V-CVbav MS Capp. Sist. 63

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1480-1507

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Capp. Sist. 63
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	544 x 418 mm
Other Identifiers	RISM: I-Rvat 63 CCM: VatS 63 olim (Former shelfmark): I-Rvat MS Capp. Sist. 63
Notations	black void mensural
Copyists	Orceau, Johannes Music scribal concordance [2] Music scribal concordance [1] Music
Relationships	Charles VIII (1470–1498) (dedicatee) Sistine Chapel (Cappella Sistina) (copied at)
External Links	Images Programme Ricercar editions of anonymous masses
External Authorities	RISM Online (sources/857000048)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	46 pieces from 9 composers

General Description

Composite of originally separate fascicles. The main scribe was Johannes Orceau (SherrPC). Three additional scribes: (scribe 1) ff. 14'-38'; (scribe 2) ff. 39'-44, 59'-63, 65'-70 (also wrote most of VatS 15, ff. 218'-227 of VatS 23, ff. 87'-103 of VatS 41, and ff. 36'-55, 69'-93, and 129'-140 of VatS 49; (scribe 3) ff. 71'-75 (also wrote ff. 38'-49 of VatS 41 and ff. 56'-68 of VatS 49). Copied in Rome, for use by Cappella Sistina. French heraldry probably connected with visit of King Charles VIII to Rome in 1495 (SherrPC).

DIAMM, 2017

Physical Description

Some folios in poor condition due to ink corrosion; some music now illegible

DIAMM, 2017

Binding

Rebound in modern covers of cream-coloured vellum over boards

DIAMM, 2017

Watermark

(1) generally resembles Briquet #7313; (2) generally resembles Briquet #4412; (3) generally resembles Briquet #11658; (4) generally resembles Briquet #13883; (5) unidentifiable.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 25.

DIAMM, 2017

Foliation

Two systems of modern foliation: (1) 1-4 + v-lxxxiii, on right center rectos (excludes all flyleaves); (2) 1-85, on lower center rectos (excludes first and last flyleaves). Second foliation cited here.

DIAMM, 2017

Decoration

Watercolour initial on f. 65' depicts Madonna and Child, with crown and fleur-de-lis above Virgin's head. Other folios have inked initials, mostly in calligraphic style, decorated with tracery, grotesque faces, birds, etc. Heraldic emblems on f. 75 (closed crown with three fleurs-de-lis) probably associated with Charles VIII, King of France (SherrPC).

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XV/XVIe s. 83ff. + 2ff. limin. Papier, 540 x 420 mm. Foliotation ancienne en ch. romains au v. de qques. ff. Foliotation ajoutée en ch. romains au r. des ff. Le 1er f. limin. r-v, le 2e f. limin., les ff. 11v, 12, 42v, 43, 52v, 68v, 69, 83v sont blancs. Notation mesurée blanche. 10-11 portées par p. Initiales ornées à la plume.

Le répertoire situe la copie approximativement à la fin du XVe s, début du XVIe.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Kyrie, 2 Magnificats, 10 motets = 18

Brumel/(A. Agricola)-1, (Busnois)-1, (Josquin)-1, (Mouton)-1, Ockeghem-2, Prioris-1, Vaqueras-1, anon-10

ii + i + 83 + i paper folios, 544 x 418. Composite of originally separate fascicles. Some folios in poor condition due to ink corrosion; some music now illegible. Two systems of modern foliation: (1) 1-4 + v-lxxxiii, on right center rectos (excludes all flyleaves); (2) 1-85, on lower center rectos (excludes first and last flyleaves). Second foliation cited here. Rebound in modern covers of cream-colored vellum over boards. No index.

The main scribe was Johannes Orceau (SherrPC); see general index for other manuscripts copied by Orceau. Three additional scribes: (1) ff. 14'-38'; (2) ff. 39'-44, 59'-63, 65'-70 (also wrote most of VatS 15, ff. 218'-227 of VatS 23, ff. 87'-103 of VatS 41, and ff. 36'-55, 69'-93, and 129'-140 of VatS 49; (3) ff. 71'-75 (also wrote ff. 38'-49 of VatS 41 and ff. 56'-68 of VatS 49). Staff height 25.

Watercolor initial on f. 65' depicts Madonna and Child, with crown and fleur-de-lis above Virgin's head. Other folios have inked initials, mostly in calligraphic style, decorated with tracery, grotesque faces, birds, etc. Heraldic emblems on f. 75 (closed crown with three fleurs-de-lis) probably associated with Charles VIII, King of France (SherrPC). Watermarks: (1) generally resembles Briquet #7313; (2) generally resembles Briquet #4412; (3) generally resembles Briquet #11658; (4) generally resembles Briquet #13883; (5) unidentifiable.

Ca. 1480-1507 (SherrPC). Copied in Rome, for use by Cappella Sistina. French heraldry probably connected with visit of King Charles VIII to Rome in 1495 (SherrPC).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[i] v–1	Missa L'homme armé: Kyrie	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Kyrie Busnoys, Antoine (ca. 1430–1492) Appears on: [i] v–1 Genres: Mass Ordinary Source Attribution: [A. BUSNOIS] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] L'omme armé. Kyrie General Note T: homme Lomme armé Kyrie … Publ. cf. MOas 221 n° 1
1v–4	Missa L'homme armé: Gloria	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Gloria Busnoys, Antoine (ca. 1430–1492) Appears on: 1v–4 Genres: Gloria (et in terra pax), Mass Ordinary
4v–7	Missa L'homme armé: Credo	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Credo Busnoys, Antoine (ca. 1430–1492) Appears on: 4v–7 Genres: Credo (patrem omnipotentem), Mass Ordinary
7v–9	Missa L'homme armé: Sanctus	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Sanctus Busnoys, Antoine (ca. 1430–1492) Appears on: 7v–9 Genres: Mass Ordinary, Sanctus [& Benedictus]
9v–11	Missa L'homme armé: Agnus Dei	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Agnus Dei Busnoys, Antoine (ca. 1430–1492) Appears on: 9v–11 Genres: Agnus Dei, Mass Ordinary
12v–13	Missa Au travail suis: Kyrie	JO. OCKEGHEM	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 12v–13 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. OCKEGHEM Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Au travail suis] Kyrie General Note [= Missa Laus Maria]* Publ. cf. Rvat 41 n° 10 Concordances *E-Bc 454
13v–14	Missa Au travail suis: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 13v–14 Genres: Gloria (et in terra pax), Mass Ordinary
14v–16	Missa Au travail suis: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 14v–16 Genres: Credo (patrem omnipotentem), Mass Ordinary
16v–17	Missa Au travail suis: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 16v–17 Genres: Mass Ordinary, Sanctus [& Benedictus]
17v–186	Missa Au travail suis: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 17v–186 Genres: Agnus Dei, Mass Ordinary
18v–19	Missa Mi mi: Kyrie	JO. OKEGHEN	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 18v–19 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. OKEGHEN Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa My my] Kyrie General Note Publ. cf. Rvat 41 n° 11
19v–21	Missa Mi mi: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 19v–21 Genres: Gloria (et in terra pax), Mass Ordinary
21v–24	Missa Mi mi: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 21v–24 Genres: Credo (patrem omnipotentem), Mass Ordinary
24v–26	Missa Mi mi: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 24v–26 Genres: Mass Ordinary, Sanctus [& Benedictus]
26v–28	Missa Mi mi: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Mi mi: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 26v–28 Genres: Agnus Dei, Mass Ordinary
28v–29	Missa (4vv): Kyrie	-	Anonymous
Missa (4vv): Kyrie Anonymous Appears on: 28v–29 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
29v–31	Missa (4vv): Gloria	-	Anonymous
Missa (4vv): Gloria Anonymous Appears on: 29v–31 Genres: Gloria (et in terra pax), Mass Ordinary
31v–33	Missa (4vv): Credo	-	Anonymous
Missa (4vv): Credo Anonymous Appears on: 31v–33 Genres: Credo (patrem omnipotentem), Mass Ordinary
33v–35	Missa (4vv): Sanctus	-	Anonymous
Missa (4vv): Sanctus Anonymous Appears on: 33v–35 Genres: Mass Ordinary, Sanctus [& Benedictus]
35v–37	Missa (4vv): Agnus Dei	-	Anonymous
Missa (4vv): Agnus Dei Anonymous Appears on: 35v–37 Genres: Agnus Dei, Mass Ordinary
37v–42	Magnificat septimi toni: Anima mea [K.353]	-	Anonymous
Magnificat septimi toni: Anima mea [K.353] Anonymous Appears on: 37v–42 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] anima mea General Note Tous les versets.
43v–45	Mittit ad virginem - 1a pars (of 2): Mittit ad virginem	-	Anonymous
Mittit ad virginem - 1a pars (of 2): Mittit ad virginem Anonymous Appears on: 43v–45 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem
45v–47	Mittit ad virginem - 2a pars (of 2): Accede nuncia dic ave	-	Anonymous
Mittit ad virginem - 2a pars (of 2): Accede nuncia dic ave Anonymous Appears on: 45v–47 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem
47v–48	Missus est Gabriel angelus ad Mariam 20.6	-	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 47v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus General Note Publ. cf. Bc 142 n° 8
48v–50	Sancte Sebastiane - 1a pars (of 2): Sancte Sebastiane ora pro nobis	-	Mouton, Jean (ca. 1459–1522)
Sancte Sebastiane - 1a pars (of 2): Sancte Sebastiane ora pro nobis Mouton, Jean (ca. 1459–1522) Appears on: 48v–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancte Sebastiane ora pro nobis
50v–51	Sancte Sebastiane - 2a pars (of 2): Beate Sebastiane	-	Mouton, Jean (ca. 1459–1522)
Sancte Sebastiane - 2a pars (of 2): Beate Sebastiane Mouton, Jean (ca. 1459–1522) Appears on: 50v–51 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancte Sebastiane ora pro nobis General Note [2a p.]: O beate Sebastiane màrtir dei gloriose .
51v–52	Nesciens mater virgo virum	-	Anonymous
Nesciens mater virgo virum Anonymous Appears on: 51v–52 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nesciens mater virgo virum
53	Domine non secundum peccata nostra	-	Anonymous
Domine non secundum peccata nostra Anonymous Appears on: 53 Genres: Tract Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
53v–54	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 53v–54 Genres: Motet Source Attribution: PRIORIS Voice: [no designation] Languages: Latin Voice Text: Domine — Non secundum peccata nostra Item Bibliography Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation.
54v–55	Domine non secundum - 2a pars (of 3): Domine ne memineris	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Domine non secundum - 2a pars (of 3): Domine ne memineris Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 54v–55 Genres: Motet Source Attribution: PRIORIS Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Domine ne memineris Item Bibliography Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation.
55v–56	Domine non secundum - 3a pars (of 3): Adjuva nos Deus	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Domine non secundum - 3a pars (of 3): Adjuva nos Deus Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 55v–56 Genres: Motet Source Attribution: PRIORIS Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Adjuva nos deus Item Bibliography Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation.
56v–57	Kyrie de feria (4vv)	-	Anonymous
Kyrie de feria (4vv) Anonymous Appears on: 56v–57 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: De feria. Kyrie
57v–58	Missa de feria (5vv): Kyrie	-	Anonymous
Missa de feria (5vv): Kyrie Anonymous Appears on: 57v–58 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
58v–60	Missa de feria (5vv): Sanctus	-	Anonymous
Missa de feria (5vv): Sanctus Anonymous Appears on: 58v–60 Genres: Mass Ordinary, Sanctus [& Benedictus]
60v–61	Missa de feria (5vv): Agnus Dei	-	Anonymous
Missa de feria (5vv): Agnus Dei Anonymous Appears on: 60v–61 Genres: Agnus Dei, Mass Ordinary
61v–62	Regina caeli - 1a pars (of 2): Regina caeli laetare	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare Anonymous Appears on: 61v–62 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
62v–63	Regina caeli - 2a pars (of 2): Resurrexit	-	Anonymous
Regina caeli - 2a pars (of 2): Resurrexit Anonymous Appears on: 62v–63 Genres: Marian antiphon, Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
63v–64	Regina caeli - 1a pars (of 2): Regina caeli laetare	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare Anonymous Appears on: 63v–64 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
64v–66	Regina caeli - 2a pars (of 2): Resurrexit	-	Anonymous
Regina caeli - 2a pars (of 2): Resurrexit Anonymous Appears on: 64v–66 Genres: Marian antiphon, Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
66v–67	Regina caeli - 1a pars (of 2): Regina caeli laetare	Vaqueras	Vacqueras, Bertrandus (ca. 1450–1507)
Regina caeli - 1a pars (of 2): Regina caeli laetare Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 66v–67 Genres: Motet, Regina caeli laetare Source Attribution: Vaqueras Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
67v–68	Regina caeli - 2a pars (of 2): Resurrexit	Vaqueras	Vacqueras, Bertrandus (ca. 1450–1507)
Regina caeli - 2a pars (of 2): Resurrexit Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 67v–68 Genres: Motet, Regina caeli laetare Source Attribution: Vaqueras Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
69v–71	Rex fallax miraculum - 1a pars (of 2): Rex fallax miraculum regis regum saeculum	VAQUERAS	Vacqueras, Bertrandus (ca. 1450–1507)
Rex fallax miraculum - 1a pars (of 2): Rex fallax miraculum regis regum saeculum Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 69v–71 Genres: Motet Source Attribution: VAQUERAS Voice: [no designation] Languages: Latin Voice Text: Rex fallax miraculum regis regum seculum Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
71v–73	Rex fallax miraculum - 2a pars (of 2): Post nam stella previa venerunt	VAQUERAS	Vacqueras, Bertrandus (ca. 1450–1507)
Rex fallax miraculum - 2a pars (of 2): Post nam stella previa venerunt Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 71v–73 Genres: Motet Source Attribution: VAQUERAS Voice: [no designation] Languages: Latin Voice Text: Rex fallax miraculum regis regum seculum General Note T des 2 p.: Apertis thesauris suis Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
73v–74	O domine Jesu Christe - 1a pars (of 2): O domine Jesu Christe fili Dei	-	Anonymous
O domine Jesu Christe - 1a pars (of 2): O domine Jesu Christe fili Dei Anonymous Appears on: 73v–74 Genres: Miserere mei Deus Voice: [no designation] Languages: Latin Voice Text: O domine Iesu Christe fili dei
74v–75	O domine Jesu Christe - 2a pars (of 2): Et sanctissima mater	-	Anonymous
O domine Jesu Christe - 2a pars (of 2): Et sanctissima mater Anonymous Appears on: 74v–75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O domine Iesu Christe fili dei
75v–83	Magnificat quarti toni: Et exultavit [K.632]	BRUMEL [ou A.AGRICOLA*]	Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)
Magnificat quarti toni: Et exultavit [K.632] Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 75v–83 Genres: BVM, Canticle, Magnificat Source Attribution: BRUMEL [ou A.AGRICOLA] Voice:* [no designation] Languages: Latin Voice Text: [Magnificat] Quarti toni. Et exultavit Concordances . *E-SE General Note Publ. cf. Rvat 15 n° 35Tous les versets (sauf le 1er).

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Magnificat quarti toni: Et exultavit [K.632] – 75v–83
Anonymous	Domine non secundum peccata nostra – 53 Kyrie de feria (4vv) – 56v–57 Magnificat septimi toni: Anima mea [K.353] – 37v–42 Missa (4vv): Agnus Dei – 35v–37 Missa (4vv): Credo – 31v–33 Missa (4vv): Gloria – 29v–31 Missa (4vv): Kyrie – 28v–29 Missa (4vv): Sanctus – 33v–35 Missa de feria (5vv): Agnus Dei – 60v–61 Missa de feria (5vv): Kyrie – 57v–58 Missa de feria (5vv): Sanctus – 58v–60 Mittit ad virginem - 1a pars (of 2): Mittit ad virginem – 43v–45 Mittit ad virginem - 2a pars (of 2): Accede nuncia dic ave – 45v–47 Nesciens mater virgo virum – 51v–52 O domine Jesu Christe - 1a pars (of 2): O domine Jesu Christe fili Dei – 73v–74 O domine Jesu Christe - 2a pars (of 2): Et sanctissima mater – 74v–75 Regina caeli - 1a pars (of 2): Regina caeli laetare – 61v–62 Regina caeli - 1a pars (of 2): Regina caeli laetare – 63v–64 Regina caeli - 2a pars (of 2): Resurrexit – 62v–63 Regina caeli - 2a pars (of 2): Resurrexit – 64v–66
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Magnificat quarti toni: Et exultavit [K.632] – 75v–83
Busnoys, Antoine (ca. 1430–1492)	Missa L'homme armé: Agnus Dei – 9v–11 Missa L'homme armé: Credo – 4v–7 Missa L'homme armé: Gloria – 1v–4 Missa L'homme armé: Kyrie – [i] v–1 Missa L'homme armé: Sanctus – 7v–9
Despres, Josquin (ca. 1450–1521)	Missus est Gabriel angelus ad Mariam 20.6 – 47v–48
Mouton, Jean (ca. 1459–1522)	Sancte Sebastiane - 1a pars (of 2): Sancte Sebastiane ora pro nobis – 48v–50 Sancte Sebastiane - 2a pars (of 2): Beate Sebastiane – 50v–51
Ockeghem, Jean de (ca. 1410–1497)	Missa Au travail suis: Agnus Dei – 17v–186 Missa Au travail suis: Credo – 14v–16 Missa Au travail suis: Gloria – 13v–14 Missa Au travail suis: Kyrie – 12v–13 Missa Au travail suis: Sanctus – 16v–17 Missa Mi mi: Agnus Dei – 26v–28 Missa Mi mi: Credo – 21v–24 Missa Mi mi: Gloria – 19v–21 Missa Mi mi: Kyrie – 18v–19 Missa Mi mi: Sanctus – 24v–26
Prioris, Johannes (Denis, Dionisius) (–1515)	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra – 53v–54 Domine non secundum - 2a pars (of 3): Domine ne memineris – 54v–55 Domine non secundum - 3a pars (of 3): Adjuva nos Deus – 55v–56
Vacqueras, Bertrandus (ca. 1450–1507)	Regina caeli - 1a pars (of 2): Regina caeli laetare – 66v–67 Regina caeli - 2a pars (of 2): Resurrexit – 67v–68 Rex fallax miraculum - 1a pars (of 2): Rex fallax miraculum regis regum saeculum – 69v–71 Rex fallax miraculum - 2a pars (of 2): Post nam stella previa venerunt – 71v–73

Composition	Composers (? Uncertain)	Folios / Pages
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	Prioris, Johannes (Denis, Dionisius) (–1515)	53v–54
Domine non secundum - 2a pars (of 3): Domine ne memineris	Prioris, Johannes (Denis, Dionisius) (–1515)	54v–55
Domine non secundum - 3a pars (of 3): Adjuva nos Deus	Prioris, Johannes (Denis, Dionisius) (–1515)	55v–56
Domine non secundum peccata nostra	Anonymous	53
Kyrie de feria (4vv)	Anonymous	56v–57
Magnificat quarti toni: Et exultavit [K.632]	Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)	75v–83
Magnificat septimi toni: Anima mea [K.353]	Anonymous	37v–42
Missa (4vv): Agnus Dei	Anonymous	35v–37
Missa (4vv): Credo	Anonymous	31v–33
Missa (4vv): Gloria	Anonymous	29v–31
Missa (4vv): Kyrie	Anonymous	28v–29
Missa (4vv): Sanctus	Anonymous	33v–35
Missa Au travail suis: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	17v–186
Missa Au travail suis: Credo	Ockeghem, Jean de (ca. 1410–1497)	14v–16
Missa Au travail suis: Gloria	Ockeghem, Jean de (ca. 1410–1497)	13v–14
Missa Au travail suis: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	12v–13
Missa Au travail suis: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	16v–17
Missa de feria (5vv): Agnus Dei	Anonymous	60v–61
Missa de feria (5vv): Kyrie	Anonymous	57v–58
Missa de feria (5vv): Sanctus	Anonymous	58v–60
Missa L'homme armé: Agnus Dei	Busnoys, Antoine (ca. 1430–1492)	9v–11
Missa L'homme armé: Credo	Busnoys, Antoine (ca. 1430–1492)	4v–7
Missa L'homme armé: Gloria	Busnoys, Antoine (ca. 1430–1492)	1v–4
Missa L'homme armé: Kyrie	Busnoys, Antoine (ca. 1430–1492)	[i] v–1
Missa L'homme armé: Sanctus	Busnoys, Antoine (ca. 1430–1492)	7v–9
Missa Mi mi: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	26v–28
Missa Mi mi: Credo	Ockeghem, Jean de (ca. 1410–1497)	21v–24
Missa Mi mi: Gloria	Ockeghem, Jean de (ca. 1410–1497)	19v–21
Missa Mi mi: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	18v–19
Missa Mi mi: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	24v–26
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	47v–48
Mittit ad virginem - 1a pars (of 2): Mittit ad virginem	Anonymous	43v–45
Mittit ad virginem - 2a pars (of 2): Accede nuncia dic ave	Anonymous	45v–47
Nesciens mater virgo virum	Anonymous	51v–52
O domine Jesu Christe - 1a pars (of 2): O domine Jesu Christe fili Dei	Anonymous	73v–74
O domine Jesu Christe - 2a pars (of 2): Et sanctissima mater	Anonymous	74v–75
Regina caeli - 1a pars (of 2): Regina caeli laetare	Anonymous	61v–62
Regina caeli - 1a pars (of 2): Regina caeli laetare	Anonymous	63v–64
Regina caeli - 1a pars (of 2): Regina caeli laetare	Vacqueras, Bertrandus (ca. 1450–1507)	66v–67
Regina caeli - 2a pars (of 2): Resurrexit	Anonymous	62v–63
Regina caeli - 2a pars (of 2): Resurrexit	Anonymous	64v–66
Regina caeli - 2a pars (of 2): Resurrexit	Vacqueras, Bertrandus (ca. 1450–1507)	67v–68
Rex fallax miraculum - 1a pars (of 2): Rex fallax miraculum regis regum saeculum	Vacqueras, Bertrandus (ca. 1450–1507)	69v–71
Rex fallax miraculum - 2a pars (of 2): Post nam stella previa venerunt	Vacqueras, Bertrandus (ca. 1450–1507)	71v–73
Sancte Sebastiane - 1a pars (of 2): Sancte Sebastiane ora pro nobis	Mouton, Jean (ca. 1459–1522)	48v–50
Sancte Sebastiane - 2a pars (of 2): Beate Sebastiane	Mouton, Jean (ca. 1459–1522)	50v–51

‡ denotes primary source study

Sherr, Richard Jonathan. 1996. Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance Manuscript Studies. Neuhausen nr. Stuttgart. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 44, 251-2, passim. Notes: physical description (partial); contents list; concordances (partial); mention of MS; discussion.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. Wiesbaden. Pages: 78-9, 89-90, 108-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II, 12, 76-90. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xiii, 34-43. Notes: contents list (partial); transcription (partial).

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 191-2, 199-200, 245, 373. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Sherr, Richard Jonathan (editor). 1978. Bertrandi Vaqueras: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xii-xiii, 83-97. Notes: contents list (partial); transcription (partial); texts (partial).

Sherr, Richard Jonathan. 1975. The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources. Princeton University, Unpublished Ph.D. dissertation. Pages: 254-6, passim. Notes: physical description (partial); contents list; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 27-8, 373. Notes: contents list (partial); mention of MS; discussion.

Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer. Bilthoven. Pages: (31-3. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 162. Notes: contents list (partial); concordances (partial); incipits (partial).

Plamenac, Dragan. 1962. Review of Llorens Cappellae. Notes, 252ff. Pages: 252.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xiii, xvi, 77-87. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 119-20, 491-2. Notes: physical description; contents list; incipits (partial).

Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works. American Musicological Society. Pages: I, xvii, xxi; II, xvi. Notes: physical description; contents list (partial); concordances (partial).

Jeppesen, Knud. 1944-45. Marcellus-Probleme: Einige Bemerkungen über die Missa Papae Marcelli des Giovanni Pierluigi da Palestrina. Acta Musicologica, 11-38. Pages: 31 f.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: III, x, iii. Notes: physical description (partial); contents list (partial); concordances (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 25.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description