GB-Lbl Add. MS 29427

British Library, London, England

partbook: c. 1612-7

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 29427
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	291-7 x 194-200 mm
Other Identifiers	CCM: LonBL 29427
Notations	black void mensural
Copyists	Myriell, Thomas Music
Relationships	Puttick [and Simpson], auctioneers (owner) Myriell, Thomas (compiler)
External Links	British Library online catalogue entry
External Authorities	RISM Online (sources/800268265)
Provenance	London? England
Contents	140 pieces from 38 composers

General Description

A single Altus partbook. Composite of several originally separate gatherings, of varying sizes. Pieces are organised in groups by number of voices: 3vv (1-10), 4vv (11-15), 5vv (16-59), 4vv (61-99), 3-5vv (100-119). Nos. 1-15 & 61-99 are instrumental pieces; some of the 5vv pieces are actually for 6vv.

Copied by several scribes, including Thomas Myriell, who also wrote BrusBR II.4109, LonBL 29372-7; one of the other scribes apparently had connections with English royal court (see WillettsMC and MonsonM). Probably copied mostly in London or vicinity; several pieces possibly copied in Cambridge.

The compiler and main scribe was the clergyman Thomas Myriell, who began his career in Cambridge, moved to Barnet (near London) c. 1610, then served as rector at St. Stephen's Walbrook in London from 1616 until his death in 1625. Purchased by British Museum at a Puttick's sale in 1873.

DIAMM, 2017

Physical Description

Folios frayed; remounted on modern sheets. Some damage from ink corrosion, but music still legible.

DIAMM, 2017

Binding

Modern covers of red cloth on boards; white spine

DIAMM, 2017

Notation

black void mensrual

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, 1-119 (with errors and inconsistencies). Some earlier systems of ink numbering crossed out when separate partbooks were combined.

DIAMM, 2017

Foliation

Pencil foliation on modern sheets, 1-78 (last folio not numbered)

DIAMM, 2017

Decoration

Most texted pieces have plain block initials; no other decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

39 anthems, 4 motets, 22 Italian secular pieces (all with text incipits or titles only), 8 English secular pieces, 34 instrumental pieces = 107 + 4 duplicates = 111

Bearsley-1, Bull-2, Byrd-4, (Byrd/R. Farrant/R. Parsons I)-1, Deering-2, (M. East)-2, Farnaby-1, A. Ferrabosco I-3, A. Ferrabosco II-16, G. Ferretti-2, Gibbons-2, N. Giles-1, Giovanelli-1, G. Guami-2, Hanford-1, (R. Jones II)-1, T. Lupo-15, Macque-1, Marenzio-1, Masnelli-1, Milton-7, Monteverdi-4, Moscaglia-1, Nanino-1, (Pallavicino)-1, Peerson-4, Peerson/(Ravenscroft)-1, (P. Philips/Wilder)-1, Quintiani-1, Ramsey-1, Ravenscroft-3, Simmes/(M. East)-1, Tallis-1, Tomkins-2, Tomkins/(J. Tomkins)-1, Orazio Vecchi-3, Ward-2, Weelkes-4, Wilbye-3, anon-5

1 paper partbook (A-v + 79 + iii folios), 291-7 x 194-200. Composite of several originally separate gatherings, of varying sizes. Folios frayed; remounted on modern sheets. Some damage from ink corrosion, but music still legible. Pencil foliation on modern sheets, 1-78 (last folio not numbered); original numbering of pieces, 1-119 (with errors and inconsistencies). Some earlier systems of ink numbering crossed out when separate partbooks were combined. Blank staves only on ff. 8', 10', 11', 12', 18', 19'-20, 23', 24', 38', 53-53', 71', 74'-75, 78'-[79']. Modern covers of red cloth on boards; white spine. No index. Copied by several scribes, including Thomas Myriell, who also wrote BrusBR II.4109, LonBL 29372-7, and several other manuscripts not within scope of this catalogue; one of the other scribes apparently had connections with English royal court (see WillettsMC and MonsonM). Most texted pieces have plain block initials; no other decoration.

Ca. 1612-7 (MonsonM). Probably copied mostly in London or vicinity; several pieces possibly copied in Cambridge. The compiler and main scribe was the clergyman Thomas Myriell, who began his career in Cambridge, moved to Barnet (near London) ca. 1610, then served as rector at St. Stephen's Walbrook in London from 1616 until his death in 1625. Purchased by British Museum at a Puttick's sale in 1873.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	[blank pages]	-	-
[blank pages] Appears on: 1–1v
2	Fantasia a3 (I)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (I) Lupo, Thomas (ca. 1571–1627) Appears on: 2 Genres: Fantasia, Viol piece
2v–3	Fantasia a3 (II)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (II) Lupo, Thomas (ca. 1571–1627) Appears on: 2v–3 Genres: Fantasia, Viol piece
3v–4	Fantasia a3 (III)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (III) Lupo, Thomas (ca. 1571–1627) Appears on: 3v–4 Genres: Fantasia, Viol piece
4v	Fantasia a3 (IV)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (IV) Lupo, Thomas (ca. 1571–1627) Appears on: 4v Genres: Fantasia, Viol piece
5	Fantasia a3 (V)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (V) Lupo, Thomas (ca. 1571–1627) Appears on: 5 Genres: Fantasia, Viol piece
5v	Fantasia a3 (VI)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (VI) Lupo, Thomas (ca. 1571–1627) Appears on: 5v Genres: Fantasia, Viol piece
6	Fantasia a3 (VII)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (VII) Lupo, Thomas (ca. 1571–1627) Appears on: 6 Genres: Fantasia, Viol piece
6v	Fantasia a3 (VIII)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (VIII) Lupo, Thomas (ca. 1571–1627) Appears on: 6v Genres: Fantasia, Viol piece
7	Fantasia a3 (IX)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (IX) Lupo, Thomas (ca. 1571–1627) Appears on: 7 Genres: Fantasia, Viol piece
7v–8	Fantasia a3 (X)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a3 (X) Lupo, Thomas (ca. 1571–1627) Appears on: 7v–8 Genres: Fantasia, Viol piece
8v	[blank staves]	-	-
[blank staves] Appears on: 8v
9	Fantasia a4 (I)	J. Wilbye	Wilbye, John (1574–1638)
Fantasia a4 (I) Wilbye, John (1574–1638) Appears on: 9 Genres: Viol piece Source Attribution: J. Wilbye
9v	Fantasia a4 (II)	J. Wilbye	Wilbye, John (1574–1638)
Fantasia a4 (II) Wilbye, John (1574–1638) Appears on: 9v Genres: Fantasia, Viol piece Source Attribution: J. Wilbye
10	Fantasia a4 (III)	J. Wilbye	Wilbye, John (1574–1638)
Fantasia a4 (III) Wilbye, John (1574–1638) Appears on: 10 Genres: Fantasia, Viol piece Source Attribution: J. Wilbye
10v	[blank staves]	-	-
[blank staves] Appears on: 10v
11	La Chromatica	G. Guami	Guami, Gioseffo (1452–1611)
La Chromatica Guami, Gioseffo (1452–1611) Appears on: 11 Genres: Fantasia, Viol piece Source Attribution: G. Guami
11v	[blank staves]	-	-
[blank staves] Appears on: 11v
12	La Tedeschina	G. Guami	Guami, Gioseffo (1452–1611)
La Tedeschina Guami, Gioseffo (1452–1611) Appears on: 12 Genres: Fantasia, Viol piece Source Attribution: G. Guami
12v	[blank staves]	-	-
[blank staves] Appears on: 12v
13	Cease now vain thoughts	N. Giles	Giles, Nathaniel (ca. 1558–1634)
Cease now vain thoughts Giles, Nathaniel (ca. 1558–1634) Appears on: 13 Genres: Consort song Source Attribution: N. Giles
13v	O thrice-blessed earthbed	Thomas Tomkins [in fact John Tomkins]	Tomkins, John (1586–1638)
O thrice-blessed earthbed Tomkins, John (1586–1638) Appears on: 13v Genres: Consort song Source Attribution: Thomas Tomkins [in fact John Tomkins]
14	Out of the deep	-	Lupo, Thomas (ca. 1571–1627)
Out of the deep Lupo, Thomas (ca. 1571–1627) Appears on: 14 Genres: Anthem
14v	Come tread the paths	-	Anonymous
Come tread the paths Anonymous Appears on: 14v Genres: Consort song
15	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	-	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 15 Genres: Anthem
15v	When Israel came out - 2a pars (of 2): What aileth thee	-	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 15v Genres: Anthem
16	When David heard - 2a pars (of 2): O my son Absalom	-	Weelkes, Thomas (ca. 1576–1623)
When David heard - 2a pars (of 2): O my son Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 16 Genres: Anthem
16	O Jonathan, woe is me for thee	-	Weelkes, Thomas (ca. 1576–1623)
O Jonathan, woe is me for thee Weelkes, Thomas (ca. 1576–1623) Appears on: 16 Genres: Anthem
16v	Cease now delight	-	Weelkes, Thomas (ca. 1576–1623)
Cease now delight Weelkes, Thomas (ca. 1576–1623) Appears on: 16v Genres: Song
17	I call and cry to Thee (= O sacrum convivium)	-	Tallis, Thomas (ca. 1505–1585)
I call and cry to Thee (= O sacrum convivium) Tallis, Thomas (ca. 1505–1585) Appears on: 17 Genres: Contrafactum, Motet
17v	Abradad	-	Anonymous
Abradad Anonymous Appears on: 17v Genres: Consort song
18	Turn thy face - 1a pars (of 2): Turn thy face from my wickedness	-	East, Michael
Turn thy face - 1a pars (of 2): Turn thy face from my wickedness East, Michael Appears on: 18 Genres: Motet
18v	[blank staves]	-	-
[blank staves] Appears on: 18v
19	O Lord, behold my miseries	J. Milton	Milton, John
O Lord, behold my miseries Milton, John Appears on: 19 Genres: Anthem Source Attribution: J. Milton
19v–20	[blank staves]	-	-
[blank staves] Appears on: 19v–20
20v–21	By Euphrates flowery side	M. Peerson	Peerson, Martin
By Euphrates flowery side Peerson, Martin Appears on: 20v–21 Genres: Motet Source Attribution: M. Peerson
21v	I am the resurrection	J. Milton	Milton, John
I am the resurrection Milton, John Appears on: 21v Genres: Motet Source Attribution: J. Milton
22	O had I wings	J. Milton	Milton, John
O had I wings Milton, John Appears on: 22 Genres: Song Source Attribution: J. Milton
22v	If that a sinner's sighs	J. Milton	Milton, John
If that a sinner's sighs Milton, John Appears on: 22v Genres: Anthem Source Attribution: J. Milton
23	O Jesu meek	T. Ravenscroft	Ravenscroft, Thomas
O Jesu meek Ravenscroft, Thomas Appears on: 23 Genres: Anthem Source Attribution: T. Ravenscroft General Note Here texted "O Jesu sweet"
23v	[blank staves]	-	-
[blank staves] Appears on: 23v
24	Plead thou my cause	-	Peerson, Martin
Plead thou my cause Peerson, Martin Appears on: 24 Genres: Anthem
24v	[blank staves]	-	-
[blank staves] Appears on: 24v
25	Ah, helpless wretch	T. Ravenscroft	Ravenscroft, Thomas
Ah, helpless wretch Ravenscroft, Thomas Appears on: 25 Genres: Anthem Source Attribution: T. Ravenscroft
25v	O that my ways - 1a pars (of 2): O that my ways	M. Peerson	Peerson, Martin
O that my ways - 1a pars (of 2): O that my ways Peerson, Martin Appears on: 25v Genres: Anthem Source Attribution: M. Peerson
26	O that my ways - 2a pars (of 2): I will thank thee	M. Peerson	Peerson, Martin
O that my ways - 2a pars (of 2): I will thank thee Peerson, Martin Appears on: 26 Genres: Anthem Source Attribution: M. Peerson
26v	All laud and praise	M. Peerson [Ravenscroft]	Ravenscroft, Thomas
All laud and praise Ravenscroft, Thomas Appears on: 26v Genres: Anthem Source Attribution: M. Peerson [Ravenscroft]
27	And the king was moved	-	Dering, Richard
And the king was moved Dering, Richard Appears on: 27 Genres: Motet
27v–28	O Lord let me know my End	-	Tomkins, Thomas (1572–1656)
O Lord let me know my End Tomkins, Thomas (1572–1656) Appears on: 27v–28 Genres: Anthem
28v	Sing joyfully	-	Jones, Robert
Sing joyfully Jones, Robert Appears on: 28v Genres: Anthem
29	When David heard (= Ab ortu solis ?)	W. Bearsley	Bearsley, William
When David heard (= Ab ortu solis ?) Bearsley, William Appears on: 29 Genres: Motet Source Attribution: W. Bearsley Voice: [no designation] Languages: Latin Voice Text: Ab ortu solis / Ab ortu solis
29v–30	In Thee, O Lord, have I put my trust	T. Ravenscroft	Ravenscroft, Thomas
In Thee, O Lord, have I put my trust Ravenscroft, Thomas Appears on: 29v–30 Genres: Anthem Source Attribution: T. Ravenscroft General Note Texted here "O Lord in thee..."
30v	I am the resurrection	-	Gibbons, Orlando (ca. 1583–1625)
I am the resurrection Gibbons, Orlando (ca. 1583–1625) Appears on: 30v Genres: Motet
31	In resurrectione tua	W. Byrd	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 31 Genres: Motet Source Attribution: W. Byrd
31v	When David heard - 2a pars (of 2): O my son Absalom	-	Weelkes, Thomas (ca. 1576–1623)
When David heard - 2a pars (of 2): O my son Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 31v Genres: Anthem
31v	O Jonathan, woe is me for thee	-	Weelkes, Thomas (ca. 1576–1623)
O Jonathan, woe is me for thee Weelkes, Thomas (ca. 1576–1623) Appears on: 31v Genres: Anthem
32	O my son - 1a pars (of 2): O my son Absalom	G. Farnaby	Farnaby, Giles (ca. 1563–1640)
O my son - 1a pars (of 2): O my son Absalom Farnaby, Giles (ca. 1563–1640) Appears on: 32 Genres: Motet Source Attribution: G. Farnaby
32	O my son - 2a pars (of 2): Saul and Jonathan	G. Farnaby	Farnaby, Giles (ca. 1563–1640)
O my son - 2a pars (of 2): Saul and Jonathan Farnaby, Giles (ca. 1563–1640) Appears on: 32 Genres: Motet Source Attribution: G. Farnaby
32v	When David heard	R. Ramsey	Ramsey, Robert
When David heard Ramsey, Robert Appears on: 32v Genres: Motet Source Attribution: R. Ramsey
32v	When David heard that Absalom	J. Milton	Milton, John
When David heard that Absalom Milton, John Appears on: 32v Genres: Motet Source Attribution: J. Milton
33	O woe is me for thee	-	Milton, John
O woe is me for thee Milton, John Appears on: 33 Genres: Anthem
33v	Rise, O my soul - 1a pars (of 3): Rise, O my soul	W. Simms	East, Michael (?) Simmes, William (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul East, Michael (?) Simmes, William (?) Appears on: 33v Genres: Anthem Source Attribution: W. Simms
33v	Rise, O my soul - 2a pars (of 3): And thou, my soul	W. Simms	Simmes, William (?) East, Michael (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul Simmes, William (?) East, Michael (?) Appears on: 33v Genres: Anthem Source Attribution: W. Simms
34	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	W. Simms	East, Michael (?) Simmes, William (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus East, Michael (?) Simmes, William (?) Appears on: 34 Genres: Anthem Source Attribution: W. Simms
34v	Hear my prayer, O Lord	-	Lupo, Thomas (ca. 1571–1627)
Hear my prayer, O Lord Lupo, Thomas (ca. 1571–1627) Appears on: 34v Genres: Anthem
35	[blank staves]	-	-
[blank staves] Appears on: 35
35v–36	Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch Ward, John (ca. 1589–ca. 1638) Appears on: 35v–36 Genres: Anthem Source Attribution: J. Ward
36v–37	Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain Ward, John (ca. 1589–ca. 1638) Appears on: 36v–37 Genres: Anthem Source Attribution: J. Ward
37v	How long wilt Thou forget me, O Lord	J. Ward	Ward, John (ca. 1589–ca. 1638)
How long wilt Thou forget me, O Lord Ward, John (ca. 1589–ca. 1638) Appears on: 37v Genres: Anthem Source Attribution: J. Ward
38	O vos omnes	T. Lupo	Lupo, Thomas (ca. 1571–1627)
O vos omnes Lupo, Thomas (ca. 1571–1627) Appears on: 38 Genres: Motet Source Attribution: T. Lupo
38v	[blank staves]	-	-
[blank staves] Appears on: 38v
39	The cries of London	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
The cries of London Weelkes, Thomas (ca. 1576–1623) Appears on: 39 Genres: Consort song Source Attribution: T. Weelkes
40v–41	[blank staves]	-	-
[blank staves] Appears on: 40v–41
41v–42v	The country cries	R. Dering	Dering, Richard
The country cries Dering, Richard Appears on: 41v–42v Genres: Consort song Source Attribution: R. Dering
43–44	The cries of London - 1a pars (of 2): God give you good morrow, my masters	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 43–44 Genres: In nomine, Song Source Attribution: O. Gibbons
43–44	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 43–44 Genres: Song
44v	[canonic exercise]	-	Anonymous
[canonic exercise] Anonymous Appears on: 44v Genres: Canonic, fragment, textless General Note "beginning of an untidy canonic exercise" (Monson)
45	Fantasia a4	W. Byrd	Byrd, William (ca. 1540–1623)
Fantasia a4 Byrd, William (ca. 1540–1623) Appears on: 45 Genres: Fantasia Source Attribution: W. Byrd
45v	Fantasia a4	W. Byrd	Byrd, William (ca. 1540–1623)
Fantasia a4 Byrd, William (ca. 1540–1623) Appears on: 45v Genres: Fantasia Source Attribution: W. Byrd
46	Solo e pensoso	G B Moscaglia	Moscaglia, Giovanni Battista
Solo e pensoso Moscaglia, Giovanni Battista Appears on: 46 Genres: Madrigal (Italian) Source Attribution: G B Moscaglia General Note untexted, for instrumental performance
46	Se d'altro mai	G. de Macque	Macque, Giovanni de
Se d'altro mai Macque, Giovanni de Appears on: 46 Genres: Madrigal (Italian) Source Attribution: G. de Macque General Note untexted, for instrumental performance
46v	Fantasia a4 (I)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (I) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 46v Genres: Fantasia Source Attribution: A. Ferrabosco
47	Fantasia a4 (II)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (II) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 47 Genres: Fantasia Source Attribution: A. Ferrabosco
47v	Fantasia a4 (III)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (III) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 47v Genres: Fantasia Source Attribution: A. Ferrabosco
48	Fantasia a4 (IV)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (IV) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 48 Genres: Fantasia Source Attribution: A. Ferrabosco
48v	Fantasia a4 (V)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (V) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 48v Genres: Fantasia Source Attribution: A. Ferrabosco
49	Fantasia a4 (VI)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (VI) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 49 Genres: Fantasia Source Attribution: A. Ferrabosco
49v	Fantasia a4 (VII)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (VII) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 49v Genres: Fantasia Source Attribution: A. Ferrabosco
50	Fantasia a4 (VIII)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (VIII) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 50 Genres: Fantasia Source Attribution: A. Ferrabosco
50v	Fantasia a4 (IX)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (IX) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 50v Genres: Fantasia Source Attribution: A. Ferrabosco
51	Fantasia a4 (X)	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (X) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 51 Genres: Fantasia
51v	Fantasia a4 (XI)	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (XI) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 51v Genres: Fantasia
52	Fantasia a4 (XII)	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (XII) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 52 Genres: Fantasia
52v	Fantasia a4 (XIII)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 (XIII) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 52v Genres: Fantasia Source Attribution: A. Ferrabosco
53–53v	[blank staves]	-	-
[blank staves] Appears on: 53–53v
54	In nomine a5	A. Ferrabosco (II)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
In nomine a5 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 54 Genres: In nomine Source Attribution: A. Ferrabosco (II)
54v	In nomine a5	A. Ferrabosco (II)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
In nomine a5 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 54v Genres: In nomine Source Attribution: A. Ferrabosco (II)
55	In nomine a5	A. Ferrabosco (I)	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine a5 Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 55 Genres: In nomine Source Attribution: A. Ferrabosco (I)
55v	In nomine a5	A. Ferrabosco (I)	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine a5 Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 55v Genres: In nomine Source Attribution: A. Ferrabosco (I)
56	Morir non puo il mio core	G M Nanino	Nanino, Giovanni Maria
Morir non puo il mio core Nanino, Giovanni Maria Appears on: 56 Genres: Madrigal (Italian) Source Attribution: G M Nanino General Note untexted, for instrumental performance
56v	Vince labianio	R. Giovanelli	Giovannelli, Ruggiero (ca. 1560–1625)
Vince labianio Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 56v Genres: Madrigal (Italian) Source Attribution: R. Giovanelli General Note untexted, for instrumental performance
57	Tutte le stelle	G. Feretti	Ferretti, Giovanni
Tutte le stelle Ferretti, Giovanni Appears on: 57 Genres: Madrigal (Italian) Source Attribution: G. Feretti General Note untexted, for instrumental performance
57v	Donna mi fugg' ogn' hora	G. Feretti	Ferretti, Giovanni
Donna mi fugg' ogn' hora Ferretti, Giovanni Appears on: 57v Genres: Madrigal (Italian) Source Attribution: G. Feretti General Note untexted, for instrumental performance
58	Deh resta	-	Anonymous
Deh resta Anonymous Appears on: 58 Genres: Madrigal (Italian) General Note untexted, for instrumental performance
58v	Cor mio	-	Pallavicino, Benedetto
Cor mio Pallavicino, Benedetto Appears on: 58v Genres: Madrigal (Italian) General Note untexted, for instrumental performance
59	Ohime	-	Anonymous
Ohime Anonymous Appears on: 59 Genres: Madrigal (Italian) General Note untexted, for instrumental performance
59v	Ond' ei di morte	C. Monteverdi	Monteverdi, Claudio (1567–1643)
Ond' ei di morte Monteverdi, Claudio (1567–1643) Appears on: 59v Genres: Madrigal (Italian) Source Attribution: C. Monteverdi General Note untexted, for instrumental performance
60	La tra il sangue e le morti egro	C. Monteverdi	Monteverdi, Claudio (1567–1643)
La tra il sangue e le morti egro Monteverdi, Claudio (1567–1643) Appears on: 60 Genres: Madrigal (Italian) Source Attribution: C. Monteverdi General Note untexted, for instrumental performance
60v	Al suon d'amata voce	L. Quintiani	Quintiani, Lucrezio
Al suon d'amata voce Quintiani, Lucrezio Appears on: 60v Genres: Madrigal (Italian) Source Attribution: L. Quintiani General Note untexted, for instrumental performance
61	Clorinda hai vinto	H. Vecchi	Vecchi, Orazio (1550–1605)
Clorinda hai vinto Vecchi, Orazio (1550–1605) Appears on: 61 Genres: Madrigal (Italian) Source Attribution: H. Vecchi General Note untexted, for instrumental performance
61v	O come e gran martire	C. Monteverdi	Monteverdi, Claudio (1567–1643)
O come e gran martire Monteverdi, Claudio (1567–1643) Appears on: 61v Genres: Madrigal (Italian) Source Attribution: C. Monteverdi General Note untexted, for instrumental performance
62	Sovra tenere herbette	C. Monteverdi	Monteverdi, Claudio (1567–1643)
Sovra tenere herbette Monteverdi, Claudio (1567–1643) Appears on: 62 Genres: Madrigal (Italian) Source Attribution: C. Monteverdi General Note untexted, for instrumental performance
62v	Tremolavan le frondi - 3a pars (of 3): Ond' all' hor io, languendo	H. Vecchi	Vecchi, Orazio (1550–1605)
Tremolavan le frondi - 3a pars (of 3): Ond' all' hor io, languendo Vecchi, Orazio (1550–1605) Appears on: 62v Genres: Madrigal (Italian) Source Attribution: H. Vecchi General Note untexted, for instrumental performance
63	Non vi bastava	P. Masneli	Masnelli, Paolo
Non vi bastava Masnelli, Paolo Appears on: 63 Genres: Madrigal (Italian) Source Attribution: P. Masneli General Note untexted, for instrumental performance
63	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 63 Genres: Madrigal (Italian) General Note untexted, for instrumental performance
63v	Ond'ei di morte la sua faccia	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Ond'ei di morte la sua faccia Marenzio, Luca (ca. 1553–1599) Appears on: 63v Genres: Madrigal (Italian) Source Attribution: L. Marenzio General Note untexted, for instrumental performance
64	Tu dolc' anima mea	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Tu dolc' anima mea Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 64 Genres: Madrigal (Italian) Source Attribution: A. Ferrabosco General Note untexted, for instrumental performance
64	Pastorella gratiosella	H. Vecchi	Vecchi, Orazio (1550–1605)
Pastorella gratiosella Vecchi, Orazio (1550–1605) Appears on: 64 Genres: Madrigal (Italian) Source Attribution: H. Vecchi General Note untexted, for instrumental performance
64v	[blank staves]	-	-
[blank staves] Appears on: 64v
65	Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch Ward, John (ca. 1589–ca. 1638) Appears on: 65 Genres: Anthem Source Attribution: J. Ward
65v–66	Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain Ward, John (ca. 1589–ca. 1638) Appears on: 65v–66 Genres: Anthem Source Attribution: J. Ward
66v–67	How long wilt Thou forget me, O Lord	J. Ward	Ward, John (ca. 1589–ca. 1638)
How long wilt Thou forget me, O Lord Ward, John (ca. 1589–ca. 1638) Appears on: 66v–67 Genres: Anthem Source Attribution: J. Ward
67v	Long have I lifted up my voice	G. Hanford	Hanford, George
Long have I lifted up my voice Hanford, George Appears on: 67v Genres: Anthem Source Attribution: G. Hanford
68	If that a sinner's sighs	J. Milton	Milton, John
If that a sinner's sighs Milton, John Appears on: 68 Genres: Anthem Source Attribution: J. Milton
68v–69	O woe is me for thee	J. Milton	Milton, John
O woe is me for thee Milton, John Appears on: 68v–69 Genres: Anthem Source Attribution: J. Milton
69v–70	Almighty God, who by the leading of a star (Almighty God who didst manifest)	J. Bull	Bull, John (ca. 1562–1628)
Almighty God, who by the leading of a star (Almighty God who didst manifest) Bull, John (ca. 1562–1628) Appears on: 69v–70 Genres: Anthem Source Attribution: J. Bull
70v	Hear me, O God (Adaptation of Four-note Pavane)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Hear me, O God (Adaptation of Four-note Pavane) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 70v Genres: Anthem Source Attribution: A. Ferrabosco
71	Blessed art thou that fearest God and walkest in his ways	-	Van Wilder, Phillip
Blessed art thou that fearest God and walkest in his ways Van Wilder, Phillip Appears on: 71 Genres: Motet
71v	[blank staves]	-	-
[blank staves] Appears on: 71v
72	O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	W. Byrd	Byrd, William (ca. 1540–1623)
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 72 Genres: Anthem, Contrafactum Source Attribution: W. Byrd
72v	O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	W. Byrd	Byrd, William (ca. 1540–1623)
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) Byrd, William (ca. 1540–1623) Appears on: 72v Genres: Anthem, Contrafactum Source Attribution: W. Byrd
73	Salva nos Domine	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Salva nos Domine Lupo, Thomas (ca. 1571–1627) Appears on: 73 Genres: Motet Source Attribution: T. Lupo
73v	Heu mihi Domine	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Heu mihi Domine Lupo, Thomas (ca. 1571–1627) Appears on: 73v Genres: Motet Source Attribution: T. Lupo
74	It is my well beloved's voice	-	Tomkins, Thomas (1572–1656)
It is my well beloved's voice Tomkins, Thomas (1572–1656) Appears on: 74 Genres: Anthem
74v–75	[blank staves]	-	-
[blank staves] Appears on: 74v–75
75v–76	Frail man despise the treasures	J. Bull	Bull, John (ca. 1562–1628)
Frail man despise the treasures Bull, John (ca. 1562–1628) Appears on: 75v–76 Genres: Anthem Source Attribution: J. Bull
76v–77	Blow out the trumpet	-	East, Michael
Blow out the trumpet East, Michael Appears on: 76v–77 Genres: Anthem
77v	How doth the holy city - 1a pars (of 2): How doth the holy city	-	Milton, John
How doth the holy city - 1a pars (of 2): How doth the holy city Milton, John Appears on: 77v Genres: Anthem
78	How doth the holy city - 2a pars (of 2): She weepeth continually	-	Milton, John
How doth the holy city - 2a pars (of 2): She weepeth continually Milton, John Appears on: 78 Genres: Anthem
78v–[79]v	[blank staves]	-	-
[blank staves] Appears on: 78v–[79]v

Composer	Compositions
Anonymous	Abradad – 17v Come tread the paths – 14v Deh resta – 58 Ohime – 59 [canonic exercise] – 44v [untitled] – 63 [No description] – 12v [No description] – 19v–20 [No description] – 71v [No description] – 64v [No description] – 23v [No description] – 11v [No description] – 38v [No description] – 74v–75 [No description] – 24v [No description] – 8v [No description] – 18v [No description] – 1–1v [No description] – 78v–[79]v [No description] – 53–53v [No description] – 40v–41 [No description] – 35 [No description] – 10v
Bearsley, William	When David heard (= Ab ortu solis ?) – 29
Bull, John (ca. 1562–1628)	Almighty God, who by the leading of a star (Almighty God who didst manifest) – 69v–70 Frail man despise the treasures – 75v–76
Byrd, William (ca. 1540–1623)	Fantasia a4 – 45v Fantasia a4 – 45 In resurrectione tua – 31 O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) – 72 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) – 72v
Dering, Richard	And the king was moved – 27 The country cries – 41v–42v
East, Michael	Blow out the trumpet – 76v–77 (?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 33v (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 33v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 34 Turn thy face - 1a pars (of 2): Turn thy face from my wickedness – 18 When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 15 When Israel came out - 2a pars (of 2): What aileth thee – 15v
Farnaby, Giles (ca. 1563–1640)	O my son - 1a pars (of 2): O my son Absalom – 32 O my son - 2a pars (of 2): Saul and Jonathan – 32
Ferrabosco, Alfonso (the elder) (1543–1588)	In nomine a5 – 55 In nomine a5 – 55v Tu dolc' anima mea – 64
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	Fantasia a4 (I) – 46v Fantasia a4 (II) – 47 Fantasia a4 (III) – 47v Fantasia a4 (IV) – 48 Fantasia a4 (IX) – 50v Fantasia a4 (V) – 48v Fantasia a4 (VI) – 49 Fantasia a4 (VII) – 49v Fantasia a4 (VIII) – 50 Fantasia a4 (X) – 51 Fantasia a4 (XI) – 51v Fantasia a4 (XII) – 52 Fantasia a4 (XIII) – 52v Hear me, O God (Adaptation of Four-note Pavane) – 70v In nomine a5 – 54 In nomine a5 – 54v
Ferretti, Giovanni	Donna mi fugg' ogn' hora – 57v Tutte le stelle – 57
Gibbons, Orlando (ca. 1583–1625)	I am the resurrection – 30v The cries of London - 1a pars (of 2): God give you good morrow, my masters – 43–44 The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 43–44
Giles, Nathaniel (ca. 1558–1634)	Cease now vain thoughts – 13
Giovannelli, Ruggiero (ca. 1560–1625)	Vince labianio – 56v
Guami, Gioseffo (1452–1611)	La Chromatica – 11 La Tedeschina – 12
Hanford, George	Long have I lifted up my voice – 67v
Jones, Robert	Sing joyfully – 28v
Lupo, Thomas (ca. 1571–1627)	Fantasia a3 (I) – 2 Fantasia a3 (II) – 2v–3 Fantasia a3 (III) – 3v–4 Fantasia a3 (IV) – 4v Fantasia a3 (IX) – 7 Fantasia a3 (V) – 5 Fantasia a3 (VI) – 5v Fantasia a3 (VII) – 6 Fantasia a3 (VIII) – 6v Fantasia a3 (X) – 7v–8 Hear my prayer, O Lord – 34v Heu mihi Domine – 73v O vos omnes – 38 Out of the deep – 14 Salva nos Domine – 73
Macque, Giovanni de	Se d'altro mai – 46
Marenzio, Luca (ca. 1553–1599)	Ond'ei di morte la sua faccia – 63v
Masnelli, Paolo	Non vi bastava – 63
Milton, John	How doth the holy city - 1a pars (of 2): How doth the holy city – 77v How doth the holy city - 2a pars (of 2): She weepeth continually – 78 I am the resurrection – 21v If that a sinner's sighs – 68 If that a sinner's sighs – 22v O Lord, behold my miseries – 19 O had I wings – 22 O woe is me for thee – 68v–69 O woe is me for thee – 33 When David heard that Absalom – 32v
Monteverdi, Claudio (1567–1643)	La tra il sangue e le morti egro – 60 O come e gran martire – 61v Ond' ei di morte – 59v Sovra tenere herbette – 62
Moscaglia, Giovanni Battista	Solo e pensoso – 46
Nanino, Giovanni Maria	Morir non puo il mio core – 56
Pallavicino, Benedetto	Cor mio – 58v
Peerson, Martin	By Euphrates flowery side – 20v–21 O that my ways - 1a pars (of 2): O that my ways – 25v O that my ways - 2a pars (of 2): I will thank thee – 26 Plead thou my cause – 24
Quintiani, Lucrezio	Al suon d'amata voce – 60v
Ramsey, Robert	When David heard – 32v
Ravenscroft, Thomas	Ah, helpless wretch – 25 All laud and praise – 26v In Thee, O Lord, have I put my trust – 29v–30 O Jesu meek – 23
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 33v (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 33v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 34
Tallis, Thomas (ca. 1505–1585)	I call and cry to Thee (= O sacrum convivium) – 17
Tomkins, John (1586–1638)	O thrice-blessed earthbed – 13v
Tomkins, Thomas (1572–1656)	It is my well beloved's voice – 74 O Lord let me know my End – 27v–28
Van Wilder, Phillip	Blessed art thou that fearest God and walkest in his ways – 71
Vecchi, Orazio (1550–1605)	Clorinda hai vinto – 61 Pastorella gratiosella – 64 Tremolavan le frondi - 3a pars (of 3): Ond' all' hor io, languendo – 62v
Ward, John (ca. 1589–ca. 1638)	Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch – 65 Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch – 35v–36 Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain – 65v–66 Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain – 36v–37 How long wilt Thou forget me, O Lord – 37v How long wilt Thou forget me, O Lord – 66v–67
Weelkes, Thomas (ca. 1576–1623)	Cease now delight – 16v O Jonathan, woe is me for thee – 16 O Jonathan, woe is me for thee – 31v The cries of London – 39 When David heard - 2a pars (of 2): O my son Absalom – 16 When David heard - 2a pars (of 2): O my son Absalom – 31v
Wilbye, John (1574–1638)	Fantasia a4 (I) – 9 Fantasia a4 (II) – 9v Fantasia a4 (III) – 10

Composition	Composers (? Uncertain)	Folios / Pages
[canonic exercise]	Anonymous	44v
[untitled]	Anonymous	63
Abradad	Anonymous	17v
Ah, helpless wretch	Ravenscroft, Thomas	25
Al suon d'amata voce	Quintiani, Lucrezio	60v
All laud and praise	Ravenscroft, Thomas	26v
Almighty God, who by the leading of a star (Almighty God who didst manifest)	Bull, John (ca. 1562–1628)	69v–70
And the king was moved	Dering, Richard	27
Blessed art thou that fearest God and walkest in his ways	Van Wilder, Phillip	71
Blow out the trumpet	East, Michael	76v–77
By Euphrates flowery side	Peerson, Martin	20v–21
Cease now delight	Weelkes, Thomas (ca. 1576–1623)	16v
Cease now vain thoughts	Giles, Nathaniel (ca. 1558–1634)	13
Clorinda hai vinto	Vecchi, Orazio (1550–1605)	61
Come tread the paths	Anonymous	14v
Cor mio	Pallavicino, Benedetto	58v
Deh resta	Anonymous	58
Donna mi fugg' ogn' hora	Ferretti, Giovanni	57v
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	Ward, John (ca. 1589–ca. 1638)	35v–36
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	Ward, John (ca. 1589–ca. 1638)	65
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	Ward, John (ca. 1589–ca. 1638)	36v–37
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	Ward, John (ca. 1589–ca. 1638)	65v–66
Fantasia a3 (I)	Lupo, Thomas (ca. 1571–1627)	2
Fantasia a3 (II)	Lupo, Thomas (ca. 1571–1627)	2v–3
Fantasia a3 (III)	Lupo, Thomas (ca. 1571–1627)	3v–4
Fantasia a3 (IV)	Lupo, Thomas (ca. 1571–1627)	4v
Fantasia a3 (IX)	Lupo, Thomas (ca. 1571–1627)	7
Fantasia a3 (V)	Lupo, Thomas (ca. 1571–1627)	5
Fantasia a3 (VI)	Lupo, Thomas (ca. 1571–1627)	5v
Fantasia a3 (VII)	Lupo, Thomas (ca. 1571–1627)	6
Fantasia a3 (VIII)	Lupo, Thomas (ca. 1571–1627)	6v
Fantasia a3 (X)	Lupo, Thomas (ca. 1571–1627)	7v–8
Fantasia a4	Byrd, William (ca. 1540–1623)	45
Fantasia a4	Byrd, William (ca. 1540–1623)	45v
Fantasia a4 (I)	Wilbye, John (1574–1638)	9
Fantasia a4 (I)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	46v
Fantasia a4 (II)	Wilbye, John (1574–1638)	9v
Fantasia a4 (II)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	47
Fantasia a4 (III)	Wilbye, John (1574–1638)	10
Fantasia a4 (III)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	47v
Fantasia a4 (IV)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	48
Fantasia a4 (IX)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	50v
Fantasia a4 (V)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	48v
Fantasia a4 (VI)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	49
Fantasia a4 (VII)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	49v
Fantasia a4 (VIII)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	50
Fantasia a4 (X)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	51
Fantasia a4 (XI)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	51v
Fantasia a4 (XII)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	52
Fantasia a4 (XIII)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	52v
Frail man despise the treasures	Bull, John (ca. 1562–1628)	75v–76
Hear me, O God (Adaptation of Four-note Pavane)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	70v
Hear my prayer, O Lord	Lupo, Thomas (ca. 1571–1627)	34v
Heu mihi Domine	Lupo, Thomas (ca. 1571–1627)	73v
How doth the holy city - 1a pars (of 2): How doth the holy city	Milton, John	77v
How doth the holy city - 2a pars (of 2): She weepeth continually	Milton, John	78
How long wilt Thou forget me, O Lord	Ward, John (ca. 1589–ca. 1638)	37v
How long wilt Thou forget me, O Lord	Ward, John (ca. 1589–ca. 1638)	66v–67
I am the resurrection	Milton, John	21v
I am the resurrection	Gibbons, Orlando (ca. 1583–1625)	30v
I call and cry to Thee (= O sacrum convivium)	Tallis, Thomas (ca. 1505–1585)	17
If that a sinner's sighs	Milton, John	22v
If that a sinner's sighs	Milton, John	68
In nomine a5	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	54
In nomine a5	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	54v
In nomine a5	Ferrabosco, Alfonso (the elder) (1543–1588)	55
In nomine a5	Ferrabosco, Alfonso (the elder) (1543–1588)	55v
In resurrectione tua	Byrd, William (ca. 1540–1623)	31
In Thee, O Lord, have I put my trust	Ravenscroft, Thomas	29v–30
It is my well beloved's voice	Tomkins, Thomas (1572–1656)	74
La Chromatica	Guami, Gioseffo (1452–1611)	11
La Tedeschina	Guami, Gioseffo (1452–1611)	12
La tra il sangue e le morti egro	Monteverdi, Claudio (1567–1643)	60
Long have I lifted up my voice	Hanford, George	67v
Morir non puo il mio core	Nanino, Giovanni Maria	56
Non vi bastava	Masnelli, Paolo	63
O come e gran martire	Monteverdi, Claudio (1567–1643)	61v
O had I wings	Milton, John	22
O Jesu meek	Ravenscroft, Thomas	23
O Jonathan, woe is me for thee	Weelkes, Thomas (ca. 1576–1623)	16
O Jonathan, woe is me for thee	Weelkes, Thomas (ca. 1576–1623)	31v
O Lord let me know my End	Tomkins, Thomas (1572–1656)	27v–28
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	Byrd, William (ca. 1540–1623)	72
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	Byrd, William (ca. 1540–1623)	72v
O Lord, behold my miseries	Milton, John	19
O my son - 1a pars (of 2): O my son Absalom	Farnaby, Giles (ca. 1563–1640)	32
O my son - 2a pars (of 2): Saul and Jonathan	Farnaby, Giles (ca. 1563–1640)	32
O that my ways - 1a pars (of 2): O that my ways	Peerson, Martin	25v
O that my ways - 2a pars (of 2): I will thank thee	Peerson, Martin	26
O thrice-blessed earthbed	Tomkins, John (1586–1638)	13v
O vos omnes	Lupo, Thomas (ca. 1571–1627)	38
O woe is me for thee	Milton, John	33
O woe is me for thee	Milton, John	68v–69
Ohime	Anonymous	59
Ond' ei di morte	Monteverdi, Claudio (1567–1643)	59v
Ond'ei di morte la sua faccia	Marenzio, Luca (ca. 1553–1599)	63v
Out of the deep	Lupo, Thomas (ca. 1571–1627)	14
Pastorella gratiosella	Vecchi, Orazio (1550–1605)	64
Plead thou my cause	Peerson, Martin	24
Rise, O my soul - 1a pars (of 3): Rise, O my soul	East, Michael (?) Simmes, William (?)	33v
Rise, O my soul - 2a pars (of 3): And thou, my soul	Simmes, William (?) East, Michael (?)	33v
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	East, Michael (?) Simmes, William (?)	34
Salva nos Domine	Lupo, Thomas (ca. 1571–1627)	73
Se d'altro mai	Macque, Giovanni de	46
Sing joyfully	Jones, Robert	28v
Solo e pensoso	Moscaglia, Giovanni Battista	46
Sovra tenere herbette	Monteverdi, Claudio (1567–1643)	62
The country cries	Dering, Richard	41v–42v
The cries of London	Weelkes, Thomas (ca. 1576–1623)	39
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	43–44
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	43–44
Tremolavan le frondi - 3a pars (of 3): Ond' all' hor io, languendo	Vecchi, Orazio (1550–1605)	62v
Tu dolc' anima mea	Ferrabosco, Alfonso (the elder) (1543–1588)	64
Turn thy face - 1a pars (of 2): Turn thy face from my wickedness	East, Michael	18
Tutte le stelle	Ferretti, Giovanni	57
Vince labianio	Giovannelli, Ruggiero (ca. 1560–1625)	56v
When David heard	Ramsey, Robert	32v
When David heard (= Ab ortu solis ?)	Bearsley, William	29
When David heard - 2a pars (of 2): O my son Absalom	Weelkes, Thomas (ca. 1576–1623)	16
When David heard - 2a pars (of 2): O my son Absalom	Weelkes, Thomas (ca. 1576–1623)	31v
When David heard that Absalom	Milton, John	32v
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	15
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	15v

‡ denotes primary source study

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 151,161. Notes: physical description (partial); mention of MS; discussion.

Monson, Craig. 1977. Thomas Myriell's Manuscript Collection: One View of Musical Taste in Jacobean London. Journal of the American Musicological Society, 419-65. Notes: physical description (partial); contents list; concordances (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Willetts, Pamela J. 1968. Musical Connections of Thomas Myriell. Music and Letters, 36-42. Notes: contents list (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 110, 242. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: VII, 107-11, 144; IX, 165; XII, 120; XXI, 200. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 6-7, 276; II, 138; III, 182, 203, 220-1. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX, 220, 224; XXII, 102-13, 174, 178-9, 184-5, 187; XXIII, 127, 129; XLIV,190-1. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 169, 192-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XVII, 11-3, 147, 149, 153. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1861-75], 635. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description