GB-CF MS D/DP Z6/2

Essex Record Office, Chelmsford, England

partbook: c. 1596

Archive Essex Record Office, Chelmsford, England (GB-CF)
Shelfmark MS D/DP Z6/2
Surface Paper
Numbering System Foliation
Measurements 214 x 280 mm
Other Identifiers
  • CCM: ChelmE 2
Relationships
External Authorities
Provenance
  • England
Contents 133 pieces from 29 composers
General Description

Single partbooks, bearing bassus part on verso of the opening and tenor on recto. Probably copied for Sir John Petre (1549-1613), of Ingatestone, Essex County. Petre was a neighbor and patron of Byrd.

DIAMM, 2017
Binding

Original covers of brown tooled leather on boards, with traces of two string ties. Inscription on cover: 'Iohn Petre.'

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1596 (FelAP)

DIAMM, 2017
Ruling

Staves are in red ink, now faded to light brown.

DIAMM, 2017
Foliation

Original foliation, 1-117.

DIAMM, 2017
Decoration

Simple penned initials.

DIAMM, 2017
Index

Original index on ff. i-ii' (does not include the Mass or a motet by R. White).

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 3 Agnus, 67 motets, 19 French secular pieces = 90

Bacchius-1, Baccusi-1, Buissons-1, Beutel-1, Chaynée-1, Clemens non Papa-28, Crecquillon-12, Fayrfax-1, Formellis-1, Gombert-14, S. Hollander-1, Lange-1, Mahu-1, Meiland-1, Philippe de Monte-3, Palestrina-1, Pevernage-4, Rivulo-2, Simonides [Montanus]-1, Tubal-3, Vaet-4, Wert-2, R. White-1, Wilder-1, Wismes-2, anon-1

1 paper partbook (iii + 125 folios, bassus part on verso of the opening and tenor on recto), 214 x 280. Original foliation, 1-117. Original covers of brown tooled leather on boards, with traces of two string ties. Original index on ff. i-ii' (does not include the Mass or a motet by R. White). Simple penned initials. Staves are in red ink, now faded to light brown. Inscription on cover: "Iohn Petre."

Ca. 1596 (FelAP). Probably copied for Sir John Petre (1549-1613), of Ingatestone, Essex County. Petre was a neighbor and patron of Byrd.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

118r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1r In nomine (IV) Mr whight / Master whight
Appears on: 1r
Genres: In nomine
Source Attribution: Mr whight / Master whight
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: [inventory: In nomine.]
General Note

Notes: two parts noted on the same page, one after the other; In Nomine number from MB XLIV;

1v–2r Dum aurora finem daret Cricquillon
Appears on: 1v–2r
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Dum aurora finem daret [inventory: Dum Aurora]
2v–3r Quis te victorem dicat - 1a pars (of 2): Quis te victorem dicat Cricquillon
Appears on: 2v–3r
Genres: Motet
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Quis te victorem dicat [2p. Non te hostis vincit] [inventory: Quis te victorem]
General Note

Annotations/Corrections: Fol. 2v 'verte'; fol.3r 'Verte folliu[m] pro Se[cun]da parte.';

3v–4r Quis te victorem dicat - 2a pars (of 2): Non te hostis vincit] -
Appears on: 3v–4r
Genres: Motet
4v–5r Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Sebast. Hollander
Appears on: 4v–5r
Genres: Motet
Source Attribution: Sebast. Hollander
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Dum transisset sabatu[m] [inventory: Dum transiscet]
5v–6r Assumpsit Jesus Petrum et Jacobum (2p. Et ecce vox de nube) Clemens non papa
Appears on: 5v–6r
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Assumpsit Jesus Petru[m] et Jacobum [inventory: Assumpsit Jesus]
6v–7r Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus Clemens non papa
Appears on: 6v–7r
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Ascendit deus iubilatione [2p. Ascendens christus in altu[s]] [inventory: Ascendit Deus]
General Note

Annotations/Corrections: Fol.7r 'verte pro secunda p[ar]te';

7v–8r Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam -
Appears on: 7v–8r
Genres: Motet
8v–9r Christus resurgens ex mortuis - 1a pars (of 2): Christus resurgens ex mortuis Montanus
Appears on: 8v–9r
Genres: Motet
Source Attribution: Montanus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Christus resurgens ex mortuis [2p. Mortuus est eni[m]] [inventory: Christus resurgens]
General Note

Annotations/Corrections: Fol.9r 'verte folliu[m]';

9v–10r Christus resurgens ex mortuis - 2a pars (of 2): Mortuus est enim -
Appears on: 9v–10r
Genres: Motet
10v–11r Descendit angelus - 1a pars (of 2): Descendit angelus Domini Vuismes
Appears on: 10v–11r
Genres: Motet
Source Attribution: Vuismes
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Descendit angelus domini [inventory: Descendit angelus]
11v–12r Surgens Dominus noster Jesus Christus stans (2p. Resurrexit Dominus de sepulchro) Cricquillon
Appears on: 11v–12r
Genres: Motet
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Surgens dominus noster [inventory: Surge dominus]
12v–13r Spiritus sanctus - 1a pars (of 2): Spiritus sanctus procedens à throno Tuball
Appears on: 12v–13r
Genres: Motet
Source Attribution: Tuball
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Spiritus sanctus procedens a throno [inventory: Spiritus sanctus]
13v–14r Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Gombert
Appears on: 13v–14r
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Beati omnes qui timent [2p. Ecce sic benedicetur homo] [inventory: Beati Omnes]
General Note

Annotations/Corrections: Fol.13v 'verte'; fol.14r 'verte folliu[m] pro se[cun]da parte';

14v–15r Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo -
Appears on: 14v–15r
Genres: Motet
15v–16r Ego flos campi - 1a pars (of 2): Ego flos campi et lilium convallium Gombert
Appears on: 15v–16r
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ego flos campi et liliu[m] conualliu[m] [2p. Leua eius sub capite meo] [inventory: Ego floas campi]
General Note

Annotations/Corrections: Fol.15v 'verte' folliu[m]'; ;

16v–17r Ego flos campi - 2a pars (of 2): Leva eius sub capite meo -
Appears on: 16v–17r
Genres: Motet
17v–18r Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens Clemens no[n] papa
Appears on: 17v–18r
Genres: Motet
Source Attribution: Clemens no[n] papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Advenit ignis diuinus [2p. Misit eos in mundu[m] uniuersu[m] ] [inventory: Advenit ignis]
General Note

Annotations/Corrections: Fol.17v and 18r 'verte';

18v–19r Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum -
Appears on: 18v–19r
Genres: Motet
19v–20r Discite a me - 1a pars (of 2): Discite a me quia mitis sum Clemens non Papa
Appears on: 19v–20r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Discite a me quia mitis su[m] [2p. Quia qui se exaltat humiliabitur] [inventory: Discite ame]
General Note

Annotations/Corrections: Fol.19v and fol.20r 'verte folliu[m] pro se[cun]da parte'; ;

20v–21r Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] -
Appears on: 20v–21r
Genres: Motet
21v–22r Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari Clemens non Papa
Appears on: 21v–22r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Innuebant patri eius [inventory: Innuebant patri]
22v–23r Ego me diligentes diligo et qui mane Clemens non Papa
Appears on: 22v–23r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Ego me diligentes [inventory: Ego me diligentis]
23v–24r Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Gombert
Appears on: 23v–24r
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Domine quis habitabit in tabernaculo tuo [2p. Ad nihilum deductus est in conspectu malignus] [inventory: D[omi]ne quis habitabit]
General Note

Annotations/Corrections: Fol.23v and 24r 'verte';

24v–25r Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est -
Appears on: 24v–25r
Genres: Motet
25v–26r Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra Tuball
Appears on: 25v–26r
Genres: Jubilate, Motet
Source Attribution: Tuball
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Jvbilate Deo omnis terra [2p. Populus eius et oues pascuae eius] [inventory: Jubilate deo]
General Note

Annotations/Corrections: Fol.25v 'verte' and 26r 'verte folliu[m]'';

26v–27r Jubilate Deo - 2a pars (of 2): Populus eius et oves pascua eius -
Appears on: 26v–27r
Genres: Jubilate, Motet
27v–28r Speremus meliora omnes spem nomine sacro Jaches Wert
Appears on: 27v–28r
Genres: Motet
Source Attribution: Jaches Wert
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Speremus meliora omnes [inventory: Speremus meliora]
28v–29r Beati qui habitant Phillippus de Monte
Appears on: 28v–29r
Genres: Motet
Source Attribution: Phillippus de Monte
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Beati qui habitant [inventory: Beati qui habitant]
29v–30r Propter quod et Deus exaltavit illum Jaches Werte
Appears on: 29v–30r
Source Attribution: Jaches Werte
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Propter quod et deus exaltauit illu[m] [inventory: Propter quod]
General Note

Notes: second part of 'Hoc enim sentite in vobis';

30v–31r Musica Dei donum optimi Jacobus Waet
Appears on: 30v–31r
Genres: Motet
Source Attribution: Jacobus Waet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Mvsica dei donu[m] optimi [inventory: Musica dei]
31v–32r Dixerunt impii - 1a pars (of 2): Dixerunt impii Jacobus Waet
Appears on: 31v–32r
Genres: Motet
Source Attribution: Jacobus Waet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Dixerunt impij [2p. Videam[us] ergo si sermones illius veri sunt] [inventory: Dixerunt Impii]
General Note

Annotations/Corrections: Fol.31v and 32r 'verte folliu[m]';

32v–33r Dixerunt impii - 2a pars (of 2): Videamus ergo si sermones illius veri sunt -
Appears on: 32v–33r
Genres: Motet
33v–34r Venite et videte - 1a pars (of 2): Venite et videte Cricquillon
Appears on: 33v–34r
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Venite et videte [2p. Videntes sic admirati sunt] [inventory: Venite et videte]
General Note

Annotations/Corrections: Fol.33v and 34r 'verte folliu[m]';

34v–35r Venite et videte - 2a pars (of 2): Videntes sic admirati sunt -
Appears on: 34v–35r
Genres: Motet
35v–36r Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens no[n] papa
Appears on: 35v–36r
Genres: Motet
Source Attribution: Clemens no[n] papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Jherusalem surge [2p. Leua incircuitu occulos tuos] [inventory: Jerusalem surge]
General Note

Annotations/Corrections: Fol.35v and fol.36r 'verte folliu[m]';

36v–37r Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 36v–37r
Genres: Motet
37v–38r Dum aurora finem daret Jac: Bultel
Appears on: 37v–38r
Source Attribution: Jac: Bultel
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Dum aurora fine[m] daret [inventory: Dum aurora . Bustel]
38v–39r Vox clamantis in deserto - 1a pars (of 2): Vox clamantis in deserto Clemens non papa
Appears on: 38v–39r
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Vox clamantis in deserto [2p. Vox dicentis clama et dixi] [inventory: Vox Clamantis]
General Note

Annotations/Corrections: Fol.38v 'verte folliu[m] pro secunda parte' and fol.39r 'verte folliu[m] pro se[cun]da parte';

39v–40r Vox clamantis in deserto - 2a pars (of 2): Vox dicentes clama et dixi -
Appears on: 39v–40r
Genres: Motet
40v–41r O regina sublimis - 1a pars (of 2): O regina sublimis Clemens non papa
Appears on: 40v–41r
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: O Regina sublimis [2p. Tu imperatrix nostra] [inventory: O Regina sublimis]
General Note

Annotations/Corrections: Fol.40v 'verte' and fol.41r 'verte folliu[m] pro se[cun]da p[ar]te';

41v–42r O regina sublimis - 2a pars (of 2): Tu imperatrix nostra -
Appears on: 41v–42r
Genres: Motet
42v–43r Sancta Maria succurre miseris Clemens no[n] papa
Appears on: 42v–43r
Source Attribution: Clemens no[n] papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Sancta Maria succurre miseris [inventory: Sancta maria]
43v–44r Ad te Domine levavi A. Tuball
Appears on: 43v–44r
Source Attribution: A. Tuball
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Ad te domine leuaui anima[m] meam [inventory: Ad te domine leuaui]
44v–45r Caesar habet naves laceras et grandia Clemens no[n] papa
Appears on: 44v–45r
Genres: Motet
Source Attribution: Clemens no[n] papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Caesar habet naues validas [inventory: Caesar habet naues]
45v–46r Ad te levavi oculos - 2a pars (of 2): Adjutorium nostrum Phillippus de Monte
Appears on: 45v–46r
Genres: Motet
Source Attribution: Phillippus de Monte
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Adiutorium nostru[m] [inventory: Adiutoriu[m] nostru[m]]
General Note

Notes: Second part of 'Ad te levavi oculos' ;

46v–47r Quoties diem illum Gregorius Langius
Appears on: 46v–47r
Genres: Motet
Source Attribution: Gregorius Langius
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Qvoties diem illum [inventory: Quoties diem illum]
47v–48r Peccavi super numerum Joannes Chainee
Appears on: 47v–48r
Source Attribution: Joannes Chainee
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Peccaui super numeru[m] [inventory: Peccavi super numeru[m]]
48v–49r Domine probasti me - 1a pars (of 2): Domine probasti me Clemens no[n] papa
Appears on: 48v–49r
Genres: Motet
Source Attribution: Clemens no[n] papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Domine probasti me [2p. Proba me Domine] [inventory: D[omi]ne probasti]
General Note

Annotations/Corrections: Fol.48v 'verte'; fol.49r 'verte folli[m] pro secunda parte';

49v–50r Domine probasti me - 2a pars (of 2): Proba me Domini -
Appears on: 49v–50r
Genres: Motet
50v–51r Caeleste beneficium - 1a pars (of 2): Caeleste beneficium Clemens non Papa
Appears on: 50v–51r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Caeleste beneficiu[m] [2p. Tu nos Anna pia] [inventory: Caeleste beneficium]
General Note

Annotations/Corrections: Fol.50v 'verte'; fol.51r 'verte fol[ium]';

51v–52r Caeleste beneficium - 2a pars (of 2): Tu nos Anna pia -
Appears on: 51v–52r
Genres: Motet
52v–53r Aimer est ma vie en despit d'ennuye Cle: no[n] Papa
Appears on: 52v–53r
Genres: Chanson
Source Attribution: Cle: no[n] Papa
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f3
Voice Text: Aymer est [m]a vie [inventory: Aymer est]
52v–53r O triste ennuye qui me tient en souffrance Cricquillon
Appears on: 52v–53r
Genres: Chanson
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c4
Voice Text: O triste enuye qui me tient en souffrance [inventory: O triste ennuye]
53v–54r Or puisqu' ennuye te detient en souffrance Cricquillon
Appears on: 53v–54r
Genres: Chanson
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c4
Voice Text: Or puis que ennuye te de tient en souffraunce [inventory: Or puis que]
General Note

Notes: Response to 'O triste Ennuye', above;

53v–54r La [Las] non ailleurs le triste coeur demeure Clemens no[n] Papa
Appears on: 53v–54r
Genres: Chanson
Source Attribution: Clemens no[n] Papa
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c4
Voice Text: Las non ailleurs [inventory: La mon ailleurs]
54v–55r Dites pourquoi vostre amitié se fache Cricquillon
Appears on: 54v–55r
Genres: Chanson
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f3
Voice Text: Dictes pourquoy vostre amytie se fache [inventory: Dictes pour quoy]
54v–55r Oncques amours ne fut sans grand langueur Cricquillon
Appears on: 54v–55r
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c4
Voice Text: Oncques amour ne fut sans grand languer [inventory: Oncques amour]
55v–56r Dieu me fault il tant de mal supporter Cricquillon
Appears on: 55v–56r
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: Dieu me fault tant supporter altre que vous / Dieu me fault il tant de mal porter aultre que vous [inventory: Dieu me fault]
56v–57r Regret, ennuye, travail et déplaisance Gombert
Appears on: 56v–57r
Genres: Chanson
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: Regert ennuy traueit et desplaisance [inventory: Regert ennuy]
57v–58r O malheureuse journée Gombert
Appears on: 57v–58r
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: O Malheureuse iournee O piteable desolation [inventory: O malheur euse]
58v–59r Pis ne me peult venir que j'ai jusques ici Cricquillon
Appears on: 58v–59r
Genres: Chanson
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: Pis ne me peult venir que iay iusquez icy [inventory: Pis ne me peult]
58v–59r Plaisir n'ai plus mais vis en desconfort Gombert
Appears on: 58v–59r
Genres: Chanson
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: Playsir nay plus mais vis en disconfort [inventory: Playsir nay plus]
59v–60r Le monde est tel pour le present -
Appears on: 59v–60r
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f3
Voice Text: Le monde est tel pour le present [inventory: Lemonde est tel]
59v–60r Je ne scay pas comment a mon entendement Gombert
Appears on: 59v–60r
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f3
Voice Text: Je ne scay pas connuent a mon entendement / Je ne scay pas comment a mon entendement [inventory: Jene scay pas]
60v–61r In illo tempore dicebat - 1a pars (of 2): In illo tempore dicebat Jesus Gombert
Appears on: 60v–61r
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: In illo tempore [2p. Sed cu[m] facis conuiuiu[m] [inventory: In illo tempore]
General Note

Annotations/Corrections: Fol.60v 'verte'; fol.61r 'verte';

61v–62r In illo tempore dicebat - 2a pars (of 2): Sed cum facis convivium -
Appears on: 61v–62r
Genres: Motet
62v–63r Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis Gombert
Appears on: 62v–63r
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Qvem dicunt homines [2p. Petre diligis me] [inventory: Quem dicunt homines]
General Note

Annotations/Corrections: Fol.62v 'verte'; fol.63r 'verte';

63v–64r Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait -
Appears on: 63v–64r
Genres: Motet
64v–65r Ave mundi spes Maria ave mitis ave pia Clemens no[n] Papa
Appears on: 64v–65r
Genres: Motet
Source Attribution: Clemens no[n] Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ave mundi spes Maria [inventory: Ave mundi spes]
65v–66r Caesaris auspiciis magni Cricquillon
Appears on: 65v–66r
Genres: Motet
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Caesaris auspitiis magni [inventory: Caesaris auspitiis]
66v–67r Percelebres dic mysta - 1a pars (of 2): Percelebres dic mysta modos Clemens non Papa
Appears on: 66v–67r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Per celebres dic mysta modos [2p. Sancte fidem christi quondam] [inventory: Per celebres]
General Note

Annotations/Corrections: Fol.66v and 67r 'verte'.;

67v–68r Percelebres dic mysta - 2a pars (of 2): Sancte fidem Christi quondam -
Appears on: 67v–68r
Genres: Motet
68v–69r Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna Clemens non papa
Appears on: 68v–69r
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Clemens et benigna [2p. Nos a miseria per duc ad gaudia] [inventory: Clemens et benigna]
General Note

Annotations/Corrections: Fol.68v and 69r 'verte'.;

69v–70r Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia -
Appears on: 69v–70r
Genres: Motet
70v–71r Benedic Domine - 1a pars (of 2): Benedic domine domum istam quam aedificavi N: Vuismes
Appears on: 70v–71r
Source Attribution: N: Vuismes
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: BEnedic domine dom[um] istam [2p. Exaudi preces] [inventory: Benedic domine]
General Note

Notes: beginning of 2a pars not marked;

71v–72r Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Cricquillon
Appears on: 71v–72r
Genres: Motet
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Domine deus omnnipotens [2p. Confiteor me peccasse] [inventory: Domine deus meus]
General Note

Annotations/Corrections: Fol.71v and 72r 'verte'.;

72v–73r Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse Gombert
Appears on: 72v–73r
Genres: Motet
Source Attribution: Gombert
73v–74r Missa A la fontaine du prez: Osanna Clemens no[n] Papa
Appears on: 73v–74r
Source Attribution: Clemens no[n] Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c 3
Clef: f3
Voice Text: Osanna in excelsis [inventory: O sanna in excelsis]
74v–75r Deus, Deus meus respice in me Philippus de Monte
Appears on: 74v–75r
Genres: Motet
Source Attribution: Philippus de Monte
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Deus deus meus respice in me [inventory: Deus deus meus]
75v–76r Miserere mei Deus secundum magnam Guelhelmus Formellis
Appears on: 75v–76r
Genres: Miserere mei Deus, Motet
Source Attribution: Guelhelmus Formellis
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Miserere mei Deus [inventory: Miserere mei deus]
76v–77r Aspice Domine quia facta est desolata (II) Jacob[us] vaet
Appears on: 76v–77r
Genres: Motet
Source Attribution: Jacob[us] vaet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Aspice Domine quia facta est [inventory: Aspice domine . Jacob[us] vaet]
77v–78r Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata Hippolitus Baccusius
Appears on: 77v–78r
Genres: Motet
Source Attribution: Hippolitus Baccusius
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Aspice Domine quia facta est [2p. Plorans plorauit in nocte] [inventory: Aspice domine . Baccusius]
General Note

Annotations/Corrections: Fol.77v 'verte folliu[m]' and 78r 'verte foll.'.;

78v–79r Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte et lacrumae -
Appears on: 78v–79r
Genres: Motet
79v–80r O magnum mysterium - 1a pars (of 2): O magnum mysterium et admirabile sacramentum Clemens non Papa
Appears on: 79v–80r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: O Magnu[m] mysteriu[m] [2p. Domine audiui auditu[m] tuu[m] [inventory: O magnu[m] misteriu[m]]
General Note

Annotations/Corrections: Fol.79v and 80r 'verte'.;

80v–81r O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum -
Appears on: 80v–81r
Genres: Motet
81v–82r Hoc est praeceptum meum - 1a pars (of 2): Hoc est praeceptum meum Clemens non papa
Appears on: 81v–82r
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Hoc est preceptu[m] meu[m] [2p. Memento te sermonis mei] [inventory: Hoc est preceptu[m] meu[m]]
General Note

Annotations/Corrections: Fol.81v and 82r 'verte'.;

82v–83r Hoc est praeceptum meum - 2a pars (of 2): Memento te sermonis meis -
Appears on: 82v–83r
Genres: Motet
83v–84r Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa
Appears on: 83v–84r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Leuaui oculos meos [2p. Anima nostra sicut passer erepta est] [inventory: Leuaui occulos]
General Note

Annotations/Corrections: Fol.83v and 84r 'verte'.;

84v–85r Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est -
Appears on: 84v–85r
Genres: Motet
85v–86r Missa Misericorde au povre: Agnus Dei (6vv) Clemens non Papa
Appears on: 85v–86r
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Agnus dei [inventory: Agnus dei. 6 together]
85v–86r Missa Virtute magna: Agnus Dei Clemens non Papa
Appears on: 85v–86r
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Agnus dei [inventory: [Agnus dei. 6 together]]
86v–87r Missa Gaude lux donatiane: Agnus dei Clemens non Papa
Appears on: 86v–87r
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c 3
Clef: c4
Voice Text: Agnus dei [inventory: [Agnus dei. 6 together]]
87v–88r Missa Pastores quidnam vidistis: Agnus dei Clemens non Papa
Appears on: 87v–88r
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Agnus dei [inventory: [Agnus dei. 6 together]]
87v–88r Missa Languir my fault: Agnus Dei Clemens non Papa
Appears on: 87v–88r
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Agnus dei [inventory: [Agnus dei. 6 together]]
88v–89r Missa Ecce quam bonum: Agnus dei Clemens non Papa
Appears on: 88v–89r
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Agnus dei [inventory: [Agnus dei. 6 together]]
88v–89r Missa Ecce quam bonum: Osanna Clemens non Papa
Appears on: 88v–89r
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c 3
Clef: f4
Voice Text: Osanna in excelsis [inventory: O sanna]
89v–90r Mulierem fortem quis inveniet - 1a pars (of 2): Mulierem fortem quis inveniet tibi procul Clemens non Papa
Appears on: 89v–90r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Mulierem fortem quis inueni et [2p. Reddet ei bonum] [inventory: Mulierum fortem]
General Note

Annotations/Corrections: Fol.89v and 90r 'verte'.;

90v–91r Mulierum fortem quis inveniet - 2a pars (of 2): Reddet ei bonum et non malum -
Appears on: 90v–91r
Genres: Motet
91v–92r Ave martyr gloriosa - 1a pars (of 2): Ave martyr gloriosa Barbaraque generosa Clemens non Papa
Appears on: 91v–92r
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ave martyr gloriosa [2p. Ave barbara serena] [inventory: Ave martir]
General Note

Annotations/Corrections: Fol.91v and 92r 'verte'.;

92v–93r Ave martyr gloriosa - 2a pars (of 2): Ave Barbara serena pulchra quasi luna -
Appears on: 92v–93r
Genres: Motet
93v–94r Missa Caro mea: Agnus dei Clemens non Papa
Appears on: 93v–94r
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Agnus dei [inventory: Agnus dei]
93v–94r Lamentations: Jod. O vos omnes Stefanus Machu
Appears on: 93v–94r
Source Attribution: Stefanus Machu
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Jod. O vos omnes [inventory: Jod. O uos omnes]
94v–95r Huc me sydereo - 1a pars (of 2): Huc me sydereo descendere Jacobus vaet
Appears on: 94v–95r
Genres: Motet
Source Attribution: Jacobus vaet
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Huc me sydereo descendere [2p. Felle sitim magni regis] [inventory: Huc me siderio]
General Note

Annotations/Corrections: Fol.94v 'verte folliu[m]'; Notes: fol.95r: blank staves; at top of ff. 95v and 96r, before music: 'Secunda / pars:';

95v–96r Huc me sydereo - 2a pars (of 2): Felle sitim magni regis -
Appears on: 95v–96r
Genres: Motet
96v–97r Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti Jacobus Meilandus
Appears on: 96v–97r
Genres: Motet
Source Attribution: Jacobus Meilandus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Benedixisti Domine terram tuam [2p. Conuerte nos Deus salutaris] [inventory: Benedixisti domine]
General Note

Annotations/Corrections: Fol.96v and 97r: 'verte folliu[m]';

97v–98r Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster -
Appears on: 97v–98r
Genres: Motet
98v–99r Fuit homo missus - 1a pars (of 2): Fuit homo missus Joan de Bachi
Appears on: 98v–99r
Genres: Motet
Source Attribution: Joan de Bachi
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f3
Voice Text: Fuit homo missus a deo [2p. Erat Joannes in deserto] [inventory: Fuit homo missus]
General Note

Annotations/Corrections: Fol.98v 'verte folliu[m]' and 99r 'verte';

99v–100r Fuit homo missus - 2a pars (of 2): Erat Joannes in deserto -
Appears on: 99v–100r
Genres: Motet
100v–101r Ego sum panis vivus - 1a pars (of 2): Ego sum panis vivus qui de caelo descendi Fransciscus de Riuulo
Appears on: 100v–101r
Genres: Motet
Source Attribution: Fransciscus de Riuulo
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f3
Voice Text: Ego sum panis viuuus [2p. Et panis quem ego dabo caro mea est] [inventory: Ego sum panis viuus]
General Note

Annotations/Corrections: Fol.100v and 101r 'verte'.;

101v–102r Ego sum panis vivus - 2a pars (of 2): Et panis quam ego dabo caro mea -
Appears on: 101v–102r
Genres: Motet
102v–103r Laetentur et exultent gentes Peuernage
Appears on: 102v–103r
Source Attribution: Peuernage
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f3
Voice Text: Laetentur et exultent gentes [inventory: Letentur et exultent]
103v–104r Haec dies quam fecit Dominus exultemus Johan: Petraloysius Prenestinus
Appears on: 103v–104r
Genres: Motet
Source Attribution: Johan: Petraloysius Prenestinus
Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Haec dies qua[m] fecit dominus [inventory: Hec dies quem fecit]
104v–105r Vias tuas Domine demonstra mihi et semitas Franciscus de Riuulo
Appears on: 104v–105r
Genres: Motet
Source Attribution: Franciscus de Riuulo
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Vias tuas Domine [inventory: Vias tuas domine]
105v–106r O vos omnes - 1a pars (of 2): O vos omnes Michael des Buissons
Appears on: 105v–106r
Genres: Motet
Source Attribution: Michael des Buissons
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: O vos omnes [2p. Attendite vniuersi populi] [inventory: O vos omnes]
General Note

Annotations/Corrections: Fol.105v 'verte'and 106r 'verte folliu[m]'.;

106v–107r O vos omnes - 2a pars (of 2): Attendite universi populi -
Appears on: 106v–107r
Genres: Motet
107v–108r Iam non estis hospites - 1a pars (of 2): Iam non estis hospites Peuernage
Appears on: 107v–108r
Genres: Motet
Source Attribution: Peuernage
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Iam no[n] estis hospites [2p. In quo omnis aedificatio constructa] [inventory: Iam non estis]
General Note

Annotations/Corrections: Fol.107v and 108r 'verte' folliu[m]'.;

108v–109r Iam non estis hospites - 2a pars (of 2): In quo omnis aedificatio constructa -
Appears on: 108v–109r
Genres: Motet
109v–110r Salvatorem expectamus - 1a pars (of 2): Salvatorem expectamus Peuernage
Appears on: 109v–110r
Genres: Motet
Source Attribution: Peuernage
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Salvatorem expectam[us] [2p. Sobrie et iuste] [inventory: Salvatoreum expectamus]
General Note

Annotations/Corrections: Fol.109v and 110r 'verte'.;

110v–111r Salvatorem expectamus - 2a pars (of 2): Sobrie et juste -
Appears on: 110v–111r
Genres: Motet
111v–112r Vespere autem sabbati Peuernage
Appears on: 111v–112r
Source Attribution: Peuernage
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Vespere autem sabbati [inventory: Vespere autem]
112v–113r En attendant l'espoir de ma maîtresse Gombert
Appears on: 112v–113r
Genres: Chanson
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f3
Voice Text: En attendant lespoir de ma maistresse [inventory: En attendant]
113v–114r Mon petit coeur n'est pas a moy Incertos Author Anonymous
Appears on: 113v–114r
Source Attribution: Incertos Author
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c4
Voice Text: Mon petit cueur n'est pas a moy [inventory: Mon petit]
114v–115r Du bon du cueur ma chiere dame Phillippe de vuildre
Appears on: 114v–115r
Source Attribution: Phillippe de vuildre
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f3
Voice Text: Du bon cueur ma chiere dame [inventory: Du bon du cueur]
115v–116r En douleur et tristesse languirai- je tousjours Gombert
Appears on: 115v–116r
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: En douleur et tristesse languiray ie tousiours [inventory: En douleur]
116v–117r Au traveil suis que peu de gens Gombert
Appears on: 116v–117r
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: A Traueil suis que puis de gens [inventory: A traveil]
117v–118r Pleust a dieu q'uil fut dit en la cour Gombert
Appears on: 117v–118r
Genres: Chanson
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: f4
Voice Text: Pleust a dieu qu'il fust dict en la court souueraine [inventory: Pleust a dieu]
118v–119r Missa Sponsus amat sponsam: Gloria -
Appears on: 118v–119r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Laudam[us] te benedicimus te [inventory: Sponsus ama Sponsam]
General Note

Annotations/Corrections: Bassus' at top; Notes: on f. 119, before top line of music, space as for an initial;

119r–119v Missa Sponsus amat sponsam: Credo -
Appears on: 119r–119v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Visibiliu[m] omniu[m]
General Note

Notes: on f. 119v, before top line of music, space as for an initial;

120r Missa Sponsus amat sponsam: Sanctus -
Appears on: 120r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Sanctus sanctus dominus deus
General Note

Annotations/Corrections: in second line, under long pauses: 'Pleni sung cæli tacet:'; Notes: on f. 120, before top line of music, space as for an initial; Sanctus does not begin on a new stave, just follows on - merely separated by a barline;

120r–120v Missa Sponsus amat sponsam: Benedictus -
Appears on: 120r–120v
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Benedictus.
General Note

Annotations/Corrections: at beginning of penultimate line of f. 120, under long pauses: 'Qui venit tacet:'; Notes: on f. 120v, before top line of music, space as for an initial; Benedictus does not begin on a new stave, just follows on - merely separated by a barline;

120v–121r Missa Sponsus amat sponsam: Agnus Doctor Fairfax.
Appears on: 120v–121r
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Doctor Fairfax.
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Qui tollis peccata mundi
General Note

Notes: Agnus does not begin on a new stave, just follows on - merely separated by a barline;

121v–122v [blank staves] - -

[blank staves]

Appears on: 121v–122v
General Note

Notes: NB there is a gap before the top stave on each page, so as for an initial;

Composer Compositions
Anonymous
Bacchius, Johannes de (–ca. 1557)
Baccusi, Ippolito (ca. 1550–1609)
Beutel (Bultel), Jacob
Buissons, Michael Charles des (fl. 1560–70)
Chaynée, Jean de (ca. 1540–1577)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Fayrfax, Robert (1464–1521)
Formellis, Wilhelmus (ca. 1541–1582)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Hollander, Sebastian
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Mahu, Stephan
Meiland, Jacob (1542–1577)
Monte, Philippe de
Palestrina, Giovanni Pierluigi da (1525–1594)
Pevernage, Andreas
Rivulo, Franziscus de
Tubal, Adrian
Vaet, Jacobus (ca. 1529–ca. 1567)
Van Wilder, Phillip
Wert, Giaches [Jaches] de (1535–1596)
White, Robert (ca. 1538–1574)
Wisme (Vuismes), Nicholas de
vom Berg, Johann
Composition Composers (? Uncertain) Folios / Pages
Ad te Domine levavi 43v–44r
Ad te levavi oculos - 2a pars (of 2): Adjutorium nostrum 45v–46r
Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens 17v–18r
Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum 18v–19r
Aimer est ma vie en despit d'ennuye 52v–53r
Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus 6v–7r
Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam 7v–8r
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata 77v–78r
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte et lacrumae 78v–79r
Aspice Domine quia facta est desolata (II) 76v–77r
Assumpsit Jesus Petrum et Jacobum (2p. Et ecce vox de nube) 5v–6r
Au traveil suis que peu de gens 116v–117r
Ave martyr gloriosa - 1a pars (of 2): Ave martyr gloriosa Barbaraque generosa 91v–92r
Ave martyr gloriosa - 2a pars (of 2): Ave Barbara serena pulchra quasi luna 92v–93r
Ave mundi spes Maria ave mitis ave pia 64v–65r
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum 13v–14r
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo 14v–15r
Beati qui habitant 28v–29r
Benedic Domine - 1a pars (of 2): Benedic domine domum istam quam aedificavi 70v–71r
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti 96v–97r
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster 97v–98r
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium 50v–51r
Caeleste beneficium - 2a pars (of 2): Tu nos Anna pia 51v–52r
Caesar habet naves laceras et grandia 44v–45r
Caesaris auspiciis magni 65v–66r
Christus resurgens ex mortuis - 1a pars (of 2): Christus resurgens ex mortuis 8v–9r
Christus resurgens ex mortuis - 2a pars (of 2): Mortuus est enim 9v–10r
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 68v–69r
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 69v–70r
Descendit angelus - 1a pars (of 2): Descendit angelus Domini 10v–11r
Deus, Deus meus respice in me 74v–75r
Dieu me fault il tant de mal supporter 55v–56r
Discite a me - 1a pars (of 2): Discite a me quia mitis sum 19v–20r
Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] 20v–21r
Dites pourquoi vostre amitié se fache 54v–55r
Dixerunt impii - 1a pars (of 2): Dixerunt impii 31v–32r
Dixerunt impii - 2a pars (of 2): Videamus ergo si sermones illius veri sunt 32v–33r
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 71v–72r
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 72v–73r
Domine probasti me - 1a pars (of 2): Domine probasti me 48v–49r
Domine probasti me - 2a pars (of 2): Proba me Domini 49v–50r
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 23v–24r
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est 24v–25r
Du bon du cueur ma chiere dame 114v–115r
Dum aurora finem daret 1v–2r
Dum aurora finem daret 37v–38r
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 4v–5r
Ego flos campi - 1a pars (of 2): Ego flos campi et lilium convallium 15v–16r
Ego flos campi - 2a pars (of 2): Leva eius sub capite meo 16v–17r
Ego me diligentes diligo et qui mane 22v–23r
Ego sum panis vivus - 1a pars (of 2): Ego sum panis vivus qui de caelo descendi 100v–101r
Ego sum panis vivus - 2a pars (of 2): Et panis quam ego dabo caro mea 101v–102r
En attendant l'espoir de ma maîtresse 112v–113r
En douleur et tristesse languirai- je tousjours 115v–116r
Fuit homo missus - 1a pars (of 2): Fuit homo missus 98v–99r
Fuit homo missus - 2a pars (of 2): Erat Joannes in deserto 99v–100r
Haec dies quam fecit Dominus exultemus 103v–104r
Hoc est praeceptum meum - 1a pars (of 2): Hoc est praeceptum meum 81v–82r
Hoc est praeceptum meum - 2a pars (of 2): Memento te sermonis meis 82v–83r
Huc me sydereo - 1a pars (of 2): Huc me sydereo descendere 94v–95r
Huc me sydereo - 2a pars (of 2): Felle sitim magni regis 95v–96r
Iam non estis hospites - 1a pars (of 2): Iam non estis hospites 107v–108r
Iam non estis hospites - 2a pars (of 2): In quo omnis aedificatio constructa 108v–109r
In illo tempore dicebat - 1a pars (of 2): In illo tempore dicebat Jesus 60v–61r
In illo tempore dicebat - 2a pars (of 2): Sed cum facis convivium 61v–62r
In nomine (IV) 1r
Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari 21v–22r
Je ne scay pas comment a mon entendement 59v–60r
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 35v–36r
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 36v–37r
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra 25v–26r
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascua eius 26v–27r
La [Las] non ailleurs le triste coeur demeure 53v–54r
Laetentur et exultent gentes 102v–103r
Lamentations: Jod. O vos omnes 93v–94r
Le monde est tel pour le present 59v–60r
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 83v–84r
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est 84v–85r
Miserere mei Deus secundum magnam 75v–76r
Missa A la fontaine du prez: Osanna 73v–74r
Missa Caro mea: Agnus dei 93v–94r
Missa Ecce quam bonum: Agnus dei 88v–89r
Missa Ecce quam bonum: Osanna 88v–89r
Missa Gaude lux donatiane: Agnus dei 86v–87r
Missa Languir my fault: Agnus Dei 87v–88r
Missa Misericorde au povre: Agnus Dei (6vv) 85v–86r
Missa Pastores quidnam vidistis: Agnus dei 87v–88r
Missa Sponsus amat sponsam: Agnus 120v–121r
Missa Sponsus amat sponsam: Benedictus 120r–120v
Missa Sponsus amat sponsam: Credo 119r–119v
Missa Sponsus amat sponsam: Gloria 118v–119r
Missa Sponsus amat sponsam: Sanctus 120r
Missa Virtute magna: Agnus Dei 85v–86r
Mon petit coeur n'est pas a moy Anonymous 113v–114r
Mulierem fortem quis inveniet - 1a pars (of 2): Mulierem fortem quis inveniet tibi procul 89v–90r
Mulierum fortem quis inveniet - 2a pars (of 2): Reddet ei bonum et non malum 90v–91r
Musica Dei donum optimi 30v–31r
O magnum mysterium - 1a pars (of 2): O magnum mysterium et admirabile sacramentum 79v–80r
O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum 80v–81r
O malheureuse journée 57v–58r
O regina sublimis - 1a pars (of 2): O regina sublimis 40v–41r
O regina sublimis - 2a pars (of 2): Tu imperatrix nostra 41v–42r
O triste ennuye qui me tient en souffrance 52v–53r
O vos omnes - 1a pars (of 2): O vos omnes 105v–106r
O vos omnes - 2a pars (of 2): Attendite universi populi 106v–107r
Oncques amours ne fut sans grand langueur 54v–55r
Or puisqu' ennuye te detient en souffrance 53v–54r
Peccavi super numerum 47v–48r
Percelebres dic mysta - 1a pars (of 2): Percelebres dic mysta modos 66v–67r
Percelebres dic mysta - 2a pars (of 2): Sancte fidem Christi quondam 67v–68r
Pis ne me peult venir que j'ai jusques ici 58v–59r
Plaisir n'ai plus mais vis en desconfort 58v–59r
Pleust a dieu q'uil fut dit en la cour 117v–118r
Propter quod et Deus exaltavit illum 29v–30r
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis 62v–63r
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait 63v–64r
Quis te victorem dicat - 1a pars (of 2): Quis te victorem dicat 2v–3r
Quis te victorem dicat - 2a pars (of 2): Non te hostis vincit] 3v–4r
Quoties diem illum 46v–47r
Regret, ennuye, travail et déplaisance 56v–57r
Salvatorem expectamus - 1a pars (of 2): Salvatorem expectamus 109v–110r
Salvatorem expectamus - 2a pars (of 2): Sobrie et juste 110v–111r
Sancta Maria succurre miseris 42v–43r
Speremus meliora omnes spem nomine sacro 27v–28r
Spiritus sanctus - 1a pars (of 2): Spiritus sanctus procedens à throno 12v–13r
Surgens Dominus noster Jesus Christus stans (2p. Resurrexit Dominus de sepulchro) 11v–12r
Venite et videte - 1a pars (of 2): Venite et videte 33v–34r
Venite et videte - 2a pars (of 2): Videntes sic admirati sunt 34v–35r
Vespere autem sabbati 111v–112r
Vias tuas Domine demonstra mihi et semitas 104v–105r
Vox clamantis in deserto - 1a pars (of 2): Vox clamantis in deserto 38v–39r
Vox clamantis in deserto - 2a pars (of 2): Vox dicentes clama et dixi 39v–40r

Images © Essex Record Office, Chelmsford

Set: Paston Manuscripts

Type: Linked by Origin or Contents

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GB-Lbl Add. MS 18936

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GB-Lbl Add. MS 18937

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GB-Lbl Add. MS 18938

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GB-Lbl Add. MS 18939

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GB-Lbl Add. MS 29388

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GB-Lbl Add. MS 29389

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GB-Lbl Add. MS 29390

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GB-Lbl Add. MS 29391

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GB-Lbl Add. MS 29392

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GB-Lbl Add. MS 29401

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GB-Lbl Add. MS 29402

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GB-Lbl Add. MS 29403

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GB-Lbl Add. MS 29404

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GB-Lbl Add. MS 29405

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GB-Lbl Add. MS 30823

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GB-Lbl Add. MS 30824

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GB-Lbl Add. MS 30825

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GB-Lbl Add. MS 34000

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GB-Lbl Add. MS 34001

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GB-Lbl Add. MS 34002

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GB-Lbl Add. MS 34049

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GB-Lbl Add. MS 41156

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GB-Lbl Add. MS 41157

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GB-Lbl Add. MS 41158

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GB-Lbl Egerton 2009

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GB-Lbl Egerton 2010

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GB-Lbl Egerton 2011

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GB-Lbl Egerton 2012

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

Set: TUDOR PARTBOOKS

Type: Project Collection

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GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

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GB-Lcm [pr. bk.] B190 [Bassus]

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GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

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IRL-Dm [pr. bk.] Z4. 3. 1-5

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US-NYp Mus. Res. Drexel 4182

denotes primary source study

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London. Notes: contents list (partial); concordances (partial).

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents.  American Institute of Musicology. Pages: 56. Notes: contents list (partial).

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, Critical Notes. Notes: concordances (partial).

Hughes, Dom Anselm. 1952. An Introduction to Fayrfax. Musica Disciplina, 83-104. Pages: 93. Notes: mention of MS.

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes.  London. Pages: 5-7. Notes: physical description; contents list.

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Thursday, 15 August, 2019

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description