GB-Lbl Add. MS 4911 (Scottish Anonymous)

British Library, London, England

manuscript of polyphony: c. 1580

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 4911 (Scottish Anonymous)
Surface	Paper
Numbering System	Foliation
Measurements	331 x 191 mm
Other Identifiers	CCM: LonBL 4911
Notations	black void mensural
Copyists	Buchan, Andrew (–1583) Music Black, John (–1587) Music
Relationships	Hawkins, John (1719–1789) (owner) Kinaston, Sir Francis (1587–1642) (owner)
External Links	British Library online catalogue entry
Provenance	Scotland
Contents	223 pieces from 20 composers

General Description

Anonymous treatise, 'The Art of Music collecit out of All Ancient Doctouris of Music,' with polyphonic examples. Some pieces in score format, with barlines. Copied by a single scribe, perhaps Andrew Buchan (d. 1583), master of a singing school at Edinburgh from 1579 to 1582, or John Black (d. 1587), master of a similar school at Aberdeen from 1556 to 1560 and after 1575 (MaynAS). Copied in Scotland, probably in Edinburgh or Aberdeen; most likely prepared for use in a song school for boys (MaynAS, who disputes earlier assertions that treatise was prepared for university students at Edinburgh or St. Andrews). Earliest known owner was Sir Francis Kinaston (1587-1642), of Oteley, Shropshire. Later owned by Sir John Hawkins (1719-89), who referred to it, with some inaccuracies, in his General History … (1776), and donated it to British Museum in 1778.

DIAMM, 2017

Binding

Modern covers of maroon cloth and leather on boards.

DIAMM, 2017

Watermark

circle enclosing vertical line with several horizontal lines intersecting (not in Briquet)

DIAMM, 2017

Notation

Some chant notation and black mensural notation, but most examples in black void mensural notation

DIAMM, 2017

Date

Ca. 1580 (MaynAS).

DIAMM, 2017

Foliation

Original ink foliation, 1-128 (last folio not numbered); modern pencil foliation, 1-129.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Anonymous treatise, "The Art of Music collecit out of All Ancient Doctouris of Music," with polyphonic examples: 6 Mass Ordinary sections, 16 Magnificat sections, 1 Te Deum, 7 office hymns, 1 processional hymn, 4 motets, 193 textless pieces or fragments (of which the following have been identified from concordant sources: 15 Mass Ordinary sections, 1 Mass Proper section, 1 psalm, 2 office hymns, 3 motets, 1 litany, 5 English sacred and secular pieces, 1 French secular piece) = 228

(Black?)-2, (Blackhall?)-1, (Cadéac)-1, Fayrfax-1, (Hermann Finck)-1, (Gafori)-3, (Heyden)-5, (Isaac)-1, (R.Johnson I)1, Josquin-6, (Josquin/La Rue)-1, (La Rue)-1, (Listenius)-1, (Mouton)-1, (Obrecht)-2, (Ockeghem)-1, (Ornithoparchus)-3, (Tallis)-1, (Verdelot)-1, (Vermont)-1, (Weerbecke)-1, anon-192

ii + 129 + ii paper folios, 331 x 191. Original ink foliation, 1-128 (last folio not numbered); modern pencil foliation, 1-129. Modern covers of maroon cloth and leather on boards. No index. Some chant notation and black mensural notation, but most examples in white mensural notation. Some pieces in score format, with barlines. Copied by a single scribe, perhaps Andrew Buchan (d. 1583), master of a singing school at Edinburgh from 1579 to 1582, or John Black (d. 1587), master of a similar school at Aberdeen from 1556 to 1560 and after 1575 (MaynAS). Watermark: circle enclosing vertical line with several horizontal lines intersecting (not in Briquet).

Ca. 1580 (MaynAS). Copied in Scotland, probably in Edinburgh or Aberdeen; most likely prepared for use in a song school for boys (MaynAS, who disputes earlier assertions that treatise was prepared for university students at Edinburgh or St. Andrews). Earliest known owner was Sir Francis Kinaston (1587-1642), of Oteley, Shropshire. Later owned by Sir John Hawkins (1719-89), who referred to it, with some inaccuracies, in his General History … (1776), and donated it to British Museum in 1778.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
7–7v	Missa Quant j'ai au coeur: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 7–7v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie II from Missa Quant j'ay au cueur]
10	O lux beata trinitas et principalis	Anon.	Anonymous
O lux beata trinitas et principalis Anonymous Appears on: 10 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas [et principalis]
13	untexted example	Anon.	-
untexted example Appears on: 13 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
15	untexted example	Anon.	-
untexted example Appears on: 15 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
17v	untexted example	Anon.	-
untexted example Appears on: 17v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
19	Da pacem domine in diebus nostris	Anon.	Anonymous
Da pacem domine in diebus nostris Anonymous Appears on: 19 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
19v	untexted example	Anon.	-
untexted example Appears on: 19v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
20	untexted example	Anon.	-
untexted example Appears on: 20 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
22v–23	untexted example	Anon.	-
untexted example Appears on: 22v–23 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
24	untexted example	Anon.	-
untexted example Appears on: 24 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
24	untexted example	Anon.	-
untexted example Appears on: 24 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
24	untexted example	Anon.	-
untexted example Appears on: 24 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
24v	untexted example	Anon.	-
untexted example Appears on: 24v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
25	untexted example	Anon.	-
untexted example Appears on: 25 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
25	untexted example	Anon.	-
untexted example Appears on: 25 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
27v	untexted canon	Anon.	-
untexted canon Appears on: 27v Source Attribution: Anon. Voice: Canon Languages: none
27v	untexted canon	Anon.	-
untexted canon Appears on: 27v Source Attribution: Anon. Voice: Canon Languages: none
27v	untexted canon	Anon.	-
untexted canon Appears on: 27v Source Attribution: Anon. Voice: Canon Languages: none
27v	untexted canon	-	-
untexted canon Appears on: 27v Voice: Canon Languages: none
28v	untexted canon	-	-
untexted canon Appears on: 28v Voice: Canon Languages: Latin General Note This canon, and the two following, are identical in pitch configuration to the tenor of the "Qui tollis peccata" from Missa Je ne demande, as quoted in Heydenvs 1537 treatise, the probable source for the compiler of LonBL 4911.
28v	untexted canon	Anon.	-
untexted canon Appears on: 28v Source Attribution: Anon. Voice: Canon Languages: none
28v	untexted canon	Anon.	-
untexted canon Appears on: 28v Source Attribution: Anon. Voice: Canon Languages: none
28v	untexted example	Anon.	-
untexted example Appears on: 28v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
29v–30	Missa Ad fugam = Missa sine nomine 12.1: Sanctus [Benedictus only]	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Sanctus [Benedictus only] Despres, Josquin (ca. 1450–1521) Appears on: 29v–30 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: ["Benedictus" from Missa Ad fugam] MS 14 General Note Benedictus only
30v	untexted canon	Anon.	-
untexted canon Appears on: 30v Source Attribution: Anon. Voice: Canon Languages: none
30v	untexted canon	Anon.	-
untexted canon Appears on: 30v Source Attribution: Anon. Voice: Canon Languages: none
31	untexted canon	Anon.	-
untexted canon Appears on: 31 Source Attribution: Anon. Voice: Canon Languages: none
31–31v	untexted canons	Anon.	-
untexted canons Appears on: 31–31v Source Attribution: Anon. Voice: Canon Languages: none
31v	Missa Hercules dux Ferrariae 11.1: Agnus Dei	Josquini	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 31v Genres: Agnus Dei, Mass Ordinary Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: [Agnus II from Missa Hercules dux Ferrariae] General Note Dedicatee: Hercules, Duc of Ferrara
31v–32	untexted canons	Anon.	-
untexted canons Appears on: 31v–32 Source Attribution: Anon. Voice: Canon Languages: none
32	untexted canon	Anon.	-
untexted canon Appears on: 32 Source Attribution: Anon. Voice: Canon Languages: none
32	untexted canon	Anon.	-
untexted canon Appears on: 32 Source Attribution: Anon. Voice: Canon Languages: none
32v	untexted canon	Anon.	-
untexted canon Appears on: 32v Source Attribution: Anon. Voice: Canon Languages: none
32v	untexted canon	Anon.	-
untexted canon Appears on: 32v Source Attribution: Anon. Voice: Canon Languages: none
32v	Sancti spritus assit nobis gratia	Anon.	Anonymous
Sancti spritus assit nobis gratia Anonymous Appears on: 32v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sancti spritus assit nobis gracia
33	untexted canon	Anon.	-
untexted canon Appears on: 33 Source Attribution: Anon. Voice: Canon Languages: none
33	untexted canon	Anon.	-
untexted canon Appears on: 33 Source Attribution: Anon. Voice: Canon Languages: none
33v	Missa Cum jocunditate = Missa Dirige 3.4: Sanctus	[Josquin/La Rue]	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Cum jocunditate = Missa Dirige 3.4: Sanctus Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 33v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: Latin Voice Text: [Sanctus from Missa Dirige] MSA 1 [T only]
33v–34	Patre in filio Filius in patris spiritus sanctus	Anon.	Anonymous
Patre in filio Filius in patris spiritus sanctus Anonymous Appears on: 33v–34 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Patre in filio Filius in patris spiritus sanctus
34	untexted canon	Anon.	-
untexted canon Appears on: 34 Source Attribution: Anon. Voice: Canon Languages: none
34	untexted canon	Anon.	-
untexted canon Appears on: 34 Source Attribution: Anon. Voice: Canon Languages: none
34v	O lux beata trinitas et principalis	Anon.	Anonymous
O lux beata trinitas et principalis Anonymous Appears on: 34v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas [et principalis]
34v	O lux beata trintias et principalis	Anon.	Anonymous
O lux beata trintias et principalis Anonymous Appears on: 34v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [O lux beata trintias et principalis]
35–36	untexted example	Anon.	-
untexted example Appears on: 35–36 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
36	untexted canon	Anon.	-
untexted canon Appears on: 36 Source Attribution: Anon. Voice: Canon Languages: none
36	untexted canon	Anon.	-
untexted canon Appears on: 36 Source Attribution: Anon. Voice: Canon Languages: none
36v	untexted canon	Anon.	-
untexted canon Appears on: 36v Source Attribution: Anon. Voice: Canon Languages: none
37v	untexted canon	Anon.	-
untexted canon Appears on: 37v Source Attribution: Anon. Voice: Canon Languages: none
38	untexted canon	Anon.	-
untexted canon Appears on: 38 Source Attribution: Anon. Voice: Canon Languages: none
38v–39	Et in terra pax [Gloria]	Anon.	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 38v–39 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra pax hominibus
39v–40	Patrem omnipotentem [Credo]	Anon.	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 39v–40 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
40–40v	O lux beata trinitas et principalis	Anon.	Anonymous
O lux beata trinitas et principalis Anonymous Appears on: 40–40v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas [et principalis]
41	Missa Hercules dux Ferrariae 11.1: Pleni sunt caeli	Josquin	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Pleni sunt caeli Despres, Josquin (ca. 1450–1521) Appears on: 41 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: ["Pleni sunt caeli" from Missa Hercules dux Ferrariae] MS 7 General Note Dedicatee: Hercules, Duc of Ferrara
41	Prenez sur moi vostre exemple amoureux	[Ockeghem]	Ockeghem, Jean de (ca. 1410–1497)
Prenez sur moi vostre exemple amoureux Ockeghem, Jean de (ca. 1410–1497) Appears on: 41 Genres: Chanson Source Attribution: [Ockeghem] Voice: [no designation] Languages: French Voice Text: [Prenez sur moy vostre exemple]
41v	Missa Mater Patris 10.1: Pleni sunt caeli	Josquin	Despres, Josquin (ca. 1450–1521)
Missa Mater Patris 10.1: Pleni sunt caeli Despres, Josquin (ca. 1450–1521) Appears on: 41v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: ["Pleni sunt caeli" from Missa Mater patris] MS 12
41v–42	Missa Malheur me bat 9.1: Agnus Dei	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 41v–42 Genres: Agnus Dei, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Agnus II from Missa Malheur me bat] MS 8
42	Missa Salve diva parens (Mi Mi): Credo - Qui cum patre	[Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Credo - Qui cum patre Obrecht, Jacobus (ca. 1457–1505) Appears on: 42 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Obrecht] Voice: [no designation] Languages: Latin Voice Text: ["Qui cum patre" from Missa Salve diva parens]
42v	untexted example	[Listenius]	Listenius, Nikolaus
untexted example Listenius, Nikolaus Appears on: 42v Genres: textless Source Attribution: [Listenius] Voice: [no designation] Languages: none Voice Text: Textless example
42v	Missa L'homme armé super voces musicales 6.3: Agnus Dei	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 42v Genres: Agnus Dei, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Agnus II from Missa L'homme armé super voces musicales] MS 1
43	Missa L'homme armé I: Agnus Dei	[La Rue]	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 43 Genres: Agnus Dei, Mass Ordinary Source Attribution: [La Rue] Voice: [no designation] Languages: Latin Voice Text: [Agnus III from Missa L'homme armé] General Note Agnus II only
43v–44	De radice Jesse [Proprium de Conceptione Mariae Virginis]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
De radice Jesse [Proprium de Conceptione Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: 43v–44 Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Excerpt from "(Conceptio Mariae virginis) De radice Jesse"]
44v	Missa Papalis (Octavi toni): Agnus Dei III	[Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Agnus Dei III Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 44v Genres: Agnus Dei, Mass Ordinary Source Attribution: [Weerbecke] Voice: [no designation] Languages: Latin Voice Text: [Agnus III from Missa Octavi toni]
45	Missa L'homme armé super voces musicales 6.3: Agnus Dei	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 45 Genres: Agnus Dei, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Agnus II from Missa L'homme armé super voces musicales] MS 1
46	Miserere mihi Domine et exaudi orationem	Anon.	Anonymous
Miserere mihi Domine et exaudi orationem Anonymous Appears on: 46 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Misere[re] michi domine et exaudi orationem
46v	untexted example	Anon.	-
untexted example Appears on: 46v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
47v	untexted example	Anon.	-
untexted example Appears on: 47v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
47v	untexted example	Anon.	-
untexted example Appears on: 47v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
48	untexted example	Anon.	-
untexted example Appears on: 48 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
48	untexted example	Anon.	-
untexted example Appears on: 48 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
48	untexted example	Anon.	-
untexted example Appears on: 48 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
48	untexted example	Anon.	-
untexted example Appears on: 48 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
48v	untexted example	Anon.	-
untexted example Appears on: 48v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
48v	untexted example	Anon.	-
untexted example Appears on: 48v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
49	untexted example	Anon.	-
untexted example Appears on: 49 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
49	untexted example	Anon.	-
untexted example Appears on: 49 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
49v	untexted example	[Gafori]	Notel, Georgius (?) Gaffurius, Franchinus (1451–1522) (?)
untexted example Notel, Georgius (?) Gaffurius, Franchinus (1451–1522) (?) Appears on: 49v Genres: textless Source Attribution: [Gafori] Voice: [no designation] Languages: none Voice Text: Textless example
49v	untexted example	Anon.	-
untexted example Appears on: 49v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
50	untexted example	Anon.	-
untexted example Appears on: 50 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
50	untexted example	Anon.	-
untexted example Appears on: 50 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
50v	untexted example	Anon.	-
untexted example Appears on: 50v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
50v	untexted example	Anon.	-
untexted example Appears on: 50v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
51–52	untexted examples	Anon.	-
untexted examples Appears on: 51–52 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless examples
52	untexted examples	Anon.	-
untexted examples Appears on: 52 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless examples
52v–53	untexted examples	Anon.	-
untexted examples Appears on: 52v–53 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless examples
54	untexted example	Anon.	-
untexted example Appears on: 54 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
54v	untexted example	Anon.	-
untexted example Appears on: 54v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
55	untexted example	Anon.	-
untexted example Appears on: 55 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
55–55v	Benedicamus patrem et filium cum sancto spiritu	Anon.	Anonymous
Benedicamus patrem et filium cum sancto spiritu Anonymous Appears on: 55–55v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicamus patrem et filium cum sancto spiritu
55v	Benedicamus patrem et filium cum sancto spiritu	Anon.	Anonymous
Benedicamus patrem et filium cum sancto spiritu Anonymous Appears on: 55v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicamus patrem [et filium cum sancto spiritu]
55v	untexted example	Anon.	-
untexted example Appears on: 55v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
56	untexted example	Anon.	-
untexted example Appears on: 56 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
56	untexted example	Anon.	-
untexted example Appears on: 56 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
56	untexted example	Anon.	-
untexted example Appears on: 56 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
56–56v	untexted example	Anon.	-
untexted example Appears on: 56–56v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
56v	untexted example	Anon.	-
untexted example Appears on: 56v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
56v	untexted example	Anon.	-
untexted example Appears on: 56v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
57	untexted example	Anon.	-
untexted example Appears on: 57 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
57	untexted example	Anon.	-
untexted example Appears on: 57 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
57v	untexted example	Anon.	-
untexted example Appears on: 57v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
57v–58	untexted example	Anon.	-
untexted example Appears on: 57v–58 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
58	untexted example	Anon.	-
untexted example Appears on: 58 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
58–58v	untexted example	Anon.	-
untexted example Appears on: 58–58v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
58v	untexted example	Anon.	-
untexted example Appears on: 58v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
59	untexted example	Anon.	-
untexted example Appears on: 59 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
59v–60	untexted example	Anon.	-
untexted example Appears on: 59v–60 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
60	untexted example	Anon.	-
untexted example Appears on: 60 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
60v–61	untexted example	Anon.	-
untexted example Appears on: 60v–61 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
61	untexted example	Anon.	-
untexted example Appears on: 61 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
61–61v	untexted example	Anon.	-
untexted example Appears on: 61–61v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
61v	untexted example	Anon.	-
untexted example Appears on: 61v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
61v	untexted example	Anon.	-
untexted example Appears on: 61v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
62	untexted example	Anon.	-
untexted example Appears on: 62 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
62–62v	untexted example	Anon.	-
untexted example Appears on: 62–62v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
62v–63	untexted example	Anon.	-
untexted example Appears on: 62v–63 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
63	untexted example	Anon.	-
untexted example Appears on: 63 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
63	untexted example	Anon.	-
untexted example Appears on: 63 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
63	untexted example	Anon.	-
untexted example Appears on: 63 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
63v–64	untexted example	Anon.	-
untexted example Appears on: 63v–64 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
64	untexted example	Anon.	-
untexted example Appears on: 64 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
64v–65	untexted example	Anon.	-
untexted example Appears on: 64v–65 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
65–65v	untexted example	Anon.	-
untexted example Appears on: 65–65v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
65v–66	untexted example	Anon.	-
untexted example Appears on: 65v–66 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
66	untexted example	Anon.	-
untexted example Appears on: 66 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
66–66v	untexted example	Anon.	-
untexted example Appears on: 66–66v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
66v	untexted example	Anon.	-
untexted example Appears on: 66v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
67	untexted example	Anon.	-
untexted example Appears on: 67 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
67	untexted example	Anon.	-
untexted example Appears on: 67 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
67v	untexted example	Anon.	-
untexted example Appears on: 67v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
69v	untexted	Anon.	-
untexted Appears on: 69v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
69v	untexted	Anon.	-
untexted Appears on: 69v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
70	untexted	Anon.	-
untexted Appears on: 70 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
70	untexted	Anon.	-
untexted Appears on: 70 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
70v	untexted	Anon.	-
untexted Appears on: 70v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
70v–71	untexted	Anon.	-
untexted Appears on: 70v–71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
71	untexted	Anon.	-
untexted Appears on: 71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
71v	untexted	Anon.	-
untexted Appears on: 71v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
71v–72	untexted	Anon.	-
untexted Appears on: 71v–72 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
72	untexted	Anon.	-
untexted Appears on: 72 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
72	untexted	Anon.	-
untexted Appears on: 72 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
72v	untexted	Anon.	-
untexted Appears on: 72v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
72v	untexted	Anon.	-
untexted Appears on: 72v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
73	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	[Josquin/Mouton]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) Appears on: 73 Genres: Motet Source Attribution: [Josquin/Mouton] Voice: [no designation] Languages: Latin Voice Text: [Queramus cum pastoribus verbum] MA 71 [Pars I only, incomplete]
73–73v	untexted	Anon.	-
untexted Appears on: 73–73v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
73v–74	untexted	Anon.	-
untexted Appears on: 73v–74 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
74	untexted	Anon.	-
untexted Appears on: 74 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
74v	untexted	Anon.	-
untexted Appears on: 74v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
74v	untexted	Anon.	-
untexted Appears on: 74v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
74v	untexted	Anon.	-
untexted Appears on: 74v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
75	untexted	Anon.	-
untexted Appears on: 75 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
75	untexted	Anon.	-
untexted Appears on: 75 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
75–75v	untexted	Anon.	-
untexted Appears on: 75–75v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
75v	untexted	Anon.	-
untexted Appears on: 75v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
75v	untexted	Anon.	-
untexted Appears on: 75v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
76	untexted	Anon.	-
untexted Appears on: 76 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
76	untexted	Anon.	-
untexted Appears on: 76 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
76	untexted	Anon.	-
untexted Appears on: 76 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
76	untexted	Anon.	-
untexted Appears on: 76 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
76v	untexted	Anon.	-
untexted Appears on: 76v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
77	untexted	Anon.	-
untexted Appears on: 77 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
77v–78	Gabriel archangelus apparuit Zachariae	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Gabriel archangelus apparuit Zachariae Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 77v–78 Genres: Motet Source Attribution: [Verdelot] Voice: [no designation] Languages: Latin Voice Text: [Gabriel archangelus apparuit Zachariae]
78–78v	untexted	Anon.	-
untexted Appears on: 78–78v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
78v	Deus misereatur nostri et benedicat nobis	[R. Johnson I]	Johnson (I), Robert (ca. 1500–ca. 1560)
Deus misereatur nostri et benedicat nobis Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 78v Genres: Motet Source Attribution: [R. Johnson I] Voice: [no designation] Languages: Latin Voice Text: [Deus misereatur nostri et benedicat nobis]
79	Support your servand peirless paramour	Anon.	Anonymous
Support your servand peirless paramour Anonymous Appears on: 79 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: English Voice Text: [Support your servand peirless paramour]
79v	When shall my sorrowful sighing slake	[Tallis]	Tallis, Thomas (ca. 1505–1585) (?)
When shall my sorrowful sighing slake Tallis, Thomas (ca. 1505–1585) (?) Appears on: 79v Genres: Song Source Attribution: [Tallis] Voice: [no designation] Languages: English Voice Text: [When shall my sorrowful sighing slack?]
80	Richt soir oprest am I with paines smart	Anon.	Anonymous
Richt soir oprest am I with paines smart Anonymous Appears on: 80 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: English Voice Text: [Richt soir oprest am I with paines smart]
80v	O mortal man houe lang will thou remain	Anon.	Anonymous
O mortal man houe lang will thou remain Anonymous Appears on: 80v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: English Voice Text: [O mortal man houe lang will thou remain]
81	Je suis desheritée puisque j'ai perdu mon amy	[Cadéac/Lupus]	Cadeac, P(ierre?) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Je suis desheritée puisque j'ai perdu mon amy Cadeac, P(ierre?) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 81 Genres: Chanson Source Attribution: [Cadéac/Lupus] Voice: [no designation] Languages: French Voice Text: [Je suys deshéritée puys que j'ay perdu]
81v–82v	untexted	Anon. in LonBL 36484	-
untexted Appears on: 81v–82v Source Attribution: Anon. in LonBL 36484 Voice: [no designation] Languages: none Voice Text: Textless
82v–83v	untexted	Anon. in LonBL 36484	-
untexted Appears on: 82v–83v Source Attribution: Anon. in LonBL 36484 Voice: [no designation] Languages: none Voice Text: Textless
83v–84	untexted	Anon.	-
untexted Appears on: 83v–84 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
84	Ave virgo gratiosa [gloriosa] stella sole clarior	[Vermont/Jachet]	Vermont, Pierre (?) Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)
Ave virgo gratiosa [gloriosa] stella sole clarior Vermont, Pierre (?) Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 84 Genres: Motet Source Attribution: [Vermont/Jachet] Voice: [no designation] Languages: Latin Voice Text: [Ave virgo gloriosa stella sole clarior]
84v	untexted	Anon.	-
untexted Appears on: 84v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
86	untexted	Anon.	-
untexted Appears on: 86 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
86v	Magnificat octavi toni: (exc) Esurientes implevit bonis	Anon.	Anonymous
Magnificat octavi toni: (exc) Esurientes implevit bonis Anonymous Appears on: 86v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Octavi toni] Esurientes [implevit bonis]
87–88	untexted	Anon.	-
untexted Appears on: 87–88 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
88	Sanctus Pleni sunt caeli et terra	Anon.	Anonymous
Sanctus Pleni sunt caeli et terra Anonymous Appears on: 88 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Sanctus] Pleni sunt celi [et terra]
88v–89	Sanctus Pleni sunt caeli et terra	Anon.	Anonymous
Sanctus Pleni sunt caeli et terra Anonymous Appears on: 88v–89 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Sanctus] Pleni sunt celi [et terra]
89	untexted example	Anon.	-
untexted example Appears on: 89 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
89v	untexted example	Anon.	-
untexted example Appears on: 89v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
90–91	untexted example	Anon.	-
untexted example Appears on: 90–91 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
91v–92	untexted example	Anon.	-
untexted example Appears on: 91v–92 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
92v–93	Deus creator omnium polique rector	Anon.	Anonymous
Deus creator omnium polique rector Anonymous Appears on: 92v–93 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Deus creator omnium [polique rector]
95	Benedicat te Dominus ex Sion qui fecit	Anon.	Anonymous
Benedicat te Dominus ex Sion qui fecit Anonymous Appears on: 95 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicat te dominus ex Syon qui fecit
95v	Christe qui lux es et dies noctis	Anon.	Anonymous
Christe qui lux es et dies noctis Anonymous Appears on: 95v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Criste qui lux es et dies noctis
96	O lux beata trinitas et principalis	Anon.	Anonymous
O lux beata trinitas et principalis Anonymous Appears on: 96 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas et principalis
96v	Kyrie eleison qui precioso sanguine mundum	Anon.	Anonymous
Kyrie eleison qui precioso sanguine mundum Anonymous Appears on: 96v Genres: Litany refrain Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleyson qui precioso sanguine
97	Salvator mundi domine qui nos salvasti	Anon.	Anonymous
Salvator mundi domine qui nos salvasti Anonymous Appears on: 97 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salvator mundi domine qui nos salvasti
97v–98v	Te Deum laudamus [K.525]	Anon.	Anonymous
Te Deum laudamus [K.525] Anonymous Appears on: 97v–98v Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus te dominum confitemur
98v–99	Magnificat Primi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Primi Toni: Et exultavit spiritus meus Anonymous Appears on: 98v–99 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Primi toni] Et exultavit spiritus meus
99	Magnificat Primi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Primi Toni: Et exultavit spiritus meus Anonymous Appears on: 99 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Primi toni] Et exultavit spiritus meus
99v	Magnificat primi toni: (exc) Fecit potentiam	Anon.	Anonymous
Magnificat primi toni: (exc) Fecit potentiam Anonymous Appears on: 99v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Primi toni] Fecit potentiam in brachio suo
99v	Magnificat Primi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Primi Toni: Et exultavit spiritus meus Anonymous Appears on: 99v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Primi toni] Et exultavit spiritus meus
100	Magnificat Secund Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Secund Toni: Et exultavit spiritus meus Anonymous Appears on: 100 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Secundi toni] Et exultavit spiritus meus
100v	Magnificat Secundi Toni: (exc) Fecit potentiam in brachio suo	Anon.	Anonymous
Magnificat Secundi Toni: (exc) Fecit potentiam in brachio suo Anonymous Appears on: 100v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Secundi toni] Fecit potenciam in brachio suo
101	Magnificat Tertii Toni: (exc) Esurientes implevit bonis	Anon.	Anonymous
Magnificat Tertii Toni: (exc) Esurientes implevit bonis Anonymous Appears on: 101 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Tertii toni] Esurientes implevit bonis
101	Magnificat Quarti Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Quarti Toni: Et exultavit spiritus meus Anonymous Appears on: 101 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Quarti toni] Et exultavit spiritus meus
101	Magnificat Quinti Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Quinti Toni: Et exultavit spiritus meus Anonymous Appears on: 101 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Quinti toni] Et exultavit spiritus meus
101v	Magnificat Sexti Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus Anonymous Appears on: 101v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Sexti toni] Et exultavit spiritus meus
101v–102	Magnificat Septimi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Septimi Toni: Et exultavit spiritus meus Anonymous Appears on: 101v–102 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Septimi toni] Et exultavit spiritus meus
102	Magnificat Septimi Toni: (exc) Fecit potentiam in brachio suo	Anon.	Anonymous
Magnificat Septimi Toni: (exc) Fecit potentiam in brachio suo Anonymous Appears on: 102 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Septimi toni] Fecit potentiam in brachio suo
102	Magnificat Septimi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Septimi Toni: Et exultavit spiritus meus Anonymous Appears on: 102 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Septimi toni] Et exultavit spiritus meus
102v	Magnificat octavi toni: (exc) Fecit potentiam in brachio suo	Anon.	Anonymous
Magnificat octavi toni: (exc) Fecit potentiam in brachio suo Anonymous Appears on: 102v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Octavi toni] Fecit potentiam in brachio suo
102v–103	Salve festa dies toto venerabilis evo	Anon.	Anonymous
Salve festa dies toto venerabilis evo Anonymous Appears on: 102v–103 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salvae festa dies toto venerabilis evo
103	Magnificat Primi Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Primi Toni: Et exultavit spiritus meus Anonymous Appears on: 103 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Primi toni] Et exultavit spiritus meus
103v	O lux beata trinitas et principalis	Anon.	Anonymous
O lux beata trinitas et principalis Anonymous Appears on: 103v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas [et principalis]
103v–104	O lux beata trinitas et principalis	Doctor Fairfax [= Fayrfax]	Fayrfax, Robert (1464–1521)
O lux beata trinitas et principalis Fayrfax, Robert (1464–1521) Appears on: 103v–104 Genres: Motet Source Attribution: Doctor Fairfax [= Fayrfax] Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas [et principalis]
104v–109v, 111v-112	Missa Sine nomine	Anon.	Anonymous
Missa Sine nomine Anonymous Appears on: 104v–109v, 111v-112 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine]
110–111v	Salva rex gloriae	Anon.	Anonymous
Salva rex gloriae Anonymous Appears on: 110–111v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salva rex glorie
114v–115v	untexted example	Anon.	-
untexted example Appears on: 114v–115v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
117–118v	untexted example	Anon.	-
untexted example Appears on: 117–118v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
118v–119	untexted example	Anon.	-
untexted example Appears on: 118v–119 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
125–126	untexted example	Anon.	-
untexted example Appears on: 125–126 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
126v	untexted example	Anon.	-
untexted example Appears on: 126v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
126v–127	untexted example	Anon.	-
untexted example Appears on: 126v–127 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
127	untexted example	Anon.	-
untexted example Appears on: 127 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
127v	untexted example	Anon.	-
untexted example Appears on: 127v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
128	untexted example	Anon.	-
untexted example Appears on: 128 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
128v	-	-	Anonymous
[Unknown Title] Appears on: 128v
129	-	-	Anonymous
[Unknown Title] Appears on: 129
129v	-	-	Anonymous
[Unknown Title] Appears on: 129v
inside rear board	-	-	Anonymous
[Unknown Title] Appears on: inside rear board
rear board	-	-	Anonymous
[Unknown Title] Appears on: rear board
spine	-	-	Anonymous
[Unknown Title] Appears on: spine

Composer	Compositions
Anonymous	Benedicamus patrem et filium cum sancto spiritu – 55–55v Benedicamus patrem et filium cum sancto spiritu – 55v Benedicat te Dominus ex Sion qui fecit – 95 Christe qui lux es et dies noctis – 95v Da pacem domine in diebus nostris – 19 Deus creator omnium polique rector – 92v–93 Et in terra pax [Gloria] – 38v–39 Kyrie eleison qui precioso sanguine mundum – 96v Magnificat Primi Toni: Et exultavit spiritus meus – 99 Magnificat Primi Toni: Et exultavit spiritus meus – 103 Magnificat Primi Toni: Et exultavit spiritus meus – 98v–99 Magnificat Primi Toni: Et exultavit spiritus meus – 99v Magnificat Quarti Toni: Et exultavit spiritus meus – 101 Magnificat Quinti Toni: Et exultavit spiritus meus – 101 Magnificat Secund Toni: Et exultavit spiritus meus – 100 Magnificat Secundi Toni: (exc) Fecit potentiam in brachio suo – 100v Magnificat Septimi Toni: (exc) Fecit potentiam in brachio suo – 102 Magnificat Septimi Toni: Et exultavit spiritus meus – 101v–102 Magnificat Septimi Toni: Et exultavit spiritus meus – 102 Magnificat Sexti Toni: Et exultavit spiritus meus – 101v Magnificat Tertii Toni: (exc) Esurientes implevit bonis – 101 Magnificat octavi toni: (exc) Esurientes implevit bonis – 86v Magnificat octavi toni: (exc) Fecit potentiam in brachio suo – 102v Magnificat primi toni: (exc) Fecit potentiam – 99v Miserere mihi Domine et exaudi orationem – 46 Missa Sine nomine – 104v–109v, 111v-112 O lux beata trinitas et principalis – 103v O lux beata trinitas et principalis – 96 O lux beata trinitas et principalis – 10 O lux beata trinitas et principalis – 40–40v O lux beata trinitas et principalis – 34v O lux beata trintias et principalis – 34v O mortal man houe lang will thou remain – 80v Patre in filio Filius in patris spiritus sanctus – 33v–34 Patrem omnipotentem [Credo] – 39v–40 Richt soir oprest am I with paines smart – 80 Salva rex gloriae – 110–111v Salvator mundi domine qui nos salvasti – 97 Salve festa dies toto venerabilis evo – 102v–103 Sancti spritus assit nobis gratia – 32v Sanctus Pleni sunt caeli et terra – 88 Sanctus Pleni sunt caeli et terra – 88v–89 Support your servand peirless paramour – 79 Te Deum laudamus [K.525] – 97v–98v [No description] – 35–36 [No description] – 56 [No description] – 58v [No description] – 50v [No description] – 47v [No description] – 63 [No description] – 66v [No description] – 67v [No description] – 114v–115v [No description] – 72v [No description] – 87–88 [No description] – 13 [No description] – 75v [No description] – 27v [No description] – 32 [No description] – 129 [No description] – 129v [No description] – 15 [No description] – 17v [No description] – 19v [No description] – 20 [No description] – 22v–23 [No description] – 24 [No description] – 24 [No description] – 24 [No description] – 24v [No description] – 25 [No description] – 25 [No description] – 27v [No description] – 27v [No description] – 27v [No description] – 28v [No description] – 28v [No description] – 28v [No description] – 28v [No description] – 30v [No description] – 30v [No description] – 31 [No description] – 31–31v [No description] – 128 [No description] – 127v [No description] – 127 [No description] – 126v–127 [No description] – 126v [No description] – 125–126 [No description] – 118v–119 [No description] – 117–118v [No description] – 31v–32 [No description] – 91v–92 [No description] – 90–91 [No description] – 89v [No description] – 89 [No description] – inside rear board [No description] – 86 [No description] – 84v [No description] – rear board [No description] – 83v–84 [No description] – spine [No description] – 82v–83v [No description] – 81v–82v [No description] – 32 [No description] – 32v [No description] – 32v [No description] – 78–78v [No description] – 77 [No description] – 76v [No description] – 76 [No description] – 128v [No description] – 76 [No description] – 76 [No description] – 76 [No description] – 75v [No description] – 75–75v [No description] – 75 [No description] – 75 [No description] – 74v [No description] – 74v [No description] – 74v [No description] – 74 [No description] – 73v–74 [No description] – 73–73v [No description] – 72v [No description] – 72 [No description] – 72 [No description] – 33 [No description] – 71v–72 [No description] – 71v [No description] – 71 [No description] – 70v–71 [No description] – 70v [No description] – 70 [No description] – 70 [No description] – 69v [No description] – 69v [No description] – 67 [No description] – 67 [No description] – 66–66v [No description] – 66 [No description] – 65v–66 [No description] – 65–65v [No description] – 64v–65 [No description] – 64 [No description] – 63v–64 [No description] – 63 [No description] – 63 [No description] – 62v–63 [No description] – 62–62v [No description] – 62 [No description] – 61v [No description] – 61v [No description] – 61–61v [No description] – 61 [No description] – 60v–61 [No description] – 60 [No description] – 59v–60 [No description] – 59 [No description] – 58–58v [No description] – 58 [No description] – 57v–58 [No description] – 57v [No description] – 57 [No description] – 57 [No description] – 56v [No description] – 56v [No description] – 56–56v [No description] – 56 [No description] – 56 [No description] – 55v [No description] – 55 [No description] – 54v [No description] – 54 [No description] – 52v–53 [No description] – 52 [No description] – 51–52 [No description] – 50v [No description] – 50 [No description] – 50 [No description] – 49v [No description] – 49 [No description] – 49 [No description] – 48v [No description] – 48v [No description] – 48 [No description] – 48 [No description] – 48 [No description] – 48 [No description] – 47v [No description] – 46v [No description] – 38 [No description] – 37v [No description] – 36v [No description] – 36 [No description] – 36 [No description] – 34 [No description] – 34 [No description] – 33
Berchem, Jacques (ca. 1505–1567)	(?) Ave virgo gratiosa [gloriosa] stella sole clarior – 84
Cadeac, P(ierre?)	(?) Je suis desheritée puisque j'ai perdu mon amy – 81
Despres, Josquin (ca. 1450–1521)	Missa Ad fugam = Missa sine nomine 12.1: Sanctus [Benedictus only] – 29v–30 (?) Missa Cum jocunditate = Missa Dirige 3.4: Sanctus – 33v Missa Hercules dux Ferrariae 11.1: Agnus Dei – 31v Missa Hercules dux Ferrariae 11.1: Pleni sunt caeli – 41 Missa L'homme armé super voces musicales 6.3: Agnus Dei – 42v Missa L'homme armé super voces musicales 6.3: Agnus Dei – 45 Missa Malheur me bat 9.1: Agnus Dei – 41v–42 Missa Mater Patris 10.1: Pleni sunt caeli – 41v (?) Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 73
Fayrfax, Robert (1464–1521)	O lux beata trinitas et principalis – 103v–104
Gaffurius, Franchinus (1451–1522)	(?) untexted example – 49v
Hellinck, Lupus (ca. 1494–1541)	(?) Je suis desheritée puisque j'ai perdu mon amy – 81
Isaac, Heinrich (ca. 1450–1517)	De radice Jesse [Proprium de Conceptione Mariae Virginis] – 43v–44 Missa Quant j'ai au coeur: Kyrie – 7–7v
Johnson (I), Robert (ca. 1500–ca. 1560)	Deus misereatur nostri et benedicat nobis – 78v
Listenius, Nikolaus	untexted example – 42v
Mantua, Jacquet de (1483–1559)	(?) Ave virgo gratiosa [gloriosa] stella sole clarior – 84
Mouton, Jean (ca. 1459–1522)	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 73
Notel, Georgius	(?) untexted example – 49v
Obrecht, Jacobus (ca. 1457–1505)	Missa Salve diva parens (Mi Mi): Credo - Qui cum patre – 42
Ockeghem, Jean de (ca. 1410–1497)	Prenez sur moi vostre exemple amoureux – 41
Rue, Pierre de la (ca. 1452–1518)	Missa Cum jocunditate = Missa Dirige 3.4: Sanctus – 33v Missa L'homme armé I: Agnus Dei – 43
Tallis, Thomas (ca. 1505–1585)	(?) When shall my sorrowful sighing slake – 79v
Verdelot, Philippe (ca. 1480–ca. 1532)	Gabriel archangelus apparuit Zachariae – 77v–78
Vermont, Pierre	(?) Ave virgo gratiosa [gloriosa] stella sole clarior – 84
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Missa Papalis (Octavi toni): Agnus Dei III – 44v

Composition	Composers (? Uncertain)	Folios / Pages
Ave virgo gratiosa [gloriosa] stella sole clarior	Vermont, Pierre (?) Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)	84
Benedicamus patrem et filium cum sancto spiritu	Anonymous	55–55v
Benedicamus patrem et filium cum sancto spiritu	Anonymous	55v
Benedicat te Dominus ex Sion qui fecit	Anonymous	95
Christe qui lux es et dies noctis	Anonymous	95v
Da pacem domine in diebus nostris	Anonymous	19
De radice Jesse [Proprium de Conceptione Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	43v–44
Deus creator omnium polique rector	Anonymous	92v–93
Deus misereatur nostri et benedicat nobis	Johnson (I), Robert (ca. 1500–ca. 1560)	78v
Et in terra pax [Gloria]	Anonymous	38v–39
Gabriel archangelus apparuit Zachariae	Verdelot, Philippe (ca. 1480–ca. 1532)	77v–78
Je suis desheritée puisque j'ai perdu mon amy	Cadeac, P(ierre?) (?) Hellinck, Lupus (ca. 1494–1541) (?)	81
Kyrie eleison qui precioso sanguine mundum	Anonymous	96v
Magnificat octavi toni: (exc) Esurientes implevit bonis	Anonymous	86v
Magnificat octavi toni: (exc) Fecit potentiam in brachio suo	Anonymous	102v
Magnificat primi toni: (exc) Fecit potentiam	Anonymous	99v
Magnificat Primi Toni: Et exultavit spiritus meus	Anonymous	98v–99
Magnificat Primi Toni: Et exultavit spiritus meus	Anonymous	99
Magnificat Primi Toni: Et exultavit spiritus meus	Anonymous	99v
Magnificat Primi Toni: Et exultavit spiritus meus	Anonymous	103
Magnificat Quarti Toni: Et exultavit spiritus meus	Anonymous	101
Magnificat Quinti Toni: Et exultavit spiritus meus	Anonymous	101
Magnificat Secund Toni: Et exultavit spiritus meus	Anonymous	100
Magnificat Secundi Toni: (exc) Fecit potentiam in brachio suo	Anonymous	100v
Magnificat Septimi Toni: (exc) Fecit potentiam in brachio suo	Anonymous	102
Magnificat Septimi Toni: Et exultavit spiritus meus	Anonymous	101v–102
Magnificat Septimi Toni: Et exultavit spiritus meus	Anonymous	102
Magnificat Sexti Toni: Et exultavit spiritus meus	Anonymous	101v
Magnificat Tertii Toni: (exc) Esurientes implevit bonis	Anonymous	101
Miserere mihi Domine et exaudi orationem	Anonymous	46
Missa Ad fugam = Missa sine nomine 12.1: Sanctus [Benedictus only]	Despres, Josquin (ca. 1450–1521)	29v–30
Missa Cum jocunditate = Missa Dirige 3.4: Sanctus	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	33v
Missa Hercules dux Ferrariae 11.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	31v
Missa Hercules dux Ferrariae 11.1: Pleni sunt caeli	Despres, Josquin (ca. 1450–1521)	41
Missa L'homme armé I: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	43
Missa L'homme armé super voces musicales 6.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	42v
Missa L'homme armé super voces musicales 6.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	45
Missa Malheur me bat 9.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	41v–42
Missa Mater Patris 10.1: Pleni sunt caeli	Despres, Josquin (ca. 1450–1521)	41v
Missa Papalis (Octavi toni): Agnus Dei III	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	44v
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	7–7v
Missa Salve diva parens (Mi Mi): Credo - Qui cum patre	Obrecht, Jacobus (ca. 1457–1505)	42
Missa Sine nomine	Anonymous	104v–109v, 111v-112
O lux beata trinitas et principalis	Anonymous	10
O lux beata trinitas et principalis	Anonymous	34v
O lux beata trinitas et principalis	Anonymous	40–40v
O lux beata trinitas et principalis	Anonymous	96
O lux beata trinitas et principalis	Anonymous	103v
O lux beata trinitas et principalis	Fayrfax, Robert (1464–1521)	103v–104
O lux beata trintias et principalis	Anonymous	34v
O mortal man houe lang will thou remain	Anonymous	80v
Patre in filio Filius in patris spiritus sanctus	Anonymous	33v–34
Patrem omnipotentem [Credo]	Anonymous	39v–40
Prenez sur moi vostre exemple amoureux	Ockeghem, Jean de (ca. 1410–1497)	41
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)	73
Richt soir oprest am I with paines smart	Anonymous	80
Salva rex gloriae	Anonymous	110–111v
Salvator mundi domine qui nos salvasti	Anonymous	97
Salve festa dies toto venerabilis evo	Anonymous	102v–103
Sancti spritus assit nobis gratia	Anonymous	32v
Sanctus Pleni sunt caeli et terra	Anonymous	88
Sanctus Pleni sunt caeli et terra	Anonymous	88v–89
Support your servand peirless paramour	Anonymous	79
Te Deum laudamus [K.525]	Anonymous	97v–98v
untexted example	Listenius, Nikolaus	42v
untexted example	Notel, Georgius (?) Gaffurius, Franchinus (1451–1522) (?)	49v
When shall my sorrowful sighing slake	Tallis, Thomas (ca. 1505–1585) (?)	79v

Images © The British Library

‡ denotes primary source study

Nakos, Debra Marion Livant. 2020. The Art of Music in GB-Lbl Add. MS 4911: A Case for Robert Carvor as the Anonymous Scot. Faculty of the Graduate School of the University of Maryland, College Park, Master of Arts.

Woods, Isobel Paterson. 1988. A Note on "Scottish Anonymous". R.M.A. Research Chronicle, 37-39.

Woods, Isobel Paterson. 1984. The Carvor Choirbook. Princeton University, Unpublished Ph.D. dissertation. Pages: I,7-11,174ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Aplin, John. 1980. The Fourth Kind of Faburden': The Identity of an English Four-Part Style. Music and Letters, 245ff. Pages: 247-50, passim. Notes: transcription (partial); mention of MS; discussion.

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 50, 62ff, 75, 77. Notes: mention of MS; contents list (partial).

Caldwell, John. 1978. The 'Te Deum' in Late Medieval England. Early Music, 188-94. Pages: 190. Notes: transcription (partial); mention of MS; discussion.

Ruhland, Konrad. 1975. Der Mehrstimmige Psalmvortrag im 15. und 16. Jahrhundert: Studien zur Psalmodie auf der Grundlage von Faburdon, Fauxbourdon und Falsobordone. Ludwig-Maximilians-Universität (Munich), Ph.D. dissertation. Pages: l-156. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 156ff, passim; II, 71, 77, 88-9. Notes: transcription (partial); mention of MS; discussion.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 56, 130-4. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Maynard, Judson Dana. 1967. Heir Beginnis Countering. Journal of the American Musicological Society, 182-96. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: IV, 128, 136-7. Notes: mention of MS; contents list (partial); transcription (partial).

Harrison, Frank Llewellyn. 1962. Faburden in Practice. Musica Disciplina, 11-34. Pages: 12ff. Notes: transcription (partial); mention of MS; discussion.

Maynard, Judson Dana. 1961. An Anonymous Scottish Treatise on Music from the Sixteenth Century, British Museum, Additional Manuscript 4911, Edition and Commentary. Indiana University, Unpublished Ph.D. dissertation. Pages: I-II. Notes: physical description; contents list; texts; facsimile (partial); mention of MS; discussion.

Warren, Edwin B. 1961. Robert Fayrfax: Motets and settings of the Magnificat. Musica Disciplina, 113-43. Pages: 128-31. Notes: transcription (partial); mention of MS; discussion.

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, 57-8. Notes: transcription (partial).

Trowell, Brian. 1959. Faburden and Fauxbourdon. Musica Disciplina, 43-78. Pages: 68-9. Notes: transcription (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: III, 314. Notes: physical description (partial); contents list (partial).

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XV. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Bukofzer, Manfred F. 1936. Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen. Sammlung Musikwissenschaftlicher Abhandlungen. Strasbourg. Pages: 84-8, 98-9, 158-60. Notes: transcriptions; exts of pieces (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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