GB-Lbl Add. MS 31390

British Library, London, England

manuscript of polyphony: c. 1578

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 31390
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	388 x 272 mm
Other Identifiers	CCM: LonBL 31390
Notations	black void mensural
Copyists	? Woodcock, Clement (ca. 1540–1590) Music
Relationships	Rimbault, Edward (1816–1876) (owner) North and L'Estrange families (owner) Gates, Bernard (owner)
External Links	British Library online catalogue entry IIIF manifest
Provenance	Chichester? West Sussex, England
Contents	141 pieces from 38 composers

General Description

Copied by a single scribe (perhaps Clement Woodcocke), except for slightly later additions on ff. 123'-124 and 125'-127. Many pieces have text incipits or titles only. Of English origin; possibly copied at Chichester, West Sussex (EdwaS). Belonged in 1728 to Bernard Gates (inscription on f. 129), then to North and L'Estrange families. Owned in 1843 by the antiquarian Edward F. Rimbault. Acquired by British Museum in 1881.

DIAMM, 2017

Binding

New covers of red cloth on pasteboard, with white spine; portions of original brown leather covers, tooled in gold, glued inside new front and back covers.

DIAMM, 2017

Liminary Note

Title page on f. 1: 'A booke of In nomines & other solfainge songes of v: vi: vii: & viii: pts for voyces or Instrumentes.'

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1578 (date of corrections in manuscript).

DIAMM, 2017

Foliation

New pencil foliation, 1-129; original ink foliation, 17-36 [= new ff. 3-22] + 43-143 [= new ff. 24-125] (omits new ff. 1-2, 23, 109, and 126-129).

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 28 motets, 3 anthems, 26 French secular pieces, 6 Italian secular pieces, 1 English secular piece, 65 instrumental pieces (In nomines, Fantasias, etc.) = 130

Blancks-2, Bruster [Brewster]-1, Byrd-6, (Clemens non Papa)-1, (Crecquillon)-2, (Croce)-1, Douglas-1, (Douglas/Lassus)-1, A. Ferrabosco I [Alfoncius]-1, D. Gerarde [Gerardus]-1, Gombert-1, S. Hollander/(C. Hollander/Lassus)-1, (Janequin)-1, R.Johnson I-3, (Le Cocq)-1, Maillard? [Mr. Maillart Italyan]/(Tye)-1, Mallorie-4, T. Mudd I? or H. Mudd? [Mr. Mudd]-1, W. Mundy-5, Parsley-1, R. Parsons 1-5, R. Parsons I/(Byrd)-1, (R. Parsons I/Wilder)-1, Picforth-1, Poynte-1, Alessandro Romano-1, Shep-herd-5, Stoninge-3, Strogers-3, Tallis-6, Taverner-3, Tye-28, (Tye/Verdelot/Wilder)-1, R. White-1, Wilder [Philipps]-16, Wilder [Philippes]/(Gombert)-2, Woodcocke-4, anon-12

iii + 129 + i paper folios, 388 x 272. New pencil foliation, 1-129; original ink foliation, 17-36 [= new ff. 3-22] + 43-143 [= new ff. 24-125] (omits new ff. 1-2, 23, 109, and 126-129). New covers of red cloth on pasteboard, with white spine; portions of original brown leather covers, tooled in gold, glued inside new front and back covers. No index. Copied by a single scribe (perhaps Clement Woodcocke), except for slightly later additions on ff. 123'-124 and 125'-127. Voice parts copied to be readable by performers around a table. No initials or decoration. Many pieces have text incipits or titles only. Title page on f. 1: "A booke of In nomines & other solfainge songes of v: vi: vii: & viii: pts for voyces or Instrumentes."

Ca. 1578 (date of corrections in manuscript). Of English origin; possibly copied at Chichester, West Sussex (EdwaS). Belonged in 1728 to Bernard Gates (inscription on f. 129), then to North and L'Estrange families. Owned in 1843 by the antiquarian Edward F. Rimbault. Acquired by British Museum in 1881.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r–2r	[blank pages]	-	-
[blank pages] Appears on: 1r–2r General Note Notes: folios 1v and 2r blank;
2v–3r	In aeternum	Mr Mundye	Mundy, William (ca. 1528–ca. 1591)
In aeternum Mundy, William (ca. 1528–ca. 1591) Appears on: 2v–3r Source Attribution: Mr Mundye Voice: [no designation] Languages: none Mensuration: cut-c Clef: f5 Voice Text: In eternu[m] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: 5' after bottom line of music (top of f. 2v); ''W / 1578' at end of music ; '4' under beginning of bottom line of music (top of f. 3r); 'b' and '3' on top of music; 2' in inner margin after bottom line of music;
3v–4r	Vidi civitatem sanctam Jerusalem novam	Philippes	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Van Wilder, Phillip (?)
Vidi civitatem sanctam Jerusalem novam Gombert, Nicolas (ca. 1495–ca. 1560) (?) Van Wilder, Phillip (?) Appears on: 3v–4r Genres: Motet Source Attribution: Philippes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Vide Civitatem Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 General Note Notes: attr. from New Grove; ed. in MMR iv/1 (1991), 75;
4v–5r	Domine non est exaltatum	Mundye	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 4v–5r Genres: Motet Source Attribution: Mundye Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: D[omi]ne no[n] exultat[em] Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: note/stem corr. in third line;
5v–6r	Dum transisset sabbatum [II]	Mr Shepherde	Sheppard, John (ca. 1515–1558)
Dum transisset sabbatum [II] Sheppard, John (ca. 1515–1558) Appears on: 5v–6r Genres: Motet Source Attribution: Mr Shepherde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Sabatu[m] Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: signum congruentiae near end of penultimate line;
6v–7r	Filiae Jerusalem	Mr Shepherde	Sheppard, John (ca. 1515–1558)
Filiae Jerusalem Sheppard, John (ca. 1515–1558) Appears on: 6v–7r Genres: Motet Source Attribution: Mr Shepherde Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Jerusalem Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: signum congruentiae near beginning of bottom line;
7v–8r	Spiritus sanctus procedens I	-	Sheppard, John (ca. 1515–1558)
Spiritus sanctus procedens I Sheppard, John (ca. 1515–1558) Appears on: 7v–8r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Procedence Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 General Note Annotations/Corrections: signum congruentiae near beginning of penultimate line;
8v–9e	In Nomine	-	Anonymous
In Nomine Anonymous Appears on: 8v–9e Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In nomine General Note Annotations/Corrections: several sharps added later; Notes: ed. in MB 44 (1979), p. 141;
9v–10r	In nomine a6	Strogers	Strogers, Nicholas
In nomine a6 Strogers, Nicholas Appears on: 9v–10r Source Attribution: Strogers Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In nomine General Note Annotations/Corrections: note erasure in second line; Notes: ed. in MB 44 (1979);
10v–11r	The song called trumpets = Lusty Gallant	Mr P[ar]son	Parsons (I), Robert (ca. 1535–ca. 1572)
The song called trumpets = Lusty Gallant Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 10v–11r Genres: Motet Source Attribution: Mr P[ar]son Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Mr P[ar]son his Songe. Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 General Note Annotations/Corrections: 31' under note at end of third line; Notes: ed. in MB 44 (1979), 136;
11v–12r	Quemadmodum	-	Taverner, John
Quemadmodum Taverner, John Appears on: 11v–12r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Quem ad modum Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Annotations/Corrections: bottom line extented into margin; Notes: ed. in John Taverner, ed. H. Benham, EECM 25 (1980);
12v–13r	Arousez vo violette	Philippe	Van Wilder, Phillip (?)
Arousez vo violette Van Wilder, Phillip (?) Appears on: 12v–13r Source Attribution: Philippe Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Arous es vous voy General Note Annotations/Corrections: four notes crossed out in second line;
13v–14r	Si grand'e la pieta	-	Anonymous
Si grand'e la pieta Anonymous Appears on: 13v–14r Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Si grand e la pieta Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1
14v–15r	Vrai dieu d'amour	-	Anonymous
Vrai dieu d'amour Anonymous Appears on: 14v–15r Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Vraie Deu Damour Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5
15v	untitled	Alfoncius	Ferrabosco, Alfonso (the elder) (1543–1588) (?)
untitled Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 15v Source Attribution: Alfoncius Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [no title] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Annotations/Corrections: two sharps under notes in bottom line; Notes: Each of the three staves consists of six lines; final note split in the octave (F-F);
16v–17r	Sol re Sol mi sole	mr malery	Mallorie
Sol re Sol mi sole Mallorie Appears on: 16v–17r Genres: Motet Source Attribution: mr malery Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Sol re Sol my sole Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: note/stem corr. in top line;
17v–18r	O salutaris hostia I	mr byrd	Byrd, William (ca. 1540–1623)
O salutaris hostia I Byrd, William (ca. 1540–1623) Appears on: 17v–18r Genres: Motet Source Attribution: mr byrd Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: O salutaris hostia q[uo]d mr byrd Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: barlines entered in pencil throughout; in to pline twice '3' in pencil, and in second and third line thrice '2'; Notes: ed. in The Byrd Edition, general ed. P. Brett (London, 1970–2004), 8/44;
18v–19r	Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	-	Taverner, John
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] Taverner, John Appears on: 18v–19r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: [no title] Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: note/stem corr. in second and third lines (with different pen from each other); Notes: ascription from EECM database (NB Taverner's Gaude is only for 5vv), Noble has this as untitled and anonymous;
18v–19r	untitled a6	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
untitled a6 Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 18v–19r Source Attribution: Gombert Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: q[uo]d Gombert
19v–20r	Credo quod redemptor	mr / Edward blanks	Blancks (Blankes), Edward
Credo quod redemptor Blancks (Blankes), Edward Appears on: 19v–20r Source Attribution: mr / Edward blanks Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Credo quod redemptor Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 General Note Annotations/Corrections: at end: 'finis q[uo]d / mr / E. b'; under bottom line ': fale :';
20v–21r	Let the sea make a noise	mr / mvndye	Mundy, William (ca. 1528–ca. 1591)
Let the sea make a noise Mundy, William (ca. 1528–ca. 1591) Appears on: 20v–21r Source Attribution: mr / mvndye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Let the sea make a noyes Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Annotations/Corrections: 2' under note near beginning; Notes: in different ink/writing than the Tye piece on this opening (looking thicker);
20v–21r	In nomine XXI	-	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XXI Tye, Christopher (ca. 1505–ca. 1573) Appears on: 20v–21r Genres: none Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [no title] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 General Note Notes: in different ink/writing than the Mundy piece on this opening (looking thinner); ed. in MB 44 (1979), p. 138;
21v–22r	If man in care	mr malery	Mallorie
If man in care Mallorie Appears on: 21v–22r Source Attribution: mr malery Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Voice Text: [blank] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: yf man In care Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: in top line, note crossed out by barline, then '2' under note, then note/stem corr. for following note; two note/stem corr. in second line;
23v–24r	In nomine (IV)	Mr P[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (IV) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 23v–24r Genres: Motet Source Attribution: Mr P[ar]sons Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [no title] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Annotations/Corrections: note/stem corr. in second line; Notes: ascription from New Grove; ed. in MB 44 (1979), p. 148;
24v–25r	In nomine (V)	mr p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (V) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 24v–25r Genres: Motet Source Attribution: mr p[ar]sons Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine General Note Annotations/Corrections: sharp beneath note in bottom line; Notes: ed. ub MB 44 (1979), p. 150;
25v–26r	A knell	Jhonson	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)
A knell Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?) Appears on: 25v–26r Source Attribution: Jhonson Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice Text: A knell of Jhonson Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c2 General Note Annotations/Corrections: sharps beneath notes throughout;
26v–27r	[untitled]	-	-
[untitled] - Appears on: 26v–27r Genres: textless Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [no title] General Note Annotations/Corrections: sharps beneath notes throughout; Notes: these five parts may belong to the following (Tye, In nomine: 'Free from all') as a secunda pars - they follow on directly from those five parts in the reading direction; this is not mentioned in the editions of Tye's piece; Noble lists it as untitled;
26v–27r	In nomine 'Free from all'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Free from all' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 26v–27r Genres: none Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: free fro[m] all General Note Annotations/Corrections: final note in margin; Notes: ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 31; and in MB 45, p. 119;
26v–27r	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 26v–27r Genres: textless, unknown Item Bibliography Doe, Paul (editor). 1988. Elizabethan Consort Music II. Musica Britannica. Pages: xvi, fn. 5. Notes: Passing reference to the this piece (which is the second, untitled and anonymous work on ff. 26v to 27r of Lbl Add. MS 31390).
27v–28r	In nomine 'Crye'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Crye' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 27v–28r Genres: none Source Attribution: D tye Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: D tye General Note Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 34: and in MB 45;
28v–29r	In nomine 'I come'	D Tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'I come' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 28v–29r Genres: none Source Attribution: D Tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: g2 Voice Text: I co[m]me Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Annotations/Corrections: for ending extended into margin (not sure whether final note is there); Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 50; and in MB 45 (1988);
29v–30r	Sera la fontaine	Gerardus	Gerarde, Derrick (fl. c1540–1580) (?) Gerard, Jacques (?)
Sera la fontaine Gerarde, Derrick (fl. c1540–1580) (?) Gerard, Jacques (?) Appears on: 29v–30r Source Attribution: Gerardus Voice: [no designation] Languages: none Clef: g2 Voice Text: Chera la fountayne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening;
30v–31r	Fancy [a5]	E blanks	Blancks (Blankes), Edward
Fancy [a5] Blancks (Blankes), Edward Appears on: 30v–31r Source Attribution: E blanks Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: A phancy of E blanks Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening;
31v–32r	Si de beaucoup	Mr phillipes	Van Wilder, Phillip
Si de beaucoup Van Wilder, Phillip Appears on: 31v–32r Source Attribution: Mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Si de beaucompe Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: barlines entered in pencil throughout; note/stem corr. in upper line on f. 30v; at end 'si de beaucompe; Notes: spread over opening;
32v–33r	Dum transisset sabbatum IV	D. tye	Tye, Christopher (ca. 1505–ca. 1573)
Dum transisset sabbatum IV Tye, Christopher (ca. 1505–ca. 1573) Appears on: 32v–33r Source Attribution: D. tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Du[m] transisset once agayne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 General Note Annotations/Corrections: second and third note corr.; double barline with repeat signs towards end of upper line on f. 32v; Notes: spread over opening;
33v–34r	Triste depart m'avoit mis en douleur	mr phillipes	Gombert, Nicolas (ca. 1495–ca. 1560)
Triste depart m'avoit mis en douleur Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 33v–34r Genres: Chanson Source Attribution: mr phillipes Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: triste de p[ar]te Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 General Note Notes: spread over opening; attrib. from Grove; edn in CMM 6/xi, 118;
34v–35r	Qual iniqua mia sorte	mr phillipes	Van Wilder, Phillip
Qual iniqua mia sorte Van Wilder, Phillip Appears on: 34v–35r Genres: Motet Source Attribution: mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: quall miqua mia sorte Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Notes: spread over opening; attrib. from New Grove;
35v–36r	Amours me va tout au rebours?	mr phillipes	Van Wilder, Phillip
Amours me va tout au rebours? Van Wilder, Phillip Appears on: 35v–36r Source Attribution: mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Amour me vaye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening;
36v–37r	O douce regard	mr phillipes	Van Wilder, Phillip
O douce regard Van Wilder, Phillip Appears on: 36v–37r Source Attribution: mr phillipes Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice Text: O dulke regard Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening;
37v–38r	D'un nouveau dart je suis frappe	mr phillipes	Van Wilder, Phillip
D'un nouveau dart je suis frappe Van Wilder, Phillip Appears on: 37v–38r Source Attribution: mr phillipes Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Dunge novieu darte General Note Notes: spread over opening;
38v–39r	Vois comment	mr phillipes	Van Wilder, Phillip
Vois comment Van Wilder, Phillip Appears on: 38v–39r Source Attribution: mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Vois co[m]mant General Note Notes: spread over opening;
39v–40r	Si vous voulez	mr phillipes	Van Wilder, Phillip
Si vous voulez Van Wilder, Phillip Appears on: 39v–40r Source Attribution: mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Si vous voules Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Notes: spread over opening;
40v–41r	Las que ferai	mr phillipes	Van Wilder, Phillip
Las que ferai Van Wilder, Phillip Appears on: 40v–41r Source Attribution: mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Lasque feray General Note Annotations/Corrections: two notes crossed out in upper line on f. 41r; Notes: = Shall I despaire;
41v–42r	Ce vostre beaute	mr phillipes	Van Wilder, Phillip
Ce vostre beaute Van Wilder, Phillip Appears on: 41v–42r Genres: none Source Attribution: mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Cest vester beuten Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening;
42v–43r	Pour vous aimer	mr phillipes	Van Wilder, Phillip
Pour vous aimer Van Wilder, Phillip Appears on: 42v–43r Genres: Chanson Source Attribution: mr phillipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: f5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: pour vous Aimer Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Annotations/Corrections: note/stem corr. in upper stave on f. 43r; Notes: spread over opening;
43v–44r	In nomine (I) a5	mr Bird	Byrd, William (ca. 1540–1623)
In nomine (I) a5 Byrd, William (ca. 1540–1623) Appears on: 43v–44r Genres: Motet Source Attribution: mr Bird Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Notes: spread over opening; tow flats noted only at beginning (then only one flat): ed. in Byrd-Edn 17, p. 49;
44v–45r	Gaude Maria virgo	mr Jhonson	Johnson (I), Robert (ca. 1500–ca. 1560) Johnson (I), Robert (ca. 1500–ca. 1560)
Gaude Maria virgo Johnson (I), Robert (ca. 1500–ca. 1560) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 44v–45r Source Attribution: mr Jhonson Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Gaude virgo Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 General Note Notes: spread over opening;
45v–46r	In nomine XVII	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XVII Tye, Christopher (ca. 1505–ca. 1573) Appears on: 45v–46r Genres: none Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: scorid[?] Innoimne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: note/stem corr. in bottom line on f. 46; Notes: ed. in MB 45, p. 113;
46v–47r	In nomine XVI 'Blameless'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XVI 'Blameless' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 46v–47r Genres: none Source Attribution: D tye Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Voice Text: Innomine blamles Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Clef: c1 General Note Notes: spread over opening; the two lines on f. 47r have a G2 clef, but the two lines on f. 46r C1; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 16; and MB 45 (1988);
47v–48r	In nomine (II)	mr poynt	Poynt
In nomine (II) Poynt Appears on: 47v–48r Source Attribution: mr poynt Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Annotations/Corrections: signum congruentiae twice in top ine on f. 48r; '2' written under note and a hand drawin in, pointing to an additional stave entered above that stave: this has signum congruentiae at beginning and end and '1578' written at the end - this additional stave has a cut-c; Notes: spread over opening;
48v–49r	Et perfice	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Et perfice Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 48v–49r Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: et p[er]fice Voice: [no designation] Languages: none Clef: f3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 General Note Annotations/Corrections: at beginning of lower line on f. 47v two notes crossed out; Notes: spread over opening;
49v–50r	Deus virtutum convertere respice de caelo (2p. Et perfice eam)	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Deus virtutum convertere respice de caelo (2p. Et perfice eam) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 49v–50r Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Deus v[ir]tutu[m] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 General Note Annotations/Corrections: cut-c seemingly entered somewhat later; barline in pencil in lower line on f. 50r; Notes: spread over opening;
50v	Madonna se’l morire	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Madonna se’l morire Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 50v Genres: Italian secular Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice Text: Madona Selmorire General Note Notes: Attribution from Noble (not in New Grove);
51r	Je file quand Dieu me donne de quoi	-	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
Je file quand Dieu me donne de quoi Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 51r Genres: Chanson Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Jefyle Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 General Note Notes: Attribution from Noble;
51v	Laudes Deo	tye	Tye, Christopher (ca. 1505–ca. 1573)
Laudes Deo Tye, Christopher (ca. 1505–ca. 1573) Appears on: 51v Source Attribution: tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Lawdes deo General Note Annotations/Corrections: two corr. in lower line; Notes: [= To Father, Son and Holy Ghost] (W96);
52r	Madonna somm' acorto	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Madonna somm' acorto Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 52r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Madona su[m] mia corto Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: f4 General Note Notes: Attribution from Noble (not in New Grove);
52v–53r	In nomine	mr Jhonson	Johnson (I), Robert (ca. 1500–ca. 1560)
In nomine Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 52v–53r Source Attribution: mr Jhonson Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Notes: spread over opening; ed in MB 15 (1957, 3/1975); also in Ob Tenbury 354–8;
53v–54r	Une nonnain refraite et en bon point	mr philipes	Van Wilder, Phillip
Une nonnain refraite et en bon point Van Wilder, Phillip Appears on: 53v–54r Source Attribution: mr philipes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Vne novien Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening;
54v–55r	In nomine (III)	strogers	Strogers, Nicholas
In nomine (III) Strogers, Nicholas Appears on: 54v–55r Genres: Motet Source Attribution: strogers Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: g2 Voice Text: Imiomine General Note Notes: spread over opening: ed. in MB 44 (1979), p. 118;
55v–56r	In nomine (I)	mr stroger	Strogers, Nicholas
In nomine (I) Strogers, Nicholas Appears on: 55v–56r Genres: Motet Source Attribution: mr stroger Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 General Note Notes: spread over opening; ed. in MB 44 (1979), p. 118;
56v–57r	In nomine	stonings	Stoning, Henry
In nomine Stoning, Henry Appears on: 56v–57r Genres: Motet Source Attribution: stonings Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Annotations/Corrections: at begining: 'this mvst be songe 4 notes lower'; Notes: spread over opening; ed. in MB 44 (1979); also in GB-Ob Mus.Sch.D.212–16;
57v–58r	Miserere	stoning	Stoning, Henry
Miserere Stoning, Henry Appears on: 57v–58r Genres: Motet Source Attribution: stoning Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: miserere of stronings Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Notes: spread over opening; ed. in MB 44 (1979);
58v–59r	In nomine (II) a5	mr byrde	Byrd, William (ca. 1540–1623)
In nomine (II) a5 Byrd, William (ca. 1540–1623) Appears on: 58v–59r Genres: In nomine Source Attribution: mr byrde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine Voice: [no designation] Languages: none Clef: c5 General Note Annotations/Corrections: note/stem corr. near beginning of lower line on f. 59r; Notes: spread over opening; ed. Byrd-Edn 17, p. 53;
59v	Song [E 62]	mr. R. p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
Song [E 62] Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 59v Source Attribution: mr. R. p[ar]sons Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice Text: A songe of mr. R. p[ar]sons Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4
60r	Browning my dear	mr stonings	Stoning, Henry
Browning my dear Stoning, Henry Appears on: 60r Genres: Motet Source Attribution: mr stonings Voice: [no designation] Languages: none Mensuration: c-dot Clef: c2 Voice: [no designation] Languages: none Mensuration: c-dot Clef: f5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f5 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: browninge my dere General Note Notes: ed. in MB 44 (1979);
60v–61r	In nomine 'My death bed'	tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'My death bed' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 60v–61r Source Attribution: tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine my Death Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 General Note Annotations/Corrections: additional, third line entered under second one, in margin; Notes: ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 19; and in MB 45 (1988); Layout The parts for this and the next piece are copied out in sequence across the opening for each part. Therefore the actual parts for 'My Death bed' are written on: I 60v, II 61r, III 60v, IV 60v, V 61r
60v–61r	In nomine XIV: 'Follow me'	D. tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XIV: 'Follow me' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 60v–61r Genres: Motet Source Attribution: D. tye Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine follow me General Note Annotations/Corrections: additional, third stave entered (full length ruled, but only three-quarters used); Notes: ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 28; and in MB 45 (1988); Layout The parts for this and the next piece are copied out in sequence across the opening for each part. Therefore the actual parts for 'Follow me' are written on: I 61r, II 60v, III 61r, IV 60v, V 61r
61v	O salutaris hostia	-	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 61v Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: O salutaris hostie Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2
62r	Magnificat a6: (exc) Esurientes	mr shep[er]d	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 62r Genres: BVM, Canticle, Magnificat Source Attribution: mr shep[er]d Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Esurientes Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4
62v–63r	In nomine XIII 'Trust'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XIII 'Trust' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 62v–63r Genres: none Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine trust Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c General Note Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 39; and in MB 45 (1988);
63v–64r	In nomine 'Believe me'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Believe me' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 63v–64r Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine beleve me Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 General Note Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 42; and in MB 45 (1988);
64v–65r	In nomine 'Say so'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Say so' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 64v–65r Genres: none Source Attribution: D tye Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine/ saye so Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 General Note Notes: ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 54; and in MB 45 (1988);
65r	In nomine 'Farewell my good one, for ever'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Farewell my good one, for ever' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 65r Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice Text: Innomine q[uod] D tye farwell my good 1. for ever Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 General Note Notes: ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 10; and in MB 45 (1988);
65v–66r	In nomine IX: 'Re la re'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine IX: 'Re la re' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 65v–66r Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice Text: Innomine Re la re Voice: [no designation] Languages: none Mensuration: c-dot Clef: c5 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 General Note Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 48; and in MB 45 (1988);
66v–67r	In nomine 'Round'	Innomine / Rounde	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Round' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 66v–67r Source Attribution: Innomine / Rounde Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine Rounde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 General Note Annotations/Corrections: note/stem corr. in upper line of f. 66v; Notes: ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 25; and in MB 45 (1988);
67v–68r	Dum transisset sabbatum III	D. tye	Tye, Christopher (ca. 1505–ca. 1573)
Dum transisset sabbatum III Tye, Christopher (ca. 1505–ca. 1573) Appears on: 67v–68r Source Attribution: D. tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Dum trancisset Sabatu[m] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Annotations/Corrections: note/stem corr. in upper line on f. 67v; Notes: spread over opening; ed. in MB 44 (1979), p. 50;
68v–69r	Dum transisset sabbatum II	D. Tye	Tye, Christopher (ca. 1505–ca. 1573)
Dum transisset sabbatum II Tye, Christopher (ca. 1505–ca. 1573) Appears on: 68v–69r Source Attribution: D. Tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Du[m] trancisset Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: note/stem corr. in lower stave on f. 69r and blackened square at end of that line and at beginning of upper stave on f. 68v; somescribble in margin before upper stave on f. 68v; two barlines entered in the staves on f. 68v; Notes: spread over opening; ed. in MB 44 (1979), p. 48;
69v–70r	In nomine 'Surrexit non est hic'	-	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Surrexit non est hic' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 69v–70r Genres: none Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innonime Surrexit non est hicc Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 45; and in MB 45 (1988);
70v–71r	Dum transisset sabbatum I	D tye	Tye, Christopher (ca. 1505–ca. 1573)
Dum transisset sabbatum I Tye, Christopher (ca. 1505–ca. 1573) Appears on: 70v–71r Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Du[m] trancisset Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Annotations/Corrections: on f. 70v, additional stave line entered under the usual two (full width of page); Notes: spread over opening; flat at beginning only in the upper stave on f. 71r.; ed. in MB 44 (1979), p. 45;
71v–72r	In nomine 'Seldom seen'	D tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Seldom seen' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 71v–72r Genres: none Source Attribution: D tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine Seldom sene Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Annotations/Corrections: note/stem corr. in upper line on f. 72; Notes: spread over opening;
72v–73r	In nomine 'Report'	D. tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Report' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 72v–73r Genres: none Source Attribution: D. tye Voice: [no designation] Languages: none Mensuration: cut-o Clef: g2 Voice Text: Innonime Reporte Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-o Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: in lower full line on f. 72v, twice '31' under note, at end stave extended into outer margin; additional (short) stave entered beneath; Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 62; and in MB 45 (1988);
73v–74r	In nomine 'Hold fast'	D. Tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Hold fast' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 73v–74r Genres: none Source Attribution: D. Tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Howld fast // Iomine / Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 56; and in MB 45 (1988);
74v–75r	O lux beata Trinitas	Doctor tye	Tye, Christopher (ca. 1505–ca. 1573)
O lux beata Trinitas Tye, Christopher (ca. 1505–ca. 1573) Appears on: 74v–75r Source Attribution: Doctor tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: O lux Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Notes: spread over opening;
75v–76r	Christus resurgens [2p. Dicant nunc Judaei]	D. tye	Tye, Christopher (ca. 1505–ca. 1573)
Christus resurgens [2p. Dicant nunc Judaei] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 75v–76r Source Attribution: D. tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: christus resurgens General Note Annotations/Corrections: scribble at end (possibly date? '15[?]'; Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 88; and in MB 45 (1988);
76v–77r	In nomine 'Weep no more Rachel'	D. tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Weep no more Rachel' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 76v–77r Genres: none Source Attribution: D. tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Weepe no more rachell General Note Notes: spread over opening; second part of following piece; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 3; and in MB 45 (1988);
77v–78r	In nomine 'Rachel's weeping'	D. tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Rachel's weeping' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 77v–78r Source Attribution: D. tye Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Rachells weepinge Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 General Note Notes: spread over opening; ed. in Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967), 13; and in MB 45 (1988);
78v–79r	In nomine	picforth	Picforth
In nomine Picforth Appears on: 78v–79r Genres: Motet Source Attribution: picforth Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [no tiInnominetle] General Note Notes: spread over opening; ed. in MB 44 (1979), p. 108;
79v–80r	Ubi est Abel frater tuus dixit Dominus	-	Lassus, Orlande de (ca. 1532–1594)
Ubi est Abel frater tuus dixit Dominus Lassus, Orlande de (ca. 1532–1594) Appears on: 79v–80r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: vbi est Abell Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 General Note Notes: spread over opening;
80v–81r	De la court - 1a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 80v–81r Genres: Chanson Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Dela court // The seconde p[ar]te General Note Annotations/Corrections: in bottom line on f. 81r, goup of notes crossed out and line slightly extended into margin; Notes: spread over opening; ed. in MB 44 (1979), 56;
81v–82r	O mater mundi (instrumental)	-	Mundy, William (ca. 1528–ca. 1591) (?)
O mater mundi (instrumental) Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 81v–82r Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [no title] General Note Annotations/Corrections: final two notes in margin; Notes: spread over opening; listed in NG as 'either John or William Mundy' although the main text explains that it 'can confidently be assigned to William';
82v–83r	De la court - 1a pars	mr p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 82v–83r Genres: Chanson Source Attribution: mr p[ar]sons Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Dela court the fyrst p[ar]te Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Annotations/Corrections: three note/stem corr. towards end; Notes: spread over opening; ed. in MB 44 (1979), 56;
83v–84r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	mr tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 83v–84r Genres: Motet Source Attribution: mr tallis Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: Sabatu[m] General Note Annotations/Corrections: signum confruentiae at end of bottom line on f. 84r and in upper line on f. 83v; Notes: spread over opening;
84v–85r	Pour un plaisir = A nouber	-	Van Wilder, Phillip
Pour un plaisir = A nouber Van Wilder, Phillip Appears on: 84v–85r Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: A noûber General Note Annotations/Corrections: title in upper marging, upside-down (very small and in different ink); Notes: spread over opening; attribution from Berstein, p. 31;
85v–86r	Je nilli croyss	-	Tallis, Thomas (ca. 1505–1585) (?)
Je nilli croyss Tallis, Thomas (ca. 1505–1585) (?) Appears on: 85v–86r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Je nilli croyß Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening; attributed to Tallis in Add.32377;
86v–87r	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	-	Van Wilder, Phillip
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est Van Wilder, Phillip Appears on: 86v–87r Genres: Motet Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: ploranc plora Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening; secunda pars of the following piece;
87v–88r	Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	msr philippe	Van Wilder, Phillip
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte Van Wilder, Phillip Appears on: 87v–88r Genres: Motet Source Attribution: msr philippe Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: ploranc plora Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening; at end, fermata over last note and barline, but yet continuation sign afterwards;
88v–89r	In convertendo - 1a pars (of 2): In convertendo Dominus	Duglas	Douglas, Patrick
In convertendo - 1a pars (of 2): In convertendo Dominus Douglas, Patrick Appears on: 88v–89r Genres: Motet Source Attribution: Duglas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Converteri D[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Notes: spread over opening; secunda pars of the following piece;
89v–90r	In convertendo - 2a pars (of 2): Convertere Domine	Düglas	Douglas, Patrick
In convertendo - 2a pars (of 2): Convertere Domine Douglas, Patrick Appears on: 89v–90r Genres: Motet Source Attribution: Düglas Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: In co[n]vertendo Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Notes: spread over opening;
90v–91r	Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Sebastian holand	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 90v–91r Genres: Motet Source Attribution: Sebastian holand Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Du[m] transisset Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 General Note Notes: spread over opening; identification with Christian Hollander from NG; also in Baldwin partbooks? (there under Lassus: see Kerman, Masses and Motets of Byrd, 58);
91v–92r	In nomine	-	Anonymous
In nomine Anonymous Appears on: 91v–92r Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [no title] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Clef: c1 General Note Notes: spread over opening; ed. in MB 44 (1979), p. 84;
92v–93r	In nomine (II)	-	Tallis, Thomas (ca. 1505–1585)
In nomine (II) Tallis, Thomas (ca. 1505–1585) Appears on: 92v–93r Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [no title] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 General Note Annotations/Corrections: all four lines of this part have a flat with the clef, crossed out; some scribble in lower line on f. 91v; Notes: spread over opening; identification from New Grove; a 4 in Ob Mus.Sch.D.212–16 no.18;
93v–94r	Pater noster = Our Father (Lord's Prayer)	mr sheperd	Sheppard, John (ca. 1515–1558)
Pater noster = Our Father (Lord's Prayer) Sheppard, John (ca. 1515–1558) Appears on: 93v–94r Source Attribution: mr sheperd Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: ow[e]r father Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 General Note Notes: spread over opening;
94v–95r	Qui consolabatur me recessit a me	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Qui consolabatur me recessit a me Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 94v–95r Genres: Motet Voice: [no designation] Languages: none Clef: c1 Voice Text: qui consolobatur Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: f4 General Note Notes: spread over opening; two flats only at beginning, then one flat;
95v–96r	Praise the Lord, O my soul	mr malery	Mallorie
Praise the Lord, O my soul Mallorie Appears on: 95v–96r Source Attribution: mr malery Voice: [no designation] Languages: none Clef: g2 Voice Text: pr[a]yse ye lord omy sowle // q[uo]d mr malery Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 General Note Notes: spread over opening;
96v–97r	In nomine a5	robart p[ar]son	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine a5 Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 96v–97r Genres: Motet Source Attribution: robart p[ar]son Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Innomine General Note Annotations/Corrections: at end double barlines with dots; Notes: spread over opening; ed. in MB 44 (1979), 106;
97v–98r	Hackney	clement woodcoke	Woodcock, Clement (ca. 1540–1590)
Hackney Woodcock, Clement (ca. 1540–1590) Appears on: 97v–98r Genres: Motet Source Attribution: clement woodcoke Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c1 Voice Text: Hackney General Note Notes: spread over opening; flourish over 'clement'; final double barline with dots; ed. in MB 44 (1979);
98v–99r	In nomine II	clement woodcoke	Woodcock, Clement (ca. 1540–1590)
In nomine II Woodcock, Clement (ca. 1540–1590) Appears on: 98v–99r Genres: Motet Source Attribution: clement woodcoke Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: at end of upper line on f. 98v, first note of the following line entered, underlined; Notes: spread over opening; flourish over 'clement'; final double barlines with dots (twice); ed. in MB 44 (1979), p. 124;
99v–100r	In nomine III	clement woodcoke	Woodcock, Clement (ca. 1540–1590)
In nomine III Woodcock, Clement (ca. 1540–1590) Appears on: 99v–100r Genres: Motet Source Attribution: clement woodcoke Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine Domine Voice: [no designation] Languages: none Clef: c2 General Note Notes: spread over opening; ed. in MB 44 (1979), p. 126;
100v–101r	In nomine	mr taverner	Taverner, John
In nomine Taverner, John Appears on: 100v–101r Source Attribution: mr taverner Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine General Note Annotations/Corrections: erasures/corr. in final line; Notes: spread over opening; same as the 'In nomine' ed in MB 1 (1951, 2/1966), but here with one extra part (104.2, the part in the middle of f. 100v);
101v–102r	Browning	clement woodcocke	Woodcock, Clement (ca. 1540–1590)
Browning Woodcock, Clement (ca. 1540–1590) Appears on: 101v–102r Genres: Song Source Attribution: clement woodcocke Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice Text: brownynge my dere Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: vertical short lines under notes throughout, in first line twice '+'; in last line one note crossed through; at end 'Bird: f'; Notes: spread over opening; flourish over 'clement'; double barline with dots (twice); ed. in MB 44 (1979);
102v	Un gay berger prioit une bergère	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Un gay berger prioit une bergère Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 102v Genres: Chanson Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c1 Voice Text: vnge gabergrere General Note Annotations/Corrections: 31' under note in middle line; Notes: identification from Bernstein, Index, p. 27;
102v–103r	Le berger et la bergere	-	Gerarde, Derrick (fl. c1540–1580) (?) Gerarde (?)
Le berger et la bergere Gerarde, Derrick (fl. c1540–1580) (?) Gerarde (?) Appears on: 102v–103r Genres: Motet Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c3 Voice Text: le bergere Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Clef: f4 General Note Notes: ascription from Berstein1988, p. 34; Noble, 105 lists a concordance in 'Vingt et six chansons ... Susato, Anvers. [c. 1542]' ascribed to 'Io. Gallus' and one in Lbl Add. MS 32377 (5v) as 'anon.';
103v–104r	O admirabile	willa[m] mvndye	Mundy, William (ca. 1528–ca. 1591)
O admirabile Mundy, William (ca. 1528–ca. 1591) Appears on: 103v–104r Source Attribution: willa[m] mvndye Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice Text: O admirabile Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: under note in upper line on f. 103v an 'f'; under beginning of bottom line on f. 104r a '+' in ink; barlines in pencil entered throughout, occasional numbers over or beneath pauses and notes; Notes: spread over opening;
104v–105r	Absterge Domine	mr Tallis	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 104v–105r Source Attribution: mr Tallis Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Absterge Do[mi]ni General Note Annotations/Corrections: over this part, 'upside down' as it were), in later writing: 'A.D. 1575. / Vide "Cantiones quæ ab Argumento" Se No 5'; Notes: spread over opening;
105v–106r	Si je me plains	-	Anonymous
Si je me plains Anonymous Appears on: 105v–106r Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Si ioy moy plains General Note Annotations/Corrections: some corr. at beginnings of lines on f. 106r; Notes: spread over opening;
106v–107r	Dum transisset sabbatum [II - 4vv]	mr taverner	Taverner, John
Dum transisset sabbatum [II - 4vv] Taverner, John Appears on: 106v–107r Genres: Motet Source Attribution: mr taverner Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: g2 Voice Text: Sabatu[m] Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c4 General Note Notes: spread over opening; ascription from Noble, 106. The EECM database lists this as 'III' (NG lists only two 'Dum transisset' for Taverner); acc. to Meyer, Early English Chamber Music (1982), p. 89, fn. 2, this is identical with the motet for voices;
107v–108r	Ascendo ad patrem meum et patrem vestrum	mr {maillart / Italyan }	Tye, Christopher (ca. 1505–ca. 1573) (?) Maillard, Jean (fl. c1538–1570)
Ascendo ad patrem meum et patrem vestrum Tye, Christopher (ca. 1505–ca. 1573) (?) Maillard, Jean (fl. c1538–1570) Appears on: 107v–108r Genres: Motet Source Attribution: mr {maillart / Italyan } Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: g2 Voice Text: Assendo v parts General Note Notes: spread over opening; ascription following Hughes-Hughes, Catalogue of Manuscript Music in the British Museum (1909), iii, 218;
108v–109r	In nomine (II) a4	brewster	Brewster
In nomine (II) a4 Brewster Appears on: 108v–109r Genres: In nomine, Viol piece Source Attribution: brewster Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice Text: Innomine iiij parts Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: many corr. in bottom lines on both f. 108v and 109r; '31' entered under three notes on f. 108v; on both pges both lines crossed out with one stroke; Notes: spread over opening; ed. in MB 45 (1988), p. 24;
109v–110r	In nomine	mr malery	Mallorie
In nomine Mallorie Appears on: 109v–110r Source Attribution: mr malery Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: g2 Voice Text: inomine General Note Annotations/Corrections: 31' under note towards end of second line on f. 110r and in middle of second line on f. 109v; Notes: spread over opening; ed. in MB 44 (1979), p.92;
110v–111r	Si tu languis	-	Anonymous
Si tu languis Anonymous Appears on: 110v–111r Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: g2 Voice Text: Sittu languis Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c2 General Note Annotations/Corrections: very elaborate final notes and final barlines; Notes: spread over opening;
111v–112r	Amavit eum Dominus	Doctor tye	Tye, Christopher (ca. 1505–ca. 1573) (?)
Amavit eum Dominus Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 111v–112r Source Attribution: Doctor tye Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c1 Voice Text: Amavit Voice: [no designation] Languages: none Clef: f5 General Note Notes: spread over opening;
112v–113r	Espérant d'avoir quelque bien	mr phillips/ mr phillype	Van Wilder, Phillip
Espérant d'avoir quelque bien Van Wilder, Phillip Appears on: 112v–113r Source Attribution: mr phillips/ mr phillype Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c2 Voice Text: Esperants // q[uo]d mr phillips/ mr phillype Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 General Note Annotations/Corrections: composer's name corr. from 'Doctor tye'; Notes: spread over opening;
113v–114r	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 113v–114r Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice Text: O sacra conviviu[m] Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 General Note Notes: spread over opening; identification following New Grove;
114v–115r	Or sa bien	[Anonymous five-part re-working of Janequin's four-part chanson "Or vien ca"]	Janequin, Clement (ca. 1485–ca. 1558) (?)
Or sa bien Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 114v–115r Source Attribution: [Anonymous five-part re-working of Janequin's four-part chanson "Or vien ca"] Voice: [no designation] Languages: none Clef: g2 Voice Text: orsabeen cavien Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c3 General Note Annotations/Corrections: at end double barline filled with dots; Notes: spread over opening; General Note Anonymous five-part re-working of Janequin's four-part chanson "Or vien ca" (printed in Chansons musicales a quatre parties, Attaingnant, Paris 1533) [Christopher Shaw]
115v–116r	Frais et gaillard [=Frisque et gaillard] un jour entre cent mille	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Frais et gaillard [=Frisque et gaillard] un jour entre cent mille Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 115v–116r Genres: Chanson Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: g2 Voice Text: frayse gallyard Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c5 General Note Notes: spread over opening; final double barline with dots;
116v–117r	In nomine a5	mr mvdd	Mudde, Henry
In nomine a5 Mudde, Henry Appears on: 116v–117r Genres: In nomine Source Attribution: mr mvdd Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine General Note Notes: spread over opening; final double barline with dots (twice); attribution from New Grove;
117v–118r	Le cure de vous	-	Anonymous
Le cure de vous Anonymous Appears on: 117v–118r Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c1 Voice Text: le cure de vous Voice: [no designation] Languages: none Clef: c3
117v–118r	Il beau que	-	Anonymous
Il beau que Anonymous Appears on: 117v–118r Voice: [no designation] Languages: none Clef: c5 Voice Text: Ill baucke Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3
118v–119r	Song (fantasia), a 5	mr white	White, Robert (ca. 1538–1574)
Song (fantasia), a 5 White, Robert (ca. 1538–1574) Appears on: 118v–119r Genres: none Source Attribution: mr white Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c1 Voice Text: mr white his songe General Note Notes: spread over opening; ed. MB 44 (1979), and Robert White: The Instrumental Music, ed. I. Spector, RRMR 12 (1972);
119v–120r	Spes nostra	p[ar]selye	Parsley [Percely], Osbert
Spes nostra Parsley [Percely], Osbert Appears on: 119v–120r Genres: Motet Source Attribution: p[ar]selye Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: g2 Voice Text: spease noster Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c3 General Note Annotations/Corrections: on f. 120, after title 'q[uo]d' washed out; Notes: spread over opening; ed. Elizabethan Consort Music, I, ed. Paul Doe, MB 44 (1979), p./no. 79;
120v–121r	In nomine (III) a5	will[iam]. byrde	Byrd, William (ca. 1540–1623)
In nomine (III) a5 Byrd, William (ca. 1540–1623) Appears on: 120v–121r Genres: Motet Source Attribution: will[iam]. byrde Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine/v./parts Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 General Note Annotations/Corrections: group of notes crossed out in lower stave on f. 121r; note crossed out towards end of lower stave on f. 120v; Notes: spread over opening; final double barline with dots (twice); ed. in Byrd-Edn 17, p. 58;
121v–122r	Non pur d'almi splendori	Allexandro Romano	Romano, Alessandro (ca. 1533–1592)
Non pur d'almi splendori Romano, Alessandro (ca. 1533–1592) Appears on: 121v–122r Genres: Madrigal (Italian) Source Attribution: Allexandro Romano Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c3 General Note Notes: spread over opening; Concordances concordance at beginning of RISM 1561/10.
122v–123r	Une jour un moine	-	Van Wilder, Phillip
Une jour un moine Van Wilder, Phillip Appears on: 122v–123r Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice: [no designation] Languages: none Clef: g2 Voice Text: vnge Juramore Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: f4 General Note Notes: spread over opening; identification from Bernstein, Index, 31;
123v–124r	Meli Bavari	-	Croce, Giovanni (ca. 1557–1609)
Meli Bavari Croce, Giovanni (ca. 1557–1609) Appears on: 123v–124r Genres: none Voice: [no designation] Languages: none Mensuration: c Clef: c2 Voice: [no designation] Languages: none Mensuration: c Clef: c3 Voice: [no designation] Languages: none Mensuration: c Clef: g2 Voice: [no designation] Languages: none Mensuration: c Clef: f3 Voice Text: Me li Bauari Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Clef: c3 General Note Annotations/Corrections: at beginnings of new sections, beginning of text entered throughout; at end 'vt supra.'; on f. 123v, at begining of this part, an arrow, in pencil, pointing to the music; Notes: spread over opening, but only the bottom stave of the system on to pof f. 123v belongs to this part; Noble, 107 observes that this was 'added later, in a different hand'; published first in Croce's Mascarate Piacevoli (Venezia, 1590), in five parts?;
124v–125r	Browning = The leaves be green	mr byrde	Byrd, William (ca. 1540–1623)
Browning = The leaves be green Byrd, William (ca. 1540–1623) Appears on: 124v–125r Genres: Song Source Attribution: mr byrde Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice Text: The leaves be grene General Note Annotations/Corrections: bits of text entered throughout; signum congruentiae in all three lines on f. 125r; note/stem corr. twice in top line; on f. 124v, '31' under notes in in bottom two lines four times - the fourth time in different writing; Notes: spread over opening;
125v–126r	Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine	Mr. Byrde	Byrd, William (ca. 1540–1623)
Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine Byrd, William (ca. 1540–1623) Appears on: 125v–126r Genres: Motet Source Attribution: Mr. Byrde Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: f4 Voice Text: Heu mihi &cc Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: g2 General Note Annotations/Corrections: at end: 'finis. Mr. Byrde./'; Notes: edn in The Byrd Edition, general ed. P. Brett (London, 1970–2004), 8/50;
126v–127r	Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer	-	Byrd, William (ca. 1540–1623)
Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer Byrd, William (ca. 1540–1623) Appears on: 126v–127r Genres: Motet Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: g2 Voice: [no designation] Languages: none Clef: f4 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: f4 Voice Text: Ad Dominu[m] cu[m] tribularer &cc. General Note Annotations/Corrections: at end: 'Secu[n]da pars / sequitur./'; Notes: edn in The Byrd Edition, general ed. P. Brett (London, 1970–2004), 8/50;
127v	[Chart explaining mensuration signatures and note values]	-	Anonymous
[Chart explaining mensuration signatures and note values] Anonymous Appears on: 127v Genres: none General Note Notes: upside-down, as it were;
128r	[blank staves]	-	-
[blank staves] Appears on: 128r General Note Notes: staves in middle of page, side-ways;
128v	[crossed-out text]	-	Anonymous
[crossed-out text] Anonymous Appears on: 128v Genres: none
129r	[title page, as at beginning but with later annotation]	-	-
[title page, as at beginning but with later annotation] Appears on: 129r General Note Notes: same text as on title page at beginning, but different lay-out and annotation 'B: Gates 13:th 1727/8';

Composer	Compositions
Anonymous	Il beau que – 117v–118r In Nomine – 8v–9e In nomine – 91v–92r Le cure de vous – 117v–118r Si grand'e la pieta – 13v–14r Si je me plains – 105v–106r Si tu languis – 110v–111r Vrai dieu d'amour – 14v–15r [Chart explaining mensuration signatures and note values] – 127v [crossed-out text] – 128v [untitled] – 26v–27r [untitled] – 26v–27r [No description] – 129r [No description] – 1r–2r [No description] – 128r
Blancks (Blankes), Edward	Credo quod redemptor – 19v–20r Fancy [a5] – 30v–31r
Brewster	In nomine (II) a4 – 108v–109r
Byrd, William (ca. 1540–1623)	Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer – 126v–127r Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine – 125v–126r Browning = The leaves be green – 124v–125r In nomine (I) a5 – 43v–44r In nomine (II) a5 – 58v–59r In nomine (III) a5 – 120v–121r O salutaris hostia I – 17v–18r
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Frais et gaillard [=Frisque et gaillard] un jour entre cent mille – 115v–116r Qui consolabatur me recessit a me – 94v–95r
Crecquillon, Thomas (ca. 1505–ca. 1557)	Deus virtutum convertere respice de caelo (2p. Et perfice eam) – 49v–50r Et perfice – 48v–49r Un gay berger prioit une bergère – 102v
Croce, Giovanni (ca. 1557–1609)	Meli Bavari – 123v–124r
Douglas, Patrick	In convertendo - 1a pars (of 2): In convertendo Dominus – 88v–89r In convertendo - 2a pars (of 2): Convertere Domine – 89v–90r
Ferrabosco, Alfonso (the elder) (1543–1588)	(?) untitled – 15v
Gerard, Jacques	(?) Sera la fontaine – 29v–30r
Gerarde	(?) Le berger et la bergere – 102v–103r
Gerarde, Derrick (fl. c1540–1580)	(?) Le berger et la bergere – 102v–103r (?) Sera la fontaine – 29v–30r
Gombert, Nicolas (ca. 1495–ca. 1560)	Triste depart m'avoit mis en douleur – 33v–34r (?) Vidi civitatem sanctam Jerusalem novam – 3v–4r untitled a6 – 18v–19r
Hollander, Christian	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 90v–91r
Hollander, Sebastian	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 90v–91r
Janequin, Clement (ca. 1485–ca. 1558)	(?) Or sa bien – 114v–115r
Johnson (I), Robert (ca. 1500–ca. 1560)	(?) A knell – 25v–26r Gaude Maria virgo – 44v–45r Gaude Maria virgo – 44v–45r In nomine – 52v–53r
Johnson (II), Robert	(?) A knell – 25v–26r
Lassus, Orlande de (ca. 1532–1594)	Ubi est Abel frater tuus dixit Dominus – 79v–80r
Maillard, Jean (fl. c1538–1570)	Ascendo ad patrem meum et patrem vestrum – 107v–108r
Mallorie	If man in care – 21v–22r In nomine – 109v–110r Praise the Lord, O my soul – 95v–96r Sol re Sol mi sole – 16v–17r
Mudde, Henry	In nomine a5 – 116v–117r
Mundy, William (ca. 1528–ca. 1591)	Domine non est exaltatum – 4v–5r In aeternum – 2v–3r Let the sea make a noise – 20v–21r O admirabile – 103v–104r (?) O mater mundi (instrumental) – 81v–82r
Parsley [Percely], Osbert	Spes nostra – 119v–120r
Parsons (I), Robert (ca. 1535–ca. 1572)	De la court - 1a pars – 82v–83r De la court - 1a pars – 80v–81r In nomine (IV) – 23v–24r In nomine (V) – 24v–25r In nomine a5 – 96v–97r (?) Je file quand Dieu me donne de quoi – 51r Song [E 62] – 59v The song called trumpets = Lusty Gallant – 10v–11r
Picforth	In nomine – 78v–79r
Poynt	In nomine (II) – 47v–48r
Romano, Alessandro (ca. 1533–1592)	Non pur d'almi splendori – 121v–122r
Sheppard, John (ca. 1515–1558)	Dum transisset sabbatum [II] – 5v–6r Filiae Jerusalem – 6v–7r Magnificat a6: (exc) Esurientes – 62r Pater noster = Our Father (Lord's Prayer) – 93v–94r Spiritus sanctus procedens I – 7v–8r
Stoning, Henry	Browning my dear – 60r In nomine – 56v–57r Miserere – 57v–58r
Strogers, Nicholas	In nomine (I) – 55v–56r In nomine (III) – 54v–55r In nomine a6 – 9v–10r
Tallis, Thomas (ca. 1505–1585)	Absterge Domine – 104v–105r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 83v–84r In nomine (II) – 92v–93r (?) Je nilli croyss – 85v–86r O sacrum convivium in quo Christus sumitur – 113v–114r O salutaris hostia – 61v
Taverner, John	Dum transisset sabbatum [II - 4vv] – 106v–107r Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] – 18v–19r In nomine – 100v–101r Quemadmodum – 11v–12r
Tye, Christopher (ca. 1505–ca. 1573)	(?) Amavit eum Dominus – 111v–112r (?) Ascendo ad patrem meum et patrem vestrum – 107v–108r Christus resurgens [2p. Dicant nunc Judaei] – 75v–76r Dum transisset sabbatum I – 70v–71r Dum transisset sabbatum II – 68v–69r Dum transisset sabbatum III – 67v–68r Dum transisset sabbatum IV – 32v–33r In nomine 'Believe me' – 63v–64r In nomine 'Crye' – 27v–28r In nomine 'Farewell my good one, for ever' – 65r In nomine 'Free from all' – 26v–27r In nomine 'Hold fast' – 73v–74r In nomine 'I come' – 28v–29r In nomine 'My death bed' – 60v–61r In nomine 'Rachel's weeping' – 77v–78r In nomine 'Report' – 72v–73r In nomine 'Round' – 66v–67r In nomine 'Say so' – 64v–65r In nomine 'Seldom seen' – 71v–72r In nomine 'Surrexit non est hic' – 69v–70r In nomine 'Weep no more Rachel' – 76v–77r In nomine IX: 'Re la re' – 65v–66r In nomine XIII 'Trust' – 62v–63r In nomine XIV: 'Follow me' – 60v–61r In nomine XVI 'Blameless' – 46v–47r In nomine XVII – 45v–46r In nomine XXI – 20v–21r Laudes Deo – 51v O lux beata Trinitas – 74v–75r
Van Wilder, Phillip	Amours me va tout au rebours? – 35v–36r (?) Arousez vo violette – 12v–13r Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est – 86v–87r Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte – 87v–88r Ce vostre beaute – 41v–42r D'un nouveau dart je suis frappe – 37v–38r Espérant d'avoir quelque bien – 112v–113r (?) Je file quand Dieu me donne de quoi – 51r Las que ferai – 40v–41r O douce regard – 36v–37r Pour un plaisir = A nouber – 84v–85r Pour vous aimer – 42v–43r Qual iniqua mia sorte – 34v–35r Si de beaucoup – 31v–32r Si vous voulez – 39v–40r Une jour un moine – 122v–123r Une nonnain refraite et en bon point – 53v–54r (?) Vidi civitatem sanctam Jerusalem novam – 3v–4r Vois comment – 38v–39r
Verdelot, Philippe (ca. 1480–ca. 1532)	Madonna se’l morire – 50v (?) Madonna somm' acorto – 52r
White, Robert (ca. 1538–1574)	Song (fantasia), a 5 – 118v–119r
Woodcock, Clement (ca. 1540–1590)	Browning – 101v–102r Hackney – 97v–98r In nomine II – 98v–99r In nomine III – 99v–100r

Composition	Composers (? Uncertain)	Folios / Pages
[Chart explaining mensuration signatures and note values]	Anonymous	127v
[crossed-out text]	Anonymous	128v
[untitled]	-	26v–27r
[untitled]	Anonymous	26v–27r
A knell	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)	25v–26r
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	104v–105r
Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer	Byrd, William (ca. 1540–1623)	126v–127r
Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine	Byrd, William (ca. 1540–1623)	125v–126r
Amavit eum Dominus	Tye, Christopher (ca. 1505–ca. 1573) (?)	111v–112r
Amours me va tout au rebours?	Van Wilder, Phillip	35v–36r
Arousez vo violette	Van Wilder, Phillip (?)	12v–13r
Ascendo ad patrem meum et patrem vestrum	Tye, Christopher (ca. 1505–ca. 1573) (?) Maillard, Jean (fl. c1538–1570)	107v–108r
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	Van Wilder, Phillip	86v–87r
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	Van Wilder, Phillip	87v–88r
Browning	Woodcock, Clement (ca. 1540–1590)	101v–102r
Browning = The leaves be green	Byrd, William (ca. 1540–1623)	124v–125r
Browning my dear	Stoning, Henry	60r
Ce vostre beaute	Van Wilder, Phillip	41v–42r
Christus resurgens [2p. Dicant nunc Judaei]	Tye, Christopher (ca. 1505–ca. 1573)	75v–76r
Credo quod redemptor	Blancks (Blankes), Edward	19v–20r
D'un nouveau dart je suis frappe	Van Wilder, Phillip	37v–38r
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	80v–81r
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	82v–83r
Deus virtutum convertere respice de caelo (2p. Et perfice eam)	Crecquillon, Thomas (ca. 1505–ca. 1557)	49v–50r
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	4v–5r
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Hollander, Sebastian (?) Hollander, Christian (?)	90v–91r
Dum transisset sabbatum [II - 4vv]	Taverner, John	106v–107r
Dum transisset sabbatum [II]	Sheppard, John (ca. 1515–1558)	5v–6r
Dum transisset sabbatum I	Tye, Christopher (ca. 1505–ca. 1573)	70v–71r
Dum transisset sabbatum II	Tye, Christopher (ca. 1505–ca. 1573)	68v–69r
Dum transisset sabbatum III	Tye, Christopher (ca. 1505–ca. 1573)	67v–68r
Dum transisset sabbatum IV	Tye, Christopher (ca. 1505–ca. 1573)	32v–33r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	83v–84r
Espérant d'avoir quelque bien	Van Wilder, Phillip	112v–113r
Et perfice	Crecquillon, Thomas (ca. 1505–ca. 1557)	48v–49r
Fancy [a5]	Blancks (Blankes), Edward	30v–31r
Filiae Jerusalem	Sheppard, John (ca. 1515–1558)	6v–7r
Frais et gaillard [=Frisque et gaillard] un jour entre cent mille	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	115v–116r
Gaude Maria virgo	Johnson (I), Robert (ca. 1500–ca. 1560) Johnson (I), Robert (ca. 1500–ca. 1560)	44v–45r
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	Taverner, John	18v–19r
Hackney	Woodcock, Clement (ca. 1540–1590)	97v–98r
If man in care	Mallorie	21v–22r
Il beau que	Anonymous	117v–118r
In aeternum	Mundy, William (ca. 1528–ca. 1591)	2v–3r
In convertendo - 1a pars (of 2): In convertendo Dominus	Douglas, Patrick	88v–89r
In convertendo - 2a pars (of 2): Convertere Domine	Douglas, Patrick	89v–90r
In Nomine	Anonymous	8v–9e
In nomine	Johnson (I), Robert (ca. 1500–ca. 1560)	52v–53r
In nomine	Stoning, Henry	56v–57r
In nomine	Picforth	78v–79r
In nomine	Anonymous	91v–92r
In nomine	Taverner, John	100v–101r
In nomine	Mallorie	109v–110r
In nomine 'Believe me'	Tye, Christopher (ca. 1505–ca. 1573)	63v–64r
In nomine 'Crye'	Tye, Christopher (ca. 1505–ca. 1573)	27v–28r
In nomine 'Farewell my good one, for ever'	Tye, Christopher (ca. 1505–ca. 1573)	65r
In nomine 'Free from all'	Tye, Christopher (ca. 1505–ca. 1573)	26v–27r
In nomine 'Hold fast'	Tye, Christopher (ca. 1505–ca. 1573)	73v–74r
In nomine 'I come'	Tye, Christopher (ca. 1505–ca. 1573)	28v–29r
In nomine 'My death bed'	Tye, Christopher (ca. 1505–ca. 1573)	60v–61r
In nomine 'Rachel's weeping'	Tye, Christopher (ca. 1505–ca. 1573)	77v–78r
In nomine 'Report'	Tye, Christopher (ca. 1505–ca. 1573)	72v–73r
In nomine 'Round'	Tye, Christopher (ca. 1505–ca. 1573)	66v–67r
In nomine 'Say so'	Tye, Christopher (ca. 1505–ca. 1573)	64v–65r
In nomine 'Seldom seen'	Tye, Christopher (ca. 1505–ca. 1573)	71v–72r
In nomine 'Surrexit non est hic'	Tye, Christopher (ca. 1505–ca. 1573)	69v–70r
In nomine 'Weep no more Rachel'	Tye, Christopher (ca. 1505–ca. 1573)	76v–77r
In nomine (I)	Strogers, Nicholas	55v–56r
In nomine (I) a5	Byrd, William (ca. 1540–1623)	43v–44r
In nomine (II)	Poynt	47v–48r
In nomine (II)	Tallis, Thomas (ca. 1505–1585)	92v–93r
In nomine (II) a4	Brewster	108v–109r
In nomine (II) a5	Byrd, William (ca. 1540–1623)	58v–59r
In nomine (III)	Strogers, Nicholas	54v–55r
In nomine (III) a5	Byrd, William (ca. 1540–1623)	120v–121r
In nomine (IV)	Parsons (I), Robert (ca. 1535–ca. 1572)	23v–24r
In nomine (V)	Parsons (I), Robert (ca. 1535–ca. 1572)	24v–25r
In nomine a5	Parsons (I), Robert (ca. 1535–ca. 1572)	96v–97r
In nomine a5	Mudde, Henry	116v–117r
In nomine a6	Strogers, Nicholas	9v–10r
In nomine II	Woodcock, Clement (ca. 1540–1590)	98v–99r
In nomine III	Woodcock, Clement (ca. 1540–1590)	99v–100r
In nomine IX: 'Re la re'	Tye, Christopher (ca. 1505–ca. 1573)	65v–66r
In nomine XIII 'Trust'	Tye, Christopher (ca. 1505–ca. 1573)	62v–63r
In nomine XIV: 'Follow me'	Tye, Christopher (ca. 1505–ca. 1573)	60v–61r
In nomine XVI 'Blameless'	Tye, Christopher (ca. 1505–ca. 1573)	46v–47r
In nomine XVII	Tye, Christopher (ca. 1505–ca. 1573)	45v–46r
In nomine XXI	Tye, Christopher (ca. 1505–ca. 1573)	20v–21r
Je file quand Dieu me donne de quoi	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	51r
Je nilli croyss	Tallis, Thomas (ca. 1505–1585) (?)	85v–86r
Las que ferai	Van Wilder, Phillip	40v–41r
Laudes Deo	Tye, Christopher (ca. 1505–ca. 1573)	51v
Le berger et la bergere	Gerarde, Derrick (fl. c1540–1580) (?) Gerarde (?)	102v–103r
Le cure de vous	Anonymous	117v–118r
Let the sea make a noise	Mundy, William (ca. 1528–ca. 1591)	20v–21r
Madonna se’l morire	Verdelot, Philippe (ca. 1480–ca. 1532)	50v
Madonna somm' acorto	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	52r
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	62r
Meli Bavari	Croce, Giovanni (ca. 1557–1609)	123v–124r
Miserere	Stoning, Henry	57v–58r
Non pur d'almi splendori	Romano, Alessandro (ca. 1533–1592)	121v–122r
O admirabile	Mundy, William (ca. 1528–ca. 1591)	103v–104r
O douce regard	Van Wilder, Phillip	36v–37r
O lux beata Trinitas	Tye, Christopher (ca. 1505–ca. 1573)	74v–75r
O mater mundi (instrumental)	Mundy, William (ca. 1528–ca. 1591) (?)	81v–82r
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	113v–114r
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	61v
O salutaris hostia I	Byrd, William (ca. 1540–1623)	17v–18r
Or sa bien	Janequin, Clement (ca. 1485–ca. 1558) (?)	114v–115r
Pater noster = Our Father (Lord's Prayer)	Sheppard, John (ca. 1515–1558)	93v–94r
Pour un plaisir = A nouber	Van Wilder, Phillip	84v–85r
Pour vous aimer	Van Wilder, Phillip	42v–43r
Praise the Lord, O my soul	Mallorie	95v–96r
Qual iniqua mia sorte	Van Wilder, Phillip	34v–35r
Quemadmodum	Taverner, John	11v–12r
Qui consolabatur me recessit a me	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	94v–95r
Sera la fontaine	Gerarde, Derrick (fl. c1540–1580) (?) Gerard, Jacques (?)	29v–30r
Si de beaucoup	Van Wilder, Phillip	31v–32r
Si grand'e la pieta	Anonymous	13v–14r
Si je me plains	Anonymous	105v–106r
Si tu languis	Anonymous	110v–111r
Si vous voulez	Van Wilder, Phillip	39v–40r
Sol re Sol mi sole	Mallorie	16v–17r
Song (fantasia), a 5	White, Robert (ca. 1538–1574)	118v–119r
Song [E 62]	Parsons (I), Robert (ca. 1535–ca. 1572)	59v
Spes nostra	Parsley [Percely], Osbert	119v–120r
Spiritus sanctus procedens I	Sheppard, John (ca. 1515–1558)	7v–8r
The song called trumpets = Lusty Gallant	Parsons (I), Robert (ca. 1535–ca. 1572)	10v–11r
Triste depart m'avoit mis en douleur	Gombert, Nicolas (ca. 1495–ca. 1560)	33v–34r
Ubi est Abel frater tuus dixit Dominus	Lassus, Orlande de (ca. 1532–1594)	79v–80r
Un gay berger prioit une bergère	Crecquillon, Thomas (ca. 1505–ca. 1557)	102v
Une jour un moine	Van Wilder, Phillip	122v–123r
Une nonnain refraite et en bon point	Van Wilder, Phillip	53v–54r
untitled	Ferrabosco, Alfonso (the elder) (1543–1588) (?)	15v
untitled a6	Gombert, Nicolas (ca. 1495–ca. 1560)	18v–19r
Vidi civitatem sanctam Jerusalem novam	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Van Wilder, Phillip (?)	3v–4r
Vois comment	Van Wilder, Phillip	38v–39r
Vrai dieu d'amour	Anonymous	14v–15r

Images © The British Library

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

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IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

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US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

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US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

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US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

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US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

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US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Doe, Paul (editor). 1988. Elizabethan Consort Music II. Musica Britannica. Pages: xvi, fn. 5. Notes: Passing reference to the second, untitled and anonymous work on ff. 26v to 27r.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XVII, 715. Notes: facsimile (partial).

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 55-75. Pages: 66, 69-75. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Warwick, Edwards. 1978. The Instrumental Music of Henry VIII's Manuscript. The Consort, 274-82.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 229-54. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Danner, Peter Kolb. 1967. The Miserere Mihi and the English Reformation: A Study of the Evolution of a Cantus Firmus Genre in Tudor Music. Stanford University, Unpublished Ph.D. dissertation. Pages: 48, 179-84, 249. Notes: contents list (partial); transcription (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: II, 143-55, 218-9; XVII, 158, 160; XIX, 330, 337; XXV, 147-60, 163,183; XXX, 127-35,176,191. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 84, 102-3, 327. Notes: physical description (partial); contents list (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 361, 374. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Key, Donald Rochester. 1960. Two Manuscripts of Instrumental Ensemble Music from the Elizabethan Period (British Museum Add. MS. 31390 and Bodleian Library MSS. D. 212-216). Boston University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); mention of MS; discussion.

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: III, 202, 216-8, 231, 234, 279, 354. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XV, 190-l; XLIV,xxix,39ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, 1177-8. Notes: physical description (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: IX, vi, 48-98; XVII, 86-9, 103-7, 149, 155, 160-2. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lviii; III, xvi, xix; IX, xii, 164-80. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1876-81], 188-9. Notes: physical description (partial); contents list (partial).

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Jonathan Tribe

Friday, 1 October, 2021

The first part of Byrd 'Ad dominum cum tribularer' is at 126v, following the second part 'Heu mihi' at 125v.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Edward Tambling

Tuesday, 19 November, 2024

'Si je me plains' previously listed as 'Si je moy pleins' concordant with Hamond partbooks (GB-Lbl Add. 30480–4)

Edward Tambling

Thursday, 8 August, 2024

Identified untutled piece on 121v–122r by Alessandro Romano as "Non pur d'almi splendori", found at the head of RISM 1561/10.

christopher shaw

Saturday, 2 March, 2024

Added a note identifying "Or sa bien" (ff. 114v-115) as an anonymous five-part re-working of Janequin's four-part chanson "Or vien ca" (printed in Chansons musicales a quatre parties, Attaingnant, Paris 1533)

Chrissie Berryman

Thursday, 12 August, 2021

Entries for 'My death bed' & 'Follow me' (on 60v-61r) updated to show layout of parts across the opening; and 2 composition entries for 'My Death Bed' merged.

Chrissie Berryman

Saturday, 17 July, 2021

Notification of the second, anonymous and untitled piece on fols 26v-27r (which is briefly mentioned in passing in Paul Doe's introduction to Elizabethan Consort Music II).

Chrissie Berryman

Monday, 17 May, 2021

Order of pieces on f.20v-21 corrected

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description