V-CVbav MS Capp. Sist. 17

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1535-7

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Sist. 17
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 648 x 496 mm
Other Identifiers
  • RISM: I-Rvat 17
  • CCM: VatS 17
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 17
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 39 pieces from 12 composers
General Description

Composite of originally separate fascicles. Copied by Johannes Parvus (LlorCS). Johannes Ochon added foliation and one attribution (BraunerP). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Physical Description

Many folios now in poor condition due to severe ink corrosion; some music now illegible

DIAMM, 2017
Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings

DIAMM, 2017
Watermark

(1) crossed arrows surmounted by six-pointed star; (2) anchor in circle surmounted by six-pointed star (see BraunerP for other manuscripts with same marks). None in Briquet.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 31

DIAMM, 2017
Foliation

Original ink foliation, i-cxxxx, on upper right rectos (begins on third original folio). Modern pencil foliation, 1-143, on lower center rectos (excludes first and last modern flyleaves; ff. 90-91 not numbered, but correctly counted in enumeration; f. 105 incorrectly numbered as '125,' but correctly counted in enumeration).

DIAMM, 2017
Decoration

Illuminated miniatures, initials, and borders on new ff. 3'-4 are work of Vincent Raymond (LlorM); other folios have inked calligraphic initials. Coat of arms of Pope Paul III (1468-1549) on f. 4

DIAMM, 2017
Index

Original index on new f. 2' lists pieces in order of appearance

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s., 142 ff. Papier, 620 x 440 mm. Foliotation ancienne en ch. romains ne tenant pas compte des 2 f. limin. n. ch. Les ff. limin. [I] et [II r-v], les ff. 20v, 21, 38v, 39, 60v, 61, 77v, 79, 96v, 97, 118v, 119, 124v, 125,132v, 133, 140v sont blancs. Notation mesurée blanche. 10 portées par p. Au v du f.limin. [I]: Tabula de Misse et Motetti. Au f. limin [IIv] et au f. l, capitales enluminées par Vincent Raymond. Reliure du XVIIIe s.

Ms. copié par Johannes Parvus, copiste à la cour papale, dans les premières années du pontificat de Paul III (1534-1549) dont les armes figurent au f.l.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 5 motets = 11

C. Festa-1, Gascongne-1, Hesdin/(Hellinck/Lupi)-1, Jaquet of Mantua/(Conseil)-1, Jhan of Ferrara [Maistre Johan]/(Conseil/Jaquet of Mantua)-1, Lebel [Fremin]-1, Morales-3, Richafort-, Sermisy [Claudin]/(Richafort)-1

ii + 142 + i paper folios, 648 x 496. Composite of originally separate fascicles. Many folios now in poor condition due to severe ink corrosion; some music now illegible. Original ink foliation, i-cxxxx, on upper right rectos (begins on third original folio). Modern pencil foliation, 1-143, on lower center rectos (excludes first and last modern flyleaves; ff. 90-91 not numbered, but correctly counted in enumeration; f. 105 incorrectly numbered as "125," but correctly counted in enumeration). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. Original index on new f. 2' lists pieces in order of appearance. Copied by Johannes Parvus (LlorCS); see general index for other manuscripts copied by the same scribe. Staff height 31. Illuminated miniatures, initials, and borders on new ff. 3'-4 are work of Vincent Raymond (LlorM); other folios have inked calligraphic initials. Coat of arms of Pope Paul III (1468-1549) on f. 4. Watermarks (not in Briquet): (1) crossed arrows surmounted by six-pointed star; (2) anchor in circle surmounted by six-pointed star (see BraunerP for other manuscripts with same marks).

Ca. 1535-7 (BraunerP). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[II]v–3 Missa O genitrix gloriosa: Kyrie RICHAFORT
Appears on: [II]v–3
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: RICHAFORT
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O genitrix gloriosa]
General Note

T: Kyrie O genetrix gloriosa...Publ. cf. CF 53 n° 8

3v–8 Missa O genitrix gloriosa: Gloria -
Appears on: 3v–8
Genres: Gloria (et in terra pax), Mass Ordinary
8v–14 Missa O genitrix gloriosa: Credo -
Appears on: 8v–14
Genres: Credo (patrem omnipotentem), Mass Ordinary
14v–18 Missa O genitrix gloriosa: Sanctus -
Appears on: 14v–18
Genres: Mass Ordinary, Sanctus [& Benedictus]
18v–20 Missa O genitrix gloriosa: Agnus Dei -
Appears on: 18v–20
Genres: Agnus Dei, Mass Ordinary
21v–24 Missa Philomena previa: Kyrie CLAUDIN [DE SERMISY]
Appears on: 21v–24
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: CLAUDIN [DE SERMISY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Philomena previa] Kyrie
General Note

T: Kyrie Philomena previa ...Publ. cf. CF 53 n° 3

24v–27 Missa Philomena previa: Gloria -
Appears on: 24v–27
Genres: Gloria (et in terra pax), Mass Ordinary
27v–32 Missa Philomena previa: Credo -
Appears on: 27v–32
Genres: Credo (patrem omnipotentem), Mass Ordinary
32v–35 Missa Philomena previa: Sanctus -
Appears on: 32v–35
Genres: Mass Ordinary, Sanctus [& Benedictus]
35v–38 Missa Philomena previa: Agnus Dei -
Appears on: 35v–38
Genres: Agnus Dei, Mass Ordinary
39v–42 Missa Pourquoi non: Kyrie eleison GASCONGNE * Missa Pourquoy non
Appears on: 39v–42
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: GASCONGNE * Missa Pourquoy non
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: Pourquoy non Kyrie..
General Note

T: Pourquoy non Kyrie

42v–46 Missa Pourquoi non: Gloria -
Appears on: 42v–46
Genres: Gloria (et in terra pax), Mass Ordinary
46v–52 Missa Pourquoi non: Credo -
Appears on: 46v–52
Genres: Credo (patrem omnipotentem), Mass Ordinary
52v–56 Missa Pourquoi non: Sanctus -
Appears on: 52v–56
Genres: Mass Ordinary, Sanctus [& Benedictus]
56v–60 Missa Pourquoi non: Agnus Dei -
Appears on: 56v–60
Genres: Agnus Dei, Mass Ordinary
61v–64 Missa Veni sponsa Christi: Kyrie HESDIN [ou LUPUS*]
Appears on: 61v–64
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: HESDIN [ou LUPUS*]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleyson veni sponsa Christi....

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleyson veni sponsa Christi....

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleyson veni sponsa Christi....

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleyson veni sponsa Christi....

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleyson veni sponsa Christi....
General Note

[Missa Veni sponsa Christi] . Sans Agnus Dei.

64v–68 Missa Veni sponsa Christi: Gloria -
Appears on: 64v–68
Genres: Gloria (et in terra pax), Mass Ordinary
68v–74 Missa Veni sponsa Christi: Credo -
Appears on: 68v–74
Genres: Credo (patrem omnipotentem), Mass Ordinary
74v–77 Missa Veni sponsa Christi: Sanctus -
Appears on: 74v–77
Genres: Mass Ordinary, Sanctus [& Benedictus]
79v–82 Missa Tristezas me matan: Kyrie (MORALES)
Appears on: 79v–82
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (MORALES)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie...

Voice: Tenor secundus
Languages: French
Voice Text: Tristezas me matan triste de mi . . .
General Note

T 2us: Tristezas me matan triste de mi

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XXIV.

82v–85 Missa Tristezas me matan: Gloria -
Appears on: 82v–85
Genres: Gloria (et in terra pax), Mass Ordinary
85v–90 Missa Tristezas me matan: Credo -
Appears on: 85v–90
Genres: Credo (patrem omnipotentem), Mass Ordinary
90v–93 Missa Tristezas me matan: Sanctus -
Appears on: 90v–93
Genres: Mass Ordinary, Sanctus [& Benedictus]
93v–96 Missa Tristezas me matan: Agnus Dei -
Appears on: 93v–96
Genres: Agnus Dei, Mass Ordinary
97v–100 Missa Mille regrets: Kyrie Morales
Appears on: 97v–100
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: Mille regrets Kyrie . . .

Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: Mille regrets Kyrie . . .

Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: Mille regrets Kyrie . . .

Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: Mille regrets Kyrie . . .

Voice: [no designation]
Languages: Latin, French, Greek
Voice Text: Mille regrets Kyrie . . .
General Note

[Missa Mille regrets]

Concordances

The early ('antiquated' [Stevenson], canonic) version of the Sanctus movements & Agnus I, III - later published in Germany 1568 - which are completely different from the same movements in the 1544 printed version. In this version the movements carry extra titles - 'Intercessoribus' (f. 111v), 'Duplicatam vestem fecit sibi' (113v) - possibly functioning as canons.

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XI (Sanctus, Agnus I et III différents).

100v–104 Missa Mille regrets: Gloria -
Appears on: 100v–104
Genres: Gloria (et in terra pax), Mass Ordinary
104v–113 Missa Mille regrets: Credo -
Appears on: 104v–113
Genres: Credo (patrem omnipotentem), Mass Ordinary
113v–116 Missa Mille regrets: Sanctus [early version] -
Appears on: 113v–116
Genres: Sanctus [& Benedictus]
116v–118 Missa Mille regrets: Agnus Dei [early version] -
Appears on: 116v–118
Genres: Agnus Dei
119v–121 Salve regina (5vv) - 1a pars (of 3): Salve regina misericordiae MORALES
Appears on: 119v–121
Genres: Motet, Salve Regina
Source Attribution: MORALES
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII.

121v–122 Salve regina (5vv) - 2a pars (of 3): Eya ergo MORALES
Appears on: 121v–122
Genres: Motet
Source Attribution: MORALES
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Eya ergo

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII.

122v–124 Salve regina (5vv) - 3a pars (of 3): Et Jesum benedictum MORALES
Appears on: 122v–124
Genres: Motet
Source Attribution: MORALES
Voice: [no designation]
Languages: Latin
Voice Text: 3a p.: Et Jesum benedictum

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII.

125v–127 Sancta Maria - 1a pars (of 2): Sancta Maria succurre miseris (FREMIN) [= FIRMIN LEBEL ?]
Appears on: 125v–127
Genres: Motet
Source Attribution: (FREMIN) [= FIRMIN LEBEL ?]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria succurre miseris
127v–128 Sancta Maria - 2a pars (of 2): Sentiant omnes tuum levame (FREMIN) [= FIRMIN LEBEL ?]
Appears on: 127v–128
Genres: Motet
Source Attribution: (FREMIN) [= FIRMIN LEBEL ?]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Sentiant omnes tuum levame
128v–130 Ave regina caelorum (5vv) - 1a pars (of 2): Ave regina caelorum MAISTRE JEHAN [ou CONSILION ou JACHET DE MANTOUE*]
Appears on: 128v–130
Genres: BVM
Source Attribution: MAISTRE JEHAN [ou CONSILION ou JACHET DE MANTOUE*]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum
Concordances

*RISM J 21

130v–132 Ave regina caelorum (5vv) - 2a pars (of 2): Gaude gloriosa MAISTRE JEHAN [ou CONSILION ou JACHET DE MANTOUE*]
Appears on: 130v–132
Source Attribution: MAISTRE JEHAN [ou CONSILION ou JACHET DE MANTOUE*]
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Gaude gloriosa
Concordances

*RISM J 21

133v–136 Ave regina caelorum (6vv) (JAQUET) [ou CONSILION]
Appears on: 133v–136
Genres: Motet
Source Attribution: (JAQUET) [ou CONSILION]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …
136v–138 Ave regina caelorum - 1a pars (of 2): Ave regina caelorum CONSTANTIUS FESTA
Appears on: 136v–138
Genres: BVM
Source Attribution: CONSTANTIUS FESTA
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum
138v–140 Ave regina caelorum - 2a pars (of 2): Gaude gloriosa CONSTANTIUS FESTA
Appears on: 138v–140
Genres: Ave regina caelorum, BVM, Motet
Source Attribution: CONSTANTIUS FESTA
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Gaude gloriosa
Composer Compositions
Conseil, Jean (ca. 1498–1534)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Lebel, Firmin
Lupi, Johannes (ca. 1506–1539)
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Richafort, Jean (ca. 1480–ca. 1550)
Sermisy, Claudin de (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Ave regina caelorum (5vv) - 1a pars (of 2): Ave regina caelorum 128v–130
Ave regina caelorum (5vv) - 2a pars (of 2): Gaude gloriosa 130v–132
Ave regina caelorum (6vv) 133v–136
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum 136v–138
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa 138v–140
Missa Mille regrets: Agnus Dei [early version] 116v–118
Missa Mille regrets: Credo 104v–113
Missa Mille regrets: Gloria 100v–104
Missa Mille regrets: Kyrie 97v–100
Missa Mille regrets: Sanctus [early version] 113v–116
Missa O genitrix gloriosa: Agnus Dei 18v–20
Missa O genitrix gloriosa: Credo 8v–14
Missa O genitrix gloriosa: Gloria 3v–8
Missa O genitrix gloriosa: Kyrie [II]v–3
Missa O genitrix gloriosa: Sanctus 14v–18
Missa Philomena previa: Agnus Dei 35v–38
Missa Philomena previa: Credo 27v–32
Missa Philomena previa: Gloria 24v–27
Missa Philomena previa: Kyrie 21v–24
Missa Philomena previa: Sanctus 32v–35
Missa Pourquoi non: Agnus Dei 56v–60
Missa Pourquoi non: Credo 46v–52
Missa Pourquoi non: Gloria 42v–46
Missa Pourquoi non: Kyrie eleison 39v–42
Missa Pourquoi non: Sanctus 52v–56
Missa Tristezas me matan: Agnus Dei 93v–96
Missa Tristezas me matan: Credo 85v–90
Missa Tristezas me matan: Gloria 82v–85
Missa Tristezas me matan: Kyrie 79v–82
Missa Tristezas me matan: Sanctus 90v–93
Missa Veni sponsa Christi: Credo 68v–74
Missa Veni sponsa Christi: Gloria 64v–68
Missa Veni sponsa Christi: Kyrie 61v–64
Missa Veni sponsa Christi: Sanctus 74v–77
Salve regina (5vv) - 1a pars (of 3): Salve regina misericordiae 119v–121
Salve regina (5vv) - 2a pars (of 3): Eya ergo 121v–122
Salve regina (5vv) - 3a pars (of 3): Et Jesum benedictum 122v–124
Sancta Maria - 1a pars (of 2): Sancta Maria succurre miseris 125v–127
Sancta Maria - 2a pars (of 2): Sentiant omnes tuum levame 127v–128

denotes primary source study

Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 287-311. Pages: 290, 305. Notes: physical description (partial); contents list (partial); concordances (partial).

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 92-108, 138, 369, 383-6, 397, passim. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Elzinga, Harry (editor). 1979-. Johannes Richafort: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiii-xiv. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 214-5, 463, 526, 814. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 228f (concerne le n° 6). Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 164. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 140, 144, 200, 286-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xi. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 400. Notes: contents list (partial); concordances (partial).

Llorens Cisteró, José Maria. 1969. The Musical Codexes of the Sistine Chapel Written Through the Generosity of the Pauline Popes. Studies in Musicology: Essays in the History, Style, and Bibliography of Music in Memory of Glen Haydon, 18-50. Chapel Hill, N.C. Pages: 31f.

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 24, 27. Notes: contents list (partial); concordances (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xiii. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 49-50, 60-4, 72, 106-7. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi.  Città del Vaticano. Pages: 31ff.

Llorens Cisteró, José Maria. 1958-61. Miniaturas de Vincent Raymond en los manuscritos musicales de la Capilla Sixtina. Miscelânea en homenaje a Monsenor Higinio Anglès, 475ff. Barcelona. Pages: 487-8, 494.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 7.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description