D-B MS Mus. 40021

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

manuscript of polyphony: c. 1485-1500

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. 40021
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	c. 310 x 210 mm
Other Identifiers	CCM: BerlS 40021 olim (Former shelfmark): Preussische Staatsbibliothek, Z 21
Notations	black void mensural
Copyists	? Isaac, Heinrich (ca. 1450–1517) Music scribal concordance [99] Music
Relationships	Halberstadt Cathedral (owner) Fetis, Francois-Joseph (1784–1871) (discovered by)
External Links	Images PRoMS
External Authorities	RISM Online (sources/466000138)
Provenance	Saxony, Germany
Contents	216 pieces from 29 composers

General Description

The exact place of origin of this choirbook is not yet established. Fétis discovered the manuscript in 1849 at the cathedral in Halberstadt, and it has been assumed that it originated there. EhmA, however, suggested that the manuscript was copied in Torgau, and later sent to Halberstadt. JustM suggests Leipzig as the place of origin.

Copied by 18 scribes; Isaac's name appears on ff. 8, 255', and 293, with the additional note: 'de manu sua' (see JustY for discussion). Complex fascicle structure; the various layers were copied separately over a period of approximately 15 years. Related to LeipU 1494, MunBS 3154, and WarU 2016; some of the repertory comes from the court of Frederick the Wise, Elector of Saxony, at Torgau; the pieces on ff. 246'-252' have close connections with the city of Nuremberg.

The former Preussische Staatsbibliothek acquired the manuscript from Butsch Antiquariat in Augsburg; after World War II, it was moved to its present location at the West Berlin library.

DIAMM, 2017

Binding

Original covers of white tooled leather on boards, with leather spine and ornamented brass clasps.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Mostly original foliation, 1-293 (with some inconsistencies); some new foliation toward the end.

DIAMM, 2017

Decoration

Some ornamented initials.

DIAMM, 2017

Index

Original index on inside front cover and f. 1

DIAMM, 2017

Surface

Paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 Masses, 1 Kyrie, 1 Gloria, 10 Mass Proper sections, 11 Magnificats, 1 Te Deum, 1 Canticle, 20 office hymns, 6 processional hymns, 1 set of responses, 1 Latin/German sacred piece, 58 motets, 6 German sacred pieces, 1 German secular piece, 18 textless pieces = 151

Adam von Fulda-8, A. Agricola-7 + 1?, (A. Agricola/Brumel)-1, (A. Agricola/Isaac)-2, Aulenus(?)*/(A. Agricola)-1, B.H. [probably not Balthasar Harzer]-6, (Barbireau)-1, Beham-2 + 1?, Busnois [Businos]-1, (Compère)-2, (Congiet/Japart)-1, E.O.-1, Finck-6, Flordigal? [Flor.]-1, Gerstman? [Gerstenhans]-1, (Ghiselin)-2, Hofhaimer-1, Isaac-10, (Isaac/Martini)-1, Jacobit-1, Josquin-4, Nachtigal? [Philomena]-1, (Obrecht)-3 + 2?, Rener? [M. Reneri]-1, Volckmar-1, (Weerbecke)-1, anon-80

*The inscription "Officium Auleni" appears over the Mass on ff. 41'-46. For a discussion of the possible identity of the composer, see JustM.

295 paper folios, ca. 310 x 210. Mostly original foliation, 1-293 (with some inconsistencies); some new foliation toward the end. Original covers of white tooled leather on boards, with leather spine and ornamented brass clasps. Original index on inside front cover and f. 1. Copied by 18 scribes; on ff. 8, 255', and 293, Isaac's name appears, with the additional note: "de manu sua" (see JustY for discussion). Some ornamented initials. Complex fascicle structure; the various layers were copied separately over a period of approximately 15 years. The manuscript is related to LeipU 1494, MunBS 3154, and WarU 2016; some of the repertory comes from the court of Frederick the Wise, Elector of Saxony, at Torgau; the pieces on ff. 246'-252' have close connections with the city of Nuremberg.

Ca. 1485-1500 (JustM); date [14]95 on f. 161. The exact place of origin of this choirbook has not yet been convincingly established. Fétis discovered the manuscript in 1849 at the cathedral in Halberstadt, and it has been assumed that it originated there. EhmA, however, suggested that the manuscript was copied in Torgau, and later sent to Halberstadt. JustM suggests Leipzig as the place of origin. The former Preussische Staatsbibliothek acquired the manuscript from Butsch Antiquariat in Augsburg; after World War II, it was moved to its present location at the West Berlin library.

Vol 4

Composers: Add "(A. Agricola/Obrecht)-1 "; change "Aulenus(?)/(A. Agricola) -1" to "Aulenus(?)/(A. Agricola/Cuvenor)-1"; change "(Obrecht)-3 + 2?" to "(Obrecht)-2 + 2?."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
8v–10r	Missa Une musque de Biscaye: Kyrie	Ysaac de manu sua	Isaac, Heinrich (ca. 1450–1517)
Missa Une musque de Biscaye: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 8v–10r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Ysaac de manu sua
8v–10r	Missa Une musque de Biscaye: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Une musque de Biscaye: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 8v–10r Genres: Gloria (et in terra pax), Mass Ordinary
8v–10r	Missa Une musque de Biscaye: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Une musque de Biscaye: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 8v–10r Genres: Credo (patrem omnipotentem), Mass Ordinary
8v–10r	Missa Une musque de Biscaye: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Une musque de Biscaye: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 8v–10r Genres: Mass Ordinary, Sanctus [& Benedictus] General Note ends at "Et sepultus est"
8v–10r	Missa Une musque de Biscaye: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Une musque de Biscaye: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 8v–10r Genres: Agnus Dei, Mass Ordinary
11r–16r	Missa Sine nomine (Re fa mi re fa): Kyrie	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Kyrie Agricola, Alexander (ca. 1445–1506) Appears on: 11r–16r Genres: Kyrie eleison, Mass Ordinary
11r–16r	Missa Sine nomine (Re fa mi re fa): Gloria	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Gloria Agricola, Alexander (ca. 1445–1506) Appears on: 11r–16r
11r–16r	Missa Sine nomine (Re fa mi re fa): Credo	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Credo Agricola, Alexander (ca. 1445–1506) Appears on: 11r–16r
11r–16r	Missa Sine nomine (Re fa mi re fa): Sanctus	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Sanctus Agricola, Alexander (ca. 1445–1506) Appears on: 11r–16r Genres: Mass Ordinary, Sanctus [& Benedictus] General Note [there is no Agnus Dei]
16v	A la mignonne de fortune	-	Agricola, Alexander (ca. 1445–1506)
A la mignonne de fortune Agricola, Alexander (ca. 1445–1506) Appears on: 16v Genres: Chanson Voice: Triplum Languages: Hebrew Voice Text: Amen
17r–20r	Missa Se une fois: Kyrie	-	Anonymous
Missa Se une fois: Kyrie Anonymous Appears on: 17r–20r Genres: Kyrie eleison, Mass Ordinary
17r–20r	Missa Se une fois: Gloria	-	Anonymous
Missa Se une fois: Gloria Anonymous Appears on: 17r–20r Genres: Gloria (et in terra pax), Mass Ordinary
17r–20r	Missa Se une fois: Credo	-	Anonymous
Missa Se une fois: Credo Anonymous Appears on: 17r–20r Genres: Credo (patrem omnipotentem), Mass Ordinary
20v–22r	[Gloria] Et in terra pax	-	Anonymous
[Gloria] Et in terra pax Anonymous Appears on: 20v–22r Genres: Gloria (et in terra pax), Mass Ordinary
22v	Kyrie pascale	-	Anonymous
Kyrie pascale Anonymous Appears on: 22v Genres: Kyrie eleison, Mass Ordinary
23r–29r	Missa O Venus bant: Kyrie	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 23r–29r Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
23r–29r	Missa O Venus bant: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 23r–29r Genres: Gloria (et in terra pax), Mass Ordinary
23r–29r	Missa O Venus bant: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 23r–29r Genres: Credo (patrem omnipotentem), Mass Ordinary General Note lacks the 'Et iterum' section
23r–29r	Missa O Venus bant: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 23r–29r Genres: Mass Ordinary, Sanctus [& Benedictus] General Note lacks Osanna II
23r–29r	Missa O Venus bant: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 23r–29r Genres: Agnus Dei, Mass Ordinary General Note Agnus II only
29v–30r	Fa mi fa re ut	-	Anonymous
Fa mi fa re ut Anonymous Appears on: 29v–30r Genres: textless
30	Ave Christi caro immolata crucis	-	Anonymous
Ave Christi caro immolata crucis Anonymous Appears on: 30 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave Christi caro immolata crucis
30v	Adieu fillette de regnon	Sol re ut re ut	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Adieu fillette de regnon Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 30v Genres: Chanson Source Attribution: Sol re ut re ut General Note textless
31r–40v	Missa Et trop penser: Kyrie	-	Isaac, Heinrich (ca. 1450–1517)
Missa Et trop penser: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 31r–40v Genres: Kyrie eleison, Mass Ordinary
31r–40v	Missa Et trop penser: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Et trop penser: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 31r–40v Genres: Gloria (et in terra pax), Mass Ordinary
31r–40v	Missa Et trop penser: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Et trop penser: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 31r–40v Genres: Credo (patrem omnipotentem), Mass Ordinary
31r–40v	Missa Et trop penser: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Et trop penser: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 31r–40v Genres: Mass Ordinary, Sanctus [& Benedictus]
31r–40v	Missa Et trop penser: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Et trop penser: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 31r–40v Genres: Agnus Dei, Mass Ordinary
41r	Quem terra pontus	-	Anonymous
Quem terra pontus Anonymous Appears on: 41r Genres: Hymn General Note Incomplete: Discantus only
41v–46r	'Missa Auleni': Kyrie	Offi[cium] Auleni	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Kyrie Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 41v–46r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Offi[cium] Auleni
41v–46r	'Missa Auleni': Gloria	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Gloria Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 41v–46r Genres: Gloria (et in terra pax), Mass Ordinary
41v–46r	'Missa Auleni': Credo	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Credo Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 41v–46r Genres: Credo (patrem omnipotentem), Mass Ordinary
41v–46r	'Missa Auleni': Sanctus	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Sanctus Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 41v–46r Genres: Mass Ordinary, Sanctus [& Benedictus]
41v–46r	'Missa Auleni': Agnus Dei	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Agnus Dei Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 41v–46r Genres: Agnus Dei, Mass Ordinary
46v	In principio erat verbum et verbum	A. F.	von Fulda, Adam (ca. 1445–1505)
In principio erat verbum et verbum von Fulda, Adam (ca. 1445–1505) Appears on: 46v Genres: Responsory Source Attribution: A. F. Voice: [no designation] Languages: Latin Voice Text: In principio erat verbum et verbum General Note edition:CAO 7840 (partly)also:Io 1,1
47r	Ut mi fa sol	-	Anonymous
Ut mi fa sol Anonymous Appears on: 47r Genres: textless
47v–48r	Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora	A. F.	von Fulda, Adam (ca. 1445–1505)
Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora von Fulda, Adam (ca. 1445–1505) Appears on: 47v–48r Genres: Motet Source Attribution: A. F. Voice: [no designation] Languages: Latin Voice Text: Sancta dei genitrix dulcis et decora/Te laudamus Concordances contrafact text in Warsaw 5892 (previously Breslau 2016) "O admirabile Domini auxilium"
48v–49r	Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster	-	von Fulda, Adam (ca. 1445–1505)
Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster von Fulda, Adam (ca. 1445–1505) Appears on: 48v–49r Genres: Motet Concordances contrafact text in Warsaw 5892 (previously Breslau 2016) also begins "Te laudamus" but only the opening words are retained
49v–50r	Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas]	-	Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?) Appears on: 49v–50r Genres: Contrafactum Voice: Triplum Languages: Latin Voice Text: Caecus non iudicat de coloribus General Note text: "Regali quem decet"
50v–51r	Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria)	-	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)
Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?) Appears on: 50v–51r Genres: textless
51v–52r	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 51v–52r Genres: Ave Maria, Motet Voice: Triplum Languages: Latin Voice Text: Ave Maria ... virgo serena General Note with substitute text: Verbum incarnatum
52v–53r	In civitate Domini ibi sonant jugiter	Gerstenhans [= Gerstman?]	Gerstenhans (?)
In civitate Domini ibi sonant jugiter Gerstenhans (?) Appears on: 52v–53r Genres: Motet Source Attribution: Gerstenhans [= Gerstman?] Voice: [no designation] Languages: Latin Voice Text: In civitate domini ibi sonant iugiter General Note edition:CAO 3210
53v–56r	O gloriosa domina sanctissima virgo Maria	-	Ghiselin (Verbonnet), Johannes
O gloriosa domina sanctissima virgo Maria Ghiselin (Verbonnet), Johannes Appears on: 53v–56r Genres: Motet Voice: Triplum Languages: Latin Voice Text: O gloriosa domina sanctissima virgo Maria General Note text here: "O sacrum misterium"
56v–57r	Ecce sacerdos magnus [Ecce dilectus meus]	-	Isaac, Heinrich (ca. 1450–1517)
Ecce sacerdos magnus [Ecce dilectus meus] Isaac, Heinrich (ca. 1450–1517) Appears on: 56v–57r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce sacerdos magnus
57v–58r	Descendi in ortum nucum ut viderem	-	Anonymous
Descendi in ortum nucum ut viderem Anonymous Appears on: 57v–58r Genres: Motet Voice: Triplum Languages: Latin Voice Text: Descendi in hortum meum General Note edition:CAO 2155 (similar) also:1: Ct 6, 10 (similar), CAO 2154 (partly, similar)2: Ct 6, 12 (similar), CAO 4648 (similar)
58v	Ave amator casti consilii tronum [= De biens d'amours]	-	Isaac, Heinrich (ca. 1450–1517)
Ave amator casti consilii tronum [= De biens d'amours] Isaac, Heinrich (ca. 1450–1517) Appears on: 58v Genres: Contrafactum, Motet Voice: Triplum Languages: Latin Voice Text: Ave amator casti consilii tronum [= De biens d'amours] Concordances Panciatichi 27 & Codex Grey (3.b.12) have text "Omnis [habet finem] labor"; former has "Les Bien amore" in Superius. Berlin 40021 has text "Ave amator casti"
59r	Bon me larim bom bom = Corps digne – Dieu quel mariage	Businos	Busnoys, Antoine (ca. 1430–1492)
Bon me larim bom bom = Corps digne – Dieu quel mariage Busnoys, Antoine (ca. 1430–1492) Appears on: 59r Genres: Italian secular Source Attribution: Businos General Note Text: "Dieu quel mariage"
59v–60r	Naturae genitor celsi regnator Olimpi	-	Anonymous
Naturae genitor celsi regnator Olimpi Anonymous Appears on: 59v–60r Genres: Motet Voice: Triplum Languages: Latin Voice Text: Naturae genitor celsi regnator Olimpi
60v	Exaltata est sancta Dei genitrix	-	Anonymous
Exaltata est sancta Dei genitrix Anonymous Appears on: 60v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Exaltata est sancta dei genitrix
61r–64r	Magnificat sexti toni: Et exultavit [K.698]	-	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni: Et exultavit [K.698] Compère, Loyset (ca. 1445–1518) Appears on: 61r–64r Genres: BVM, Canticle, Magnificat General Note V.1 lacking
64v–66r	Magnificat tone 6 [K.606]	B.H.	B.H.
Magnificat tone 6 [K.606] B.H. Appears on: 64v–66r Genres: BVM, Canticle, Magnificat Source Attribution: B.H.
66v–68r	Magnificat tone 8 [K.841]	Jo. Jacobit	Jacobit, Jo[annes]
Magnificat tone 8 [K.841] Jacobit, Jo[annes] Appears on: 66v–68r Genres: BVM, Canticle, Magnificat Source Attribution: Jo. Jacobit
68v	Amen	-	Anonymous
Amen Anonymous Appears on: 68v Genres: Motet Voice: [no designation] Languages: Hebrew Voice Text: Amen
68v	Da pacem Domine in diebus nostris	E. O.	E.O.
Da pacem Domine in diebus nostris E.O. Appears on: 68v Genres: Antiphon Source Attribution: E. O. Voice: Triplum Languages: Latin Voice Text: Da pacem domine in diebus nostris General Note edition:LU 1867f.
69r–72v	Salve regina (II) [10 partes]	Heyn Ysack [= Isaac]	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) [10 partes] Isaac, Heinrich (ca. 1450–1517) Appears on: 69r–72v Genres: Marian antiphon, Motet, Salve Regina Source Attribution: Heyn Ysack [= Isaac] Voice: Triplum Languages: Latin Voice Text: Salve regina General Note editionCAO 4694 (partly)also: LU 276 (partly); AH 50, 318 f. (partly)
73r–74v	Te Deum laudamus [K.607]	B. H.	B.H.
Te Deum laudamus [K.607] B.H. Appears on: 73r–74v Genres: Liturgical work, Te Deum Source Attribution: B. H. Voice: [no designation] Languages: Latin Voice Text: Te Deum laudamus General Note the residuum of this Te Deum is on f. 161v Concordances The Te Deum by 'B.H.' in Leipzig 1494 (no. 156) is apparently a different piece.
75r–77r	Magnificat tone 4 [K.251]	-	Anonymous
Magnificat tone 4 [K.251] Anonymous Appears on: 75r–77r Genres: BVM, Canticle, Magnificat
77v–80r	Magnificat tone 5 [K.555]	A.F.	von Fulda, Adam (ca. 1445–1505)
Magnificat tone 5 [K.555] von Fulda, Adam (ca. 1445–1505) Appears on: 77v–80r Genres: BVM, Canticle, Magnificat Source Attribution: A.F.
80v–82v	Magnificat tone 7: Et exultavit [K.356]	-	Anonymous
Magnificat tone 7: Et exultavit [K.356] Anonymous Appears on: 80v–82v Genres: BVM, Canticle, Magnificat
83r	untexted	-	-
untexted - Appears on: 83r Voice: Triplum Languages: none Voice Text: Coetus in excelsis te laudat Concordances "Mi la sol fa re ut" - copied again at ff. 184v-185
83r	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 83r Genres: Alleluia Voice: Triplum Languages: Latin Voice Text: Alleluia General Note edition: 1-3: AH 51, 110ff. (partly)4-9: AH 51, 196f. (partly)EdM 76, 257
83r	J'abandonne le souhaitier	-	Anonymous
J'abandonne le souhaitier Anonymous Appears on: 83r Genres: Chanson
83v–84r	Urbs beata Jerusalem	-	Anonymous
Urbs beata Jerusalem Anonymous Appears on: 83v–84r Genres: Hymn
84v	Gloria laus et honor	-	Anonymous
Gloria laus et honor Anonymous Appears on: 84v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor General Note edition:AH 50, 160 ff. (lines 5-6; 9-10)
85r	[Gratuletur ecclesia] Ista pro Christo	-	Anonymous
[Gratuletur ecclesia] Ista pro Christo Anonymous Appears on: 85r Genres: Hymn General Note Here texted 'A solis ortu cardine'
85v–86r	Salve regina mater misericordiae	"h. Isaac etc."	Isaac, Heinrich (ca. 1450–1517)
Salve regina mater misericordiae Isaac, Heinrich (ca. 1450–1517) Appears on: 85v–86r Genres: Marian antiphon, Motet, Salve Regina Source Attribution: "h. Isaac etc."
86v	Dies est laetitiae in ortu regali	A. F.	von Fulda, Adam (ca. 1445–1505)
Dies est laetitiae in ortu regali von Fulda, Adam (ca. 1445–1505) Appears on: 86v Genres: Cantio Source Attribution: A. F. Voice: Triplum Languages: Latin Voice Text: Dies est laetitiae in ortu regali General Note edition:AH 51, 144ff. (partly)
87r–91r	Magnificat tone 4 [K.252]	-	Anonymous
Magnificat tone 4 [K.252] Anonymous Appears on: 87r–91r Genres: BVM, Canticle, Magnificat
91v–92r	Gaude visceribus	-	Anonymous
Gaude visceribus Anonymous Appears on: 91v–92r Genres: Hymn
92v	Ave splendor patris princeps pacis	-	Anonymous
Ave splendor patris princeps pacis Anonymous Appears on: 92v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ave splendor patris princeps pacis General Note edition:AH 50, 58 (partly)edition :AH 23, 161 (partly)also:AH 12, 18 (partly)
93r–95r	Magnificat quarti toni: Et exultavit [K.632]	-	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)
Magnificat quarti toni: Et exultavit [K.632] Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 93r–95r Genres: BVM, Canticle, Magnificat General Note indexed wrongly as 'septimi toni'
95v–96r	A solis ortu cardine	Alex. Agric[ola]	Agricola, Martin (ca. 1486–1556)
A solis ortu cardine Agricola, Martin (ca. 1486–1556) Appears on: 95v–96r Genres: Hymn Source Attribution: Alex. Agric[ola]
96v–97r	[Assunt festa jubilaea] Cuius sacrata viscera	-	Anonymous
[Assunt festa jubilaea] Cuius sacrata viscera Anonymous Appears on: 96v–97r Genres: Hymn
97v–98	Jesu corona virginum	B.H.	B.H.
Jesu corona virginum B.H. Appears on: 97v–98 Genres: Motet Source Attribution: B.H.
98v	Gaude visceribus	-	Anonymous
Gaude visceribus Anonymous Appears on: 98v Genres: Motet
99r	Urbs beata Jerusalem	-	Anonymous
Urbs beata Jerusalem Anonymous Appears on: 99r Genres: Hymn
99v–100r	Ave maris stella	A.A[gricola]	Agricola, Alexander (ca. 1445–1506)
Ave maris stella Agricola, Alexander (ca. 1445–1506) Appears on: 99v–100r Genres: Ave maris stella, Marian antiphon Source Attribution: A.A[gricola]
100v–101r	Gloria laus et honor	B. H.	B.H.
Gloria laus et honor B.H. Appears on: 100v–101r Genres: Hymn Source Attribution: B. H. Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor General Note ff. 100v, 100a (r-v), 101r
101v–102r	Festum nunc celebre	-	Anonymous
Festum nunc celebre Anonymous Appears on: 101v–102r Genres: Hymn
102v	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 102v Genres: Ave maris stella, Marian antiphon
103r–112r	Missa Quant j'ai au coeur: Kyrie	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 103r–112r Genres: Kyrie eleison, Mass Ordinary
103r–112r	Missa Quant j'ai au coeur: Gloria: 3 partes.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Gloria: 3 partes. Isaac, Heinrich (ca. 1450–1517) Appears on: 103r–112r Genres: Gloria (et in terra pax), Mass Ordinary
103r–112r	Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 103r–112r Genres: Credo (patrem omnipotentem), Mass Ordinary
103r–112r	Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 103r–112r Genres: Mass Ordinary, Sanctus [& Benedictus]
103r–112r	Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. Isaac, Heinrich (ca. 1450–1517) Appears on: 103r–112r Genres: Agnus Dei, Mass Ordinary General Note lacks Agnus II
112v	Lieber Herr Sankt Peter	H.F.	Finck, Heinrich
Lieber Herr Sankt Peter Finck, Heinrich Appears on: 112v Genres: Motet Source Attribution: H.F.
113r–119v	Missa Filia subtilia: Kyrie	-	Anonymous
Missa Filia subtilia: Kyrie Anonymous Appears on: 113r–119v Genres: Kyrie eleison, Mass Ordinary
113r–119v	Missa Filia subtilia: Gloria	-	Anonymous
Missa Filia subtilia: Gloria Anonymous Appears on: 113r–119v Genres: Gloria (et in terra pax), Mass Ordinary
113r–119v	Missa Filia subtilia: Credo	-	Anonymous
Missa Filia subtilia: Credo Anonymous Appears on: 113r–119v Genres: Credo (patrem omnipotentem), Mass Ordinary General Note ends at "Et homo factus est"
113r–119v	Missa Filia subtilia: Sanctus	-	Anonymous
Missa Filia subtilia: Sanctus Anonymous Appears on: 113r–119v Genres: Mass Ordinary, Sanctus [& Benedictus]
113r–119v	Missa Filia subtilia: Agnus Dei	-	Anonymous
Missa Filia subtilia: Agnus Dei Anonymous Appears on: 113r–119v Genres: Agnus Dei, Mass Ordinary General Note untexted
120r–129r	Missa Seit ich dich Herzlieb: Kyrie	A. Fulda	von Fulda, Adam (ca. 1445–1505)
Missa Seit ich dich Herzlieb: Kyrie von Fulda, Adam (ca. 1445–1505) Appears on: 120r–129r Genres: Kyrie eleison, Mass Ordinary Source Attribution: A. Fulda
120r–129r	Missa Seit ich dich Herzlieb: Gloria	-	von Fulda, Adam (ca. 1445–1505)
Missa Seit ich dich Herzlieb: Gloria von Fulda, Adam (ca. 1445–1505) Appears on: 120r–129r Genres: Gloria (et in terra pax), Mass Ordinary
120r–129r	Missa Seit ich dich Herzlieb: Credo	-	von Fulda, Adam (ca. 1445–1505)
Missa Seit ich dich Herzlieb: Credo von Fulda, Adam (ca. 1445–1505) Appears on: 120r–129r Genres: Credo (patrem omnipotentem), Mass Ordinary
120r–129r	Missa Seit ich dich Herzlieb: Sanctus	-	von Fulda, Adam (ca. 1445–1505)
Missa Seit ich dich Herzlieb: Sanctus von Fulda, Adam (ca. 1445–1505) Appears on: 120r–129r Genres: Mass Ordinary, Sanctus [& Benedictus]
120r–129r	Missa Seit ich dich Herzlieb: Agnus Dei	-	von Fulda, Adam (ca. 1445–1505)
Missa Seit ich dich Herzlieb: Agnus Dei von Fulda, Adam (ca. 1445–1505) Appears on: 120r–129r Genres: Agnus Dei, Mass Ordinary
129v–130r	Salve festa dies (I)	-	Anonymous
Salve festa dies (I) Anonymous Appears on: 129v–130r Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
130v–131r, 132v	Salve festa dies (II)	-	Anonymous
Salve festa dies (II) Anonymous Appears on: 130v–131r, 132v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
131v–132r	Virgo sub ethereis semper veneranda [=Comme femme (II)]	Virgo sub ethereis	Agricola, Alexander (ca. 1445–1506)
Virgo sub ethereis semper veneranda [=Comme femme (II)] Agricola, Alexander (ca. 1445–1506) Appears on: 131v–132r Genres: Contrafactum, Motet Source Attribution: Virgo sub ethereis Voice: [no designation] Languages: French Voice Text: Virgo sub ethereis semper veneranda [= Comme femme] General Note contrafact text: Virgo sub aetheriis
134r	Nunc dimittis servum tuum	-	Anonymous
Nunc dimittis servum tuum Anonymous Appears on: 134r Genres: Canticle Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum
134v–135	Ave que sublimaris ad sidera notueris [=Comme femme (I)]	-	Agricola, Alexander (ca. 1445–1506)
Ave que sublimaris ad sidera notueris [=Comme femme (I)] Agricola, Alexander (ca. 1445–1506) Appears on: 134v–135 Genres: Motet Voice: [no designation] Languages: French Voice Text: Ave que sublimaris ad sidera notueris [= Comme femme]
135v–136r	O quam glorifica luce	-	Anonymous
O quam glorifica luce Anonymous Appears on: 135v–136r Genres: Hymn
136v–137	O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit	[H. Finck]	Finck, Heinrich
O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit Finck, Heinrich Appears on: 136v–137 Genres: Motet Source Attribution: [H. Finck] Voice: [no designation] Languages: Latin Voice Text: O Iesu pie nos isto pane dignos/ Miserator dominus escam dedit
137v	Ave Jesu Christe verbum patris filius	H. F. [= Finck]	Finck, Heinrich
Ave Jesu Christe verbum patris filius Finck, Heinrich Appears on: 137v Genres: Motet Source Attribution: H. F. [= Finck] Voice: [no designation] Languages: Latin Voice Text: Ave Iesu Christe verbum patris filius
138r–146r	Missa N'auray-je jamais: Kyrie	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Kyrie Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 138r–146r Genres: Kyrie eleison, Mass Ordinary
138r–146r	Missa N'auray-je jamais: Gloria	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Gloria Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 138r–146r Genres: Gloria (et in terra pax), Mass Ordinary
138r–146r	Missa N'auray-je jamais: Credo	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Credo Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 138r–146r Genres: Credo (patrem omnipotentem), Mass Ordinary
138r–146r	Missa N'auray-je jamais: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Sanctus Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 138r–146r Genres: Mass Ordinary, Sanctus [& Benedictus]
146v–147r	Missa N'auray-je jamais: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 146v–147r Genres: Agnus Dei, Mass Ordinary
147v–148r	Mein hercz in hohen Freuden	-	Anonymous
Mein hercz in hohen Freuden Anonymous Appears on: 147v–148r Genres: Song Concordances Lochamer Liederbuch, no. 5; Schedel Liederbuch, ff. 26v-28
148v–149r	Salve festa dies (III)	-	Anonymous
Salve festa dies (III) Anonymous Appears on: 148v–149r Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
148v	Wohlauf wir wollens wecken	A. [Fulda]	von Fulda, Adam (ca. 1445–1505)
Wohlauf wir wollens wecken von Fulda, Adam (ca. 1445–1505) Appears on: 148v Genres: Motet Source Attribution: A. [Fulda] General Note incomplete, Discantus & Bassus only
149r	untexted	-	-
untexted - Appears on: 149r Voice: Triplum Languages: none Voice Text: Clausae parentis viscera General Note edition:AH 50, 58ff. (partly)
149v	Natalis Domini cantica	H. F[inck]	Finck, Heinrich
Natalis Domini cantica Finck, Heinrich Appears on: 149v Genres: Motet Source Attribution: H. F[inck]
150r–158r	Missa Fortuna desperata: Kyrie	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 150r–158r Genres: Kyrie eleison, Mass Ordinary
150r–158r	Missa Fortuna desperata: Gloria: 2 partes	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Gloria: 2 partes Obrecht, Jacobus (ca. 1457–1505) Appears on: 150r–158r Genres: Gloria (et in terra pax), Mass Ordinary
150r–158r	Missa Fortuna desperata: Credo: 2 partes	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Credo: 2 partes Obrecht, Jacobus (ca. 1457–1505) Appears on: 150r–158r Genres: Credo (patrem omnipotentem), Mass Ordinary
150r–158r	Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Obrecht, Jacobus (ca. 1457–1505) Appears on: 150r–158r Genres: Mass Ordinary, Sanctus [& Benedictus]
150r–158r	Missa Fortuna desperata: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 150r–158r Genres: Agnus Dei, Mass Ordinary
158v–159r	Jam fulsit sol de sidere Phebi hic	-	Agricola, Alexander (ca. 1445–1506)
Jam fulsit sol de sidere Phebi hic Agricola, Alexander (ca. 1445–1506) Appears on: 158v–159r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam fulsit sol de sidere Phebi hic
159v–160v	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 159v–160v Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
161r	Ave maris stella	Paulus Hoffh[aimer]	Hofhaimer, Paul
Ave maris stella Hofhaimer, Paul Appears on: 161r Genres: Ave maris stella, Marian antiphon Source Attribution: Paulus Hoffh[aimer]
161v	Te Deum laudamus [K.607]	-	B.H.
Te Deum laudamus [K.607] B.H. Appears on: 161v Genres: Liturgical work, Te Deum Voice: [no designation] Languages: Latin Voice Text: Te Deum laudamus General Note continuation of the Te Deum on ff. 73r-74v
162r	Vidi impium	-	Anonymous
Vidi impium Anonymous Appears on: 162r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vidi impium
162r	Vidi impium superexaltatum = Illuxit dies	-	Anonymous
Vidi impium superexaltatum = Illuxit dies Anonymous Appears on: 162r Genres: Motet Concordances In SA-Csa 12 "Vidi impium"; in Panciatichi 27 (37v-38r), without text; in Berlin 40021 "Illuxit dies"
162v–164r	Salve regina (I) (2p. Eia ergo; 3p. O clemens)	-	Isaac, Heinrich (ca. 1450–1517)
Salve regina (I) (2p. Eia ergo; 3p. O clemens) Isaac, Heinrich (ca. 1450–1517) Appears on: 162v–164r Genres: Marian antiphon, Motet, Salve Regina Voice: Triplum Languages: Latin Voice Text: Salve regina
164v–168	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 164v–168 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas General Note Sequence, in ten sections
169r	Mi fa mi re mi ut	A.F.	von Fulda, Adam (ca. 1445–1505)
Mi fa mi re mi ut von Fulda, Adam (ca. 1445–1505) Appears on: 169r Genres: textless Source Attribution: A.F.
169v–170r	Inviolata integra et casta es Maria	-	Ghiselin (Verbonnet), Johannes
Inviolata integra et casta es Maria Ghiselin (Verbonnet), Johannes Appears on: 169v–170r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria Concordances RISM 1505-2
170v–171	Gaude virgo gloriosa	-	Anonymous
Gaude virgo gloriosa Anonymous Appears on: 170v–171 Genres: Hymn
171v–172r	Regina caeli laetare alleluia	B. H.	B.H.
Regina caeli laetare alleluia B.H. Appears on: 171v–172r Genres: Marian antiphon, Regina caeli laetare Source Attribution: B. H. Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
172v–173r	Gaude Dei genitrix virgo immaculata	B. H.	B.H.
Gaude Dei genitrix virgo immaculata B.H. Appears on: 172v–173r Genres: Marian antiphon Source Attribution: B. H. Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix virgo immaculata
173v	Dies est laetitiae	-	Anonymous
Dies est laetitiae Anonymous Appears on: 173v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali
174r	Ave regina aegrotantis mundi medicina	-	Anonymous
Ave regina aegrotantis mundi medicina Anonymous Appears on: 174r Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave regina aegrotantis mundi medicina General Note possibly a contrafact chanson [JustM]
174v–175r	Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia	-	Anonymous
Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia Anonymous Appears on: 174v–175r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam insignis oritur laetitia
175v–176r	Jam insignis oritur - 2a pars (of 2): Veris tempus advenit	-	Anonymous
Jam insignis oritur - 2a pars (of 2): Veris tempus advenit Anonymous Appears on: 175v–176r Genres: Motet
176v–178	[untexted]	-	-
[untexted] - Appears on: 176v–178 Voice: [no designation] Languages: none General Note a tenor motet in 2 parts
178v–179r	Recordare virgo mater dum steteris	-	Anonymous
Recordare virgo mater dum steteris Anonymous Appears on: 178v–179r Genres: Offertory, Proper Voice: [no designation] Languages: Latin Voice Text: Recordare virgo mater dum steteris
179v–180r, 180(a)-r	Corde et lingua rogamus	Flor. [= Flordigal?]	Flordigal (?)
Corde et lingua rogamus Flordigal (?) Appears on: 179v–180r, 180(a)-r Genres: Motet Source Attribution: Flor. [= Flordigal?] Voice: [no designation] Languages: Latin Voice Text: Corde et lingua rogamus
180(a)v, 180v–182	O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: 180(a)v, 180v–182 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus ecclesiae General Note textless
182v–183r	Invicto regi jubilo gratissimo en populus [= Wär ich ein Falk]	H. F. [= Finck]	Finck, Heinrich
Invicto regi jubilo gratissimo en populus [= Wär ich ein Falk] Finck, Heinrich Appears on: 182v–183r Genres: Contrafactum, Motet Source Attribution: H. F. [= Finck] Voice: [no designation] Languages: Latin Voice Text: Invicto regi iubilo gratissimo en populus [= Wär ich ein Falk]
183v–184r	Trium	-	Anonymous
Trium Anonymous Appears on: 183v–184r Genres: textless General Note textless setting , 2 partes
184v–185r	untexted	-	Anonymous
untexted Anonymous Appears on: 184v–185r Concordances "Mi la sol fa re ut" - also copied at f. 83r
185v	Salve corpus Christi qui de caelo descendisti	-	Anonymous
Salve corpus Christi qui de caelo descendisti Anonymous Appears on: 185v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Salve corpus Christi qui de celo descendisti
186r–192v	Missa Malheur me bat: Kyrie	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Malheur me bat: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 186r–192v Genres: Kyrie eleison, Mass Ordinary
186r–192v	Missa Malheur me bat: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Malheur me bat: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 186r–192v Genres: Gloria (et in terra pax), Mass Ordinary
186r–192v	Missa Malheur me bat: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Malheur me bat: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 186r–192v Genres: Credo (patrem omnipotentem), Mass Ordinary
186r–192v	Missa Malheur me bat: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Malheur me bat: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 186r–192v Genres: Mass Ordinary, Sanctus [& Benedictus]
186r–192v	Missa Malheur me bat: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Malheur me bat: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 186r–192v Genres: Agnus Dei, Mass Ordinary General Note Agnus II missing
193v–197v	Missa Une musque du Biscaye 5.2: Kyrie	Josquini	Despres, Josquin (ca. 1450–1521)
Missa Une musque du Biscaye 5.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 193v–197v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Josquini
193v–197v	Missa Une musque du Biscaye 5.2: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Une musque du Biscaye 5.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 193v–197v Genres: Gloria (et in terra pax), Mass Ordinary
193v–197v	Missa Une musque du Biscaye 5.2: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Une musque du Biscaye 5.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 193v–197v Genres: Credo (patrem omnipotentem), Mass Ordinary
193v–197v	Missa Une musque du Biscaye 5.2: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Une musque du Biscaye 5.2: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 193v–197v Genres: Mass Ordinary, Sanctus [& Benedictus]
193v–197v	Missa Une musque du Biscaye 5.2: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Une musque du Biscaye 5.2: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 193v–197v Genres: Agnus Dei, Mass Ordinary
202v	Ave mirae sanctitatis [= Velut aurum]	-	Anonymous
Ave mirae sanctitatis [= Velut aurum] Anonymous Appears on: 202v Genres: Hymn General Note Here texted "Pange lingua"
203r	Phoenix Arabie rosei coloris unica si nutrit [= Schon lief]	-	Barbireau, Jacobus (1455–1491)
Phoenix Arabie rosei coloris unica si nutrit [= Schon lief] Barbireau, Jacobus (1455–1491) Appears on: 203r Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Phoenix Arabie rosei coloris unica si nutrit [= Schoen lief]
203v–204r	Vulnerasti cor meum soror mea sponsa	-	Anonymous
Vulnerasti cor meum soror mea sponsa Anonymous Appears on: 203v–204r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vulnerasti cor meum soror mea sponsa
204v–206r	Stabat virgo juxta crucem / In exitu Israel	Michel Volckmarus	Volckmar, Michel
Stabat virgo juxta crucem / In exitu Israel Volckmar, Michel Appears on: 204v–206r Genres: Motet Source Attribution: Michel Volckmarus Voice: [no designation] Languages: Latin Voice Text: Stabat virgo iuxta crucem/In exitu Israel
206v–207r	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum Compère, Loyset (ca. 1445–1518) Appears on: 206v–207r Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
207v–208r	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: 207v–208r Genres: Motet
208v–211r	Missa Ut mi fa sol: Kyrie	-	Anonymous
Missa Ut mi fa sol: Kyrie Anonymous Appears on: 208v–211r Genres: Kyrie eleison, Mass Ordinary
208v–211r	Missa Ut mi fa sol: Gloria	-	Anonymous
Missa Ut mi fa sol: Gloria Anonymous Appears on: 208v–211r Genres: Gloria (et in terra pax), Mass Ordinary General Note [no Credo]
208v–211r	Missa Ut mi fa sol: Sanctus	-	Anonymous
Missa Ut mi fa sol: Sanctus Anonymous Appears on: 208v–211r Genres: Mass Ordinary, Sanctus [& Benedictus] General Note [no Agnus Dei]
214r–216v	Magnificat tertii toni [K.718]	Josquini	Despres, Josquin (ca. 1450–1521)
Magnificat tertii toni [K.718] Despres, Josquin (ca. 1450–1521) Appears on: 214r–216v Genres: BVM, Canticle, Magnificat Source Attribution: Josquini
217v–218r	Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut Despres, Josquin (ca. 1450–1521) Appears on: 217v–218r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
218v–221	Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina]	Allexr. [= A. Agricola]	Agricola, Alexander (ca. 1445–1506)
Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina] Agricola, Alexander (ca. 1445–1506) Appears on: 218v–221 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: Allexr. [= A. Agricola] Voice: [no designation] Languages: Latin Voice Text: Salve regina - Ave regina caelorum
221v–222r	Ich stund an einem Morgen	-	Anonymous
Ich stund an einem Morgen Anonymous Appears on: 221v–222r Genres: Lied General Note textless
222v–223(a)-v	Argentum et aurum	-	Anonymous
Argentum et aurum Anonymous Appears on: 222v–223(a)-v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Argentum et aurum
224v–225r	Allahoy (=Gloria, Missa Lalahe)	-	Isaac, Heinrich (ca. 1450–1517)
Allahoy (=Gloria, Missa Lalahe) Isaac, Heinrich (ca. 1450–1517) Appears on: 224v–225r Genres: Lied Concordances "Lala hoho", catalogued in DIAMM as the 'Missa Lalahe', Gloria in Munich 328-331 & Vienna 18810
225v–226r	Wat willen wij metten budel spelen	-	Obrecht, Jacobus (ca. 1457–1505)
Wat willen wij metten budel spelen Obrecht, Jacobus (ca. 1457–1505) Appears on: 225v–226r Genres: Chanson General Note textless here; 2a pars is linked to 'Allahoy' (before this piece) by mistake.
226v	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 226v Genres: Antiphon Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
226v–227r	Je cuide se ce temps me dure	-	Japart, Jean (?) Congiet, Petrus (?)
Je cuide se ce temps me dure Japart, Jean (?) Congiet, Petrus (?) Appears on: 226v–227r Genres: Chanson Concordances Anon & untexted in this source, as in Verona DCCLVII (22v-23r). Cf. Capp Giulia XIII.27 (61v-62r); Q18 (71v-72r) both texted. Attr Congiet in Firenze BR 229 (95v-96r), Japart in Roma 2865 (128v-129r) & Petrucci Canti B
226v–227r	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 226v–227r Genres: textless
227v–228r	Gloria laus Et honor tibi sit rex Christe	H. F. [= Finck]	Finck, Heinrich
Gloria laus Et honor tibi sit rex Christe Finck, Heinrich Appears on: 227v–228r Genres: Motet Source Attribution: H. F. [= Finck] Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor
228v–229r	Vita sanctorum (4vv)	-	Anonymous
Vita sanctorum (4vv) Anonymous Appears on: 228v–229r Genres: Hymn Concordances RISM 1542-12, no. 42
229v–234r	Missa Je ne seray plus (3vv): Kyrie	-	Anonymous
Missa Je ne seray plus (3vv): Kyrie Anonymous Appears on: 229v–234r Genres: Kyrie eleison, Mass Ordinary
229v–234r	Missa Je ne seray plus (3vv): Gloria	-	Anonymous
Missa Je ne seray plus (3vv): Gloria Anonymous Appears on: 229v–234r Genres: Gloria (et in terra pax), Mass Ordinary
229v–234r	Missa Je ne seray plus (3vv): Credo	-	Anonymous
Missa Je ne seray plus (3vv): Credo Anonymous Appears on: 229v–234r Genres: Credo (patrem omnipotentem), Mass Ordinary
229v–234r	Missa Je ne seray plus (3vv): Sanctus	-	Anonymous
Missa Je ne seray plus (3vv): Sanctus Anonymous Appears on: 229v–234r Genres: Mass Ordinary, Sanctus [& Benedictus]
229v–234r	Missa Je ne seray plus (3vv): Agnus Dei	-	Anonymous
Missa Je ne seray plus (3vv): Agnus Dei Anonymous Appears on: 229v–234r Genres: Agnus Dei, Mass Ordinary
234v–235v	Magnificat tone 6 [K.319]	-	Anonymous
Magnificat tone 6 [K.319] Anonymous Appears on: 234v–235v Genres: BVM, Canticle, Magnificat
236v–237r	O diva sollers virgo virgineos inter cetus [= Ach Jupiter]	-	von Fulda, Adam (ca. 1445–1505)
O diva sollers virgo virgineos inter cetus [= Ach Jupiter] von Fulda, Adam (ca. 1445–1505) Appears on: 236v–237r Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: O diva sollers virgo virgineos inter cetus [= Ach Jupiter]
237v	A solis ortu (III)	-	Anonymous
A solis ortu (III) Anonymous Appears on: 237v Genres: Hymn
237v–238r	Veni creator spiritus	-	Anonymous
Veni creator spiritus Anonymous Appears on: 237v–238r Genres: Hymn
238v–240r	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 238v–240r Genres: Marian antiphon, Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
240v	Sancta Maria wohn uns bei	-	Anonymous
Sancta Maria wohn uns bei Anonymous Appears on: 240v Genres: Motet
241	Vita sanctorum (3vv)	-	Anonymous
Vita sanctorum (3vv) Anonymous Appears on: 241 Genres: Hymn
241v–242r	Exsurge Domine adjuva nos et libera nos / Sanctus Dominus erbarme dich	-	Anonymous
Exsurge Domine adjuva nos et libera nos / Sanctus Dominus erbarme dich Anonymous Appears on: 241v–242r Genres: Motet Voice: [no designation] Languages: German Voice Text: Exurge domine adiuva nos et libera nos/ Sanctus dominus erbarme dich
242v–243r	Foderunt manus meas	-	Anonymous
Foderunt manus meas Anonymous Appears on: 242v–243r Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Foderunt manus meas
243v	O crux benedicta	-	Anonymous
O crux benedicta Anonymous Appears on: 243v Genres: Hymn
243v–244r	Posuit coronam capiti meo et circumdedit me	-	Anonymous
Posuit coronam capiti meo et circumdedit me Anonymous Appears on: 243v–244r Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Posuit coronam capiti meo et circumdedit me
244r	Isti sunt agni novelli qui annunciaverunt	-	Anonymous
Isti sunt agni novelli qui annunciaverunt Anonymous Appears on: 244r Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Isti sunt agni novelli qui annunciaverunt
244v	Gaude Dei genitrix	-	Anonymous
Gaude Dei genitrix Anonymous Appears on: 244v Genres: Antiphon Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix quam circumstant
245r	Laetabundus exultet	-	Anonymous
Laetabundus exultet Anonymous Appears on: 245r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laetabundus exultet
245r	Alleluia. Angelus Michael	-	Anonymous
Alleluia. Angelus Michael Anonymous Appears on: 245r Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Angelus Michael
245v	Praefationes	-	Anonymous
Praefationes Anonymous Appears on: 245v Genres: Liturgical work General Note Texts: Per omnia saecula saeculorum / Dominus vobiscum / Sursum corda/ etc
246v–247r	Hymnum cantet plebs	-	Anonymous
Hymnum cantet plebs Anonymous Appears on: 246v–247r Genres: Hymn
247v	Plaudat aula regia Nurenbergensis eclesia	-	Anonymous
Plaudat aula regia Nurenbergensis eclesia Anonymous Appears on: 247v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Plaudat aula regia Nurenbergensis eclesia
248v–249r	Nurenberg extolleris	-	Anonymous
Nurenberg extolleris Anonymous Appears on: 248v–249r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve regina
249v–250r	Os justi meditabitur	-	Anonymous
Os justi meditabitur Anonymous Appears on: 249v–250r Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Os iusti meditabitur
250v–251r	Regiae stirpis soboles	-	Anonymous
Regiae stirpis soboles Anonymous Appears on: 250v–251r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude virgo gloriosa inter omnes
251v–252r	Loquebar de testimoniis (2p. Beati immaculati)	-	Anonymous
Loquebar de testimoniis (2p. Beati immaculati) Anonymous Appears on: 251v–252r Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Loquebar de testimoniis
252v	Alle Dei filius ab hoste superbissimo	Philomena [= Nachtigal?]	Nachtigal, Sebald (?)
Alle Dei filius ab hoste superbissimo Nachtigal, Sebald (?) Appears on: 252v Genres: Motet Source Attribution: Philomena [= Nachtigal?] Voice: [no designation] Languages: Latin Voice Text: Alle dei filius ab hoste superbissimo
253r–253v	Komm heiliger Geist (I)	Johannes Beham	Beham, Johannes
Komm heiliger Geist (I) Beham, Johannes Appears on: 253r–253v Genres: Hymn Source Attribution: Johannes Beham Voice: [no designation] Languages: Latin Voice Text: O crux benedicta que sola fuisti digna
253v	Christ ist erstanden	-	Beham, Johannes (?)
Christ ist erstanden Beham, Johannes (?) Appears on: 253v Genres: Hymn
254r–254v	Komm heiliger Geist (II)	Johannes Beham	Beham, Johannes
Komm heiliger Geist (II) Beham, Johannes Appears on: 254r–254v Genres: Hymn Source Attribution: Johannes Beham Voice: [no designation] Languages: Hebrew Voice Text: Amen
255v–256v	Sanctissimae virginis	Ysaac de manu sua [= Isaac]	Isaac, Heinrich (ca. 1450–1517)
Sanctissimae virginis Isaac, Heinrich (ca. 1450–1517) Appears on: 255v–256v Genres: Sequence Source Attribution: Ysaac de manu sua [= Isaac] Voice: [no designation] Languages: Latin Voice Text: Sanctissimae virginis General Note apparently copied by Isaac himself
257(a)-r	[variants etc]	-	Anonymous
[variants etc] Anonymous Appears on: 257(a)-r Genres: textless
257(a)-r	In grandi cenaculo pascha manducatur	-	Anonymous
In grandi cenaculo pascha manducatur Anonymous Appears on: 257(a)-r Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: In grandi cenaculo pascha manducatur
257(a)-r	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 257(a)-r Genres: textless General Note a single voice part
257(a)-v–260r	Salve regina	-	Isaac, Heinrich (ca. 1450–1517)
Salve regina Isaac, Heinrich (ca. 1450–1517) Appears on: 257(a)-v–260r Genres: Marian antiphon, Salve Regina
261v–262v	Magnificat tone 8 [K.1009]	M. Reneri (i.e. 'of Master Rener'?)	Rener, Adam (ca. 1485–ca. 1520) (?)
Magnificat tone 8 [K.1009] Rener, Adam (ca. 1485–ca. 1520) (?) Appears on: 261v–262v Genres: BVM, Canticle, Magnificat Source Attribution: M. Reneri (i.e. 'of Master Rener'?)
263v–264r	Veni in ortum meum soror mea sponsa	-	Anonymous
Veni in ortum meum soror mea sponsa Anonymous Appears on: 263v–264r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veni in hortum meum soror mea sponsa
264v–287	(empty)	-	Anonymous
(empty) Anonymous Appears on: 264v–287 General Note ff. 264v-287 blank
287v–292r	Salve regina	-	Isaac, Heinrich (ca. 1450–1517)
Salve regina Isaac, Heinrich (ca. 1450–1517) Appears on: 287v–292r Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
[rear board]	In Gottes namen fahren wir	H. Isaac de manu sua	Isaac, Heinrich (ca. 1450–1517)
In Gottes namen fahren wir Isaac, Heinrich (ca. 1450–1517) Appears on: [rear board] Genres: Sacred Song Source Attribution: H. Isaac de manu sua General Note apparently copied onto the rear cover by Isaac himself

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) 'Missa Auleni': Agnus Dei – 41v–46r (?) 'Missa Auleni': Credo – 41v–46r (?) 'Missa Auleni': Gloria – 41v–46r (?) 'Missa Auleni': Kyrie – 41v–46r (?) 'Missa Auleni': Sanctus – 41v–46r A la mignonne de fortune – 16v (?) Adieu fillette de regnon – 30v Ave maris stella – 99v–100r Ave que sublimaris ad sidera notueris [=Comme femme (I)] – 134v–135 (?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] – 49v–50r (?) Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) – 50v–51r Jam fulsit sol de sidere Phebi hic – 158v–159r (?) Magnificat quarti toni: Et exultavit [K.632] – 93r–95r Missa Sine nomine (Re fa mi re fa): Credo – 11r–16r Missa Sine nomine (Re fa mi re fa): Gloria – 11r–16r Missa Sine nomine (Re fa mi re fa): Kyrie – 11r–16r Missa Sine nomine (Re fa mi re fa): Sanctus – 11r–16r Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina] – 218v–221 Virgo sub ethereis semper veneranda [=Comme femme (II)] – 131v–132r
Agricola, Martin (ca. 1486–1556)	A solis ortu cardine – 95v–96r
Anonymous	(empty) – 264v–287 A solis ortu (III) – 237v Alleluia – 83r Alleluia. Angelus Michael – 245r Amen – 68v Argentum et aurum – 222v–223(a)-v Ave Christi caro immolata crucis – 30 Ave maris stella – 102v Ave mirae sanctitatis [= Velut aurum] – 202v Ave regina aegrotantis mundi medicina – 174r Ave splendor patris princeps pacis – 92v Da pacem Domine in diebus nostris – 226v Descendi in ortum nucum ut viderem – 57v–58r Dies est laetitiae – 173v Exaltata est sancta Dei genitrix – 60v Exsurge Domine adjuva nos et libera nos / Sanctus Dominus erbarme dich – 241v–242r Fa mi fa re ut – 29v–30r Festum nunc celebre – 101v–102r Foderunt manus meas – 242v–243r Gaude Dei genitrix – 244v Gaude virgo gloriosa – 170v–171 Gaude visceribus – 91v–92r Gaude visceribus – 98v Gloria laus et honor – 84v Hymnum cantet plebs – 246v–247r Ich stund an einem Morgen – 221v–222r In grandi cenaculo pascha manducatur – 257(a)-r Isti sunt agni novelli qui annunciaverunt – 244r J'abandonne le souhaitier – 83r Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia – 174v–175r Jam insignis oritur - 2a pars (of 2): Veris tempus advenit – 175v–176r Kyrie pascale – 22v Laetabundus exultet – 245r Loquebar de testimoniis (2p. Beati immaculati) – 251v–252r Magnificat tone 4 [K.251] – 75r–77r Magnificat tone 4 [K.252] – 87r–91r Magnificat tone 6 [K.319] – 234v–235v Magnificat tone 7: Et exultavit [K.356] – 80v–82v Mein hercz in hohen Freuden – 147v–148r Missa Filia subtilia: Agnus Dei – 113r–119v Missa Filia subtilia: Credo – 113r–119v Missa Filia subtilia: Gloria – 113r–119v Missa Filia subtilia: Kyrie – 113r–119v Missa Filia subtilia: Sanctus – 113r–119v Missa Je ne seray plus (3vv): Agnus Dei – 229v–234r Missa Je ne seray plus (3vv): Credo – 229v–234r Missa Je ne seray plus (3vv): Gloria – 229v–234r Missa Je ne seray plus (3vv): Kyrie – 229v–234r Missa Je ne seray plus (3vv): Sanctus – 229v–234r Missa Se une fois: Credo – 17r–20r Missa Se une fois: Gloria – 17r–20r Missa Se une fois: Kyrie – 17r–20r Missa Ut mi fa sol: Gloria – 208v–211r Missa Ut mi fa sol: Kyrie – 208v–211r Missa Ut mi fa sol: Sanctus – 208v–211r Naturae genitor celsi regnator Olimpi – 59v–60r Nunc dimittis servum tuum – 134r Nurenberg extolleris – 248v–249r O crux benedicta – 243v O quam glorifica luce – 135v–136r Os justi meditabitur – 249v–250r Plaudat aula regia Nurenbergensis eclesia – 247v Posuit coronam capiti meo et circumdedit me – 243v–244r Praefationes – 245v Quem terra pontus – 41r Recordare virgo mater dum steteris – 178v–179r Regiae stirpis soboles – 250v–251r Regina caeli laetare alleluia – 238v–240r Salve corpus Christi qui de caelo descendisti – 185v Salve festa dies (I) – 129v–130r Salve festa dies (II) – 130v–131r, 132v Salve festa dies (III) – 148v–149r Sancta Maria wohn uns bei – 240v Trium – 183v–184r Urbs beata Jerusalem – 99r Urbs beata Jerusalem – 83v–84r Ut mi fa sol – 47r Veni creator spiritus – 237v–238r Veni in ortum meum soror mea sponsa – 263v–264r Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 159v–160v Vidi impium – 162r Vidi impium superexaltatum = Illuxit dies – 162r Vita sanctorum (3vv) – 241 Vita sanctorum (4vv) – 228v–229r Vulnerasti cor meum soror mea sponsa – 203v–204r [Assunt festa jubilaea] Cuius sacrata viscera – 96v–97r [Gloria] Et in terra pax – 20v–22r [Gratuletur ecclesia] Ista pro Christo – 85r [untexted] – 257(a)-r [untexted] – 176v–178 [untitled] – 226v–227r [variants etc] – 257(a)-r untexted – 184v–185r untexted – 83r untexted – 149r
Aulen, Johannes (fl. late 15th century)	'Missa Auleni': Agnus Dei – 41v–46r 'Missa Auleni': Credo – 41v–46r 'Missa Auleni': Gloria – 41v–46r 'Missa Auleni': Kyrie – 41v–46r 'Missa Auleni': Sanctus – 41v–46r
B.H.	Gaude Dei genitrix virgo immaculata – 172v–173r Gloria laus et honor – 100v–101r Jesu corona virginum – 97v–98 Magnificat tone 6 [K.606] – 64v–66r Regina caeli laetare alleluia – 171v–172r Te Deum laudamus [K.607] – 161v Te Deum laudamus [K.607] – 73r–74v
Barbireau, Jacobus (1455–1491)	Phoenix Arabie rosei coloris unica si nutrit [= Schon lief] – 203r
Beham, Johannes	(?) Christ ist erstanden – 253v Komm heiliger Geist (I) – 253r–253v Komm heiliger Geist (II) – 254r–254v
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Magnificat quarti toni: Et exultavit [K.632] – 93r–95r
Busnoys, Antoine (ca. 1430–1492)	Bon me larim bom bom = Corps digne – Dieu quel mariage – 59r
Compère, Loyset (ca. 1445–1518)	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum – 206v–207r Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum – 207v–208r Magnificat sexti toni: Et exultavit [K.698] – 61r–64r
Congiet, Petrus	(?) Je cuide se ce temps me dure – 226v–227r
Despres, Josquin (ca. 1450–1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 51v–52r Magnificat tertii toni [K.718] – 214r–216v Missa Une musque du Biscaye 5.2: Agnus Dei – 193v–197v Missa Une musque du Biscaye 5.2: Credo – 193v–197v Missa Une musque du Biscaye 5.2: Gloria – 193v–197v Missa Une musque du Biscaye 5.2: Kyrie – 193v–197v Missa Une musque du Biscaye 5.2: Sanctus – 193v–197v Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut – 217v–218r
E.O.	Da pacem Domine in diebus nostris – 68v
Ferdinandus et frater eius	(?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] – 49v–50r (?) Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) – 50v–51r
Finck, Heinrich	Ave Jesu Christe verbum patris filius – 137v Gloria laus Et honor tibi sit rex Christe – 227v–228r Invicto regi jubilo gratissimo en populus [= Wär ich ein Falk] – 182v–183r Lieber Herr Sankt Peter – 112v Natalis Domini cantica – 149v O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit – 136v–137
Flordigal	(?) Corde et lingua rogamus – 179v–180r, 180(a)-r
G.F.	Benedicta semper sancta sit trinitas – 164v–168
Gerstenhans	(?) In civitate Domini ibi sonant jugiter – 52v–53r
Ghiselin (Verbonnet), Johannes	Inviolata integra et casta es Maria – 169v–170r O gloriosa domina sanctissima virgo Maria – 53v–56r
Hofhaimer, Paul	Ave maris stella – 161r
Isaac, Heinrich (ca. 1450–1517)	(?) Adieu fillette de regnon – 30v Allahoy (=Gloria, Missa Lalahe) – 224v–225r Ave amator casti consilii tronum [= De biens d'amours] – 58v (?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] – 49v–50r Ecce sacerdos magnus [Ecce dilectus meus] – 56v–57r In Gottes namen fahren wir – [rear board] Missa Et trop penser: Agnus Dei – 31r–40v Missa Et trop penser: Credo – 31r–40v Missa Et trop penser: Gloria – 31r–40v Missa Et trop penser: Kyrie – 31r–40v Missa Et trop penser: Sanctus – 31r–40v Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. – 103r–112r Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. – 103r–112r Missa Quant j'ai au coeur: Gloria: 3 partes. – 103r–112r Missa Quant j'ai au coeur: Kyrie – 103r–112r Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. – 103r–112r Missa Une musque de Biscaye: Agnus Dei – 8v–10r Missa Une musque de Biscaye: Credo – 8v–10r Missa Une musque de Biscaye: Gloria – 8v–10r Missa Une musque de Biscaye: Kyrie – 8v–10r Missa Une musque de Biscaye: Sanctus – 8v–10r O decus ecclesiae – 180(a)v, 180v–182 Salve regina – 287v–292r Salve regina – 257(a)-v–260r Salve regina (I) (2p. Eia ergo; 3p. O clemens) – 162v–164r Salve regina (II) [10 partes] – 69r–72v Salve regina mater misericordiae – 85v–86r Sanctissimae virginis – 255v–256v
Jacobit, Jo[annes]	Magnificat tone 8 [K.841] – 66v–68r
Japart, Jean	(?) Je cuide se ce temps me dure – 226v–227r
Nachtigal, Sebald	(?) Alle Dei filius ab hoste superbissimo – 252v
Obrecht, Jacobus (ca. 1457–1505)	Missa Fortuna desperata: Agnus Dei – 150r–158r Missa Fortuna desperata: Credo: 2 partes – 150r–158r Missa Fortuna desperata: Gloria: 2 partes – 150r–158r Missa Fortuna desperata: Kyrie – 150r–158r Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. – 150r–158r Missa Malheur me bat: Agnus Dei – 186r–192v Missa Malheur me bat: Credo – 186r–192v Missa Malheur me bat: Gloria – 186r–192v Missa Malheur me bat: Kyrie – 186r–192v Missa Malheur me bat: Sanctus – 186r–192v (?) Missa N'auray-je jamais: Agnus Dei – 146v–147r (?) Missa N'auray-je jamais: Credo – 138r–146r (?) Missa N'auray-je jamais: Gloria – 138r–146r (?) Missa N'auray-je jamais: Kyrie – 138r–146r (?) Missa N'auray-je jamais: Sanctus – 138r–146r Wat willen wij metten budel spelen – 225v–226r
Rener, Adam (ca. 1485–ca. 1520)	(?) Magnificat tone 8 [K.1009] – 261v–262v
Volckmar, Michel	Stabat virgo juxta crucem / In exitu Israel – 204v–206r
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Missa O Venus bant: Agnus Dei – 23r–29r Missa O Venus bant: Credo – 23r–29r Missa O Venus bant: Gloria – 23r–29r Missa O Venus bant: Kyrie – 23r–29r Missa O Venus bant: Sanctus – 23r–29r
von Fulda, Adam (ca. 1445–1505)	Dies est laetitiae in ortu regali – 86v In principio erat verbum et verbum – 46v Magnificat tone 5 [K.555] – 77v–80r Mi fa mi re mi ut – 169r Missa Seit ich dich Herzlieb: Agnus Dei – 120r–129r Missa Seit ich dich Herzlieb: Credo – 120r–129r Missa Seit ich dich Herzlieb: Gloria – 120r–129r Missa Seit ich dich Herzlieb: Kyrie – 120r–129r Missa Seit ich dich Herzlieb: Sanctus – 120r–129r O diva sollers virgo virgineos inter cetus [= Ach Jupiter] – 236v–237r Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora – 47v–48r Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster – 48v–49r Wohlauf wir wollens wecken – 148v

Composition	Composers (? Uncertain)	Folios / Pages
'Missa Auleni': Agnus Dei	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	41v–46r
'Missa Auleni': Credo	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	41v–46r
'Missa Auleni': Gloria	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	41v–46r
'Missa Auleni': Kyrie	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	41v–46r
'Missa Auleni': Sanctus	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	41v–46r
(empty)	Anonymous	264v–287
[Assunt festa jubilaea] Cuius sacrata viscera	Anonymous	96v–97r
[Gloria] Et in terra pax	Anonymous	20v–22r
[Gratuletur ecclesia] Ista pro Christo	Anonymous	85r
[untexted]	-	176v–178
[untexted]	Anonymous	257(a)-r
[untitled]	Anonymous	226v–227r
[variants etc]	Anonymous	257(a)-r
A la mignonne de fortune	Agricola, Alexander (ca. 1445–1506)	16v
A solis ortu (III)	Anonymous	237v
A solis ortu cardine	Agricola, Martin (ca. 1486–1556)	95v–96r
Adieu fillette de regnon	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?)	30v
Allahoy (=Gloria, Missa Lalahe)	Isaac, Heinrich (ca. 1450–1517)	224v–225r
Alle Dei filius ab hoste superbissimo	Nachtigal, Sebald (?)	252v
Alleluia	Anonymous	83r
Alleluia. Angelus Michael	Anonymous	245r
Amen	Anonymous	68v
Argentum et aurum	Anonymous	222v–223(a)-v
Ave amator casti consilii tronum [= De biens d'amours]	Isaac, Heinrich (ca. 1450–1517)	58v
Ave Christi caro immolata crucis	Anonymous	30
Ave Jesu Christe verbum patris filius	Finck, Heinrich	137v
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	51v–52r
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	206v–207r
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	207v–208r
Ave maris stella	Agricola, Alexander (ca. 1445–1506)	99v–100r
Ave maris stella	Anonymous	102v
Ave maris stella	Hofhaimer, Paul	161r
Ave mirae sanctitatis [= Velut aurum]	Anonymous	202v
Ave que sublimaris ad sidera notueris [=Comme femme (I)]	Agricola, Alexander (ca. 1445–1506)	134v–135
Ave regina aegrotantis mundi medicina	Anonymous	174r
Ave splendor patris princeps pacis	Anonymous	92v
Benedicta semper sancta sit trinitas	G.F.	164v–168
Bon me larim bom bom = Corps digne – Dieu quel mariage	Busnoys, Antoine (ca. 1430–1492)	59r
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas]	Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)	49v–50r
Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria)	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)	50v–51r
Christ ist erstanden	Beham, Johannes (?)	253v
Corde et lingua rogamus	Flordigal (?)	179v–180r, 180(a)-r
Da pacem Domine in diebus nostris	E.O.	68v
Da pacem Domine in diebus nostris	Anonymous	226v
Descendi in ortum nucum ut viderem	Anonymous	57v–58r
Dies est laetitiae	Anonymous	173v
Dies est laetitiae in ortu regali	von Fulda, Adam (ca. 1445–1505)	86v
Ecce sacerdos magnus [Ecce dilectus meus]	Isaac, Heinrich (ca. 1450–1517)	56v–57r
Exaltata est sancta Dei genitrix	Anonymous	60v
Exsurge Domine adjuva nos et libera nos / Sanctus Dominus erbarme dich	Anonymous	241v–242r
Fa mi fa re ut	Anonymous	29v–30r
Festum nunc celebre	Anonymous	101v–102r
Foderunt manus meas	Anonymous	242v–243r
Gaude Dei genitrix	Anonymous	244v
Gaude Dei genitrix virgo immaculata	B.H.	172v–173r
Gaude virgo gloriosa	Anonymous	170v–171
Gaude visceribus	Anonymous	91v–92r
Gaude visceribus	Anonymous	98v
Gloria laus et honor	Anonymous	84v
Gloria laus et honor	B.H.	100v–101r
Gloria laus Et honor tibi sit rex Christe	Finck, Heinrich	227v–228r
Hymnum cantet plebs	Anonymous	246v–247r
Ich stund an einem Morgen	Anonymous	221v–222r
In civitate Domini ibi sonant jugiter	Gerstenhans (?)	52v–53r
In Gottes namen fahren wir	Isaac, Heinrich (ca. 1450–1517)	[rear board]
In grandi cenaculo pascha manducatur	Anonymous	257(a)-r
In principio erat verbum et verbum	von Fulda, Adam (ca. 1445–1505)	46v
Invicto regi jubilo gratissimo en populus [= Wär ich ein Falk]	Finck, Heinrich	182v–183r
Inviolata integra et casta es Maria	Ghiselin (Verbonnet), Johannes	169v–170r
Isti sunt agni novelli qui annunciaverunt	Anonymous	244r
J'abandonne le souhaitier	Anonymous	83r
Jam fulsit sol de sidere Phebi hic	Agricola, Alexander (ca. 1445–1506)	158v–159r
Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia	Anonymous	174v–175r
Jam insignis oritur - 2a pars (of 2): Veris tempus advenit	Anonymous	175v–176r
Je cuide se ce temps me dure	Japart, Jean (?) Congiet, Petrus (?)	226v–227r
Jesu corona virginum	B.H.	97v–98
Komm heiliger Geist (I)	Beham, Johannes	253r–253v
Komm heiliger Geist (II)	Beham, Johannes	254r–254v
Kyrie pascale	Anonymous	22v
Laetabundus exultet	Anonymous	245r
Lieber Herr Sankt Peter	Finck, Heinrich	112v
Loquebar de testimoniis (2p. Beati immaculati)	Anonymous	251v–252r
Magnificat quarti toni: Et exultavit [K.632]	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)	93r–95r
Magnificat sexti toni: Et exultavit [K.698]	Compère, Loyset (ca. 1445–1518)	61r–64r
Magnificat tertii toni [K.718]	Despres, Josquin (ca. 1450–1521)	214r–216v
Magnificat tone 4 [K.251]	Anonymous	75r–77r
Magnificat tone 4 [K.252]	Anonymous	87r–91r
Magnificat tone 5 [K.555]	von Fulda, Adam (ca. 1445–1505)	77v–80r
Magnificat tone 6 [K.319]	Anonymous	234v–235v
Magnificat tone 6 [K.606]	B.H.	64v–66r
Magnificat tone 7: Et exultavit [K.356]	Anonymous	80v–82v
Magnificat tone 8 [K.1009]	Rener, Adam (ca. 1485–ca. 1520) (?)	261v–262v
Magnificat tone 8 [K.841]	Jacobit, Jo[annes]	66v–68r
Mein hercz in hohen Freuden	Anonymous	147v–148r
Mi fa mi re mi ut	von Fulda, Adam (ca. 1445–1505)	169r
Missa Et trop penser: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	31r–40v
Missa Et trop penser: Credo	Isaac, Heinrich (ca. 1450–1517)	31r–40v
Missa Et trop penser: Gloria	Isaac, Heinrich (ca. 1450–1517)	31r–40v
Missa Et trop penser: Kyrie	Isaac, Heinrich (ca. 1450–1517)	31r–40v
Missa Et trop penser: Sanctus	Isaac, Heinrich (ca. 1450–1517)	31r–40v
Missa Filia subtilia: Agnus Dei	Anonymous	113r–119v
Missa Filia subtilia: Credo	Anonymous	113r–119v
Missa Filia subtilia: Gloria	Anonymous	113r–119v
Missa Filia subtilia: Kyrie	Anonymous	113r–119v
Missa Filia subtilia: Sanctus	Anonymous	113r–119v
Missa Fortuna desperata: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	150r–158r
Missa Fortuna desperata: Credo: 2 partes	Obrecht, Jacobus (ca. 1457–1505)	150r–158r
Missa Fortuna desperata: Gloria: 2 partes	Obrecht, Jacobus (ca. 1457–1505)	150r–158r
Missa Fortuna desperata: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	150r–158r
Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	Obrecht, Jacobus (ca. 1457–1505)	150r–158r
Missa Je ne seray plus (3vv): Agnus Dei	Anonymous	229v–234r
Missa Je ne seray plus (3vv): Credo	Anonymous	229v–234r
Missa Je ne seray plus (3vv): Gloria	Anonymous	229v–234r
Missa Je ne seray plus (3vv): Kyrie	Anonymous	229v–234r
Missa Je ne seray plus (3vv): Sanctus	Anonymous	229v–234r
Missa Malheur me bat: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	186r–192v
Missa Malheur me bat: Credo	Obrecht, Jacobus (ca. 1457–1505)	186r–192v
Missa Malheur me bat: Gloria	Obrecht, Jacobus (ca. 1457–1505)	186r–192v
Missa Malheur me bat: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	186r–192v
Missa Malheur me bat: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	186r–192v
Missa N'auray-je jamais: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505) (?)	146v–147r
Missa N'auray-je jamais: Credo	Obrecht, Jacobus (ca. 1457–1505) (?)	138r–146r
Missa N'auray-je jamais: Gloria	Obrecht, Jacobus (ca. 1457–1505) (?)	138r–146r
Missa N'auray-je jamais: Kyrie	Obrecht, Jacobus (ca. 1457–1505) (?)	138r–146r
Missa N'auray-je jamais: Sanctus	Obrecht, Jacobus (ca. 1457–1505) (?)	138r–146r
Missa O Venus bant: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	23r–29r
Missa O Venus bant: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	23r–29r
Missa O Venus bant: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	23r–29r
Missa O Venus bant: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	23r–29r
Missa O Venus bant: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	23r–29r
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	Isaac, Heinrich (ca. 1450–1517)	103r–112r
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	Isaac, Heinrich (ca. 1450–1517)	103r–112r
Missa Quant j'ai au coeur: Gloria: 3 partes.	Isaac, Heinrich (ca. 1450–1517)	103r–112r
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	103r–112r
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	Isaac, Heinrich (ca. 1450–1517)	103r–112r
Missa Se une fois: Credo	Anonymous	17r–20r
Missa Se une fois: Gloria	Anonymous	17r–20r
Missa Se une fois: Kyrie	Anonymous	17r–20r
Missa Seit ich dich Herzlieb: Agnus Dei	von Fulda, Adam (ca. 1445–1505)	120r–129r
Missa Seit ich dich Herzlieb: Credo	von Fulda, Adam (ca. 1445–1505)	120r–129r
Missa Seit ich dich Herzlieb: Gloria	von Fulda, Adam (ca. 1445–1505)	120r–129r
Missa Seit ich dich Herzlieb: Kyrie	von Fulda, Adam (ca. 1445–1505)	120r–129r
Missa Seit ich dich Herzlieb: Sanctus	von Fulda, Adam (ca. 1445–1505)	120r–129r
Missa Sine nomine (Re fa mi re fa): Credo	Agricola, Alexander (ca. 1445–1506)	11r–16r
Missa Sine nomine (Re fa mi re fa): Gloria	Agricola, Alexander (ca. 1445–1506)	11r–16r
Missa Sine nomine (Re fa mi re fa): Kyrie	Agricola, Alexander (ca. 1445–1506)	11r–16r
Missa Sine nomine (Re fa mi re fa): Sanctus	Agricola, Alexander (ca. 1445–1506)	11r–16r
Missa Une musque de Biscaye: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	8v–10r
Missa Une musque de Biscaye: Credo	Isaac, Heinrich (ca. 1450–1517)	8v–10r
Missa Une musque de Biscaye: Gloria	Isaac, Heinrich (ca. 1450–1517)	8v–10r
Missa Une musque de Biscaye: Kyrie	Isaac, Heinrich (ca. 1450–1517)	8v–10r
Missa Une musque de Biscaye: Sanctus	Isaac, Heinrich (ca. 1450–1517)	8v–10r
Missa Une musque du Biscaye 5.2: Agnus Dei	Despres, Josquin (ca. 1450–1521)	193v–197v
Missa Une musque du Biscaye 5.2: Credo	Despres, Josquin (ca. 1450–1521)	193v–197v
Missa Une musque du Biscaye 5.2: Gloria	Despres, Josquin (ca. 1450–1521)	193v–197v
Missa Une musque du Biscaye 5.2: Kyrie	Despres, Josquin (ca. 1450–1521)	193v–197v
Missa Une musque du Biscaye 5.2: Sanctus	Despres, Josquin (ca. 1450–1521)	193v–197v
Missa Ut mi fa sol: Gloria	Anonymous	208v–211r
Missa Ut mi fa sol: Kyrie	Anonymous	208v–211r
Missa Ut mi fa sol: Sanctus	Anonymous	208v–211r
Natalis Domini cantica	Finck, Heinrich	149v
Naturae genitor celsi regnator Olimpi	Anonymous	59v–60r
Nunc dimittis servum tuum	Anonymous	134r
Nurenberg extolleris	Anonymous	248v–249r
O crux benedicta	Anonymous	243v
O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	180(a)v, 180v–182
O diva sollers virgo virgineos inter cetus [= Ach Jupiter]	von Fulda, Adam (ca. 1445–1505)	236v–237r
O gloriosa domina sanctissima virgo Maria	Ghiselin (Verbonnet), Johannes	53v–56r
O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit	Finck, Heinrich	136v–137
O quam glorifica luce	Anonymous	135v–136r
Os justi meditabitur	Anonymous	249v–250r
Phoenix Arabie rosei coloris unica si nutrit [= Schon lief]	Barbireau, Jacobus (1455–1491)	203r
Plaudat aula regia Nurenbergensis eclesia	Anonymous	247v
Posuit coronam capiti meo et circumdedit me	Anonymous	243v–244r
Praefationes	Anonymous	245v
Quem terra pontus	Anonymous	41r
Recordare virgo mater dum steteris	Anonymous	178v–179r
Regiae stirpis soboles	Anonymous	250v–251r
Regina caeli laetare alleluia	B.H.	171v–172r
Regina caeli laetare alleluia	Anonymous	238v–240r
Salve corpus Christi qui de caelo descendisti	Anonymous	185v
Salve festa dies (I)	Anonymous	129v–130r
Salve festa dies (II)	Anonymous	130v–131r, 132v
Salve festa dies (III)	Anonymous	148v–149r
Salve regina	Isaac, Heinrich (ca. 1450–1517)	257(a)-v–260r
Salve regina	Isaac, Heinrich (ca. 1450–1517)	287v–292r
Salve regina (I) (2p. Eia ergo; 3p. O clemens)	Isaac, Heinrich (ca. 1450–1517)	162v–164r
Salve regina (II) [10 partes]	Isaac, Heinrich (ca. 1450–1517)	69r–72v
Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina]	Agricola, Alexander (ca. 1445–1506)	218v–221
Salve regina mater misericordiae	Isaac, Heinrich (ca. 1450–1517)	85v–86r
Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora	von Fulda, Adam (ca. 1445–1505)	47v–48r
Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster	von Fulda, Adam (ca. 1445–1505)	48v–49r
Sancta Maria wohn uns bei	Anonymous	240v
Sanctissimae virginis	Isaac, Heinrich (ca. 1450–1517)	255v–256v
Stabat virgo juxta crucem / In exitu Israel	Volckmar, Michel	204v–206r
Te Deum laudamus [K.607]	B.H.	73r–74v
Te Deum laudamus [K.607]	B.H.	161v
Trium	Anonymous	183v–184r
untexted	-	83r
untexted	-	149r
untexted	Anonymous	184v–185r
Urbs beata Jerusalem	Anonymous	83v–84r
Urbs beata Jerusalem	Anonymous	99r
Ut mi fa sol	Anonymous	47r
Veni creator spiritus	Anonymous	237v–238r
Veni in ortum meum soror mea sponsa	Anonymous	263v–264r
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	159v–160v
Vidi impium	Anonymous	162r
Vidi impium superexaltatum = Illuxit dies	Anonymous	162r
Virgo sub ethereis semper veneranda [=Comme femme (II)]	Agricola, Alexander (ca. 1445–1506)	131v–132r
Vita sanctorum (3vv)	Anonymous	241
Vita sanctorum (4vv)	Anonymous	228v–229r
Vulnerasti cor meum soror mea sponsa	Anonymous	203v–204r
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	Despres, Josquin (ca. 1450–1521)	217v–218r
Wat willen wij metten budel spelen	Obrecht, Jacobus (ca. 1457–1505)	225v–226r
Wohlauf wir wollens wecken	von Fulda, Adam (ca. 1445–1505)	148v

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.

‡ Just, Martin (editor). 1990-1991. Der Kodex Berlin 40021. Staatsbibliothek Preußischer Kulturbesitz Berlin Mus. ms. 40021. Das Erbe Deutscher Musik. 3 vols. Kassel, Basel, London and New York.

Hudson, Barton. 1985. Two Ferrarese Masses by Jacob Obrecht. The Journal of Musicology, 276-302. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: lV.xxvi-liii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Just, Martin. 1983. Zur Examinatio von Varianten. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 129-52. Wiesbaden. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Martin, Martin. 1981. Bemerkungen zu den kleinen Folio-Handschriften deutscher Provenienz um 1500. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 25-43. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xvii-xviii,29-34,49,64-9,83,85-6; II,17; III, 41-5,69-70,76-8,180. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1977. Review of JustM. Journal of the American Musicological Society, 524-31. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1977. Another Mass by Obrecht? Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 102-8.

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 262, 270; A 3-volume edition of the music, by Martin Just, is in preparation as Vols. 76-8 of EDMR. Notes: mention of MS; contents list (partial).

‡ Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: I, II. Notes: physical description; contents list; concordances; incipits (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xlv, 140-79; Vll.xix-xxi.xl,1 14-34. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 79-91. Pages: 86-7. Notes: concordances (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 151-7. Notes: physical description; mention of MS; discussion.

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Pages: 169, 180ff. Notes: concordances (partial); mention of MS.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 129-33, 225ff. Notes: contents list (partial); concordances (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 31-2, passim. Notes: contents list (partial); concordances (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Pages: 3. Notes: concordances (partial).

Just, Martin. 1962. Ysaac de manu sua. Bericht uber den Internationalen Musik- wissenschaftlichen Kongress Kassel 1962, 112-4. Notes: physical description; mention of MS; discussion; facsimile (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, vii; III, xvi, 17-22, 88-93; IV, viii, 20-7, 60-3; V, v-vi, lx, lxii, lxxvi, lxxxii. Notes: concordances (partial); transcription (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 48. Notes: mention of MS.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation.

Schröder, Inge-Maria. 1954. Die Responsorien-vertonungen des Balthasar Resinarius. Kassel. Pages: 23-4. Notes: contents list (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, 1421. Notes: facsimile (partial).

Gerber, Rudolf. 1949. Die Sebaldus-Kompositionen der Berliner Handschrift 40021. Die Musikforschung, 107-26. Notes: physical description; mention of MS; discussion.

Ehmann, Wilhelm. 1936. Adam von Fulda als Vertreter der ersten deutschen Komponistengeneration. Berlin. Pages: 31. Notes: physical description; mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 77, vii. Notes: physical description; facsimile (partial).

Werner, Th W. 1920. Die Magnificat-Kompositionen Adam Reners. Archiv für Musikwissenschaft, 195-265. Pages: I, 445. Notes: transcription (partial); mention of MS.

Niemann, W. 1902. Studien zur deutschen Musikgeschichte des XV. Jahrhunderts. Kirchenmusikalisches Jahrbuch, 1-46. Pages: 30-40. Notes: transcription (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, v, 170. Notes: physical description; facsimile (partial).

‡ Eitner, Robert. 1889. Codex Mus. Ms. Z 21 der Kgl. Bibliothek zu Berlin. Monatshefte für Musikgeschichte, 93-102. Notes: physical description; contents list; incipits.

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Laura Dümpelmann

Monday, 1 March, 2021

ok, some of the questions were solved. but of course the mystery is still not solved! ;-)

Laura Dümpelmann

Saturday, 20 February, 2021

Hello! I´m doing research about the "caecus non iudicat" piece (with all the motet versions). I know that in Segovia Codex there is written "Ferdinandus et frater eius" above the piece, assuming that is Ferdinand II of Aragon (who had no brother) or the newly born or unborn Ferdinand I. Does anyone here on DIAMM know how the piece would be attributed to one of these, or another Ferdinand? (I looked deep into all the sources except of specialnik, which is difficult to access) Thank you!

Laura Dümpelmann

Saturday, 20 February, 2021

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-B MS Mus. 40021

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

manuscript of polyphony: c. 1485-1500

General Description

Binding

Notation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

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Concordances

Concordances

General Note

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General Note

General Note

Concordances

General Note

General Note

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General Note

General Note

Concordances