IIIF manifest
Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| i_r | Tyme | - | Anonymous |
TymeAnonymous
Appears on:
i_r
Voice:
[no designation]
Languages:
none
Clef:
c4
Voice Text:
Tyme / [untexted]
General NoteNotes: fragment: half of page cut - piece seems to end in bottom line though (followed by barlines and a +'); C4 only at beginning, then C3; |
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| i_v | instrumental piece | - | - |
|
Appears on:
i_v
Genres:
textless
Voice:
[no designation]
Languages:
none
General NoteAnnotations/Corrections: Count[er] tener' in top right corner of page (different ink than the music?); [...] 8 / p[ar]ts' over second system; at end 'finis' and some later scribbles (in same ink as 'Count[er] tener'?; Notes: top line of music in brown ink, the others in black; |
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| i_v–18r | untexted piece | - | - |
|
Appears on:
i_v–18r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c3
Voice Text:
…nnter
|
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| i_v–18r | [Veni?] | M… | Anonymous |
[Veni?]Anonymous
Appears on:
i_v–18r
Source Attribution:
M…
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Veni [?]
|
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| 2r | [Christe qui lux es (II)] Precamur sancte Domine | Mr Whighte | |
|
Appears on:
2r
Genres:
Motet
Source Attribution:
Mr Whighte
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
PECCAmur
General NoteAnnotations/Corrections: V.VOC..' and '5' at opening; |
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| 2v | In nomine a6 | Mr Strogers | |
|
Appears on:
2v
Source Attribution:
Mr Strogers
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
In noie Strogers
General NoteAnnotations/Corrections: 8' at opening'; 'Good' at end; |
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| 3r | Kyrie Paschali | Mr Shepparde | |
|
Appears on:
3r
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Mr Shepparde
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
KiRi
General NoteAnnotations/Corrections: Vi. VOC.' and '9' at opening; 'Good' at end; '15' under note in middle of third line; |
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| 3r | Haec dies | - | |
|
Appears on:
3r
Genres:
Motet
Position on PageThis piece starts at the end of line 2, with just the first 3 notes following a median final, as if starting a new section of the initial work on the page. This is clearly a miscopying, with the scribe failing to note the initiation of a new work. Had this been recognised as a new work it would surely have started on a new line instead of having the last three notes 'orphaned' at the end of the second line of the page. The same error is to be found in the Hamond Partbooks (GB-Lbl Add. MSS 30480–4), but as the books are directly contemporary it is not possible to tell which is the parent and which the child. |
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| 3v–4r | Laudate pueri Dominum | Mr BiRDi / Mr Birde | |
|
Appears on:
3v–4r
Source Attribution:
Mr BiRDi / Mr Birde
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
LAVDATE
General NoteAnnotations/Corrections: VI.VOC: Mr BirDi' at top, '8.' at opening; 'Good' at end; note corr. towards end of third line (note squeezed in); Notes: only half of the bottom line of f. 3v used, then continuing on next folio; |
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| 4r–4v | Ne irascaris - 1a pars (of 2): Ne irascaris Domine | Mr Birde | |
|
Appears on:
4r–4v
Genres:
Motet
Source Attribution:
Mr Birde
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
NEiRA SCARiS
General NoteAnnotations/Corrections: 8' at opening'; 'Sio' and 'ierusale' cues within piece; '1581' at end; |
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| 4v–5 | Ne irascaris - 2a pars (of 2): Civitatis sancti tui | - | |
|
Appears on:
4v–5
Genres:
Motet
|
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| 5r–5v | Gaudeamus omnes in Domino Vs. [Exultate justi] Rectos decet laudatio; R. [Gloria patri] Sicut erat in principio | - | |
|
Appears on:
5r–5v
Genres:
Hymn
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
GAVDE
General NoteAnnotations/Corrections: 5' at beginning'; 'Rectos' and 'Sicut' (beginning of 2a and 3a pars) on f. 5; 'Good' at end; Notes: From Constanzo Porta's Musica in introitus missarum (Venice 1566), In festo omnium sanctorum (all chant passages removed); |
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| 5v–6r | Statuit ei Dominus testamentum Vs. [Memento Domine David] Et omnis mansueudinis; R. [Gloria patri] Sicut erat in principio | - | |
|
Appears on:
5v–6r
Genres:
Hymn
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
Statuit
General NoteAnnotations/Corrections: V.VOC:' and '0' at beginning; 'Et' and 'Sicut' on f. 5v at beginning of 2a and 3a partes; '1581 /Good / Songe' at end; Notes: From Constanzo Porta's Musica in introitus missarum (Venice 1566), In festo S. Martini ep. et conf. (all chant passages removed); |
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| 6r | [Vox de caelis] Catharinae redditur Vs.. [Haec audiens] Laeta surrexit; R. [Gloria patri] Sicut erat in principio | - | |
|
Appears on:
6r
Genres:
Hymn
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
VOOX:
General NoteAnnotations/Corrections: I' at beginning'; 'good' and '1581' at end; Notes: From Constanzo Porta's Musica in introitus missarum (Venice 1566), In festo S. Catharinae virginis et mart. (all chant passages removed); |
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| 6v | [Mihi autem nimis] Honorati sunt Vs. [Domine probasti me] Tu cognovisti; R. [Gloria patri] Sicut erat in principio | - | |
|
Appears on:
6v
Genres:
Hymn
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
Mihi
General NoteAnnotations/Corrections: V. VOC.' and '.9.' at beginning'; note/stem corr. in first line; over end of top line: 'sing menim & crochet'; note/stem corr. in third line; 'TV' and 'Sicut' in second and fourth lines, at beginnings of 2a and of 3a pars; '1581.' at end; Notes: From Constanzo Porta's Musica in introitus missarum (Venice 1566), In festo S. Andreae apostoli (all chant passages removed); |
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| 7r | [In medio ecclesiae] Aperuit os eius Vs. [Bonum est confiteri] Et psallere nomini tuo; R. [Gloria patri] Sicut erat in principio] | - | |
|
Appears on:
7r
Genres:
Hymn
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
IN medio
General NoteAnnotations/Corrections: 5' at beginning'; Notes: From Constanzo Porta's Musica in introitus missarum (Venice 1566) In festo S. Ambrosii episcopi et doctoris (all chant passages removed); |
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| 7v | [Egredimini] Et videte Vs. [Ostenfat faciem suam] Quia eloquiem suum; R.. (Gloria patri…) Sicut erat in principio] | - | |
|
Appears on:
7v
Genres:
Hymn
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
EGredimini
General NoteAnnotations/Corrections: V.VOC' and '0' at beginning'; 'Quia' and 'Sicut' in fourth and fifth line, at beginning of 2a and 3a pars; note corr. towards end of top line?; stem erased towards end of penultimate line; Notes: From Constanzo Porta's Musica in introitus missarum (Venice 1566), In conceptione sanctae Mariae virginis (all chant passages removed); |
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| 8r | [Dilexisti] Justitiam Vs. [Eructavit cor meum] Dico ego opera; R. [Gloria patri] Sicut erat in principio] | - | |
|
Appears on:
8r
Genres:
Hymn
Voice:
[no designation]
Languages:
none
Clef:
c4
Voice Text:
dilexisti
General NoteAnnotations/Corrections: V: VOC:' and '8' at beginning; 'DiCO' and 'Sicut' in third and fourth line, at beginning of 2a and 3a pars; several times '3' under notes in top and third lines; 'Ad romauos' at end; item no. '12' entered only in pencil (others are in ink); Notes: From Constanzo Porta's Musica in introitus missarum (Venice 1566), In festo S. Luciae virginis et martyris (all chant passages removed); |
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| 8v | Dum transisset sabbatum Maria Magdalena | Mr Tauerner [Johnson] | |
|
Appears on:
8v
Genres:
Motet
Source Attribution:
Mr Tauerner [Johnson]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
SAbbATVM
General NoteAnnotations/Corrections: V: VOC.' and '8' at beginning; 'Good' at end; |
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| 9r | I lift my heart to thee (= Amavit eum Dominus) | - | |
|
Appears on:
9r
Genres:
Anthem, Contrafactum
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Amauit
General NoteAnnotations/Corrections: 8' at beginning; 'good' at end; |
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| 9v | Libera me Domine et pone - 1a pars (of 2): Libera me domine et pone me | Mr Byrde | |
|
Appears on:
9v
Genres:
Anthem
Source Attribution:
Mr Byrde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Libera [2p. Dies]
General NoteAnnotations/Corrections: 5' at beginning; |
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| 10r | Libera me Domine et pone - 2a pars (of 2): Dies mei transierunt | - | |
|
Appears on:
10r
Genres:
Anthem
|
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| 10v–11r | Peccavi super numerum | Mr Birdi / Mr Byrde | |
|
Appears on:
10v–11r
Genres:
Motet
Source Attribution:
Mr Birdi / Mr Byrde
General NoteAnnotations/Corrections: 5' at beginning; 'Good' at end; |
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| 11v–12r | In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar | Harlando | |
|
Appears on:
11v–12r
Genres:
Motet
Source Attribution:
Harlando
General NoteAnnotations/Corrections: 15' at beginning; |
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| 12r–12v | In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium | Harlando | |
|
Appears on:
12r–12v
Genres:
Motet
Source Attribution:
Harlando
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Quoniam
General NoteAnnotations/Corrections: good' at end; Notes: labelled as second part of 'In te Domine speravi' from which it continues; |
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| 12v | Libera nos, salva nos [I] | Mr Sheppard | |
|
Appears on:
12v
Genres:
Motet
Source Attribution:
Mr Sheppard
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Salva me
General NoteAnnotations/Corrections: 15' at beginning; '1581' and 'x' at end; |
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| 13r–13v | Da mihi auxilium | Mr Byrde | |
|
Appears on:
13r–13v
Source Attribution:
Mr Byrde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Da mihi
General NoteAnnotations/Corrections: 12' at beginning; 'Good' at end; |
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| 13v–14v | Deus misereatur nostri et benedicat nobis | Mr Whighte | |
|
Appears on:
13v–14v
Genres:
Anglican Service Music, Motet
Source Attribution:
Mr Whighte
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Deus [2p. Eterna]
General NoteAnnotations/Corrections: correction on final page; '5' at beginning; '1581', 'good' and 'good' at the end; |
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| 15r | O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis | Mr Birde | |
|
Appears on:
15r
Genres:
Motet
Source Attribution:
Mr Birde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
O lux beata [2p. Deo]
General NoteCanon/Gimels: Tres parte in vna subdiapente aliud in diateresseron'; Annotations/Corrections: 8' at beginning; 'te' cue within piece; 'good' at end; |
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| 15r | O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur | - | |
|
Appears on:
15r
Genres:
Motet
|
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| 15r | O lux beata trinitas - 3a pars (of 3): Deo patri sit gloria eiusque soli | - | |
|
Appears on:
15r
General Notewith canon: "Tres parte (sic) in VIIa suddiapente aliud iii diatessaron" |
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| 15v–16r | The song called trumpets = Lusty Gallant | Mr Parsone | |
|
Appears on:
15v–16r
Genres:
Motet
Source Attribution:
Mr Parsone
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c4
Voice Text:
Mr Parsone
General NoteAnnotations/Corrections: 8' at beginning; |
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