NL-SHbhic MS 155

Brabants Historisch Informatie Centrum, 's-Hertogenbosch, Netherlands

manuscript of polyphony: 1530-1

Archive Brabants Historisch Informatie Centrum, 's-Hertogenbosch, Netherlands (NL-SHbhic)
Shelfmark MS 155
Surface Paper
Numbering System Foliation
Measurements 560 x 385 mm
Other Identifiers
  • CCM: 's HerAB 72C
  • olim (Former shelfmark): MS 72C
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 50 pieces from 7 composers
General Description

Copied by Netherlands court scribe Petrus Alamire (SmijMM); Warmington however distinguishes music/text scribe K, with scribe F possibly adding some texting (KellmanTO). Copied in Brussels/Mechlin for the Confraternity of Our Lady at 's Hertogenbosch; belongs to Netherlands court complex (SmijMM, KellJ).

DIAMM, 2017
Physical Description

ff. 1, 68-70 are missing

DIAMM, 2017
Binding

Original brown leather covers, with blind-tooled lozenge design

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern pencil foliation, 1-171 (less ff. 1, 68-70)

DIAMM, 2017
Decoration

One painted initial; the rest are inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 8 motets = 16

Mouton-11, (Silva)-1, (Verdelot)-1, anon-3

i + 167 + i paper folios, 560 x 385. Modern pencil foliation, 1-171; ff. 1, 68-70 are missing. Blank folios: 169'-170. Original brown leather covers, with blind-tooled lozenge design. No index. Copied by Netherlands court scribe Petrus Alamire (SmijMM). One painted initial; the rest are inked calligraphic initials.

1530-1. Copied in Brussels/Mechlin for the Confraternity of Our Lady at 's Hertogenbosch; belongs to Netherlands court complex (SmijMM, KellJ).

Vol 4

Composers: Change "Mouton-11" to "Mouton-10, Mouton/(Josquin/Willaert) -1"; change "(Verdelot)-1" to "(Verdelot/Willaert)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

116

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–4 Missa Tua est potentia: Kyrie [Mouton]
Appears on: 2–4
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Tua est potentia (part of Kyrie missing)
General Note

incomplete: opening page missing, with S & T voices

4v–9 Missa Tua est potentia: Gloria -
Appears on: 4v–9
Genres: Gloria (et in terra pax), Mass Ordinary
9v–15 Missa Tua est potentia: Credo -
Appears on: 9v–15
Genres: Credo (patrem omnipotentem), Mass Ordinary
15v–19 Missa Tua est potentia: Sanctus -
Appears on: 15v–19
Genres: Mass Ordinary, Sanctus [& Benedictus]
19v–22 Missa Tua est potentia: Agnus Dei -
Appears on: 19v–22
Genres: Agnus Dei, Mass Ordinary
22v–23 Tua est potentia tuum regnum Dominus 26.17 Johannes Mouton/[Josquin]
Appears on: 22v–23
Genres: Motet
Source Attribution: Johannes Mouton/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia 26.16
23v–26 Missa Verbum bonum et suave: Kyrie [Mouton]
Appears on: 23v–26
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Verbum bonum
26v–30 Missa Verbum bonum et suave: Gloria -
Appears on: 26v–30
Genres: Gloria (et in terra pax), Mass Ordinary
30v–38 Missa Verbum bonum et suave: Credo -
Appears on: 30v–38
Genres: Credo (patrem omnipotentem), Mass Ordinary
38v–42 Missa Verbum bonum et suave: Sanctus -
Appears on: 38v–42
Genres: Mass Ordinary, Sanctus [& Benedictus]
42v–46 Missa Verbum bonum et suave: Agnus Dei -
Appears on: 42v–46
Genres: Agnus Dei, Mass Ordinary
46v–47 Salva nos Domine vigilantes custodi 26.12 Johannes Mouton/[Josquin/Willaert]
Appears on: 46v–47
Genres: Motet
Source Attribution: Johannes Mouton/[Josquin/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos domine vigilantes [MA 39]
47v–50 Missa Sancta Trinitas: Kyrie Mouton/[A. Févin]
Appears on: 47v–50
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Mouton/[A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Missa de sancta Trinitate
50v–54 Missa Sancta Trinitas: Gloria -
Appears on: 50v–54
Genres: Gloria (et in terra pax), Mass Ordinary
54v–61 Missa Sancta Trinitas: Credo -
Appears on: 54v–61
Genres: Credo (patrem omnipotentem), Mass Ordinary
61v–65 Missa Sancta Trinitas: Sanctus -
Appears on: 61v–65
Genres: Mass Ordinary, Sanctus [& Benedictus]
65v–67 Missa Sancta Trinitas: Agnus Dei -
Appears on: 65v–67
Genres: Agnus Dei, Mass Ordinary
67v In illo tempore loquente Jesu ad turbas [A. de Sylva]
Appears on: 67v
Genres: In illo tempore, Motet
Source Attribution: [A. de Sylva]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore loquente Jesu ad turbas (end of motet missing)
General Note

incomplete - f.68 missing

71 Missa L'oserai-je dire: Kyrie [Mouton]
Appears on: 71
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Missa L'oserai je dire (beginning of mass missing)
General Note

ff. 68-70 missing from ms, so all but the end of the Kyrie is lost (and only 2vv of the last Kyrie remain)

71v–76 Missa L'oserai-je dire: Gloria -
Appears on: 71v–76
Genres: Gloria (et in terra pax), Mass Ordinary
76v–84 Missa L'oserai-je dire: Credo -
Appears on: 76v–84
Genres: Credo (patrem omnipotentem), Mass Ordinary
84v–88 Missa L'oserai-je dire: Sanctus -
Appears on: 84v–88
Genres: Mass Ordinary, Sanctus [& Benedictus]
88v–91 Missa L'oserai-je dire: Agnus Dei -
Appears on: 88v–91
Genres: Agnus Dei, Mass Ordinary
91v–92 Trinitas inenarrabilis unitas pater filius Anon. Anonymous
Appears on: 91v–92
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Trinitas inseparabilis
92v–95 Missa Dites-moi toutes vos pensées: Kyrie Jo. Mouton
Appears on: 92v–95
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jo. Mouton
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa [Dictes moy toutes vos pensees]. (f. 94 transposed, f. between 104-105 missing)
95v–99 Missa Dites-moi toutes vos pensées: Gloria -
Appears on: 95v–99
Genres: Gloria (et in terra pax), Mass Ordinary
99v–104v Missa Dites-moi toutes vos pensées: Credo -
Appears on: 99v–104v
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

incomplete - folio between f. 104 & f. 105 is missing, with loss of 2vv at end

105–108 Missa Dites-moi toutes vos pensées: Sanctus -
Appears on: 105–108
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

incomplete - folio between f. 104 & f. 105 is missing, with loss of 2vv at beginning

108v–111 Missa Dites-moi toutes vos pensées: Agnus Dei -
Appears on: 108v–111
Genres: Agnus Dei, Mass Ordinary
111v–112 Nesciens mater virgo virum peperit [Mouton]
Appears on: 111v–112
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum
112v–115 Missa Ecce quam bonum: Kyrie Jo. Mouton
Appears on: 112v–115
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jo. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Missa Ecce quam bo[num]
115v–119 Missa Ecce quam bonum: Gloria -
Appears on: 115v–119
Genres: Gloria (et in terra pax), Mass Ordinary
119v–124 Missa Ecce quam bonum: Credo -
Appears on: 119v–124
Genres: Credo (patrem omnipotentem), Mass Ordinary
124v–128 Missa Ecce quam bonum: Sanctus -
Appears on: 124v–128
Genres: Mass Ordinary, Sanctus [& Benedictus]
128v–131 Missa Ecce quam bonum: Agnus Dei -
Appears on: 128v–131
Genres: Agnus Dei, Mass Ordinary
131v–132 Sub tuum praesidium confugimus Anon. (not Lhéritier) Anonymous
Appears on: 131v–132
Genres: Motet
Source Attribution: Anon. (not Lhéritier)
Voice: [no designation]
Languages: Latin
Voice Text: Sub tuum praesidium
132v–135 Missa Alma Redemptoris Mater: Kyrie Jo. Mouton
Appears on: 132v–135
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jo. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Alma Redemptoris]
135v–139 Missa Alma Redemptoris Mater: Gloria -
Appears on: 135v–139
Genres: Gloria (et in terra pax), Mass Ordinary
139v–145 Missa Alma Redemptoris Mater: Credo -
Appears on: 139v–145
Genres: Credo (patrem omnipotentem), Mass Ordinary
145v–149 Missa Alma Redemptoris Mater: Sanctus -
Appears on: 145v–149
Genres: Mass Ordinary, Sanctus [& Benedictus]
149v–152 Missa Alma Redemptoris Mater: Agnus Dei -
Appears on: 149v–152
Genres: Agnus Dei, Mass Ordinary
152v–153 Infirmitatem nostram quaesumus Domine [Verdelot/Willaert]
Appears on: 152v–153
Genres: Motet
Source Attribution: [Verdelot/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Infirmitatem nostram
153v–155 Missa Allemaigne / Regina mearum / Adieu Solas: Kyrie Jo. Mouton
Appears on: 153v–155
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jo. Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Missa d'Allemangne
155v–159 Missa Allemaigne / Regina mearum / Adieu Solas: Gloria -
Appears on: 155v–159
Genres: Gloria (et in terra pax), Mass Ordinary
159v–165 Missa Allemaigne / Regina mearum / Adieu Solas: Credo -
Appears on: 159v–165
Genres: Credo (patrem omnipotentem), Mass Ordinary
165v–167 Missa Allemaigne / Regina mearum / Adieu Solas: Sanctus -
Appears on: 165v–167
Genres: Mass Ordinary, Sanctus [& Benedictus]
167v–169 Missa Allemaigne / Regina mearum / Adieu Solas: Agnus Dei -
Appears on: 167v–169
Genres: Agnus Dei, Mass Ordinary
169v–170 [blank pages] - -

[blank pages]

Appears on: 169v–170
170v–171 O salutaris hostia Anon (not Mouton in 15216) Anonymous

O salutaris hostia

Anonymous
Appears on: 170v–171
Genres: Motet
Source Attribution: Anon (not Mouton in 15216)
Voice: [no designation]
Languages: Latin
Voice Text: O salutaris hostia
171v [blank page] - -

[blank page]

Appears on: 171v
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Mouton, Jean (ca. 1459–1522)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
In illo tempore loquente Jesu ad turbas 67v
Infirmitatem nostram quaesumus Domine 152v–153
Missa Allemaigne / Regina mearum / Adieu Solas: Agnus Dei 167v–169
Missa Allemaigne / Regina mearum / Adieu Solas: Credo 159v–165
Missa Allemaigne / Regina mearum / Adieu Solas: Gloria 155v–159
Missa Allemaigne / Regina mearum / Adieu Solas: Kyrie 153v–155
Missa Allemaigne / Regina mearum / Adieu Solas: Sanctus 165v–167
Missa Alma Redemptoris Mater: Agnus Dei 149v–152
Missa Alma Redemptoris Mater: Credo 139v–145
Missa Alma Redemptoris Mater: Gloria 135v–139
Missa Alma Redemptoris Mater: Kyrie 132v–135
Missa Alma Redemptoris Mater: Sanctus 145v–149
Missa Dites-moi toutes vos pensées: Agnus Dei 108v–111
Missa Dites-moi toutes vos pensées: Credo 99v–104v
Missa Dites-moi toutes vos pensées: Gloria 95v–99
Missa Dites-moi toutes vos pensées: Kyrie 92v–95
Missa Dites-moi toutes vos pensées: Sanctus 105–108
Missa Ecce quam bonum: Agnus Dei 128v–131
Missa Ecce quam bonum: Credo 119v–124
Missa Ecce quam bonum: Gloria 115v–119
Missa Ecce quam bonum: Kyrie 112v–115
Missa Ecce quam bonum: Sanctus 124v–128
Missa L'oserai-je dire: Agnus Dei 88v–91
Missa L'oserai-je dire: Credo 76v–84
Missa L'oserai-je dire: Gloria 71v–76
Missa L'oserai-je dire: Kyrie 71
Missa L'oserai-je dire: Sanctus 84v–88
Missa Sancta Trinitas: Agnus Dei 65v–67
Missa Sancta Trinitas: Credo 54v–61
Missa Sancta Trinitas: Gloria 50v–54
Missa Sancta Trinitas: Kyrie 47v–50
Missa Sancta Trinitas: Sanctus 61v–65
Missa Tua est potentia: Agnus Dei 19v–22
Missa Tua est potentia: Credo 9v–15
Missa Tua est potentia: Gloria 4v–9
Missa Tua est potentia: Kyrie 2–4
Missa Tua est potentia: Sanctus 15v–19
Missa Verbum bonum et suave: Agnus Dei 42v–46
Missa Verbum bonum et suave: Credo 30v–38
Missa Verbum bonum et suave: Gloria 26v–30
Missa Verbum bonum et suave: Kyrie 23v–26
Missa Verbum bonum et suave: Sanctus 38v–42
Nesciens mater virgo virum peperit 111v–112
O salutaris hostia Anonymous 170v–171
Salva nos Domine vigilantes custodi 26.12 46v–47
Sub tuum praesidium confugimus Anonymous 131v–132
Trinitas inenarrabilis unitas pater filius Anonymous 91v–92
Tua est potentia tuum regnum Dominus 26.17 22v–23

Images © Brabants Historisch Informatie Centrum, 's Hertogenbosch

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 1783

No images available

B-Baeb Fonds Sint-Goedele, 5170

No images available

B-Bcpas H 1135

No images available

B-Br MS 215-216

No images available

B-Br MS 6428

No images available

B-Br MS 9126

No images available

B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

No images available

D-Mbs Mus. MS 6

No images available

D-Mbs Mus. MS 7

No images available

D-Mbs Mus. MS 34

No images available

D-Mbs Mus. MS F

No images available

I-VEc MS DCCLVI

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

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V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535.  Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description; mention of MS; discussion; contents list (partial).

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Notes: mention of MS.

Maas, Chris J. 1968. Determinering van Codex 73 uit de Illustre Lieve Vrouwe Broederschap te's Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 37-45. Pages: 37, 39, 42. Notes: mention of MS.

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, vii; II, xi, xiii, 51-88; III, x, xii, 1-39; IV, xi, xiv. Notes: concordances (partial); transcription (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 248, 292-3. Notes: mention of MS; concordances (partial); incipits (partial).

Kirsch, Winfried. 1965. Andreas de Silva, ein Meister aus der ersten Hälfte des 16. Jahrhunderts. Analecta Musicologica, 6-23. Pages: 16. Notes: mention of MS.

Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 6-19. Pages: 18. Notes: mention of MS.

Lowinsky, Edward E. 1957. The Medici Codex: A Document of Music, Art, and Politics in the Renaissance. Annales Musicologiques, 61-178. Pages: 110, passim. Notes: concordances (partial).

Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 46-7, 55. Notes: mention of MS; concordances (partial).

Smijers, Albert. 1940-46. Meerstemmige muziek van de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-30. Pages: 17-8. Notes: physical description; contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description