H-Bn MS Bártfa 20 (a)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: After 1603

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 20 (a)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 153 x 190 mm
Other Identifiers
  • CCM: BudOS 20
Relationships
Provenance
Contents 123 pieces from 20 composers
General Description

A Discantus partbook. Copied by several scribes. The music from Isaac's Choralis Constantinus II was copied from BudOS 8 or BudOS 24 (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915. Present 20b (T) was formerly 20c; the former 20b has been transferred to BudOS 15.

DIAMM, 2023
Physical Description

deteriorated and fragmentary at end

DIAMM, 2017
Binding

Modern pasteboard covers (CCM) or possibly half-leather (MurTVB).

DIAMM, 2023
Watermark

Gothic letter "P" (only portions visible)

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13-14

DIAMM, 2017
Foliation

Original foliation stops and starts again in Discantus. Modern stamped foliation

DIAMM, 2023
Decoration

Inked initials, in plain block and calligraphic styles

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 Masses, 2 Kyrie-Gloria pairs, 2 Kyries, 1 German Credo, 1 Sanctus, 24 Mass Proper cycles, 10 Mass Proper sections, 1 Passion, 3 motets, 1 set of responses, 1 German sacred piece, 1 Latin/Czech piece = 62

(Brück)-1, Brumel-2, Clemens non Papa-2, Crecquillon-2, Dragoni? [Sociorum Jo. Dra.]-1, Finck-3, Hähnel [Galliculus]-1, Hombono-1, Isaac-46, Josquin-1, (Lassus)-1, Wyerzbon-1, (Zallamella)-1, anon-23

2 paper partbooks (D-ii + 122 folios, T-126), ca. 153 x 190. D is deteriorated and fragmentary at end. Modern stamped foliation. Modern pasteboard covers. No index. Present 20b (T) was formerly 20c; the former 20b has been transferred to BudOS 15.

After 1603 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol. 4

Contents: 14 Masses, 3 Kyrie-Gloria pairs, 2 Kyries, 1 Credo, 1 Sanctus, 74 Mass Proper sections (some arranged in cycles), 1 Passion, 3 motets, 1 Latin/Czech sacred piece, 1 Latin/German sacred piece, 1 German sacred piece, 3 sets of responses = 105

Composers: (M. Agricola)-1, (Bruck)-1, Brumel-2, Clemens non Papa-2, Crecquillon-2, Dragoni? [Jo. Dra.]-1, Finck-3, Hähnel [Galliculi]-1, (Hellinck) -1, Hombono-1, Isaac-45, Isaac/(Brumel)-1, Josquin/(La Rue)-1, (Lassus)-1, (Rein)-4, (Samson)-1, (Spongopeus)-1, (Stoltzer)-1, Wyerzbon-1, (Zallamella)-1, anon-33

Physical: Copied by several scribes. Staff height 13-14. Inked initials, in plain block and calligraphic styles. Watermark: Gothic letter "P" (only portions visible).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti Anon. Anonymous
Appears on: 1–1v
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Resurrexi) Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti
2v–3 Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 2v–3
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
3–3v Missa de Apostolis a4: Gloria -
Appears on: 3–3v
Genres: Gloria (et in terra pax), Mass Ordinary
2 Kyrie Fons bonitatis Anon. Anonymous
Appears on: 2
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [K]irie eleyson
4–8 Missa Sine pausis D'un petit mot: Kyrie [Crecquillon]
Appears on: 4–8
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa D'ung petit mot]
4–8 Missa Sine pausis D'un petit mot: Gloria -
Appears on: 4–8
Genres: Gloria (et in terra pax), Mass Ordinary
4–8 Missa Sine pausis D'un petit mot: Credo -
Appears on: 4–8
Genres: Credo (patrem omnipotentem), Mass Ordinary
4–8 Missa Sine pausis D'un petit mot: Sanctus -
Appears on: 4–8
Genres: Mass Ordinary, Sanctus [& Benedictus]
4–8 Missa Sine pausis D'un petit mot: Agnus Dei -
Appears on: 4–8
Genres: Agnus Dei, Mass Ordinary
8v–9 Circumdederunt me gemitus Dolores inferni Vs: Diligam te domine Dominus firmamentum [Isaac]
Appears on: 8v–9
Genres: Introit, Proper
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Circumdederunt me gemitus) Dolores inferni Vs: (Diligam te domine) Dominus firmamentum
9–10 De profundis clamavi ad te Domine [Isaac]
Appears on: 9–10
Genres: Psalm
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine
10 Illumina Faciem tuam super servum tuum [Isaac]
Appears on: 10
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Illumina) Faciem tuam super servum tuum
10v–11 Exurge Quare obdormis domine exurge Vs: Deus auribus nostris Patres nostri [Isaac]
Appears on: 10v–11
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Exurge) Quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri
11–11v Commovisti Domine terram et conturbasti Vs. Sana contriciones eius [Isaac]
Appears on: 11–11v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Commovisti domine terram et conturbasti
12 Introibo ad altare Dei [Isaac]
Appears on: 12
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Introibo) Ad altare dei ad deum
12–12v Esto mihi In Deum protectorem et in locum Vs: In te domine speravi In justitia tua [Isaac]
Appears on: 12–12v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Esto mihi) In deum protectorem et in locum Vs: (In te domine speravi) In iustitia tua
13–13v Jubilate Domino omnis terra servite Domino [Isaac]
Appears on: 13–13v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate domino omnis terra servite domino
13v–14 Manducaverunt et saturati sunt nimis [Isaac]
Appears on: 13v–14
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Manducaverunt) Et saturati sunt nimis
14 Misereris Omnium domine et nihil odisti Vs: Miserere mei Deus Quoniam in te confidit in D book [Isaac]
Appears on: 14
Genres: Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Misereris) Omnium domine et nihil odisti Vs: [Miserere mei deus] Quoniam in te confidit [incomplete in D book]
General Note

in 20(a) f. 14v (& 15r?) is left empty, the music of the pieces which should have been there was not copied. (Cf. Tenor book.)

15v–16 Suscipe precor laudes laetas puer optime Anon. Anonymous
Appears on: 15v–16
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Suscipe precor laudes laetas puer optime
General Note

text in Latin, German & Czech

16v Ingrediente Domino in sanctam civitatem [Zallamella]
Appears on: 16v
Genres: Motet
Source Attribution: [Zallamella]
Voice: [no designation]
Languages: Latin
Voice Text: Ingrediente domino in sanctam civitatem
General Note

pages missing in 20(b)?

17 Fili quid fecisti nobis ego et pater [Lassus]
Appears on: 17
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Fili quid fecisti nobis ego et pater
General Note

pages missing in 20(b)?

17v Judaea et Jerusalem nolite timere [Spongopeus]
Appears on: 17v
Genres: Motet
Source Attribution: [Spongopeus]
Voice: [no designation]
Languages: Latin
Voice Text: Judaea et Hierusalem nolite timere
General Note

pages missing in 20(b)?

23–23v Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine Anon. Anonymous
Appears on: 23–23v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste hic domus dei Vs: Quam dilecta tabernacula tua domine
23v Alleluia. Vox exultationis et salutis Anon. Anonymous
Appears on: 23v
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vox exultationis et salutis
23v–24 Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur Anon. Anonymous
Appears on: 23v–24
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Psallat ecclesia mater illibata et virgo] Haec domus aulae caelestis probatur
24v–25 Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine Anon. Anonymous
Appears on: 24v–25
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste hic domus dei Vs: Quam dilecta tabernacula tua domine
25–26 Locus iste a deo factus est Anon. Anonymous
Appears on: 25–26
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Locus iste a deo factus est
26 Alleluia. Vox exultationis et salutis Anon. Anonymous
Appears on: 26
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vox exultationis et salutis
26v–27v Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur Fink
Appears on: 26v–27v
Genres: Hymn
Source Attribution: Fink
Voice: [no designation]
Languages: Latin
Voice Text: [Psallat ecclesia mater illibata et virgo] Haec domus aulae caelestis probatur
27v–33v Missa Je prens en gré: Kyrie Crequilonis
Appears on: 27v–33v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Crequilonis
Voice: [no designation]
Languages: Latin
Voice Text: Officium super Leprens Italicum [= Missa Je prens en gré]
General Note

Here mis-spelled as "Officium super Leprens Italicum"

27v–33v Missa Je prens en gré: Gloria -
Appears on: 27v–33v
Genres: Gloria (et in terra pax), Mass Ordinary
27v–33v Missa Je prens en gré: Credo -
Appears on: 27v–33v
Genres: Credo (patrem omnipotentem), Mass Ordinary
27v–33v Missa Je prens en gré: Sanctus -
Appears on: 27v–33v
Genres: Mass Ordinary, Sanctus [& Benedictus]
27v–33v Missa Je prens en gré: Agnus Dei -
Appears on: 27v–33v
Genres: Agnus Dei, Mass Ordinary
34 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Anon. Anonymous
Appears on: 34
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
34v–35 Alleluia. Dies sanctificatus illuxit [Alternate text underlaid: "Alleluia. Vidimus stellam in oriente"] Anon. Anonymous
Appears on: 34v–35
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit (Alternate text underlaid: "Alleluia. Vidimus stellam in oriente")
35–35v Grates nunc omnes reddamus Domino deo Anon. Anonymous
Appears on: 35–35v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo
35v–36 In medio ecclesiae Apparuit os eius Vs: Bonum est confiteri Et psallere nomini Anon. Anonymous
Appears on: 35v–36
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (In medio ecclesiae) Apparuit os eius Vs: (Bonum est confiteri) Et psallere nomini
36–36v Alleluia. Hic est discipulus Anon. Anonymous
Appears on: 36–36v
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Hic est discipulis ille
36v–37 Grates nunc omnes reddamus Domino Deo Jo. Dra. [= Dragoni?]
Appears on: 36v–37
Genres: Hymn
Source Attribution: Jo. Dra. [= Dragoni?]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo
37–37v Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum regi da H. F. [= Finck]
Appears on: 37–37v
Genres: Motet
Source Attribution: H. F. [= Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Ecte(!) advenit dominator dominus et regnum Vs: Deus iudicium tuum regi da
37v–38 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo H. F.
Appears on: 37v–38
Genres: Motet
Source Attribution: H. F.
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo
38–38v Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 38–38v
Genres: Motet
38v–46 Missa Beata virgine = Nostra domina: Kyrie Brumel
Appears on: 38v–46
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Brumel
Voice: [no designation]
Languages: Latin
Voice Text: Officium Coronatum [= Missa De beata Virgine]
38v–46 Missa Beata virgine = Nostra domina: Et in terra [Gloria] -
Appears on: 38v–46
Genres: Gloria (et in terra pax), Mass Ordinary
38v–46 Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] -
Appears on: 38v–46
Genres: Credo (patrem omnipotentem), Mass Ordinary
38v–46 Missa Beata virgine = Nostra domina: Sanctus -
Appears on: 38v–46
Genres: Mass Ordinary, Sanctus [& Benedictus]
38v–46 Missa Beata virgine = Nostra domina: Agnus Dei -
Appears on: 38v–46
Genres: Agnus Dei, Mass Ordinary
46–49 Missa Sine nomine KGCS H. Isaac
Appears on: 46–49
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: H. Isaac
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sine nomine] [KGCS]
49v–53v Missa 'Wierzbon': KGCSA Wierzbon / Wyerzbon
Appears on: 49v–53v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Wierzbon / Wyerzbon
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
General Note

"Missa Wierzbon": MurTVB suggests this may be a link to the Czech Credo text "Wierzim v Boha", rather than a composer name

53v–54 Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti [Rein]
Appears on: 53v–54
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: (Resurrexi) Et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti
54 Missa: Kyrie Anon. Anonymous

Missa: Kyrie

Anonymous
Appears on: 54
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
General Note

MurTVB suggests the Credo setting is linked with those of the Kyrie and Gloria that come before the proper settings

54v–55 Missa: Et in terra [Gloria] - Anonymous
Appears on: 54v–55
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

MurTVB suggests the settings of Kyrie and Gloria are linked with the Credo which follows after some proper settings

55–55v Haec dies quam fecit Dominus exultemus [Rein]
Appears on: 55–55v
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: (Haec dies) Quam fecit dominus exultemus
55v–56 Alleluia. Pascha nostrum immolatus est [Rein]
Appears on: 55v–56
Genres: Alleluia, Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
56–56v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anon. Anonymous
Appears on: 56–56v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Victime paschali laudes immolent Christiani
Concordances

concordance: Dresden 1/D/505 (no.40)

56v–57 Missa: Patrem omnipotentem [Credo] Anon. Anonymous
Appears on: 56v–57
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
General Note

MurTVB suggests the settings of Kyrie and Gloria are linked with the Credo which follows after some proper settings

57v–58 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Galliculi [= Hähnel]
Appears on: 57v–58
Genres: Introit
Source Attribution: Galliculi [= Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
58–58v Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 58–58v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
58v–59 Et in terra [Gloria] - Anonymous
Appears on: 58v–59
Genres: Gloria (et in terra pax), Mass Ordinary
59v Alleluia. Pascha nostrum immolatus est Anon. Anonymous
Appears on: 59v
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
59v–60 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anon. Anonymous
Appears on: 59v–60
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Victime paschali laudes immolent Christiani
60–63 Missa 'ad aequales' KGCS Hombono (=Bonhomme?)
Appears on: 60–63
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Hombono (=Bonhomme?)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sine nomine] [KGCS]
63–66v Missa Deus in adjutorium meum (KGCSA) Clementis non Papa
Appears on: 63–66v
Genres: Mass Ordinary
Source Attribution: Clementis non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Deus in adiutorium meum
66v–69v Missa Nigra sum KGCS C. Non P. [= Clemens non Papa]
Appears on: 66v–69v
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: C. Non P. [= Clemens non Papa]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Officium Nigra sum [KGCS]
70–74 Missa Sine nomine (4vv): Kyrie Brumel
Appears on: 70–74
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Brumel
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
70–74 Missa Sine nomine (4vv): Gloria -
Appears on: 70–74
Genres: Gloria (et in terra pax), Mass Ordinary
70–74 Missa Sine nomine (4vv): Credo -
Appears on: 70–74
Genres: Credo (patrem omnipotentem), Mass Ordinary
70–74 Missa Sine nomine (4vv): Sanctus -
Appears on: 70–74
Genres: Mass Ordinary, Sanctus [& Benedictus]
70–74 Missa Sine nomine (4vv): Agnus Dei -
Appears on: 70–74
Genres: Agnus Dei, Mass Ordinary
74–78v Missa Carminum [Isaac]
Appears on: 74–78v
Genres: Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Officium Carminum
79–83 Missa Descendi in ortum meum: Kyrie H.I. [= Isaac]/ [Brumel]
Appears on: 79–83
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: H.I. [= Isaac]/ [Brumel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Officium super Descendi [in ortum meum] [KGCS]
Concordances

concordance: Stuttgart 45 (f. 69v)

79–83 Missa Descendi in ortum meum: Gloria -
Appears on: 79–83
Genres: Gloria (et in terra pax), Mass Ordinary
79–83 Missa Descendi in ortum meum: Credo -
Appears on: 79–83
Genres: Credo (patrem omnipotentem), Mass Ordinary
79–83 Missa Descendi in ortum meum: Sanctus -
Appears on: 79–83
Genres: Mass Ordinary, Sanctus [& Benedictus]
83–88 Missa Es solt ein Mägdlein [Sampson]
Appears on: 83–88
Genres: Mass Ordinary
Source Attribution: [Sampson]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Es solt ein Megdlein]
88–94 Missa In te Domine speravi: Kyrie [Hellinck]
Appears on: 88–94
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Officium In te domine speravi
88–94 Missa In te Domine speravi: Gloria -
Appears on: 88–94
Genres: Gloria (et in terra pax), Mass Ordinary
88–94 Missa In te Domine speravi: Credo -
Appears on: 88–94
Genres: Credo (patrem omnipotentem), Mass Ordinary
88–94 Missa In te Domine speravi: Sanctus -
Appears on: 88–94
Genres: Mass Ordinary, Sanctus [& Benedictus]
88–94 Missa In te Domine speravi: Agnus Dei -
Appears on: 88–94
Genres: Agnus Dei, Mass Ordinary
94v–95 Missa Beata Virgine = Missa Coronata 3.3: Kyrie Josquin/[La Rue]
Appears on: 94v–95
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquin/[La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa De beata Virgine] 3.3 (CSA appear only in T book)
General Note

KG copied here; CSA follow towards end of ms, but pages preserved only in the Tenor book, 20(b) f. 116

95–96v Missa Beata Virgine = Missa Coronata 3.3: Gloria -
Appears on: 95–96v
Genres: Gloria (et in terra pax), Mass Ordinary
96v–97 Dixit Dominus Ego cogito cogitaciones Vs: Benedixisti domine Avertisti captivitatem Jacob [Isaac]
Appears on: 96v–97
Genres: Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Dixit dominus) Ego cogito cogitaciones Vs: (Benedixisti domine) Avertisti captivitatem Iacob
97–97v Alleluia. Qui posuit fines tuos pacem [Isaac]
Appears on: 97–97v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Qui posuit fines tuos pacem
97v Amen dico vobis Quicquid orantes petitis [Proprium de S. Benedicto Abbate] [Isaac]
Appears on: 97v
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: (Amen dico vobis) Quicquid orantes petitis
97v–98 Ad te levavi Animam meam Deus meus Vs: Vias tuas domine Et semitas tuas [Isaac]
Appears on: 97v–98
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Ad te levavi) Animam meam deus meus Vs: (Vias tuas domine) Et semitas tuas
98–98v Alleluia. Ostende nobis Domine misericordiam [Isaac]
Appears on: 98–98v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Ostende nobis domine misericordiam
98v Dominus dabit benignitatem et terra [Isaac]
Appears on: 98v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Dominus) Dabit benignitatem et terra
98v–99 Populus Sion Ecce Dominus veniet Vs: Qui regis Israel Qui deducis velut [Isaac]
Appears on: 98v–99
Genres: Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Populus Syon) Ecce dominus veniet Vs: (Qui regis Israhel) Qui deducis velut
99–99v Alleluia. Laetatus sum in his quae dicta [Isaac]
Appears on: 99–99v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Letatus sum in his quae dicta
99v–100 Jerusalem Surge et sta in excelso [Isaac]
Appears on: 99v–100
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Hierusalem) Surge et sta in excelso
100 Gaudete In Domino semper iterum dico [Isaac]
Appears on: 100
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Gaudete) In domino semper iterum dico [incomplete]
101v Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti Anon. Anonymous
Appears on: 101v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti
102 Alleluia. Non vos me elegistis Anon. Anonymous
Appears on: 102
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Non vos me elegistis sed ego
102v Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: 102v
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
102v–103 Missa de Apostolis a4: Kyrie Magne Deus [Isaac]
Appears on: 102v–103
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Greek
Voice Text: Kirie eleison [from Missa de Apostolis]
103–103v Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] [Isaac]
Appears on: 103–103v
Genres: Alleluia, Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine deus
103v–105 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] [Isaac]
Appears on: 103v–105
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
105–105v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] [Isaac]
Appears on: 105–105v
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
105v Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] [Isaac]
Appears on: 105v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dominus in Syna in sancto
106–107v Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) [Isaac]
Appears on: 106–107v
Genres: Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Rex omnipotens die hodierna] Mundo triumphale redempto potentia [= Sancte spiritus adsit nobis]
107v–108 Spiritus veniens Docebit vos omnem Vs: Quam pulchri sunt Et cum dicant (= Spiritus Domini replevit orbem) [Isaac]
Appears on: 107v–108
Genres: Contrafactum, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus veniens) Docebit vos omnem Vs: (Quam pulchri sunt) Et cum dicant [= Spiritus domini replevit orbem]
108–108v Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] [Isaac]
Appears on: 108–108v
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple tuorum
108v–109 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] [Isaac]
Appears on: 108v–109
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (De ventre matris meae) Vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
109v Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] [Isaac]
Appears on: 109v
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Inter natos mulierum non surrexit
109v–111 Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) [Isaac]
Appears on: 109v–111
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Psallite regi nostro psallite prudenter] Nam psalterium est iucundum (Original Isaac text also underlaid: "[Laus tibi Christe qui es creator] Caeli terra maris angelorum")
111–111v Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] [Isaac]
Appears on: 111–111v
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Vultum tuum) Deprecabuntur omnes divites Vs: (Eructavit cor meum) Dico ego opera
111v–112 Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] [Isaac]
Appears on: 111v–112
Genres: Alleluia
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. [Maria] Haec est illa
112–112v Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] [Isaac]
Appears on: 112–112v
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Ecce advenit) Dominator dominus et regnum Vs: (Deus iudicium tuum) Et iusticiam tuam
112v–113 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] [Isaac]
Appears on: 112v–113
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Suscepimus) Deus misericordiam tuam Vs: (Magnus dominus) In civitate dei
113–114 Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus [Isaac]
Appears on: 113–114
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Laetabundus exultet fidelis chorus] Regem regum intacte profudit thorus
114v Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anon. Anonymous
Appears on: 114v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Viderunt ingressus tuos deus ingressus Vs: Illuxerunt coruscationes tuae orbi
115 Alleluia. Candor est lucis aeternae Anon. Anonymous
Appears on: 115
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Candor est lucis aeternae
115–115v Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anon. Anonymous
Appears on: 115–115v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Adest dies celebris quo pacatus miseris] Mentes ut alliciat infirmas
116 Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anon. Anonymous
Appears on: 116
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedicite dominum omnes angeli domino Vs: [Benedic anima mea] Et omnia quae intra
116v Alleluia. Concussum est mare et contremuit Anon. Anonymous
Appears on: 116v
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Concussum est mare et contremuit
116v–117 Summi regis archangele Michael intende Te namque profitemur esse supernorum [Stoltzer]
Appears on: 116v–117
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [Summi regis archangele Michael] [Te namque profitemur esse supernorum]
117v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: 117v
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
118 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [Isaac]
Appears on: 118
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. [Dies] sanctificatus illuxit
118v–119 Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) [Bruck]
Appears on: 118v–119
Genres: Chorale, Credo (patrem omnipotentem), Motet
Source Attribution: [Bruck]
Voice: [no designation]
Languages: German
Voice Text: Wir glaubenn all ahn Jesum Christ
119 Sanctus / Agnus Anon. Anonymous

Sanctus / Agnus

Anonymous
Appears on: 119
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus (Agnus text copied under Benedictus qui venit)
General Note

text copied below Benedictus qui venit

Composer Compositions
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Brumel, Antoine (ca. 1460–ca. 1513)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dragoni, Giovanni Andrea
Finck, Heinrich
Galliculus, Johannes
Hellinck, Lupus (ca. 1494–1541)
Hombono
Isaac, Heinrich (ca. 1450–1517)
Lassus, Orlande de (ca. 1532–1594)
Rein, Conrad (ca. 1475–1522)
Rue, Pierre de la (ca. 1452–1518)
Sampson
Spongopeus, Paul
Stoltzer, Thomas (ca. 1480–1526)
Wierzbon
Zallamella, Pandolfo
Composition Composers (? Uncertain) Folios / Pages
Ad te levavi Animam meam Deus meus Vs: Vias tuas domine Et semitas tuas 97v–98
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anonymous 115–115v
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] 103–103v
Alleluia. Candor est lucis aeternae Anonymous 115
Alleluia. Concussum est mare et contremuit Anonymous 116v
Alleluia. Dies sanctificatus illuxit [Alternate text underlaid: "Alleluia. Vidimus stellam in oriente"] Anonymous 34v–35
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] 118
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] 105v
Alleluia. Hic est discipulus Anonymous 36–36v
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] 109v
Alleluia. Laetatus sum in his quae dicta 99–99v
Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] 111v–112
Alleluia. Non vos me elegistis Anonymous 102
Alleluia. Ostende nobis Domine misericordiam 98–98v
Alleluia. Pascha nostrum immolatus est 55v–56
Alleluia. Pascha nostrum immolatus est Anonymous 59v
Alleluia. Qui posuit fines tuos pacem 97–97v
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] 108–108v
Alleluia. Vox exultationis et salutis Anonymous 23v
Alleluia. Vox exultationis et salutis Anonymous 26
Amen dico vobis Quicquid orantes petitis [Proprium de S. Benedicto Abbate] 97v
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anonymous 116
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] 103v–105
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium 102v
Circumdederunt me gemitus Dolores inferni Vs: Diligam te domine Dominus firmamentum 8v–9
Commovisti Domine terram et conturbasti Vs. Sana contriciones eius 11–11v
De profundis clamavi ad te Domine 9–10
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] 108v–109
Dixit Dominus Ego cogito cogitaciones Vs: Benedixisti domine Avertisti captivitatem Jacob 96v–97
Dominus dabit benignitatem et terra 98v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] 112–112v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum regi da 37–37v
Esto mihi In Deum protectorem et in locum Vs: In te domine speravi In justitia tua 12–12v
Et in terra [Gloria] Anonymous 58v–59
Exurge Quare obdormis domine exurge Vs: Deus auribus nostris Patres nostri 10v–11
Fili quid fecisti nobis ego et pater 17
Gaudete In Domino semper iterum dico 100
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 37v–38
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 38–38v
Grates nunc omnes reddamus Domino deo Anonymous 35–35v
Grates nunc omnes reddamus Domino Deo 36v–37
Haec dies quam fecit Dominus exultemus 55–55v
Illumina Faciem tuam super servum tuum 10
In medio ecclesiae Apparuit os eius Vs: Bonum est confiteri Et psallere nomini Anonymous 35v–36
Ingrediente Domino in sanctam civitatem 16v
Introibo ad altare Dei 12
Jerusalem Surge et sta in excelso 99v–100
Jubilate Domino omnis terra servite Domino 13–13v
Judaea et Jerusalem nolite timere 17v
Kyrie eleison Anonymous 2v–3
Kyrie eleison Anonymous 58–58v
Kyrie Fons bonitatis Anonymous 2
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus 113–114
Locus iste a deo factus est Anonymous 25–26
Manducaverunt et saturati sunt nimis 13v–14
Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti Anonymous 101v
Misereris Omnium domine et nihil odisti Vs: Miserere mei Deus Quoniam in te confidit in D book 14
Missa 'ad aequales' KGCS 60–63
Missa 'Wierzbon': KGCSA 49v–53v
Missa Beata Virgine = Missa Coronata 3.3: Gloria 95–96v
Missa Beata Virgine = Missa Coronata 3.3: Kyrie 94v–95
Missa Beata virgine = Nostra domina: Agnus Dei 38v–46
Missa Beata virgine = Nostra domina: Et in terra [Gloria] 38v–46
Missa Beata virgine = Nostra domina: Kyrie 38v–46
Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] 38v–46
Missa Beata virgine = Nostra domina: Sanctus 38v–46
Missa Carminum 74–78v
Missa de Apostolis a4: Gloria 3–3v
Missa de Apostolis a4: Kyrie Magne Deus 102v–103
Missa Descendi in ortum meum: Credo 79–83
Missa Descendi in ortum meum: Gloria 79–83
Missa Descendi in ortum meum: Kyrie 79–83
Missa Descendi in ortum meum: Sanctus 79–83
Missa Deus in adjutorium meum (KGCSA) 63–66v
Missa Es solt ein Mägdlein 83–88
Missa In te Domine speravi: Agnus Dei 88–94
Missa In te Domine speravi: Credo 88–94
Missa In te Domine speravi: Gloria 88–94
Missa In te Domine speravi: Kyrie 88–94
Missa In te Domine speravi: Sanctus 88–94
Missa Je prens en gré: Agnus Dei 27v–33v
Missa Je prens en gré: Credo 27v–33v
Missa Je prens en gré: Gloria 27v–33v
Missa Je prens en gré: Kyrie 27v–33v
Missa Je prens en gré: Sanctus 27v–33v
Missa Nigra sum KGCS 66v–69v
Missa Sine nomine (4vv): Agnus Dei 70–74
Missa Sine nomine (4vv): Credo 70–74
Missa Sine nomine (4vv): Gloria 70–74
Missa Sine nomine (4vv): Kyrie 70–74
Missa Sine nomine (4vv): Sanctus 70–74
Missa Sine nomine KGCS 46–49
Missa Sine pausis D'un petit mot: Agnus Dei 4–8
Missa Sine pausis D'un petit mot: Credo 4–8
Missa Sine pausis D'un petit mot: Gloria 4–8
Missa Sine pausis D'un petit mot: Kyrie 4–8
Missa Sine pausis D'un petit mot: Sanctus 4–8
Missa: Et in terra [Gloria] Anonymous 54v–55
Missa: Kyrie Anonymous 54
Missa: Patrem omnipotentem [Credo] Anonymous 56v–57
Populus Sion Ecce Dominus veniet Vs: Qui regis Israel Qui deducis velut 98v–99
Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur Anonymous 23v–24
Psallat ecclesia mater illibata et virgo Haec domus aulae caelestis probatur 26v–27v
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) 109v–111
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Anonymous 34
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 117v
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 57v–58
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti Anonymous 1–1v
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti 53v–54
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) 106–107v
Sanctus / Agnus Anonymous 119
Spiritus veniens Docebit vos omnem Vs: Quam pulchri sunt Et cum dicant (= Spiritus Domini replevit orbem) 107v–108
Summi regis archangele Michael intende Te namque profitemur esse supernorum 116v–117
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] 112v–113
Suscipe precor laudes laetas puer optime Anonymous 15v–16
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine Anonymous 23–23v
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua domine Anonymous 24v–25
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 56–56v
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 59v–60
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anonymous 114v
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 105–105v
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] 111–111v
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) 118v–119

Set: MS Bártfa 20 (a-b)

Type: Partbooks

No images available

H-Bn MS Bártfa 20 (a)

No images available

H-Bn MS Bártfa 20 (b)

denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM.  American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXVI, 103-111.

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 202-12,348-50. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xiv, 27, 37-8, 50, 52, 71-2; III, 56-7, 99, 181-2. Notes: physical description; contents list (partial); concordances (partial).

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Murányi, Robert Arpad. 1971. Neuere Angaben über die Bartfelder Sammlung. Studia Musicologica, 363-70. Pages: 370. Notes: mention of MS.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS.

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334, 336. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 41-2. Notes: physical description; contents list; incipitsst of contents (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description