NL-L MS 1439

Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands

manuscript of polyphony: 1559

Archive Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands (NL-L)
Shelfmark MS 1439
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 548 x 400 mm
Other Identifiers
  • CCM: LeidGA 1439
  • olim (Former shelfmark): B; 423; 761; 862; 1004
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 75 pieces from 19 composers
General Description

Copied by Anthonius de Blauwe, identified in colophon on recto of rear parchment flyleaf: 'Scribebat hoc Insingue [sic] opus musicum Anthonius de blauwe ad honorem et usum sacre aedis divi petri leidae: Prefectis horarum eiusdem aedis. Theodorico guilielmi : Petro Jodoci : Bartholomeo aleuini : Petro oem filius petri. Anno. 1559.' Blauwe also copied LeidGA 1438 and LeidSM 1440. Copied in Leiden, for use at St. Peter's Church. Subsequent history same as for LeidGA 1438.

DIAMM, 2017
Binding

Original covers of dark brown leather over wooden boards, tooled with classical busts and ornamental borders; brass corners and clasps

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1559 (colophon).

DIAMM, 2017
Foliation

Original ink foliation, 1-334, omits one folio following f. 15 and f. 167, respectively; two folios numbered '191.'

DIAMM, 2017
Decoration

Large inked calligraphic initials; some voice designations and other indications in red ink.

DIAMM, 2017
Index

Original index on first flyleaf and f. 1 lists pieces alphabetically by title, gives some attributions, and number of voices for each piece.

DIAMM, 2017
Surface

i paper + 337 paper + i parchment + i paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

11 Magnificats, 8 canticles, 26 hymns, 31 motets = 76

(Appenzeller)-1, Baston-1, Clemens non Papa-17, Courtois-1, Crecquillon-1, C. Hollander-3, (Jacotin)-1, Josquin-2, Josquin/(Regis)-1, (Josquin/Verdelot)-1, Lupi-3, Lupi/(Sermisy)-1, (Joannes de Monte)-5, (Mouton)-1, Richafort/(Hesdin/Mouton)-1, anon-36

i paper + 337 paper + i parchment + i paper folios, 548 x 400. Original ink foliation, 1-334, omits one folio following f. 15 and f. 167, respectively; two folios numbered "191." Original covers of dark brown leather over wooden boards, tooled with classical busts and ornamental borders; brass corners and clasps. Original index on first flyleaf and f. 1 lists pieces alphabetically by title, gives some attributions, and number of voices for each piece. Copied by Anthonius de Blauwe, identified in colophon on recto of rear parchment flyleaf: "Scribebat hoc Insingue [sic] opus musicum Anthonius de blauwe ad honorem et usum sacre aedis divi petri leidae: Prefectis horarum eiusdem aedis. Theodorico guilielmi : Petro Jodoci : Bartholomeo aleuini : Petro oem filius petri. Anno. 1559." Blauwe also copied LeidGA 1438 and LeidSM 1440. Large inked calligraphic initials; some voice designations and other indications in red ink.

1559 (colophon). Copied in Leiden, for use at St. Peter's Church. Subsequent history same as for LeidGA 1438.

Vol 4

Composers: Change "Bastón-1" to "Baston/(Cleve)-1"; change "C. Hollander -3" to "C. Hollander-2, C. Hollander/(S. Hollander)-1 "; change "(Joannes de Monte)-5" to "(Joachimus de Monte)-5."

Provenance: Copied in Amsterdam (VersprilleG); commissioned and used by St. Peter's Church, in Leiden.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–6 In nomine Jesu omne genuflectatur Cristianus Hollander
Appears on: 1v–6
Genres: Motet
Source Attribution: Cristianus Hollander
Voice: [no designation]
Languages: Latin
Voice Text: In nomine Jhesu omne genuflectatur
6v–11 Heu mihi Domine quia peccavi nimis (2p. Anima mea turbata est valde) Clemens no[n] Papa
Appears on: 6v–11
Genres: Motet
Source Attribution: Clemens no[n] Papa
Voice: [no designation]
Languages: Latin
Voice Text: Heu mihi domine quia peccavi nimis II: Anima mea turbata est valde
11v–15 Erravi sicut ovis que periit require (2p. Delicta juventutis mee et ignorantias) Clemens non Papa
Appears on: 11v–15
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Erravi sicut ovis que periit require II: Delicta iuventutis mee et ignorantias
15a untexted - Anonymous

untexted

Anonymous
Appears on: 15a
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Duplicate copy of music on f. 11
15av–21 Cognoscimus Domine quia peccavimus tibi (2p. Vita nostra in dolore suspirat) Thomas Cricquillon
Appears on: 15av–21
Genres: Motet
Source Attribution: Thomas Cricquillon
Voice: [no designation]
Languages: Latin
Voice Text: Cognoscimus domine quia peccavimus tibi II: Vita nostra in dolore suspirat
21v–27 Fuerunt mihi lachrimae meae panes die (2p. Quare tristis es anima mea) Clemens non Papa
Appears on: 21v–27
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Fuerunt mihi lachrime mee panes die II: Quare tristis es anima mea
28v–37 Super flumina Babilonis illic sedimus II: Adhereat lingua mea faucibus meis [Appenzeller]
Appears on: 28v–37
Genres: Motet
Source Attribution: [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Super flumina Babilonis illic sedimus II: Adhereat lingua mea faucibus meis
38v–45 Angelus autem Domini descendit de caelo II: Erat autem aspectus eius sicut fulgur III: Pre timore autem eius exterriti Anon. Anonymous
Appears on: 38v–45
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Angelus autem domini descendit de celo II: Erat autem faties eius sicut fulgur III: Pre timore autem eius exterriti
45v–49 Venite ad me omnes qui laboratis Anon. Anonymous
Appears on: 45v–49
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes qui laboratis
50v–57 Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) Clemens non Papa
Appears on: 50v–57
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Sana me domine et sanabor salvum me II: Omnia iuditia tua iusta sunt
57v–62 Accesserunt ad Jesum Pharisaei tentantes (2p. Non legistis quia qui fecit hominem; 3p. Propter hoc dimittet homo patrem) Clemens non Papa
Appears on: 57v–62
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Accesserunt ad Jhesum Pharizei temptantes II: Non legistis quia qui fecit hominem III: Propter hoc dimittet homo patrem
62v–69 Dum complerentur dies Pentecostes (2p. Repleti sunt omnes) Clemens non Papa
Appears on: 62v–69
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes erant II: Repleti sunt omnes spiritu sancto
69v–78 Quis est iste qui progreditur quasi aurora II: Egredimini et videte filiae Sion Joannes Lupi/[Sermisy]
Appears on: 69v–78
Genres: Motet
Source Attribution: Joannes Lupi/[Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Quis est iste qui progreditur quasi aurora II: Egredimini et videte filie Sion[foliation skips from 74 to 78 here]
78v–85 Jerusalem surge et sta in excelso et vide (2p. Leva in circuitu oculos tuos et vide) Clemens non Papa
Appears on: 78v–85
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Jherusalem surge et sta in excelso II: Leva in circuitu oculos tuos[foliation skips from 85 to 89 here]
85v–94 Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi) Richafort/[Hesdin/Mouton]
Appears on: 85v–94
Genres: Motet
Source Attribution: Richafort/[Hesdin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum alleluia et consilium II: Tulerunt dominum meum et nescio ubi
94v–100 Si ignoras te O pulcra inter mulieres II: Surge propera amica mea columba Cristianus Hollander/[Hollande]
Appears on: 94v–100
Genres: Motet
Source Attribution: Cristianus Hollander/[Hollande]
Voice: [no designation]
Languages: Latin
Voice Text: Si ignoras te O pulcra inter mulieres II: Surge propera amica mea columba
100v–107 Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) Josquin Baston/[Cleve]
Appears on: 100v–107
Genres: Motet
Source Attribution: Josquin Baston/[Cleve]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt
107v–114 Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt Cristianus Hollander/[S. Hollander/Lassus]
Appears on: 107v–114
Genres: Motet
Source Attribution: Cristianus Hollander/[S. Hollander/Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt
114v–119 Te Deus noster suavis et verus es II: Nosse enim te consummata justitia Joannes Lupi
Appears on: 114v–119
Genres: Motet
Source Attribution: Joannes Lupi
Voice: [no designation]
Languages: Latin
Voice Text: Tu deus noster suavis et verus es II: Nosce enim te consummata iustitia
119v–126 Apparens Christus - 2a pars (of 2): Et convescens praecepit eis [Lupi]
Appears on: 119v–126
Genres: Motet
Source Attribution: [Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Apparens Christus post passionem suam II: Et convescens precepit eis
126v–136 Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) Clemens non Papa
Appears on: 126v–136
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis eius
136v–140 Rogate que ad pacem sunt Jerusalem II: Propter fratres meos et proximos meos Joannes Courtois
Appears on: 136v–140
Genres: Motet
Source Attribution: Joannes Courtois
Voice: [no designation]
Languages: Latin
Voice Text: Rogate que ad pacem sunt Jherusalem II: Propter fratres meos et proximos meos
140v–146 Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa
Appears on: 140v–146
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de celo cum luce superna II: Respondit miles quis es tu domine
147v–154 Victimae paschali laudes immolent Christiani II: Sepulcrum Christi viventis et gloriam Anon. Anonymous
Appears on: 147v–154
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Victime pascali laudes immolent Christiani II: Sepulcrum Christi viventis et gloriam
154v–159 O virgo prudentissima 24.9 (2p. Audi virgo puerpera) Josquin
Appears on: 154v–159
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: O virgo prudentissima quam celo missus 24.10 II: Audi virgo puerpera et stella maris
159v–164 Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Josquin
Appears on: 159v–164
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina et mundi 23.13 II: Per illud ave prolatum III: Nunc mater exora natum
164v–167 Sancta Maria virgo virginum 25.7 [Josquin/Verdelot]
Appears on: 164v–167
Genres: Motet
Source Attribution: [Josquin/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo virginum 25.6
167a untexted - Anonymous

untexted

Anonymous
Appears on: 167a
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Duplicate of music on f. 164, with error
167av–171 O admirabile commertium creator generis / Verbum caro factum est 26.7 II: Jocundare die theotoce lacking III. Josquin/[Regis]
Appears on: 167av–171
Genres: Motet
Source Attribution: Josquin/[Regis]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis/Verbum caro factum est 26.7 II: Jocundare die theotice [lacking III.]
171v–177 Quem vidistis pastores dicite annuntiate (2p. Natum vidimus in pannis volutum) Joannes Lupi
Appears on: 171v–177
Genres: Motet
Source Attribution: Joannes Lupi
Voice: [no designation]
Languages: Latin
Voice Text: Quem vidistis pastores dicite annuntiate II: Natum vidimus in pannis volutum
178v–185 Magnificat [K.678] primi toni: Et exultavit Clemens [non Papa]
Appears on: 178v–185
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Primi thoni: Et exultavit spiritus meus
185v–191 Magnificat [K.679] secundi toni: Et exultavit Clemens [non Papa]
Appears on: 185v–191
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Secundi thoni: Et exultavit spiritus meus
191v–196* Magnificat [K.680] tertii toni: Et exultavit Clemens [non Papa]
Appears on: 191v–196*
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Tercii thoni: Et exultavit spiritus meus *"191" applied to two folios.
196v–203 Magnificat Tertii Toni: Et exultavit spiritus meus [Jacotin]
Appears on: 196v–203
Genres: BVM, Canticle, Magnificat
Source Attribution: [Jacotin]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Tercii thoni: Et exultavit spiritus meus
203v–209 Magnificat [K.681] quarti toni: Et exultavit Clemens [non Papa]
Appears on: 203v–209
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quarti thoni: Et exultavit spiritus meus
209v–216 Magnificat Quarti Toni: Et exultavit [K.261] Anon. Anonymous
Appears on: 209v–216
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quarti thoni: Et exultavit spiritus meus
216v–222 Magnificat [K.682] quinti toni: Et exultavit Clemens [non Papa]
Appears on: 216v–222
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quinti thoni: Et exultavit spiritus meus
222v–228 Magnificat Quinti Toni: Et exultavit [K.940] [Mouton]
Appears on: 222v–228
Genres: BVM, Canticle, Magnificat
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quinti thoni: Et exultavit spiritus meus
228v–234 Magnificat [K.683] sexti toni: Et exultavit Clemens [non Papa]
Appears on: 228v–234
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti thoni: Et exultavit spiritus meus
234v–240 Magnificat [K.684] septimii toni: Et exultavit Clemens [non Papa]
Appears on: 234v–240
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Septimi thoni: Et exultavit spiritus meus
240v–247 Magnificat [K.677] octavi toni 'carminum': Et exultavit Clemens [non Papa]
Appears on: 240v–247
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Octavi thoni: Et exultavit spiritus meus
248v–250 Nunc dimittis Primi Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 248v–250
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Primi thoni: Quia viderunt oculi mei salutare
250v–252 Nunc dimittis Secundi Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 250v–252
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Secundi thoni: Quia viderunt oculi mei salutare
252v–254 Nunc dimittis Tertii Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 252v–254
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Tertii thoni: Quia viderunt oculi mei salutare
254v–256 Nunc dimittis Quarti Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 254v–256
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Quarti thoni: Quia viderunt oculi mei salutare
256v–258 Nunc dimittis Quinti Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 256v–258
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Quinti thoni: Quia viderunt oculi mei salutare
258v–260 Nunc dimittis Sexti Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 258v–260
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Sexti thoni: Quia viderunt oculi mei salutare
260v–262 Nunc dimittis Septimi Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 260v–262
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Septimi thoni: Quia viderunt oculi mei salutare
262v–264 Nunc dimittis Octavi Toni: Quia viderunt oculi mei salutare Anon. Anonymous
Appears on: 262v–264
Genres: Canticle
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Octavi thoni: Quia viderunt oculi mei salutare
265v–268 Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia Anon. Anonymous
Appears on: 265v–268
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia
268v–270 Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia Anon. Anonymous
Appears on: 268v–270
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia
270v–274 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anon. Anonymous
Appears on: 270v–274
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
274v–276 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anon. Anonymous
Appears on: 274v–276
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
276v–279 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anon. Anonymous
Appears on: 276v–279
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
279v–280 In Mariam vitae viam matrem veram 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater Anon. Anonymous
Appears on: 279v–280
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [In Mariam vitae viam matrem veram] 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater
280v–284 Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te [Appenzeller]
Appears on: 280v–284
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: [Ave maris stella dei mater alma] 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te
284v–286 Maria mater Domini aeterni patris filii Anon. Anonymous
Appears on: 284v–286
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Maria mater domini eterni patris filii
286v–290 Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore roseo Jam bone pastor inclite" 3 Porte nitent margaritis abditusII: Urbs beata Jerusalem dicta pacis visio 3 Porte nitent margaritis abditus) Anon. Anonymous
Appears on: 286v–290
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Urbs beata Jherusalem dicta pacis visio (Alternate text: "[Aurea luce et decore roseo] Jam bone pastor inclite") 3 Porte nitent margaritis abditusII: [Urbs beata Jerusalem dicta pacis visio] 3 Porte nitent margaritis abditus
290v–292 A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam [Joachimus de Monte]
Appears on: 290v–292
Genres: Motet
Source Attribution: [Joachimus de Monte]
Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus cardine ad usque terrae (Alternate text: "[Hostis Herodes impie Christum venire] Ibant magi quam viderant stellam")
292v–294v Christe qui lux es et dies noctis (2p. Defensor noster aspice insidiantes), 5vv [Joachimus de Monte]
Appears on: 292v–294v
Genres: Motet
Source Attribution: [Joachimus de Monte]
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes [incomplete]
295v–297 Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens [Joachimus de Monte]
Appears on: 295v–297
Genres: Motet
Source Attribution: [Joachimus de Monte]
Voice: [no designation]
Languages: Latin
Voice Text: Aurea luce et decore roseo lux lucis 3 Iam bone pastor Petre clemens
297v–299 Quod chorus vatum venerandus olim Anon. Anonymous
Appears on: 297v–299
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quod chorus vatum venerandus olim
299v–301 Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas Anon. Anonymous
Appears on: 299v–301
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quod chorus vatum venerandus olim 3 Quem senex iustus Simeon in ulnas
301v–306 O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior) [Joachimus de Monte]
Appears on: 301v–306
Genres: Motet
Source Attribution: [Joachimus de Monte]
Voice: [no designation]
Languages: Latin
Voice Text: O Elisabeth insignis digna sublimari II: Cum puellis certanisti templum prior
306v–309 Jesu salvator saeculi redemptis ope 3 Baptista Christi previus et claviger Anon. Anonymous
Appears on: 306v–309
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Jhesu salvator seculi redemptis ope 3 Baptista Christi previus et claviger
309v–311 Jesu salvator saeculi redemptis ope Anon. Anonymous
Appears on: 309v–311
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Jhesu salvator seculi redemptis ope
311v–313 Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt Anon. Anonymous
Appears on: 311v–313
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Hostis Herodes impie Christum venire] 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt
313v–315 Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur Anon. Anonymous
Appears on: 313v–315
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur
315v–317 Hymnum deo vox jucunda decantet ecclesia 2 Quam regali stirpe natam in annis 4 Lege carnis sic legata non extinxit Anon. Anonymous
Appears on: 315v–317
Genres: Hymn, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Hymnum deo vox iucunda decantet ecclesia] 2 Quam regali stirpe nata[m] in annis 4 Lege carnis sic legata non extinxit
317v–319 Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen [Joachimus de Monte]
Appears on: 317v–319
Genres: Ave maris stella, Motet
Source Attribution: [Joachimus de Monte]
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella dei mater alma 3 Solve vincla reis profer lumen
319v–322 Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem Anon. Anonymous
Appears on: 319v–322
Genres: Veni creator spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem
322v–325 Festum nunc celebre magnaque gaudia 4 Oramus Domine conditor inclyte devotos Anon. Anonymous
Appears on: 322v–325
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Festum nunc celebre magnaque gaudia 4 Oramus domine conditor inclite devotos
325v–327 A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente Anon. Anonymous
Appears on: 325v–327
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus cardine ad usque terre 4 Domus pudici pectoris templum repente
328v–332 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anon. Anonymous
Appears on: 328v–332
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
332v–334 A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli Anon. Anonymous
Appears on: 332v–334
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus autor seculi servile corpus 4 Domus pudici pectoris templum repente
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Baston, Josquin (fl. 1542–63)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Hesdin, Nicolle des Celliers de (–1538)
Hollander, Christian
Hollander, Sebastian
Jacotin, Jacques (1445–1529)
Lupi, Johannes (ca. 1506–1539)
Monte, Joachimus de
Mouton, Jean (ca. 1459–1522)
Regis, Johannes (ca. 1425–ca. 1496)
Richafort, Jean (ca. 1480–ca. 1550)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli Anonymous 332v–334
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente Anonymous 325v–327
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam 290v–292
Accesserunt ad Jesum Pharisaei tentantes (2p. Non legistis quia qui fecit hominem; 3p. Propter hoc dimittet homo patrem) 57v–62
Angelus autem Domini descendit de caelo II: Erat autem aspectus eius sicut fulgur III: Pre timore autem eius exterriti Anonymous 38v–45
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 119v–126
Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens 295v–297
Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te 280v–284
Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen 317v–319
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) 159v–164
Christe qui lux es et dies noctis (2p. Defensor noster aspice insidiantes), 5vv 292v–294v
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous 270v–274
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous 274v–276
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous 276v–279
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous 328v–332
Cognoscimus Domine quia peccavimus tibi (2p. Vita nostra in dolore suspirat) 15av–21
Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia Anonymous 265v–268
Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia Anonymous 268v–270
Dum complerentur dies Pentecostes (2p. Repleti sunt omnes) 62v–69
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) 100v–107
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt 107v–114
Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi) 85v–94
Erravi sicut ovis que periit require (2p. Delicta juventutis mee et ignorantias) 11v–15
Festum nunc celebre magnaque gaudia 4 Oramus Domine conditor inclyte devotos Anonymous 322v–325
Fuerunt mihi lachrimae meae panes die (2p. Quare tristis es anima mea) 21v–27
Heu mihi Domine quia peccavi nimis (2p. Anima mea turbata est valde) 6v–11
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt Anonymous 311v–313
Hymnum deo vox jucunda decantet ecclesia 2 Quam regali stirpe natam in annis 4 Lege carnis sic legata non extinxit Anonymous 315v–317
In Mariam vitae viam matrem veram 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater Anonymous 279v–280
In nomine Jesu omne genuflectatur 1v–6
Jerusalem surge et sta in excelso et vide (2p. Leva in circuitu oculos tuos et vide) 78v–85
Jesu salvator saeculi redemptis ope Anonymous 309v–311
Jesu salvator saeculi redemptis ope 3 Baptista Christi previus et claviger Anonymous 306v–309
Magnificat [K.677] octavi toni 'carminum': Et exultavit 240v–247
Magnificat [K.678] primi toni: Et exultavit 178v–185
Magnificat [K.679] secundi toni: Et exultavit 185v–191
Magnificat [K.680] tertii toni: Et exultavit 191v–196*
Magnificat [K.681] quarti toni: Et exultavit 203v–209
Magnificat [K.682] quinti toni: Et exultavit 216v–222
Magnificat [K.683] sexti toni: Et exultavit 228v–234
Magnificat [K.684] septimii toni: Et exultavit 234v–240
Magnificat Quarti Toni: Et exultavit [K.261] Anonymous 209v–216
Magnificat Quinti Toni: Et exultavit [K.940] 222v–228
Magnificat Tertii Toni: Et exultavit spiritus meus 196v–203
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 126v–136
Maria mater Domini aeterni patris filii Anonymous 284v–286
Nunc dimittis Octavi Toni: Quia viderunt oculi mei salutare Anonymous 262v–264
Nunc dimittis Primi Toni: Quia viderunt oculi mei salutare Anonymous 248v–250
Nunc dimittis Quarti Toni: Quia viderunt oculi mei salutare Anonymous 254v–256
Nunc dimittis Quinti Toni: Quia viderunt oculi mei salutare Anonymous 256v–258
Nunc dimittis Secundi Toni: Quia viderunt oculi mei salutare Anonymous 250v–252
Nunc dimittis Septimi Toni: Quia viderunt oculi mei salutare Anonymous 260v–262
Nunc dimittis Sexti Toni: Quia viderunt oculi mei salutare Anonymous 258v–260
Nunc dimittis Tertii Toni: Quia viderunt oculi mei salutare Anonymous 252v–254
O admirabile commertium creator generis / Verbum caro factum est 26.7 II: Jocundare die theotoce lacking III. 167av–171
O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior) 301v–306
O virgo prudentissima 24.9 (2p. Audi virgo puerpera) 154v–159
Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur Anonymous 313v–315
Quem vidistis pastores dicite annuntiate (2p. Natum vidimus in pannis volutum) 171v–177
Quis est iste qui progreditur quasi aurora II: Egredimini et videte filiae Sion 69v–78
Quod chorus vatum venerandus olim Anonymous 297v–299
Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas Anonymous 299v–301
Rogate que ad pacem sunt Jerusalem II: Propter fratres meos et proximos meos 136v–140
Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) 50v–57
Sancta Maria virgo virginum 25.7 164v–167
Si ignoras te O pulcra inter mulieres II: Surge propera amica mea columba 94v–100
Super flumina Babilonis illic sedimus II: Adhereat lingua mea faucibus meis 28v–37
Te Deus noster suavis et verus es II: Nosse enim te consummata justitia 114v–119
untexted Anonymous 15a
untexted Anonymous 167a
Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore roseo Jam bone pastor inclite" 3 Porte nitent margaritis abditusII: Urbs beata Jerusalem dicta pacis visio 3 Porte nitent margaritis abditus) Anonymous 286v–290
Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem Anonymous 319v–322
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) 140v–146
Venite ad me omnes qui laboratis Anonymous 45v–49
Victimae paschali laudes immolent Christiani II: Sepulcrum Christi viventis et gloriam Anonymous 147v–154

denotes primary source study

Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. Studies in Medieval and Renaissance Music. 432. Boydell Press. Pages: 98-105, 235-253 & passim. Notes: physical decsription, contents list; concordances, facsimiles (partial), discussion.

Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxviii-xxix; II,xiv-xv,xxxi-xxxii,208-15. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies.  Brooklyn. Pages: I, 12-3; II, i-v; IV, Plate XXXIII. Notes: mention of MS; contents list (partial); concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 141. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Versprille, Annie J. 1965. De Geschiedenis van de Leidse Motetboeken. Jaarboekje voor Geschiedenis en Oudheidkunde van Leiden en Omstreken, 100-5. Notes: physical description (partial); facsimile (partial); additional bibliography.

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: I, 19, 38; II, 156-69. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, i, 10-119, passim; IX, iv; XV, viii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XI, v. Notes: physical description; contents list; incipitsst of contents (partial).

Overvoorde, J C. 1914. Catalogus van Voorwerpen in het Stedelijk Museum "De Lakenhal" te Leiden.  Leiden. Pages: 68-70. Notes: physical description (partial); contents list.

Land, J P N. 1874-81. De Koorboeken van de St. Pieterskerk te Leiden. Bouwsteenen, 37-48. Notes: physical description; contents list.

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Edward Tambling

Tuesday, 14 April, 2020

external image links for all Leiden choirbooks corrected/updated

DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description