I-Bc Q.22 (Discantus)

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

partbook: c. 1550

Archive	Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark	Q.22 (Discantus)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	165 x 220 mm
Other Identifiers	CCM: BolC Q22
Notations	black void mensural square
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Provenance	Italy
Contents	13 pieces from 2 composers

General Description

Discantus partbook of a set of four partbooks (Discantus, Altus, Tenor, Bassus). Copied in Italy, but precise provenance unknown.

Please note, the inventory is that of the Tenor partbook as provided by María Elena Cuenca Rodríguez, who observed that those in the other three partbooks are more or less identical. The page numbers are those carried over from the Tenor partbook, and may differ slightly.

DIAMM, 2017 (rev. 2024)

Watermark

similar to Briquet #488

DIAMM, 2017

Notation

black void mensural and square (The Bassus partbook has chant intonations for liturgical pieces; and some bassus parts are written in chant notation.)

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Kyrie, 8 Magnificats, 46 hymns, 83 motets, 3 textless pieces = 142

Anonymous

4 paper partbooks (DATB, each ca. 96 folios), 165 x 220. B has chant intonations for liturgical pieces, bassus voice written in chant notation for some pieces. Watermark similar to Briquet #488.

Ca. 1550. Provenance unknown.

Vol. 4

Date/provenance: Second half of 16th century? Copied in Italy.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	Missa sine nomine (4vv) 'voci mutati': Kyrie	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa sine nomine (4vv) 'voci mutati': Kyrie Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: [-] Genres: Kyrie eleison, Mass Ordinary
[-]	Missa sine nomine (4vv) 'voci mutati': Gloria	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa sine nomine (4vv) 'voci mutati': Gloria Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: [-] Genres: Gloria (et in terra pax), Mass Ordinary
[-]	Missa sine nomine (4vv) 'voci mutati': Credo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa sine nomine (4vv) 'voci mutati': Credo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: [-] Genres: Credo (patrem omnipotentem), Mass Ordinary
[-]	Missa sine nomine (4vv) 'voci mutati': Sanctus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa sine nomine (4vv) 'voci mutati': Sanctus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: [-] Genres: Mass Ordinary, Sanctus [& Benedictus]
[-]	Missa sine nomine (4vv) 'voci mutati': Agnus Dei	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa sine nomine (4vv) 'voci mutati': Agnus Dei Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: [-] Genres: Agnus Dei, Mass Ordinary
121–137 [A; 129-144; T: 142-157; B: 122-137]	Magnificat 1 toni [K.65]	-	Anonymous
Magnificat 1 toni [K.65] Anonymous Appears on: 121–137 [A; 129-144; T: 142-157; B: 122-137] Genres: BVM, Canticle, Magnificat
121–137	Magnificat 2 toni [K.66]	-	Anonymous
Magnificat 2 toni [K.66] Anonymous Appears on: 121–137 Genres: BVM, Canticle, Magnificat
121–137	Magnificat 3 toni [K.67]	-	Anonymous
Magnificat 3 toni [K.67] Anonymous Appears on: 121–137 Genres: BVM, Canticle, Magnificat
121–137	Magnificat 4 toni [K.68]	-	Anonymous
Magnificat 4 toni [K.68] Anonymous Appears on: 121–137 Genres: BVM, Canticle, Magnificat
121–137	Magnificat 5 toni [K.69]	-	Anonymous
Magnificat 5 toni [K.69] Anonymous Appears on: 121–137 Genres: BVM, Canticle, Magnificat
121–137	Magnificat 6 toni [K.70]	-	Anonymous
Magnificat 6 toni [K.70] Anonymous Appears on: 121–137 Genres: BVM, Canticle, Magnificat
121–137	Magnificat 7 toni [K.71]	-	Anonymous
Magnificat 7 toni [K.71] Anonymous Appears on: 121–137 Genres: BVM, Canticle, Magnificat
121–137	Magnificat 8 toni [K.72]	-	Anonymous
Magnificat 8 toni [K.72] Anonymous Appears on: 121–137 Genres: BVM, Canticle, Magnificat

Composer	Compositions
Anonymous	Magnificat 1 toni [K.65] – 121–137 [A; 129-144; T: 142-157; B: 122-137] Magnificat 2 toni [K.66] – 121–137 Magnificat 3 toni [K.67] – 121–137 Magnificat 4 toni [K.68] – 121–137 Magnificat 5 toni [K.69] – 121–137 Magnificat 6 toni [K.70] – 121–137 Magnificat 7 toni [K.71] – 121–137 Magnificat 8 toni [K.72] – 121–137
Palestrina, Giovanni Pierluigi da (1525–1594)	Missa sine nomine (4vv) 'voci mutati': Agnus Dei – [-] Missa sine nomine (4vv) 'voci mutati': Credo – [-] Missa sine nomine (4vv) 'voci mutati': Gloria – [-] Missa sine nomine (4vv) 'voci mutati': Kyrie – [-] Missa sine nomine (4vv) 'voci mutati': Sanctus – [-]

Composition	Composers (? Uncertain)	Folios / Pages
Magnificat 1 toni [K.65]	Anonymous	121–137 [A; 129-144; T: 142-157; B: 122-137]
Magnificat 2 toni [K.66]	Anonymous	121–137
Magnificat 3 toni [K.67]	Anonymous	121–137
Magnificat 4 toni [K.68]	Anonymous	121–137
Magnificat 5 toni [K.69]	Anonymous	121–137
Magnificat 6 toni [K.70]	Anonymous	121–137
Magnificat 7 toni [K.71]	Anonymous	121–137
Magnificat 8 toni [K.72]	Anonymous	121–137
Missa sine nomine (4vv) 'voci mutati': Agnus Dei	Palestrina, Giovanni Pierluigi da (1525–1594)	[-]
Missa sine nomine (4vv) 'voci mutati': Credo	Palestrina, Giovanni Pierluigi da (1525–1594)	[-]
Missa sine nomine (4vv) 'voci mutati': Gloria	Palestrina, Giovanni Pierluigi da (1525–1594)	[-]
Missa sine nomine (4vv) 'voci mutati': Kyrie	Palestrina, Giovanni Pierluigi da (1525–1594)	[-]
Missa sine nomine (4vv) 'voci mutati': Sanctus	Palestrina, Giovanni Pierluigi da (1525–1594)	[-]

Set: Q.22 (Set of four partbooks)

Type: Partbooks

No images available

I-Bc Q.22 (Altus)

No images available

I-Bc Q.22 (Bassus)

No images available

I-Bc Q.22 (Discantus)

No images available

I-Bc Q.22 (Tenor)

‡ denotes primary source study

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 124, 205. Notes: physical description (partial); contents list (partial); incipits (partial).

Gaspari, Gaetano (compiler). 1905. Catalogo della biblioteca del Liceo musicale di Bologna compilato da Gaetano Gaspari: compiuto e pubblicato da Dr Raffaele Cadolini, aggiunto al bibliotecario. 4 vols. Bologna. Pages: II, 169. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Watermark Note; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description