US-NYp Mus. Res. Drexel 4185

Public Library, Music Division, New York, United States

partbook: 17th century and c. 1500 (flyleaves)

Archive	Public Library, Music Division, New York, United States (US-NYp)
Shelfmark	Mus. Res. Drexel 4185
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	145 x 195 mm
Other Identifiers	CCM: NYorkP 4180-5
Copyists	Merro, John Music
Relationships	Merro, John (owner) Drexel, Joseph W. (owner) Rimbault, Edward (1816–1876) (owner)
External Links	Wikipedia (contents & summary of scholarship)
Provenance	Gloucester? England
Contents	272 pieces from 62 composers

General Description

A Bassus partbook from a set of six volumes, including polyphony-bearing flyleaves cut from older, unrelated music manuscript. The original owner and scribe was John Merro. Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown.

Flyleaves from 1 or 2 Discantus partbook(s); leaves from the same book(s) are used as flyleaves in Drexel 4184. These and other related fragments are brought together in a 'virtual manuscript' here.

Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

DIAMM, 2017

Binding

Rebound in 1950 in modern covers of dark brown leather.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 13 (15-18 on flyleaves)

DIAMM, 2017

Foliation

Original ink foliation in each book, with errors and omissions; some modern foliation.

DIAMM, 2017

Decoration

A few small inked initials; no other decoration

DIAMM, 2017

Index

Original index at beginning group pieces by number of voices; within each group, pieces listed in order of appearance (with some inconsistencies)

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Images of the endpapers kindly provided by Bob Kosovsky of the NY Public Library.

Included in the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM 2022

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
front flyleaf (recto)	The bella the bella	-	Taverner, John
The bella the bella Taverner, John Appears on: front flyleaf (recto) Genres: Song
front flyleaf (verso)	[blank page]	-	-
[blank page] Appears on: front flyleaf (verso)
1	O Lord the maker of all things	-	Sheppard, John (ca. 1515–1558) (?) White, Robert (ca. 1538–1574) (?) Mundy, John (ca. 1555–1630) (?) Mundy, William (ca. 1528–ca. 1591)
O Lord the maker of all things Sheppard, John (ca. 1515–1558) (?) White, Robert (ca. 1538–1574) (?) Mundy, John (ca. 1555–1630) (?) Mundy, William (ca. 1528–ca. 1591) Appears on: 1 Genres: Anthem
1v	O Lord, give thy Holy Spirit	-	Tallis, Thomas (ca. 1505–1585)
O Lord, give thy Holy Spirit Tallis, Thomas (ca. 1505–1585) Appears on: 1v Genres: Anthem
2	Give alms unto the poor	-	Anonymous
Give alms unto the poor Anonymous Appears on: 2 Genres: Anthem
2v–3	My God, my God, look upon me	-	Smith of Salop
My God, my God, look upon me Smith of Salop Appears on: 2v–3
3v	If ye love me keep my commandments	-	Tallis, Thomas (ca. 1505–1585)
If ye love me keep my commandments Tallis, Thomas (ca. 1505–1585) Appears on: 3v Genres: Anthem
3v–4	I give you a new commandment	-	Sheppard, John (ca. 1515–1558)
I give you a new commandment Sheppard, John (ca. 1515–1558) Appears on: 3v–4 Genres: Anthem
4v	Hear the voice and prayer	-	Tallis, Thomas (ca. 1505–1585)
Hear the voice and prayer Tallis, Thomas (ca. 1505–1585) Appears on: 4v Genres: Anthem
5	Let us now laud and magnify	-	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)
Let us now laud and magnify Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?) Appears on: 5 Genres: Anthem
5v	A new commandment	-	Mundy, William (ca. 1528–ca. 1591)
A new commandment Mundy, William (ca. 1528–ca. 1591) Appears on: 5v Genres: Anthem
6	This is my commandment	-	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Tallis, Thomas (ca. 1505–1585) (?) Mundy, William (ca. 1528–ca. 1591) (?) Johnson (II), Robert (?) Mundy, John (ca. 1555–1630) (?)
This is my commandment Johnson (I), Robert (ca. 1500–ca. 1560) (?) Tallis, Thomas (ca. 1505–1585) (?) Mundy, William (ca. 1528–ca. 1591) (?) Johnson (II), Robert (?) Mundy, John (ca. 1555–1630) (?) Appears on: 6 Genres: Anthem
6v–7	If ye be risen again	-	Tye, Christopher (ca. 1505–ca. 1573)
If ye be risen again Tye, Christopher (ca. 1505–ca. 1573) Appears on: 6v–7
7v	Rejoice in the Lord always	-	Sheppard, John (ca. 1515–1558) (?) Strogers, Nicholas (?)
Rejoice in the Lord always Sheppard, John (ca. 1515–1558) (?) Strogers, Nicholas (?) Appears on: 7v Genres: Anthem
8	A new commandment	-	Tallis, Thomas (ca. 1505–1585)
A new commandment Tallis, Thomas (ca. 1505–1585) Appears on: 8 Genres: Anthem
8v	Submit yourselves one to another	-	Sheppard, John (ca. 1515–1558)
Submit yourselves one to another Sheppard, John (ca. 1515–1558) Appears on: 8v Genres: Anthem
9	He that hath my commandments	-	Mundy, William (ca. 1528–ca. 1591) (?)
He that hath my commandments Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 9 Genres: Anthem
9v	He that hath my commandments	-	Coste, [Thomas?]
He that hath my commandments Coste, [Thomas?] Appears on: 9v Genres: Anthem
10	Behold, it is Christ	-	Mundy, John (ca. 1555–1630)
Behold, it is Christ Mundy, John (ca. 1555–1630) Appears on: 10 Genres: Anthem
10v	Praise the Lord, O my soul	-	Mundy, John (ca. 1555–1630)
Praise the Lord, O my soul Mundy, John (ca. 1555–1630) Appears on: 10v
11–11v	O Lord from us	-	Anonymous
O Lord from us Anonymous Appears on: 11–11v Genres: Anthem
12	I will always give thanks	-	Anonymous
I will always give thanks Anonymous Appears on: 12 Genres: Anthem
12v	This sweet and merry month of May	-	Byrd, William (ca. 1540–1623)
This sweet and merry month of May Byrd, William (ca. 1540–1623) Appears on: 12v Genres: Madrigal (English)
13–13v	Every singing bird (= Vezzosi augelli)	-	Marenzio, Luca (ca. 1553–1599)
Every singing bird (= Vezzosi augelli) Marenzio, Luca (ca. 1553–1599) Appears on: 13–13v Genres: Contrafactum, Madrigal (English)
14	When first my heedless eyes beheld (= Non vidi mai)	-	Marenzio, Luca (ca. 1553–1599)
When first my heedless eyes beheld (= Non vidi mai) Marenzio, Luca (ca. 1553–1599) Appears on: 14 Genres: Contrafactum, Madrigal (English)
14v	O merry world (= I lieti amanti)	-	Marenzio, Luca (ca. 1553–1599)
O merry world (= I lieti amanti) Marenzio, Luca (ca. 1553–1599) Appears on: 14v Genres: Contrafactum, Madrigal (English)
15	Zephyrus breathing (= Zephiro torna, 1a pars)	-	Marenzio, Luca (ca. 1553–1599)
Zephyrus breathing (= Zephiro torna, 1a pars) Marenzio, Luca (ca. 1553–1599) Appears on: 15 Genres: Contrafactum, Madrigal (English)
15v	Fair shepherd's queen (= Madonna sua merce)	-	Marenzio, Luca (ca. 1553–1599)
Fair shepherd's queen (= Madonna sua merce) Marenzio, Luca (ca. 1553–1599) Appears on: 15v Genres: Contrafactum, Madrigal (English)
16–16v	Circumdederunt me - 1a pars (of 2): Circumdederunt me	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Circumdederunt me - 1a pars (of 2): Circumdederunt me Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 16–16v Genres: Motet
16v–17v	Circumdederunt me - 2a pars (of 2): Quoniam tribulatio	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Circumdederunt me - 2a pars (of 2): Quoniam tribulatio Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 16v–17v Genres: Motet
18	Saint Marie now - 1a pars (of 3): Saint Marie now	-	Amner, John (1579–1641)
Saint Marie now - 1a pars (of 3): Saint Marie now Amner, John (1579–1641) Appears on: 18 Genres: Anthem
18–18v	Saint Marie now - 2a pars (of 3): At length to Christ	-	Amner, John (1579–1641)
Saint Marie now - 2a pars (of 3): At length to Christ Amner, John (1579–1641) Appears on: 18–18v Genres: Anthem
18v	Saint Marie now - 3a pars (of 3): But he the God of love	-	Amner, John (1579–1641)
Saint Marie now - 3a pars (of 3): But he the God of love Amner, John (1579–1641) Appears on: 18v Genres: Anthem
19–19v	Sweet are the thoughts	-	Amner, John (1579–1641)
Sweet are the thoughts Amner, John (1579–1641) Appears on: 19–19v Genres: Anthem
20	Woe is me that I am constrained	-	Amner, John (1579–1641)
Woe is me that I am constrained Amner, John (1579–1641) Appears on: 20 Genres: Anthem
20v	Come let us rejoice	-	Amner, John (1579–1641)
Come let us rejoice Amner, John (1579–1641) Appears on: 20v Genres: Anthem
21	O griefe, if yet my griefe (= Dolor, se 'l mio dolor)	-	Donato, Baldassare (ca. 1529–1603)
O griefe, if yet my griefe (= Dolor, se 'l mio dolor) Donato, Baldassare (ca. 1529–1603) Appears on: 21 Genres: Madrigal (English)
21v	My heart, why hast thou	-	Morley, Thomas (ca. 1557–1602)
My heart, why hast thou Morley, Thomas (ca. 1557–1602) Appears on: 21v Genres: Consort song
22	Still it frieth, yet my heart never dieth	-	Morley, Thomas (ca. 1557–1602)
Still it frieth, yet my heart never dieth Morley, Thomas (ca. 1557–1602) Appears on: 22 Genres: Madrigal (English)
22v	O God give ear (5vv)	-	Byrd, William (ca. 1540–1623)
O God give ear (5vv) Byrd, William (ca. 1540–1623) Appears on: 22v Genres: Anthem
23	O mortal man	-	Anonymous
O mortal man Anonymous Appears on: 23 Genres: Anthem
23v–24	O Lord, I bow the knees of my heart	-	Mundy, William (ca. 1528–ca. 1591)
O Lord, I bow the knees of my heart Mundy, William (ca. 1528–ca. 1591) Appears on: 23v–24 Genres: Anthem
24v–25	Grant unto us, O Lord	-	Strogers, Nicholas
Grant unto us, O Lord Strogers, Nicholas Appears on: 24v–25 Genres: Anthem
25v–26	Wipe away my sins [=Absterge Domine]	-	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 25v–26
26v	Deliver me from mine enemies	-	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)
Deliver me from mine enemies Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 26v Genres: Quodlibet
27–28	Lord who shall dwell	-	White, Robert (ca. 1538–1574)
Lord who shall dwell White, Robert (ca. 1538–1574) Appears on: 27–28 Genres: Anthem
28v	Prevent us, O Lord	-	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 28v Genres: Anthem
29	Blessed be thy name (= Mihi autem nimis)	-	Tallis, Thomas (ca. 1505–1585)
Blessed be thy name (= Mihi autem nimis) Tallis, Thomas (ca. 1505–1585) Appears on: 29 Genres: Anthem, Contrafactum
29v	Set up thyself	-	Smith of Gloucester
Set up thyself Smith of Gloucester Appears on: 29v Genres: Anthem
30–30v	Almighty God, the fountain of all wisdom	-	Tomkins, Thomas (1572–1656)
Almighty God, the fountain of all wisdom Tomkins, Thomas (1572–1656) Appears on: 30–30v
31	I will sing unto the Lord	-	Amner, John (1579–1641)
I will sing unto the Lord Amner, John (1579–1641) Appears on: 31 Genres: Anthem
31v	The heavens stood all amazed	-	Amner, John (1579–1641)
The heavens stood all amazed Amner, John (1579–1641) Appears on: 31v Genres: Anthem
32	He that descended	-	Amner, John (1579–1641)
He that descended Amner, John (1579–1641) Appears on: 32 Genres: Anthem
32v	How doth the city	-	Amner, John (1579–1641)
How doth the city Amner, John (1579–1641) Appears on: 32v Genres: Anthem
33	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	-	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 33 Genres: Anthem
33–33v	When Israel came out - 2a pars (of 2): What aileth thee	-	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 33–33v Genres: Anthem
34	Rise, O my soul - 1a pars (of 3): Rise, O my soul	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul Simmes, William (?) East, Michael (?) Appears on: 34 Genres: Anthem
34v	Rise, O my soul - 2a pars (of 3): And thou, my soul	-	East, Michael (?) Simmes, William (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul East, Michael (?) Simmes, William (?) Appears on: 34v Genres: Anthem
35	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	-	East, Michael (?) Simmes, William (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus East, Michael (?) Simmes, William (?) Appears on: 35 Genres: Anthem
35v	Do not repine fair sun	-	Gibbons, Orlando (ca. 1583–1625)
Do not repine fair sun Gibbons, Orlando (ca. 1583–1625) Appears on: 35v Genres: Song
39	Vergine bella	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine bella Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 39 Genres: Madrigal (Italian)
39v	Vergine saggia	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine saggia Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 39v Genres: Madrigal (Italian)
40	Vergine pura	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine pura Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 40 Genres: Madrigal (Italian)
40v	Vergine santa	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine santa Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 40v Genres: Madrigal (Italian)
41	Vergine sol' al mondo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine sol' al mondo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 41 Genres: Madrigal (Italian)
41v	Vergine chiara	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine chiara Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 41v Genres: Madrigal (Italian)
42	Vergine quante lagrime	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine quante lagrime Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 42 Genres: Madrigal (Italian)
42v	Fantasia a5 (I)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (I) Lupo, Thomas (ca. 1571–1627) Appears on: 42v Genres: Fantasia
43	Fantasia a5 (II)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (II) Lupo, Thomas (ca. 1571–1627) Appears on: 43 Genres: Fantasia
43v	Fantasia a5 (III)	-	Dering, Richard
Fantasia a5 (III) Dering, Richard Appears on: 43v Genres: Fantasia
44	Fantasia a5 (IV)	-	Dering, Richard
Fantasia a5 (IV) Dering, Richard Appears on: 44 Genres: Fantasia
44v	The white delightful swan (= Il bianco e dolce cigno)	-	Vecchi, Orazio (1550–1605)
The white delightful swan (= Il bianco e dolce cigno) Vecchi, Orazio (1550–1605) Appears on: 44v Genres: Contrafactum, Madrigal (English)
45	Cinthia thy song (= Cinthia el tuo dolce canto)	-	Croce, Giovanni (ca. 1557–1609)
Cinthia thy song (= Cinthia el tuo dolce canto) Croce, Giovanni (ca. 1557–1609) Appears on: 45 Genres: Contrafactum, Madrigal (English)
45v	Le rossignol plaisant et gratieux	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Le rossignol plaisant et gratieux Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 45v Genres: Madrigal
46	When I would thee embrace (= Quand' io voleva)	-	Pinello di Ghirardi, Giovanni Battista
When I would thee embrace (= Quand' io voleva) Pinello di Ghirardi, Giovanni Battista Appears on: 46 Genres: Contrafactum, Madrigal (English)
46v–47	When shall I cease lamenting (= Chi per voi non sospira)	-	Faignient, Noë
When shall I cease lamenting (= Chi per voi non sospira) Faignient, Noë Appears on: 46v–47 Genres: Contrafactum, Madrigal (English)
47v	I must depart (= Io partiro)	-	Marenzio, Luca (ca. 1553–1599)
I must depart (= Io partiro) Marenzio, Luca (ca. 1553–1599) Appears on: 47v Genres: Contrafactum, Madrigal (English)
47v–48	Susanna fair (= Susanne un jour)	-	Lassus, Orlande de (ca. 1532–1594)
Susanna fair (= Susanne un jour) Lassus, Orlande de (ca. 1532–1594) Appears on: 47v–48 Genres: Contrafactum, Madrigal (English)
48	So gratious	-	Ferretti, Giovanni
So gratious Ferretti, Giovanni Appears on: 48 Genres: Contrafactum, Madrigal (English)
48v	In paradise	-	Anonymous
In paradise Anonymous Appears on: 48v Genres: Consort song
49	Delight is dead	-	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 49 Genres: Consort song
49v	Come pretty babe	-	Byrd, William (ca. 1540–1623)
Come pretty babe Byrd, William (ca. 1540–1623) Appears on: 49v Genres: Consort song
50	Abradad	-	Anonymous
Abradad Anonymous Appears on: 50 Genres: Consort song
50v	Farewell the bliss	-	Anonymous
Farewell the bliss Anonymous Appears on: 50v Genres: Consort song
51	Come Charon come	-	Anonymous
Come Charon come Anonymous Appears on: 51 Genres: Consort song
51v	Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	-	Byrd, William (ca. 1540–1623)
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby Byrd, William (ca. 1540–1623) Appears on: 51v Genres: Song
51v	Lullaby - 2a pars (of 2): Be still, my blessed babe	-	Byrd, William (ca. 1540–1623)
Lullaby - 2a pars (of 2): Be still, my blessed babe Byrd, William (ca. 1540–1623) Appears on: 51v Genres: Song
52	Prostrate, O Lord, I lie	-	Byrd, William (ca. 1540–1623)
Prostrate, O Lord, I lie Byrd, William (ca. 1540–1623) Appears on: 52 Genres: Anthem
52v	In fields abroad	-	Byrd, William (ca. 1540–1623)
In fields abroad Byrd, William (ca. 1540–1623) Appears on: 52v Genres: Song
53	Constant Penelope	-	Byrd, William (ca. 1540–1623)
Constant Penelope Byrd, William (ca. 1540–1623) Appears on: 53 Genres: Consort song
53v–54	O sing unto the Lord a new song	-	Tomkins, Thomas (1572–1656)
O sing unto the Lord a new song Tomkins, Thomas (1572–1656) Appears on: 53v–54 Genres: Anthem
54v	Sing we merrily - 1a pars (of 3): Sing we merrily	-	East, Michael
Sing we merrily - 1a pars (of 3): Sing we merrily East, Michael Appears on: 54v Genres: Anthem
54v–55	Sing we merrily - 2a pars (of 3): Take the psalm	-	East, Michael
Sing we merrily - 2a pars (of 3): Take the psalm East, Michael Appears on: 54v–55 Genres: Anthem
55–55v	Sing we merrily - 3a pars (of 3): Blow up the trumpet	-	East, Michael
Sing we merrily - 3a pars (of 3): Blow up the trumpet East, Michael Appears on: 55–55v Genres: Anthem
56	Why dost thou shoot	-	Wilbye, John (1574–1638)
Why dost thou shoot Wilbye, John (1574–1638) Appears on: 56 Genres: Madrigal (English)
56v	Of joys and pleasing pains	-	Wilbye, John (1574–1638)
Of joys and pleasing pains Wilbye, John (1574–1638) Appears on: 56v Genres: Madrigal (English)
57	My throat is sore	-	Wilbye, John (1574–1638)
My throat is sore Wilbye, John (1574–1638) Appears on: 57 Genres: Madrigal (English)
57v	O ye little flocks - 1a pars (of 3): O ye little flocks	-	Amner, John (1579–1641)
O ye little flocks - 1a pars (of 3): O ye little flocks Amner, John (1579–1641) Appears on: 57v Genres: Anthem
58	O ye little flocks - 2a pars (of 3): Fear not	-	Amner, John (1579–1641)
O ye little flocks - 2a pars (of 3): Fear not Amner, John (1579–1641) Appears on: 58 Genres: Anthem
58v	O ye little flocks - 3a pars (of 3): And they cry	-	Amner, John (1579–1641)
O ye little flocks - 3a pars (of 3): And they cry Amner, John (1579–1641) Appears on: 58v Genres: Anthem
59	Lo how from heaven - 1a pars (of 2): Lo how from heaven	-	Amner, John (1579–1641)
Lo how from heaven - 1a pars (of 2): Lo how from heaven Amner, John (1579–1641) Appears on: 59 Genres: Anthem
59v	Lo how from heaven - 2a pars (of 2): I bring you tidings	-	Amner, John (1579–1641)
Lo how from heaven - 2a pars (of 2): I bring you tidings Amner, John (1579–1641) Appears on: 59v Genres: Anthem
60	A stranger here	-	Amner, John (1579–1641)
A stranger here Amner, John (1579–1641) Appears on: 60 Genres: Anthem
60v	My Lord is hence removed	-	Amner, John (1579–1641)
My Lord is hence removed Amner, John (1579–1641) Appears on: 60v Genres: Anthem
61	Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength Byrd, William (ca. 1540–1623) Appears on: 61 Genres: Anthem
61	Sing joyfully - 2a pars (of 2): Blow the trumpet	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 2a pars (of 2): Blow the trumpet Byrd, William (ca. 1540–1623) Appears on: 61 Genres: Anthem
61v–62	O God, the proud are risen	-	Tomkins, Thomas (1572–1656)
O God, the proud are risen Tomkins, Thomas (1572–1656) Appears on: 61v–62 Genres: Anthem
62v	Christ rising again - 1a pars (of 2): Christ rising again	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 1a pars (of 2): Christ rising again Tallis, Thomas (ca. 1505–1585) Appears on: 62v Genres: Anthem
62v–63	Christ rising again - 2a pars (of 2): Christ is risen	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 2a pars (of 2): Christ is risen Tallis, Thomas (ca. 1505–1585) Appears on: 62v–63 Genres: Anthem
63v–64	O Lord how long wilt thou forget	-	Anonymous
O Lord how long wilt thou forget Anonymous Appears on: 63v–64 Genres: Anthem
64v	Salvator mundi (I)	-	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 64v Genres: Motet
65–65v	Absterge Domine	-	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 65–65v
66–67	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 66–67 Genres: Lamentations, Motet
67v	In resurrectione tua	-	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 67v Genres: Motet
67v–68	Adolescentulus sum ego	-	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 67v–68 Genres: Motet
68v	Jerusalem plantabis vineam (8vv)	-	Anonymous
Jerusalem plantabis vineam (8vv) Anonymous Appears on: 68v Genres: Motet
69	Credo quod redemptor meus vivit	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 69 Genres: Credo (patrem omnipotentem), Mass Ordinary
69v	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 69v Genres: Motet
70	Homo quidam fecit caenam magnam et misit	-	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 70 Genres: Motet
70v	In nomine (V) a5	-	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 70v Genres: In nomine, Viol piece
71	In nomine a5	-	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine a5 Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 71 Genres: In nomine
71v	In nomine a5	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
In nomine a5 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 71v Genres: In nomine
72	In nomine a 5	-	Brewster
In nomine a 5 Brewster Appears on: 72 Genres: In nomine, Viol piece
72v	De la court - 1a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 72v Genres: Chanson
73	De la court - 2a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 2a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 73 Genres: Chanson
73v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 73v Genres: Madrigal (Italian)
74	Ma la fiamma de l'alma	-	Hassler, Hans Leo (1564–1612)
Ma la fiamma de l'alma Hassler, Hans Leo (1564–1612) Appears on: 74 Genres: Madrigal (Italian)
74v	Musica e lo mio core	-	Hassler, Hans Leo (1564–1612)
Musica e lo mio core Hassler, Hans Leo (1564–1612) Appears on: 74v Genres: Madrigal (Italian)
75	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 75 Genres: Madrigal (Italian)
75v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 75v Genres: Madrigal (Italian)
76	Care lagrime mie	-	Hassler, Hans Leo (1564–1612)
Care lagrime mie Hassler, Hans Leo (1564–1612) Appears on: 76 Genres: Madrigal (Italian)
76v	Dolorosi martir', fieri tormenti	-	Marenzio, Luca (ca. 1553–1599)
Dolorosi martir', fieri tormenti Marenzio, Luca (ca. 1553–1599) Appears on: 76v Genres: Madrigal (Italian)
77	Now must I part (= Parto da voi)	-	Marenzio, Luca (ca. 1553–1599)
Now must I part (= Parto da voi) Marenzio, Luca (ca. 1553–1599) Appears on: 77 Genres: Contrafactum, Madrigal
77v	So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 77v Genres: Contrafactum, Madrigal (English)
78	So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 78 Genres: Madrigal (English)
78v	I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) Marenzio, Luca (ca. 1553–1599) Appears on: 78v Genres: Contrafactum, Madrigal
79	I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) Marenzio, Luca (ca. 1553–1599) Appears on: 79 Genres: Contrafactum, Madrigal
79v–80	Laudate pueri Dominum	-	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 79v–80
80v–81	Deus misereatur nostri et benedicat nobis	-	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 80v–81 Genres: Anglican Service Music, Motet
81v–82	Domine non est exaltatum	-	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 81v–82 Genres: Motet
82v	Magnificat a6: (exc) Esurientes	-	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 82v Genres: BVM, Canticle, Magnificat
82v–83	Libera nos, salva nos [I]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 82v–83 Genres: Motet
83v–84	Libera nos, salva nos [II]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 83v–84 Genres: Motet
84	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 84 Genres: Motet
84v	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 84v Genres: Motet
85	Veni electa mea - 1a pars (of 2): Veni electa mea	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 1a pars (of 2): Veni electa mea Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 85 Genres: Motet
85v	Veni electa mea - 2a pars (of 2): Audi filia	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 2a pars (of 2): Audi filia Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 85v Genres: Motet
86	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	-	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 86 Genres: Motet
86v	Cantate Domino	-	Nicholson, Richard (1563–1639)
Cantate Domino Nicholson, Richard (1563–1639) Appears on: 86v Genres: Anthem
87–87v	Blessed art thou that fearest God (II)	-	Anonymous
Blessed art thou that fearest God (II) Anonymous Appears on: 87–87v
88	Veni in hortum meum	-	Lassus, Orlande de (ca. 1532–1594)
Veni in hortum meum Lassus, Orlande de (ca. 1532–1594) Appears on: 88 Genres: Motet
88v	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 88v Genres: Motet
89	Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	-	Mundy, William (ca. 1528–ca. 1591) (?)
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 89 Genres: Anthem
89v	Cante cantate	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Cante cantate Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 89v Genres: Anthem
90–90v	A knell	-	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)
A knell Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?) Appears on: 90–90v
91	Alas, alack, my heart is woe	-	Anonymous
Alas, alack, my heart is woe Anonymous Appears on: 91 Genres: Song
91v–92	Holy Holy Holy, Lord God Almighty	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Holy Holy Holy, Lord God Almighty Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 91v–92 Genres: Anthem
92v	All ye people clap your hands	-	Byrd, William (ca. 1540–1623)
All ye people clap your hands Byrd, William (ca. 1540–1623) Appears on: 92v Genres: Anthem
93	O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 93 Genres: Anthem, Contrafactum
93v–94	O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) Byrd, William (ca. 1540–1623) Appears on: 93v–94 Genres: Anthem, Contrafactum
94v–95	Out of the deep (I)	-	Byrd, William (ca. 1540–1623)
Out of the deep (I) Byrd, William (ca. 1540–1623) Appears on: 94v–95 Genres: Anthem
95v–96	Behold how good and joyful	-	Anonymous
Behold how good and joyful Anonymous Appears on: 95v–96 Genres: Anthem
96v–97	How long shall mine enemies triumph	-	Byrd, William (ca. 1540–1623)
How long shall mine enemies triumph Byrd, William (ca. 1540–1623) Appears on: 96v–97 Genres: Anthem
97v	O Lord, make thy servant, Elizabeth [or James, or King Charles]	-	Byrd, William (ca. 1540–1623)
O Lord, make thy servant, Elizabeth [or James, or King Charles] Byrd, William (ca. 1540–1623) Appears on: 97v Genres: Anthem
98	O fools can you not	-	Wilbye, John (1574–1638)
O fools can you not Wilbye, John (1574–1638) Appears on: 98 Genres: Madrigal (English)
98v	Alas what hope	-	Wilbye, John (1574–1638)
Alas what hope Wilbye, John (1574–1638) Appears on: 98v Genres: Madrigal (English)
99	Lady when I behold	-	Wilbye, John (1574–1638)
Lady when I behold Wilbye, John (1574–1638) Appears on: 99 Genres: Madrigal (English)
99v	Thus saith my Cloris	-	Wilbye, John (1574–1638)
Thus saith my Cloris Wilbye, John (1574–1638) Appears on: 99v Genres: Madrigal (English)
100	Adieu sweet Amaryllis	-	Wilbye, John (1574–1638)
Adieu sweet Amaryllis Wilbye, John (1574–1638) Appears on: 100 Genres: Madrigal (English)
100v	Die hapless man	-	Wilbye, John (1574–1638)
Die hapless man Wilbye, John (1574–1638) Appears on: 100v Genres: Madrigal (English)
101	I fall, I fall, O stay me	-	Wilbye, John (1574–1638)
I fall, I fall, O stay me Wilbye, John (1574–1638) Appears on: 101 Genres: Madrigal (English)
101v	Unkind o stay thy flying	-	Wilbye, John (1574–1638)
Unkind o stay thy flying Wilbye, John (1574–1638) Appears on: 101v Genres: Madrigal (English)
102	Flora gave me fairest flowers	-	Wilbye, John (1574–1638)
Flora gave me fairest flowers Wilbye, John (1574–1638) Appears on: 102 Genres: Madrigal (English)
102v–103	I sung sometimes my thoughts	-	Wilbye, John (1574–1638)
I sung sometimes my thoughts Wilbye, John (1574–1638) Appears on: 102v–103 Genres: Madrigal (English)
103v	When David heard that Absalom	-	Smith, (W. ?)
When David heard that Absalom Smith, (W. ?) Appears on: 103v Genres: Anthem
104–104v	O give thanks unto the Lord	-	Giles, Nathaniel (ca. 1558–1634)
O give thanks unto the Lord Giles, Nathaniel (ca. 1558–1634) Appears on: 104–104v Genres: Anthem
105–105v	Behold, it is Christ	-	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 105–105v Genres: Anthem
106	Rejoice in the Lord O ye righteous	-	Davies, Hugh
Rejoice in the Lord O ye righteous Davies, Hugh Appears on: 106 Genres: Anthem
106v–107	God whom our offences	-	Byrd, William (ca. 1540–1623)
God whom our offences Byrd, William (ca. 1540–1623) Appears on: 106v–107 Genres: Anthem
107v–108	Hear my crying, O God (2p. O Lord, I will dwell)	-	Anonymous
Hear my crying, O God (2p. O Lord, I will dwell) Anonymous Appears on: 107v–108 Genres: Anthem
108v–109	All people, clap your hands	-	Weelkes, Thomas (ca. 1576–1623)
All people, clap your hands Weelkes, Thomas (ca. 1576–1623) Appears on: 108v–109 Genres: Anthem
109v–110	O Lord, rebuke me not in thine indignation	-	Anonymous
O Lord, rebuke me not in thine indignation Anonymous Appears on: 109v–110 Genres: Anthem
110v–111	Christ rising - 1a pars (of 2): Christ rising again	-	Tucker, Edmund
Christ rising - 1a pars (of 2): Christ rising again Tucker, Edmund Appears on: 110v–111 Genres: Anthem
111–111v	Christ rising - 2a pars (of 2): Christ is risen	-	Tucker, Edmund
Christ rising - 2a pars (of 2): Christ is risen Tucker, Edmund Appears on: 111–111v Genres: Anthem
112–114	The country cry 'God give you good morrow, sir rise'	-	Dering, Richard
The country cry 'God give you good morrow, sir rise' Dering, Richard Appears on: 112–114 Genres: Song
114v–115	The cries of London - 1a pars (of 2): God give you good morrow, my masters	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 114v–115 Genres: In nomine, Song
115v–116	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 115v–116 Genres: Song
116v–117v	The cry of London	-	Anonymous
The cry of London Anonymous Appears on: 116v–117v Genres: Consort song
118	O amica mea - 1a pars (of 2): O amica mea	-	Morley, Thomas (ca. 1557–1602)
O amica mea - 1a pars (of 2): O amica mea Morley, Thomas (ca. 1557–1602) Appears on: 118 Genres: Motet
118v	All at once well met	-	Weelkes, Thomas (ca. 1576–1623)
All at once well met Weelkes, Thomas (ca. 1576–1623) Appears on: 118v Genres: Madrigal (English)
119	To shorten winter's sadness	-	Weelkes, Thomas (ca. 1576–1623)
To shorten winter's sadness Weelkes, Thomas (ca. 1576–1623) Appears on: 119 Genres: Madrigal (English)
119v	Whilst youthful sports are lasting	-	Weelkes, Thomas (ca. 1576–1623)
Whilst youthful sports are lasting Weelkes, Thomas (ca. 1576–1623) Appears on: 119v Genres: Madrigal (English)
120	On the plains, fairy trains	-	Weelkes, Thomas (ca. 1576–1623)
On the plains, fairy trains Weelkes, Thomas (ca. 1576–1623) Appears on: 120 Genres: Madrigal (English)
120v	Hark all ye lovely saints above	-	Weelkes, Thomas (ca. 1576–1623)
Hark all ye lovely saints above Weelkes, Thomas (ca. 1576–1623) Appears on: 120v Genres: Madrigal (English)
121	Say, dainty dames	-	Weelkes, Thomas (ca. 1576–1623)
Say, dainty dames Weelkes, Thomas (ca. 1576–1623) Appears on: 121 Genres: Madrigal (English)
121–121v	In pride of May	-	Weelkes, Thomas (ca. 1576–1623)
In pride of May Weelkes, Thomas (ca. 1576–1623) Appears on: 121–121v Genres: Madrigal (English)
122	We shepherds sing	-	Weelkes, Thomas (ca. 1576–1623)
We shepherds sing Weelkes, Thomas (ca. 1576–1623) Appears on: 122 Genres: Madrigal (English)
122v	I love and have my love	-	Weelkes, Thomas (ca. 1576–1623)
I love and have my love Weelkes, Thomas (ca. 1576–1623) Appears on: 122v Genres: Madrigal (English)
123	Give me my heart	-	Weelkes, Thomas (ca. 1576–1623)
Give me my heart Weelkes, Thomas (ca. 1576–1623) Appears on: 123 Genres: Consort song
123v	Now is my Cloris fresh	-	Weelkes, Thomas (ca. 1576–1623)
Now is my Cloris fresh Weelkes, Thomas (ca. 1576–1623) Appears on: 123v Genres: Consort song
123v–124	Cease now delight	-	Weelkes, Thomas (ca. 1576–1623)
Cease now delight Weelkes, Thomas (ca. 1576–1623) Appears on: 123v–124 Genres: Song
124v	Come clap - 1a pars (of 2): Come clap thy hands	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 1a pars (of 2): Come clap thy hands Weelkes, Thomas (ca. 1576–1623) Appears on: 124v Genres: Consort song
125	Come clap - 2a pars (of 2): Phillis hath sworn	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 2a pars (of 2): Phillis hath sworn Weelkes, Thomas (ca. 1576–1623) Appears on: 125 Genres: Consort song
125v–127	Give sentence with me	-	Randall, William (I)
Give sentence with me Randall, William (I) Appears on: 125v–127 Genres: Anthem
127v	Let God arise	-	Ford, Thomas
Let God arise Ford, Thomas Appears on: 127v Genres: Anthem
128v	To the shady woods	-	Tomkins, Thomas (1572–1656)
To the shady woods Tomkins, Thomas (1572–1656) Appears on: 128v Genres: Consort song
128v–129	Too much I once lamented	-	Tomkins, Thomas (1572–1656)
Too much I once lamented Tomkins, Thomas (1572–1656) Appears on: 128v–129 Genres: Consort song
129v	Come shepherds sing with me	-	Tomkins, Thomas (1572–1656)
Come shepherds sing with me Tomkins, Thomas (1572–1656) Appears on: 129v Genres: Consort song
130	Cloris, why still repliest thou no?	-	Tomkins, Thomas (1572–1656)
Cloris, why still repliest thou no? Tomkins, Thomas (1572–1656) Appears on: 130 Genres: Consort song
130v–131	See the shepherd's queen	-	Tomkins, Thomas (1572–1656)
See the shepherd's queen Tomkins, Thomas (1572–1656) Appears on: 130v–131 Genres: Consort song
131v–132	Phillis now cease	-	Tomkins, Thomas (1572–1656)
Phillis now cease Tomkins, Thomas (1572–1656) Appears on: 131v–132 Genres: Consort song
132v	When David heard that Absalom	-	Tomkins, Thomas (1572–1656)
When David heard that Absalom Tomkins, Thomas (1572–1656) Appears on: 132v Genres: Anthem
133–133v	Phillis, yet see him	-	Tomkins, Thomas (1572–1656)
Phillis, yet see him Tomkins, Thomas (1572–1656) Appears on: 133–133v Genres: Consort song
134	Fusca, in thy starry eyes	-	Tomkins, Thomas (1572–1656)
Fusca, in thy starry eyes Tomkins, Thomas (1572–1656) Appears on: 134 Genres: Consort song
134v	Adieu ye city prisoning towers	-	Tomkins, Thomas (1572–1656)
Adieu ye city prisoning towers Tomkins, Thomas (1572–1656) Appears on: 134v Genres: Consort song
135	When I observe those beauty's wonderments	-	Tomkins, Thomas (1572–1656)
When I observe those beauty's wonderments Tomkins, Thomas (1572–1656) Appears on: 135 Genres: Consort song
135v–136	Music divine, proceeding from above	-	Tomkins, Thomas (1572–1656)
Music divine, proceeding from above Tomkins, Thomas (1572–1656) Appears on: 135v–136 Genres: Consort song
136v–137	Oft did I mar'l [marvel]	-	Tomkins, Thomas (1572–1656)
Oft did I mar'l [marvel] Tomkins, Thomas (1572–1656) Appears on: 136v–137 Genres: Madrigal (English)
137v	Woe is me that I am constrained	-	Tomkins, Thomas (1572–1656)
Woe is me that I am constrained Tomkins, Thomas (1572–1656) Appears on: 137v Genres: Anthem
138	Turn unto the Lord our God	-	Tomkins, Thomas (1572–1656)
Turn unto the Lord our God Tomkins, Thomas (1572–1656) Appears on: 138 Genres: Anthem
138v–139	It is my well beloved's voice	-	Tomkins, Thomas (1572–1656)
It is my well beloved's voice Tomkins, Thomas (1572–1656) Appears on: 138v–139 Genres: Anthem
139v–140	A le guancie di rose	-	Gabrieli, Andrea (ca. 1532–1585)
A le guancie di rose Gabrieli, Andrea (ca. 1532–1585) Appears on: 139v–140 Genres: Canzon
140v–141	Ecco Vinegia bella	-	Gabrieli, Andrea (ca. 1532–1585)
Ecco Vinegia bella Gabrieli, Andrea (ca. 1532–1585) Appears on: 140v–141 Genres: Canzon
141v–142	Sacri di Giove	-	Gabrieli, Giovanni (ca. 1554–1612)
Sacri di Giove Gabrieli, Giovanni (ca. 1554–1612) Appears on: 141v–142 Genres: Canzon
142v–143	O passi sparsi	-	Gabrieli, Andrea (ca. 1532–1585)
O passi sparsi Gabrieli, Andrea (ca. 1532–1585) Appears on: 142v–143 Genres: Madrigal (Italian)
143v	Addio dolce mia vita	-	Gabrieli, Giovanni (ca. 1554–1612)
Addio dolce mia vita Gabrieli, Giovanni (ca. 1554–1612) Appears on: 143v Genres: Madrigal (Italian)
144	D'un si bel foco	-	Striggio, Alessandro (ca. 1536–1592)
D'un si bel foco Striggio, Alessandro (ca. 1536–1592) Appears on: 144 Genres: Madrigal (Italian)
144v	Quei, vinto dal furor	-	Gabrieli, Andrea (ca. 1532–1585)
Quei, vinto dal furor Gabrieli, Andrea (ca. 1532–1585) Appears on: 144v Genres: Madrigal (Italian)
145	Ecco l'alma beata	-	Croce, Giovanni (ca. 1557–1609)
Ecco l'alma beata Croce, Giovanni (ca. 1557–1609) Appears on: 145 Genres: Madrigal (Italian)
145v–146	Basti fin qui le pen' e i duri affanni (10vv)	-	Marenzio, Luca (ca. 1553–1599)
Basti fin qui le pen' e i duri affanni (10vv) Marenzio, Luca (ca. 1553–1599) Appears on: 145v–146 Genres: Madrigal (Italian)
146v	Lieto godea sedendo	-	Gabrieli, Giovanni (ca. 1554–1612)
Lieto godea sedendo Gabrieli, Giovanni (ca. 1554–1612) Appears on: 146v Genres: Canzon
147	O misero mio core	-	Eremita, Giulio
O misero mio core Eremita, Giulio Appears on: 147 Genres: Madrigal (Italian)
147v–148	Hence stars, too dim of light	-	East, Michael
Hence stars, too dim of light East, Michael Appears on: 147v–148 Genres: Madrigal (English)
148v–149	With angel's face	-	Norcome, Daniel
With angel's face Norcome, Daniel Appears on: 148v–149 Genres: Consort song
149v–150	Lightly she whipped o'er the dales	-	Mundy, John (ca. 1555–1630)
Lightly she whipped o'er the dales Mundy, John (ca. 1555–1630) Appears on: 149v–150 Genres: Consort song
150v–151	Long live fair Oriana	-	Gibbons, Ellis
Long live fair Oriana Gibbons, Ellis Appears on: 150v–151 Genres: Consort song
151v–152	All creatures now are merry minded	-	Bennett, John (fl. 1599-1614)
All creatures now are merry minded Bennett, John (fl. 1599-1614) Appears on: 151v–152 Genres: Madrigal (English)
152v–153	Sing shepherds all and in your roundelays	-	Nicholson, Richard (1563–1639)
Sing shepherds all and in your roundelays Nicholson, Richard (1563–1639) Appears on: 152v–153 Genres: Madrigal (English)
153v–154	Fair Oriana, beauty's queen	-	Hilton (Senior), John
Fair Oriana, beauty's queen Hilton (Senior), John Appears on: 153v–154 Genres: Madrigal (English)
154v	Tutt' eri foco amore	-	Pallavicino, Benedetto
Tutt' eri foco amore Pallavicino, Benedetto Appears on: 154v Genres: Madrigal (Italian)
155	[untitled madrigal]	-	Anonymous
[untitled madrigal] Anonymous Appears on: 155 Genres: Madrigal (Italian)
155v–156	O sing unto the Lord a7	-	Amner, John (1579–1641)
O sing unto the Lord a7 Amner, John (1579–1641) Appears on: 155v–156 Genres: Anthem
156v–157	Holy Holy Holy Lord God Almighty	-	Bateson, Thomas (ca. 1570–1630)
Holy Holy Holy Lord God Almighty Bateson, Thomas (ca. 1570–1630) Appears on: 156v–157 Genres: Anthem
157v–158	Out of the deep (II)	-	Byrd, William (ca. 1540–1623) (?) Gibbons, Orlando (ca. 1583–1625) (?)
Out of the deep (II) Byrd, William (ca. 1540–1623) (?) Gibbons, Orlando (ca. 1583–1625) (?) Appears on: 157v–158
158v–159	Rejoice in the Lord O ye righteous	-	Jeffries (Jeffreys), Matthew (?)
Rejoice in the Lord O ye righteous Jeffries (Jeffreys), Matthew (?) Appears on: 158v–159 Genres: Anthem
159v–160	O give thanks unto the Lord	-	Mundy, John (ca. 1555–1630)
O give thanks unto the Lord Mundy, John (ca. 1555–1630) Appears on: 159v–160 Genres: Anthem
160v–161	Awake up my glory	-	Davies, Hugh
Awake up my glory Davies, Hugh Appears on: 160v–161 Genres: Anthem
161v–162	Lord enter not into judgement	-	Tomkins, Thomas (1572–1656)
Lord enter not into judgement Tomkins, Thomas (1572–1656) Appears on: 161v–162 Genres: Anthem
162v–163	O Lord arise	-	Weelkes, Thomas (ca. 1576–1623)
O Lord arise Weelkes, Thomas (ca. 1576–1623) Appears on: 162v–163 Genres: Anthem
163v–165	O praise the Lord, all ye heathen	-	Tomkins, Thomas (1572–1656)
O praise the Lord, all ye heathen Tomkins, Thomas (1572–1656) Appears on: 163v–165 Genres: Anthem
165v–166	Fantasia a6 (III)	-	Byrd, William (ca. 1540–1623)
Fantasia a6 (III) Byrd, William (ca. 1540–1623) Appears on: 165v–166 Genres: Fantasia
166v	Fantasia a5	-	Byrd, William (ca. 1540–1623)
Fantasia a5 Byrd, William (ca. 1540–1623) Appears on: 166v Genres: Fantasia
167	Dorick [fantasy]	-	Bull, John (ca. 1562–1628)
Dorick [fantasy] Bull, John (ca. 1562–1628) Appears on: 167 Genres: Fantasia
167v–168	Fantasia a4 (II)	-	Ives, Simon
Fantasia a4 (II) Ives, Simon Appears on: 167v–168 Genres: Fantasia
168v–169	Fantasia a4 (I)	-	Ives, Simon
Fantasia a4 (I) Ives, Simon Appears on: 168v–169 Genres: Fantasia
169v–170	Fantasia a4 (I)	-	Jenkins, John
Fantasia a4 (I) Jenkins, John Appears on: 169v–170 Genres: Fantasia
170v–171	Fantasia a4 (II)	-	Jenkins, John
Fantasia a4 (II) Jenkins, John Appears on: 170v–171 Genres: Fantasia
171v–172	Fantasia a4 (IV)	-	Ives, Simon
Fantasia a4 (IV) Ives, Simon Appears on: 171v–172 Genres: Fantasia
172v–173	Fantasia a4 (III)	-	Ives, Simon
Fantasia a4 (III) Ives, Simon Appears on: 172v–173 Genres: Fantasia
173v	Fantasia a4	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 173v Genres: Fantasia
174	Fantasia a5	-	Anonymous
Fantasia a5 Anonymous Appears on: 174 Genres: Fantasia
174v–175	Fantasia (I)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (I) Gibbons, Orlando (ca. 1583–1625) Appears on: 174v–175 Genres: Fantasia
175v–176	Fantasia (II)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (II) Gibbons, Orlando (ca. 1583–1625) Appears on: 175v–176 Genres: Fantasia
176v–177	Fantasia (III)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (III) Gibbons, Orlando (ca. 1583–1625) Appears on: 176v–177 Genres: Fantasia
177v–178	Fantasia (IV)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (IV) Gibbons, Orlando (ca. 1583–1625) Appears on: 177v–178 Genres: Fantasia
178v	Fantasia (V)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (V) Gibbons, Orlando (ca. 1583–1625) Appears on: 178v Genres: Fantasia
179	Fantasia (VI)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (VI) Gibbons, Orlando (ca. 1583–1625) Appears on: 179 Genres: Fantasia
179v–180	Fantasia (VII)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (VII) Gibbons, Orlando (ca. 1583–1625) Appears on: 179v–180 Genres: Fantasia
180v	Fantasia (VIII)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (VIII) Gibbons, Orlando (ca. 1583–1625) Appears on: 180v Genres: Fantasia
181–181v	Fantasia (IX)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (IX) Gibbons, Orlando (ca. 1583–1625) Appears on: 181–181v Genres: Fantasia
rear flyleaf (recto)	... looking for her true love	-	Anonymous
... looking for her true love Anonymous Appears on: rear flyleaf (recto) Genres: Carol
rear flyleaf (verso)	All a green willow	-	Anonymous
All a green willow Anonymous Appears on: rear flyleaf (verso) Genres: Song

Composer	Compositions
Amner, John (1579–1641)	A stranger here – 60 Come let us rejoice – 20v He that descended – 32 How doth the city – 32v I will sing unto the Lord – 31 Lo how from heaven - 1a pars (of 2): Lo how from heaven – 59 Lo how from heaven - 2a pars (of 2): I bring you tidings – 59v My Lord is hence removed – 60v O sing unto the Lord a7 – 155v–156 O ye little flocks - 1a pars (of 3): O ye little flocks – 57v O ye little flocks - 2a pars (of 3): Fear not – 58 O ye little flocks - 3a pars (of 3): And they cry – 58v Saint Marie now - 1a pars (of 3): Saint Marie now – 18 Saint Marie now - 2a pars (of 3): At length to Christ – 18–18v Saint Marie now - 3a pars (of 3): But he the God of love – 18v Sweet are the thoughts – 19–19v The heavens stood all amazed – 31v Woe is me that I am constrained – 20
Anonymous	... looking for her true love – rear flyleaf (recto) Abradad – 50 Alas, alack, my heart is woe – 91 All a green willow – rear flyleaf (verso) Behold how good and joyful – 95v–96 Blessed art thou that fearest God (II) – 87–87v Come Charon come – 51 Fantasia a5 – 174 Farewell the bliss – 50v Give alms unto the poor – 2 Hear my crying, O God (2p. O Lord, I will dwell) – 107v–108 I will always give thanks – 12 In paradise – 48v Jerusalem plantabis vineam (8vv) – 68v O Lord from us – 11–11v O Lord how long wilt thou forget – 63v–64 O Lord, rebuke me not in thine indignation – 109v–110 O mortal man – 23 The cry of London – 116v–117v [unidentified Italian madrigal] – 75v [unidentified Italian madrigal] – 75 [unidentified Italian madrigal] – 73v [untitled madrigal] – 155 [No description] – front flyleaf (verso)
Bateson, Thomas (ca. 1570–1630)	Holy Holy Holy Lord God Almighty – 156v–157
Bennett, John (fl. 1599-1614)	All creatures now are merry minded – 151v–152
Brewster	In nomine a 5 – 72
Bull, John (ca. 1562–1628)	Dorick [fantasy] – 167
Byrd, William (ca. 1540–1623)	All ye people clap your hands – 92v Come pretty babe – 49v Constant Penelope – 53 Delight is dead – 49 (?) Deliver me from mine enemies – 26v Fantasia a5 – 166v Fantasia a6 (III) – 165v–166 God whom our offences – 106v–107 How long shall mine enemies triumph – 96v–97 In fields abroad – 52v In nomine (V) a5 – 70v In resurrectione tua – 67v Laudate pueri Dominum – 79v–80 Lullaby - 1a pars (of 2): Lullaby, my sweet little baby – 51v Lullaby - 2a pars (of 2): Be still, my blessed babe – 51v O God give ear (5vv) – 22v O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) – 93 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) – 93v–94 O Lord, make thy servant, Elizabeth [or James, or King Charles] – 97v Out of the deep (I) – 94v–95 (?) Out of the deep (II) – 157v–158 Prevent us, O Lord – 28v Prostrate, O Lord, I lie – 52 Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength – 61 Sing joyfully - 2a pars (of 2): Blow the trumpet – 61 This sweet and merry month of May – 12v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Circumdederunt me - 1a pars (of 2): Circumdederunt me – 16–16v Circumdederunt me - 2a pars (of 2): Quoniam tribulatio – 16v–17v Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 84 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 84v Veni electa mea - 1a pars (of 2): Veni electa mea – 85 Veni electa mea - 2a pars (of 2): Audi filia – 85v
Coste, [Thomas?]	He that hath my commandments – 9v
Croce, Giovanni (ca. 1557–1609)	Cinthia thy song (= Cinthia el tuo dolce canto) – 45 Ecco l'alma beata – 145
Davies, Hugh	Awake up my glory – 160v–161 Rejoice in the Lord O ye righteous – 106
Dering, Richard	Fantasia a5 (III) – 43v Fantasia a5 (IV) – 44 The country cry 'God give you good morrow, sir rise' – 112–114
Donato, Baldassare (ca. 1529–1603)	O griefe, if yet my griefe (= Dolor, se 'l mio dolor) – 21
East, Michael	Hence stars, too dim of light – 147v–148 (?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 34 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 34v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 35 Sing we merrily - 1a pars (of 3): Sing we merrily – 54v Sing we merrily - 2a pars (of 3): Take the psalm – 54v–55 Sing we merrily - 3a pars (of 3): Blow up the trumpet – 55–55v When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 33 When Israel came out - 2a pars (of 2): What aileth thee – 33–33v
Eremita, Giulio	O misero mio core – 147
Faignient, Noë	When shall I cease lamenting (= Chi per voi non sospira) – 46v–47
Ferrabosco, Alfonso (the elder) (1543–1588)	Le rossignol plaisant et gratieux – 45v So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) – 77v So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) – 78
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	Fantasia a4 – 173v In nomine a5 – 71v
Ferretti, Giovanni	So gratious – 48
Ford, Thomas	Let God arise – 127v
Gabrieli, Andrea (ca. 1532–1585)	A le guancie di rose – 139v–140 Ecco Vinegia bella – 140v–141 O passi sparsi – 142v–143 Quei, vinto dal furor – 144v
Gabrieli, Giovanni (ca. 1554–1612)	Addio dolce mia vita – 143v Lieto godea sedendo – 146v Sacri di Giove – 141v–142
Gibbons, Ellis	Long live fair Oriana – 150v–151
Gibbons, Orlando (ca. 1583–1625)	Do not repine fair sun – 35v Fantasia (I) – 174v–175 Fantasia (II) – 175v–176 Fantasia (III) – 176v–177 Fantasia (IV) – 177v–178 Fantasia (IX) – 181–181v Fantasia (V) – 178v Fantasia (VI) – 179 Fantasia (VII) – 179v–180 Fantasia (VIII) – 180v (?) Out of the deep (II) – 157v–158 The cries of London - 1a pars (of 2): God give you good morrow, my masters – 114v–115 The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 115v–116
Giles, Nathaniel (ca. 1558–1634)	O give thanks unto the Lord – 104–104v
Hassler, Hans Leo (1564–1612)	Care lagrime mie – 76 Ma la fiamma de l'alma – 74 Musica e lo mio core – 74v
Hilton (Senior), John	Fair Oriana, beauty's queen – 153v–154
Hooper, Edmund	Behold, it is Christ – 105–105v
Ives, Simon	Fantasia a4 (I) – 168v–169 Fantasia a4 (II) – 167v–168 Fantasia a4 (III) – 172v–173 Fantasia a4 (IV) – 171v–172
Jeffries (Jeffreys), Matthew	(?) Rejoice in the Lord O ye righteous – 158v–159
Jenkins, John	Fantasia a4 (I) – 169v–170 Fantasia a4 (II) – 170v–171
Johnson (I), Robert (ca. 1500–ca. 1560)	(?) A knell – 90–90v (?) This is my commandment – 6
Johnson (II), Robert	(?) A knell – 90–90v (?) This is my commandment – 6
Lassus, Orlande de (ca. 1532–1594)	Angelus ad pastores ait annuntio vobis – 88v Susanna fair (= Susanne un jour) – 47v–48 Veni in hortum meum – 88
Lupo, Thomas (ca. 1571–1627)	Fantasia a5 (I) – 42v Fantasia a5 (II) – 43
Marenzio, Luca (ca. 1553–1599)	Basti fin qui le pen' e i duri affanni (10vv) – 145v–146 Dolorosi martir', fieri tormenti – 76v Every singing bird (= Vezzosi augelli) – 13–13v Fair shepherd's queen (= Madonna sua merce) – 15v I must depart (= Io partiro) – 47v I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) – 78v I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) – 79 Now must I part (= Parto da voi) – 77 O merry world (= I lieti amanti) – 14v When first my heedless eyes beheld (= Non vidi mai) – 14 Zephyrus breathing (= Zephiro torna, 1a pars) – 15
Morley, Thomas (ca. 1557–1602)	My heart, why hast thou – 21v O amica mea - 1a pars (of 2): O amica mea – 118 Still it frieth, yet my heart never dieth – 22
Mundy, John (ca. 1555–1630)	Behold, it is Christ – 10 (?) Let us now laud and magnify – 5 Lightly she whipped o'er the dales – 149v–150 (?) O Lord the maker of all things – 1 O give thanks unto the Lord – 159v–160 Praise the Lord, O my soul – 10v (?) This is my commandment – 6
Mundy, William (ca. 1528–ca. 1591)	A new commandment – 5v Adolescentulus sum ego – 67v–68 Domine non est exaltatum – 81v–82 (?) He that hath my commandments – 9 (?) Let us now laud and magnify – 5 O Lord the maker of all things – 1 O Lord, I bow the knees of my heart – 23v–24 (?) Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] – 89 (?) This is my commandment – 6
Nicholson, Richard (1563–1639)	Cantate Domino – 86v Sing shepherds all and in your roundelays – 152v–153
Norcome, Daniel	With angel's face – 148v–149
Palestrina, Giovanni Pierluigi da (1525–1594)	Vergine bella – 39 Vergine chiara – 41v Vergine pura – 40 Vergine quante lagrime – 42 Vergine saggia – 39v Vergine santa – 40v Vergine sol' al mondo – 41
Pallavicino, Benedetto	Tutt' eri foco amore – 154v
Parsons (I), Robert (ca. 1535–ca. 1572)	Cante cantate – 89v Credo quod redemptor meus vivit – 69 De la court - 1a pars – 72v De la court - 2a pars – 73 (?) Deliver me from mine enemies – 26v Holy Holy Holy, Lord God Almighty – 91v–92 In nomine a5 – 71
Pinello di Ghirardi, Giovanni Battista	When I would thee embrace (= Quand' io voleva) – 46
Randall, William (I)	Give sentence with me – 125v–127
Sheppard, John (ca. 1515–1558)	I give you a new commandment – 3v–4 Libera nos, salva nos [II] – 83v–84 Libera nos, salva nos [I] – 82v–83 Magnificat a6: (exc) Esurientes – 82v (?) O Lord the maker of all things – 1 (?) Rejoice in the Lord always – 7v Submit yourselves one to another – 8v
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 34 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 34v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 35
Smith of Gloucester	Set up thyself – 29v
Smith of Salop	My God, my God, look upon me – 2v–3
Smith, (W. ?)	When David heard that Absalom – 103v
Striggio, Alessandro (ca. 1536–1592)	D'un si bel foco – 144
Strogers, Nicholas	Grant unto us, O Lord – 24v–25 (?) Rejoice in the Lord always – 7v
Tallis, Thomas (ca. 1505–1585)	A new commandment – 8 Absterge Domine – 65–65v Blessed be thy name (= Mihi autem nimis) – 29 Christ rising again - 1a pars (of 2): Christ rising again – 62v Christ rising again - 2a pars (of 2): Christ is risen – 62v–63 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 86 Hear the voice and prayer – 4v Homo quidam fecit caenam magnam et misit – 70 If ye love me keep my commandments – 3v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 66–67 O Lord, give thy Holy Spirit – 1v O sacrum convivium in quo Christus sumitur – 69v Salvator mundi (I) – 64v (?) This is my commandment – 6 Wipe away my sins [=Absterge Domine] – 25v–26
Taverner, John	The bella the bella – front flyleaf (recto)
Tomkins, Thomas (1572–1656)	Adieu ye city prisoning towers – 134v Almighty God, the fountain of all wisdom – 30–30v Cloris, why still repliest thou no? – 130 Come shepherds sing with me – 129v Fusca, in thy starry eyes – 134 It is my well beloved's voice – 138v–139 Lord enter not into judgement – 161v–162 Music divine, proceeding from above – 135v–136 O God, the proud are risen – 61v–62 O praise the Lord, all ye heathen – 163v–165 O sing unto the Lord a new song – 53v–54 Oft did I mar'l [marvel] – 136v–137 Phillis now cease – 131v–132 Phillis, yet see him – 133–133v See the shepherd's queen – 130v–131 To the shady woods – 128v Too much I once lamented – 128v–129 Turn unto the Lord our God – 138 When David heard that Absalom – 132v When I observe those beauty's wonderments – 135 Woe is me that I am constrained – 137v
Tucker, Edmund	Christ rising - 1a pars (of 2): Christ rising again – 110v–111 Christ rising - 2a pars (of 2): Christ is risen – 111–111v
Tye, Christopher (ca. 1505–ca. 1573)	If ye be risen again – 6v–7
Vecchi, Orazio (1550–1605)	The white delightful swan (= Il bianco e dolce cigno) – 44v
Weelkes, Thomas (ca. 1576–1623)	All at once well met – 118v All people, clap your hands – 108v–109 Cease now delight – 123v–124 Come clap - 1a pars (of 2): Come clap thy hands – 124v Come clap - 2a pars (of 2): Phillis hath sworn – 125 Give me my heart – 123 Hark all ye lovely saints above – 120v I love and have my love – 122v In pride of May – 121–121v Now is my Cloris fresh – 123v O Lord arise – 162v–163 On the plains, fairy trains – 120 Say, dainty dames – 121 To shorten winter's sadness – 119 We shepherds sing – 122 Whilst youthful sports are lasting – 119v
White, Robert (ca. 1538–1574)	Deus misereatur nostri et benedicat nobis – 80v–81 Lord who shall dwell – 27–28 (?) O Lord the maker of all things – 1
Wilbye, John (1574–1638)	Adieu sweet Amaryllis – 100 Alas what hope – 98v Die hapless man – 100v Flora gave me fairest flowers – 102 I fall, I fall, O stay me – 101 I sung sometimes my thoughts – 102v–103 Lady when I behold – 99 My throat is sore – 57 O fools can you not – 98 Of joys and pleasing pains – 56v Thus saith my Cloris – 99v Unkind o stay thy flying – 101v Why dost thou shoot – 56

Composition	Composers (? Uncertain)	Folios / Pages
... looking for her true love	Anonymous	rear flyleaf (recto)
[unidentified Italian madrigal]	Anonymous	73v
[unidentified Italian madrigal]	Anonymous	75
[unidentified Italian madrigal]	Anonymous	75v
[untitled madrigal]	Anonymous	155
A knell	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)	90–90v
A le guancie di rose	Gabrieli, Andrea (ca. 1532–1585)	139v–140
A new commandment	Mundy, William (ca. 1528–ca. 1591)	5v
A new commandment	Tallis, Thomas (ca. 1505–1585)	8
A stranger here	Amner, John (1579–1641)	60
Abradad	Anonymous	50
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	65–65v
Addio dolce mia vita	Gabrieli, Giovanni (ca. 1554–1612)	143v
Adieu sweet Amaryllis	Wilbye, John (1574–1638)	100
Adieu ye city prisoning towers	Tomkins, Thomas (1572–1656)	134v
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	67v–68
Alas what hope	Wilbye, John (1574–1638)	98v
Alas, alack, my heart is woe	Anonymous	91
All a green willow	Anonymous	rear flyleaf (verso)
All at once well met	Weelkes, Thomas (ca. 1576–1623)	118v
All creatures now are merry minded	Bennett, John (fl. 1599-1614)	151v–152
All people, clap your hands	Weelkes, Thomas (ca. 1576–1623)	108v–109
All ye people clap your hands	Byrd, William (ca. 1540–1623)	92v
Almighty God, the fountain of all wisdom	Tomkins, Thomas (1572–1656)	30–30v
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	88v
Awake up my glory	Davies, Hugh	160v–161
Basti fin qui le pen' e i duri affanni (10vv)	Marenzio, Luca (ca. 1553–1599)	145v–146
Behold how good and joyful	Anonymous	95v–96
Behold, it is Christ	Mundy, John (ca. 1555–1630)	10
Behold, it is Christ	Hooper, Edmund	105–105v
Blessed art thou that fearest God (II)	Anonymous	87–87v
Blessed be thy name (= Mihi autem nimis)	Tallis, Thomas (ca. 1505–1585)	29
Cantate Domino	Nicholson, Richard (1563–1639)	86v
Cante cantate	Parsons (I), Robert (ca. 1535–ca. 1572)	89v
Care lagrime mie	Hassler, Hans Leo (1564–1612)	76
Cease now delight	Weelkes, Thomas (ca. 1576–1623)	123v–124
Christ rising - 1a pars (of 2): Christ rising again	Tucker, Edmund	110v–111
Christ rising - 2a pars (of 2): Christ is risen	Tucker, Edmund	111–111v
Christ rising again - 1a pars (of 2): Christ rising again	Tallis, Thomas (ca. 1505–1585)	62v
Christ rising again - 2a pars (of 2): Christ is risen	Tallis, Thomas (ca. 1505–1585)	62v–63
Cinthia thy song (= Cinthia el tuo dolce canto)	Croce, Giovanni (ca. 1557–1609)	45
Circumdederunt me - 1a pars (of 2): Circumdederunt me	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	16–16v
Circumdederunt me - 2a pars (of 2): Quoniam tribulatio	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	16v–17v
Cloris, why still repliest thou no?	Tomkins, Thomas (1572–1656)	130
Come Charon come	Anonymous	51
Come clap - 1a pars (of 2): Come clap thy hands	Weelkes, Thomas (ca. 1576–1623)	124v
Come clap - 2a pars (of 2): Phillis hath sworn	Weelkes, Thomas (ca. 1576–1623)	125
Come let us rejoice	Amner, John (1579–1641)	20v
Come pretty babe	Byrd, William (ca. 1540–1623)	49v
Come shepherds sing with me	Tomkins, Thomas (1572–1656)	129v
Constant Penelope	Byrd, William (ca. 1540–1623)	53
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	69
D'un si bel foco	Striggio, Alessandro (ca. 1536–1592)	144
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	72v
De la court - 2a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	73
Delight is dead	Byrd, William (ca. 1540–1623)	49
Deliver me from mine enemies	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)	26v
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	80v–81
Die hapless man	Wilbye, John (1574–1638)	100v
Do not repine fair sun	Gibbons, Orlando (ca. 1583–1625)	35v
Dolorosi martir', fieri tormenti	Marenzio, Luca (ca. 1553–1599)	76v
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	81v–82
Dorick [fantasy]	Bull, John (ca. 1562–1628)	167
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	86
Ecco l'alma beata	Croce, Giovanni (ca. 1557–1609)	145
Ecco Vinegia bella	Gabrieli, Andrea (ca. 1532–1585)	140v–141
Every singing bird (= Vezzosi augelli)	Marenzio, Luca (ca. 1553–1599)	13–13v
Fair Oriana, beauty's queen	Hilton (Senior), John	153v–154
Fair shepherd's queen (= Madonna sua merce)	Marenzio, Luca (ca. 1553–1599)	15v
Fantasia (I)	Gibbons, Orlando (ca. 1583–1625)	174v–175
Fantasia (II)	Gibbons, Orlando (ca. 1583–1625)	175v–176
Fantasia (III)	Gibbons, Orlando (ca. 1583–1625)	176v–177
Fantasia (IV)	Gibbons, Orlando (ca. 1583–1625)	177v–178
Fantasia (IX)	Gibbons, Orlando (ca. 1583–1625)	181–181v
Fantasia (V)	Gibbons, Orlando (ca. 1583–1625)	178v
Fantasia (VI)	Gibbons, Orlando (ca. 1583–1625)	179
Fantasia (VII)	Gibbons, Orlando (ca. 1583–1625)	179v–180
Fantasia (VIII)	Gibbons, Orlando (ca. 1583–1625)	180v
Fantasia a4	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	173v
Fantasia a4 (I)	Ives, Simon	168v–169
Fantasia a4 (I)	Jenkins, John	169v–170
Fantasia a4 (II)	Ives, Simon	167v–168
Fantasia a4 (II)	Jenkins, John	170v–171
Fantasia a4 (III)	Ives, Simon	172v–173
Fantasia a4 (IV)	Ives, Simon	171v–172
Fantasia a5	Byrd, William (ca. 1540–1623)	166v
Fantasia a5	Anonymous	174
Fantasia a5 (I)	Lupo, Thomas (ca. 1571–1627)	42v
Fantasia a5 (II)	Lupo, Thomas (ca. 1571–1627)	43
Fantasia a5 (III)	Dering, Richard	43v
Fantasia a5 (IV)	Dering, Richard	44
Fantasia a6 (III)	Byrd, William (ca. 1540–1623)	165v–166
Farewell the bliss	Anonymous	50v
Flora gave me fairest flowers	Wilbye, John (1574–1638)	102
Fusca, in thy starry eyes	Tomkins, Thomas (1572–1656)	134
Give alms unto the poor	Anonymous	2
Give me my heart	Weelkes, Thomas (ca. 1576–1623)	123
Give sentence with me	Randall, William (I)	125v–127
God whom our offences	Byrd, William (ca. 1540–1623)	106v–107
Grant unto us, O Lord	Strogers, Nicholas	24v–25
Hark all ye lovely saints above	Weelkes, Thomas (ca. 1576–1623)	120v
He that descended	Amner, John (1579–1641)	32
He that hath my commandments	Mundy, William (ca. 1528–ca. 1591) (?)	9
He that hath my commandments	Coste, [Thomas?]	9v
Hear my crying, O God (2p. O Lord, I will dwell)	Anonymous	107v–108
Hear the voice and prayer	Tallis, Thomas (ca. 1505–1585)	4v
Hence stars, too dim of light	East, Michael	147v–148
Holy Holy Holy Lord God Almighty	Bateson, Thomas (ca. 1570–1630)	156v–157
Holy Holy Holy, Lord God Almighty	Parsons (I), Robert (ca. 1535–ca. 1572)	91v–92
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	70
How doth the city	Amner, John (1579–1641)	32v
How long shall mine enemies triumph	Byrd, William (ca. 1540–1623)	96v–97
I fall, I fall, O stay me	Wilbye, John (1574–1638)	101
I give you a new commandment	Sheppard, John (ca. 1515–1558)	3v–4
I love and have my love	Weelkes, Thomas (ca. 1576–1623)	122v
I must depart (= Io partiro)	Marenzio, Luca (ca. 1553–1599)	47v
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	Marenzio, Luca (ca. 1553–1599)	78v
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	Marenzio, Luca (ca. 1553–1599)	79
I sung sometimes my thoughts	Wilbye, John (1574–1638)	102v–103
I will always give thanks	Anonymous	12
I will sing unto the Lord	Amner, John (1579–1641)	31
If ye be risen again	Tye, Christopher (ca. 1505–ca. 1573)	6v–7
If ye love me keep my commandments	Tallis, Thomas (ca. 1505–1585)	3v
In fields abroad	Byrd, William (ca. 1540–1623)	52v
In nomine (V) a5	Byrd, William (ca. 1540–1623)	70v
In nomine a 5	Brewster	72
In nomine a5	Parsons (I), Robert (ca. 1535–ca. 1572)	71
In nomine a5	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	71v
In paradise	Anonymous	48v
In pride of May	Weelkes, Thomas (ca. 1576–1623)	121–121v
In resurrectione tua	Byrd, William (ca. 1540–1623)	67v
It is my well beloved's voice	Tomkins, Thomas (1572–1656)	138v–139
Jerusalem plantabis vineam (8vv)	Anonymous	68v
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	84
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	84v
Lady when I behold	Wilbye, John (1574–1638)	99
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	66–67
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	79v–80
Le rossignol plaisant et gratieux	Ferrabosco, Alfonso (the elder) (1543–1588)	45v
Let God arise	Ford, Thomas	127v
Let us now laud and magnify	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)	5
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	82v–83
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	83v–84
Lieto godea sedendo	Gabrieli, Giovanni (ca. 1554–1612)	146v
Lightly she whipped o'er the dales	Mundy, John (ca. 1555–1630)	149v–150
Lo how from heaven - 1a pars (of 2): Lo how from heaven	Amner, John (1579–1641)	59
Lo how from heaven - 2a pars (of 2): I bring you tidings	Amner, John (1579–1641)	59v
Long live fair Oriana	Gibbons, Ellis	150v–151
Lord enter not into judgement	Tomkins, Thomas (1572–1656)	161v–162
Lord who shall dwell	White, Robert (ca. 1538–1574)	27–28
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	Byrd, William (ca. 1540–1623)	51v
Lullaby - 2a pars (of 2): Be still, my blessed babe	Byrd, William (ca. 1540–1623)	51v
Ma la fiamma de l'alma	Hassler, Hans Leo (1564–1612)	74
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	82v
Music divine, proceeding from above	Tomkins, Thomas (1572–1656)	135v–136
Musica e lo mio core	Hassler, Hans Leo (1564–1612)	74v
My God, my God, look upon me	Smith of Salop	2v–3
My heart, why hast thou	Morley, Thomas (ca. 1557–1602)	21v
My Lord is hence removed	Amner, John (1579–1641)	60v
My throat is sore	Wilbye, John (1574–1638)	57
Now is my Cloris fresh	Weelkes, Thomas (ca. 1576–1623)	123v
Now must I part (= Parto da voi)	Marenzio, Luca (ca. 1553–1599)	77
O amica mea - 1a pars (of 2): O amica mea	Morley, Thomas (ca. 1557–1602)	118
O fools can you not	Wilbye, John (1574–1638)	98
O give thanks unto the Lord	Giles, Nathaniel (ca. 1558–1634)	104–104v
O give thanks unto the Lord	Mundy, John (ca. 1555–1630)	159v–160
O God give ear (5vv)	Byrd, William (ca. 1540–1623)	22v
O God, the proud are risen	Tomkins, Thomas (1572–1656)	61v–62
O griefe, if yet my griefe (= Dolor, se 'l mio dolor)	Donato, Baldassare (ca. 1529–1603)	21
O Lord arise	Weelkes, Thomas (ca. 1576–1623)	162v–163
O Lord from us	Anonymous	11–11v
O Lord how long wilt thou forget	Anonymous	63v–64
O Lord the maker of all things	Sheppard, John (ca. 1515–1558) (?) White, Robert (ca. 1538–1574) (?) Mundy, John (ca. 1555–1630) (?) Mundy, William (ca. 1528–ca. 1591)	1
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	Byrd, William (ca. 1540–1623)	93
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	Byrd, William (ca. 1540–1623)	93v–94
O Lord, give thy Holy Spirit	Tallis, Thomas (ca. 1505–1585)	1v
O Lord, I bow the knees of my heart	Mundy, William (ca. 1528–ca. 1591)	23v–24
O Lord, make thy servant, Elizabeth [or James, or King Charles]	Byrd, William (ca. 1540–1623)	97v
O Lord, rebuke me not in thine indignation	Anonymous	109v–110
O merry world (= I lieti amanti)	Marenzio, Luca (ca. 1553–1599)	14v
O misero mio core	Eremita, Giulio	147
O mortal man	Anonymous	23
O passi sparsi	Gabrieli, Andrea (ca. 1532–1585)	142v–143
O praise the Lord, all ye heathen	Tomkins, Thomas (1572–1656)	163v–165
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	69v
O sing unto the Lord a new song	Tomkins, Thomas (1572–1656)	53v–54
O sing unto the Lord a7	Amner, John (1579–1641)	155v–156
O ye little flocks - 1a pars (of 3): O ye little flocks	Amner, John (1579–1641)	57v
O ye little flocks - 2a pars (of 3): Fear not	Amner, John (1579–1641)	58
O ye little flocks - 3a pars (of 3): And they cry	Amner, John (1579–1641)	58v
Of joys and pleasing pains	Wilbye, John (1574–1638)	56v
Oft did I mar'l [marvel]	Tomkins, Thomas (1572–1656)	136v–137
On the plains, fairy trains	Weelkes, Thomas (ca. 1576–1623)	120
Out of the deep (I)	Byrd, William (ca. 1540–1623)	94v–95
Out of the deep (II)	Byrd, William (ca. 1540–1623) (?) Gibbons, Orlando (ca. 1583–1625) (?)	157v–158
Phillis now cease	Tomkins, Thomas (1572–1656)	131v–132
Phillis, yet see him	Tomkins, Thomas (1572–1656)	133–133v
Praise the Lord, O my soul	Mundy, John (ca. 1555–1630)	10v
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	28v
Prostrate, O Lord, I lie	Byrd, William (ca. 1540–1623)	52
Quei, vinto dal furor	Gabrieli, Andrea (ca. 1532–1585)	144v
Rejoice in the Lord always	Sheppard, John (ca. 1515–1558) (?) Strogers, Nicholas (?)	7v
Rejoice in the Lord O ye righteous	Davies, Hugh	106
Rejoice in the Lord O ye righteous	Jeffries (Jeffreys), Matthew (?)	158v–159
Rise, O my soul - 1a pars (of 3): Rise, O my soul	Simmes, William (?) East, Michael (?)	34
Rise, O my soul - 2a pars (of 3): And thou, my soul	East, Michael (?) Simmes, William (?)	34v
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	East, Michael (?) Simmes, William (?)	35
Sacri di Giove	Gabrieli, Giovanni (ca. 1554–1612)	141v–142
Saint Marie now - 1a pars (of 3): Saint Marie now	Amner, John (1579–1641)	18
Saint Marie now - 2a pars (of 3): At length to Christ	Amner, John (1579–1641)	18–18v
Saint Marie now - 3a pars (of 3): But he the God of love	Amner, John (1579–1641)	18v
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	64v
Say, dainty dames	Weelkes, Thomas (ca. 1576–1623)	121
See the shepherd's queen	Tomkins, Thomas (1572–1656)	130v–131
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	Mundy, William (ca. 1528–ca. 1591) (?)	89
Set up thyself	Smith of Gloucester	29v
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	Byrd, William (ca. 1540–1623)	61
Sing joyfully - 2a pars (of 2): Blow the trumpet	Byrd, William (ca. 1540–1623)	61
Sing shepherds all and in your roundelays	Nicholson, Richard (1563–1639)	152v–153
Sing we merrily - 1a pars (of 3): Sing we merrily	East, Michael	54v
Sing we merrily - 2a pars (of 3): Take the psalm	East, Michael	54v–55
Sing we merrily - 3a pars (of 3): Blow up the trumpet	East, Michael	55–55v
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	Ferrabosco, Alfonso (the elder) (1543–1588)	77v
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	Ferrabosco, Alfonso (the elder) (1543–1588)	78
So gratious	Ferretti, Giovanni	48
Still it frieth, yet my heart never dieth	Morley, Thomas (ca. 1557–1602)	22
Submit yourselves one to another	Sheppard, John (ca. 1515–1558)	8v
Susanna fair (= Susanne un jour)	Lassus, Orlande de (ca. 1532–1594)	47v–48
Sweet are the thoughts	Amner, John (1579–1641)	19–19v
The bella the bella	Taverner, John	front flyleaf (recto)
The country cry 'God give you good morrow, sir rise'	Dering, Richard	112–114
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	114v–115
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	115v–116
The cry of London	Anonymous	116v–117v
The heavens stood all amazed	Amner, John (1579–1641)	31v
The white delightful swan (= Il bianco e dolce cigno)	Vecchi, Orazio (1550–1605)	44v
This is my commandment	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Tallis, Thomas (ca. 1505–1585) (?) Mundy, William (ca. 1528–ca. 1591) (?) Johnson (II), Robert (?) Mundy, John (ca. 1555–1630) (?)	6
This sweet and merry month of May	Byrd, William (ca. 1540–1623)	12v
Thus saith my Cloris	Wilbye, John (1574–1638)	99v
To shorten winter's sadness	Weelkes, Thomas (ca. 1576–1623)	119
To the shady woods	Tomkins, Thomas (1572–1656)	128v
Too much I once lamented	Tomkins, Thomas (1572–1656)	128v–129
Turn unto the Lord our God	Tomkins, Thomas (1572–1656)	138
Tutt' eri foco amore	Pallavicino, Benedetto	154v
Unkind o stay thy flying	Wilbye, John (1574–1638)	101v
Veni electa mea - 1a pars (of 2): Veni electa mea	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	85
Veni electa mea - 2a pars (of 2): Audi filia	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	85v
Veni in hortum meum	Lassus, Orlande de (ca. 1532–1594)	88
Vergine bella	Palestrina, Giovanni Pierluigi da (1525–1594)	39
Vergine chiara	Palestrina, Giovanni Pierluigi da (1525–1594)	41v
Vergine pura	Palestrina, Giovanni Pierluigi da (1525–1594)	40
Vergine quante lagrime	Palestrina, Giovanni Pierluigi da (1525–1594)	42
Vergine saggia	Palestrina, Giovanni Pierluigi da (1525–1594)	39v
Vergine santa	Palestrina, Giovanni Pierluigi da (1525–1594)	40v
Vergine sol' al mondo	Palestrina, Giovanni Pierluigi da (1525–1594)	41
We shepherds sing	Weelkes, Thomas (ca. 1576–1623)	122
When David heard that Absalom	Smith, (W. ?)	103v
When David heard that Absalom	Tomkins, Thomas (1572–1656)	132v
When first my heedless eyes beheld (= Non vidi mai)	Marenzio, Luca (ca. 1553–1599)	14
When I observe those beauty's wonderments	Tomkins, Thomas (1572–1656)	135
When I would thee embrace (= Quand' io voleva)	Pinello di Ghirardi, Giovanni Battista	46
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	33
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	33–33v
When shall I cease lamenting (= Chi per voi non sospira)	Faignient, Noë	46v–47
Whilst youthful sports are lasting	Weelkes, Thomas (ca. 1576–1623)	119v
Why dost thou shoot	Wilbye, John (1574–1638)	56
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	25v–26
With angel's face	Norcome, Daniel	148v–149
Woe is me that I am constrained	Amner, John (1579–1641)	20
Woe is me that I am constrained	Tomkins, Thomas (1572–1656)	137v
Zephyrus breathing (= Zephiro torna, 1a pars)	Marenzio, Luca (ca. 1553–1599)	15

Images © Public Library, Music Division, New York

Set: Mus. Res. Drexel 4180-4185

Type: Partbooks

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Fallows, David. 1993. The Drexel Fragments of Early Tudor Song. Royal Musical Association Research Chronicle, 5-18. Notes: discussion; contents list (partial); description of MS.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 159,194. Notes: contents list (partial); concordances (partial).

Monson, Craig. 1982. Voices and Viols in England, 1600-1650: The Sources and the Music. Ann Arbor. Pages: 133-58. Notes: discussion (with inventory).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I:172,176; II:76,79,86.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 56,61,156-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 33-4, 110,135-43,235-7.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: ll, 218; XII,115-7,120-1; XIII.206; XIX,326; XXI, 94-105,203; XXIII,146; XXIX,128,134; XXX, 178. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 363, 365. Notes: contents list (partial); concordances (partial).

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court. Cambridge. Pages: 362,375,378, 426-8.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX,228; XVIII,110; XXII,6-8,46-7, 53-5, 114-32, 173, 177-8, 181, 185-7; XXIII, 126, 128, 133; XXXVI, xix, 160ff; XLIV, 184,186,188-91,194. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XV,1847.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 59-62, 107-10, 166, 172, 175; XVII, 150-3, 158, 162. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description