GB-Lbl Add. MS 30480 (Hamond Partbooks)

British Library, London, England

partbook: c. 1560-90

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 30480 (Hamond Partbooks)
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Format	landscape
Measurements	145-55 x 195-205 mm
Other Identifiers	CCM: LonBL 30480-4
Relationships	Hamond, Thomas (–1662) (owner) Smith, John Stafford (1750–1836) (owner)
External Links	British Library online catalogue entry
Provenance	England
Contents	98 pieces from 31 composers

General Description

A Discantus partbook from a set of five volumes. Copied by several scribes. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only. Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

DIAMM, 2017

Binding

New covers of maroon leather and cloth on boards, but original limp vellum covers retained (now bound in as flyleaves)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Printed staves and decorative margins in each book (except Quintus), identical to those in LonBL 15166, similar to those in LonBLR A57.

DIAMM, 2017

Foliation

New pencil foliation 1-89 (begins with original paper flyleaf and omits one leaf with blank staves following f. 40)

DIAMM, 2017

Surface

ii paper + i parchment + i paper + 89 paper + i parchment + i paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 2 Mass Ordinary sections, 20 motets, 11 Services or Service sections, 27 anthems, 12 English secular pieces, 8 French secular pieces, 2 Italian secular pieces, 1 In nomine, 1 dance, 2 textless pieces = 87

Adams-2, Bullmann-1, Byrd-4, Caustun-1, (Clemens non Papa)-1, (A. Ferrabosco I)-1, Ferynge-1, Franctynge-1, (C. Hollander/S. Hollander/Lassus)-1, E. Johnson-2, R. Johnson I-5, More-1, W. Mundy-2, Parsley-3, R. Parsons I-3, Partyne-1, Shepherd-5, Tallis-8, (Tallis/Weelkes)-1, Taverner-1, Tye-10, Weelkes-1, W. White-1, Whytbroke-1, Wilder [Phillip de Wildro]/(P. Philips)-1, (Wilder)-1, anon-27

5 partbooks (D-ii paper + i parchment + i paper + 89 paper + i parchment + i paper folios, A-i paper + i parchment + i paper + 93 paper + i paper + i paper, T-i paper + i parchment + 86 paper + i paper + i paper, B-i paper + i parchment + ii paper + 86 paper + i paper + i parchment + i paper, Q-i paper + i parchment + 19 paper + ii parchment + xxxiv paper), 145-55 x 195-205. New pencil foliation —D: 1-89 (begins with original paper flyleaf and omits one leaf with blank staves following f. 40); A: 1-94 (includes original paper flyleaves in front and back, but omits one leaf with blank staves following f. 67); T: 1-87 (begins with original parchment flyleaf and includes original paper flyleaf at back, but omits one leaf with blank staves following f. 61); B: 1-91 (includes all original folios); Q; 1-22 (includes all original folios). New covers of maroon leather and cloth on boards, but original parchment covers retained (now bound in as flyleaves). No index.

Copied by several scribes. Printed staves and decorative margins in each book (except Q), identical to those in LonBL 15166, similar to those in LonBLR A57. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only.

Ca. 1560-90 (ByrdW). Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1bisr–1bisv	[pen trials (Hamond)]	-	-
[pen trials (Hamond)] Appears on: 1bisr–1bisv
2r–2v	Magnificat	R Partyne	Partyne, R
Magnificat Partyne, R Appears on: 2r–2v Genres: BVM, Canticle, Magnificat Source Attribution: R Partyne Voice: [no designation] Languages: English Clef: c1 Voice Text: and meke… he hath fylled General Note Annotations/Corrections: pen trials at the bottom of 2v; Notes: beginning missing; Evening Prayer;
3r–3v	Nunc Dimittis	-	Partyne, R
Nunc Dimittis Partyne, R Appears on: 3r–3v Voice: [no designation] Languages: English Clef: c1 Voice Text: [fragment] General Note Notes: Evening Prayer;
4r–6v	First, Flat, Short Service: Te Deum	-	Parsley [Percely], Osbert
First, Flat, Short Service: Te Deum Parsley [Percely], Osbert Appears on: 4r–6v Genres: Liturgical work, Te Deum Voice: [no designation] Languages: English Clef: c2 Voice Text: Te Deum / We prayse the o god General Note Notes: Morning Prayer;
7r	-	-	Anonymous
[Unknown Title] Appears on: 7r
7v–9r	Venite [English]	Robart Adams	Adams, Robert
Venite [English] Adams, Robert Appears on: 7v–9r Source Attribution: Robart Adams Voice: [no designation] Languages: English Clef: c3 Voice Text: O com let us syng unto the lord General Note Notes: Morning Prayer;
9v–11r	Benedictus [English]	-	Anonymous
Benedictus [English] Anonymous Appears on: 9v–11r Voice: [no designation] Languages: English Clef: c1 Voice Text: Blessed be the lord god of Israell General Note Notes: Morning Prayer;
11v–13r	First, Flat, Short Service: Benedictus (Canticle)	-	Parsley [Percely], Osbert
First, Flat, Short Service: Benedictus (Canticle) Parsley [Percely], Osbert Appears on: 11v–13r Genres: Canticle Voice: [no designation] Languages: English Clef: c2 Voice Text: Blessed be the lord god of Israell General Note Annotations/Corrections: Later hand 'Persley's Benedictus'; Notes: Morning Prayer;
13v–15v	Morning Service for Men: Te Deum	Mr Moondaye	Mundy, William (ca. 1528–ca. 1591)
Morning Service for Men: Te Deum Mundy, William (ca. 1528–ca. 1591) Appears on: 13v–15v Source Attribution: Mr Moondaye Voice: [no designation] Languages: English Clef: c2 Voice Text: we knowledge the to be the Lord General Note Notes: Morning Prayer;
16r–17r	O God, be merciful unto us	doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
O God, be merciful unto us Tye, Christopher (ca. 1505–ca. 1573) Appears on: 16r–17r Genres: Anglican Service Music, Anthem, Deus misereatur [Anglican = 2nd canticle at Evensong] Source Attribution: doctor Tye Voice: [no designation] Languages: English Clef: c2 Voice Text: O God be mercyfull unto us General Note Annotations/Corrections: Later hand cites Hawkins History of music on most ancient Jubilate and Deus Misereatur'; Notes: Evening Prayer;
17v–18v	Jubilate Deo (English)	-	Anonymous
Jubilate Deo (English) Anonymous Appears on: 17v–18v Voice: [no designation] Languages: English Clef: c3 Voice Text: O be ioyefull in the lord all ye lands General Note Annotations/Corrections: Later hand in pencil - probably the oldest Jubilate set to music; Notes: Morning Prayer;
19r–19v	Nunc Dimittis	R Adams	Adams, Robert
Nunc Dimittis Adams, Robert Appears on: 19r–19v Source Attribution: R Adams Voice: [no designation] Languages: English Clef: c2 Voice Text: Lord nowe lettest thou thy sarvante departe General Note Notes: Evening Prayer;
19v–20r	[Evening Service]: Nunc dimittis	doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
[Evening Service]: Nunc dimittis Tye, Christopher (ca. 1505–ca. 1573) Appears on: 19v–20r Source Attribution: doctor Tye Voice: [no designation] Languages: English Clef: c2 Voice Text: Lord let yr servent now depart General Note Notes: Evening Prayer;
20v–21v	Evening Service: Magnificat [English]	-	Whytbroke, William
Evening Service: Magnificat [English] Whytbroke, William Appears on: 20v–21v Voice: [no designation] Languages: English Clef: c2 Voice Text: And my spirite hath reioysed General Note Notes: Evening Prayer;
22r	Give alms of thy goods	-	Tye, Christopher (ca. 1505–ca. 1573)
Give alms of thy goods Tye, Christopher (ca. 1505–ca. 1573) Appears on: 22r Voice: [no designation] Languages: English Clef: c2 Voice Text: Geve almes of thy goods General Note Notes: [Communion ];
22v–23v	O praise God in his holiness (I)	-	White, William White, Robert (ca. 1538–1574) (?)
O praise God in his holiness (I) White, William White, Robert (ca. 1538–1574) (?) Appears on: 22v–23v Genres: Anthem Voice: [no designation] Languages: English Clef: c1 Voice Text: O prayse God in his holynes
24r–25v	Praise the lord ye servants [= Praise ye the Lord ye children]	Doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
Praise the lord ye servants [= Praise ye the Lord ye children] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 24r–25v Genres: Anthem Source Attribution: Doctor Tye Voice: [no designation] Languages: English Clef: c2 Voice Text: Prayse ye the lord ye children
25v–27r	Christ rising again	-	Sheppard, John (ca. 1515–1558)
Christ rising again Sheppard, John (ca. 1515–1558) Appears on: 25v–27r Genres: Anthem Voice: [no designation] Languages: English Clef: c4 Voice Text: Christ rysynge agayne from ye dede
27r–28r	O merciful father, we beseech thee	-	Feryng
O merciful father, we beseech thee Feryng Appears on: 27r–28r Voice: [no designation] Languages: English Clef: c3 Voice Text: O meryful father we besech the
28r–29r	O God for thy name's sake save me	J	Frankling, John
O God for thy name's sake save me Frankling, John Appears on: 28r–29r Source Attribution: J Voice: [no designation] Languages: English Clef: c3 Voice Text: O god for thy name sake save me
29r–30r	I give you a new commandment	Mr Sheperde	Sheppard, John (ca. 1515–1558)
I give you a new commandment Sheppard, John (ca. 1515–1558) Appears on: 29r–30r Genres: Anthem Source Attribution: Mr Sheperde Voice: [no designation] Languages: English Clef: c4 Voice Text: I gyve you a newe comaundement
30r–30v	In judgement, Lord	-	Anonymous
In judgement, Lord Anonymous Appears on: 30r–30v Voice: [no designation] Languages: English Clef: c2 Voice Text: In iudgment lorde doe thou not procede
31r–32v	Service for Children: Venite	-	Caustun, Thomas (ca. 1520–1569)
Service for Children: Venite Caustun, Thomas (ca. 1520–1569) Appears on: 31r–32v Voice: [no designation] Languages: English Clef: c2 Voice Text: O Come let us syng unto ye lorde General Note Notes: Morning Prayer;
33r–35r	Service for Children: Te Deum	-	Caustun, Thomas (ca. 1520–1569)
Service for Children: Te Deum Caustun, Thomas (ca. 1520–1569) Appears on: 33r–35r Voice: [no designation] Languages: English Clef: c2 Voice Text: wee knowledge ye to be ye Lord General Note Notes: Morning Prayer;
35r–36v	Service for Children: Benedictus (Canticle)	Thomas Canston	Caustun, Thomas (ca. 1520–1569)
Service for Children: Benedictus (Canticle) Caustun, Thomas (ca. 1520–1569) Appears on: 35r–36v Source Attribution: Thomas Canston Voice: [no designation] Languages: English Clef: c2 Voice Text: Blessed be ye lord god of israele General Note Notes: Morning Prayer;
36v–37v	Service for Children: Gloria	-	Caustun, Thomas (ca. 1520–1569)
Service for Children: Gloria Caustun, Thomas (ca. 1520–1569) Appears on: 36v–37v Voice: [no designation] Languages: English Clef: c1 Voice Text: Gloria / And in earth peace, goodwill towardes men General Note Annotations/Corrections: 'v p'; Notes: Communion Service;
37v	O death rock me asleep	-	Anonymous
O death rock me asleep Anonymous Appears on: 37v Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: O death General Note Annotations/Corrections: 'iiii p[ar]ts'; Insertion on bottom line;
38r–38v	O come pale-faced death	-	Johnson (I), Robert (ca. 1500–ca. 1560)
O come pale-faced death Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 38r–38v Voice: [no designation] Languages: English Clef: g2 Voice Text: Come palfaced death
38v–40r	Prepare you time weareth away	-	Mundy, William (ca. 1528–ca. 1591)
Prepare you time weareth away Mundy, William (ca. 1528–ca. 1591) Appears on: 38v–40r Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: Prepare youe tyme weareth awaye
40r–40v	When Jesus went (adaptation of motet Salvator Mundi II)	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
When Jesus went (adaptation of motet Salvator Mundi II) Tallis, Thomas (ca. 1505–1585) Appears on: 40r–40v Genres: Anthem, Contrafactum Source Attribution: Mr Tallis Voice: [no designation] Languages: English Clef: c2 Voice Text: When Jesus went into Simon the Pharisyes house General Note Annotations/Corrections: pen trials on fol.40v; Notes: Adaptation of Salvator mundi (ii);
41r–42v	From the depth I call on ye O Lord [de profundis]	doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
From the depth I call on ye O Lord [de profundis] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 41r–42v Source Attribution: doctor Tye Voice: [no designation] Languages: English Clef: c1 Voice Text: From the depth I called on ye o lord
42v–44r	Wipe away my sins [=Absterge Domine]	-	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 42v–44r Voice: [no designation] Languages: English Clef: c2 Voice Text: Wype away my synes General Note Annotations/Corrections: wilt look straightly' in later hand; Notes: Adaptation of Absterge Domine;
44r–44v	Blessed art thou that fearest God and walkest in his ways	-	Van Wilder, Phillip
Blessed art thou that fearest God and walkest in his ways Van Wilder, Phillip Appears on: 44r–44v Genres: Motet Voice: [no designation] Languages: English Clef: c1 Voice Text: Blessed arte thou that fearest God
44bisr–44bisv	-	-	Anonymous
[Unknown Title] Appears on: 44bisr–44bisv
45r–46r	My trust, O Lord, in thee is grounded	-	Tye, Christopher (ca. 1505–ca. 1573)
My trust, O Lord, in thee is grounded Tye, Christopher (ca. 1505–ca. 1573) Appears on: 45r–46r Voice: [no designation] Languages: English Clef: g2 Voice Text: An Anthem. V parts. / My trust o lord in the is grounded General Note Annotations/Corrections: 'An Anthem. V. parts';
46r–46v	With all our hearts and mouth (= Salvator mundi (I))	-	Tallis, Thomas (ca. 1505–1585)
With all our hearts and mouth (= Salvator mundi (I)) Tallis, Thomas (ca. 1505–1585) Appears on: 46r–46v Genres: Anthem, Contrafactum Voice: [no designation] Languages: English Clef: c1 Voice Text: With all our harts and mouth General Note Notes: Adaption of Salvator mundi (i);
47r–47v	I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight	-	Sheppard, John (ca. 1515–1558)
I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight Sheppard, John (ca. 1515–1558) Appears on: 47r–47v Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: I will geve thanks unto ye lord General Note Notes: Adaptation of partsong O Happy Dames;
48r–49r	When shall my sorrowful sighing slake	-	Tallis, Thomas (ca. 1505–1585) (?)
When shall my sorrowful sighing slake Tallis, Thomas (ca. 1505–1585) (?) Appears on: 48r–49r Genres: Song Voice: [no designation] Languages: English Clef: c1 Voice Text: When shall my sorowfull syghinge slake General Note Annotations/Corrections: Enterd & scored' in pencil;
49r	Fond youth is a bubble = Purge me O Lord	Tallys	Tallis, Thomas (ca. 1505–1585)
Fond youth is a bubble = Purge me O Lord Tallis, Thomas (ca. 1505–1585) Appears on: 49r Source Attribution: Tallys Voice: [no designation] Languages: English Clef: c2 Voice Text: Purge me o lord from all my syne General Note Notes: Perhaps an adaptation of Fond Youth is a Bubble;
49v	Deliver us Lord both night and day	-	Anonymous
Deliver us Lord both night and day Anonymous Appears on: 49v Voice: [no designation] Languages: English Clef: c2 Voice Text: Bothe nyght and daye save us
49v–50v	Defiled is my name	John sone	Johnson (I), Robert (ca. 1500–ca. 1560)
Defiled is my name Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 49v–50v Source Attribution: John sone Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: Defiled is my name
51r–51v	Deliver us good Lord from eternal death	Doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
Deliver us good Lord from eternal death Tye, Christopher (ca. 1505–ca. 1573) Appears on: 51r–51v Source Attribution: Doctor Tye Voice: [no designation] Languages: English Clef: c2 Voice Text: Delyver us good lord from eternall Death General Note Annotations/Corrections: Crossed out text and zigzags through blank stave on last line of 51r;
52r–52v	Lord thou has commanded by thy holy apostle	-	Bullmann, Baruch
Lord thou has commanded by thy holy apostle Bullmann, Baruch Appears on: 52r–52v Genres: none Voice: [no designation] Languages: English Clef: c2 Voice Text: Lord thou hast commanded by thy holy apostell (2p. I beseech [th]e to geue me grace)
53r	O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas	-	Taverner, John
O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas Taverner, John Appears on: 53r Voice: [no designation] Languages: English Clef: g2 Voice Text: O geve thankes unto ye lord General Note Notes: Adaptation of In Nomine from Missa Gloria Tibi Trinitas;
53v–55v	I have loved	doctor Tye	Tye, Christopher (ca. 1505–ca. 1573)
I have loved Tye, Christopher (ca. 1505–ca. 1573) Appears on: 53v–55v Genres: Anthem Source Attribution: doctor Tye Voice: [no designation] Languages: English Clef: c2 Voice Text: I have loved
56r–57r	O Lord, rebuke me not in thine indignation	-	Tye, Christopher (ca. 1505–ca. 1573)
O Lord, rebuke me not in thine indignation Tye, Christopher (ca. 1505–ca. 1573) Appears on: 56r–57r Voice: [no designation] Languages: English Clef: c3 Voice Text: O Lord rebuke me not in thy Indignacion General Note Notes: notation incomplete (notes end several above words);
57v	Ut re mi fa	Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Ut re mi fa Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 57v Source Attribution: Parsons Voice: [no designation] Languages: none Clef: g2 Voice Text: Vt re me fa: 4 pts
57v–58v	Save me, O God, for thy name's sake	-	Tye, Christopher (ca. 1505–ca. 1573)
Save me, O God, for thy name's sake Tye, Christopher (ca. 1505–ca. 1573) Appears on: 57v–58v Genres: Anthem Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: Saue me o god for thy names sake General Note Annotations/Corrections: '4 p[ar]ts';
58v–59r	Jesum Nazarenum	-	Byrd, William (ca. 1540–1623)
Jesum Nazarenum Byrd, William (ca. 1540–1623) Appears on: 58v–59r Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Jesum nasaren[u]m General Note Annotations/Corrections: 'a song of 3 parts';
59v	-	-	Anonymous
[Unknown Title] Appears on: 59v
60r–61v	Triumph with pleasant melody	-	Byrd, William (ca. 1540–1623)
Triumph with pleasant melody Byrd, William (ca. 1540–1623) Appears on: 60r–61v Genres: Song Voice: [no designation] Languages: English Clef: c2 Voice Text: Triumph wth plesaunte melodie General Note Notes: Later hand - 'by Thomas Bird Gent of the Chapel Royal…' significant emendation to text in later hand with date '1581.. MSS' in margin and addition of notes for simple 'Amen';
62r	Susanna fair sometime of love requested	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Susanna fair sometime of love requested Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 62r Voice: [no designation] Languages: English Clef: g2 Voice Text: Susanna fayer sometime of love requested General Note Notes: Incomplete; contrafact of 'Susanna un jour d'amour solicitee' (from Musica Transalpina 1588);
62v	Lachrimae	Weelkes	Weelkes, Thomas (ca. 1576–1623)
Lachrimae Weelkes, Thomas (ca. 1576–1623) Appears on: 62v Source Attribution: Weelkes Voice: [no designation] Languages: none Clef: g2 Voice Text: Lachrime
63r	Eliza is the fairest queen	-	Johnson, Edward
Eliza is the fairest queen Johnson, Edward Appears on: 63r Voice: [no designation] Languages: English Mensuration: o-dot-3 Clef: g2 Voice Text: Elise. Elisa. Elisa. Is [th]e fayrest quene General Note Notes: Associated with Elizabeth I's visit to Elvetham in 1591;
63r–63v	Come again fair nature's treasure	Mr Johnson	Johnson, Edward
Come again fair nature's treasure Johnson, Edward Appears on: 63r–63v Source Attribution: Mr Johnson Voice: [no designation] Languages: English Mensuration: o-dot-3 Clef: c2 Voice Text: Com agayne, com againe… sweet natures traseur General Note Annotations/Corrections: Mr Johnson of I cannot tell where; Notes: Associated with Elizabeth I's visit to Elvetham in 1591;
63v–64r	Candidi Facti sunt = Facti sunt Nazarei eius candidi	-	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 63v–64r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ffacti sunt nazarei eius General Note Annotations/Corrections: Includes a sign to indicate the repeat necessary when performed as a respond. 'Tallis' added in pencil by later hand;
64v–65r	-	-	Anonymous
[Unknown Title] Appears on: 64v–65r
65v–66r	Ne irascaris Domine [2p. Civitas sancti tui]	-	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 65v–66r Genres: Anthem Voice: [no designation] Languages: none Clef: c1 Voice Text: Ne irascaris General Note Annotations/Corrections: At the end: 'good';
66v	Sermone blando Illae dum pergunt concitae Apostolis	-	Tallis, Thomas (ca. 1505–1585)
Sermone blando Illae dum pergunt concitae Apostolis Tallis, Thomas (ca. 1505–1585) Appears on: 66v Genres: Motet Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice Text: Ille du[m] p[er]gunt General Note Annotations/Corrections: Tallis' added in pencil by later hand;
66v–67r	In manus tuas Domine	-	Tallis, Thomas (ca. 1505–1585)
In manus tuas Domine Tallis, Thomas (ca. 1505–1585) Appears on: 66v–67r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: In manus tuas domine
67r–67v	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 67r–67v Genres: Motet Voice: [no designation] Languages: none Clef: c1 Voice Text: O sacrum conuiu[ium]
67v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 67v Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Emendemus [secunda p[ar]s]
68r	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 68r Genres: Motet
68r	[Christe qui lux es (II)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 68r Genres: Motet Voice: [no designation] Languages: none Clef: g2 Voice Text: Peccamur General Note Annotations/Corrections: at the end: 'vt superius 3 tymes';
68v–69r	Kyrie Paschali	Shepherde	Sheppard, John (ca. 1515–1558)
Kyrie Paschali Sheppard, John (ca. 1515–1558) Appears on: 68v–69r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Shepherde Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Keri
68v–69r	Haec dies	Shepherde	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 68v–69r Genres: Motet Source Attribution: Shepherde Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [Haec dies] General Note Annotations/Corrections: At the end 'ffinis the best songe in England ///qd Shepherde; A later hand in pencil marks 'Hac dies' ; Notes: This piece is not indicated and the scribe seems unaware that he was copying this piece as well as the Kyrie;
69v–70r	De la court - 1a pars	Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 69v–70r Genres: Chanson Source Attribution: Parsons Voice: [no designation] Languages: none Clef: c1 Voice Text: Delacort General Note Annotations/Corrections: cross indicates the after fol.69v the final stave appears at the bottom of 70r;
70r	[Christe qui lux es (II)] Precamur, sancte Domine	Mr Bird	Byrd, William (ca. 1540–1623)
[Christe qui lux es (II)] Precamur, sancte Domine Byrd, William (ca. 1540–1623) Appears on: 70r Source Attribution: Mr Bird Voice: [no designation] Languages: none Clef: g1 Voice Text: Precamor
70r	Galliard	-	Anonymous
Galliard Anonymous Appears on: 70r Voice: [no designation] Languages: none Clef: g1 Voice Text: A Galliard of v. voc General Note Notes: Title in different hand to notation;
70v	Ut re fa so la upon the dial = Parsley's clock	Perslis	Parsley [Percely], Osbert
Ut re fa so la upon the dial = Parsley's clock Parsley [Percely], Osbert Appears on: 70v Source Attribution: Perslis Voice: [no designation] Languages: none Clef: g2 Voice Text: Perslis clo[c]ke
71r–71v	Deus misereatur nostri et benedicat nobis	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Deus misereatur nostri et benedicat nobis Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 71r–71v Genres: Motet Voice: [no designation] Languages: none Clef: c1 Voice Text: deus mesereater
72r–72v	Levavi oculos	Wyllyam More	More, William
Levavi oculos More, William Appears on: 72r–72v Genres: Motet Source Attribution: Wyllyam More Voice: [no designation] Languages: none Clef: c2 Voice Text: leuaui occilose
73r	In nomine	-	Anonymous
In nomine Anonymous Appears on: 73r Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine General Note Annotations/Corrections: Note inserted on second stave;
73r	no title/untexted	-	-
no title/untexted Appears on: 73r Voice: [no designation] Languages: none Clef: g2 Voice Text: [Untitled]
73v	Non e amo	-	Anonymous
Non e amo Anonymous Appears on: 73v Voice: [no designation] Languages: none Clef: c1 Voice Text: No[n] neamo
74r	O salutaris hostia	-	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 74r Genres: Motet Voice: [no designation] Languages: none Mensuration: c Clef: g2 Voice Text: O o salutaris hastia
74v	Without redress I waste my mind	-	Anonymous
Without redress I waste my mind Anonymous Appears on: 74v Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: With out redresse I wast my mynde General Note Annotations/Corrections: pen trials at the end;
75r–75v	Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis]	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 75r–75v Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Cor mundu[m]
76r–76v	Deus in nomine tuo	-	Anonymous
Deus in nomine tuo Anonymous Appears on: 76r–76v Voice: [no designation] Languages: none Clef: g2 Voice Text: Deus in nomine tu
76v–77v	Domine in virtute tua (II) [2a pars: Magna gloria eius]	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) [2a pars: Magna gloria eius] Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 76v–77v Genres: Motet Source Attribution: Mr Johnson Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Domine in vertute tua [2p. Magna gloria eius] General Note Notes: Different version to that below;
78r	Amy tu te plaisir	-	Anonymous
Amy tu te plaisir Anonymous Appears on: 78r Voice: [no designation] Languages: none Clef: g2 Voice Text: A my tute planis
78r–78v	Vostre jamais pas eritage	-	P, W
Vostre jamais pas eritage P, W Appears on: 78r–78v Voice: [no designation] Languages: none Clef: g2 Voice Text: Vostre iamais p[ar] heritage
78v	D'un nouveau dart je suis frappe	-	Anonymous
D'un nouveau dart je suis frappe Anonymous Appears on: 78v Voice: [no designation] Languages: none Clef: c1 Voice Text: Dung noueau dart ie suis
79r	D'un nouveau dart je suis frappe	-	Van Wilder, Phillip
D'un nouveau dart je suis frappe Van Wilder, Phillip Appears on: 79r Voice: [no designation] Languages: none Clef: c1 Voice Text: Dunge noueau dart ie suis
79v–80r	Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 79v–80r Genres: Motet Voice: [no designation] Languages: none Clef: g2 Voice Text: Venit vox De celo
80v–81r	Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	-	Hollander, Christian (?) Hollander, Sebastian (?)
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt Hollander, Christian (?) Hollander, Sebastian (?) Appears on: 80v–81r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Dum transisset sabatum
81v–82v	Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 81v–82v Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Cecilia virgo General Note Annotations/Corrections: correction on stave 4 of fol.82r;
82v–84v	Domine in virtute tua (I) (2p: Magna gloria eius)	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) (2p: Magna gloria eius) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 82v–84v Genres: Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domine in virtute tua [2p. Magna gloria eius] General Note Notes: Different version to that above;
85r	Quel foco che tanti anni in tutto	-	Rore, Cipriano de (ca. 1515–1565)
Quel foco che tanti anni in tutto Rore, Cipriano de (ca. 1515–1565) Appears on: 85r Genres: Italian secular Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Quel foco che
85v	Or il ne m'est possible d'avoir quelque confort	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Or il ne m'est possible d'avoir quelque confort Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 85v Genres: Chanson Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Or il ne mest possible
86r–86v	Si je me plains	-	Anonymous
Si je me plains Anonymous Appears on: 86r–86v Voice: [no designation] Languages: none Clef: g2 Voice Text: Cy Je me playns
86v–87r	A che cercar	-	Anonymous
A che cercar Anonymous Appears on: 86v–87r Voice: [no designation] Languages: none Clef: g2 Voice Text: [Untitled]
87r	O Lord, turn not away your face	-	Anonymous
O Lord, turn not away your face Anonymous Appears on: 87r Voice: [no designation] Languages: none Clef: c1 Voice Text: O lord turne not away [th]y face
87v	Mistrust oft times amiss	-	Anonymous
Mistrust oft times amiss Anonymous Appears on: 87v Voice: [no designation] Languages: English Clef: g2 Voice Text: Mistruste oft times amise
88r	extract from unidentified Gloria: cum sancto	-	Anonymous
extract from unidentified Gloria: cum sancto Anonymous Appears on: 88r Voice: [no designation] Languages: none Mensuration: cut-o Clef: g2 Voice Text: Cum san[c]to
88r	extract from unidentified Credo: et exspecto resurrectionem	-	Anonymous
extract from unidentified Credo: et exspecto resurrectionem Anonymous Appears on: 88r Voice: [no designation] Languages: none Mensuration: cut-o Clef: g2 Voice Text: Et expecto
88v	[composer list by later hands; 'J. Stafford Smith 1776' in brown ink; '89 folios 8m Jan 1878 (+folio 1*) Exd BB' in pencil	-	-
[composer list by later hands; 'J. Stafford Smith 1776' in brown ink; '89 folios 8m Jan 1878 (+folio 1) Exd BB' in pencil Appears on:* 88v
89r	Thomas Hamond holograph	-	Hamond of Hawkedon, Suffolk, Thomas
Thomas Hamond holograph Hamond of Hawkedon, Suffolk, Thomas Appears on: 89r

Composer	Compositions
Adams, Robert	Nunc Dimittis – 19r–19v Venite [English] – 7v–9r
Anonymous	A che cercar – 86v–87r Amy tu te plaisir – 78r Benedictus [English] – 9v–11r D'un nouveau dart je suis frappe – 78v Deliver us Lord both night and day – 49v Deus in nomine tuo – 76r–76v Galliard – 70r In judgement, Lord – 30r–30v In nomine – 73r Jubilate Deo (English) – 17v–18v Mistrust oft times amiss – 87v Non e amo – 73v O Lord, turn not away your face – 87r O death rock me asleep – 37v Si je me plains – 86r–86v Without redress I waste my mind – 74v extract from unidentified Credo: et exspecto resurrectionem – 88r extract from unidentified Gloria: cum sancto – 88r [No description] – 7r [No description] – 1bisr–1bisv [No description] – 59v [No description] – 64v–65r [No description] – 73r [No description] – 44bisr–44bisv [No description] – 88v
Bullmann, Baruch	Lord thou has commanded by thy holy apostle – 52r–52v
Byrd, William (ca. 1540–1623)	Emendemus - 1a pars (of 2): Emendemus in melius – 67v Emendemus - 2a pars (of 2): Adiuva nos Deus – 68r Jesum Nazarenum – 58v–59r Ne irascaris Domine [2p. Civitas sancti tui] – 65v–66r Triumph with pleasant melody – 60r–61v [Christe qui lux es (II)] Precamur, sancte Domine – 70r
Caustun, Thomas (ca. 1520–1569)	Service for Children: Benedictus (Canticle) – 35r–36v Service for Children: Gloria – 36v–37v Service for Children: Te Deum – 33r–35r Service for Children: Venite – 31r–32v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) – 81v–82v Or il ne m'est possible d'avoir quelque confort – 85v Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) – 79v–80r
Crecquillon, Thomas (ca. 1505–ca. 1557)	Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] – 75r–75v
Ferrabosco, Alfonso (the elder) (1543–1588)	Susanna fair sometime of love requested – 62r
Feryng	O merciful father, we beseech thee – 27r–28r
Frankling, John	O God for thy name's sake save me – 28r–29r
Hamond of Hawkedon, Suffolk, Thomas	Thomas Hamond holograph – 89r
Hollander, Christian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 80v–81r
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt – 80v–81r
Johnson (I), Robert (ca. 1500–ca. 1560)	Defiled is my name – 49v–50v Deus misereatur nostri et benedicat nobis – 71r–71v Domine in virtute tua (I) (2p: Magna gloria eius) – 82v–84v Domine in virtute tua (II) [2a pars: Magna gloria eius] – 76v–77v O come pale-faced death – 38r–38v
Johnson, Edward	Come again fair nature's treasure – 63r–63v Eliza is the fairest queen – 63r
More, William	Levavi oculos – 72r–72v
Mundy, William (ca. 1528–ca. 1591)	Morning Service for Men: Te Deum – 13v–15v Prepare you time weareth away – 38v–40r
P, W	Vostre jamais pas eritage – 78r–78v
Parsley [Percely], Osbert	First, Flat, Short Service: Benedictus (Canticle) – 11v–13r First, Flat, Short Service: Te Deum – 4r–6v Ut re fa so la upon the dial = Parsley's clock – 70v
Parsons (I), Robert (ca. 1535–ca. 1572)	De la court - 1a pars – 69v–70r Ut re mi fa – 57v
Partyne, R	Magnificat – 2r–2v Nunc Dimittis – 3r–3v
Rore, Cipriano de (ca. 1515–1565)	Quel foco che tanti anni in tutto – 85r
Sheppard, John (ca. 1515–1558)	Christ rising again – 25v–27r Haec dies – 68v–69r I give you a new commandment – 29r–30r I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight – 47r–47v Kyrie Paschali – 68v–69r
Tallis, Thomas (ca. 1505–1585)	Candidi Facti sunt = Facti sunt Nazarei eius candidi – 63v–64r Fond youth is a bubble = Purge me O Lord – 49r In manus tuas Domine – 66v–67r O sacrum convivium in quo Christus sumitur – 67r–67v O salutaris hostia – 74r Sermone blando Illae dum pergunt concitae Apostolis – 66v When Jesus went (adaptation of motet Salvator Mundi II) – 40r–40v (?) When shall my sorrowful sighing slake – 48r–49r Wipe away my sins [=Absterge Domine] – 42v–44r With all our hearts and mouth (= Salvator mundi (I)) – 46r–46v
Taverner, John	O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas – 53r
Tye, Christopher (ca. 1505–ca. 1573)	Deliver us good Lord from eternal death – 51r–51v From the depth I call on ye O Lord [de profundis] – 41r–42v Give alms of thy goods – 22r I have loved – 53v–55v My trust, O Lord, in thee is grounded – 45r–46r O God, be merciful unto us – 16r–17r O Lord, rebuke me not in thine indignation – 56r–57r Praise the lord ye servants [= Praise ye the Lord ye children] – 24r–25v Save me, O God, for thy name's sake – 57v–58v [Evening Service]: Nunc dimittis – 19v–20r
Van Wilder, Phillip	Blessed art thou that fearest God and walkest in his ways – 44r–44v D'un nouveau dart je suis frappe – 79r
Weelkes, Thomas (ca. 1576–1623)	Lachrimae – 62v
White, Robert (ca. 1538–1574)	(?) O praise God in his holiness (I) – 22v–23v [Christe qui lux es (II)] Precamur sancte Domine – 68r
White, William	O praise God in his holiness (I) – 22v–23v
Whytbroke, William	Evening Service: Magnificat [English] – 20v–21v

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (II)] Precamur, sancte Domine	Byrd, William (ca. 1540–1623)	70r
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	68r
[Evening Service]: Nunc dimittis	Tye, Christopher (ca. 1505–ca. 1573)	19v–20r
A che cercar	Anonymous	86v–87r
Amy tu te plaisir	Anonymous	78r
Benedictus [English]	Anonymous	9v–11r
Blessed art thou that fearest God and walkest in his ways	Van Wilder, Phillip	44r–44v
Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	81v–82v
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	63v–64r
Christ rising again	Sheppard, John (ca. 1515–1558)	25v–27r
Come again fair nature's treasure	Johnson, Edward	63r–63v
Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis]	Crecquillon, Thomas (ca. 1505–ca. 1557)	75r–75v
D'un nouveau dart je suis frappe	Anonymous	78v
D'un nouveau dart je suis frappe	Van Wilder, Phillip	79r
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	69v–70r
Defiled is my name	Johnson (I), Robert (ca. 1500–ca. 1560)	49v–50v
Deliver us good Lord from eternal death	Tye, Christopher (ca. 1505–ca. 1573)	51r–51v
Deliver us Lord both night and day	Anonymous	49v
Deus in nomine tuo	Anonymous	76r–76v
Deus misereatur nostri et benedicat nobis	Johnson (I), Robert (ca. 1500–ca. 1560)	71r–71v
Domine in virtute tua (I) (2p: Magna gloria eius)	Johnson (I), Robert (ca. 1500–ca. 1560)	82v–84v
Domine in virtute tua (II) [2a pars: Magna gloria eius]	Johnson (I), Robert (ca. 1500–ca. 1560)	76v–77v
Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt	Hollander, Christian (?) Hollander, Sebastian (?)	80v–81r
Eliza is the fairest queen	Johnson, Edward	63r
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	67v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	68r
Evening Service: Magnificat [English]	Whytbroke, William	20v–21v
extract from unidentified Credo: et exspecto resurrectionem	Anonymous	88r
extract from unidentified Gloria: cum sancto	Anonymous	88r
First, Flat, Short Service: Benedictus (Canticle)	Parsley [Percely], Osbert	11v–13r
First, Flat, Short Service: Te Deum	Parsley [Percely], Osbert	4r–6v
Fond youth is a bubble = Purge me O Lord	Tallis, Thomas (ca. 1505–1585)	49r
From the depth I call on ye O Lord [de profundis]	Tye, Christopher (ca. 1505–ca. 1573)	41r–42v
Galliard	Anonymous	70r
Give alms of thy goods	Tye, Christopher (ca. 1505–ca. 1573)	22r
Haec dies	Sheppard, John (ca. 1515–1558)	68v–69r
I give you a new commandment	Sheppard, John (ca. 1515–1558)	29r–30r
I have loved	Tye, Christopher (ca. 1505–ca. 1573)	53v–55v
I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight	Sheppard, John (ca. 1515–1558)	47r–47v
In judgement, Lord	Anonymous	30r–30v
In manus tuas Domine	Tallis, Thomas (ca. 1505–1585)	66v–67r
In nomine	Anonymous	73r
Jesum Nazarenum	Byrd, William (ca. 1540–1623)	58v–59r
Jubilate Deo (English)	Anonymous	17v–18v
Kyrie Paschali	Sheppard, John (ca. 1515–1558)	68v–69r
Lachrimae	Weelkes, Thomas (ca. 1576–1623)	62v
Levavi oculos	More, William	72r–72v
Lord thou has commanded by thy holy apostle	Bullmann, Baruch	52r–52v
Magnificat	Partyne, R	2r–2v
Mistrust oft times amiss	Anonymous	87v
Morning Service for Men: Te Deum	Mundy, William (ca. 1528–ca. 1591)	13v–15v
My trust, O Lord, in thee is grounded	Tye, Christopher (ca. 1505–ca. 1573)	45r–46r
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	65v–66r
Non e amo	Anonymous	73v
Nunc Dimittis	Partyne, R	3r–3v
Nunc Dimittis	Adams, Robert	19r–19v
O come pale-faced death	Johnson (I), Robert (ca. 1500–ca. 1560)	38r–38v
O death rock me asleep	Anonymous	37v
O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas	Taverner, John	53r
O God for thy name's sake save me	Frankling, John	28r–29r
O God, be merciful unto us	Tye, Christopher (ca. 1505–ca. 1573)	16r–17r
O Lord, rebuke me not in thine indignation	Tye, Christopher (ca. 1505–ca. 1573)	56r–57r
O Lord, turn not away your face	Anonymous	87r
O merciful father, we beseech thee	Feryng	27r–28r
O praise God in his holiness (I)	White, William White, Robert (ca. 1538–1574) (?)	22v–23v
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	67r–67v
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	74r
Or il ne m'est possible d'avoir quelque confort	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	85v
Praise the lord ye servants [= Praise ye the Lord ye children]	Tye, Christopher (ca. 1505–ca. 1573)	24r–25v
Prepare you time weareth away	Mundy, William (ca. 1528–ca. 1591)	38v–40r
Quel foco che tanti anni in tutto	Rore, Cipriano de (ca. 1515–1565)	85r
Save me, O God, for thy name's sake	Tye, Christopher (ca. 1505–ca. 1573)	57v–58v
Sermone blando Illae dum pergunt concitae Apostolis	Tallis, Thomas (ca. 1505–1585)	66v
Service for Children: Benedictus (Canticle)	Caustun, Thomas (ca. 1520–1569)	35r–36v
Service for Children: Gloria	Caustun, Thomas (ca. 1520–1569)	36v–37v
Service for Children: Te Deum	Caustun, Thomas (ca. 1520–1569)	33r–35r
Service for Children: Venite	Caustun, Thomas (ca. 1520–1569)	31r–32v
Si je me plains	Anonymous	86r–86v
Susanna fair sometime of love requested	Ferrabosco, Alfonso (the elder) (1543–1588)	62r
Thomas Hamond holograph	Hamond of Hawkedon, Suffolk, Thomas	89r
Triumph with pleasant melody	Byrd, William (ca. 1540–1623)	60r–61v
Ut re fa so la upon the dial = Parsley's clock	Parsley [Percely], Osbert	70v
Ut re mi fa	Parsons (I), Robert (ca. 1535–ca. 1572)	57v
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	79v–80r
Venite [English]	Adams, Robert	7v–9r
Vostre jamais pas eritage	P, W	78r–78v
When Jesus went (adaptation of motet Salvator Mundi II)	Tallis, Thomas (ca. 1505–1585)	40r–40v
When shall my sorrowful sighing slake	Tallis, Thomas (ca. 1505–1585) (?)	48r–49r
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	42v–44r
With all our hearts and mouth (= Salvator mundi (I))	Tallis, Thomas (ca. 1505–1585)	46r–46v
Without redress I waste my mind	Anonymous	74v

Images © The British Library

Set: MSS Additional 30480–4 (Hamond Partbooks)

Type: Partbooks

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Butler, Katherine. 2019. From Liturgy and the Education of Choirboys to Protestant Domestic Music-Making: The History of the ‘Hamond’ Partbooks (GB-Lbl: Add. MSS 30480-4). Royal Musical Association Research Chronicle, 29–93.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63. Pages: 146-7,161. Notes: physical description (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 263-83. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Blezzard, Judith H. 1972. The Sacred Music of the Lumley Books (British Museum Royal Appendix Manuscripts 74-76): An Edition and Critical Study. University of Leeds, Unpublished Ph.D. dissertation. Pages: I, 59-63, 73; II, Appendix I. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 18, 34, 110, 232. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XII, 118, 121-2, 124; XVII, 157; XIX, 324ff. Notes: contents list (partial); concordances (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 99-100, 218, 221, 224. Notes: physical description (partial); contents list (partial); concordances (partial).

King, William Joseph. 1962. The English Anthem from the Early Tudor Period through the Restoration Era. Boston University, Unpublished Ph.D. dissertation. Pages: II, 11-8, 29-34. Notes: transcription (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 3-4, 265, 397-8; II, 139; III, 202, 219, 232. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XV, 149, 165-6, 209, 212-3; XXII, 1-2, 36, 45, 58-9, 173ff; XLIV,xxviii,20-5,78,177,183-4,186-7,189,196. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 166, 171; XVII, 149, 163. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xi; III, xxi V, xxv, 207-10; VI, xviii, xxix, xxxii; X, 235, 256-70. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1876-81], 82. Notes: physical description (partial).

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Timothy Ochala-Greenough

Friday, 13 October, 2017

'Without redress' consort song almost certainly a chanson contrafactum, though unable to identify composer.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Edward Tambling

Tuesday, 19 November, 2024

Notified that 'So je moy plains' (f. 86r) has a concordance in GB-Lbl Add. MS 31390.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description