D-LEu MS Thomaskirche 51 (1)

Universitätsbibliothek, Leipzig, Germany

partbook: c. 1555 (with a few slightly later additions)

Archive Universitätsbibliothek, Leipzig, Germany (D-LEu)
Shelfmark MS Thomaskirche 51 (1)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 307 x 207 mm
Other Identifiers
  • CCM: LeipU 51
  • olim (Former shelfmark): III, A. a 22-23
Copyists
Relationships
Provenance
Contents 101 pieces from 44 composers
General Description

A Tenor partbook from a set originally of four volumes. Copied by five scribes, one of whom ('Andream Iudicem' = Andreas Richter) is identified in an inscription inside back cover of Bassus book; all five hands also appear in LeipU 49 (NoblRL). Repertory in five main sections - I: 15 Masses, probably copied from an Ott/Formschneider print of which no exemplars have survived (NoblRL); II: 9 motets and 1 German sacred piece; III: 19 pieces with Latin texts in classical meters, copied from the print RISM 1539/26; IV: 50 motets, copied from the prints RISM 1538/7, 1538/8, and 1540/6; V: 5 Masses, copied from the print RISM 1541/1. (Remaining two pieces added at end of each book shortly after copying of five main sections). Copied in Leipzig, perhaps under the direction of Melchior Heger (1522-68), cantor at the St. Thomaskirche. Remained in library of Thomaskirche until 1930, then transferred to Universitätsbibliothek. Removed for safekeeping during World War II; returned to Universitätsbibliothek in 1959.

DIAMM, 2017
Binding

Original covers of cardboard covered with parchment from 14th-century(?) liturgical manuscript, in poor condition

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation in several hands, 1-133

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

20 Masses, 1 Te Deum, 58 motets, 1 German sacred piece, 1 Latin/Italian secular piece (= Josquin's "In te domine speravi," with Latin psalm text only in this source), 19 pieces with Latin texts in classical meters (Horatian odes, etc.), 1 textless piece = 101

A. Agricola-1, A. Agricola/(Obrecht)-1, (Barra/Elimon)-1, (Brumel)-1, (Burckstaller)-1, Compère/Josquin [Josquini Alles regres Compares]-1, (Conseil/Lhéritier/Willaert)-1, (Ducis)-2, (Eckel)-1, (Forster)-3, Ghiselin-3, (Hesdin)-2, (Hofhaimer)-12, (Isaac)-1, (Isaac/Obrecht)-1, (Jaquet of Mantua)-3, (Jonckers)-2, Josquin-6, Josquin/(Compère)-1, La Rue-2, (Lafage/Mouton)-1, (Lasson/Verdelot)-1, (F. Layolle)-1, (Le Cocq)-1, (Lhéritier)-1, (Lupi/Mouton)-1, (Mahu/Walter)-1, (Mouton)-1, Obrecht-3,* (Obrecht/Willaert)-1, (Penet)-1, (Peschin)-1, (Rener)-2, (Richafort)-1, (Roselli)-1, (Senfl)-8 + 1?, (Sermisy)-1, (Unterholtzer)-1, (Verdelot)-2, (Verdelot/Walter)-1, (Walter)-1, (Wannenmacher)-1, anon-21

*Credo of "Missa Veci la danse," attributed to Obrecht in LeipU 51, is concordant with Credo of an otherwise different Mass Ordinary cycle in JenaU 36, ff. 107'-112, attributed to Rener.

2 paper partbooks of an original 4 (T-i + 133 folios, B-ii + 151), 307 x 207. Modern pencil foliation in several hands - T: 1-133; B: 1-91 + 91a-150. Original covers of cardboard covered with parchment from 14th-century(?) liturgical manuscript, in poor condition. No index. Copied by five scribes, one of whom ("Andream Iudicem" = Andreas Richter) is identified in an inscription inside back cover of B book; all five hands also appear in LeipU 49 (NoblRL). No initials or decoration. Repertory in five main sections - I: 15 Masses, probably copied from an Ott/Formschneider print of which no exemplars have survived (NoblRL); II: 9 motets and 1 German sacred piece; III: 19 pieces with Latin texts in classical meters, copied from the print RISM 1539/26; IV: 50 motets, copied from the prints RISM 1538/7, 1538/8, and 1540/6; V: 5 Masses, copied from the print RISM 1541/1. (Remaining two pieces added at end of each book shortly after copying of five main sections).

Ca. 1555 (with a few slightly later additions). Copied in Leipzig, perhaps under the direction of Melchior Heger (1522-68), cantor at the St. Thomaskirche. Remained in library of Thomaskirche until 1930, then transferred to Universitätsbibliothek. Removed for safekeeping during World War II; returned to Universitätsbibliothek in 1959.

Vol 4

Composers: Add "(L. Padovano)-1"; change "anon-21" to "anon-20."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–6 Missa Malheur me bat 9.1 Josquin
Appears on: 1–6
Genres: Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Missa Malhuer me bat 9.1
6–12v Missa Malheur me bat Alexander Agricola/[Obrecht]
Appears on: 6–12v
Genres: Mass Ordinary
Source Attribution: Alexander Agricola/[Obrecht]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Malheur me bat
12v–16 Missa L'homme armé sexti toni 6.2 Josquini
Appears on: 12v–16
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Missa Lomme arme VI Toni. In Ut 6.2
16–19 Missa L'homme armé I Petri de la Rue
Appears on: 16–19
Genres: Mass Ordinary
Source Attribution: Petri de la Rue
Voice: [no designation]
Languages: Latin
Voice Text: Missa Lomme arme
19–22 Missa L'homme armé 6.1 Josquini/[Compère]
Appears on: 19–22
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Josquini/[Compère]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Lomne arme in Mj 6.1
22–24v Missa Allez regrets (II) 7.2 Josquini ... Compares [= Compère]
Appears on: 22–24v
Genres: Mass Ordinary
Source Attribution: Josquini ... Compares [= Compère]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Alles regres [II] 7.2
24v–28v Missa Mon seul plaisir 9.2 Josquini
Appears on: 24v–28v
Genres: Mass Ordinary
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Monseur phaisair [= Missa Mon seul plaisir] 9.2
28v–32 Missa Sing ich nicht wohl, es ist mir leid Anon. Anonymous
Appears on: 28v–32
Genres: Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Missa Sing ich nicht wol es ist mir leid
32–35 Missa O quam suavis est Jacobus Obrecht
Appears on: 32–35
Genres: Mass Ordinary
Source Attribution: Jacobus Obrecht
Voice: [no designation]
Languages: Latin
Voice Text: Missa O quam suavis
35v–38 Missa Je ne demande Jacobus Obrecht
Appears on: 35v–38
Genres: Mass Ordinary
Source Attribution: Jacobus Obrecht
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Ie ne demande
38–42v Missa Je ne demande: Kyrie Alexander Agricola
Appears on: 38–42v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Alexander Agricola
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Ie ne demande
42v–45v Missa Veci la danse Barbari: KGCS Jacobus Obrecht
Appears on: 42v–45v
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Jacobus Obrecht
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa [Veci la danse Barbari] [KGCS]
46–48v Missa Le renvoy Johannes Giselin
Appears on: 46–48v
Genres: Mass Ordinary
Source Attribution: Johannes Giselin
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Le renvoy]
48v–52v Missa La belle se siet Joannes Ghiselin
Appears on: 48v–52v
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Joannes Ghiselin
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La belle se siet]
52v–54v Missa N'arai-je jamais mieux Johannes Ghiselin
Appears on: 52v–54v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Johannes Ghiselin
Voice: [no designation]
Languages: Latin
Voice Text: Missa Naraige [jamais mieulx]
55–55v Deus qui sedes super thronum (4vv) [Verdelot/Walter]
Appears on: 55–55v
Genres: Motet
Source Attribution: [Verdelot/Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Deus qui sedes super thronum et iudicas
56–57 Deus misereatur nostri et benedicat nobis (2p. Laetentur et exultent gentes quoniam) [Walter]
Appears on: 56–57
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis II: Letentur et exultent gentes quoniam
57v–58v Nuptiae factae sunt in Chana Gallileae [Barra/Elimon]
Appears on: 57v–58v
Genres: Motet
Source Attribution: [Barra/Elimon]
Voice: [no designation]
Languages: Latin
Voice Text: Nuptiae factae sunt in Cana Galileae
58v–60 Laetatus sum in hiis que dicta sunt mihi (2p. Rogate que ad pacem sunt Jerusalem) [Wannenmacher]
Appears on: 58v–60
Genres: Motet
Source Attribution: [Wannenmacher]
Voice: [no designation]
Languages: Latin
Voice Text: Laetatus sum in his quae dicta sunt mihi II: Rogate quae ad pacem sunt Hierusalem
60–61 Jubilate Deo omnis terra psalmum dicite II: Jubilate Deo omnis terra cum jubilo III: Laudate eum in cymbalis bene Anon. Anonymous
Appears on: 60–61
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra psalmum dicite II: Jubilate deo omnis terra cum iubilo III: Laudate eum in cymbalis bene
61–62 Dominus regnavit decorem indutus est 17.1 II: Mirabiles elationes maris mirabilis [Josquin]
Appears on: 61–62
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Dominus regnavit decorem indutus est 17.1 II: Mirabiles elationes maris mirabilis
62–62v Jauchzet dem Herren alle welt dienet II: Geht zu seinen thoren ein mit danken [Burckstaller]
Appears on: 62–62v
Genres: Motet
Source Attribution: [Burckstaller]
Voice: [no designation]
Languages: German
Voice Text: Jauchzetth dem Herrn alle weltth dienett II: Gehett zu seinen thoren ein
63–63v Sic Deus dilexit mundum ut filium suum II: Qui vero non ordit jam condemnatus Anon. Anonymous
Appears on: 63–63v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum ut filium suum II: Qui vero non ordit iam condemnatus
63v–64 Laudate Dominum de caelis laudate eum Anon. Anonymous
Appears on: 63v–64
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum de coelis laudate eum
64–64v Contingat illis turturum concordia cor meum Anon. Anonymous
Appears on: 64–64v
Genres: Troped ite
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Contingat illis turturum concordia
65 Mecaenas Atavis aedite regibus [Hofhaimer]
Appears on: 65
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Mecaenas Atavis aedite regibus
65 Jam satis terris nivis atque dirae [Hofhaimer]
Appears on: 65
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Iam satis terris nivis atque dirae
65 Quis multa gracilis te puer in rosa [Hofhaimer]
Appears on: 65
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Quis multa gracilis te puer in rosa
65–65v Scriberis vario fortis et hostium victor [Hofhaimer]
Appears on: 65–65v
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Scriberis vario fortis et hostium victor
65v Vides ut alta stet nive candidum [Hofhaimer]
Appears on: 65v
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Vides ut alta stet nive candidum
65v Si bene te novi metues liberrime Lolli [Hofhaimer]
Appears on: 65v
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Italian
Voice Text: Si bene te novi metues liberrime Lolli
65v Aequam memento rebus in arduis servare [Hofhaimer]
Appears on: 65v
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Aequam memento rebus in arduis servare
66 Quid est quod arctum circulum sol jam [Hofhaimer]
Appears on: 66
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Quid est quod arctum circulum sol iam
66 Quicumque Christum quaeritis oculos in altum [Hofhaimer]
Appears on: 66
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Quicumque Christum quaeritis oculos in altum
66 Ades pater supreme quem nemo vidit [Hofhaimer]
Appears on: 66
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Ades pater supreme quem nemo vidit
66 O summe rerum conditor cuius benigno [Hofhaimer]
Appears on: 66
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: O summe rerum conditor cuius benigno
66 Rerum creator maxime in te pater [Hofhaimer]
Appears on: 66
Genres: Motet
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: Latin
Voice Text: Rerum creator maxime in te pater
66 Rectius vives Lycini neque altum semper [Senfl]
Appears on: 66
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Rectius vives Lycini neque altum semper
66v Integer vitae scelerisque purus non eget [Senfl]
Appears on: 66v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Integer vitae scelerisque purus non eget
66v Non usitata nec tenui ferar penna biformis [Senfl]
Appears on: 66v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Non usitata nec tenui ferar penna biformis
66v O summe rerum conditor cuius benigno [Senfl]
Appears on: 66v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: O summe rerum conditor cuius benigno
66v–67 Rerum creator maxime in te pater [Senfl]
Appears on: 66v–67
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Rerum creator maxime in te pater
67 Ades pater supreme quem nemo vidit [Senfl]
Appears on: 67
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ades pater supreme quem nemo vidit
67 Collis ò heliconii cultor uraniae genus [Peschin]
Appears on: 67
Genres: Motet
Source Attribution: [Peschin]
Voice: [no designation]
Languages: Italian
Voice Text: Collis ò heliconii cultor uraniae genus
68 In te Domine speravi non confundar 28.18 [Josquin]
Appears on: 68
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: In te Domine speravi non confundar 28.17
68–68v Sicut lilium inter spinas sic anima mea [Brumel]
Appears on: 68–68v
Genres: Motet
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Sicut lilium inter spinas sic amica mea
68v Qui credit in filium habet vitam aeternam (= Dulcis amica Dei rosa vernans stella) [Prioris]
Appears on: 68v
Genres: Motet
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: Qui credit in filium habet vitam aeternam [= Dulcis amica dei rosa vernans stella]
68v–69v Homo quidam fecit caenam II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum (P97, 4vv) [Senfl]
Appears on: 68v–69v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit coenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum et bibite
69v Puer natus est nobis et filius datus est 26.9 [Josquin/Mouton]
Appears on: 69v
Genres: Motet
Source Attribution: [Josquin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus 26.9
70 Adjuva nos Deus salutaris noster Anon. Anonymous
Appears on: 70
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus salutaris noster
70–70v Non potest homo quicquam a se ipso facere [Forster]
Appears on: 70–70v
Genres: Motet
Source Attribution: [Forster]
Voice: [no designation]
Languages: Latin
Voice Text: Non potest homo quicquam a se facere
70v Conclusit Dominus omnia sub peccato [Forster]
Appears on: 70v
Genres: Motet
Source Attribution: [Forster]
Voice: [no designation]
Languages: Latin
Voice Text: Conclusit dominus omnia sub peccato
70v–71 Ave apertor caelorum ave Domine angelorum = Ave regina caelorum [La Rue]
Appears on: 70v–71
Genres: Motet
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Ave apertor caelorum ave domine angelorum [= Ave regina caelorum]
71v–72 Michael archangele veni in adjutorium [Sermisy]
Appears on: 71v–72
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Michael archangele veni in adiutorium
72–72v Ecce concipies et paries filium et vocabis (2p. Hic erit magnus et filius altissimi vocabitur) Anon. Anonymous
Appears on: 72–72v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis II: Hic erit magnus et filius altissimi
73 Laudate pueri Dominum laudate nomen Anon. Anonymous
Appears on: 73
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laudate pueri dominum laudate nomen
73 Ave Maria gratia plena Dominus tecum Anon. Anonymous
Appears on: 73
Genres: Ave Maria, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum
73v Domine clamavi ad te exaudi me [Forster]
Appears on: 73v
Genres: Motet
Source Attribution: [Forster]
Voice: [no designation]
Languages: Latin
Voice Text: Domine clamavi ad te exaudi me
73v–75 Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine) [Senfl]
Appears on: 73v–75
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Collegerunt pontifices et Pharisaei II: Unus autem ex ipsis Caÿphas nomine
75–76 Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse est Anon. Anonymous
Appears on: 75–76
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse est
76–77v Scimus quoniam diligentibus Deum omnia II: Sed quid dicemus ad haec Anon. Anonymous
Appears on: 76–77v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Scimus quoniam diligentibus deum omnia II: Sed quid dicemus ad haec
77v–79 Elisabeth Zachariae magnum virum genuit (2p. Inter natos mulierum non surrexit) [Lafage/Mouton]
Appears on: 77v–79
Genres: Motet
Source Attribution: [Lafage/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Elisabeth Zachariae magnum virum genuit II: Inter natos mulierum non surrexit
79–79v Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram [L. Padovano]
Appears on: 79–79v
Genres: Motet
Source Attribution: [L. Padovano]
Voice: [no designation]
Languages: Latin
Voice Text: Tu es Petrus et super hanc petram
79v–81 Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) [Richafort]
Appears on: 79v–81
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondit
81v Ego sum resurrectio et vita dicit Dominus Jesus [Mahu/Walter]
Appears on: 81v
Genres: Motet
Source Attribution: [Mahu/Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita dicit Jesus
82 Valde honorandus est beatus Johannes [Unterholtzer]
Appears on: 82
Genres: Motet
Source Attribution: [Unterholtzer]
Voice: [no designation]
Languages: Latin
Voice Text: Valde honorandus est beatus Joannes
82v Ingresso Zacharia templum Domini apparuit [Ducis]
Appears on: 82v
Genres: Motet
Source Attribution: [Ducis]
Voice: [no designation]
Languages: Latin
Voice Text: Ingresso Zacharia templum domini apparuit
82v–83v Virtute magna reddebant apostoli II: Repleti quidem spiritu sancto [Lasson/Verdelot]
Appears on: 82v–83v
Genres: Motet
Source Attribution: [Lasson/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Virtute magna reddebant apostoli II: Repleti sunt quidem spiritu
84 Converte nos Domine ad te et convertemur [Eckel]
Appears on: 84
Genres: Motet
Source Attribution: [Eckel]
Voice: [no designation]
Languages: Latin
Voice Text: Converte nos domine ad te et convertemur
84v Te Deum patrem Te spiritum sanctum [Ducis]
Appears on: 84v
Genres: Liturgical work, Te Deum
Source Attribution: [Ducis]
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum patrem] Te spiritum sanctum
84v–85v Gabriel archangelus apparuit Zachariae [Verdelot]
Appears on: 84v–85v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel archangelus apparuit Zachariae
85v Laus Deo pax vivis et requies defunctis Anon. Anonymous
Appears on: 85v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laus deo pax vivis et requies defunctis
86–87v Pater noster (4vv) (2p. Ave Maria gratia plena) [Obrecht/Willaert]
Appears on: 86–87v
Genres: Ave Maria, Motet, Pater noster
Source Attribution: [Obrecht/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis II: Ave Maria gratia plena dominus tecum
87v–88v Misit Herodes rex magnus ut affligeret II: Petrus autem ad se reversus dixit Anon. Anonymous
Appears on: 87v–88v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Misit Herodes rex magnus ut affligeret II: Petrus autem ad se reversus dixit
89–90 Miserere mei Domine miserere mei II: Et anima mea turbata est valde Anon. Anonymous
Appears on: 89–90
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei domine miserere mei II: Et anima mea turbata est valde
90–91v Heu mihi Domine quia peccavi nimis (2p. Anima mea turbata est valde) Anon.
Appears on: 90–91v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Heu mihi domine quia peccavi nimis II: Anima mea turbata est valde
91v–92v Stetit autem Salomon Ante altare Domini 14.14 II: Benedic Domine domum istam [Josquin]
Appears on: 91v–92v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Stetit autem Salomon] Ante altare Domini 14.13 II: Benedic domine [domum istam]
93–94v Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile Anon. Anonymous
Appears on: 93–94v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile
94v–95v Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini [Isaac/Obrecht]
Appears on: 94v–95v
Genres: Motet
Source Attribution: [Isaac/Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Judaea et Hierusalem nolite timere II: Cras egrediemini et dominus erit III: Constantes estote videbitis auxilium
96–97v Tria sunt munera pretiosa quae obtulerunt II: Reges Tharsis et insulae munera [Jonckers]
Appears on: 96–97v
Genres: Motet
Source Attribution: [Jonckers]
Voice: [no designation]
Languages: Latin
Voice Text: Tria sunt munera pretiosa quae obtulerunt II: Reges Tharsis et insulae munera
98–99 Quam pulchra es amica mea et quam decora (2p. Veni dilecte mi egrediamur in agrum) [Lupi/Mouton]
Appears on: 98–99
Genres: Motet
Source Attribution: [Lupi/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es amica mea et quam decora II: Veni dilecte mi egrediamur
99v–100v Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) [Jaquet of Mantua]
Appears on: 99v–100v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Fratres ego enim accepi a domino II: Similiter et calicem postquam
100v–101 Postquam impleti sunt dies purgationis Anon. Anonymous
Appears on: 100v–101
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Postquam impleti sunt dies purgationis
101v–102v Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram [Jonckers]
Appears on: 101v–102v
Genres: Motet
Source Attribution: [Jonckers]
Voice: [no designation]
Languages: Latin
Voice Text: Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram
102v–103v Descendit angelus Domini ad Zachariam (2p. Ne timeas quoniam exaudita est) [Penet]
Appears on: 102v–103v
Genres: Motet
Source Attribution: [Penet]
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam II: Ne timeas quoniam exaudita est
103v–104v Angelus Domini descendit de caelo [Le Cocq]
Appears on: 103v–104v
Genres: Motet
Source Attribution: [Le Cocq]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini descendit de caelo
104v–106 Senex puerum portabat puer autem senem (2p. Hodie beata virgo Maria puerum Jesum) [Lhéritier]
Appears on: 104v–106
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Senex puerum portabat puer autem senem II: Hodie beata virgo Maria puerum Jesum
106–106v Puer qui natus est nobis plus quam propheta [Jaquet of Mantua]
Appears on: 106–106v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Puer qui natus est nobis plus quam propheta
106v–107v Alleluia. Surrexit Dominus vere Alleluia II: Qui fecit caelum et terram [Jaquet of Mantua]
Appears on: 106v–107v
Genres: Alleluia, Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia surrexit dominus vere halleluia II: Qui fecit coelum et terram
107v–108v Sancta et immaculata virginitas quibus te II: Benedicta tu in mulieribus [Hesdin]
Appears on: 107v–108v
Genres: Motet
Source Attribution: [Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta et immaculata virginitas quibus te II: Benedicta tu in mulieribus
108v–109 Beata Dei genitrix Maria (2p. Et beata quae credidit) [Conseil/Lhéritier/Willaert]
Appears on: 108v–109
Genres: Motet
Source Attribution: [Conseil/Lhéritier/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Beata dei genitrix virgo Maria II: Et beata quae credidit quoniam
109–109v Tanto tempore vobiscum sum et non cognovistis [Verdelot]
Appears on: 109–109v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
110–110v Ave Maria gratia plena Dominus tecum (2p. Gaude virgo gloriosa gaude tellus) [Hesdin]
Appears on: 110–110v
Genres: Ave Maria, Motet
Source Attribution: [Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum
110v–111 Nigra sum sed formosa filia Jerusalem [F. Layolle]
Appears on: 110v–111
Genres: Motet
Source Attribution: [F. Layolle]
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa filia Hierusalem
111v–115 Missa Adieu mes amours [Rener]
Appears on: 111v–115
Genres: Mass Ordinary
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Adieu mes amours]
115–119 Missa Nisi Dominus edificaverit [Senfl]
Appears on: 115–119
Genres: Mass Ordinary
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Nisi dominus]
119–123 Missa Octavi toni [Rener]
Appears on: 119–123
Genres: Mass Ordinary
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Octavi toni]
123–127 Missa Baisez-moi [Roselli]
Appears on: 123–127
Genres: Mass Ordinary
Source Attribution: [Roselli]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Baisez moy]
127–132 Missa Carminum [Isaac]
Appears on: 127–132
Genres: Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Carminum]
132–132v Si bona suscepimus de manu Domini II: In omnibus his non peccavit Job Anon. Anonymous
Appears on: 132–132v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini II: In omnibus his non peccavit Job
132v–133 untexted Anon. -

untexted

Appears on: 132v–133
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Barra, Hotinet (fl. 1510-23)
Brumel, Antoine (ca. 1460–ca. 1513)
Burckstaller, Joannes
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Compère, Loyset (ca. 1445–1518)
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Eckel, Matthias
Elimon (Elimot)
Fage, Jean de la
Forster, Georg (ca. 1510–1568)
Gallus, Joannes
Ghiselin (Verbonnet), Johannes
Hesdin, Nicolle des Celliers de (–1538)
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Lasson, Mathieu
Layolle, Francesco de
Le Cocq, Gerard
Lheritier, Jean (ca. 1480–ca. 1551)
Lupi, Johannes (ca. 1506–1539)
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Padovano [Patavus], Laurus
Penet, Hilaire (ca. 1501–)
Peschin, Gregor
Prioris, Johannes (Denis, Dionisius) (–1515)
Rener, Adam (ca. 1485–ca. 1520)
Richafort, Jean (ca. 1480–ca. 1550)
Rouseli, Petri
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Unterholzer, Rupertus
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Ades pater supreme quem nemo vidit 66
Ades pater supreme quem nemo vidit 67
Adjuva nos Deus salutaris noster Anonymous 70
Aequam memento rebus in arduis servare 65v
Alleluia. Surrexit Dominus vere Alleluia II: Qui fecit caelum et terram 106v–107v
Angelus Domini descendit de caelo 103v–104v
Ave apertor caelorum ave Domine angelorum = Ave regina caelorum 70v–71
Ave Maria gratia plena Dominus tecum Anonymous 73
Ave Maria gratia plena Dominus tecum (2p. Gaude virgo gloriosa gaude tellus) 110–110v
Beata Dei genitrix Maria (2p. Et beata quae credidit) 108v–109
Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine) 73v–75
Collis ò heliconii cultor uraniae genus 67
Conclusit Dominus omnia sub peccato 70v
Contingat illis turturum concordia cor meum Anonymous 64–64v
Converte nos Domine ad te et convertemur 84
Descendit angelus Domini ad Zachariam (2p. Ne timeas quoniam exaudita est) 102v–103v
Deus misereatur nostri et benedicat nobis (2p. Laetentur et exultent gentes quoniam) 56–57
Deus qui sedes super thronum (4vv) 55–55v
Domine clamavi ad te exaudi me 73v
Dominus regnavit decorem indutus est 17.1 II: Mirabiles elationes maris mirabilis 61–62
Ecce concipies et paries filium et vocabis (2p. Hic erit magnus et filius altissimi vocabitur) Anonymous 72–72v
Ego sum resurrectio et vita dicit Dominus Jesus 81v
Elisabeth Zachariae magnum virum genuit (2p. Inter natos mulierum non surrexit) 77v–79
Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) 99v–100v
Gabriel archangelus apparuit Zachariae 84v–85v
Heu mihi Domine quia peccavi nimis (2p. Anima mea turbata est valde) 90–91v
Hodie Christus natus est hodie salvator II: O magnum mysterium et admirabile Anonymous 93–94v
Homo quidam fecit caenam II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum (P97, 4vv) 68v–69v
In te Domine speravi non confundar 28.18 68
Ingresso Zacharia templum Domini apparuit 82v
Integer vitae scelerisque purus non eget 66v
Jam satis terris nivis atque dirae 65
Jauchzet dem Herren alle welt dienet II: Geht zu seinen thoren ein mit danken 62–62v
Jubilate Deo omnis terra psalmum dicite II: Jubilate Deo omnis terra cum jubilo III: Laudate eum in cymbalis bene Anonymous 60–61
Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini 94v–95v
Laetatus sum in hiis que dicta sunt mihi (2p. Rogate que ad pacem sunt Jerusalem) 58v–60
Laudate Dominum de caelis laudate eum Anonymous 63v–64
Laudate pueri Dominum laudate nomen Anonymous 73
Laus Deo pax vivis et requies defunctis Anonymous 85v
Mecaenas Atavis aedite regibus 65
Michael archangele veni in adjutorium 71v–72
Miserere mei Domine miserere mei II: Et anima mea turbata est valde Anonymous 89–90
Misit Herodes rex magnus ut affligeret II: Petrus autem ad se reversus dixit Anonymous 87v–88v
Missa Adieu mes amours 111v–115
Missa Allez regrets (II) 7.2 22–24v
Missa Baisez-moi 123–127
Missa Carminum 127–132
Missa Je ne demande 35v–38
Missa Je ne demande: Kyrie 38–42v
Missa L'homme armé 6.1 19–22
Missa L'homme armé I 16–19
Missa L'homme armé sexti toni 6.2 12v–16
Missa La belle se siet 48v–52v
Missa Le renvoy 46–48v
Missa Malheur me bat 6–12v
Missa Malheur me bat 9.1 1–6
Missa Mon seul plaisir 9.2 24v–28v
Missa N'arai-je jamais mieux 52v–54v
Missa Nisi Dominus edificaverit 115–119
Missa O quam suavis est 32–35
Missa Octavi toni 119–123
Missa Sing ich nicht wohl, es ist mir leid Anonymous 28v–32
Missa Veci la danse Barbari: KGCS 42v–45v
Nigra sum sed formosa filia Jerusalem 110v–111
Non potest homo quicquam a se ipso facere 70–70v
Non usitata nec tenui ferar penna biformis 66v
Nuptiae factae sunt in Chana Gallileae 57v–58v
O summe rerum conditor cuius benigno 66
O summe rerum conditor cuius benigno 66v
Pater noster (4vv) (2p. Ave Maria gratia plena) 86–87v
Postquam impleti sunt dies purgationis Anonymous 100v–101
Puer natus est nobis et filius datus est 26.9 69v
Puer qui natus est nobis plus quam propheta 106–106v
Quam pulchra es amica mea et quam decora (2p. Veni dilecte mi egrediamur in agrum) 98–99
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) 79v–81
Qui credit in filium habet vitam aeternam (= Dulcis amica Dei rosa vernans stella) 68v
Quicumque Christum quaeritis oculos in altum 66
Quid est quod arctum circulum sol jam 66
Quis multa gracilis te puer in rosa 65
Rectius vives Lycini neque altum semper 66
Rerum creator maxime in te pater 66
Rerum creator maxime in te pater 66v–67
Sancta et immaculata virginitas quibus te II: Benedicta tu in mulieribus 107v–108v
Scimus quoniam diligentibus Deum omnia II: Sed quid dicemus ad haec Anonymous 76–77v
Scriberis vario fortis et hostium victor 65–65v
Senex puerum portabat puer autem senem (2p. Hodie beata virgo Maria puerum Jesum) 104v–106
Si bene te novi metues liberrime Lolli 65v
Si bona suscepimus de manu Domini II: In omnibus his non peccavit Job Anonymous 132–132v
Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse est Anonymous 75–76
Sic Deus dilexit mundum ut filium suum II: Qui vero non ordit jam condemnatus Anonymous 63–63v
Sicut lilium inter spinas sic anima mea 68–68v
Stetit autem Salomon Ante altare Domini 14.14 II: Benedic Domine domum istam 91v–92v
Tanto tempore vobiscum sum et non cognovistis 109–109v
Te Deum patrem Te spiritum sanctum 84v
Tria sunt munera pretiosa quae obtulerunt II: Reges Tharsis et insulae munera 96–97v
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram 79–79v
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram 101v–102v
Valde honorandus est beatus Johannes 82
Vides ut alta stet nive candidum 65v
Virtute magna reddebant apostoli II: Repleti quidem spiritu sancto 82v–83v

Set: MS Thomaskirche 51 (1-2)

Type: Partbooks

No images available

D-LEu MS Thomaskirche 51 (1)

No images available

D-LEu MS Thomaskirche 51 (2)

denotes primary source study

Noblitt, Thomas L. 1982. Obrecht's Missa Sine nomine and its Recently Discovered Model. The Musical Quarterly, 102-27. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 356-60,419,422,800. Notes: contents list (partial); concordances (partial).

Orf, Wolfgang. 1977. Die Musikhandschriften Thomaskirche Mss. 49/50 und 51 in der Universitätsbibliothek Leipzig. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxviii, 27, 71; III, 56-7. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 164-5, 218ff, 296ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 11-4,18-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VIII, 576. Notes: physical description (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: V, viií-xviii; VIII, viii-xvi. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XVII, xi. Notes: contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: VIII, vi, 131-5; XIII, [v]. Notes: physical description (partial); contents list (partial); transcription (partial).

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Paul Shannon

Thursday, 30 July, 2020

Noblitt's reconstruction 'upgraded' to a primary study, and typo in title corrected.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description