D-HBa MS X/2

Stadtarchiv, Musiksammlung, Heilbronn, Germany

partbook: early 1550's

Archive	Stadtarchiv, Musiksammlung, Heilbronn, Germany (D-HBa)
Shelfmark	MS X/2
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Measurements	147 x 204 mm
Other Identifiers	CCM: HeilbS X/2
Notations	black void mensural
Provenance	Frankfurt am Main, Bavaria, Germany
Contents	32 pieces from 21 composers

General Description

A single Bassus partbook, appended to an incomplete copy of RISM 1541/2. Copied at Frankfurt am Main(?); both the paper (according to the watermarks) and the print originated there.

DIAMM, 2017

Binding

Parchment covers

DIAMM, 2017

Watermark

suggest that the manuscript was copied in the early 1550's (StaeED), probably from RISM [c.1535]/14

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

No foliation

DIAMM, 2017

Foliation

Other numberings: pieces numbered, 1-31.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 pieces with Latin, French, German, and Italian text incipits or titles, 2 textless pieces = 31

(A. Agricola?)-1, Brumel-2, Compère-2, Craen-1, Greitter-1, Heugel-1, Isaac-5, Lapicida-1, Obrecht-1, (Obrecht/Isaac/Weerbecke)-1, Oyart [Henslein von Cöln]-1, Schlick-1, Senfl-1, Sporer-1, Ungewitter-1, Willaert-1, anon-9

1 paper partbook (B-24 folios), 147 x 204. No foliation; pieces numbered, 1-31. Parchment covers. Manuscript is appended to an incomplete copy of RISM 1541/2.

Watermarks suggest that the manuscript was copied in the early 1550's (StaeED), probably from RISM [c.1535]/14. Copied at Frankfurt am Main(?); both the paper (according to the watermarks) and the print originated there.

Vol 4

Composers: (A. Agrícola)-1, Brumel-3, Compere-3, Craen-1, Greitter-1, Heugel -1, Isaac-5, (Isaac/La Rue)-1, (Isaac/Obrecht/Weerbecke)-1, Lapicida-1, Obrecht-1, Oyart [Henslein von Coln]-1, Schlick-1, Senfl-1, Sporer-1, Ungewitter-1, Willaert/(Janequin)-1, anon-6

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
(1)	C'est donc par moy que je suis fortune	-	Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)
C'est donc par moy que je suis fortune Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: (1) Genres: Chanson Voice: Bassus Languages: French Voice Text: Cedant par moy
(2)	Tota die (2p. untexted)	-	Sporer, Thomas
Tota die (2p. untexted) Sporer, Thomas Appears on: (2) Genres: Motet Voice: Bassus Languages: Latin Voice Text: Tota die (2a pars untitled)
(3)	Bischoff von Regenspurg / 'Das Lang' / Trium	Lud: Senfle	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Bischoff von Regenspurg / 'Das Lang' / Trium Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: (3) Genres: Song Source Attribution: Lud: Senfle Voice: Bassus Languages: German Voice Text: Das lang
(4)	Pater noster	-	Anonymous
Pater noster Anonymous Appears on: (4) Genres: Motet, Pater noster Voice: Bassus Languages: Latin Voice Text: Pater noster Concordances concordances: RISM 1535-14 III (no.5), 1542-8 (no.21bis)
(5)	Der Hund (2p. 'canis')	-	Isaac, Heinrich (ca. 1450–1517)
Der Hund (2p. 'canis') Isaac, Heinrich (ca. 1450–1517) Appears on: (5) Genres: Lied Voice: Bassus Languages: Latin, German Voice Text: Der hundt (2a pars 'canis')
(6)	Ich hab mich rechtlich g'halten	-	Heugel, Johannes
Ich hab mich rechtlich g'halten Heugel, Johannes Appears on: (6) Genres: Lied Voice: Bassus Languages: German Voice Text: Ich hab mich redlich gehalten
(7)	All mein mut / Fa sol la	-	Isaac, Heinrich (ca. 1450–1517)
All mein mut / Fa sol la Isaac, Heinrich (ca. 1450–1517) Appears on: (7) Genres: Lied Voice: Bassus Languages: French Voice Text: Fa sol la
(8)	Si sumpsero pennas meas diluculo	-	Obrecht, Jacobus (ca. 1457–1505)
Si sumpsero pennas meas diluculo Obrecht, Jacobus (ca. 1457–1505) Appears on: (8) Genres: Psalm motet Voice: Bassus Languages: Latin Voice Text: Si sumpsero
(9)	Missa Quant j'ai au coeur: Benedictus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: (9) Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Voice: Bassus Languages: Latin Voice Text: Benedictus
(10)	Adieu m'amour (I)	-	Agricola, Alexander (ca. 1445–1506)
Adieu m'amour (I) Agricola, Alexander (ca. 1445–1506) Appears on: (10) Genres: Chanson Voice: Bassus Languages: French Voice Text: Adieu mamour General Note It is not clear which of the 2 settings is copied here
(11)	Si dedero somnum oculis meis	-	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: (11) Genres: Motet Voice: Bassus Languages: Latin Voice Text: Si bibero General Note Siegels catalogue gives title as "Si bibero" rather than "Si dedero"
(12)	Mi-mi	Arnol: Schlick	Schlick, Arnolt (ca. 1460–ca. 1521)
Mi-mi Schlick, Arnolt (ca. 1460–ca. 1521) Appears on: (12) Genres: Chanson, textless Source Attribution: Arnol: Schlick Voice: Bassus Languages: French Voice Text: Mi mi
(13)	Fit aries piscis (Canon cancrizans)	Erasmus Lapidicida	Lapicida, Erasmus (ca. 1440–1547)
Fit aries piscis (Canon cancrizans) Lapicida, Erasmus (ca. 1440–1547) Appears on: (13) Genres: Cancrizans canon, Chanson Source Attribution: Erasmus Lapidicida Voice: Bassus Languages: Latin Voice Text: Fit aries piscis
(14)	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	-	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: (14) Genres: Italian secular Voice: Bassus Languages: Italian Voice Text: Lamorra
(15)	O Herre Gott begnade mich	Matthe: Greitter	Greiter, Matthias (?)
O Herre Gott begnade mich Greiter, Matthias (?) Appears on: (15) Genres: Hymn Source Attribution: Matthe: Greitter Voice: Bassus Languages: German Voice Text: O Herre Gott begnade mich
(16)	Recordare	-	Anonymous
Recordare Anonymous Appears on: (16) Genres: textless Voice: Bassus Languages: Latin Voice Text: Recordare
(17)	Wir glauben	Thiel: Ungewitter	Ungewitter, Thieleman
Wir glauben Ungewitter, Thieleman Appears on: (17) Genres: Sacred Song Source Attribution: Thiel: Ungewitter Voice: Bassus Languages: German Voice Text: Wir glauben
(18)	Vrai dieu d'amours	-	Anonymous
Vrai dieu d'amours Anonymous Appears on: (18) Genres: Chanson Voice: Bassus Languages: French Voice Text: Vray dieu damours
(19)	Si dormiero (O mitis mater Christi) 14.13	-	Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)
Si dormiero (O mitis mater Christi) 14.13 Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: (19) Genres: Motet Voice: Bassus Languages: Latin Voice Text: Si dormiero
(20)	Chanter ne puis	Compere	Compère, Loyset (ca. 1445–1518)
Chanter ne puis Compère, Loyset (ca. 1445–1518) Appears on: (20) Genres: Chanson Source Attribution: Compere Voice: Bassus Languages: French Voice Text: Chnater ne puis
(21)	Savonarola / Savonorola / Savaronola	-	Anonymous
Savonarola / Savonorola / Savaronola Anonymous Appears on: (21) Genres: textless Voice: Bassus Languages: Italian Voice Text: Savonorola
(22)	Ecce video caelos apertos 19.2	Craen	Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?)
Ecce video caelos apertos 19.2 Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?) Appears on: (22) Genres: Motet Source Attribution: Craen Voice: Bassus Languages: Latin Voice Text: Ecce video coelos apertos
(23)	Wach auf mein hort	-	Oyart, Hans
Wach auf mein hort Oyart, Hans Appears on: (23) Genres: Sacred Song Voice: Bassus Languages: German Voice Text: Wach auff mein hort
(24)	A qui dirai je - 1a pars (of 2): A qui dirai je ma penser	-	Compère, Loyset (ca. 1445–1518)
A qui dirai je - 1a pars (of 2): A qui dirai je ma penser Compère, Loyset (ca. 1445–1518) Appears on: (24) Genres: Chanson Voice: Bassus Languages: French Voice Text: A qui dirage mes pensees
(24)	A qui dirai je - 2a pars (of 2): Or sus donc	-	Compère, Loyset (ca. 1445–1518)
A qui dirai je - 2a pars (of 2): Or sus donc Compère, Loyset (ca. 1445–1518) Appears on: (24) Genres: Chanson Voice: Bassus Languages: French Voice Text: [untexted]
(25)	En amours que cognost	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
En amours que cognost Brumel, Antoine (ca. 1460–ca. 1513) Appears on: (25) Genres: Chanson Source Attribution: Brumel Voice: Bassus Languages: French Voice Text: En amours que cognost
(26)	Je despite tous	-	Brumel, Antoine (ca. 1460–ca. 1513) (?)
Je despite tous Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: (26) Genres: Chanson Voice: Bassus Languages: French Voice Text: Je despite tous
(27)	Venerantes	-	Anonymous
Venerantes Anonymous Appears on: (27) Genres: textless Voice: Bassus Languages: Latin Voice Text: Venerantes Concordances concordance: RISM 1535-14 III (no. 38)
(28)	Je seg adieu	-	Anonymous
Je seg adieu Anonymous Appears on: (28) Genres: Chanson Voice: Bassus Languages: French Voice Text: Je seg adieu Concordances concordance: RISM 1535-14 III (no. 42)
(29)	La stangetta (= Ortus de caelo)	-	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)
La stangetta (= Ortus de caelo) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Appears on: (29) Genres: Chanson Voice: Bassus Languages: Italian Voice Text: La stangetta
(30)	Dictes moy toutes	-	Anonymous
Dictes moy toutes Anonymous Appears on: (30) Genres: Chanson Voice: Bassus Languages: French Voice Text: Dictes moy toutes Concordances concordance: RISM 1535-14 III (no. 64)
(31)	Helas que pourra devenir	Henri: Isaac	Isaac, Heinrich (ca. 1450–1517)
Helas que pourra devenir Isaac, Heinrich (ca. 1450–1517) Appears on: (31) Genres: Chanson Source Attribution: Henri: Isaac Voice: Bassus Languages: French Voice Text: Helas

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Adieu m'amour (I) – (10) Si dedero somnum oculis meis – (11)
Anonymous	Dictes moy toutes – (30) Je seg adieu – (28) Pater noster – (4) Recordare – (16) Savonarola / Savonorola / Savaronola – (21) Venerantes – (27) Vrai dieu d'amours – (18)
Brumel, Antoine (ca. 1460–ca. 1513)	En amours que cognost – (25) (?) Je despite tous – (26)
Compère, Loyset (ca. 1445–1518)	A qui dirai je - 1a pars (of 2): A qui dirai je ma penser – (24) A qui dirai je - 2a pars (of 2): Or sus donc – (24) Chanter ne puis – (20)
Craen, Nicolaus (ca. 1440–1502)	(?) Ecce video caelos apertos 19.2 – (22)
Despres, Josquin (ca. 1450–1521)	(?) Ecce video caelos apertos 19.2 – (22) (?) Si dormiero (O mitis mater Christi) 14.13 – (19)
Greiter, Matthias	(?) O Herre Gott begnade mich – (15)
Heugel, Johannes	Ich hab mich rechtlich g'halten – (6)
Isaac, Heinrich (ca. 1450–1517)	All mein mut / Fa sol la – (7) Der Hund (2p. 'canis') – (5) Helas que pourra devenir – (31) La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – (14) (?) La stangetta (= Ortus de caelo) – (29) Missa Quant j'ai au coeur: Benedictus – (9) (?) Si dormiero (O mitis mater Christi) 14.13 – (19)
Janequin, Clement (ca. 1485–ca. 1558)	(?) C'est donc par moy que je suis fortune – (1)
Lapicida, Erasmus (ca. 1440–1547)	Fit aries piscis (Canon cancrizans) – (13)
Obrecht, Jacobus (ca. 1457–1505)	(?) La stangetta (= Ortus de caelo) – (29) Si sumpsero pennas meas diluculo – (8)
Oyart, Hans	Wach auf mein hort – (23)
Petit, Nino le (fl. c1500)	(?) C'est donc par moy que je suis fortune – (1)
Rue, Pierre de la (ca. 1452–1518)	(?) Si dormiero (O mitis mater Christi) 14.13 – (19)
Schlick, Arnolt (ca. 1460–ca. 1521)	Mi-mi – (12)
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Bischoff von Regenspurg / 'Das Lang' / Trium – (3)
Sporer, Thomas	Tota die (2p. untexted) – (2)
Ungewitter, Thieleman	Wir glauben – (17)
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	(?) La stangetta (= Ortus de caelo) – (29)
Willaert, Adrian (ca. 1490–1562)	(?) C'est donc par moy que je suis fortune – (1)

Composition	Composers (? Uncertain)	Folios / Pages
A qui dirai je - 1a pars (of 2): A qui dirai je ma penser	Compère, Loyset (ca. 1445–1518)	(24)
A qui dirai je - 2a pars (of 2): Or sus donc	Compère, Loyset (ca. 1445–1518)	(24)
Adieu m'amour (I)	Agricola, Alexander (ca. 1445–1506)	(10)
All mein mut / Fa sol la	Isaac, Heinrich (ca. 1450–1517)	(7)
Bischoff von Regenspurg / 'Das Lang' / Trium	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	(3)
C'est donc par moy que je suis fortune	Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)	(1)
Chanter ne puis	Compère, Loyset (ca. 1445–1518)	(20)
Der Hund (2p. 'canis')	Isaac, Heinrich (ca. 1450–1517)	(5)
Dictes moy toutes	Anonymous	(30)
Ecce video caelos apertos 19.2	Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?)	(22)
En amours que cognost	Brumel, Antoine (ca. 1460–ca. 1513)	(25)
Fit aries piscis (Canon cancrizans)	Lapicida, Erasmus (ca. 1440–1547)	(13)
Helas que pourra devenir	Isaac, Heinrich (ca. 1450–1517)	(31)
Ich hab mich rechtlich g'halten	Heugel, Johannes	(6)
Je despite tous	Brumel, Antoine (ca. 1460–ca. 1513) (?)	(26)
Je seg adieu	Anonymous	(28)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	(14)
La stangetta (= Ortus de caelo)	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)	(29)
Mi-mi	Schlick, Arnolt (ca. 1460–ca. 1521)	(12)
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	(9)
O Herre Gott begnade mich	Greiter, Matthias (?)	(15)
Pater noster	Anonymous	(4)
Recordare	Anonymous	(16)
Savonarola / Savonorola / Savaronola	Anonymous	(21)
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	(11)
Si dormiero (O mitis mater Christi) 14.13	Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)	(19)
Si sumpsero pennas meas diluculo	Obrecht, Jacobus (ca. 1457–1505)	(8)
Tota die (2p. untexted)	Sporer, Thomas	(2)
Venerantes	Anonymous	(27)
Vrai dieu d'amours	Anonymous	(18)
Wach auf mein hort	Oyart, Hans	(23)
Wir glauben	Ungewitter, Thieleman	(17)

‡ denotes primary source study

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xlviii,28,30,72-3); III,49. Notes: physical description; contents list; incipitsst of contents (partial).

Siegele, Ulrich. 1967. Die Musiksammlung der Stadt Heilbronn. Heilbronn. Pages: 42-8. Notes: physical description; contents list; concordances (partial).

Staehelin, Martin. 1966. Zum Egenolff-Diskantband der Bibliothèque Nationale in Paris. Archiv für Musikwissenschaft, 93-109. Pages: 94-108. Notes: physical description; contents list; concordances.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xliii. Notes: concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 359. Notes: concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VII, xiv. Notes: mention of MS.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 108. Notes: concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 451. Notes: physical description.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XXX, v. Notes: mention of MS.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXXII, 237. Notes: physical description.

Mayser, Edwin. 1893. Alter Musikschatz. Vol. II of Mitteilungen aus der Bibliothek des Heilbronner Gymnasiums. Heilbronn. Pages: 77-8. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-HBa MS X/2

Stadtarchiv, Musiksammlung, Heilbronn, Germany

partbook: early 1550's

General Description

Binding

Watermark

Notation

Foliation

Foliation

Surface

Census Catalogue of Music Description

Concordances

General Note

General Note

Concordances

Concordances

Concordances

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017