D-LEu MS 1494 (Apel Codex)

Universitätsbibliothek, Leipzig, Germany

manuscript of polyphony: c. 1490-1504

Archive	Universitätsbibliothek, Leipzig, Germany (D-LEu)
Shelfmark	MS 1494 (Apel Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	315 x 210 mm
Other Identifiers	CCM: LeipU 1494
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists	scribal concordance [99] Music
Relationships	? Apel, Nikolaus (1470–1537) (compiler)
External Links	library catalogues images
Provenance	Leipzig? Bavaria, Germany
Contents	133 pieces from 24 composers

General Description

Copied by two or three principal scribes and 11-12 additional scribes, one of whom also copied ff. 253-254' of BerlS 40021 and ff. 151'-155', 158'160, and 161'-162. Some texts added (by Nikolaus Apel?) on inside front cover and f. 1 after manuscript was bound; dates associated with these additions (ranging from 1506 to 1519) are only dates in manuscript. Manuscript related to BerlS 40021 and WarU 2016.

Many pieces without text in this source, but identified from concordant sources; count of textless pieces in summary of contents includes only works for which no texts could be found in other sources.

Possibly copied in Leipzig. According to inscription inside back cover, manuscript was bound in Leipzig on September 1, 1504, at the behest of Nikolaus Apel (ca. 1470-1537). Apel came to Leipzig in 1492 as a student at the university; he later became a member of the faculty and served for a time as chancellor. The precise nature of Apel's relationship to the manuscript, other than his responsibility for its binding, has not been established. Apel was perhaps responsible for compiling the music, may have commissioned the work of the various scribes, and presumably played a role in the transmission of the manuscript to the Universitätsbibliothek.

DIAMM, 2017

Binding

Original covers of wooden boards partially covered with tooled leather; defective metal clasps. Inscription on spine: 'Mensura.'

DIAMM, 2017

Watermark

Identified watermarks include Briquet #14553, #14873, #15167, and #15357; unidentified watermarks (reproduced in EDMR XXXIV, 423-5) include several ox head/serpent marks, a steeple with crown, and a human head with star.

DIAMM, 2017

Notation

black void mensural; a few pieces in Gothic chant

DIAMM, 2017

Foliation

Modern pencil foliation on upper right rectos, 1-260; original ink foliation on lower right rectos (missing on some folios), [al], a2, a3, … y6 (fascicle letters with folio numbers for each fascicle; letters 'u' and 'w' not used).

DIAMM, 2017

Decoration

no decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 2 Kyries, 1 Credo fragment, 1 Agnus, 8 Mass Proper sections, 3 Magnificats, 1 Te Deum, 5 psalms, 47 office hymns, 4 processional hymns, 46 motets, 2 responses, 5 German sacred pieces, 2 motet-chansons, 5 German secular pieces, 2 Italian secular pieces, 21 textless pieces = 163 + 15 duplicates = 178

Adam von Fulda-11 + 1?, (A. Agricola?)-1, (A. Agricola/Isaac)-1, Aulenus(?)*/(A. Agricola/Cuvenor)-1, B.H. [probably not Balthasar Harzer]-2, (Busnois)-1, (Caron/Dusart)-1, (Compère)-1, Finck-9 + 4?, Flordigal-1, (G.F.)-1, Ghiselin [Verbenet]-1, Isaac-8, (Jacobit)-1, (Josquin)-1, (Obrecht)-2, Paulus de Broda-1, Paumann? [C von p.]-1, Ranlequin de Mol-1, Rud. H.(?)-1, Rupsch-1, Schmelzer? [M.S.]-1, (Weerbecke)-2, anon-107

*inscription "Offe. Auleni" appears over Mass on ff. 151-156; discussion of possible identity of composer in JustM.

260 paper folios, 315 x 210. Modern pencil foliation on upper right rectos, 1-260; original ink foliation on lower right rectos (missing on some folios), [al], a2, a3, … y6 (fascicle letters with folio numbers for each fascicle; letters "u" and "w" not used). Original covers of wooden boards partially covered with tooled leather; defective metal clasps. Inscription on spine: "Mensura." No index. White mensural notation, except for a few pieces in Gothic chant notation. Copied by two or three principal scribes and 11-12 additional scribes, one of whom also copied ff. 253-254' of BerlS 40021 and ff. 151'-155', 158'160, and 161'-162; no other decoration.

Some texts added (by Nikolaus Apel?) on inside front cover and f. 1 after manuscript was bound; dates associated with these additions (ranging from 1506 to 1519) are only dates in manuscript. Identified watermarks include Briquet #14553, #14873, #15167, and #15357; unidentified watermarks (reproduced in EDMR XXXIV, 423-5) include several ox head/serpent marks, a steeple with crown, and a human head with star. Manuscript related to BerlS 40021 and WarU 2016. Many pieces without text in this source, but identified from concordant sources; count of textless pieces in summary of contents includes only works for which no texts could be found in other sources.

Ca. 1490-1504. Possibly copied in Leipzig. According to inscription inside back cover, manuscript was bound in Leipzig on September 1, 1504, at the behest of Nikolaus Apel (ca. 1470-1537). Apel came to Leipzig in 1492 as a student at the university; he later became a member of the faculty and served for a time as chancellor. The precise nature of Apel's relationship to the manuscript, other than his responsibility for its binding, has not been established. Apel was perhaps responsible for compiling the music, may have commissioned the work of the various scribes, and presumably played a role in the transmission of the manuscript to the Universitätsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 2 Genres: Hymn
2v	[O lux, beata Trinitas] Te mane laudum	-	Anonymous
[O lux, beata Trinitas] Te mane laudum Anonymous Appears on: 2v Genres: Hymn General Note Text: O lux beata Trinitas
3v–4	Pange lingua	-	von Fulda, Adam (ca. 1445–1505)
Pange lingua von Fulda, Adam (ca. 1445–1505) Appears on: 3v–4 Genres: Hymn
4v–5	Ut queant laxis (4vv)	-	Anonymous
Ut queant laxis (4vv) Anonymous Appears on: 4v–5 Genres: Hymn
5v–6	Ut queant laxis (3vv)	-	Anonymous
Ut queant laxis (3vv) Anonymous Appears on: 5v–6 Genres: Hymn
6v–7r	Ut queant laxis resonare fibris	Adam v. Fulda	von Fulda, Adam (ca. 1445–1505)
Ut queant laxis resonare fibris von Fulda, Adam (ca. 1445–1505) Appears on: 6v–7r Genres: Hymn Source Attribution: Adam v. Fulda Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis
7v–8	Aurea luce et decore	-	Anonymous
Aurea luce et decore Anonymous Appears on: 7v–8 Genres: Hymn
8v	Hymnus Martyris Christi	-	Anonymous
Hymnus Martyris Christi Anonymous Appears on: 8v Genres: Hymn
9	Ut queant laxis (3vv)	-	Anonymous
Ut queant laxis (3vv) Anonymous Appears on: 9 Genres: Hymn
9v–10	Quem terra pontus	-	Anonymous
Quem terra pontus Anonymous Appears on: 9v–10 Genres: Hymn Concordances also at ff. 27v-28
10v–11	Gaude visceribus	-	Anonymous
Gaude visceribus Anonymous Appears on: 10v–11 Genres: Hymn
11v–12	Exsultet caelum laudibus	-	Anonymous
Exsultet caelum laudibus Anonymous Appears on: 11v–12 Genres: Hymn
12v–13	Omnes superni ordines	-	Anonymous
Omnes superni ordines Anonymous Appears on: 12v–13 Genres: Hymn
13v	Martine confessor Dei	-	Anonymous
Martine confessor Dei Anonymous Appears on: 13v Genres: Hymn
14	[untexted hymn]	-	Anonymous
[untexted hymn] Anonymous Appears on: 14 Genres: Hymn
19v–20	Vita sanctorum (3vv)	-	Anonymous
Vita sanctorum (3vv) Anonymous Appears on: 19v–20 Genres: Hymn
27v–28	Quem terra pontus	-	Anonymous
Quem terra pontus Anonymous Appears on: 27v–28 Genres: Hymn Concordances also at ff. 9v-10
28v–29	Urbs beata Jerusalem	-	Anonymous
Urbs beata Jerusalem Anonymous Appears on: 28v–29 Genres: Hymn
34v–35	Quem terra pontus / Ave maris stella	-	Anonymous
Quem terra pontus / Ave maris stella Anonymous Appears on: 34v–35 Genres: Ave maris stella, Hymn
35v–36	Veni redemptor gentium	H.F.	Finck, Heinrich (?)
Veni redemptor gentium Finck, Heinrich (?) Appears on: 35v–36 Genres: Hymn Source Attribution: H.F.
36v–37	A solis ortu cardine	-	Anonymous
A solis ortu cardine Anonymous Appears on: 36v–37 Genres: Hymn
37v–38	Hostis Herodes impie	-	Anonymous
Hostis Herodes impie Anonymous Appears on: 37v–38 Genres: Hymn
38v	Omnes superni ordines	-	Anonymous
Omnes superni ordines Anonymous Appears on: 38v Genres: Hymn
39	Pange lingua gloriosi	-	Anonymous
Pange lingua gloriosi Anonymous Appears on: 39 Genres: Hymn
39v–40	Veni creator spiritus	H.V.	H.V.
Veni creator spiritus H.V. Appears on: 39v–40 Genres: Hymn Source Attribution: H.V.
40v	Quem terra pontus	-	Anonymous
Quem terra pontus Anonymous Appears on: 40v Genres: Hymn
41	A solis ortu cardine (3vv)	-	Anonymous
A solis ortu cardine (3vv) Anonymous Appears on: 41 Genres: Hymn Concordances also copied at f. 53v
42	Vita sanctorum	-	Anonymous
Vita sanctorum Anonymous Appears on: 42 Genres: Hymn
42v–43	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 42v–43 Genres: Ave maris stella, Hymn
43v–44	Pange lingua	-	Anonymous
Pange lingua Anonymous Appears on: 43v–44 Genres: Hymn
50	Christe qui lux es	-	Anonymous
Christe qui lux es Anonymous Appears on: 50 Genres: Hymn Concordances also copied at f. 255v
53v	A solis ortu cardine (3vv)	-	Anonymous
A solis ortu cardine (3vv) Anonymous Appears on: 53v Genres: Hymn Concordances also copied at f. 41
63v	Missa La bassadanza = Missa La Spagna: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 63v Genres: Agnus Dei, Mass Ordinary General Note Agnus II only
68v–70r	Magnificat sexti toni: Et exultavit [K.698]	-	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni: Et exultavit [K.698] Compère, Loyset (ca. 1445–1518) Appears on: 68v–70r Genres: BVM, Canticle, Magnificat General Note V.1 lacking
76v–83	Missa Mi Mi = Salve diva parens	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Mi Mi = Salve diva parens Obrecht, Jacobus (ca. 1457–1505) Appears on: 76v–83 Genres: Mass Ordinary General Note KGC only; lacks Sanctus & Agnus Dei
113v–114	Salve festa dies (II)	-	Anonymous
Salve festa dies (II) Anonymous Appears on: 113v–114 Genres: Hymn
118v–121	O decus ecclesiae - 1a pars (of 2): O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae - 1a pars (of 2): O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: 118v–121 Genres: Motet Concordances also at f. 177v; this copy textless & anonymous
118v–121	O decus ecclesiae - 2a pars (of 2): Te laudant omnes	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae - 2a pars (of 2): Te laudant omnes Isaac, Heinrich (ca. 1450–1517) Appears on: 118v–121 Genres: Motet Concordances copy also at ff. 213v-214
127v–129	[untexted]	-	Anonymous
[untexted] Anonymous Appears on: 127v–129 General Note 5th voice derived by canon from Tenor
149v–150	Wär ich ein Falk	-	Finck, Heinrich
Wär ich ein Falk Finck, Heinrich Appears on: 149v–150 Genres: Lied General Note text: Wer ich eyn falck
151v–156r	'Missa Auleni': Kyrie	Offi[cium] Auleni	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Kyrie Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 151v–156r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Offi[cium] Auleni
151v–156r	'Missa Auleni': Gloria	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Gloria Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 151v–156r Genres: Gloria (et in terra pax), Mass Ordinary
151v–156r	'Missa Auleni': Credo	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Credo Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 151v–156r Genres: Credo (patrem omnipotentem), Mass Ordinary
151v–156r	'Missa Auleni': Sanctus	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Sanctus Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 151v–156r Genres: Mass Ordinary, Sanctus [& Benedictus]
151v–156r	'Missa Auleni': Agnus Dei	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Agnus Dei Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 151v–156r Genres: Agnus Dei, Mass Ordinary
156v–157	Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora	A F	von Fulda, Adam (ca. 1445–1505)
Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora von Fulda, Adam (ca. 1445–1505) Appears on: 156v–157 Genres: Motet Source Attribution: A F Voice: [no designation] Languages: Latin Voice Text: Sancta dei genitrix dulcis et decora/Te laudamus
157v–158	Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster	-	von Fulda, Adam (ca. 1445–1505)
Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster von Fulda, Adam (ca. 1445–1505) Appears on: 157v–158 Genres: Motet
163v–164	Magnificat 6 toni: Et exultavit [K.298]	-	Rener, Adam (ca. 1485–ca. 1520) (?)
Magnificat 6 toni: Et exultavit [K.298] Rener, Adam (ca. 1485–ca. 1520) (?) Appears on: 163v–164 Genres: BVM, Canticle, Magnificat
165v–166	Respice virgo pura [= Et incarnatus (Missa Venus bant)]	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Respice virgo pura [= Et incarnatus (Missa Venus bant)] Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 165v–166 Genres: Contrafactum, Motet
168r	Amen	-	Anonymous
Amen Anonymous Appears on: 168r Genres: Motet General Note "Amen tertium"
171v–172	Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria)	-	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)
Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 171v–172 Genres: textless Voice: [no designation] Languages: Latin Voice Text: Caecus non iudicat de coloribus
175v–176	Salve festa dies (I)	-	Anonymous
Salve festa dies (I) Anonymous Appears on: 175v–176 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis Concordances the copy in Berlin 40021 has a 4th voice (Altus) not in this version
177v–178	O decus ecclesiae - 1a pars (of 2): O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae - 1a pars (of 2): O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: 177v–178 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus ecclesiae General Note 2a pars at ff. 213v-214 Concordances textless & anonymous copy at f. 118v; Bassus & Tenor also at 257v-258
188–189v	Magnificat tone 8 [K.841]	-	Jacobit, Jo[annes]
Magnificat tone 8 [K.841] Jacobit, Jo[annes] Appears on: 188–189v Genres: BVM, Canticle, Magnificat
190v–191	Missa Et trop penser: Credo	H. Y[saac]	Isaac, Heinrich (ca. 1450–1517)
Missa Et trop penser: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 190v–191 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H. Y[saac] General Note Crucifixus only
199v–200	Recordare virgo mater dum steteris	-	Anonymous
Recordare virgo mater dum steteris Anonymous Appears on: 199v–200 Genres: Offertory, Proper Voice: [no designation] Languages: Latin Voice Text: Recordare virgo mater dum steteris
202v	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 202v Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena General Note textless, incomplete: Discantus & Bassus only
213v–214	O decus ecclesiae - 2a pars (of 2): Te laudant omnes	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae - 2a pars (of 2): Te laudant omnes Isaac, Heinrich (ca. 1450–1517) Appears on: 213v–214 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Te laudant omnes General Note 1a pars at ff. 177v=178 Concordances textless & anonymous copy at ff. 118v-121; Altus also at ff. 257v-258
214v–215	Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster	-	von Fulda, Adam (ca. 1445–1505)
Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster von Fulda, Adam (ca. 1445–1505) Appears on: 214v–215 Genres: Motet General Note 2a pars only; anonymous and textless. (Both parts of the motet appear at ff. 156v-158, with some variants in the 2a pars.)
225v–228v	Te Deum	B.H.	B.H.
Te Deum B.H. Appears on: 225v–228v Genres: Te Deum Source Attribution: B.H. Voice: [no designation] Languages: Latin Voice Text: Te Deum laudamus Concordances this 4vv setting is not the same Te Deum by 'B.H.' which appears in Berlin Ms Mus 40021 (in 3vv)
247v–249v	A la chaza - 2a pars (of 2): Te qui balzam, te qui liom	-	Anonymous
A la chaza - 2a pars (of 2): Te qui balzam, te qui liom Anonymous Appears on: 247v–249v Genres: Canzon
247v–248v	A la chaza - 1a pars (of 2): A la chaza su ognun se spazza	-	Anonymous
A la chaza - 1a pars (of 2): A la chaza su ognun se spazza Anonymous Appears on: 247v–248v Genres: Canzon
255v	Christe qui lux es	-	Anonymous
Christe qui lux es Anonymous Appears on: 255v Genres: Hymn Concordances also copied at f. 50
257v–258	O decus ecclesiae - 1a pars (of 2): O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae - 1a pars (of 2): O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: 257v–258 Genres: Motet General Note Tenor & Bassus only
257v–258	O decus ecclesiae - 2a pars (of 2): Te laudant omnes	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae - 2a pars (of 2): Te laudant omnes Isaac, Heinrich (ca. 1450–1517) Appears on: 257v–258 Genres: Motet General Note Altus only
[-]	In principio erat verbum et verbum	-	von Fulda, Adam (ca. 1445–1505)
In principio erat verbum et verbum von Fulda, Adam (ca. 1445–1505) Appears on: [-] Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: In principio erat verbum et verbum
[-]	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
[-]	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	-	Anonymous
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Viri Galilaei
[-]	Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum	-	Finck, Heinrich
Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum Finck, Heinrich Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis
[-]	Cibavit eos ex adipe	-	Anonymous
Cibavit eos ex adipe Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe
[-]	Patris sapientia veritas divina	-	Anonymous
Patris sapientia veritas divina Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Patris sapientia veritas divina
[-]	Virginis alme parens fortunam vistae = Fortuna desperata	-	Busnoys, Antoine (ca. 1430–1492)
Virginis alme parens fortunam vistae = Fortuna desperata Busnoys, Antoine (ca. 1430–1492) Appears on: [-] Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Virginis alme parens fortunam vistae [= Fortuna desperata]
[-]	Dies est laetitiae in ortu regali	-	von Fulda, Adam (ca. 1445–1505)
Dies est laetitiae in ortu regali von Fulda, Adam (ca. 1445–1505) Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali
[-]	Sub tuum praesidium confugimus	-	Anonymous
Sub tuum praesidium confugimus Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sub tuum praesidium
[-]	Comeditis carnem et saturabimini panibus	-	Anonymous
Comeditis carnem et saturabimini panibus Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Comeditis carnem et saturabimini panibus
[-]	Eia rosa sine spina peccatorum medicina	-	Anonymous
Eia rosa sine spina peccatorum medicina Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eia rosa sine spina peccatorum medicina
[-]	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: [-] Genres: Marian antiphon, Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
[-]	Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	-	Finck, Heinrich
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me Finck, Heinrich Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
[-]	Ardor caritatis ineffabilis meritorum	-	Anonymous
Ardor caritatis ineffabilis meritorum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ardor caritatis ineffabilis meritorum
[-]	Ad te clamamus	-	Paumann, Conrad (?)
Ad te clamamus Paumann, Conrad (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad te clamamus
[-]	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas
[-]	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: [-] Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
[-]	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
[-]	Maria salve virginum	C. Rupsch	Rupsch, Conrad
Maria salve virginum Rupsch, Conrad Appears on: [-] Genres: Motet Source Attribution: C. Rupsch Voice: [no designation] Languages: Latin Voice Text: Maria salve virginum tu virgo gloriosa
[-]	Hymnizemus regi altissimo propter merita	-	Anonymous
Hymnizemus regi altissimo propter merita Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hymnizemus regi altissimo propter merita
[-]	Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia	-	Anonymous
Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam insignis oritur laetitia
[-]	Jam insignis oritur - 2a pars (of 2): Veris tempus advenit	-	Anonymous
Jam insignis oritur - 2a pars (of 2): Veris tempus advenit Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veris tempus advenit
[-]	Regali ex progenie Maria exorta refulget	Adam von Fulda	von Fulda, Adam (ca. 1445–1505)
Regali ex progenie Maria exorta refulget von Fulda, Adam (ca. 1445–1505) Appears on: [-] Genres: Marian antiphon Source Attribution: Adam von Fulda Voice: [no designation] Languages: Latin Voice Text: Regali ex progenie Maria exorta refulget
[-]	Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	Heinrich Finck	Finck, Heinrich
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me Finck, Heinrich Appears on: [-] Genres: Hymn Source Attribution: Heinrich Finck Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
[-]	Clara Dei genitrix tu clara tarthara	-	Anonymous
Clara Dei genitrix tu clara tarthara Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Clara dei genitrix tu clara tarthara
[-]	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: [-] Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
[-]	Hunc diem venerabilem deoque placabilem	-	Anonymous
Hunc diem venerabilem deoque placabilem Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hunc diem venerabilem deoque placabilem
[-]	Maria salve virginum	C. Rupsch	Rupsch, Conrad
Maria salve virginum Rupsch, Conrad Appears on: [-] Genres: Motet Source Attribution: C. Rupsch Voice: [no designation] Languages: Latin Voice Text: Maria salve virginum tu virgo gloriosa
[-]	Ave decus virginum nobis presens solemnitas	Ranlequin de Mol	Raulin / Roelkin (1443–1485)
Ave decus virginum nobis presens solemnitas Raulin / Roelkin (1443–1485) Appears on: [-] Genres: Cantio Source Attribution: Ranlequin de Mol Voice: [no designation] Languages: Latin Voice Text: Ave decus virginum nobis presens solemnitas
[-]	Ave stella fulgida speculum decoris virga (= Fortuna desperata)	-	Busnoys, Antoine (ca. 1430–1492)
Ave stella fulgida speculum decoris virga (= Fortuna desperata) Busnoys, Antoine (ca. 1430–1492) Appears on: [-] Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Ave stella fulgida speculum decoris virga [= Fortuna desperata]
[-]	Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim)	-	Finck, Heinrich (?)
Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) Finck, Heinrich (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa
[-]	Donaque tribus fons vivus annue ceptis	-	Anonymous
Donaque tribus fons vivus annue ceptis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Donaque tribus fons vivus annue ceptis
[-]	Rose playsant odorant comme grant = Ave rex regum ditissime salva nos	-	Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?) Caron, Firminus (ca. 1460–ca. 1475) (?)
Rose playsant odorant comme grant = Ave rex regum ditissime salva nos Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?) Caron, Firminus (ca. 1460–ca. 1475) (?) Appears on: [-] Genres: Chanson, Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave rex regum ditissime salva nos [= Rose playsant adorant comme grant secret]
[-]	Amen	-	Isaac, Heinrich (ca. 1450–1517)
Amen Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Hebrew Voice Text: Amen
[-]	Alma redemptoris mater	-	Anonymous
Alma redemptoris mater Anonymous Appears on: [-] Genres: Alma redemptoris mater, Motet Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater
[-]	Da pater augustam menti conscendere sedem	-	Anonymous
Da pater augustam menti conscendere sedem Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pater augustam menti conscendere sedem
[-]	O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus ecclesiae
[-]	Jam fulsit sol de sidere Phebi hic	-	Agricola, Alexander (ca. 1445–1506)
Jam fulsit sol de sidere Phebi hic Agricola, Alexander (ca. 1445–1506) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam fulsit sol de sidere Phebi hic
[-]	Gloria laus et honor	-	B.H.
Gloria laus et honor B.H. Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor
[-]	Psalmversikel	-	Anonymous
Psalmversikel Anonymous Appears on: [-] Genres: Psalm formulas Voice: [no designation] Languages: Latin Voice Text: Psalmversikel
[-]	Psalmversikel	-	Anonymous
Psalmversikel Anonymous Appears on: [-] Genres: Psalm formulas Voice: [no designation] Languages: Latin Voice Text: Psalmversikel
[-]	Psalmversikel	-	Anonymous
Psalmversikel Anonymous Appears on: [-] Genres: Psalm formulas Voice: [no designation] Languages: Latin Voice Text: Psalmversikel
[-]	Psalmversikel	-	Anonymous
Psalmversikel Anonymous Appears on: [-] Genres: Psalm formulas Voice: [no designation] Languages: Latin Voice Text: Psalmversikel
[-]	Psalmversikel	-	Anonymous
Psalmversikel Anonymous Appears on: [-] Genres: Psalm formulas Voice: [no designation] Languages: Latin Voice Text: Psalmversikel
[-]	Lumen ad revelationem gentium et gloriam	-	Anonymous
Lumen ad revelationem gentium et gloriam Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lumen ad revelationem gentium et gloriam
[-]	Symphonia nobili	-	Anonymous
Symphonia nobili Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Symphonia nobili
[-]	Ecce sacerdos magnus [Ecce dilectus meus]	Heynrich Ysaac	Isaac, Heinrich (ca. 1450–1517)
Ecce sacerdos magnus [Ecce dilectus meus] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Source Attribution: Heynrich Ysaac Voice: [no designation] Languages: Latin Voice Text: Ecce sacerdos magnus
[-]	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
[-]	Argentum et aurum	-	Isaac, Heinrich (ca. 1450–1517)
Argentum et aurum Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Troped ite Voice: [no designation] Languages: Latin Voice Text: Argentum et aurum
[-]	Virgo singularis atque eciam incomparabilis	-	Anonymous
Virgo singularis atque eciam incomparabilis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo singularis atque eciam incomparabilis
[-]	Gaudent chori angelorum ac virtutes caelorum	-	Anonymous
Gaudent chori angelorum ac virtutes caelorum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudent chori angelorum ac virtutes caelorum
[-]	Ave sanctissima Maria mater Dei piissima	-	Anonymous
Ave sanctissima Maria mater Dei piissima Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei piissima
[-]	O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus ecclesiae
[-]	Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora	-	von Fulda, Adam (ca. 1445–1505)
Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora von Fulda, Adam (ca. 1445–1505) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancta dei genitrix dulcis et decora/Te laudamus
[-]	Respice super plebem tuam Christianorum	-	Anonymous
Respice super plebem tuam Christianorum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Respice super plebem tuam Christianorum
[-]	Jam miseras rex aspice caeli desuper terras	-	Anonymous
Jam miseras rex aspice caeli desuper terras Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam miseras rex aspice celi desuper terras
[-]	Vulnerasti cor meum soror mea sponsa	Paulus de Rhoda [= Paulus de Broda]	Roda, Paulus de
Vulnerasti cor meum soror mea sponsa Roda, Paulus de Appears on: [-] Genres: Motet Source Attribution: Paulus de Rhoda [= Paulus de Broda] Voice: [no designation] Languages: Latin Voice Text: Vulnerasti cor meum soror mea sponsa
[-]	Clara Dei genitrix tu clara tarthara	-	Anonymous
Clara Dei genitrix tu clara tarthara Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Clara dei genitrix tu clara tarthara
[-]	Veni sancte spiritus reple tuorum corda	-	Isaac, Heinrich (ca. 1450–1517)
Veni sancte spiritus reple tuorum corda Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Contrafactum, Motet, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum
[-]	Alma redemptoris mater	-	Anonymous
Alma redemptoris mater Anonymous Appears on: [-] Genres: Alma redemptoris mater, Motet Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater
[-]	Angeli archangeli	-	Isaac, Heinrich (ca. 1450–1517)
Angeli archangeli Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Angeli archangeli
[-]	O praeclarissima atque graciosa domina = Alla battaglia	-	Isaac, Heinrich (ca. 1450–1517)
O praeclarissima atque graciosa domina = Alla battaglia Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: O praeclarissima atque graciosa domina [= Alla battaglia]
[-]	O altitudo divitiarum O splendor virginum	-	Anonymous
O altitudo divitiarum O splendor virginum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O altitudo divitiarum O splendor virginum
[-]	Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
[-]	Ad te clamamus	C von P [= Paumann?]	Paumann, Conrad (?)
Ad te clamamus Paumann, Conrad (?) Appears on: [-] Genres: Motet Source Attribution: C von P [= Paumann?] Voice: [no designation] Languages: Latin Voice Text: Ad te clamamus
[-]	Regnum mundi et omnem ornatum saeculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum	-	Anonymous
Regnum mundi et omnem ornatum saeculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum Anonymous Appears on: [-] Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Regnum mundi et omnem ornatum saeculi
[-]	O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus ecclesiae
[-]	O decus ecclesiae	-	Isaac, Heinrich (ca. 1450–1517)
O decus ecclesiae Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus ecclesiae

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) 'Missa Auleni': Agnus Dei – 151v–156r (?) 'Missa Auleni': Credo – 151v–156r (?) 'Missa Auleni': Gloria – 151v–156r (?) 'Missa Auleni': Kyrie – 151v–156r (?) 'Missa Auleni': Sanctus – 151v–156r (?) Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) – 171v–172 Jam fulsit sol de sidere Phebi hic – [-]
Anonymous	A la chaza - 1a pars (of 2): A la chaza su ognun se spazza – 247v–248v A la chaza - 2a pars (of 2): Te qui balzam, te qui liom – 247v–249v A solis ortu cardine – 36v–37 A solis ortu cardine (3vv) – 53v A solis ortu cardine (3vv) – 41 Alma redemptoris mater – [-] Alma redemptoris mater – [-] Amen – 168r Ardor caritatis ineffabilis meritorum – [-] Aurea luce et decore – 7v–8 Ave maris stella – 42v–43 Ave regina caelorum – [-] Ave sanctissima Maria mater Dei piissima – [-] Christe qui lux es – 255v Christe qui lux es – 50 Cibavit eos ex adipe – [-] Clara Dei genitrix tu clara tarthara – [-] Clara Dei genitrix tu clara tarthara – [-] Comeditis carnem et saturabimini panibus – [-] Da pater augustam menti conscendere sedem – [-] Donaque tribus fons vivus annue ceptis – [-] Eia rosa sine spina peccatorum medicina – [-] Exsultet caelum laudibus – 11v–12 Gaude visceribus – 10v–11 Gaudeamus omnes in Domino – [-] Gaudent chori angelorum ac virtutes caelorum – [-] Hostis Herodes impie – 37v–38 Hunc diem venerabilem deoque placabilem – [-] Hymnizemus regi altissimo propter merita – [-] Hymnus Martyris Christi – 8v Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia – [-] Jam insignis oritur - 2a pars (of 2): Veris tempus advenit – [-] Jam miseras rex aspice caeli desuper terras – [-] Lumen ad revelationem gentium et gloriam – [-] Martine confessor Dei – 13v O altitudo divitiarum O splendor virginum – [-] Omnes superni ordines – 12v–13 Omnes superni ordines – 38v Pange lingua – 43v–44 Pange lingua gloriosi – 39 Patris sapientia veritas divina – [-] Psalmversikel – [-] Psalmversikel – [-] Psalmversikel – [-] Psalmversikel – [-] Psalmversikel – [-] Quem terra pontus – 40v Quem terra pontus – 27v–28 Quem terra pontus – 9v–10 Quem terra pontus / Ave maris stella – 34v–35 Recordare virgo mater dum steteris – 199v–200 Regina caeli laetare alleluia – [-] Regnum mundi et omnem ornatum saeculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum – [-] Respice super plebem tuam Christianorum – [-] Salve festa dies (I) – 175v–176 Salve festa dies (II) – 113v–114 Salve festa dies toto venerabilis – [-] Salve festa dies toto venerabilis – [-] Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – [-] Sub tuum praesidium confugimus – [-] Symphonia nobili – [-] Urbs beata Jerusalem – 28v–29 Ut queant laxis (3vv) – 9 Ut queant laxis (3vv) – 5v–6 Ut queant laxis (4vv) – 4v–5 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – [-] Virgo singularis atque eciam incomparabilis – [-] Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – [-] Vita sanctorum – 42 Vita sanctorum (3vv) – 19v–20 [O lux, beata Trinitas] Te mane laudum – 2v [untexted hymn] – 14 [untexted] – 2 [untexted] – 127v–129
Aulen, Johannes (fl. late 15th century)	'Missa Auleni': Agnus Dei – 151v–156r 'Missa Auleni': Credo – 151v–156r 'Missa Auleni': Gloria – 151v–156r 'Missa Auleni': Kyrie – 151v–156r 'Missa Auleni': Sanctus – 151v–156r
B.H.	Gloria laus et honor – [-] Te Deum – 225v–228v
Basiron, Philippe (ca. 1449–1491)	(?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – [-]
Busnoys, Antoine (ca. 1430–1492)	Ave stella fulgida speculum decoris virga (= Fortuna desperata) – [-] Virginis alme parens fortunam vistae = Fortuna desperata – [-]
Caron, Firminus (ca. 1460–ca. 1475)	(?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – [-]
Compère, Loyset (ca. 1445–1518)	Magnificat sexti toni: Et exultavit [K.698] – 68v–70r
Despres, Josquin (ca. 1450–1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 202v
Ferdinandus et frater eius	(?) Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) – 171v–172
Finck, Heinrich	(?) Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) – [-] Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum – [-] Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me – [-] Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me – [-] (?) Veni redemptor gentium – 35v–36 Wär ich ein Falk – 149v–150
G.F.	Benedicta semper sancta sit trinitas – [-]
H.V.	Veni creator spiritus – 39v–40
Isaac, Heinrich (ca. 1450–1517)	Amen – [-] Angeli archangeli – [-] Argentum et aurum – [-] Ecce sacerdos magnus [Ecce dilectus meus] – [-] Missa Et trop penser: Credo – 190v–191 Missa La bassadanza = Missa La Spagna: Agnus Dei – 63v O decus ecclesiae – [-] O decus ecclesiae – [-] O decus ecclesiae – [-] O decus ecclesiae – [-] O decus ecclesiae - 1a pars (of 2): O decus ecclesiae – 177v–178 O decus ecclesiae - 1a pars (of 2): O decus ecclesiae – 118v–121 O decus ecclesiae - 1a pars (of 2): O decus ecclesiae – 257v–258 O decus ecclesiae - 2a pars (of 2): Te laudant omnes – 257v–258 O decus ecclesiae - 2a pars (of 2): Te laudant omnes – 118v–121 O decus ecclesiae - 2a pars (of 2): Te laudant omnes – 213v–214 O praeclarissima atque graciosa domina = Alla battaglia – [-] Veni sancte spiritus reple tuorum corda – [-]
Jacobit, Jo[annes]	Magnificat tone 8 [K.841] – 188–189v
Obrecht, Jacobus (ca. 1457–1505)	Missa Mi Mi = Salve diva parens – 76v–83
Paumann, Conrad	(?) Ad te clamamus – [-] (?) Ad te clamamus – [-]
Raulin / Roelkin (1443–1485)	Ave decus virginum nobis presens solemnitas – [-]
Rener, Adam (ca. 1485–ca. 1520)	(?) Magnificat 6 toni: Et exultavit [K.298] – 163v–164
Roda, Paulus de	Vulnerasti cor meum soror mea sponsa – [-]
Rupsch, Conrad	Maria salve virginum – [-] Maria salve virginum – [-]
Sart, Jean du	(?) Rose playsant odorant comme grant = Ave rex regum ditissime salva nos – [-]
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Respice virgo pura [= Et incarnatus (Missa Venus bant)] – 165v–166
von Fulda, Adam (ca. 1445–1505)	Dies est laetitiae in ortu regali – [-] In principio erat verbum et verbum – [-] Pange lingua – 3v–4 Regali ex progenie Maria exorta refulget – [-] Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora – [-] Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora – 156v–157 Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster – 157v–158 Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster – 214v–215 Ut queant laxis resonare fibris – 6v–7r

Composition	Composers (? Uncertain)	Folios / Pages
'Missa Auleni': Agnus Dei	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	151v–156r
'Missa Auleni': Credo	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	151v–156r
'Missa Auleni': Gloria	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	151v–156r
'Missa Auleni': Kyrie	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	151v–156r
'Missa Auleni': Sanctus	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	151v–156r
[O lux, beata Trinitas] Te mane laudum	Anonymous	2v
[untexted hymn]	Anonymous	14
[untexted]	Anonymous	2
[untexted]	Anonymous	127v–129
A la chaza - 1a pars (of 2): A la chaza su ognun se spazza	Anonymous	247v–248v
A la chaza - 2a pars (of 2): Te qui balzam, te qui liom	Anonymous	247v–249v
A solis ortu cardine	Anonymous	36v–37
A solis ortu cardine (3vv)	Anonymous	41
A solis ortu cardine (3vv)	Anonymous	53v
Ad te clamamus	Paumann, Conrad (?)	[-]
Ad te clamamus	Paumann, Conrad (?)	[-]
Alma redemptoris mater	Anonymous	[-]
Alma redemptoris mater	Anonymous	[-]
Amen	Anonymous	168r
Amen	Isaac, Heinrich (ca. 1450–1517)	[-]
Angeli archangeli	Isaac, Heinrich (ca. 1450–1517)	[-]
Ardor caritatis ineffabilis meritorum	Anonymous	[-]
Argentum et aurum	Isaac, Heinrich (ca. 1450–1517)	[-]
Aurea luce et decore	Anonymous	7v–8
Ave decus virginum nobis presens solemnitas	Raulin / Roelkin (1443–1485)	[-]
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	202v
Ave maris stella	Anonymous	42v–43
Ave regina caelorum	Anonymous	[-]
Ave sanctissima Maria mater Dei piissima	Anonymous	[-]
Ave stella fulgida speculum decoris virga (= Fortuna desperata)	Busnoys, Antoine (ca. 1430–1492)	[-]
Benedicta semper sancta sit trinitas	G.F.	[-]
Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria)	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)	171v–172
Christe qui lux es	Anonymous	50
Christe qui lux es	Anonymous	255v
Cibavit eos ex adipe	Anonymous	[-]
Clara Dei genitrix tu clara tarthara	Anonymous	[-]
Clara Dei genitrix tu clara tarthara	Anonymous	[-]
Comeditis carnem et saturabimini panibus	Anonymous	[-]
Da pater augustam menti conscendere sedem	Anonymous	[-]
Dies est laetitiae in ortu regali	von Fulda, Adam (ca. 1445–1505)	[-]
Donaque tribus fons vivus annue ceptis	Anonymous	[-]
Ecce sacerdos magnus [Ecce dilectus meus]	Isaac, Heinrich (ca. 1450–1517)	[-]
Eia rosa sine spina peccatorum medicina	Anonymous	[-]
Exsultet caelum laudibus	Anonymous	11v–12
Gaude visceribus	Anonymous	10v–11
Gaudeamus omnes in Domino	Anonymous	[-]
Gaudent chori angelorum ac virtutes caelorum	Anonymous	[-]
Gloria laus et honor	B.H.	[-]
Hostis Herodes impie	Anonymous	37v–38
Hunc diem venerabilem deoque placabilem	Anonymous	[-]
Hymnizemus regi altissimo propter merita	Anonymous	[-]
Hymnus Martyris Christi	Anonymous	8v
In principio erat verbum et verbum	von Fulda, Adam (ca. 1445–1505)	[-]
Jam fulsit sol de sidere Phebi hic	Agricola, Alexander (ca. 1445–1506)	[-]
Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia	Anonymous	[-]
Jam insignis oritur - 2a pars (of 2): Veris tempus advenit	Anonymous	[-]
Jam miseras rex aspice caeli desuper terras	Anonymous	[-]
Lumen ad revelationem gentium et gloriam	Anonymous	[-]
Magnificat 6 toni: Et exultavit [K.298]	Rener, Adam (ca. 1485–ca. 1520) (?)	163v–164
Magnificat sexti toni: Et exultavit [K.698]	Compère, Loyset (ca. 1445–1518)	68v–70r
Magnificat tone 8 [K.841]	Jacobit, Jo[annes]	188–189v
Maria salve virginum	Rupsch, Conrad	[-]
Maria salve virginum	Rupsch, Conrad	[-]
Martine confessor Dei	Anonymous	13v
Missa Et trop penser: Credo	Isaac, Heinrich (ca. 1450–1517)	190v–191
Missa La bassadanza = Missa La Spagna: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	63v
Missa Mi Mi = Salve diva parens	Obrecht, Jacobus (ca. 1457–1505)	76v–83
Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim)	Finck, Heinrich (?)	[-]
O altitudo divitiarum O splendor virginum	Anonymous	[-]
O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	[-]
O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	[-]
O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	[-]
O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	[-]
O decus ecclesiae - 1a pars (of 2): O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	118v–121
O decus ecclesiae - 1a pars (of 2): O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	177v–178
O decus ecclesiae - 1a pars (of 2): O decus ecclesiae	Isaac, Heinrich (ca. 1450–1517)	257v–258
O decus ecclesiae - 2a pars (of 2): Te laudant omnes	Isaac, Heinrich (ca. 1450–1517)	118v–121
O decus ecclesiae - 2a pars (of 2): Te laudant omnes	Isaac, Heinrich (ca. 1450–1517)	213v–214
O decus ecclesiae - 2a pars (of 2): Te laudant omnes	Isaac, Heinrich (ca. 1450–1517)	257v–258
O praeclarissima atque graciosa domina = Alla battaglia	Isaac, Heinrich (ca. 1450–1517)	[-]
Omnes superni ordines	Anonymous	12v–13
Omnes superni ordines	Anonymous	38v
Pange lingua	von Fulda, Adam (ca. 1445–1505)	3v–4
Pange lingua	Anonymous	43v–44
Pange lingua gloriosi	Anonymous	39
Patris sapientia veritas divina	Anonymous	[-]
Psalmversikel	Anonymous	[-]
Psalmversikel	Anonymous	[-]
Psalmversikel	Anonymous	[-]
Psalmversikel	Anonymous	[-]
Psalmversikel	Anonymous	[-]
Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum	Finck, Heinrich	[-]
Quem terra pontus	Anonymous	9v–10
Quem terra pontus	Anonymous	27v–28
Quem terra pontus	Anonymous	40v
Quem terra pontus / Ave maris stella	Anonymous	34v–35
Recordare virgo mater dum steteris	Anonymous	199v–200
Regali ex progenie Maria exorta refulget	von Fulda, Adam (ca. 1445–1505)	[-]
Regina caeli laetare alleluia	Anonymous	[-]
Regnum mundi et omnem ornatum saeculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum	Anonymous	[-]
Respice super plebem tuam Christianorum	Anonymous	[-]
Respice virgo pura [= Et incarnatus (Missa Venus bant)]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	165v–166
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	Finck, Heinrich	[-]
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	Finck, Heinrich	[-]
Rose playsant odorant comme grant = Ave rex regum ditissime salva nos	Basiron, Philippe (ca. 1449–1491) (?) Sart, Jean du (?) Caron, Firminus (ca. 1460–ca. 1475) (?)	[-]
Salve festa dies (I)	Anonymous	175v–176
Salve festa dies (II)	Anonymous	113v–114
Salve festa dies toto venerabilis	Anonymous	[-]
Salve festa dies toto venerabilis	Anonymous	[-]
Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora	von Fulda, Adam (ca. 1445–1505)	156v–157
Sancta Dei genitrix - 1a pars (of 2): Sancta Dei genitrix dulcis et decora	von Fulda, Adam (ca. 1445–1505)	[-]
Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster	von Fulda, Adam (ca. 1445–1505)	157v–158
Sancta Dei genitrix - 2a pars (of 2): Te laudamus Deus noster	von Fulda, Adam (ca. 1445–1505)	214v–215
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	[-]
Sub tuum praesidium confugimus	Anonymous	[-]
Symphonia nobili	Anonymous	[-]
Te Deum	B.H.	225v–228v
Urbs beata Jerusalem	Anonymous	28v–29
Ut queant laxis (3vv)	Anonymous	5v–6
Ut queant laxis (3vv)	Anonymous	9
Ut queant laxis (4vv)	Anonymous	4v–5
Ut queant laxis resonare fibris	von Fulda, Adam (ca. 1445–1505)	6v–7r
Veni creator spiritus	H.V.	39v–40
Veni redemptor gentium	Finck, Heinrich (?)	35v–36
Veni sancte spiritus reple tuorum corda	Isaac, Heinrich (ca. 1450–1517)	[-]
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	[-]
Virginis alme parens fortunam vistae = Fortuna desperata	Busnoys, Antoine (ca. 1430–1492)	[-]
Virgo singularis atque eciam incomparabilis	Anonymous	[-]
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Anonymous	[-]
Vita sanctorum	Anonymous	42
Vita sanctorum (3vv)	Anonymous	19v–20
Vulnerasti cor meum soror mea sponsa	Roda, Paulus de	[-]
Wär ich ein Falk	Finck, Heinrich	149v–150

‡ denotes primary source study

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 133-4, 188, 211-2, 264, 293. Notes: mention of MS; contents list (partial); concordances (partial).

Martin, Martin. 1981. Bemerkungen zu den kleinen Folio-Handschriften deutscher Provenienz um 1500. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 25-43. Munich. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Seay, Albert. 1978. Review of EDMR XXXII-XXXIV [edition of LeipU 1494]. Journal of the American Musicological Society, 517-21. Notes: physical description; mention of MS; discussion.

Wernli, Andreas. 1978. Review of EDMR XXXII-XXXIV [edition of LeipU 1494]. Die Musikforschung, 233-5. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxviii, 29, 32, 64-9, 83-4; III, 13, 38, 69-70, 86. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1977. Review of JustM. Journal of the American Musicological Society, 524-31. Pages: 529. Notes: mention of MS.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 116, 118, 123, 137-9, 318. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: I, 113-8, passim; II, 47ff, 151. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ruhland, Konrad. 1975. Der Mehrstimmige Psalmvortrag im 15. und 16. Jahrhundert: Studien zur Psalmodie auf der Grundlage von Faburdon, Fauxbourdon und Falsobordone. Ludwig-Maximilians-Universität (Munich), Ph.D. dissertation. Pages: 230-71. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 18-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 137-49, 158-60, 226ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 64-5, passim. Notes: physical description (partial); contents list (partial); concordances (partial).

Crane, Frederick. 1968. Materials for the Study of the Fifteenth Century Basse Danse. Musicological Studies. Brooklyn: Institute of Mediaeval Music. Pages: 19, 75. Notes: physical description (partial); contents list (partial); concordances (partial).

‡ Gerber, Rudolf, Ludwig Finscher, and Wolfgang Dömling (editors). 1956-1975. Der Mensuralkodex des Nikolaus Apel (MS. 1494 der Universitätsbibliothek Leipzig). Das Erbe Deutscher Musik. 3 vols. Kassel etc.

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 5, xxvii-xxix. Notes: physical description (partial); contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 560-3; II, 1339; VI, 1023; VIII, 576. Notes: physical description; contents list; incipitsst of contents (partial); mention of MS; discussion.

Gerber, Rudolf. 1937. Die Hymnen des Apelschen Kodex (Mus. Ms. 1494 der Universitätsbibliothek Leipzig). Festschrift Arnold Schering Zum sechzigsten Geburtstag, 76-89. Berlin. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ehmann, Wilhelm. 1936. Adam von Fulda als Vertreter der ersten deutschen Komponistengeneration. Berlin. Pages: 22-41, passim musical supplement, 9-14, 19-24. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 78, v; XXXII-XXXIV, passim. Notes: physical description; contents list; concordances; texts; facsimile (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXXI; XXXII, 3, 10-2, 14-6, 19-23. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 402-4. Notes: mention of MS; facsimile (partial).

Niemann, W. 1902. Studien zur deutschen Musikgeschichte des XV. Jahrhunderts. Kirchenmusikalisches Jahrbuch, 1-46. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Riemann, Hugo. 1897. Der Mensural-Codex des Magister Nikolaus Apel von Königshofen (Codex MS. 1494 der Leipziger-Universitätsbibliothek). Kirchenmusikalisches Jahrbuch, 1-23. Notes: physical description; contents list; concordances (partial); inventory; facsimile (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 172, passim; LXXII, 101. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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Milo Machover

Saturday, 21 September, 2024

This manuscript is available online at: https://digital.ub.uni-leipzig.de/object/viewid/0000028575

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Milo Machover

Monday, 23 September, 2024

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description