V-CVbav MS Pal. lat. 1980

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

partbook: c. 1518-23

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Pal. lat. 1980
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	133 x 209-13 mm
Other Identifiers	RISM: I-Rvat 1980-01 CCM: VatP 1980-1 olim (Former shelfmark): I-Rvat MS Pal. lat. 1980
Notations	black void mensural
Relationships	Palatine Electoral Library (owner) Fugger, Ulrich (1526–1584) (owner) de' Medici, Giulio (1478–1534) (commissioned/made for)
External Links	CMME online edition images
Provenance	Rome, Italy
Contents	59 pieces from 14 composers

General Description

A Tenor partbook from a set originally of four volumes. Copied by a single scribe. Copied in Rome. Probably compiled for Giulio de' Medici (1478-1534; Pope Clement VII after 1523). Acquired, perhaps c. 1553-63, by Ulrich Fugger (1526-84), of Augsburg (possibly through Ulrich's book collector, Henricus Scrimger); later incorporated in Palatine electoral library in Heidelberg. See VatP 1347 for subsequent history of electoral library.

DIAMM, 2017

Binding

Original covers of brown leather, tooled with voice designations and ornamental designs.

DIAMM, 2017

Watermark

generally resembles Briquet #491.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 10.

DIAMM, 2017

Foliation

Original ink foliation on upper right rectos (flyleaves in both books, and last 9 folios in B book unnumbered).

DIAMM, 2017

Decoration

Inked calligraphic initials; Medici family coat of arms and cardinal's hat on f. 1 in each book.

DIAMM, 2017

Index

Original index on f. [iii] of each book lists Masses, motets, and 'Canzoni' separately; within each group, pieces listed in order of appearance (one Mass listed out of sequence)

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 2 vol. T.: III-87ff., B.: III-95ff. Papier, 220 x 150 mm. Foliotation moderne. Les ff. I à IIv, IIIv, 52v à 62v, 75v à 87 sont blancs. Notation mesurée blanche. 4 portées par p. Au f. III, Tabula. Au f. 1, armes des Médicis (6 palle). Parties de Tenor et de Bassus seul'.

Ce nouveau «Manuscrit Medicis» qui porte au f. 1 des 2 vol. les armes de cette famille couronnées d'un chapeau de cardinal, appartint très vraisemblablement à Giulio de' Medici avant son accession à la papauté (1523 sous le nom de Clement VII). La similitude avec le Codex Medici (I-F1666) a fait penser que Rvat 1980-81 en serait une copie qu'on pourrait dater entre 1518 et 1523. Bien que la chanson française ait subi une sérieuse éclipse dans les mss. romains après la mort de Léon X, le ms. en contient tout de même 4 (nos 17, 18, 19, 20) de Josquin, La Rue et Richafort; mais d'une qualité contrapunctique qui peut rivaliser avec les messes et motets qui constituent la majorité du recueil.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 9 motets, 4 French secular pieces = 21

(Brumel/Isaac)-1, A. Févin-1, (Heugel/Jhan of Ferrara/Josquin)-1, (Josquin)-4, (Josquin/La Rue)-1, (Josquin/Mouton/Richafort)-1, (Josquin/Mouton/Willaert)-1, La Rue- 2, (Lhéritier/Mouton)-1, (Lupus)-1, (Moulu/Mouton)-1, (Mouton)-1, (Richafort)-1, (Silva)-1, (Willaert)-1, anon-2

2 paper partbooks of an original 4 (T-iv + 86 folios, B-iv + 94), 133 x 209-13. Original ink foliation on upper right rectos (flyleaves in both books, and last 9 folios in B book unnumbered). Blank folios, or blank staves only—T: [i-ii'], [iii'-iv'], 52'-62', 75'-86'; B: [i-ii'], [iii'-iv'], 54'-66', 81'-[94']. Original covers of brown leather, tooled with voice designations and ornamental designs. Original index on f. [iii] of each book lists Masses, motets, and "Canzoni" separately; within each group, pieces listed in order of appearance (one Mass listed out of sequence). Copied by a single scribe. Staff height 10. Inked calligraphic initials; Medici family coat of arms and cardinal's hat on f. 1 in each book. Watermark generally resembles Briquet #491.

Ca. 1518-23 (LowMCE). Copied in Rome. Probably compiled for Giulio de' Medici (1478-1534; Pope Clement VII after 1523).

Acquired, perhaps ca. 1553-63, by Ulrich Fugger (1526-84), of Augsburg (possibly through Ulrich's book collector, Henricus Scrimger); later incorporated in Palatine electoral library in Heidelberg. See VatP 1347 for subsequent history of electoral library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	Missa Dites-moi m'avés pensé: Kyrie	(A. FÉVIN)	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Kyrie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 1–1v Genres: Kyrie eleison, Mass Ordinary Source Attribution: (A. FÉVIN) Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Dite moy m'avés pensé) Kyrie General Note [= Missa parva] Publ. cf. Bc 19 n" 81 Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Pages: I.
1v–2v	Missa Dites-moi m'avés pensé: Gloria	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Gloria Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 1v–2v Genres: Gloria (et in terra pax), Mass Ordinary
2v–4	Missa Dites-moi m'avés pensé: Credo	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Credo Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 2v–4 Genres: Credo (patrem omnipotentem), Mass Ordinary
4v–5v	Missa Dites-moi m'avés pensé: Sanctus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Sanctus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 4v–5v Genres: Mass Ordinary, Sanctus [& Benedictus]
5v–6v	Missa Dites-moi m'avés pensé: Agnus Dei	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Dites-moi m'avés pensé: Agnus Dei Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 5v–6v Genres: Agnus Dei, Mass Ordinary
7–7v	Missa Incessament mon pauvre coeur: Kyrie	(P. DE LA RUE)	Rue, Pierre de la (ca. 1452–1518)
Missa Incessament mon pauvre coeur: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 7–7v Genres: Kyrie eleison, Mass Ordinary Source Attribution: (P. DE LA RUE) Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Incessamment) Kyrie incessament
8–9v	Missa Incessament mon pauvre coeur: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Incessament mon pauvre coeur: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 8–9v Genres: Gloria (et in terra pax), Mass Ordinary
9v–12	Missa Incessament mon pauvre coeur: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Incessament mon pauvre coeur: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 9v–12 Genres: Credo (patrem omnipotentem), Mass Ordinary
12–13	Missa Incessament mon pauvre coeur: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Incessament mon pauvre coeur: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 12–13 Genres: Mass Ordinary, Sanctus [& Benedictus]
13–13v	Missa Incessament mon pauvre coeur: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa Incessament mon pauvre coeur: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 13–13v Genres: Agnus Dei, Mass Ordinary
14–14v	Missa Descendi in ortum meum: Kyrie	[A. BRUMEL]	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Kyrie Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 14–14v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Descendi) Kyrie General Note Publ. cf. Bc 19 n° 83
15–16	Missa Descendi in ortum meum: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)
Missa Descendi in ortum meum: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 15–16 Genres: Gloria (et in terra pax), Mass Ordinary
16–18	Missa Descendi in ortum meum: Credo	-	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)
Missa Descendi in ortum meum: Credo Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 16–18 Genres: Credo (patrem omnipotentem), Mass Ordinary
18v–20	Missa Descendi in ortum meum: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)
Missa Descendi in ortum meum: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 18v–20 Genres: Mass Ordinary, Sanctus [& Benedictus]
20–21	Missa Descendi in ortum meum: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)
Missa Descendi in ortum meum: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 20–21 Genres: Agnus Dei, Mass Ordinary
21v–22	Missa Pange lingua 4.3: Kyrie	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 21v–22 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Pange lingua) Kyrie General Note Publ. cf. Ma 46 n° 7
22–23	Missa Pange lingua 4.3: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 22–23 Genres: Gloria (et in terra pax), Mass Ordinary
23v–25	Missa Pange lingua 4.3: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Credo Despres, Josquin (ca. 1450–1521) Appears on: 23v–25 Genres: Credo (patrem omnipotentem), Mass Ordinary
25–25v	Missa Pange lingua 4.3: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 25–25v Genres: Mass Ordinary, Sanctus [& Benedictus]
26–27	Missa Pange lingua 4.3: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 26–27 Genres: Agnus Dei, Mass Ordinary
27–28	Missa: Kyrie	-	Anonymous
Missa: Kyrie Anonymous Appears on: 27–28 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
28–29	Missa: Gloria	-	Anonymous
Missa: Gloria Anonymous Appears on: 28–29 Genres: Gloria (et in terra pax), Mass Ordinary
29v–31	Missa: Credo	-	Anonymous
Missa: Credo Anonymous Appears on: 29v–31 Genres: Credo (patrem omnipotentem), Mass Ordinary
31v–33	Missa: Sanctus	-	Anonymous
Missa: Sanctus Anonymous Appears on: 31v–33 Genres: Mass Ordinary, Sanctus [& Benedictus]
33–33v	Missa: Agnus Dei	-	Anonymous
Missa: Agnus Dei Anonymous Appears on: 33–33v Genres: Agnus Dei, Mass Ordinary
34–34v	Missa Ave Maria: Kyrie	[P. DE LA RUE]	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 34–34v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [P. DE LA RUE] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Ave Maria) Kyrie General Note Publ. cf. CMacMP) n° 10
35–36	Missa Ave Maria: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 35–36 Genres: Gloria (et in terra pax), Mass Ordinary
36v–39	Missa Ave Maria: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 36v–39 Genres: Credo (patrem omnipotentem), Mass Ordinary
39–39v	Missa Ave Maria: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 39–39v Genres: Mass Ordinary, Sanctus [& Benedictus]
40–41	Missa Ave Maria: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 40–41 Genres: Agnus Dei, Mass Ordinary
41–42	Missa Anima mea: Kyrie	-	Anonymous
Missa Anima mea: Kyrie Anonymous Appears on: 41–42 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Anima mea) Kyrie
42–43	Missa Anima mea: Gloria	-	Anonymous
Missa Anima mea: Gloria Anonymous Appears on: 42–43 Genres: Gloria (et in terra pax), Mass Ordinary
43v–45v	Missa Anima mea: Credo	-	Anonymous
Missa Anima mea: Credo Anonymous Appears on: 43v–45v Genres: Credo (patrem omnipotentem), Mass Ordinary
45v–46v	Missa Anima mea: Sanctus	-	Anonymous
Missa Anima mea: Sanctus Anonymous Appears on: 45v–46v Genres: Mass Ordinary, Sanctus [& Benedictus]
47–47v	Missa Anima mea: Agnus Dei	-	Anonymous
Missa Anima mea: Agnus Dei Anonymous Appears on: 47–47v Genres: Agnus Dei, Mass Ordinary
48	Missa Faisant regrets 8.1: Kyrie	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missa Faisant regrets 8.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 48 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Faisant regres) Kyrie General Note Publ. cf. Rvat 23 n" 8
48v–49	Missa Faisant regrets 8.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Faisant regrets 8.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 48v–49 Genres: Gloria (et in terra pax), Mass Ordinary
49–50	Missa Faisant regrets 8.1: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Faisant regrets 8.1: Credo Despres, Josquin (ca. 1450–1521) Appears on: 49–50 Genres: Mass Ordinary
50v–51	Missa Faisant regrets 8.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Faisant regrets 8.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 50v–51 Genres: Mass Ordinary, Sanctus [& Benedictus]
51v–52	Missa Faisant regrets 8.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Faisant regrets 8.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 51v–52 Genres: Agnus Dei, Mass Ordinary
63–63v	Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes sancta	-	Lheritier, Jean (ca. 1480–ca. 1551)
Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes sancta Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 63–63v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salvator mundi salva nos omnes sancta General Note Publ. cf. CMacDtF) n° 18 Concordances *CH-SGs 463
63v–64	Salvator mundi - 2a pars (of 2): Eya ergo advocemus	-	Lheritier, Jean (ca. 1480–ca. 1551)
Salvator mundi - 2a pars (of 2): Eya ergo advocemus Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 63v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salvator mundi salva nos omnes sancta General Note Publ. cf. CMacDtF) n° 18 Concordances *CH-SGs 463
64v	Miseremini mei saltem - 1a pars (of 2): Miseremini mei saltem vos amici mei	-	Richafort, Jean (ca. 1480–ca. 1550)
Miseremini mei saltem - 1a pars (of 2): Miseremini mei saltem vos amici mei Richafort, Jean (ca. 1480–ca. 1550) Appears on: 64v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miseremini mei saltem vos amici mei General Note Publ. cf. Rvat 1976-1979 n" 20 Concordances »CH-SGs 463 **1519'
65	Miseremini mei saltem - 2a pars (of 2): Cutis mea aruit et contracta est	-	Richafort, Jean (ca. 1480–ca. 1550)
Miseremini mei saltem - 2a pars (of 2): Cutis mea aruit et contracta est Richafort, Jean (ca. 1480–ca. 1550) Appears on: 65 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miseremini mei saltem vos amici mei General Note Publ. cf. Rvat 1976-1979 n" 20 Concordances »CH-SGs 463 **1519'
65v–66	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	-	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Mouton, Jean (ca. 1459–1522) Appears on: 65v–66 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata General Note Publ. cf. CF 59 n" 25
66–66v	Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	-	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare Mouton, Jean (ca. 1459–1522) Appears on: 66–66v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata General Note Publ. cf. CF 59 n" 25
67–67v	In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion	-	Hellinck, Lupus (ca. 1494–1541)
In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion Hellinck, Lupus (ca. 1494–1541) Appears on: 67–67v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In convertendo dominus General Note Publ. cf. Bc 19 n° 55 Concordances *15351 / 15646
67v–68v	In convertendo - 2a pars (of 2): Qui seminant in lachrimis	-	Hellinck, Lupus (ca. 1494–1541)
In convertendo - 2a pars (of 2): Qui seminant in lachrimis Hellinck, Lupus (ca. 1494–1541) Appears on: 67v–68v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In convertendo dominus General Note Publ. cf. Bc 19 n° 55 Concordances *15351 / 15646
68v–69	Lauda Jerusalem Dominum - 1a pars (of 2): Lauda Jerusalem Dominum	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Lauda Jerusalem Dominum - 1a pars (of 2): Lauda Jerusalem Dominum Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 68v–69 Genres: Psalm motet Voice: [no designation] Languages: Latin Voice Text: Lauda Ierusalem dominum General Note Publ. cf. FI 666 n° 3 Concordances D-brd-Kl 24 *1537'
69v–70	Lauda Jerusalem Dominum - 2a pars (of 2): Mittit crystallum suam sicut	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Lauda Jerusalem Dominum - 2a pars (of 2): Mittit crystallum suam sicut Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 69v–70 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lauda Ierusalem dominum General Note Publ. cf. FI 666 n° 3 Concordances D-brd-Kl 24 *1537'
70v–71	Saluto te sancta - 1a pars (of 2): Saluto te sancta virgo Maria domina	-	Willaert, Adrian (ca. 1490–1562)
Saluto te sancta - 1a pars (of 2): Saluto te sancta virgo Maria domina Willaert, Adrian (ca. 1490–1562) Appears on: 70v–71 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Saluto te sancta virgo Maria domina General Note Publ. cf. Fl 666 n° 5
71–71v	Saluto te sancta - 2a pars (of 2): Rogo te ergo per illud gaudium	-	Willaert, Adrian (ca. 1490–1562)
Saluto te sancta - 2a pars (of 2): Rogo te ergo per illud gaudium Willaert, Adrian (ca. 1490–1562) Appears on: 71–71v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Saluto te sancta virgo Maria domina General Note Publ. cf. Fl 666 n° 5
72	In illo tempore loquente Jesu ad turbas	-	Silva, Andreas de (ca. 1475–ca. 1522)
In illo tempore loquente Jesu ad turbas Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 72 Genres: In illo tempore, Motet Voice: [no designation] Languages: Latin Voice Text: In illo tempore loquente Iesu General Note Publ. cf. Bc 19 n° 31
72v	In omni tribulatione et angustia	[P. MOULU* ou J. MOUTON]	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
In omni tribulatione et angustia Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 72v Genres: Motet Source Attribution: [P. MOULU* ou J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: In omni tribulatione et angustia General Note Publ. cf. FI 666 n° 28 Concordances *15215
73	Ne vous chaille mon cour.	[J. RICHAFORT]*	Richafort, Jean (ca. 1480–ca. 1550)
Ne vous chaille mon cour. Richafort, Jean (ca. 1480–ca. 1550) Appears on: 73 Genres: Motet Source Attribution: [J. RICHAFORT]* Voice: [no designation] Languages: French Voice Text: Ne vous chaille mon cour. Concordances »CH-SGs 463; 154413
73v	Incessamment mon pouvre coeur lamente 29.9	[P. DE LA RUE* ou JOSQUIN**]	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Incessamment mon pouvre coeur lamente 29.9 Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 73v Genres: Chanson Source Attribution: [P. DE LA RUE* ou JOSQUIN] Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incessament [mon pauvre coeur lamente] General Note [= Sic deus dilexit]* Concordances "CH-SGs 463 **RISM J 68 " »D-ddr-GOl 98
74	Petite camusette à la mort m'avez mis 30.7	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Petite camusette à la mort m'avez mis 30.7 Despres, Josquin (ca. 1450–1521) Appears on: 74 Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Petitte camusete General Note [6vx. dont 3 seul' dans ce ms.] Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: V. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I.
74v	Se congié prens de mes belles amours 30.11	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Se congié prens de mes belles amours 30.11 Despres, Josquin (ca. 1450–1521) Appears on: 74v Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Si congés prens General Note [6vx. dans ce ms.] Publ. cf. Bc 71 n° 8[=0 Maria virgo sanctissima] [=Miserator dominus et misericors]* Concordances *D-ddr-LEu 49
75	Salva nos Domine vigilantes custodi 26.12	-	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Willaert, Adrian (ca. 1490–1562) (?)
Salva nos Domine vigilantes custodi 26.12 Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salva nos Domine vigilantes General Note Publ. cf. Bc 19 n° 18[6vx. dont 3 dans ce ms.] Concordances *154210

Composer	Compositions
Anonymous	Missa Anima mea: Agnus Dei – 47–47v Missa Anima mea: Credo – 43v–45v Missa Anima mea: Gloria – 42–43 Missa Anima mea: Kyrie – 41–42 Missa Anima mea: Sanctus – 45v–46v Missa: Agnus Dei – 33–33v Missa: Credo – 29v–31 Missa: Gloria – 28–29 Missa: Kyrie – 27–28 Missa: Sanctus – 31v–33
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Descendi in ortum meum: Agnus Dei – 20–21 Missa Descendi in ortum meum: Credo – 16–18 Missa Descendi in ortum meum: Gloria – 15–16 Missa Descendi in ortum meum: Kyrie – 14–14v Missa Descendi in ortum meum: Sanctus – 18v–20
Despres, Josquin (ca. 1450–1521)	(?) Incessamment mon pouvre coeur lamente 29.9 – 73v Missa Faisant regrets 8.1: Agnus Dei – 51v–52 Missa Faisant regrets 8.1: Credo – 49–50 Missa Faisant regrets 8.1: Gloria – 48v–49 Missa Faisant regrets 8.1: Kyrie – 48 Missa Faisant regrets 8.1: Sanctus – 50v–51 Missa Pange lingua 4.3: Agnus Dei – 26–27 Missa Pange lingua 4.3: Credo – 23v–25 Missa Pange lingua 4.3: Gloria – 22–23 Missa Pange lingua 4.3: Kyrie – 21v–22 Missa Pange lingua 4.3: Sanctus – 25–25v Petite camusette à la mort m'avez mis 30.7 – 74 (?) Salva nos Domine vigilantes custodi 26.12 – 75 Se congié prens de mes belles amours 30.11 – 74v
Ferrara, Maistre Jhan of (ca. 1485–1538)	Lauda Jerusalem Dominum - 1a pars (of 2): Lauda Jerusalem Dominum – 68v–69 Lauda Jerusalem Dominum - 2a pars (of 2): Mittit crystallum suam sicut – 69v–70
Fevin, Antoine de (ca. 1470–ca. 1512)	Missa Dites-moi m'avés pensé: Agnus Dei – 5v–6v Missa Dites-moi m'avés pensé: Credo – 2v–4 Missa Dites-moi m'avés pensé: Gloria – 1v–2v Missa Dites-moi m'avés pensé: Kyrie – 1–1v Missa Dites-moi m'avés pensé: Sanctus – 4v–5v
Hellinck, Lupus (ca. 1494–1541)	In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion – 67–67v In convertendo - 2a pars (of 2): Qui seminant in lachrimis – 67v–68v
Isaac, Heinrich (ca. 1450–1517)	(?) Missa Descendi in ortum meum: Agnus Dei – 20–21 (?) Missa Descendi in ortum meum: Credo – 16–18 (?) Missa Descendi in ortum meum: Gloria – 15–16 (?) Missa Descendi in ortum meum: Kyrie – 14–14v (?) Missa Descendi in ortum meum: Sanctus – 18v–20
Lheritier, Jean (ca. 1480–ca. 1551)	Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes sancta – 63–63v Salvator mundi - 2a pars (of 2): Eya ergo advocemus – 63v–64
Moulu, Pierre (ca. 1484–ca. 1550)	(?) In omni tribulatione et angustia – 72v
Mouton, Jean (ca. 1459–1522)	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens – 65v–66 Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare – 66–66v (?) In omni tribulatione et angustia – 72v (?) Salva nos Domine vigilantes custodi 26.12 – 75
Richafort, Jean (ca. 1480–ca. 1550)	Miseremini mei saltem - 1a pars (of 2): Miseremini mei saltem vos amici mei – 64v Miseremini mei saltem - 2a pars (of 2): Cutis mea aruit et contracta est – 65 Ne vous chaille mon cour. – 73
Rue, Pierre de la (ca. 1452–1518)	(?) Incessamment mon pouvre coeur lamente 29.9 – 73v Missa Ave Maria: Agnus Dei – 40–41 Missa Ave Maria: Credo – 36v–39 Missa Ave Maria: Gloria – 35–36 Missa Ave Maria: Kyrie – 34–34v Missa Ave Maria: Sanctus – 39–39v Missa Incessament mon pauvre coeur: Agnus Dei – 13–13v Missa Incessament mon pauvre coeur: Credo – 9v–12 Missa Incessament mon pauvre coeur: Gloria – 8–9v Missa Incessament mon pauvre coeur: Kyrie – 7–7v Missa Incessament mon pauvre coeur: Sanctus – 12–13
Silva, Andreas de (ca. 1475–ca. 1522)	In illo tempore loquente Jesu ad turbas – 72
Willaert, Adrian (ca. 1490–1562)	Saluto te sancta - 1a pars (of 2): Saluto te sancta virgo Maria domina – 70v–71 Saluto te sancta - 2a pars (of 2): Rogo te ergo per illud gaudium – 71–71v (?) Salva nos Domine vigilantes custodi 26.12 – 75

Composition	Composers (? Uncertain)	Folios / Pages
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	Mouton, Jean (ca. 1459–1522)	65v–66
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	Mouton, Jean (ca. 1459–1522)	66–66v
In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Hellinck, Lupus (ca. 1494–1541)	67–67v
In convertendo - 2a pars (of 2): Qui seminant in lachrimis	Hellinck, Lupus (ca. 1494–1541)	67v–68v
In illo tempore loquente Jesu ad turbas	Silva, Andreas de (ca. 1475–ca. 1522)	72
In omni tribulatione et angustia	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	72v
Incessamment mon pouvre coeur lamente 29.9	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)	73v
Lauda Jerusalem Dominum - 1a pars (of 2): Lauda Jerusalem Dominum	Ferrara, Maistre Jhan of (ca. 1485–1538)	68v–69
Lauda Jerusalem Dominum - 2a pars (of 2): Mittit crystallum suam sicut	Ferrara, Maistre Jhan of (ca. 1485–1538)	69v–70
Miseremini mei saltem - 1a pars (of 2): Miseremini mei saltem vos amici mei	Richafort, Jean (ca. 1480–ca. 1550)	64v
Miseremini mei saltem - 2a pars (of 2): Cutis mea aruit et contracta est	Richafort, Jean (ca. 1480–ca. 1550)	65
Missa Anima mea: Agnus Dei	Anonymous	47–47v
Missa Anima mea: Credo	Anonymous	43v–45v
Missa Anima mea: Gloria	Anonymous	42–43
Missa Anima mea: Kyrie	Anonymous	41–42
Missa Anima mea: Sanctus	Anonymous	45v–46v
Missa Ave Maria: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	40–41
Missa Ave Maria: Credo	Rue, Pierre de la (ca. 1452–1518)	36v–39
Missa Ave Maria: Gloria	Rue, Pierre de la (ca. 1452–1518)	35–36
Missa Ave Maria: Kyrie	Rue, Pierre de la (ca. 1452–1518)	34–34v
Missa Ave Maria: Sanctus	Rue, Pierre de la (ca. 1452–1518)	39–39v
Missa Descendi in ortum meum: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)	20–21
Missa Descendi in ortum meum: Credo	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)	16–18
Missa Descendi in ortum meum: Gloria	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)	15–16
Missa Descendi in ortum meum: Kyrie	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	14–14v
Missa Descendi in ortum meum: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)	18v–20
Missa Dites-moi m'avés pensé: Agnus Dei	Fevin, Antoine de (ca. 1470–ca. 1512)	5v–6v
Missa Dites-moi m'avés pensé: Credo	Fevin, Antoine de (ca. 1470–ca. 1512)	2v–4
Missa Dites-moi m'avés pensé: Gloria	Fevin, Antoine de (ca. 1470–ca. 1512)	1v–2v
Missa Dites-moi m'avés pensé: Kyrie	Fevin, Antoine de (ca. 1470–ca. 1512)	1–1v
Missa Dites-moi m'avés pensé: Sanctus	Fevin, Antoine de (ca. 1470–ca. 1512)	4v–5v
Missa Faisant regrets 8.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	51v–52
Missa Faisant regrets 8.1: Credo	Despres, Josquin (ca. 1450–1521)	49–50
Missa Faisant regrets 8.1: Gloria	Despres, Josquin (ca. 1450–1521)	48v–49
Missa Faisant regrets 8.1: Kyrie	Despres, Josquin (ca. 1450–1521)	48
Missa Faisant regrets 8.1: Sanctus	Despres, Josquin (ca. 1450–1521)	50v–51
Missa Incessament mon pauvre coeur: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	13–13v
Missa Incessament mon pauvre coeur: Credo	Rue, Pierre de la (ca. 1452–1518)	9v–12
Missa Incessament mon pauvre coeur: Gloria	Rue, Pierre de la (ca. 1452–1518)	8–9v
Missa Incessament mon pauvre coeur: Kyrie	Rue, Pierre de la (ca. 1452–1518)	7–7v
Missa Incessament mon pauvre coeur: Sanctus	Rue, Pierre de la (ca. 1452–1518)	12–13
Missa Pange lingua 4.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	26–27
Missa Pange lingua 4.3: Credo	Despres, Josquin (ca. 1450–1521)	23v–25
Missa Pange lingua 4.3: Gloria	Despres, Josquin (ca. 1450–1521)	22–23
Missa Pange lingua 4.3: Kyrie	Despres, Josquin (ca. 1450–1521)	21v–22
Missa Pange lingua 4.3: Sanctus	Despres, Josquin (ca. 1450–1521)	25–25v
Missa: Agnus Dei	Anonymous	33–33v
Missa: Credo	Anonymous	29v–31
Missa: Gloria	Anonymous	28–29
Missa: Kyrie	Anonymous	27–28
Missa: Sanctus	Anonymous	31v–33
Ne vous chaille mon cour.	Richafort, Jean (ca. 1480–ca. 1550)	73
Petite camusette à la mort m'avez mis 30.7	Despres, Josquin (ca. 1450–1521)	74
Saluto te sancta - 1a pars (of 2): Saluto te sancta virgo Maria domina	Willaert, Adrian (ca. 1490–1562)	70v–71
Saluto te sancta - 2a pars (of 2): Rogo te ergo per illud gaudium	Willaert, Adrian (ca. 1490–1562)	71–71v
Salva nos Domine vigilantes custodi 26.12	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Willaert, Adrian (ca. 1490–1562) (?)	75
Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes sancta	Lheritier, Jean (ca. 1480–ca. 1551)	63–63v
Salvator mundi - 2a pars (of 2): Eya ergo advocemus	Lheritier, Jean (ca. 1480–ca. 1551)	63v–64
Se congié prens de mes belles amours 30.11	Despres, Josquin (ca. 1450–1521)	74v

Set: MS Pal. lat. 1980-81

Type: Partbooks

No images available

V-CVbav MS Pal. lat. 1980

No images available

V-CVbav MS Pal. lat. 1981

‡ denotes primary source study

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 324. Notes: contents list (partial); concordances (partial).

Boorman, Stanley. 1981. Petrucci's Type-setters and the Process of Stemmatics. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 245-80. Munich. Pages: 255-7, 269-70. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 360, 389, 442, 815. Notes: contents list (partial); concordances (partial).

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: 167, 177. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Finscher, Ludwig. 1977. Der Medici-Kodex-Geschichte und Edition. Die Musikforschung, 468-81. Pages: 469, 473, 476, 479. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft. Tutzing. Pages: 22, 30-1, 78-82, 93, 433, 443. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxxix, 52. Notes: physical description; contents list (partial); concordances (partial).

Rifkin, Joshua. 1976. Ein römisches Messenrepertoire am bayerischen Hof-Bemerkungen zum Wolfenbütteler Chorbuch A Aug. 2° und zu seinem Umkreis. Paper read at colloquium "Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez," held at Wolfenbüttel, September 14-17, 1976, . Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1973. "La courone et fleur des chansons a troys" - A mirror of the French Chanson in Italy in the years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1ff. Pages: 15.

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 383. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xv-xvi. Notes: contents list (partial); concordances (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliv, liii. Notes: physical description (partial); contents list (partial); concordances (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music. Chicago. Pages: III, 61, 64-5, 126-9, 134-5, 169-70, 175-80. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Schunke, Use. 1962. Die Einbände der Palatina in der Vatikanischen Bibliothek. Studie Testi. 2 vols. Vatican City. Pages: I, 176, Tafel CXXXIII; II, 902. Notes: physical description (partial); facsimile (partial).

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 39-40, 156ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 19, 46-7. Notes: physical description; contents list; concordances (partial); incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: P. Kast, in MGG XI, col. 759.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: L. Perkins, in CMM 48, p. XLIV.

Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. Codices e Vaticanis selecti phototypice expressi. 2 vols. Leipzig. Pages: I, 189 n™ 866-867.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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Répertoire Internationale des Sources Musicales

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