NL-L MS 1442

Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands

manuscript of polyphony: Mid 16th century

Archive Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands (NL-L)
Shelfmark MS 1442
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements ca. 410 x 280 mm
Other Identifiers
  • CCM: LeidGA 1442
  • olim (Former shelfmark): E; 426; 764; 865; 1007
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Brussels? Belgium
Contents 105 pieces from 27 composers
General Description

Composite of several originally separate fascicles copied at different times by different scribes. Earliest layer copied by one main scribe (identified by Jas, but not CCM, as de Blauwe), and one other scribe; later additions by several scribes, including Johannes Flamingus. Some of the scribal hands also appear in LeidGA 1441 and LeidGA 1443. Main corpus perhaps copied in Brussels (though Jas argues for Leiden); later used by St. Peter's Church in Leiden, where additions were made. Subsequent history same as for LeidGA 1438.

DIAMM, 2017
Binding

Restored and rebound in 1964 in new covers of brown leather on oak boards, tooled with classical busts; brass corners and clasps.

DIAMM, 2017
Watermark

(1) Briquet #1048; (2) Gothic letter "P" with split stem (see Briquet #8522ff)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

New pencil foliation, 1-391, added in 1979; one fascicle [= new ff. 70'-129] has original ink foliation, 1-59

DIAMM, 2017
Decoration

A few inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 16 Magnificats, 2 Te Deums, 5 canticles, 1 psalm, 27 hymns, 50 motets = 105

Appenzeller [Benedictus]-3, (Appenzeller/Josquin/Vinders)-1, (Caen/Lupus/Richafort)-1, Clemens non Papa-3, Crecquillon-2, Gascongne-1, Hesdin-1, Jacotin-2, Johannes Flamingus-12 + 34?, Jordan-1, Josquin-4, (Le Heurteur/Lhéritier/Sermisy)-1, Joannes de Monte [Jochimus de Monte]-6, Mouton-2, Potoletus-6, Richafort-4, Smeekirs-1, Willaert/(Obrecht)-1, Willaert/(Mouton)-1, anon-18

v + 391 + v paper folios, ca. 410 x 280. Composite of several originally separate fascicles copied at different times by different scribes. New pencil foliation, 1-391, added in 1979; one fascicle [= new ff. 70'-129] has original ink foliation, 1-59. Restored and rebound in 1964 in new covers of brown leather on oak boards, tooled with classical busts; brass corners and clasps. No index. Earliest layer copied by one main scribe and one other scribe; later additions by several scribes, including Johannes Flamingus. Some of the scribal hands also appear in LeidGA 1441 and LeidGA 1443. A few inked calligraphic initials. Watermarks: (1) Briquet #1048; (2) Gothic letter "P" with split stem (see Briquet #8522ff).

Mid 16th century, with additions ca. 1564-7. Main corpus perhaps copied in Brussels; later used by St. Peter's Church in Leiden, where additions were made. Subsequent history same as for LeidGA 1438.

Vol 4

Composers: Add "(Isaac)-1"; change "Joannes de Monte [Jochimus de Monte] -6" to "Joachimus de Monte-6"; change "anon-18" to "anon-17."

Provenance: Main corpus probably copied in Amsterdam; used by St. Peter's Church in Leiden, where additions were made.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v, 57–58 Salve regina misericordiae / Fors seullement - Anonymous
Appears on: 1v, 57–58
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo/Fors suellement [incomplete]
General Note

due to re-binding, begins on f. 1v then continues at f.57-58

2–5 Salve regina [I] -
Appears on: 2–5
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: [E]t Ihesum benedictum fructum IV: O pia
5v–9 Salve regina [II] -
Appears on: 5v–9
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
9v–13 Salve regina [III] -
Appears on: 9v–13
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] [V]ita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
13v–17 Salve regina [IV] -
Appears on: 13v–17
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] [V]ita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
17v–20 Salve regina [V] -
Appears on: 17v–20
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
20v–24 Salve regina [VI] -
Appears on: 20v–24
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
24v–26 Salve regina [VII] -
Appears on: 24v–26
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
26v–28 Salve regina [VIII] -
Appears on: 26v–28
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
28v–31 Salve regina [IX] -
Appears on: 28v–31
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
31v–32 Salve regina [X] -
Appears on: 31v–32
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] ... Ad te suspiramus [incomplete]
32v–35 Salve regina [XI] -
Appears on: 32v–35
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris IV: O pia
35v–37 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [I] -
Appears on: 35v–37
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
37v–39 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [II] -
Appears on: 37v–39
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
39v–41 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [III] -
Appears on: 39v–41
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
41v–43 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [IV] -
Appears on: 41v–43
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
43v–45 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [V] -
Appears on: 43v–45
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
45v–46 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [VI] -
Appears on: 45v–46
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
46v–47 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [VII] -
Appears on: 46v–47
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
47v–49 Christe qui lux es (2p. Defensor noster aspice), 4vv [I] -
Appears on: 47v–49
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
49v–51 Christe qui lux es (2p. Defensor noster aspice), 4vv [II] -
Appears on: 49v–51
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis (2p Defensor noster aspice insidiantes)
51v–53 Christe qui lux es (2p. Defensor noster aspice), 4vv [III] -
Appears on: 51v–53
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes

Item Bibliography

Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. Studies in Medieval and Renaissance Music. 432. Boydell Press. Pages: 285ff.

53v–55 Christe qui lux es (2p. Defensor noster aspice), 4vv [IV] -
Appears on: 53v–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
55v–56 [Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [VIII] -
Appears on: 55v–56
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: [Regina caeli laetare] Quia quem meruisti II: Ora pro nobis deum alleluia
57–58 Salve regina misericordiae / Fors seullement - Anonymous
Appears on: 57–58
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: insufficient
Voice Text: See under f. 1v
General Note

beginning missing; probably a continuation of the fragment at f. 1v

58v–59 Christe qui lux es (2p. Defensor noster aspice), 4vv [V] Joannes flamingus
Appears on: 58v–59
Genres: Motet
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
59v–64 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia O dulcis virgo Maria Benedictus
Appears on: 59v–64
Genres: Motet, Salve Regina
Source Attribution: Benedictus
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] [V]ita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia O dulcis virgo Maria
64v–65 Ave Maria gratia plena Dominus tecum - Anonymous
Appears on: 64v–65
Genres: Ave Maria, Motet
Voice: [no designation]
Languages: Latin
Voice Text: (Ave Maria) Gracia plena dominus tecum
65v–66 Ave Maria gratia plena Dominus tecum Clemens non Papa [Conflicting attributions to Crecquillon & Gheerkin de Hondt crossed out or erased]
Appears on: 65v–66
Genres: Ave Maria, Motet
Source Attribution: Clemens non Papa [Conflicting attributions to Crecquillon & Gheerkin de Hondt crossed out or erased]
Voice: [no designation]
Languages: Latin
Voice Text: (Ave Maria) Gratia plena dominus tecum
66v–69 Inviolata integra et casta es Maria (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) Michal Smeekirs
Appears on: 66v–69
Genres: Motet
Source Attribution: Michal Smeekirs
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria II: Nostra ut pura pectora sint III: O benigna O regina O Maria
69v–70 Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens Jochime de Monte
Appears on: 69v–70
Genres: Motet
Source Attribution: Jochime de Monte
Voice: [no designation]
Languages: Latin
Voice Text: Aurea luce et decore roseo lux lucis 3 Jam bone pastor Petre clemens accipe
70v–74 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) -
Appears on: 70v–74
Genres: Motet, Stabat Mater
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Eya mater fons amoris me sentire
74v–78 Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) -
Appears on: 74v–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus deus meus qui docet II: Omnes gentes plaudite manibus
78v–81 Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) -
Appears on: 78v–81
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria 24.4 II: Nostra ut pura pectora sint III: O benigna O regina O Maria
81v–85 Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) -
Appears on: 81v–85
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondit
85v–90 Exaudiat te Dominus (2p. Impleat Dominus) -
Appears on: 85v–90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Exaudiat te dominus in die tribulationis II: Impleat dominus omnes petitiones
90v–94 Illumina oculos meos (2p. Fac mecum signum in bonum) (= Quis dabit pacem) -
Appears on: 90v–94
Genres: Contrafactum, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Illumina oculos meos ne unquam obdormiam II: Fac mecum signum in bono ut videant [= Quis dabit pacem populo timenti]
94v–98 Domini est terra et plenitudo eius 16.12 (2p. Haec est generatio querentium) -
Appears on: 94v–98
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius 16.12 II: Hec est generacio querentium
98v–101 Pater noster (4vv) (2p. Ave Maria gratia plena) Adrianus Willaert
Appears on: 98v–101
Genres: Ave Maria, Motet, Pater noster
Source Attribution: Adrianus Willaert
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis
101v–107 Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum) -
Appears on: 101v–107
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus edificaverit domum in vanum II: Cum dederit dilectis suis somnum
107v–110 Quam pulchra es amica mea formosa mea (2p. Labia distillantia guttur tuum) - Anonymous
Appears on: 107v–110
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es amica mea formosa mea II: Labia distillantia guttur tuum
110v–114 Cenantibus illis accepit Hiesus panem (2p. Quocienscumque manducabitis panem) - Anonymous
Appears on: 110v–114
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cenantibus illis accepit Hiesus panem II: Quocienscumque manducabitis panem
114v–118 O bone et dulcissime Jesu Christe 21.9 (2p. Si ego commisi per quod dannare) -
Appears on: 114v–118
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O bone et dulcissime Hiesu per tuam 21.9 II: Si ego commisi per quod damnare
118v–126 Benedic anima mea Domino et omnia (2p. Non secundum peccata nostra fecit; 3p. Quoniam spiritus pertransibit) -
Appears on: 118v–126
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedic anima mea domino et omnia II: Non secundum peccata nostra fecit III: Quoniam spiritus pertransibit
Concordances

ascribed to Isaac in Secundus Tomus Psalmorum selectorum (1539-9), but the same piece occurs in Motetti della corona II ( 1519-1), there ascribed to Eustachius de monte regali.

126v–129 Qui confidunt in Domino sicut mons Sion - Anonymous
Appears on: 126v–129
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui confidunt in domino sicut mons Syon
129v–130 Christe qui lux es (2p. Defensor noster aspice), 4vv [VI] Joannes flamingus
Appears on: 129v–130
Genres: Motet
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
130v–141 Vir quidam erat in Cesaria nomine Cornelius (2p. Obstupuerunt autem quodquod aderant) C. potoletus
Appears on: 130v–141
Genres: Motet
Source Attribution: C. potoletus
Voice: [no designation]
Languages: Latin
Voice Text: Vir quidam erat in Cesaria nomine Cornelius II: Obstupuerunt autem quodquod aderant
141v–147 Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Iosquin des pres
Appears on: 141v–147
Genres: Motet
Source Attribution: Iosquin des pres
Voice: [no designation]
Languages: Latin
Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
147v–152 Ego sum panis vitae qui venit ad me (2p. Panis enim verus est qui de caelo) Pe. Iordain
Appears on: 147v–152
Genres: Motet
Source Attribution: Pe. Iordain
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum panis vite qui venit ad me II: Panis enim verus est qui de celo
153v–162 Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) -
Appears on: 153v–162
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis eius
162v–167 Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) -
Appears on: 162v–167
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jherusalem luge et exue te vestibus II: Deduc quasi torrentem lacrimas
167v Quod chorus vatum venerandus olim - Anonymous
Appears on: 167v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quod chorus vatum venerandus olim [incomplete]
168v–171 Magnificat Primi Toni: Et exultavit [K.171] -
Appears on: 168v–171
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Primi thoni: Et exultavit spiritus meus
171v–174 Magnificat Primi Toni: Et exultavit [K.787] Joannes Flamingus
Appears on: 171v–174
Genres: BVM, Canticle, Magnificat
Source Attribution: Joannes Flamingus
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Primi thoni: Et exultavit spiritus meus
174v–177 Magnificat Secundi Toni: Et exultavit [K.213] -
Appears on: 174v–177
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Secundi thoni: [E]t exultavit spiritus meus
178–182 Magnificat: (exc) Quia fecit mihi magna [K.172] - Anonymous
Appears on: 178–182
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] ... Quia fecit michi magna [incomplete]
182v–183 Christe qui lux es (2p. Defensor noster aspice), 4vv [VII] - 2a pars of 2: Defensor noster aspice -
Appears on: 182v–183
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Christe qui lux es et dies noctis] 5 Defensor noster aspice insidiantes
183v–190 Magnificat Primi Toni: Et exultavit [K.823] Hesdin
Appears on: 183v–190
Genres: BVM, Canticle, Magnificat
Source Attribution: Hesdin
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Primi thoni: Et exultavit spiritus meus
190v–196 Magnificat Secundi Toni: Et exultavit [K.591] Benedictus
Appears on: 190v–196
Genres: BVM, Canticle, Magnificat
Source Attribution: Benedictus
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Secundi thoni: Et exultavit spiritus meus
196v–202 Magnificat Tertii Toni: Et exultavit spiritus meus Jacotim
Appears on: 196v–202
Genres: BVM, Canticle, Magnificat
Source Attribution: Jacotim
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Tertii thoni: Et exultavit spiritus meus
202v–208 Magnificat quarti toni: Et exultavit [K.1154] Willart
Appears on: 202v–208
Genres: BVM, Canticle, Magnificat
Source Attribution: Willart
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quarti thoni: Et exultavit spiritus meus
208v–214 Magnificat quarti toni: Et exultavit [K.938] Mouton
Appears on: 208v–214
Genres: BVM, Canticle, Magnificat
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quarti thoni: Et exultavit spiritus meus
214v–219 Magnificat Quinti Toni: Et exultavit [K.940] Mouton
Appears on: 214v–219
Genres: BVM, Canticle, Magnificat
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quinti thoni: Et exultavit spiritus meus
219v–220 Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas - Anonymous
Appears on: 219v–220
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quod chorus vatum venerandus olim 3 Quem senex iustus Simeon in ulnas
220v–226 Magnificat [K.683] sexti toni: Et exultavit Clemens
Appears on: 220v–226
Genres: BVM, Canticle, Magnificat
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti thoni: Et exultavit spiritus meus
226v–232 Magnificat Sexti Toni: Et exultavit [K.1015] Richafort
Appears on: 226v–232
Genres: BVM, Canticle, Magnificat
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti thoni: Et exultavit spiritus meus
232v–237 Magnificat Septimi Toni: Et exultavit spiritus meus Gascongne
Appears on: 232v–237
Genres: BVM, Canticle, Magnificat
Source Attribution: Gascongne
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Septimi thoni: Et exultavit spiritus meus (incomplete)
237v–244 Magnificat Septimi Toni: Et exultavit spiritus meus Jacotin
Appears on: 237v–244
Genres: BVM, Canticle, Magnificat
Source Attribution: Jacotin
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Septimi thoni: Et exultavit spiritus meus
244v–249 Magnificat octavi toni: Et exultavit [K.1016] -
Appears on: 244v–249
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus [incomplete]
249v–254 Magnificat octavi toni: Et exultavit Claudius potoletus
Appears on: 249v–254
Genres: BVM, Canticle, Magnificat
Source Attribution: Claudius potoletus
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
254v–260 Te Deum laudamus - Anonymous

Te Deum laudamus

Anonymous
Appears on: 254v–260
Genres: Liturgical work, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum laudamus] Te eternum patrem
260v–268 Te Deum laudamus Claudius potoletus
Appears on: 260v–268
Genres: Liturgical work, Te Deum
Source Attribution: Claudius potoletus
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum laudamus] Te eternum patrem
268v–273 Inviolata integra et casta es Maria (2p. Que nunc flagitant devota corda; 3p. Nobis comedas veniam per saecula) Claudius potoletus
Appears on: 268v–273
Genres: Motet
Source Attribution: Claudius potoletus
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria II: Que nunc flagitant devota corda III: Nobis comedas veniam per secula
273v–279 De profundis clamavi ad te Domine (2p. Sustinuit anima mea in verbo eius) Claudius potoletus
Appears on: 273v–279
Genres: Motet
Source Attribution: Claudius potoletus
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine II: Sustinuit anima mea in verbo eius
279v–282 O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior) Jochimus de monte
Appears on: 279v–282
Genres: Motet
Source Attribution: Jochimus de monte
Voice: [no designation]
Languages: Latin
Voice Text: O Elisabet insignis digna sublimari II: Cum puellis certavisti templum
282v–283 Christe qui lux es (2p. Defensor noster aspice), 4vv [VIII] Joannes flamingus
Appears on: 282v–283
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
283v–303 Missa D'amour me plains Cricquil.
Appears on: 283v–303
Genres: Mass Ordinary
Source Attribution: Cricquil.
Voice: [no designation]
Languages: Latin
Voice Text: Missa Damour me plains
303v–305 Maria mater Domini aeterni patris filii 3 Caelum terramque qui regit in te - Anonymous
Appears on: 303v–305
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Maria mater domini eterni patris filii 3 Celum terramque qui regit in te
305v–328 Missa Je prens en gré: Kyrie Cricquillon
Appears on: 305v–328
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Je prens en grets [KGCS]
328v–329 Salve regina misericordiae ... Ad te suspiramus gementes et flentes - Anonymous
Appears on: 328v–329
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] ... Ad te suspiramus gementes et flentes [incomplete]
329v–330 Christe qui lux es (2p. Defensor noster aspice), 3vv - 2a pars of 2: Defensor noster aspice Joannes flamingus
Appears on: 329v–330
Genres: Motet
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: [Christe qui lux es et dies noctis] 5 Defensor noster aspice insidiantes
330v–353 Missa Sine nomine KGCS - Anonymous
Appears on: 330v–353
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sine nomine] [KGCS]
353v–354 Christe qui lux es (2p. Defensor noster aspice), 4vv [IX] Joannes flamingus
Appears on: 353v–354
Genres: Motet
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
354v–359 Vidi aquam Egredientem de templo Vs: Confitemini Quoniam in saeculum Claudius potoletus
Appears on: 354v–359
Genres: Motet
Source Attribution: Claudius potoletus
Voice: [no designation]
Languages: Latin
Voice Text: (Vidi aquam) Egredientem de templo Vs: (Confitemini) Quoniam in seculum
359v–361v Asperges me Domine isopo et mundabor - Anonymous
Appears on: 359v–361v
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: (Asperges me) Domine isopo et mundabor [incomplete]
362v–363 Nunc dimittis Sexti Toni Quia viderunt oculi mei -
Appears on: 362v–363
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Sexti [thoni] Quia viderunt oculi mei
363v–364 Nunc dimittis Octavi toni Quia viderunt oculi mei -
Appears on: 363v–364
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Octavi to[ni] Quia viderunt oculi mei
364v–365 Nunc dimittis Quarti Toni Quia viderunt oculi mei -
Appears on: 364v–365
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Quarti [thoni] Quia viderunt oculi mei
366 Tu congnovisti sessionem meam (fragment: Resurrexi et adhuc tecum sum) - Anonymous
Appears on: 366
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tu congnovisti sessionem meam [fragment] [Resurrexi et adhuc tecum sum]
366v–367 Nunc dimittis Quia viderunt oculi mei Joannes flamingus
Appears on: 366v–367
Genres: Canticle
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Quia viderunt oculi mei
367v Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te Benedictus
Appears on: 367v
Genres: Ave maris stella, Motet
Source Attribution: Benedictus
Voice: [no designation]
Languages: Latin
Voice Text: [Ave maris stella dei mater alma] 2 Sumens illud ave Gabrielis ore [incomplete]
368v–369 Iam bone pastor / Sit trinitati sempiterna gloria Joannes flamingus
Appears on: 368v–369
Genres: Motet
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: [Aurea luce et decore roseo lux lucis] 3 Jam bone pastor Petre clemens accipe 6 Sit trinitati sempiterna gloria
369v–370 In Mariam vite viam matrem veram 6 Precursorem et doctorem Maria manu Joannes flamingus
Appears on: 369v–370
Genres: Motet
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: In Mariam vite viam matrem veram 6 Precursorem et doctorem Maria manu
370v–371 Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam -
Appears on: 370v–371
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Hostis Herodes impie Christum venire] 2 Ibant magi quam viderant stellam
371v Gloria tibi Domine qui natus est fragment -
Appears on: 371v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi domine qui natus est [fragment]
372 Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur Joannes flamingus
Appears on: 372
Genres: Motet
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis mysterium] 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur (incomplete)
373 Nunc dimittis Quia viderunt oculi mei Joannes flamingus
Appears on: 373
Genres: Canticle
Source Attribution: Joannes flamingus
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis] Quia viderunt oculi mei [fragmentary]
373v–377 Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore Jam bone pastor Petre clemens" 3 Porte nitent margaritis abditis) - Anonymous
Appears on: 373v–377
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Urbs beata Jherusalem dicta pacis visio (Alternate text: "[Aurea luce et decore] Jam bone pastor Petre clemens") 3 Porte nitent margaritis abditis
377v–379 A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam Jochimus de monte
Appears on: 377v–379
Genres: Motet
Source Attribution: Jochimus de monte
Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus cardine ad usque terre (Alternate text: "[Hostis Herodes impie] Ibant magi quam viderant stellam")
379v–382 Christe qui lux es et dies noctis (2p. Defensor noster aspice insidiantes), 5vv Jochimus de monte
Appears on: 379v–382
Genres: Motet
Source Attribution: Jochimus de monte
Voice: [no designation]
Languages: Latin
Voice Text: Criste qui lux es et dies noctis 5 Defensor noster aspice insidiantes
382 A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam Jochimus de monte
Appears on: 382
Genres: Motet
Source Attribution: Jochimus de monte
Voice: [no designation]
Languages: Latin
Voice Text: [A solis ortus cardine ad usque terrae] 4 Domus pudici pectoris templum repente
382v Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen Jochimus de monte
Appears on: 382v
Genres: Ave maris stella, Motet
Source Attribution: Jochimus de monte
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella dei mater alma [incomplete]
383v–384 Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur -
Appears on: 383v–384
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis mysterium] 5 (Tantum ergo sacramentum) Veneremur 6 (Genitori genitoque) Laus et iubilatio
384v–386 Cibavit eos ex adipe frumenti Alleluia Vs: Exultate deo adjutori Jubilate deo -
Appears on: 384v–386
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos ex adipe frumenti alleluya Vs: (Exultate deo adiutori) Jubilate deo
386v–391v Missa Veni Domine: KGC Johannes flamingus
Appears on: 386v–391v
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Johannes flamingus
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Veni domine [KGC] [incomplete]
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Caen, Arnold
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Flamingus, Johannes
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Heurteur, Guillaume le (fl. 1530-1545)
Isaac, Heinrich (ca. 1450–1517)
Jacotin, Jacques (1445–1529)
Jordan, Petrus
Leo X (Medici) (1475–1521)
Lheritier, Jean (ca. 1480–ca. 1551)
Monte Regali, Eustachius de (–1527)
Monte, Joachimus de
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Patoulet, Claudin
Richafort, Jean (ca. 1480–ca. 1550)
Sermisy, Claudin de (ca. 1490–1562)
Smeekins, Michael
Vinders, Jheronimus (fl. c1525-1526)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [I] 35v–37
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [II] 37v–39
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [III] 39v–41
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [IV] 41v–43
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [V] 43v–45
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [VI] 45v–46
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [VII] 46v–47
[Regina caeli] Quia quem meruisti (2p. Ora pro nobis) [VIII] 55v–56
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam 377v–379
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam 382
Asperges me Domine isopo et mundabor Anonymous 359v–361v
Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens 69v–70
Ave Maria gratia plena Dominus tecum Anonymous 64v–65
Ave Maria gratia plena Dominus tecum 65v–66
Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te 367v
Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen 382v
Benedic anima mea Domino et omnia (2p. Non secundum peccata nostra fecit; 3p. Quoniam spiritus pertransibit) 118v–126
Benedictus Dominus Deus meus qui docet (2p. Omnes gentes plaudite manibus) 74v–78
Cenantibus illis accepit Hiesus panem (2p. Quocienscumque manducabitis panem) Anonymous 110v–114
Christe qui lux es (2p. Defensor noster aspice), 3vv - 2a pars of 2: Defensor noster aspice 329v–330
Christe qui lux es (2p. Defensor noster aspice), 4vv [I] 47v–49
Christe qui lux es (2p. Defensor noster aspice), 4vv [II] 49v–51
Christe qui lux es (2p. Defensor noster aspice), 4vv [III] 51v–53
Christe qui lux es (2p. Defensor noster aspice), 4vv [IV] 53v–55
Christe qui lux es (2p. Defensor noster aspice), 4vv [IX] 353v–354
Christe qui lux es (2p. Defensor noster aspice), 4vv [V] 58v–59
Christe qui lux es (2p. Defensor noster aspice), 4vv [VI] 129v–130
Christe qui lux es (2p. Defensor noster aspice), 4vv [VII] - 2a pars of 2: Defensor noster aspice 182v–183
Christe qui lux es (2p. Defensor noster aspice), 4vv [VIII] 282v–283
Christe qui lux es et dies noctis (2p. Defensor noster aspice insidiantes), 5vv 379v–382
Cibavit eos ex adipe frumenti Alleluia Vs: Exultate deo adjutori Jubilate deo 384v–386
De profundis clamavi ad te Domine (2p. Sustinuit anima mea in verbo eius) 273v–279
Domini est terra et plenitudo eius 16.12 (2p. Haec est generatio querentium) 94v–98
Ego sum panis vitae qui venit ad me (2p. Panis enim verus est qui de caelo) 147v–152
Exaudiat te Dominus (2p. Impleat Dominus) 85v–90
Gloria tibi Domine qui natus est fragment 371v
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 370v–371
Iam bone pastor / Sit trinitati sempiterna gloria 368v–369
Illumina oculos meos (2p. Fac mecum signum in bonum) (= Quis dabit pacem) 90v–94
In Mariam vite viam matrem veram 6 Precursorem et doctorem Maria manu 369v–370
Inviolata integra et casta es Maria (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) 66v–69
Inviolata integra et casta es Maria (2p. Que nunc flagitant devota corda; 3p. Nobis comedas veniam per saecula) 268v–273
Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) 78v–81
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 162v–167
Magnificat [K.683] sexti toni: Et exultavit 220v–226
Magnificat octavi toni: Et exultavit 249v–254
Magnificat octavi toni: Et exultavit [K.1016] 244v–249
Magnificat Primi Toni: Et exultavit [K.171] 168v–171
Magnificat Primi Toni: Et exultavit [K.787] 171v–174
Magnificat Primi Toni: Et exultavit [K.823] 183v–190
Magnificat quarti toni: Et exultavit [K.1154] 202v–208
Magnificat quarti toni: Et exultavit [K.938] 208v–214
Magnificat Quinti Toni: Et exultavit [K.940] 214v–219
Magnificat Secundi Toni: Et exultavit [K.213] 174v–177
Magnificat Secundi Toni: Et exultavit [K.591] 190v–196
Magnificat Septimi Toni: Et exultavit spiritus meus 232v–237
Magnificat Septimi Toni: Et exultavit spiritus meus 237v–244
Magnificat Sexti Toni: Et exultavit [K.1015] 226v–232
Magnificat Tertii Toni: Et exultavit spiritus meus 196v–202
Magnificat: (exc) Quia fecit mihi magna [K.172] Anonymous 178–182
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 153v–162
Maria mater Domini aeterni patris filii 3 Caelum terramque qui regit in te Anonymous 303v–305
Missa D'amour me plains 283v–303
Missa Je prens en gré: Kyrie 305v–328
Missa Sine nomine KGCS Anonymous 330v–353
Missa Veni Domine: KGC 386v–391v
Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum) 101v–107
Nunc dimittis Octavi toni Quia viderunt oculi mei 363v–364
Nunc dimittis Quarti Toni Quia viderunt oculi mei 364v–365
Nunc dimittis Quia viderunt oculi mei 366v–367
Nunc dimittis Quia viderunt oculi mei 373
Nunc dimittis Sexti Toni Quia viderunt oculi mei 362v–363
O bone et dulcissime Jesu Christe 21.9 (2p. Si ego commisi per quod dannare) 114v–118
O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior) 279v–282
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur 372
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur 383v–384
Pater noster (4vv) (2p. Ave Maria gratia plena) 98v–101
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) 141v–147
Quam pulchra es amica mea formosa mea (2p. Labia distillantia guttur tuum) Anonymous 107v–110
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) 81v–85
Qui confidunt in Domino sicut mons Sion Anonymous 126v–129
Quod chorus vatum venerandus olim Anonymous 167v
Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas Anonymous 219v–220
Salve regina [I] 2–5
Salve regina [II] 5v–9
Salve regina [III] 9v–13
Salve regina [IV] 13v–17
Salve regina [IX] 28v–31
Salve regina [V] 17v–20
Salve regina [VI] 20v–24
Salve regina [VII] 24v–26
Salve regina [VIII] 26v–28
Salve regina [X] 31v–32
Salve regina [XI] 32v–35
Salve regina misericordiae ... Ad te suspiramus gementes et flentes Anonymous 328v–329
Salve regina misericordiae / Fors seullement Anonymous 1v, 57–58
Salve regina misericordiae / Fors seullement Anonymous 57–58
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia O dulcis virgo Maria 59v–64
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 70v–74
Te Deum laudamus Anonymous 254v–260
Te Deum laudamus 260v–268
Tu congnovisti sessionem meam (fragment: Resurrexi et adhuc tecum sum) Anonymous 366
Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore Jam bone pastor Petre clemens" 3 Porte nitent margaritis abditis) Anonymous 373v–377
Vidi aquam Egredientem de templo Vs: Confitemini Quoniam in saeculum 354v–359
Vir quidam erat in Cesaria nomine Cornelius (2p. Obstupuerunt autem quodquod aderant) 130v–141

denotes primary source study

Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. Studies in Medieval and Renaissance Music. 432. Boydell Press. Pages: 106-139, 282-302 & passim. Notes: physical decsription, contents list; concordances, facsimiles (partial), discussion.

Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 74, 517, 533-4, 538-9. Notes: contents list (partial); concordances (partial); incipits (partial).

Hudson, Barton (editor). 1974. Thomas Crecquillon: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xii, xiv, xvi-xviii. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlii, lviii. Notes: physical description (partial); contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 142. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Versprille, Annie J. 1965. De Geschiedenis van de Leidse Motetboeken. Jaarboekje voor Geschiedenis en Oudheidkunde van Leiden en Omstreken, 100-5. Notes: physical description (partial); additional bibliography.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, i; XXI, xii, 93-5. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: CII, vi-vii, 1-10. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VII, v; XXV, xli. Notes: physical description; contents list; incipitsst of contents (partial).

Overvoorde, J C. 1914. Catalogus van Voorwerpen in het Stedelijk Museum "De Lakenhal" te Leiden.  Leiden. Pages: 74-5. Notes: physical description (partial); contents list.

Land, J P N. 1874-81. De Koorboeken van de St. Pieterskerk te Leiden. Bouwsteenen, 37-48. Notes: physical description; contents list.

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Marnix van Berchum

Tuesday, 4 March, 2025

Notified that the settings of 'Christe qui lux es' ascribed to Johannes Flamingus are all separate settings (not the same composition), referring to Jas 2018, pp. 285ff.

Christoph Burmester

Sunday, 1 November, 2020

Composer ascription for Benedic anima mea (ff. 118v-126) adjusted: ascribed to Isaac in Secundus Tomus Psalmorum selectorum (1539-9), but the same piece occurs in Motetti della corona II ( 1519-1), there ascribed to Eustachius de monte regali.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description