I-Mfd MS 2266 (Librone 4)

Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy

partbook: Early16th century

Archive	Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy (I-Mfd)
Shelfmark	MS 2266 (Librone 4)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None
Measurements	irregular and varying sizes (original size c. 400 x 300). mm
Other Identifiers	RISM: I-Md 2266 CCM: MilD 4 olim (Former shelfmark): 2266 Alternative names: Cassette Ratti, nos. 34-43
Notations	black void mensural
Copyists	Gaffurius, Franchinus (1451–1522) Music
Relationships	Milan Cathedral (copied at)
External Links	Gaffurius Codices online
Provenance	Italy
Contents	90 pieces from 9 composers

General Description

Copied by one main scribe, whose hand also appears in MilD 3 (Rifkin); later insertions by Franchino Gafori, who also copied ParmC 1158 and portions of MilD 1, MilD 2, and MilD 3. The composers of several works are conjectural, based on descriptions of manuscript before fire damage, and lists of works by Compère and Gafori for which there are no other known sources. Many unidentified pieces probably by Gafori. Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

DIAMM, 2017

Physical Description

Seriously damaged by fire in 1906 while on display at international art exhibit in Milan. Some folios completely destroyed; charring of edges of surviving folios obliterated some music, all original foliation, and attributions. Restored 1914-6 by Achille Ratti, prefect of Biblioteca Ambrosiana in Milan.

DIAMM, 2017

Binding

Surviving folios preserved unbound in 10 boxes, numbered 34-43.

DIAMM, 2017

Notation

Black void mensural notation

DIAMM, 2017

Decoration

Inked initials and voice designations

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. (1527). 144ff. Papier, 400 x 300 mm. Foliotation moderne: 1-144. Notation mesurée blanche. 10 portées par p.

Les restes de ce ms., très sévèrement brûlé en 1906 à l'Exposition de Milan, sont maintenant conservés dans 10 cassettes à l'Archivio della Fabbrica del Duomo. De nombreux ff. ayant été complètement détruits et les autres très endommagés, la description est ici donnée d'après les catalogues antérieurs à 1906 (cf. Bibliographie). A la p. 169 des Annali, on a noté: «In fine dell'altro codice manoscritto … sta scritto Liber Franchini Gafuri musici praefitiensis die 22 junii 1527», note qui ne peut concerner que ce Librone 4 et qui fixe la date finale de la copie, indiquant ainsi que celle-ci a été faite quelques années après la mort de Gaffurio, dont de nombreuses oeuvres (Messes, Magnificat, motets) figuraient dans le ms. Une restauration commencée par Achille Ratti (futur Pie XI) en 1914, puis améliorée en 1953 par Onesta Benetti de l'Istituto di patologia del libro de Rome, a permis de déchiffrer ce qui reste des parties de T et B, le Sup. et l'A ayant à peu près complètement disparu. Aucune pièce ne peut donc être transcrite en entier et, comme on trouve dans Sartori les incipit musicaux des T et B qui ont pu être déchiffres, que le facs. du ms. est maintenant réalisé, il a semblé inutile de donner ici le dépouillement d'un ms. dont, de surcroit, tous les noms de compositeurs ont disparu.

Edition

Facs. du ms. entier: AMMM XVI

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 G-C-S Mass, 1 Sanctus, 2 Agnus, 6 Magnificats, 61 motets, 1 lauda, 1 textless piece = 78

(Compère)-3, (Gafori)-13, (Josquin)-5, (Spataro)-1, (Weerbecke)-4, anon-52

144 paper folios of an original 200?, now of irregular and varying sizes (original size ca. 400 x 300). Seriously damaged by fire in 1906 while on display at international art exhibit in Milan. Some folios completely destroyed; charring of edges of surviving folios obliterated some music, all original foliation, and attributions. Restored 1914-6 by Achille Ratti, prefect of Biblioteca Ambrosiana in Milan. Surviving folios preserved unbound in 10 boxes, numbered 34-43.

Copied by one main scribe, whose hand also appears in MilD 3 (Rifkin); later insertions by Franchino Gafori, who also copied ParmC 1158 and portions of MilD 1, MilD 2, and MilD 3. Inked initials and voice designations. Composer list above includes several conjectural identifications based on descriptions of manuscript before fire damage, and lists of works by Compère and Gafori for which there are no other known sources. Many unidentified pieces probably by Gafori.

Early 16th century. Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

Vol 4

Contents: 4 Masses, 1 G-C-S Mass, 1 Kyrie, 1 Sanctus, 2 Agnus, 5 Magnificats, 1 Magnificat section, 73 motets (some arranged in cycles, possibly as substitutes for Mass sections), 1 Italian lauda, 1 textless piece = 90

Composers: (Compère)-5 + 1?, (Compère/Gafori)-1, (Compère/Richafort)-1, (Gafori)-14 + 6?, (Josquin)-5, (Spataro)-1, (Weerbecke)-7 + 1?, anon-48

Physical: Change "ParmC 1158" to "ParmP 1158."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Simeon justus accipit senex puerum	-	Gaffurius, Franchinus (1451–1522)
Simeon justus accipit senex puerum Gaffurius, Franchinus (1451–1522) Appears on: 1 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Simeon iustus accipit senex puerum
1v–10	Missa Ave maris stella	-	Gaffurius, Franchinus (1451–1522)
Missa Ave maris stella Gaffurius, Franchinus (1451–1522) Appears on: 1v–10 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Mysterium ecclesie] Sola in sexu femina General Note Sup. et seul1er f.n.ch v -1
10v–12	O crux benedicta que sola fuisti digna	-	Gaffurius, Franchinus (1451–1522)
O crux benedicta que sola fuisti digna Gaffurius, Franchinus (1451–1522) Appears on: 10v–12 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: O crux benedicta que sola fuisti digna
12v–13	Imperatrix gloriosa potens et imperiosa	-	Gaffurius, Franchinus (1451–1522)
Imperatrix gloriosa potens et imperiosa Gaffurius, Franchinus (1451–1522) Appears on: 12v–13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Imperatrix gloriosa potens et imperiosa
13v–14	Caeli quondam roraverunt ex quo nubes	-	Gaffurius, Franchinus (1451–1522)
Caeli quondam roraverunt ex quo nubes Gaffurius, Franchinus (1451–1522) Appears on: 13v–14 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Caeli quondam roraverunt ex quo nubes
14v–23	Missa Imperatrix gloriosa	-	Gaffurius, Franchinus (1451–1522)
Missa Imperatrix gloriosa Gaffurius, Franchinus (1451–1522) Appears on: 14v–23 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Duo quarti toni. Esurientes General Note Verset 8 seul Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
23v–24	Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina	-	Gaffurius, Franchinus (1451–1522)
Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina Gaffurius, Franchinus (1451–1522) Appears on: 23v–24 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve verbi sacra parens flos de spina
24v–25	[textless]	-	Anonymous
[textless] Anonymous Appears on: 24v–25 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Duo quinti toni. Fecit potentiam
25v–26	Kyrie	-	Anonymous
Kyrie Anonymous Appears on: 25v–26 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Duo quarti toni. Quia fecit General Note Verset 4seul Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
26v–27	Assumpta est Maria in caelum gaudent angeli	-	Gaffurius, Franchinus (1451–1522)
Assumpta est Maria in caelum gaudent angeli Gaffurius, Franchinus (1451–1522) Appears on: 26v–27 Genres: Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Assumpta est Maria
27v–28	Vidi speciosam sicut columbam ascendentem	-	Gaffurius, Franchinus (1451–1522)
Vidi speciosam sicut columbam ascendentem Gaffurius, Franchinus (1451–1522) Appears on: 27v–28 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vidi speciosam sicut columbam ascendentem
28v–38	Missa La bassadanza	-	Gaffurius, Franchinus (1451–1522)
Missa La bassadanza Gaffurius, Franchinus (1451–1522) Appears on: 28v–38 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Artus solutos ut quies reddat
38v–40	Pontifex urbis populus que nostri huc	-	Gaffurius, Franchinus (1451–1522)
Pontifex urbis populus que nostri huc Gaffurius, Franchinus (1451–1522) Appears on: 38v–40 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pontifex urbis populus que nostri huc
40v–41	Nativitas tua Dei genitrix virgo	-	Gaffurius, Franchinus (1451–1522)
Nativitas tua Dei genitrix virgo Gaffurius, Franchinus (1451–1522) Appears on: 40v–41 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nativitas tua dei genitrix virgo
41v–47	Missa [de nativitate BMV]	LOYSET [COMPERE]	Gaffurius, Franchinus (1451–1522)
Missa [de nativitate BMV] Gaffurius, Franchinus (1451–1522) Appears on: 41v–47 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: LOYSET [COMPERE] Voice: [no designation] Languages: Latin Voice Text: Primi toni. [Magnificat] Anima mea General Note Touse les versets Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III.
47v–48	Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae	-	Power, Leonel (–1445)
Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae Power, Leonel (–1445) Appears on: 47v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gloriosae virginis Mariae
48v–50	Christe cunctorum dominator alme patris	-	Gaffurius, Franchinus (1451–1522)
Christe cunctorum dominator alme patris Gaffurius, Franchinus (1451–1522) Appears on: 48v–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christe cunctorum dominator alme patris
50v–52	Magnificat secundi toni	-	Anonymous
Magnificat secundi toni Anonymous Appears on: 50v–52 Genres: BVM, Canticle, Magnificat
52v–55	Magnificat sexti toni	LOYSET [COMPERE]	Anonymous
Magnificat sexti toni Anonymous Appears on: 52v–55 Genres: Magnificat Source Attribution: LOYSET [COMPERE] Voice: [no designation] Languages: Latin Voice Text: sexti toni. {Magnificat] Anima mea General Note Verset 1 puis versets pairs et verset II a 4vx Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III.
55v–56	Magnificat sexti toni	J. MARTINI	Anonymous
Magnificat sexti toni Anonymous Appears on: 55v–56 Genres: BVM, Canticle, Magnificat Source Attribution: J. MARTINI Voice: [no designation] Languages: Latin Voice Text: Tertii toni. [Magnificat] Anima mea General Note Versets imp. Concordances D-brd-Mbs 3154 Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense.* Veneranda Fabbrica del Duomo di Milano. Pages: XII.
56v–59	Magnificat octavi toni	JO. MARTINI	Anonymous
Magnificat octavi toni Anonymous Appears on: 56v–59 Genres: BVM, Canticle, Magnificat Source Attribution: JO. MARTINI Voice: [no designation] Languages: Latin Voice Text: Ottavi [toni] {Magnificat} Anima mea General Note Versets imp Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XII.
59v–60	Gloria tibi trinitas cuius larga nos	-	Anonymous
Gloria tibi trinitas cuius larga nos Anonymous Appears on: 59v–60 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gloria tibi trinitas cuius larga nos
60v–61	Sancti spiritus assit nobis gratia	-	Anonymous
Sancti spiritus assit nobis gratia Anonymous Appears on: 60v–61 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gratia
61v–62	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 61v–62 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
62v–63	Tu divisum per linguas mundum et ritus	-	Anonymous
Tu divisum per linguas mundum et ritus Anonymous Appears on: 62v–63 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tu divisum per linguas mundum et ritus
63v–64	Tu purificator omnium flagitiorum spiritus	-	Anonymous
Tu purificator omnium flagitiorum spiritus Anonymous Appears on: 63v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tu purificator omnium flagitiorum spiritus
64v–65	Spiritus alme illustrator cordium infunde	-	Anonymous
Spiritus alme illustrator cordium infunde Anonymous Appears on: 64v–65 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus alme illustrator cordium infunde
65v–66	Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis	-	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis Compère, Loyset (ca. 1445–1518) Appears on: 65v–66 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis
66v–67	Sanctus 'O sapientia'	-	Compère, Loyset (ca. 1445–1518) (?)
Sanctus 'O sapientia' Compère, Loyset (ca. 1445–1518) (?) Appears on: 66v–67 Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni. Et exultavit General Note Versets pairs Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
67v–68	Suscipe verbum virgo Maria quod tibi = O genetrix gloriosa	-	Compère, Loyset (ca. 1445–1518)
Suscipe verbum virgo Maria quod tibi = O genetrix gloriosa Compère, Loyset (ca. 1445–1518) Appears on: 67v–68 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Suscipe verbum virgo Maria quod tibi
68v–70	Ambrosi doctor venerande cunctis gentibus	-	Gaffurius, Franchinus (1451–1522)
Ambrosi doctor venerande cunctis gentibus Gaffurius, Franchinus (1451–1522) Appears on: 68v–70 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ambrosi doctor venerande cunctis gentibus
70v–71	Diem novae gratiae	-	Anonymous
Diem novae gratiae Anonymous Appears on: 70v–71 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Diem novae gratiae
71v–72	Bone pastor Christe Jesu	-	Anonymous
Bone pastor Christe Jesu Anonymous Appears on: 71v–72 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Bone pastor Christe Iesu
72v–73	O inestimabile signum memorabile saeculorum	-	Anonymous
O inestimabile signum memorabile saeculorum Anonymous Appears on: 72v–73 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O inestimabile signum memorabile saeculorum
73v–74	In signo glorifico tanto tam mirifico	-	Anonymous
In signo glorifico tanto tam mirifico Anonymous Appears on: 73v–74 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In signo glorifico tanto tam mirifico
74v–75	Fons misericordie mundum rorat hodie II: Christi corpus ave qui nos pascis	-	Anonymous
Fons misericordie mundum rorat hodie II: Christi corpus ave qui nos pascis Anonymous Appears on: 74v–75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Fons misericordie mundum rorat hodie II: Christi corpus ave qui nos pascis
75v–76	Fide lapsa penitus Deus orbi caelitus	-	Anonymous
Fide lapsa penitus Deus orbi caelitus Anonymous Appears on: 75v–76 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Fide lapsa penitus deus orbi celitus
76v–77	Bone Jesu dulcis Christe	-	Anonymous
Bone Jesu dulcis Christe Anonymous Appears on: 76v–77 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Bone Iesu dulcis Christe
77v–78	O pater Olderice tuis miseratus adesto	-	Anonymous
O pater Olderice tuis miseratus adesto Anonymous Appears on: 77v–78 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pater Olderice tuis miseratus adesto
78v–79	Nunc dimittis: Quia viderunt oculi mei	-	Anonymous
Nunc dimittis: Quia viderunt oculi mei Anonymous Appears on: 78v–79 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum
79v–82	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 79v–82 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
82v–83	Solemnitas laudabilis a cunctis venerabilis	-	Gaffurius, Franchinus (1451–1522)
Solemnitas laudabilis a cunctis venerabilis Gaffurius, Franchinus (1451–1522) Appears on: 82v–83 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Solemnitas laudabilis a cunctis venerabilis
83v–85	Verbum Dei deo natum quod nec factum	-	Anonymous
Verbum Dei deo natum quod nec factum Anonymous Appears on: 83v–85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum dei deo natum quod nec factum
85v–87	Volat avis sine meta	F. G. {AFFORIUS}	Anonymous
Volat avis sine meta Anonymous Appears on: 85v–87 Genres: Motet Source Attribution: F. G. {AFFORIUS} Voice: [no designation] Languages: Latin Voice Text: Sponsa dei electa Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
87v–90	Magnificat sexti toni	F. GAFFORIUS	Anonymous
Magnificat sexti toni Anonymous Appears on: 87v–90 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFFORIUS Voice: [no designation] Languages: Latin Voice Text: Ortus conclusus fons signatus Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
90v–91	Diffusa est gratia	-	Anonymous
Diffusa est gratia Anonymous Appears on: 90v–91 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Diffusa est gratia
91v–92	Beata et venerabilis virgo que sine tactu	-	Anonymous
Beata et venerabilis virgo que sine tactu Anonymous Appears on: 91v–92 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata et venerabilis virgo que sine tactu
92v–93	Magnificamus te Dei genitrix quia ex te	-	Anonymous
Magnificamus te Dei genitrix quia ex te Anonymous Appears on: 92v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Magnificamus te dei genitrix quia ex te
93v–94	Virgo verbum concepit virgo permansit	-	Anonymous
Virgo verbum concepit virgo permansit Anonymous Appears on: 93v–94 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo verbum concepit virgo permansit
94v–95	Felix namque es, sacra virgo Maria	-	Anonymous
Felix namque es, sacra virgo Maria Anonymous Appears on: 94v–95 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria
95v–96	Magnum nomen Domini	-	Gaffurius, Franchinus (1451–1522)
Magnum nomen Domini Gaffurius, Franchinus (1451–1522) Appears on: 95v–96 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Magnum nomen domini Emanuel quod annunciatum
96v–97	[Nostras preces cum fletibus] Audi benigne conditor	-	Gaffurius, Franchinus (1451–1522)
[Nostras preces cum fletibus] Audi benigne conditor Gaffurius, Franchinus (1451–1522) Appears on: 96v–97 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Audi benigne conditor
97v–98	O sacrum convivium (5vv) - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	-	Gaffurius, Franchinus (1451–1522)
O sacrum convivium (5vv) - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Gaffurius, Franchinus (1451–1522) Appears on: 97v–98 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium
98v–99	O panis suavissime / O Jesu dulcissime	-	Fano
O panis suavissime / O Jesu dulcissime Fano Appears on: 98v–99 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O Iesu dulcissime
99v–100	Agnus Dei	F. GAFFORUS	Anonymous
Agnus Dei Anonymous Appears on: 99v–100 Genres: Agnus Dei, Mass Ordinary Source Attribution: F. GAFFORUS Voice: [no designation] Languages: Latin Voice Text: Ave mundi spes Maria Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
100v–103	In illo tempore missus est angelus Gabriel	-	Spataro, Giovanni (1458–1541)
In illo tempore missus est angelus Gabriel Spataro, Giovanni (1458–1541) Appears on: 100v–103 Genres: In illo tempore, Motet Voice: [no designation] Languages: Latin Voice Text: In illo tempore missus est angelus Gabriel
103v–104	Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino Despres, Josquin (ca. 1450–1521) Appears on: 103v–104 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
104v–105	Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem Despres, Josquin (ca. 1450–1521) Appears on: 104v–105 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
105v–106	Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus Despres, Josquin (ca. 1450–1521) Appears on: 105v–106 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
106v–107	Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut Despres, Josquin (ca. 1450–1521) Appears on: 106v–107 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
107v–108	Domine Jesu Christe unigenite Dei patris	-	Anonymous
Domine Jesu Christe unigenite Dei patris Anonymous Appears on: 107v–108 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine Iesu Christe unigenite dei patris
108v–109	Missus est ab arce patris in conclavi	-	Anonymous
Missus est ab arce patris in conclavi Anonymous Appears on: 108v–109 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Missus est ab arce patris in conclavi
109v–110	Dum intravit salutavit domum totam	-	Anonymous
Dum intravit salutavit domum totam Anonymous Appears on: 109v–110 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dum intravit salutavit domum totam
110v–111	Flamen divini obumbrabit de virtute	-	Anonymous
Flamen divini obumbrabit de virtute Anonymous Appears on: 110v–111 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Flamen divini obumbrabit de virtute
111v–112	Agnus Dei	F. G. [AFFORIUS}	Anonymous
Agnus Dei Anonymous Appears on: 111v–112 Genres: Agnus Dei, Mass Ordinary Source Attribution: F. G. [AFFORIUS} Voice: [no designation] Languages: Latin Voice Text: Castra celi dum transcendo Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
112v–113	O miranda creatura virgo eris semper	-	Anonymous
O miranda creatura virgo eris semper Anonymous Appears on: 112v–113 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O miranda creatura virgo eris semper
113v–114	Gaudeamus omnes - 1a pars (of 5): Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes - 1a pars (of 5): Gaudeamus omnes in Domino Anonymous Appears on: 113v–114 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
114v–115	Gaudeamus omnes - 2a pars (of 5): Gaude virgo mater Christi	-	Anonymous
Gaudeamus omnes - 2a pars (of 5): Gaude virgo mater Christi Anonymous Appears on: 114v–115 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
115v–116	Gaudeamus omnes - 3a pars (of 5): Gaude quod tria dona magi	-	Anonymous
Gaudeamus omnes - 3a pars (of 5): Gaude quod tria dona magi Anonymous Appears on: 115v–116 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
116v–117	Gaudeamus omnes - 4a pars (of 5): Gaude quia tui nati	-	Anonymous
Gaudeamus omnes - 4a pars (of 5): Gaude quia tui nati Anonymous Appears on: 116v–117 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
117v–118	Gaudeamus omnes - 5a pars (of 5): Gaude quae post ipsum	-	Anonymous
Gaudeamus omnes - 5a pars (of 5): Gaude quae post ipsum Anonymous Appears on: 117v–118 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
118v–120	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 118v–120 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena
120v–121	Spiritus Domini - 1a pars (of 2): Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Spiritus Domini - 1a pars (of 2): Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 120v–121 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus Domini replevit
121v–122	Spiritus Domini - 2a pars (of 2): Veni sancte spiritus reple tuorum corda	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516) Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Spiritus Domini - 2a pars (of 2): Veni sancte spiritus reple tuorum corda Weerbecke, Gaspar van (ca. 1445–ca. 1516) Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 121v–122 Genres: Motet, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum
122v–123	Beata gens cuius est Dominus Deus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Beata gens cuius est Dominus Deus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 122v–123 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata gens cuius est dominus deus
123v–124	Confirma hoc Deus	-	Du Fay, Guillaume (1397–1474) (?)
Confirma hoc Deus Du Fay, Guillaume (1397–1474) (?) Appears on: 123v–124 Genres: Offertory, Proper Voice: [no designation] Languages: Latin Voice Text: Confirma hoc deus
124v–125	Sancti spiritus assit nobis gratia	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Sancti spiritus assit nobis gratia Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 124v–125 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gratia
125v–126	Beata es virgo puerpera namque sedet	-	Anonymous
Beata es virgo puerpera namque sedet Anonymous Appears on: 125v–126 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata es virgo puerpera namque sedet
126v–127	O sacra virginitas alma paris nec est	-	Anonymous
O sacra virginitas alma paris nec est Anonymous Appears on: 126v–127 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sacra virginitas alma paris nec est
127v–128	Ave Maria spiritus sancti fecundata	-	Anonymous
Ave Maria spiritus sancti fecundata Anonymous Appears on: 127v–128 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria spiritus sancti fecundata
128v–129	Salve mundi lux et vita pretiosa	-	Anonymous
Salve mundi lux et vita pretiosa Anonymous Appears on: 128v–129 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve mundi lux et vita pretiosa
129v–130	Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria	-	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria Compère, Loyset (ca. 1445–1518) Appears on: 129v–130 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata dei genitrix Maria
130v–131	Beata virgo Maria esto nobis propitia	-	Compère, Loyset (ca. 1445–1518)
Beata virgo Maria esto nobis propitia Compère, Loyset (ca. 1445–1518) Appears on: 130v–131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata virgo Maria esto nobis propitia
131v–132	O post partum munda plus quam de fontibus	-	Compère, Loyset (ca. 1445–1518)
O post partum munda plus quam de fontibus Compère, Loyset (ca. 1445–1518) Appears on: 131v–132 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O post partum munda plus quam de fontibus
132v–133	Quam pulcra es et quam decora	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Quam pulcra es et quam decora Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 132v–133 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es
133v–134	Mater patris filia mulier laetitiae stella	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Mater patris filia mulier laetitiae stella Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 133v–134 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mater patris filia mulier laetitiae stella
134v–135	O pulcherrima mulierum qualis est dilectus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
O pulcherrima mulierum qualis est dilectus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 134v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum qualis est dilectus
135v–141	Missa: Gloria, Credo, Sanctus	GASPAR VAN WEERBECKE	Anonymous
Missa: Gloria, Credo, Sanctus Anonymous Appears on: 135v–141 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary Source Attribution: GASPAR VAN WEERBECKE Voice: [no designation] Languages: Latin Voice Text: Quam pulcra es et quam decora General Note (Messa di G. sostituita da 9 moteti.)(loco introitus) Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
141v–143	Magnificat sexti toni	LOYSET COMPERE	Anonymous
Magnificat sexti toni Anonymous Appears on: 141v–143 Genres: BVM, Canticle, Magnificat Source Attribution: LOYSET COMPERE Voice: [no designation] Languages: Latin Voice Text: [Missa Galeazescha.] Ave virgo gloriosa General Note (Loco introitus) Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII Missa entiere. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, II.
143v–144	Ognun drizza al ciel el viso	L. COMPERE ou J. RICHAFORT	Compère, Loyset (ca. 1445–1518)
Ognun drizza al ciel el viso Compère, Loyset (ca. 1445–1518) Appears on: 143v–144 Genres: Sacred Song Source Attribution: L. COMPERE ou J. RICHAFORT Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa General Note (= 2a.p. de O gentrix gloriosa)Publ. cf. Fr 2794 no 8 Concordances *DK-Kk 1848

Composer	Compositions
Anonymous	Agnus Dei – 99v–100 Agnus Dei – 111v–112 Ave Maria spiritus sancti fecundata – 127v–128 Beata es virgo puerpera namque sedet – 125v–126 Beata et venerabilis virgo que sine tactu – 91v–92 Bone Jesu dulcis Christe – 76v–77 Bone pastor Christe Jesu – 71v–72 Diem novae gratiae – 70v–71 Diffusa est gratia – 90v–91 Domine Jesu Christe unigenite Dei patris – 107v–108 Dum intravit salutavit domum totam – 109v–110 Felix namque es, sacra virgo Maria – 94v–95 Fide lapsa penitus Deus orbi caelitus – 75v–76 Flamen divini obumbrabit de virtute – 110v–111 Fons misericordie mundum rorat hodie II: Christi corpus ave qui nos pascis – 74v–75 Gaudeamus omnes - 1a pars (of 5): Gaudeamus omnes in Domino – 113v–114 Gaudeamus omnes - 2a pars (of 5): Gaude virgo mater Christi – 114v–115 Gaudeamus omnes - 3a pars (of 5): Gaude quod tria dona magi – 115v–116 Gaudeamus omnes - 4a pars (of 5): Gaude quia tui nati – 116v–117 Gaudeamus omnes - 5a pars (of 5): Gaude quae post ipsum – 117v–118 Gloria tibi trinitas cuius larga nos – 59v–60 In signo glorifico tanto tam mirifico – 73v–74 Kyrie – 25v–26 Magnificamus te Dei genitrix quia ex te – 92v–93 Magnificat octavi toni – 56v–59 Magnificat secundi toni – 50v–52 Magnificat sexti toni – 52v–55 Magnificat sexti toni – 141v–143 Magnificat sexti toni – 87v–90 Magnificat sexti toni – 55v–56 Missa: Gloria, Credo, Sanctus – 135v–141 Missus est ab arce patris in conclavi – 108v–109 Nunc dimittis: Quia viderunt oculi mei – 78v–79 O inestimabile signum memorabile saeculorum – 72v–73 O miranda creatura virgo eris semper – 112v–113 O pater Olderice tuis miseratus adesto – 77v–78 O sacra virginitas alma paris nec est – 126v–127 Salve mundi lux et vita pretiosa – 128v–129 Salve regina mater misericordiae – 79v–82 Sancti spiritus assit nobis gratia – 60v–61 Spiritus alme illustrator cordium infunde – 64v–65 Tu divisum per linguas mundum et ritus – 62v–63 Tu purificator omnium flagitiorum spiritus – 63v–64 Verbum Dei deo natum quod nec factum – 83v–85 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 61v–62 Virgo verbum concepit virgo permansit – 93v–94 Volat avis sine meta – 85v–87 [textless] – 24v–25
Compère, Loyset (ca. 1445–1518)	Beata virgo Maria esto nobis propitia – 130v–131 Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria – 129v–130 Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis – 65v–66 O post partum munda plus quam de fontibus – 131v–132 Ognun drizza al ciel el viso – 143v–144 (?) Sanctus 'O sapientia' – 66v–67 Suscipe verbum virgo Maria quod tibi = O genetrix gloriosa – 67v–68
Despres, Josquin (ca. 1450–1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 118v–120 Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem – 104v–105 Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus – 105v–106 Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut – 106v–107 Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino – 103v–104
Du Fay, Guillaume (1397–1474)	(?) Confirma hoc Deus – 123v–124
Fano	O panis suavissime / O Jesu dulcissime – 98v–99
Gaffurius, Franchinus (1451–1522)	Ambrosi doctor venerande cunctis gentibus – 68v–70 Assumpta est Maria in caelum gaudent angeli – 26v–27 Caeli quondam roraverunt ex quo nubes – 13v–14 Christe cunctorum dominator alme patris – 48v–50 Imperatrix gloriosa potens et imperiosa – 12v–13 Magnum nomen Domini – 95v–96 Missa Ave maris stella – 1v–10 Missa Imperatrix gloriosa – 14v–23 Missa La bassadanza – 28v–38 Missa [de nativitate BMV] – 41v–47 Nativitas tua Dei genitrix virgo – 40v–41 O crux benedicta que sola fuisti digna – 10v–12 O sacrum convivium (5vv) - 1a pars (of 2): O sacrum convivium in quo Christus sumitur – 97v–98 Pontifex urbis populus que nostri huc – 38v–40 Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina – 23v–24 Simeon justus accipit senex puerum – 1 Solemnitas laudabilis a cunctis venerabilis – 82v–83 Vidi speciosam sicut columbam ascendentem – 27v–28 [Nostras preces cum fletibus] Audi benigne conditor – 96v–97
Power, Leonel (–1445)	Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae – 47v–48
Spataro, Giovanni (1458–1541)	In illo tempore missus est angelus Gabriel – 100v–103
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Beata gens cuius est Dominus Deus – 122v–123 Mater patris filia mulier laetitiae stella – 133v–134 O pulcherrima mulierum qualis est dilectus – 134v–135 Quam pulcra es et quam decora – 132v–133 Sancti spiritus assit nobis gratia – 124v–125 Spiritus Domini - 1a pars (of 2): Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 120v–121 Spiritus Domini - 2a pars (of 2): Veni sancte spiritus reple tuorum corda – 121v–122 Spiritus Domini - 2a pars (of 2): Veni sancte spiritus reple tuorum corda – 121v–122

Composition	Composers (? Uncertain)	Folios / Pages
[Nostras preces cum fletibus] Audi benigne conditor	Gaffurius, Franchinus (1451–1522)	96v–97
[textless]	Anonymous	24v–25
Agnus Dei	Anonymous	99v–100
Agnus Dei	Anonymous	111v–112
Ambrosi doctor venerande cunctis gentibus	Gaffurius, Franchinus (1451–1522)	68v–70
Assumpta est Maria in caelum gaudent angeli	Gaffurius, Franchinus (1451–1522)	26v–27
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	118v–120
Ave Maria spiritus sancti fecundata	Anonymous	127v–128
Beata es virgo puerpera namque sedet	Anonymous	125v–126
Beata et venerabilis virgo que sine tactu	Anonymous	91v–92
Beata gens cuius est Dominus Deus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	122v–123
Beata virgo Maria esto nobis propitia	Compère, Loyset (ca. 1445–1518)	130v–131
Bone Jesu dulcis Christe	Anonymous	76v–77
Bone pastor Christe Jesu	Anonymous	71v–72
Caeli quondam roraverunt ex quo nubes	Gaffurius, Franchinus (1451–1522)	13v–14
Christe cunctorum dominator alme patris	Gaffurius, Franchinus (1451–1522)	48v–50
Confirma hoc Deus	Du Fay, Guillaume (1397–1474) (?)	123v–124
Diem novae gratiae	Anonymous	70v–71
Diffusa est gratia	Anonymous	90v–91
Domine Jesu Christe unigenite Dei patris	Anonymous	107v–108
Dum intravit salutavit domum totam	Anonymous	109v–110
Felix namque es, sacra virgo Maria	Anonymous	94v–95
Fide lapsa penitus Deus orbi caelitus	Anonymous	75v–76
Flamen divini obumbrabit de virtute	Anonymous	110v–111
Fons misericordie mundum rorat hodie II: Christi corpus ave qui nos pascis	Anonymous	74v–75
Gaudeamus omnes - 1a pars (of 5): Gaudeamus omnes in Domino	Anonymous	113v–114
Gaudeamus omnes - 2a pars (of 5): Gaude virgo mater Christi	Anonymous	114v–115
Gaudeamus omnes - 3a pars (of 5): Gaude quod tria dona magi	Anonymous	115v–116
Gaudeamus omnes - 4a pars (of 5): Gaude quia tui nati	Anonymous	116v–117
Gaudeamus omnes - 5a pars (of 5): Gaude quae post ipsum	Anonymous	117v–118
Gloria tibi trinitas cuius larga nos	Anonymous	59v–60
Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae	Power, Leonel (–1445)	47v–48
Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria	Compère, Loyset (ca. 1445–1518)	129v–130
Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis	Compère, Loyset (ca. 1445–1518)	65v–66
Imperatrix gloriosa potens et imperiosa	Gaffurius, Franchinus (1451–1522)	12v–13
In illo tempore missus est angelus Gabriel	Spataro, Giovanni (1458–1541)	100v–103
In signo glorifico tanto tam mirifico	Anonymous	73v–74
Kyrie	Anonymous	25v–26
Magnificamus te Dei genitrix quia ex te	Anonymous	92v–93
Magnificat octavi toni	Anonymous	56v–59
Magnificat secundi toni	Anonymous	50v–52
Magnificat sexti toni	Anonymous	52v–55
Magnificat sexti toni	Anonymous	55v–56
Magnificat sexti toni	Anonymous	87v–90
Magnificat sexti toni	Anonymous	141v–143
Magnum nomen Domini	Gaffurius, Franchinus (1451–1522)	95v–96
Mater patris filia mulier laetitiae stella	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	133v–134
Missa [de nativitate BMV]	Gaffurius, Franchinus (1451–1522)	41v–47
Missa Ave maris stella	Gaffurius, Franchinus (1451–1522)	1v–10
Missa Imperatrix gloriosa	Gaffurius, Franchinus (1451–1522)	14v–23
Missa La bassadanza	Gaffurius, Franchinus (1451–1522)	28v–38
Missa: Gloria, Credo, Sanctus	Anonymous	135v–141
Missus est ab arce patris in conclavi	Anonymous	108v–109
Nativitas tua Dei genitrix virgo	Gaffurius, Franchinus (1451–1522)	40v–41
Nunc dimittis: Quia viderunt oculi mei	Anonymous	78v–79
O crux benedicta que sola fuisti digna	Gaffurius, Franchinus (1451–1522)	10v–12
O inestimabile signum memorabile saeculorum	Anonymous	72v–73
O miranda creatura virgo eris semper	Anonymous	112v–113
O panis suavissime / O Jesu dulcissime	Fano	98v–99
O pater Olderice tuis miseratus adesto	Anonymous	77v–78
O post partum munda plus quam de fontibus	Compère, Loyset (ca. 1445–1518)	131v–132
O pulcherrima mulierum qualis est dilectus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	134v–135
O sacra virginitas alma paris nec est	Anonymous	126v–127
O sacrum convivium (5vv) - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Gaffurius, Franchinus (1451–1522)	97v–98
Ognun drizza al ciel el viso	Compère, Loyset (ca. 1445–1518)	143v–144
Pontifex urbis populus que nostri huc	Gaffurius, Franchinus (1451–1522)	38v–40
Quam pulcra es et quam decora	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	132v–133
Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina	Gaffurius, Franchinus (1451–1522)	23v–24
Salve mundi lux et vita pretiosa	Anonymous	128v–129
Salve regina mater misericordiae	Anonymous	79v–82
Sancti spiritus assit nobis gratia	Anonymous	60v–61
Sancti spiritus assit nobis gratia	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	124v–125
Sanctus 'O sapientia'	Compère, Loyset (ca. 1445–1518) (?)	66v–67
Simeon justus accipit senex puerum	Gaffurius, Franchinus (1451–1522)	1
Solemnitas laudabilis a cunctis venerabilis	Gaffurius, Franchinus (1451–1522)	82v–83
Spiritus alme illustrator cordium infunde	Anonymous	64v–65
Spiritus Domini - 1a pars (of 2): Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	120v–121
Spiritus Domini - 2a pars (of 2): Veni sancte spiritus reple tuorum corda	Weerbecke, Gaspar van (ca. 1445–ca. 1516) Weerbecke, Gaspar van (ca. 1445–ca. 1516)	121v–122
Suscipe verbum virgo Maria quod tibi = O genetrix gloriosa	Compère, Loyset (ca. 1445–1518)	67v–68
Tu divisum per linguas mundum et ritus	Anonymous	62v–63
Tu purificator omnium flagitiorum spiritus	Anonymous	63v–64
Verbum Dei deo natum quod nec factum	Anonymous	83v–85
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	61v–62
Vidi speciosam sicut columbam ascendentem	Gaffurius, Franchinus (1451–1522)	27v–28
Virgo verbum concepit virgo permansit	Anonymous	93v–94
Volat avis sine meta	Anonymous	85v–87
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	Despres, Josquin (ca. 1450–1521)	104v–105
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	Despres, Josquin (ca. 1450–1521)	105v–106
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	Despres, Josquin (ca. 1450–1521)	106v–107
Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino	Despres, Josquin (ca. 1450–1521)	103v–104

Set: Mss. 2266-9 (Libroni 1-4)

Type: Linked by Origin or Contents

No images available

I-Mfd MS 2266 (Librone 4)

No images available

I-Mfd MS 2267 (Librone 3)

No images available

I-Mfd MS 2268 (Librone 2)

No images available

I-Mfd MS 2269 (Librone 1)

‡ denotes primary source study

Filippi, Daniele V. 2021b. Gaffurius's Paratexts: Notes on the Indexes of Libroni 1-3. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 165-179. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2021a. The Making and the Dating of the Gaffurius Codices: Archival Evidence and Research Perspectives. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 3-58. Lucca: Libreria Musicale Italiana.

Cassia, Cristina. 2021. Gaffurius at the Mirror: The Internal Concordances of the Libroni. Reopening Gaffurius's Libroni, edited by Cristina Cassia, 181-215. Lucca: Libreria Musicale Italiana.

Pantarotto, Martina. 2021. ‘Scripsi et notavi’: Scribes, Notators, and Calligraphers in the Workshop of the Gaffurius Codices. Reopening Gaffurius's Libroni, edited by Martina Pantarotto, 59-164. Lucca: Libreria Musicale Italiana.

Pavanello, Agnese. 2021. The Non-Milanese Repertory of the Libroni: A Potential Guide for Tracking Musical Exchanges. Reopening Gaffurius's Libroni, edited by Agnese Pavanello, 217-269. Lucca: Libreria Musicale Italiana.

Rossi, Francesco Rocco. 2021. Franchino Gaffurio compositore. I mottetti. Ivrea: LeMus.

Cassia, Cristina. 2019b. Catalogo dei Libroni gaffuriani. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 291-389. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019b. Where Devotion and Liturgy Meet: Reassessing the Milanese Roots of the "Motetti missales". Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi, 53-91. Basel: Schwabe.

Cassia, Cristina. 2019a. La compilazione del Catalogo dei Libroni: problemi e osservazioni. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 275-290. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019a. Breve guida ai "motetti missales" (e dintorni). Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Daniele V. Filippi, 139-169. Lucca: Libreria Musicale Italiana.

Halpern, Lynn Elise. 1986. The Motetti Missales Repertory Reconsidered. Journal of the American Musicological Society, 491-523. Notes: contents list; concordances (partial); transcription (partial); texts (partial); mention of MS; discussion.

Halpern, Lynn Elise. 1985. Motet and Mass-Motet Cycles in lhe Gafurius Codices. University of Illinois, Unpublished Master's thesis. Notes: physical description; contents list; concordances; transcription (partial); texts (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Pages: 207,234-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 153-154.

Finscher, Ludwig. 1979. Zum Verhältnis von Imitationstechnik und Textbehandlung im Zeitalter Josquins. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 57-72. Tutzing. Pages: 62-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Tirro, Frank P. 1974. Giovanni Spataro's Choirbooks in the Archive of San Petronio in Bologna. University of Chicago, Unpublished Ph.D. dissertation. Pages: 190-214. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 3-5, 11, 209, passim. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: A. Ciceri, in AMMM, Vff., et L. Migliavacca, id. Xlff.

Sartori, Claudio. 1953. II Quarto Codice di Gaffurio non e del Tutto Scomparso. Collectanea Historiae Musicae, 25-44.

[No Author] 1906. II Duomo di Milano all'Esposizione internazionale del 1906. Milano: Amministrazione dell Fabbrica del Duomo. Pages: 41, n° 128.

[No Author] 1877-1885. Appendix to Vol II. Annali della Fabbrica del Duomo di Milano, 6 vols. Milano. Pages: 169.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description