D-Kl 4° Ms. Mus. 38/1

Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany

partbook: 16th century

Archive Universitätsbibliothek Kassel Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Kassel, Germany (D-Kl)
Shelfmark 4° Ms. Mus. 38/1
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 215 x 160 mm
Other Identifiers
  • CCM: KasL 38
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 74 pieces from 21 composers
General Description

A Discantus I partbook from a set of six volumes. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53a, 53b, 91, 94, 118, 142, and part of KasL 143. Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

DIAMM, 2017
Binding

Original parchment covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying.

DIAMM, 2022
Foliation

Sporadic pencil foliation

DIAMM, 2017
Foliation

Other numberings: original numbering of pieces, 1-53 (first seven pieces unnumbered).

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Credos, 1 Te Deum, 39 motets (some on psalm texts), 2 German sacred pieces, 1 German secular piece, 15 textless pieces (7 with Latin incipits, 4 with German incipits, 2 with French incipits, 1 with incipit "Lerman") = 60

B.-1, Besuzio-1, Braetel [HBr:]-1, (Clemens non Papa)-2, (Clemens non Papa/Manchicourt)-1, Coppinus-1, Heugel-25 + 6?, (Jacotin/Jaquet of Mantua)-1, Josquin-1, La Rue [Pirson]-2, Lassus-1, Lemlin-1, Phinot-2, Senfl [L.S.]-1, Willaert [A.W.]-2, anon-11

6 paper partbooks Dl-52 folios, D2-52, A-58, T-52, Bl-54, B2/Q-53), 215 x 160. Sporadic pencil foliation; original numbering of pieces, 1-53 (first seven pieces unnumbered). Original parchment covers. No index. Copied by Johannes Heugel (d. 1585), court composer for Philip of Hesse, who also wrote KasL 4, 9, 24, 43, 53/1, 53/2, 91, 94, 118, 142, and part of KasL 143.

16th century (dates from June 1535 to January 1566 in manuscript; these are probably dates of composition or performance rather than copying). Copied in Kassel, for the court of Count Philip of Hesse. Present Landesbibliothek incorporates holdings of former court library.

Vol 4

Composers: Change "Heugel-25 + 6?" to "Heugel-25 + 5?"; change "Lassus-1" to "Lassus-3"; change "Phinot-2" to "Phinot-3"; change "anon-11" to "anon-9."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci Allex. Coppinus
Appears on: 1–1v
Genres: Motet
Source Attribution: Allex. Coppinus
Voice: [no designation]
Languages: Latin
Voice Text: Hodie nobis caelorum rex de virgine nasci II: Hodie deus caelo pax vera descendit
1v–2 Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit -
Appears on: 1v–2
Genres: Motet
2–4 Credo [Patrem omnipotentem] (6vv) Pirson [= La Rue]
Appears on: 2–4
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson [= La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
4–5 Credo Angeli archangeli [Patrem omnipotentem] (8vv) Pirson
Appears on: 4–5
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Pirson
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
5v–6 Sancta Maria virgo intercede pro toto mundo (8vv, M102) L.S. [= Senfl]
Appears on: 5v–6
Genres: BVM, Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
6v Sancta Maria virgo intercede pro toto B. [= Benedictus Appenzeller]
Appears on: 6v
Genres: Motet
Source Attribution: B. [= Benedictus Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede pro toto
7 [blank staves] - -

[blank staves]

Appears on: 7
7v–8 Inviolata integra et casta es 24.5 (12vv) Josquin
Appears on: 7v–8
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria 24.5
General Note

2 voice parts - Discantus I & II

8v–9 [blank staves] - -

[blank staves]

Appears on: 8v–9
9v–12 Te Deum laudamus (12vv) Joannes Heugel
Appears on: 9v–12
Genres: Liturgical work, Te Deum
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
General Note

2 voice parts - Discantus I (versos) & II (rectos)

12v–14 Felix illa dies sit ter palatine (6vv) Joannes Heugell
Appears on: 12v–14
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Foelix illa dies sit ter palatine
General Note

2 voice parts - Discantus I (versos) & II (rectos)

14v–15 Sapientia aedificavit sibi domum excidit Joan: Heug.
Appears on: 14v–15
Genres: Motet
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: Latin
Voice Text: Sapiencia aedificavit sibi domum excidit
15v Laudate Dominum omnes gentes, laudate eum (8vv) Joannes Heug:
Appears on: 15v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
General Note

Voice parts for Choir I only (those for Choir II are not copied)

16 Oramus Domine conditor optime devotos Lauren: Lemblin [= Lemlin]
Appears on: 16
Genres: Motet
Source Attribution: Lauren: Lemblin [= Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: [Festum nunc celebre magnaque gaudia] 4 Oramus domine conditor optime devotos
16v–17 Congregati sunt gentes in multitudine Joannes Heugell
Appears on: 16v–17
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Congregate sunt gentes in multitudine
17v–18 Consolamini popule meus dicit Deus vester Joannes Heugell
Appears on: 17v–18
Genres: Motet
Source Attribution: Joannes Heugell
Voice: [no designation]
Languages: Latin
Voice Text: Consolamini popule meus dicit deus vester
18v Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur Joannes Heugel
Appears on: 18v
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Ut frendunt gentes ut populi vana moliuntur II: At qui caelos habitat dominus ridet III: Postula a me et dabo tibi hereditatem
19–19v Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet -
Appears on: 19–19v
Genres: Motet
19v–20v Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem -
Appears on: 19v–20v
Genres: Motet
20v–21 Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae Joannes Heug:
Appears on: 20v–21
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Planctibus nymphae resonant latinae II: Stant viri circum pariter gementes
21–22 Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes -
Appears on: 21–22
Genres: Motet
22–22v Nun bitten wir den heilgen geist Joan: Heug:
Appears on: 22–22v
Genres: Chorale, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German
Voice Text: Nun bitten wir den heilgen geist
22v Dies est laetitiae in ortu regali (8vv) Joannes Heug:
Appears on: 22v
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae in ortu regali
23 Dies est laetitiae in ortu regali (7vv - I) Joannes Heug:
Appears on: 23
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
23v–24 Dies est laetitiae in ortu regali (7vv - II) Joannes Heug:
Appears on: 23v–24
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae [in ortu regali]
General Note

2 voice parts - Discantus I (verso) & II (recto). Canon: "Altus in subdiatessaron post 1 temp: Tenor in subdiapason post 4 temp:"

24v–25 Der lermen (Lerman) Joan: Heug.
Appears on: 24v–25
Genres: Secular
Source Attribution: Joan: Heug.
Voice: [no designation]
Languages: insufficient
Voice Text: Lerman
General Note

2 voice parts - Discantus I (verso) & II (recto)

25v–26 Christ ist erstanden (8vv - I) Joan: Heug:
Appears on: 25v–26
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden von der marter alle
General Note

2 voice parts - Discantus & Tenor III

26v Christ ist erstanden (7vv) Joannes Heug:
Appears on: 26v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden von der marter alle
27 Christ ist erstanden (6vv - I) Joannes Heug:
Appears on: 27
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
27v–28 Christ ist erstanden (6vv - II) Joan: Heug:
Appears on: 27v–28
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
General Note

2 voice parts - Discantus I & a second "Si placet discan:" (allowing for 7vv performance).

28v Ich armer man was hab ich gthan ein weib Joan: Heugel
Appears on: 28v
Genres: Song
Source Attribution: Joan: Heugel
Voice: [no designation]
Languages: German
Voice Text: Ich armer man was hab ich gthan ein weib
29 Non potest arbor bona fructus malos Jo: Heug:
Appears on: 29
Genres: Motet
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Non potest arbor bona fructus malos
29v Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Joannes Heug:
Appears on: 29v
Genres: Motet, Pater noster
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis II: Panem nostrum cotidianum da nobis
29v–30 Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis -
Appears on: 29v–30
Genres: Motet, Pater noster
30v–31 Christ ist erstanden (8vv - II) Joannes Heug:
Appears on: 30v–31
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
General Note

2 voice parts, Discantus I & II

31v Constantes estote Anon. Anonymous

Constantes estote

Anonymous
Appears on: 31v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Constantes estote
32 Adieu mes amours on m'atent A.W. [= Willaert]
Appears on: 32
Genres: Chanson
Source Attribution: A.W. [= Willaert]
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
32v Ferendum est aequo animo quod a deo A.W.
Appears on: 32v
Genres: Motet
Source Attribution: A.W.
Voice: [no designation]
Languages: Latin
Voice Text: Ferendum est aequo animo quod a deo
33 Dulces exuviae HBr: [= Braetel]
Appears on: 33
Genres: textless
Source Attribution: HBr: [= Braetel]
Voice: [no designation]
Languages: Latin
Voice Text: Dulces exuviae (Instrumental piece, despite incipit (OsV))
General Note

an Instrumental piece, despite incipit (OsV)

33v–34 [untexted motet] Anon. -
Appears on: 33v–34
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
34v–35 Sancta Trinitas unus Deus miserere nobis (8vv) [Jacotin/Jaquet of Mantua]
Appears on: 34v–35
Genres: Motet
Source Attribution: [Jacotin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
35 Angele nec mireris - 1a pars (of 2): Angele nec mireris Anon. Anonymous
Appears on: 35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Angele nec mireris II: Joseph Mariam socies
35v–36 Angele nec mireris - 2a pars (of 2): Joseph Mariam socies - Anonymous
Appears on: 35v–36
Genres: Motet
36–36v Vae vobis scribae et Pharisaei (6vv) Joan: Heug:
Appears on: 36–36v
Genres: Motet
Source Attribution: Joan: Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Vae vobis scribae et Pharisaei hypocritae
36v–37 Adieu mes amours on m'atent Jo: Heug:
Appears on: 36v–37
Genres: Chanson
Source Attribution: Jo: Heug:
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amours [on m'atent]
37–38 Cantate Domino canticum novum quia mirabilia Anon. Anonymous
Appears on: 37–38
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cantate domino canticum novum quia mirabilia
38 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Clemens non Papa/Manchicourt]
Appears on: 38
Genres: Motet
Source Attribution: [Clemens non Papa/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem II: Quae est ista quae processit quasi aurora
38v Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora -
Appears on: 38v
Genres: Motet
39 Exortum est in tenebris lumen rectis Joannes Heug:
Appears on: 39
Genres: Motet
Source Attribution: Joannes Heug:
Voice: [no designation]
Languages: Latin
Voice Text: Exortum est in tenebris lumen rectis
39v–40 Surrexit Christus hodie Alleluia (6vv) Joannes Heugel
Appears on: 39v–40
Genres: Motet
Source Attribution: Joannes Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit Christus hodie halleluia
40–40v Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) [Gombert/Josquin]
Appears on: 40–40v
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iucundum 14.7 [= Lugebat David Absalom pius pater]
41–41v Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te [Clemens non Papa/Crecquillon]
Appears on: 41–41v
Genres: Motet
Source Attribution: [Clemens non Papa/Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in caelum et coram te II: Quanti mercenarii in domo patris
41v–42 Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 41v–42
Genres: Motet
42–42v Ego flos campi et lilium convalium [Clemens non Papa]
Appears on: 42–42v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi et lilium convallium
42v–43 Domine Deus caeli et terrae intuere [Bacchius]
Appears on: 42v–43
Genres: Motet
Source Attribution: [Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus caeli et terrae intuere
43v Magna et mirabilia sunt opera tua (8vv) Cerbonius Besutius [= Besuzio]
Appears on: 43v
Genres: Motet
Source Attribution: Cerbonius Besutius [= Besuzio]
Voice: [no designation]
Languages: Latin
Voice Text: Magna et mirabilia sunt opera tua
44–44v Da pacem Domine in diebus nostris [Mahu]
Appears on: 44–44v
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
44v–45 Attendite popule meus legem meam Anon. Anonymous
Appears on: 44v–45
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Attendite popule meus legem meam
45v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion [Lassus]
Appears on: 45v
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Zion II: Convertere domine captivitatem Zion
46 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 46
Genres: Motet
46v Quo properas facunde nepos Atlantis [Lassus]
Appears on: 46v
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Quo properas facunde nepos Atlantis?
General Note

The copy is labelled 'Decem vocum' but nnly 7vv are copied

47–47v In omnibus requiem quaesivi et in hereditate Orlande Lass: [= Lassus]
Appears on: 47–47v
Genres: Motet
Source Attribution: Orlande Lass: [= Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In omnibus requiem quesivi et in hereditate
47v–48 Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis [Heugel?]
Appears on: 47v–48
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Inclitus Hessiaci Guilielmus sanguinis II: Da deus haec thalami cui sunt
General Note

ms states there are 7vv but only 6 copied

48–48v Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt -
Appears on: 48–48v
Genres: Motet
48v–49 Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur [Heugel?]
Appears on: 48v–49
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Foelix coniugium faelicem Hymenaea precamur II: Vive ter illustri sate principe
General Note

ms states there are 8vv but only 6 are copied

49–49v Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe -
Appears on: 49–49v
Genres: Motet
49v Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant [Heugel?]
Appears on: 49v
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
50 Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet -
Appears on: 50
Genres: Motet
50v Tanto tempore vobiscum sum et non cognovistis (8vv) Dom: Finot [= Phinot]
Appears on: 50v
Genres: Motet
Source Attribution: Dom: Finot [= Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
51 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 51
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos
51v Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 51v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
52–52v Quo te nympha pedes quo te via ducit? [Heugel?]
Appears on: 52–52v
Genres: Motet
Source Attribution: [Heugel?]
Voice: [no designation]
Languages: Latin
Voice Text: Que te nympha pedes quo te via ducit?
General Note

ms states there are 10vv, but only 7 are copied

52v–53 O sacrum convivium in quo Christus sumitur (8vv) Domin: Finot
Appears on: 52v–53
Genres: Motet
Source Attribution: Domin: Finot
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
53–53v Confitebor tibi Domine in toto corde (8vv, LV189) [Lassus]
Appears on: 53–53v
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde meo
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Bacchius, Johannes de (–ca. 1557)
Besutius, Cerbonius
Bratel, Ulrich
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Coppini, Alessandro (ca. 1456–1527)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Heugel, Johannes
Jacotin, Jacques (1445–1529)
Lassus, Orlande de (ca. 1532–1594)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Phinot, Dominique
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[untexted motet] - 33v–34
Adieu mes amours on m'atent 32
Adieu mes amours on m'atent 36v–37
Angele nec mireris - 1a pars (of 2): Angele nec mireris Anonymous 35
Angele nec mireris - 2a pars (of 2): Joseph Mariam socies Anonymous 35v–36
Attendite popule meus legem meam Anonymous 44v–45
Beati omnes (8vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 49v
Beati omnes (8vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet 50
Cantate Domino canticum novum quia mirabilia Anonymous 37–38
Christ ist erstanden (6vv - I) 27
Christ ist erstanden (6vv - II) 27v–28
Christ ist erstanden (7vv) 26v
Christ ist erstanden (8vv - I) 25v–26
Christ ist erstanden (8vv - II) 30v–31
Confitebor tibi Domine in toto corde (8vv, LV189) 53–53v
Congregati sunt gentes in multitudine 16v–17
Consolamini popule meus dicit Deus vester 17v–18
Constantes estote Anonymous 31v
Credo [Patrem omnipotentem] (6vv) 2–4
Credo Angeli archangeli [Patrem omnipotentem] (8vv) 4–5
Da pacem Domine in diebus nostris 44–44v
Der lermen (Lerman) 24v–25
Dies est laetitiae in ortu regali (7vv - I) 23
Dies est laetitiae in ortu regali (7vv - II) 23v–24
Dies est laetitiae in ortu regali (8vv) 22v
Domine Deus caeli et terrae intuere 42v–43
Dulces exuviae 33
Ecce quam bonum et quam jocundum habitare (= 1p of Lugebat David Absalon pius pater 14.7) 40–40v
Ego flos campi et lilium convalium 42–42v
Exortum est in tenebris lumen rectis 39
Felix coniugium - 1a pars (of 2): Felix coniugium felicem Hymenaea precamur 48v–49
Felix coniugium - 2a pars (of 2): Vive ter illustri sate principe 49–49v
Felix illa dies sit ter palatine (6vv) 12v–14
Ferendum est aequo animo quod a deo 32v
Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci 1–1v
Hodie nobis - 2a pars (of 2): Hodie Deus caelo pax vera descendit 1v–2
Ich armer man was hab ich gthan ein weib 28v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 45v
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 46
In omnibus requiem quaesivi et in hereditate 47–47v
Inclitus Hessiaci - 1a pars (of 2): Inclitus Hessiaci Guilielmus sanguinis 47v–48
Inclitus Hessiaci - 2a pars (of 2): Da Deus haec thalami cui sunt 48–48v
Inviolata integra et casta es 24.5 (12vv) 7v–8
Jam non dicam vos servos sed amicos (8vv) 51
Laudate Dominum omnes gentes, laudate eum (8vv) 15v
Magna et mirabilia sunt opera tua (8vv) 43v
Non potest arbor bona fructus malos 29
Nun bitten wir den heilgen geist 22–22v
O sacrum convivium in quo Christus sumitur (8vv) 52v–53
Oramus Domine conditor optime devotos 16
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis 29v
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis 29v–30
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 41–41v
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 41v–42
Planctibus nymphae - 1a pars (of 2): Planctibus nymphae resonant latinae 20v–21
Planctibus nymphae - 2a pars (of 2): Stant viri circum pariter gementes 21–22
Quo properas facunde nepos Atlantis 46v
Quo te nympha pedes quo te via ducit? 52–52v
Sancta Maria virgo intercede pro toto 6v
Sancta Maria virgo intercede pro toto mundo (8vv, M102) 5v–6
Sancta Trinitas unus Deus miserere nobis (8vv) 34v–35
Sancta Trinitas unus Deus miserere nobis (8vv) 51v
Sapientia aedificavit sibi domum excidit 14v–15
Surrexit Christus hodie Alleluia (6vv) 39v–40
Tanto tempore vobiscum sum et non cognovistis (8vv) 50v
Te Deum laudamus (12vv) 9v–12
Ut frendunt gentes - 1a pars (of 3): Ut frendunt gentes ut populi vana moliuntur 18v
Ut frendunt gentes - 2a pars (of 3): At qui caelos habitat Dominus ridet 19–19v
Ut frendunt gentes - 3a pars (of 3): Postula a me et dabo tibi hereditatem 19v–20v
Vae vobis scribae et Pharisaei (6vv) 36–36v
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 38
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora 38v

Set: MSS 4° Mus. 38/1-6

Type: Partbooks

No images available

D-Kl 4° Ms. Mus. 38/1

No images available

D-Kl 4° Ms. Mus. 38/2

No images available

D-Kl 4° Ms. Mus. 38/3

No images available

D-Kl 4° Ms. Mus. 38/4

No images available

D-Kl 4° Ms. Mus. 38/5

No images available

D-Kl 4° Ms. Mus. 38/6

denotes primary source study

Gottwald, Clytus. 1997. Die Handschriften der Gesamthochschulbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, Bd. 6: Manuscripta musica.  Wiesbaden.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 139. Notes: physical description (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: 45-54. Notes: transcription (partial).

D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: 59-72. Notes: transcription (partial).

D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 38-76. Pages: 64. Notes: contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 139. Notes: physical description (partial); contents list (partial); incipits (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68. Notes: contents list (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 183; VI, 341; XIII, Tafel 9. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV, 46, 48. Notes: contents list (partial); concordances (partial).

Nagel, Wilibald. 1905-6. Johann Heugel (ca. 1500-1584/5). Sammelbande der Internationalen Musikgesellschaft, 80-110. Pages: 96-100. Notes: physical description (partial); contents list (partial).

Israël, Carl. 1881. Uebersichtlicher Katalog der Musikalien der ständischen Landesbibliothek zu Cassei.  Kassel. Pages: 17. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description