GB-Lbl Add. MS 34049

British Library, London, England

partbook: Early 17th century

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 34049
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	127 x 208 mm
Other Identifiers	CCM: LonBL 34049
Notations	black void mensural
Relationships	Reekes, John (owner) Paston, Edward (1550–1630) (patron)
External Links	British Library online catalogue entry
Provenance	England
Contents	40 pieces from 8 composers

General Description

A single Discantus partbook, originally from a set of 5 books. Music copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Many pieces incomplete or fragmentary; portions of some pieces scattered throughout manuscript. Several duplicate items (except for different clefs) not counted in summary of contents above. Many pieces have text incipits only. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music.

DIAMM, 2017

Binding

Original white limp vellum binding, with inscription 'Cantus'.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation, 1-48.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Mass Ordinary fragment, 2 Magnificats, 1 Lamentation, 13 motets, 3 In nomines = 21

(Bull)-1, (Byrd)-2, (Fayrfax)-3, (R. Johnson I)-1, (Shepherd)-1, (Tallis)-5, (Taverner)-3, (R. White)-4, anon-1

1 paper partbook of an original 5? (D-iii + 48 + iii folios), 127 x 208. Original ink foliation, 1-48. Original covers of white parchment, with inscription "Cantus." No index. Music copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). No initials or decoration. Many pieces incomplete or fragmentary; portions of some pieces scattered throughout manuscript. Several duplicate items (except for different clefs) not counted in summary of contents above. Many pieces have text incipits only.

Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by John Reekes (bookplate). Purchased by British Museum in 1891.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Magnificat O bone Jesu (excerpt): Esurientes	-	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu (excerpt): Esurientes Fayrfax, Robert (1464–1521) Appears on: 1 Genres: BVM, Canticle, Magnificat
1–1v	Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo	-	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo Fayrfax, Robert (1464–1521) Appears on: 1–1v Genres: BVM, Canticle, Magnificat
2–4	Ave dei patris filia - 1a pars (of 7): Ave dei patris filia	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave dei patris filia - 1a pars (of 7): Ave dei patris filia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 2–4 Genres: Motet
4v–6	Ave Dei patris filia - 6a pars (of 7): Ave plena gratia	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave Dei patris filia - 6a pars (of 7): Ave plena gratia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 4v–6 Genres: Motet
6v–11	Ave Dei patris filia	-	Tallis, Thomas (ca. 1505–1585)
Ave Dei patris filia Tallis, Thomas (ca. 1505–1585) Appears on: 6v–11 Genres: Motet
11v–12	Ave rosa sine spinis (extract: Per pregustum)	-	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis (extract: Per pregustum) Tallis, Thomas (ca. 1505–1585) Appears on: 11v–12 Genres: Motet
12v–13	Ave rosa sine spinis: (extract: Maria stella)	-	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis: (extract: Maria stella) Tallis, Thomas (ca. 1505–1585) Appears on: 12v–13 Genres: Motet
13–13v	Ave rosa sine spinis (extract: Gratia plena)	-	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis (extract: Gratia plena) Tallis, Thomas (ca. 1505–1585) Appears on: 13–13v Genres: Motet
14	Ave rosa sine spinis (extract: O quam dulcis)	-	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis (extract: O quam dulcis) Tallis, Thomas (ca. 1505–1585) Appears on: 14 Genres: Motet
14v–15	Sospitati dedit aegros (extract: O quam probatum)	-	Taverner, John
Sospitati dedit aegros (extract: O quam probatum) Taverner, John Appears on: 14v–15 Genres: Motet
15v–16	Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	-	Taverner, John
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Taverner, John Appears on: 15v–16 Genres: Motet
16–16v	Sospitati dedit aegros (extract: Nam qui corde)	-	Taverner, John
Sospitati dedit aegros (extract: Nam qui corde) Taverner, John Appears on: 16–16v Genres: Motet
17	Ave Dei patris filia (extract, final section: O gloriosissima)	-	Fayrfax, Robert (1464–1521)
Ave Dei patris filia (extract, final section: O gloriosissima) Fayrfax, Robert (1464–1521) Appears on: 17 Genres: Motet
17–17v	Lamentations (I) a5 - (extract: Peccatum peccavit)	-	White, Robert (ca. 1538–1574)
Lamentations (I) a5 - (extract: Peccatum peccavit) White, Robert (ca. 1538–1574) Appears on: 17–17v Genres: Lamentations
18–19	Gaude plurimum - 1a pars (of 3): Gaude plurimum	-	Taverner, John
Gaude plurimum - 1a pars (of 3): Gaude plurimum Taverner, John Appears on: 18–19 Genres: Motet
19v–20v	Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	-	Taverner, John
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater Taverner, John Appears on: 19v–20v Genres: Motet
20v–21v	Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum	-	Taverner, John
Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum Taverner, John Appears on: 20v–21v
22v–23	Ave Dei patris filia (extract: Ave Jesu tui filii)	-	Fayrfax, Robert (1464–1521)
Ave Dei patris filia (extract: Ave Jesu tui filii) Fayrfax, Robert (1464–1521) Appears on: 22v–23 Genres: Motet
23	Ave Dei patris filia (extract, final section: O gloriosissima)	-	Fayrfax, Robert (1464–1521)
Ave Dei patris filia (extract, final section: O gloriosissima) Fayrfax, Robert (1464–1521) Appears on: 23 Genres: Motet
23v–24v	Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos	-	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos Fayrfax, Robert (1464–1521) Appears on: 23v–24v Genres: BVM, Canticle, Magnificat
25	Miserere mei Deus (extract: Domine labia mea)	-	Mundy, William (ca. 1528–ca. 1591)
Miserere mei Deus (extract: Domine labia mea) Mundy, William (ca. 1528–ca. 1591) Appears on: 25 Genres: Motet
25v–32v	Missa Salve intemerata: Gloria	-	Tallis, Thomas (ca. 1505–1585)
Missa Salve intemerata: Gloria Tallis, Thomas (ca. 1505–1585) Appears on: 25v–32v Genres: Gloria (et in terra pax), Mass Ordinary
25v–32v	Missa Salve intemerata: Credo	-	Tallis, Thomas (ca. 1505–1585)
Missa Salve intemerata: Credo Tallis, Thomas (ca. 1505–1585) Appears on: 25v–32v Genres: Credo (patrem omnipotentem), Mass Ordinary
25v–32v	Missa Salve intemerata: Sanctus	-	Tallis, Thomas (ca. 1505–1585)
Missa Salve intemerata: Sanctus Tallis, Thomas (ca. 1505–1585) Appears on: 25v–32v Genres: Mass Ordinary, Sanctus [& Benedictus]
25v–32v	Missa Salve intemerata: Benedictus	-	Tallis, Thomas (ca. 1505–1585)
Missa Salve intemerata: Benedictus Tallis, Thomas (ca. 1505–1585) Appears on: 25v–32v Genres: Mass Ordinary, Sanctus [& Benedictus]
25v–32v	Missa Salve intemerata: Agnus Dei	-	Tallis, Thomas (ca. 1505–1585)
Missa Salve intemerata: Agnus Dei Tallis, Thomas (ca. 1505–1585) Appears on: 25v–32v Genres: Agnus Dei, Mass Ordinary
33–39v	Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 33–39v Genres: Motet
33–39v	Salve intemerata virgo - 2a pars (of 5): Annae mulieris	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 2a pars (of 5): Annae mulieris Tallis, Thomas (ca. 1505–1585) Appears on: 33–39v Genres: Motet
33–39v	Salve intemerata virgo - 3a pars (of 5): Tu nimirum	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 3a pars (of 5): Tu nimirum Tallis, Thomas (ca. 1505–1585) Appears on: 33–39v Genres: Motet General Note "Tu nimirum" has no music (tacet in this part in this section)
33v–39v	Salve intemerata virgo - 4a pars (of 5): Per haec nos	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 4a pars (of 5): Per haec nos Tallis, Thomas (ca. 1505–1585) Appears on: 33v–39v Genres: Motet
40–41v	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	-	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 40–41v Genres: Motet
41v	Missa Sponsus amat sponsam: Agnus	-	Fayrfax, Robert (1464–1521)
Missa Sponsus amat sponsam: Agnus Fayrfax, Robert (1464–1521) Appears on: 41v Genres: Agnus Dei, Mass Ordinary General Note extract: 'Dona nobis pacem' only
42–43	Euge caeli	-	Tallis, Thomas (ca. 1505–1585)
Euge caeli Tallis, Thomas (ca. 1505–1585) Appears on: 42–43 Genres: Motet General Note British Library catalogue states that "a piece without title" (textless?) follows 'Euge caeli'; this is not recorded in EECM.
43v–44	O salutaris hostia	-	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 43v–44 Genres: Motet
44v	Domine quis habitabit (II) [2p. Ad nihillum deductus]	-	White, Robert (ca. 1538–1574)
Domine quis habitabit (II) [2p. Ad nihillum deductus] White, Robert (ca. 1538–1574) Appears on: 44v Genres: Motet General Note Probably only the opening trio?
45	Magnificat a6: (exc) Quia fecit mihi magna	-	White, Robert (ca. 1538–1574)
Magnificat a6: (exc) Quia fecit mihi magna White, Robert (ca. 1538–1574) Appears on: 45 Genres: BVM, Canticle, Magnificat
45v–46	In nomine (5vv?)	-	Bull, John (ca. 1562–1628)
In nomine (5vv?) Bull, John (ca. 1562–1628) Appears on: 45v–46 Genres: In nomine
46v–47	In nomine (V)	-	White, Robert (ca. 1538–1574)
In nomine (V) White, Robert (ca. 1538–1574) Appears on: 46v–47 Genres: In nomine
47v–48	In nomine (V) a5	-	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 47v–48 Genres: In nomine, Viol piece
48v	Beata es virgo Maria	-	Byrd, William (ca. 1540–1623)
Beata es virgo Maria Byrd, William (ca. 1540–1623) Appears on: 48v Genres: Gradual, Motet

Composer	Compositions
Bull, John (ca. 1562–1628)	In nomine (5vv?) – 45v–46
Byrd, William (ca. 1540–1623)	Beata es virgo Maria – 48v In nomine (V) a5 – 47v–48
Fayrfax, Robert (1464–1521)	Ave Dei patris filia (extract, final section: O gloriosissima) – 23 Ave Dei patris filia (extract, final section: O gloriosissima) – 17 Ave Dei patris filia (extract: Ave Jesu tui filii) – 22v–23 Magnificat O bone Jesu (excerpt): Esurientes – 1 Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo – 1–1v Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos – 23v–24v Missa Sponsus amat sponsam: Agnus – 41v
Johnson (I), Robert (ca. 1500–ca. 1560)	Ave Dei patris filia - 6a pars (of 7): Ave plena gratia – 4v–6 Ave dei patris filia - 1a pars (of 7): Ave dei patris filia – 2–4
Mundy, William (ca. 1528–ca. 1591)	Miserere mei Deus (extract: Domine labia mea) – 25
Tallis, Thomas (ca. 1505–1585)	Ave Dei patris filia – 6v–11 Ave rosa sine spinis (extract: Gratia plena) – 13–13v Ave rosa sine spinis (extract: O quam dulcis) – 14 Ave rosa sine spinis (extract: Per pregustum) – 11v–12 Ave rosa sine spinis: (extract: Maria stella) – 12v–13 Euge caeli – 42–43 Missa Salve intemerata: Agnus Dei – 25v–32v Missa Salve intemerata: Benedictus – 25v–32v Missa Salve intemerata: Credo – 25v–32v Missa Salve intemerata: Gloria – 25v–32v Missa Salve intemerata: Sanctus – 25v–32v O salutaris hostia – 43v–44 Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria – 33–39v Salve intemerata virgo - 2a pars (of 5): Annae mulieris – 33–39v Salve intemerata virgo - 3a pars (of 5): Tu nimirum – 33–39v Salve intemerata virgo - 4a pars (of 5): Per haec nos – 33v–39v
Taverner, John	Gaude plurimum - 1a pars (of 3): Gaude plurimum – 18–19 Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater – 19v–20v Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum – 20v–21v Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 40–41v Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) – 15v–16 Sospitati dedit aegros (extract: Nam qui corde) – 16–16v Sospitati dedit aegros (extract: O quam probatum) – 14v–15
White, Robert (ca. 1538–1574)	Domine quis habitabit (II) [2p. Ad nihillum deductus] – 44v In nomine (V) – 46v–47 Lamentations (I) a5 - (extract: Peccatum peccavit) – 17–17v Magnificat a6: (exc) Quia fecit mihi magna – 45

Composition	Composers (? Uncertain)	Folios / Pages
Ave Dei patris filia	Tallis, Thomas (ca. 1505–1585)	6v–11
Ave Dei patris filia (extract, final section: O gloriosissima)	Fayrfax, Robert (1464–1521)	17
Ave Dei patris filia (extract, final section: O gloriosissima)	Fayrfax, Robert (1464–1521)	23
Ave Dei patris filia (extract: Ave Jesu tui filii)	Fayrfax, Robert (1464–1521)	22v–23
Ave dei patris filia - 1a pars (of 7): Ave dei patris filia	Johnson (I), Robert (ca. 1500–ca. 1560)	2–4
Ave Dei patris filia - 6a pars (of 7): Ave plena gratia	Johnson (I), Robert (ca. 1500–ca. 1560)	4v–6
Ave rosa sine spinis (extract: Gratia plena)	Tallis, Thomas (ca. 1505–1585)	13–13v
Ave rosa sine spinis (extract: O quam dulcis)	Tallis, Thomas (ca. 1505–1585)	14
Ave rosa sine spinis (extract: Per pregustum)	Tallis, Thomas (ca. 1505–1585)	11v–12
Ave rosa sine spinis: (extract: Maria stella)	Tallis, Thomas (ca. 1505–1585)	12v–13
Beata es virgo Maria	Byrd, William (ca. 1540–1623)	48v
Domine quis habitabit (II) [2p. Ad nihillum deductus]	White, Robert (ca. 1538–1574)	44v
Euge caeli	Tallis, Thomas (ca. 1505–1585)	42–43
Gaude plurimum - 1a pars (of 3): Gaude plurimum	Taverner, John	18–19
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	Taverner, John	19v–20v
Gaude plurimum - 3a pars (of 3): Eundem igitur Jesum	Taverner, John	20v–21v
In nomine (5vv?)	Bull, John (ca. 1562–1628)	45v–46
In nomine (V)	White, Robert (ca. 1538–1574)	46v–47
In nomine (V) a5	Byrd, William (ca. 1540–1623)	47v–48
Lamentations (I) a5 - (extract: Peccatum peccavit)	White, Robert (ca. 1538–1574)	17–17v
Magnificat a6: (exc) Quia fecit mihi magna	White, Robert (ca. 1538–1574)	45
Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo	Fayrfax, Robert (1464–1521)	1–1v
Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos	Fayrfax, Robert (1464–1521)	23v–24v
Magnificat O bone Jesu (excerpt): Esurientes	Fayrfax, Robert (1464–1521)	1
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	40–41v
Miserere mei Deus (extract: Domine labia mea)	Mundy, William (ca. 1528–ca. 1591)	25
Missa Salve intemerata: Agnus Dei	Tallis, Thomas (ca. 1505–1585)	25v–32v
Missa Salve intemerata: Benedictus	Tallis, Thomas (ca. 1505–1585)	25v–32v
Missa Salve intemerata: Credo	Tallis, Thomas (ca. 1505–1585)	25v–32v
Missa Salve intemerata: Gloria	Tallis, Thomas (ca. 1505–1585)	25v–32v
Missa Salve intemerata: Sanctus	Tallis, Thomas (ca. 1505–1585)	25v–32v
Missa Sponsus amat sponsam: Agnus	Fayrfax, Robert (1464–1521)	41v
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	43v–44
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	33–39v
Salve intemerata virgo - 2a pars (of 5): Annae mulieris	Tallis, Thomas (ca. 1505–1585)	33–39v
Salve intemerata virgo - 3a pars (of 5): Tu nimirum	Tallis, Thomas (ca. 1505–1585)	33–39v
Salve intemerata virgo - 4a pars (of 5): Per haec nos	Tallis, Thomas (ca. 1505–1585)	33v–39v
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Taverner, John	15v–16
Sospitati dedit aegros (extract: Nam qui corde)	Taverner, John	16–16v
Sospitati dedit aegros (extract: O quam probatum)	Taverner, John	14v–15

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

‡ denotes primary source study

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 144. Notes: contents list (partial); concordances (partial); incipits (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 214, 278; III, 221. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lviii; III, xviii-xix; V, xxii; VI, xxvii-xxix, xxxii. Notes: physical description (partial); contents list (partial); concordances (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1888-93], 167. Notes: physical description (partial).

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Jason Smart

Wednesday, 2 November, 2022

Mass identified as Tallis's "Salve intemerata"

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description