GB-Lbl Add. MS 19583

British Library, London, England

fragment of partbook: c. 1535

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 19583
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	140 x 216 mm
Other Identifiers	CCM: LonBL 19583
Notations	black void mensural
Copyists	Michel, Jean Music
Relationships	d'Este, Ercole II (1508–1559) (patron)
External Links	British Library online catalogue entry
Provenance	court of Ercole II d'Este, Duke of Ferrara , Ferrara, Italy
Contents	30 pieces from 18 composers

General Description

Part of an Altus partbook. from a set originally of five volumes. Copied by Jean Michel, a copyist at the Este court in Ferrara (RifNL). Complete original contents known through 18th-century Catalogus estensum manuscriptorum codicum preserved in Archivio di Stato in Modena, which lists one of the partbooks as 'Codex DCCCXXXVI' (RifNL). Copied in Ferrara, for use at the court of Ercole II d'Este, Duke of Ferrara (1508-59). Subsequent history of ownership unknown until 19th century. Purchased by British Museum from P. Rolandi in 1853.

DIAMM, 2017

Binding

New covers of red cloth on cardboard.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation scratched out; new pencil foliation, 1-48.

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

iv paper + 48 parchment + iv paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26 motets, 4 French secular pieces = 30

(Bauldeweyn)-1, (Brunet)-1, Carpentras-1, Divitis-1, C. Festa-1, Gascongne-1, Gauvain-1, Jhan of Ferrara [Mre. Jan]-3, Josquin-3, La Rue-1, Lafage-1, T. Martini-1, (Moulu)-1, Mouton-3, Richafort-7, Silva [Andreas]-1, Willaert-1, anon-1

Portion of 1 partbook of an original 5 (A-iv paper + 48 parchment + iv paper folios), 140 x 216. Another portion of A book now ParisBNN 4599 (RifNL); portions of T and B books now ModE F.2.29 (LowMCE); D and Q books apparently lost. Original foliation scratched out; new pencil foliation, 1-48. New covers of red cloth on cardboard. No index. The scribe was Jean Michel, a copyist at the Este court in Ferrara (RifNL); see general index for other manuscripts copied by the same scribe. Inked calligraphic initials. Complete original contents known through 18th-century Catalogus estensum manuscriptorum codicum preserved in Archivio di Stato in Modena, which lists one of the partbooks as "Codex DCCCXXXVI" (RifNL).

Ca. 1535 (Rifkin). Copied in Ferrara, for use at the court of Ercole II d'Este, Duke of Ferrara (1508-59). Subsequent history of ownership unknown until 19th century. Purchased by British Museum from P. Rolandi in 1853.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–6	Confitemini Domino quoniam bonus II: Qui eduxit Israel de medio eorum III: Qui transduxit populum suum	Andreas [de Silva]	Silva, Andreas de (ca. 1475–ca. 1522)
Confitemini Domino quoniam bonus II: Qui eduxit Israel de medio eorum III: Qui transduxit populum suum Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 1v–6 Genres: Motet Source Attribution: Andreas [de Silva] Voice: [no designation] Languages: Latin Voice Text: Confitemini domino quoniam bonus II: Qui eduxit Israel de medio eorum III: Qui transduxit populum suum
6v–7	O sancte seraphice Dei confessor Francisce	De La Fage	Fage, Jean de la
O sancte seraphice Dei confessor Francisce Fage, Jean de la Appears on: 6v–7 Genres: Motet Source Attribution: De La Fage Voice: [no designation] Languages: Latin Voice Text: O sancte seraphice dei confessor Francisce
7v–8	Noe noe puer nobis nascitur (2p. Tunc Herodes tremuit humano)	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Noe noe puer nobis nascitur (2p. Tunc Herodes tremuit humano) Mouton, Jean (ca. 1459–1522) Appears on: 7v–8 Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Noe noe noe puer nobis nascitur II: Tunc Herodes tremuit humano
8v–10	Osculetur me osculo oris sui quia meliora II: Nigra sum sed formosa filia Jerusalem	Gascongne	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Osculetur me osculo oris sui quia meliora II: Nigra sum sed formosa filia Jerusalem Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 8v–10 Genres: Motet Source Attribution: Gascongne Voice: [no designation] Languages: Latin Voice Text: Osculetur me osculo oris sui quia meliora II: Nigra sum sed formosa filia Jherusalem
10v–13	Exaudiat te Dominus (2p. Impleat Dominus)	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Exaudiat te Dominus (2p. Impleat Dominus) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 10v–13 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Exaudiat te dominus in die tribulationis II: Impleat dominus omnes peticiones tuas
13v–15	Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris)	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 13v–15 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
15v–17	Congaudentes exultemus vocali concordia II: O beate Nicolae ... nos ad portum	Thomas Martini	Martin (or Martini), Thomas
Congaudentes exultemus vocali concordia II: O beate Nicolae ... nos ad portum Martin (or Martini), Thomas Appears on: 15v–17 Genres: Motet Source Attribution: Thomas Martini Voice: [no designation] Languages: Latin Voice Text: Congaudentes exultemus vocali concordia II: O beate Nicolae ... nos ad portum
17v–20	Deduc me domine legem pone mihi II: Et respondebo exprobantibus michi	Con. Festa	Festa, Costanzo (ca. 1485–1545)
Deduc me domine legem pone mihi II: Et respondebo exprobantibus michi Festa, Costanzo (ca. 1485–1545) Appears on: 17v–20 Genres: Motet Source Attribution: Con. Festa Voice: [no designation] Languages: Latin Voice Text: Deduc me domine [legem pone mihi] II: Et respondebo exprobantibus michi
20v–22	Domine ne in furore 16.6 (2p. Cor meum conturbatum est dereliquit)	Josquin	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.6 (2p. Cor meum conturbatum est dereliquit) Despres, Josquin (ca. 1450–1521) Appears on: 20v–22 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Domine ne in furore tuo arguas me 16.6 II: Cor meum conturbatum est dereliquit
22v–23	Quam pulchra es et quam decora carissima II: Veni dilecta mi egrediamus in agrum	[Bauldeweyn]	Bauldeweyn, Noel (ca. 1480–1529)
Quam pulchra es et quam decora carissima II: Veni dilecta mi egrediamus in agrum Bauldeweyn, Noel (ca. 1480–1529) Appears on: 22v–23 Genres: Motet Source Attribution: [Bauldeweyn] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora carissima II: Veni dilecta mi egrediamus in agrum
23v–24	Sancta Maria succure miseris juva	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Sancta Maria succure miseris juva Richafort, Jean (ca. 1480–ca. 1550) Appears on: 23v–24 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Sancta Maria succure miseris iuva
24v–27	Adjutor in tribulationibus meis II: Deus in medio eius non commovebitur	Mre Jan [= Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Adjutor in tribulationibus meis II: Deus in medio eius non commovebitur Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 24v–27 Genres: Motet Source Attribution: Mre Jan [= Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Adiutor in tribulationibus meis II: Deus in medio eius non commovebitur
27v–29	Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra illos tuos	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra illos tuos Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 27v–29 Genres: Motet, Salve Regina Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra illos tuos
29v–30	Intercessio quaesumus Domine Beatae Barbarae	A. Wilaert	Willaert, Adrian (ca. 1490–1562)
Intercessio quaesumus Domine Beatae Barbarae Willaert, Adrian (ca. 1490–1562) Appears on: 29v–30 Genres: Motet Source Attribution: A. Wilaert Voice: [no designation] Languages: Latin Voice Text: Intercessio quesumus domine beate Barbare
30v–31	O benignissime domine Jesu Christe	Mre Jan [= Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
O benignissime domine Jesu Christe Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 30v–31 Genres: Motet Source Attribution: Mre Jan [= Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: O benignissime domine Jhesu Christe
31v–32	Sufficiebat nobis paupertas nostra senectutis nostrae	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Sufficiebat nobis paupertas nostra senectutis nostrae Richafort, Jean (ca. 1480–ca. 1550) Appears on: 31v–32 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Sufficiebat nobis paupertas nostra
33v–36	Miserere mei deus secundum magnam 18.3 (2p. Auditui meo dabis gaudium; 3p. Domine labia mea aperies et os)	Josquin	Despres, Josquin (ca. 1450–1521)
Miserere mei deus secundum magnam 18.3 (2p. Auditui meo dabis gaudium; 3p. Domine labia mea aperies et os) Despres, Josquin (ca. 1450–1521) Appears on: 33v–36 Genres: Miserere mei Deus, Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam 18.3 II: [Audi auditui meo] Miserere mei deus III: Domine labia mea aperies et os meum
36v–37v	Inviolata integra et casta es Maria 24.4 (2p. Que nunc flagitant devota corda; 3p. O benigna O regina O Maria)	Josquin	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta es Maria 24.4 (2p. Que nunc flagitant devota corda; 3p. O benigna O regina O Maria) Despres, Josquin (ca. 1450–1521) Appears on: 36v–37v Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria 24.4 II: Que nunc flagitant devota corda III: O benigna O regina O Maria
38	Da pacem domine in diebus nostris	Antho. Divitis	Divitis, Antonius (ca. 1470–ca. 1530)
Da pacem domine in diebus nostris Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 38 Genres: Motet Source Attribution: Antho. Divitis Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
38v–39	O dulcis amica Dei sponsa regis	[Moulu]	Moulu, Pierre (ca. 1484–ca. 1550)
O dulcis amica Dei sponsa regis Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 38v–39 Genres: Motet Source Attribution: [Moulu] Voice: [no designation] Languages: Latin Voice Text: O dulcis amica dei sponsa regis
39v–40	Sub tuum praesidium confugimus	Anon.	Anonymous
Sub tuum praesidium confugimus Anonymous Appears on: 39v–40 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sub tuum presidium confugimus sancta dei
40	Veni sponsa Christi	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Veni sponsa Christi Richafort, Jean (ca. 1480–ca. 1550) Appears on: 40 Genres: Motet Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi accipe coronam
40v–41	Peccantem me quotidie et non me poenitentem	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Peccantem me quotidie et non me poenitentem Mouton, Jean (ca. 1459–1522) Appears on: 40v–41 Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Peccantem me quottidie et non me penitentem
41v–42	Moriens lux amantissima qui in cruce	Mouton	Mouton, Jean (ca. 1459–1522)
Moriens lux amantissima qui in cruce Mouton, Jean (ca. 1459–1522) Appears on: 41v–42 Genres: Motet Source Attribution: Mouton Voice: [no designation] Languages: Latin Voice Text: Moriens lux amenissima qui in cruce
42v–43	Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 42v–43 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in celis II: Panem nostrum quothidianum da nobis
43v–45	Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine	[Brunet]	Brunet, Johannes
Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine Brunet, Johannes Appears on: 43v–45 Genres: Motet, Veni sancte spiritus Source Attribution: [Brunet] Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte celitus II: Sine tuo numine nichil est in lumine
45v	En l'amour d'une dame mon petit coeur	P. de La Rue	Rue, Pierre de la (ca. 1452–1518)
En l'amour d'une dame mon petit coeur Rue, Pierre de la (ca. 1452–1518) Appears on: 45v Genres: Chanson Source Attribution: P. de La Rue Voice: [no designation] Languages: French Voice Text: En lamour dune dame mon petit coeur
46	Buvons ma commere nous ne bûmes point.	P. Gauvain	Gauvain, P.
Buvons ma commere nous ne bûmes point. Gauvain, P. Appears on: 46 Genres: Chanson Source Attribution: P. Gauvain Voice: [no designation] Languages: French Voice Text: Buvons ma commere nous ne buvons point
46v–47	Cuidez vous que dieu nous faille	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Cuidez vous que dieu nous faille Richafort, Jean (ca. 1480–ca. 1550) Appears on: 46v–47 Genres: Chanson Source Attribution: [Richafort] Voice: [no designation] Languages: French Voice Text: Cuides vous que dieu nous faille
47v–48	J'ai veu le regnart et le loup et le lievre	Mre Jan [of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
J'ai veu le regnart et le loup et le lievre Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 47v–48 Genres: Chanson Source Attribution: Mre Jan [of Ferrara] Voice: [no designation] Languages: French Voice Text: Jay veu le regnart et le loup et le lievre

Composer	Compositions
Anonymous	Sub tuum praesidium confugimus – 39v–40
Bauldeweyn, Noel (ca. 1480–1529)	Quam pulchra es et quam decora carissima II: Veni dilecta mi egrediamus in agrum – 22v–23
Brunet, Johannes	Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine – 43v–45
Carpentras, Elzear Genet (ca. 1470–1548)	Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra illos tuos – 27v–29
Despres, Josquin (ca. 1450–1521)	Domine ne in furore 16.6 (2p. Cor meum conturbatum est dereliquit) – 20v–22 Inviolata integra et casta es Maria 24.4 (2p. Que nunc flagitant devota corda; 3p. O benigna O regina O Maria) – 36v–37v Miserere mei deus secundum magnam 18.3 (2p. Auditui meo dabis gaudium; 3p. Domine labia mea aperies et os) – 33v–36
Divitis, Antonius (ca. 1470–ca. 1530)	Da pacem domine in diebus nostris – 38
Fage, Jean de la	O sancte seraphice Dei confessor Francisce – 6v–7
Ferrara, Maistre Jhan of (ca. 1485–1538)	Adjutor in tribulationibus meis II: Deus in medio eius non commovebitur – 24v–27 J'ai veu le regnart et le loup et le lievre – 47v–48 O benignissime domine Jesu Christe – 30v–31
Festa, Costanzo (ca. 1485–1545)	Deduc me domine legem pone mihi II: Et respondebo exprobantibus michi – 17v–20
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	Osculetur me osculo oris sui quia meliora II: Nigra sum sed formosa filia Jerusalem – 8v–10
Gauvain, P.	Buvons ma commere nous ne bûmes point. – 46
Martin (or Martini), Thomas	Congaudentes exultemus vocali concordia II: O beate Nicolae ... nos ad portum – 15v–17
Moulu, Pierre (ca. 1484–ca. 1550)	O dulcis amica Dei sponsa regis – 38v–39
Mouton, Jean (ca. 1459–1522)	Moriens lux amantissima qui in cruce – 41v–42 Noe noe puer nobis nascitur (2p. Tunc Herodes tremuit humano) – 7v–8 Peccantem me quotidie et non me poenitentem – 40v–41
Richafort, Jean (ca. 1480–ca. 1550)	Cuidez vous que dieu nous faille – 46v–47 Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris) – 13v–15 Exaudiat te Dominus (2p. Impleat Dominus) – 10v–13 Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis) – 42v–43 Sancta Maria succure miseris juva – 23v–24 Sufficiebat nobis paupertas nostra senectutis nostrae – 31v–32 Veni sponsa Christi – 40
Rue, Pierre de la (ca. 1452–1518)	En l'amour d'une dame mon petit coeur – 45v
Silva, Andreas de (ca. 1475–ca. 1522)	Confitemini Domino quoniam bonus II: Qui eduxit Israel de medio eorum III: Qui transduxit populum suum – 1v–6
Willaert, Adrian (ca. 1490–1562)	Intercessio quaesumus Domine Beatae Barbarae – 29v–30

Composition	Composers (? Uncertain)	Folios / Pages
Adjutor in tribulationibus meis II: Deus in medio eius non commovebitur	Ferrara, Maistre Jhan of (ca. 1485–1538)	24v–27
Buvons ma commere nous ne bûmes point.	Gauvain, P.	46
Confitemini Domino quoniam bonus II: Qui eduxit Israel de medio eorum III: Qui transduxit populum suum	Silva, Andreas de (ca. 1475–ca. 1522)	1v–6
Congaudentes exultemus vocali concordia II: O beate Nicolae ... nos ad portum	Martin (or Martini), Thomas	15v–17
Cuidez vous que dieu nous faille	Richafort, Jean (ca. 1480–ca. 1550)	46v–47
Da pacem domine in diebus nostris	Divitis, Antonius (ca. 1470–ca. 1530)	38
Deduc me domine legem pone mihi II: Et respondebo exprobantibus michi	Festa, Costanzo (ca. 1485–1545)	17v–20
Domine ne in furore 16.6 (2p. Cor meum conturbatum est dereliquit)	Despres, Josquin (ca. 1450–1521)	20v–22
Emendemus in melius quae ignoranter (2p. Peccavimus cum patribus nostris)	Richafort, Jean (ca. 1480–ca. 1550)	13v–15
En l'amour d'une dame mon petit coeur	Rue, Pierre de la (ca. 1452–1518)	45v
Exaudiat te Dominus (2p. Impleat Dominus)	Richafort, Jean (ca. 1480–ca. 1550)	10v–13
Intercessio quaesumus Domine Beatae Barbarae	Willaert, Adrian (ca. 1490–1562)	29v–30
Inviolata integra et casta es Maria 24.4 (2p. Que nunc flagitant devota corda; 3p. O benigna O regina O Maria)	Despres, Josquin (ca. 1450–1521)	36v–37v
J'ai veu le regnart et le loup et le lievre	Ferrara, Maistre Jhan of (ca. 1485–1538)	47v–48
Miserere mei deus secundum magnam 18.3 (2p. Auditui meo dabis gaudium; 3p. Domine labia mea aperies et os)	Despres, Josquin (ca. 1450–1521)	33v–36
Moriens lux amantissima qui in cruce	Mouton, Jean (ca. 1459–1522)	41v–42
Noe noe puer nobis nascitur (2p. Tunc Herodes tremuit humano)	Mouton, Jean (ca. 1459–1522)	7v–8
O benignissime domine Jesu Christe	Ferrara, Maistre Jhan of (ca. 1485–1538)	30v–31
O dulcis amica Dei sponsa regis	Moulu, Pierre (ca. 1484–ca. 1550)	38v–39
O sancte seraphice Dei confessor Francisce	Fage, Jean de la	6v–7
Osculetur me osculo oris sui quia meliora II: Nigra sum sed formosa filia Jerusalem	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	8v–10
Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)	Richafort, Jean (ca. 1480–ca. 1550)	42v–43
Peccantem me quotidie et non me poenitentem	Mouton, Jean (ca. 1459–1522)	40v–41
Quam pulchra es et quam decora carissima II: Veni dilecta mi egrediamus in agrum	Bauldeweyn, Noel (ca. 1480–1529)	22v–23
Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra illos tuos	Carpentras, Elzear Genet (ca. 1470–1548)	27v–29
Sancta Maria succure miseris juva	Richafort, Jean (ca. 1480–ca. 1550)	23v–24
Sub tuum praesidium confugimus	Anonymous	39v–40
Sufficiebat nobis paupertas nostra senectutis nostrae	Richafort, Jean (ca. 1480–ca. 1550)	31v–32
Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine	Brunet, Johannes	43v–45
Veni sponsa Christi	Richafort, Jean (ca. 1480–ca. 1550)	40

Set: Ferrara partbooks

Type: Fragments of a whole

No images available

F-Pnm NAF 4599

No images available

GB-Lbl Add. MS 19583

No images available

I-MOe MS {alpha}.F.2.29 (Lat. 1232)

‡ denotes primary source study

Lockwood, Lewis Henry. 1979. Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505-1520. Journal of the American Musicological Society, 191-246. Pages: 217, 233-4. Notes: mention of MS; contents list (partial).

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: 163, 175-8. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Rifkin, Joshua. 1974. New Light on Music Manuscripts at the Court of Ferrara in the Reigns of Alfonso I and Hercules II. Paper presented at the New England Renaissance Conference at Durham, New Hampshire, October 26, 1974, . Notes: physical description; mention of MS; discussion.

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 19-22. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music. Chicago. Pages: III, 117-8, 135ff. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Braithwaite, James Roland. 1967. The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory. Boston University, Unpublished Ph.D. dissertation. Pages: I, 50-l, passim; II, 5-6, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 244, 261-2; II, 128. Notes: physical description (partial); contents list.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VIII, vi; X, iv. Notes: physical description; contents list; incipitsst of contents (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1848-53], 256. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description