Notes: attribution to Zacara. Bent, Margaret, and Anne Hallmark (editors). 1985. The Works of Johannes Ciconia. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Notes: attribution to Ciconia.
34v–35	Tal sotte l'acqua pescha	-	Anonymous
Tal sotte l'acqua pescha Anonymous Appears on: 34v–35 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Tal sotte l'acqua pescha ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Tal sotte l'acqua pescha ... Layout parts
35v–36	Fugir non posso dal tuo dolze volto	-	Ciconia, Johannes (ca. 1370–1412) (?)
Fugir non posso dal tuo dolze volto Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 35v–36 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Fugir non posso dal tuo dolçe vol= dal tuo dolçe ... volto ... Voice: [no designation] Languages: Italian Clef: f1c3 Voice Text: Fugir non posso dal tuo dolçe vol= dal tuo dolçe ... volto ... Layout parts
35v–36	I' senti matutino sonar dopo le squille	Andrea Stephanj	Stephani, Andrea
I' senti matutino sonar dopo le squille Stephani, Andrea Appears on: 35v–36 Genres: Italian secular Source Attribution: Andrea Stephanj Voice: [no designation] Languages: Italian Clef: c4 Voice Text: I' senti matutino sonar dopo le squille ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: I' senti matutino sonar dopo le squille ... Layout parts
36v–38	Imperiale sedendo fra piu stelle	-	Padua, Bartolinus de (fl. 1365-1405)
Imperiale sedendo fra piu stelle Padua, Bartolinus de (fl. 1365-1405) Appears on: 36v–38 Genres: Italian secular Voice: Contratenor Languages: Italian Clef: f2c4 Voice Text: Inperiale sedendo fra piu stelle ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Inperiale sedendo fra piu stelle ... Voice: Tenor Languages: none Clef: f2 Voice: [no designation] Languages: none Layout parts
38	A tanti homini tanti volere	-	Anonymous
A tanti homini tanti volere Anonymous Appears on: 38 Genres: Motet Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: A tanti homini tanti volere ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: A tanti homini tanti volere ... Layout parts
38v	O cuor del corpo mio	-	Anonymous
O cuor del corpo mio Anonymous Appears on: 38v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c1 Voice Text: O chuor del corpo mio ... Layout parts
38v	Mille merçe, o cara mia luce	-	Anonymous
Mille merçe, o cara mia luce Anonymous Appears on: 38v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Mille merçe mille merçe o chara mia luce ... Layout parts
39	Je suis madame en departir	-	Anonymous
Je suis madame en departir Anonymous Appears on: 39 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Je suy madame en departir ... Voice: Tenor Languages: French Clef: f3 Voice Text: Je suy madame etc. Layout parts
39	Merci merci noble créature etc.	-	Anonymous
Merci merci noble créature etc. Anonymous Appears on: 39 Genres: Chanson Voice: [no designation] Languages: French Clef: f2c4 Voice Text: Merci merci noble créature etc. Layout parts
39v–40	O pensieri vani o sperança fallace	-	Anonymous
O pensieri vani o sperança fallace Anonymous Appears on: 39v–40 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c1 Voice Text: O pensieri vani o sperança fallace ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: O pensieri vani o sperança fallace ... Layout parts
39v–40	Deh tristo mi topinello	-	Anonymous
Deh tristo mi topinello Anonymous Appears on: 39v–40 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: De[h] tristo mi topinello ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: De[h] tristo mi topinello ... Layout parts
40v–41	Spinato intorno al cor	-	Anonymous
Spinato intorno al cor Anonymous Appears on: 40v–41 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Spinato intorno al cor ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Spinato intorno al cor ... Layout parts General Note Beginning cites Zacara's ballate "Un fiore gentil m’apparse" e "Rosetta che non canbi"; probably a homage to Zacara by a younger composer.
41v	S' i' ti son stato et vogli' esser fedele	Franciesco degl'organj	Landini, Francesco (ca. 1325–1397)
S' i' ti son stato et vogli' esser fedele Landini, Francesco (ca. 1325–1397) Appears on: 41v Genres: Italian secular Source Attribution: Franciesco degl'organj Voice: [no designation] Languages: Italian Clef: c2 Voice Text: s' i' ti so' stato ... Voice: Tenor Languages: Italian Clef: f2c4 Voice Text: s' i' ti so' stato ...
42	Con tutta gentilezza vezose	Andrea Stephanj	Stephani, Andrea
Con tutta gentilezza vezose Stephani, Andrea Appears on: 42 Genres: Italian secular Source Attribution: Andrea Stephanj Voice: Contratenor Languages: Italian Clef: c4 Voice Text: Con tucta gentileçça. Voice: Tenor Languages: Italian Clef: c4 Voice Text: Con tucta gentileçça etc. Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Con tucta gentileçça veçose ... Layout parts
42v–43	Morte m'å sciolt'amor	Andrea Stephanj	Stephani, Andrea
Morte m'å sciolt'amor Stephani, Andrea Appears on: 42v–43 Genres: Italian secular Source Attribution: Andrea Stephanj Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Morte m'å sciolt'amor ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Morte m'å sciolt'amor ... Layout parts
43v–44	S'avesse forza o sdegno quand'amore	[...] pitor	....pitor
S'avesse forza o sdegno quand'amore ....pitor Appears on: 43v–44 Genres: Italian secular Source Attribution: [...] pitor Voice: Tenor Languages: Italian Clef: f3 Voice Text: S'avesse força o sdegno quant'amore ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: S'avesse força o sdegno quant'amore ... Layout parts
43v–44	La vaga luce che fa invidi' al sole	-	Firenze, Paolo da (ca. 1355–ca. 1436)
La vaga luce che fa invidi' al sole Firenze, Paolo da (ca. 1355–ca. 1436) Appears on: 43v–44 Genres: Ballata, Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: La vaga luce che fa invidi' al sole ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: La vaga luce che fa invidi' al sole ... Layout parts
44v	Tra sperança e fortuna io pur m'agiro	-	Firenze, Paolo da (ca. 1355–ca. 1436)
Tra sperança e fortuna io pur m'agiro Firenze, Paolo da (ca. 1355–ca. 1436) Appears on: 44v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Tra sperança e fortuna ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Tra sperança e fortuna ...

Composer	Compositions
....pitor	S'avesse forza o sdegno quand'amore – 43v–44
Anonymous	A la mort ay madame – 27 A tanti homini tanti volere – 38 Aylas quand ie pans le biaute de m'amour – 33v–34 De mia farina fo le mie lasagne – 23 Deh tristo mi topinello – 39v–40 Je suis madame en departir – 39 La belle flour etc. – 7 Mal vi loyaute d'etre amoureux – 7 Merci merci noble créature etc. – 39 Mille merçe, o cara mia luce – 38v Mon bel ami corteuse gratieux – 7v Mon bel ami mon confort et ma joie – 7v Noble signour [unicum] – 30 O cuor del corpo mio – 38v O pensieri vani o sperança fallace – 39v–40 Or sus, vous dormez trop, ma dame – 30v Piangono l'ochi e l'alma mia suspira – 33 Spinato intorno al cor – 40v–41 Tal sotte l'acqua pescha – 34v–35
Binchois, Gilles (ca. 1400–1460)	Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv) – 2
Caserta, Antonello da (fl. c1400)	A pianger l'ochi l'ochi mei – 23v–24 Con dogliosi martire che 'l mio cor – 25v Deh vogliateme oldire donna – 25 Del glorioso titolo d'esto duce – 22v–23 Madonna io me ramento del tuo polito viso – 26v Or tolta pur me sei – 26 Piu chiar che 'l sol in lo mio cor – 24v
Ciconia, Johannes (ca. 1370–1412)	(?) Ave vergene etc. – 14 (?) Chi vuole amar a me con vera fede – 31v Con lagrime bagnandome el viso – 14 (?) Fugir non posso dal tuo dolze volto – 35v–36 I cani sono fuora per le mosse – 31v La fiamma del tuo amor' – 14v (?) Mercé o morte o vaga anima mia – 13v (?) Non credo, donna, che la dolce fiamma – 34v–35 Per quella strada lactea del cielo – 32 Poy che morir mi convien per to amore – 32v
Cividale, Antonius de	(?) Atandre, atandre et atendus ay – 27v Loingtemps i'ay mis mon coeur – 8v Merçi pour dieu merçi ma dame belle – 8 Vous soyez tres bien venus – 28
Firenze, Gherardello da (ca. 1320–ca. 1363)	Un pur' amore – 9
Firenze, Paolo da (ca. 1355–ca. 1436)	La vaga luce che fa invidi' al sole – 43v–44 Tra sperança e fortuna io pur m'agiro – 44v
Fulginatis, Johannes	Mercede o donna mercede o donna io moro – 31
Landini, Francesco (ca. 1325–1397)	Cacando un giorno vidi – 10 Con gli ochi assai ne miro – 11v–12 Donna i' prego amore il qual m'a fatto – 11v–12r Donna leggiadra e bella che con le vostre – 1v Donna s'i' t'ò fallito – 9 L’alma mie piang’e ma’ non può aver pace – 10v–11 Poiché da te mi convien partir via – 12v–13 S' i' ti son stato et vogli' esser fedele – 41v
Padua, Bartolinus de (fl. 1365-1405)	Imperiale sedendo fra piu stelle – 36v–38 La douce ciere d'un fier animale – 1 La sacrosancta carità d'amore – 4 Le aurate chiome nodose – 5 Non corer troppo e tien la mano al freno – 6v Perche cançato [cangiato] è 'l mondo dall' anticho – 4v Recordate de mi, madonna mia – 2v Senpre donna t' amai di pura voia – 5v–6 Serva çiaschuno com'e facto a lui – 2v Zoya de novi odori – 3
Perugia, Nicolo da	(?) Donna o donna, posso io sperare / Donna dici a me – 15
Stephani, Andrea	Con tutta gentilezza vezose – 42 I' senti matutino sonar dopo le squille – 35v–36 Morte m'å sciolt'amor – 42v–43
Vaillant, Jacob (fl. 1360–90)	Par maintes fois ay oy recorder – 28v–29
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	Ad ogne vento volta come foglia – 21v–22 (?) Ayme per tutto l'or per tucto l'or una da undici – 33v–34 Ciaramella me dolçe Ciaramella – 19v–20 (?) Donna o donna, posso io sperare / Donna dici a me – 15 D’amor languire, suspirare e piangere – 16v Je suis navres tan fort / Je suis navres de quoy et de le dames / Gnaff' a le guagnele – 20v–21 (?) Non credo, donna, che la dolce fiamma – 34v–35 Plorans ploravi perché la fortuna / In ulnis patris – 17v–18v Rosetta che non canbi – 15v–16 Sol mi trafigge 'l cor l'aquila bella – 19 Spesso fortuna cridote tu dici – 21v–22 Un fiore gentil m'apparse / Venne etc. – 17
da Bologna, Bartholomeus (fl. c1405-1427)	Per un verde boschetto – 3v

Composition	Composers (? Uncertain)	Folios / Pages
A la mort ay madame	Anonymous	27
A pianger l'ochi l'ochi mei	Caserta, Antonello da (fl. c1400)	23v–24
A tanti homini tanti volere	Anonymous	38
Ad ogne vento volta come foglia	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	21v–22
Atandre, atandre et atendus ay	Cividale, Antonius de (?)	27v
Ave vergene etc.	Ciconia, Johannes (ca. 1370–1412) (?)	14
Aylas quand ie pans le biaute de m'amour	Anonymous	33v–34
Ayme per tutto l'or per tucto l'or una da undici	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)	33v–34
Cacando un giorno vidi	Landini, Francesco (ca. 1325–1397)	10
Chi vuole amar a me con vera fede	Ciconia, Johannes (ca. 1370–1412) (?)	31v
Ciaramella me dolçe Ciaramella	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	19v–20
Con dogliosi martire che 'l mio cor	Caserta, Antonello da (fl. c1400)	25v
Con gli ochi assai ne miro	Landini, Francesco (ca. 1325–1397)	11v–12
Con lagrime bagnandome el viso	Ciconia, Johannes (ca. 1370–1412)	14
Con tutta gentilezza vezose	Stephani, Andrea	42
De mia farina fo le mie lasagne	Anonymous	23
Deh tristo mi topinello	Anonymous	39v–40
Deh vogliateme oldire donna	Caserta, Antonello da (fl. c1400)	25
Del glorioso titolo d'esto duce	Caserta, Antonello da (fl. c1400)	22v–23
Donna i' prego amore il qual m'a fatto	Landini, Francesco (ca. 1325–1397)	11v–12r
Donna leggiadra e bella che con le vostre	Landini, Francesco (ca. 1325–1397)	1v
Donna o donna, posso io sperare / Donna dici a me	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Perugia, Nicolo da (?)	15
Donna s'i' t'ò fallito	Landini, Francesco (ca. 1325–1397)	9
Dueil angoisseux, rage desmesuree II. Coeur doloreux (3vv)	Binchois, Gilles (ca. 1400–1460)	2
D’amor languire, suspirare e piangere	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	16v
Fugir non posso dal tuo dolze volto	Ciconia, Johannes (ca. 1370–1412) (?)	35v–36
I cani sono fuora per le mosse	Ciconia, Johannes (ca. 1370–1412)	31v
I' senti matutino sonar dopo le squille	Stephani, Andrea	35v–36
Imperiale sedendo fra piu stelle	Padua, Bartolinus de (fl. 1365-1405)	36v–38
Je suis madame en departir	Anonymous	39
Je suis navres tan fort / Je suis navres de quoy et de le dames / Gnaff' a le guagnele	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	20v–21
La belle flour etc.	Anonymous	7
La douce ciere d'un fier animale	Padua, Bartolinus de (fl. 1365-1405)	1
La fiamma del tuo amor'	Ciconia, Johannes (ca. 1370–1412)	14v
La sacrosancta carità d'amore	Padua, Bartolinus de (fl. 1365-1405)	4
La vaga luce che fa invidi' al sole	Firenze, Paolo da (ca. 1355–ca. 1436)	43v–44
Le aurate chiome nodose	Padua, Bartolinus de (fl. 1365-1405)	5
Loingtemps i'ay mis mon coeur	Cividale, Antonius de	8v
L’alma mie piang’e ma’ non può aver pace	Landini, Francesco (ca. 1325–1397)	10v–11
Madonna io me ramento del tuo polito viso	Caserta, Antonello da (fl. c1400)	26v
Mal vi loyaute d'etre amoureux	Anonymous	7
Mercede o donna mercede o donna io moro	Fulginatis, Johannes	31
Merci merci noble créature etc.	Anonymous	39
Mercé o morte o vaga anima mia	Ciconia, Johannes (ca. 1370–1412) (?)	13v
Merçi pour dieu merçi ma dame belle	Cividale, Antonius de	8
Mille merçe, o cara mia luce	Anonymous	38v
Mon bel ami corteuse gratieux	Anonymous	7v
Mon bel ami mon confort et ma joie	Anonymous	7v
Morte m'å sciolt'amor	Stephani, Andrea	42v–43
Noble signour [unicum]	Anonymous	30
Non corer troppo e tien la mano al freno	Padua, Bartolinus de (fl. 1365-1405)	6v
Non credo, donna, che la dolce fiamma	Ciconia, Johannes (ca. 1370–1412) (?) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)	34v–35
O cuor del corpo mio	Anonymous	38v
O pensieri vani o sperança fallace	Anonymous	39v–40
Or sus, vous dormez trop, ma dame	Anonymous	30v
Or tolta pur me sei	Caserta, Antonello da (fl. c1400)	26
Par maintes fois ay oy recorder	Vaillant, Jacob (fl. 1360–90)	28v–29
Per quella strada lactea del cielo	Ciconia, Johannes (ca. 1370–1412)	32
Per un verde boschetto	da Bologna, Bartholomeus (fl. c1405-1427)	3v
Perche cançato [cangiato] è 'l mondo dall' anticho	Padua, Bartolinus de (fl. 1365-1405)	4v
Piangono l'ochi e l'alma mia suspira	Anonymous	33
Piu chiar che 'l sol in lo mio cor	Caserta, Antonello da (fl. c1400)	24v
Plorans ploravi perché la fortuna / In ulnis patris	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	17v–18v
Poiché da te mi convien partir via	Landini, Francesco (ca. 1325–1397)	12v–13
Poy che morir mi convien per to amore	Ciconia, Johannes (ca. 1370–1412)	32v
Recordate de mi, madonna mia	Padua, Bartolinus de (fl. 1365-1405)	2v
Rosetta che non canbi	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	15v–16
S' i' ti son stato et vogli' esser fedele	Landini, Francesco (ca. 1325–1397)	41v
S'avesse forza o sdegno quand'amore	....pitor	43v–44
Senpre donna t' amai di pura voia	Padua, Bartolinus de (fl. 1365-1405)	5v–6
Serva çiaschuno com'e facto a lui	Padua, Bartolinus de (fl. 1365-1405)	2v
Sol mi trafigge 'l cor l'aquila bella	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	19
Spesso fortuna cridote tu dici	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	21v–22
Spinato intorno al cor	Anonymous	40v–41
Tal sotte l'acqua pescha	Anonymous	34v–35
Tra sperança e fortuna io pur m'agiro	Firenze, Paolo da (ca. 1355–ca. 1436)	44v
Un fiore gentil m'apparse / Venne etc.	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	17
Un pur' amore	Firenze, Gherardello da (ca. 1320–ca. 1363)	9
Vous soyez tres bien venus	Cividale, Antonius de	28
Zoya de novi odori	Padua, Bartolinus de (fl. 1365-1405)	3

Images © Archivio di Stato, Lucca

Set: Mancini Codex or Lucca Codex (at one time the Strohm MS)

Type: Fragments of a whole

I-La MS 184 (Mancini Codex or Lucca Codex)

No images available

I-PEc MS 3065 (Mancini Codex or Lucca Codex)

‡ denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

‡ Nadas, John, and Agostino Ziino. 2005. Two newly discovered leaves from the Lucca Codex. Studi musicali, 3-24(plusplates).

Bent, Margaret. 1996. Review of Facsimiles of the Squarcialupi MS and other sources. Early Music History, 251-269.

‡ Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova. Lucca: Libreria musicale italiana.

Nadas, John. 1989. The Lucca Codex and MS San Lorenzo 2211: Native and Foreign Songs in Early Quattrocento Florence, paper read at the Meeting of the American Musicological Society, Austin TX 1989. Arte Psallentes. John Nádas: Studies in Music of the Tre- and Quattrocento. Collected in Honor of his 70th Birthday, Lucca: Libreria Musicale Italiana.

Baumann, Dorothea. 1978. Some Extraordinary Forms in the Italian Secular Trecento Repertoire. L'Ars Nova Italiana del Trecento IV, Pages: 53-4. Notes: contents list (partial); texts (partial); mention of MS; discussion.

Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: 53-5, passim. Notes: additional bibliography.

Pirrotta, Nino. 1972. New Glimpses of an Unwritten Tradition. Words and Music: The Scholar's View ... Compiled in Honor of A. Tillman Merritt, edited by Nino Pirrotta, 271-91. Cambridge, Massachusetts: Department of Music, Harvard University. Pages: 288-91. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: B IV/4,929-47. Notes: physical description; contents list; concordances; incipits; additional bibliography.

Pirrotta, Nino. 1971. Zacharus Musicus. Quadrivium, 153-75. Pages: 155ff, 172-5. Notes: transcription (partial); mention of MS; discussion.

Apel, Willi (editor). 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xxxiii, xliii; III, xxiv-ff, 238ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: 12. Notes: contents list (partial); concordances (partial).

Petrobelli, Pierluigi. 1968. Some Dates for Bartolino da Padova. Studies in Music History: Essays for Oliver Strunk, edited by Pierluigi Petrobelli, 85-112. Princeton: Princeton University Press. Pages: 84, 94-105. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Günther, Ursula. 1966. Die 'anonymen' Kompositionen des Manuskripts Paris, B.N., fonds it. 568 (Pit). Archiv für Musikwissenschaft, 73-92. Pages: 83ff, Abb. 25. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Goldine, Nicole. 1962. Fra Battolino da Padova, Musicien de Cour. Acta Musicologica, 142-55. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I, 54-9, 65-7; II, 43-62, 69-72, 91. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 198,243ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fischer, Kurt von. 1958. Trecentomusik-Trecentoprobleme: Ein kritischer Forschungsbericht. Acta Musicologica, 179-99. Pages: 181-2. Notes: physical description; mention of MS; discussion.

Schrade, Leo. 1958. Übertragungen der Werke Landinis. Pages: (Übertragungen von Nr. 18, 19, 71). - Vergleiche ferner Ausgaben unter I-PEco3065.

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II, Nr. 50 (Übertragung von Nr. 2).

Fischer, Kurt von. 1957. Kontrafakturen und Parodien Italienischer Werke des Trecento und Frühen Quattrocento. Annales Musicologiques, 43-59. Pages: 47. Notes: contents list (partial); concordances (partial).

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vol. IV, 33ff, passim; VIII, 204ff, passim; IX, 196ff, passim; X, 149ff, passim; XI, 169-77, passim; XIX, 195; XXIV, 121-5,134-5,150-1,156-9,209-14. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 96f.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: V, xvi, 3-6; VI, ix, xviii-xix, xxxi, xxxvi-xxxviii, 20-5, 28-30, 124-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Pirrotta, Nino (editor). 1954-1998. The Music of Fourteenth Century Italy. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, Nr. 40-43 (Übertragungen von Nr. 61, 71-73).

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xi-xiv. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Monterosso, Raffaele, and Benvenuto Disertori. 1954. Le Frottole nell'edizione Principe di Ottaviano Petrucci. Instituta et Monumenta, Serie I. Cremona. Pages: XI-XIII (Übertragungen von Nr. 23, 35, 69).

‡ Gotti, Ettore Li, and Nino Pirrotta. 1949-1951. II codice di Lucca. Musica Disciplina, III, 119-38; IV, 111-52; V, 115-42. Pages: I, 130ff. (Faksimiles von Nr. 3, [4], [62], 63, 72, 76); II, 150ff. (Übertragungen von Nr. 23, 31, 61). Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); texts; mention of MS; discussion; additional bibliography.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 705; VIII, 1249-51. Notes: physical description; contents list; incipitsst of contents (partial); mention of MS; discussion; additional bibliography.

Fischer, Kurt von. 1949-79. Lucca Codex. Die Musik in Geschichte und Gegenwart, 1st Edition, . Pages: VIII, 1249ff.

Bonaccorsi, A. 1948. Un nuovo codice dell'Ars Nova: II codice Lucchese. Memorie dell' Accademia nazionale dei Lincei, .

Mancini, Augusto. 1947. Frammenti di un nouvo codice dell'Ars Nova. Rendiconti della Classe di Scienze morali, storielle e filologiche dell' Accademia nazionale dei Lincei, . Pages: 85ff.

Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91. Pages: 173ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

‡ Mancini, Augusto. 1939. Un nuovo codice dell'Ars Nova. Sonderdruck aus Relazioni della XXVIII Riunione della S.I.P.S.V., .

Gröber, Gustav. 1887. Zu den Liederbüchern von Cortona. Zeitschrift für Romanische Philologie, 371-404. Pages: 371ff, passim. Notes: physical description (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description