US-NYp Mus. Res. Drexel 4183

Public Library, Music Division, New York, United States

partbook: 17th century and c. 1500 (flyleaves)

Archive	Public Library, Music Division, New York, United States (US-NYp)
Shelfmark	Mus. Res. Drexel 4183
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	145 x 195 mm
Other Identifiers	CCM: NYorkP 4180-5
External Links	Wikipedia (contents & summary of scholarship)
Provenance	Gloucester? England
Contents	213 pieces from 56 composers

General Description

A Quintus partbook from a set of six volumes, including polyphony-bearing flyleaves cut from older, unrelated music manuscript. The original owner and scribe was John Merro. Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown.

Flyleaves from 1 or 2 Discantus partbook(s); leaves from the same book(s) are used as flyleaves in Drexel 4183. These and other related fragments are brought together in a 'virtual manuscript' here.

Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

DIAMM, 2017

Binding

Rebound in 1950 in modern covers of dark brown leather.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 13 (15-18 on flyleaves)

DIAMM, 2017

Foliation

Original ink foliation in each book, with errors and omissions; some modern foliation.

DIAMM, 2017

Decoration

A few small inked initials; no other decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
front flyleaf (recto)–front flyleaf (verso)	The bella the bella	-	Taverner, John
The bella the bella Taverner, John Appears on: front flyleaf (recto)–front flyleaf (verso) Genres: Song
1	O God give ear (5vv)	-	Byrd, William (ca. 1540–1623)
O God give ear (5vv) Byrd, William (ca. 1540–1623) Appears on: 1 Genres: Anthem
1v–2	O mortal man	-	Anonymous
O mortal man Anonymous Appears on: 1v–2 Genres: Anthem
2v–3a	O Lord, I bow the knees of my heart	-	Mundy, William (ca. 1528–ca. 1591)
O Lord, I bow the knees of my heart Mundy, William (ca. 1528–ca. 1591) Appears on: 2v–3a Genres: Anthem
3a v	Grant unto us, O Lord	-	Strogers, Nicholas
Grant unto us, O Lord Strogers, Nicholas Appears on: 3a v Genres: Anthem
3b–3b v	Wipe away my sins [=Absterge Domine]	-	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 3b–3b v
4	Deliver me from mine enemies	-	Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
Deliver me from mine enemies Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 4 Genres: Quodlibet
4v–5v	Lord who shall dwell	-	White, Robert (ca. 1538–1574)
Lord who shall dwell White, Robert (ca. 1538–1574) Appears on: 4v–5v Genres: Anthem
6	Prevent us, O Lord	-	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 6 Genres: Anthem
6v	Blessed be thy name (= Mihi autem nimis)	-	Tallis, Thomas (ca. 1505–1585)
Blessed be thy name (= Mihi autem nimis) Tallis, Thomas (ca. 1505–1585) Appears on: 6v Genres: Anthem, Contrafactum
7	Set up thyself	-	Smith of Gloucester
Set up thyself Smith of Gloucester Appears on: 7 Genres: Anthem
7v–8	Almighty God, the fountain of all wisdom	-	Tomkins, Thomas (1572–1656)
Almighty God, the fountain of all wisdom Tomkins, Thomas (1572–1656) Appears on: 7v–8
8v	I will sing unto the Lord	-	Amner, John (1579–1641)
I will sing unto the Lord Amner, John (1579–1641) Appears on: 8v Genres: Anthem
9	The heavens stood all amazed	-	Amner, John (1579–1641)
The heavens stood all amazed Amner, John (1579–1641) Appears on: 9 Genres: Anthem
9v	He that descended	-	Amner, John (1579–1641)
He that descended Amner, John (1579–1641) Appears on: 9v Genres: Anthem
10	How doth the city	-	Amner, John (1579–1641)
How doth the city Amner, John (1579–1641) Appears on: 10 Genres: Anthem
10–10v	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	-	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 10–10v Genres: Anthem
10v–11	When Israel came out - 2a pars (of 2): What aileth thee	-	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 10v–11 Genres: Anthem
11v	Rise, O my soul - 1a pars (of 3): Rise, O my soul	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul Simmes, William (?) East, Michael (?) Appears on: 11v Genres: Anthem
12	Rise, O my soul - 2a pars (of 3): And thou, my soul	-	East, Michael (?) Simmes, William (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul East, Michael (?) Simmes, William (?) Appears on: 12 Genres: Anthem
13	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus Simmes, William (?) East, Michael (?) Appears on: 13 Genres: Anthem
13v	Do not repine fair sun	-	Gibbons, Orlando (ca. 1583–1625)
Do not repine fair sun Gibbons, Orlando (ca. 1583–1625) Appears on: 13v Genres: Song
17	Vergine bella	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine bella Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 17 Genres: Madrigal (Italian)
17v	Vergine saggia	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine saggia Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 17v Genres: Madrigal (Italian)
18	Vergine pura	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine pura Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 18 Genres: Madrigal (Italian)
18v	Vergine santa	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine santa Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 18v Genres: Madrigal (Italian)
19	Vergine sol' al mondo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine sol' al mondo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 19 Genres: Madrigal (Italian)
19v	Vergine chiara	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine chiara Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 19v Genres: Madrigal (Italian)
20	Vergine quante lagrime	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine quante lagrime Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 20 Genres: Madrigal (Italian)
20-v	Fantasia a5 (I)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (I) Lupo, Thomas (ca. 1571–1627) Appears on: 20-v Genres: Fantasia
21	Fantasia a5 (II)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (II) Lupo, Thomas (ca. 1571–1627) Appears on: 21 Genres: Fantasia
21v	Fantasia a5 (III)	-	Dering, Richard
Fantasia a5 (III) Dering, Richard Appears on: 21v Genres: Fantasia
22	Fantasia a5 (IV)	-	Dering, Richard
Fantasia a5 (IV) Dering, Richard Appears on: 22 Genres: Fantasia
22v	The white delightful swan (= Il bianco e dolce cigno)	-	Vecchi, Orazio (1550–1605)
The white delightful swan (= Il bianco e dolce cigno) Vecchi, Orazio (1550–1605) Appears on: 22v Genres: Contrafactum, Madrigal (English)
23	Cinthia thy song (= Cinthia el tuo dolce canto)	-	Croce, Giovanni (ca. 1557–1609)
Cinthia thy song (= Cinthia el tuo dolce canto) Croce, Giovanni (ca. 1557–1609) Appears on: 23 Genres: Contrafactum, Madrigal (English)
23v	Le rossignol plaisant et gratieux	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Le rossignol plaisant et gratieux Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 23v Genres: Madrigal
24	When I would thee embrace (= Quand' io voleva)	-	Pinello di Ghirardi, Giovanni Battista
When I would thee embrace (= Quand' io voleva) Pinello di Ghirardi, Giovanni Battista Appears on: 24 Genres: Contrafactum, Madrigal (English)
24v–25	When shall I cease lamenting (= Chi per voi non sospira)	-	Faignient, Noë
When shall I cease lamenting (= Chi per voi non sospira) Faignient, Noë Appears on: 24v–25 Genres: Contrafactum, Madrigal (English)
25v	I must depart (= Io partiro)	-	Marenzio, Luca (ca. 1553–1599)
I must depart (= Io partiro) Marenzio, Luca (ca. 1553–1599) Appears on: 25v Genres: Contrafactum, Madrigal (English)
25v–26	Susanna fair (= Susanne un jour)	-	Lassus, Orlande de (ca. 1532–1594)
Susanna fair (= Susanne un jour) Lassus, Orlande de (ca. 1532–1594) Appears on: 25v–26 Genres: Contrafactum, Madrigal (English)
26	So gratious	-	Ferretti, Giovanni
So gratious Ferretti, Giovanni Appears on: 26 Genres: Contrafactum, Madrigal (English)
26v	In paradise	-	Anonymous
In paradise Anonymous Appears on: 26v Genres: Consort song
27	Delight is dead	-	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 27 Genres: Consort song
27v	Come pretty babe	-	Byrd, William (ca. 1540–1623)
Come pretty babe Byrd, William (ca. 1540–1623) Appears on: 27v Genres: Consort song
28	Abradad	-	Anonymous
Abradad Anonymous Appears on: 28 Genres: Consort song
28v	Farewell the bliss	-	Anonymous
Farewell the bliss Anonymous Appears on: 28v Genres: Consort song
29	Come Charon come	-	Anonymous
Come Charon come Anonymous Appears on: 29 Genres: Consort song
29v	Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	-	Byrd, William (ca. 1540–1623)
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby Byrd, William (ca. 1540–1623) Appears on: 29v Genres: Song
29v–30	Lullaby - 2a pars (of 2): Be still, my blessed babe	-	Byrd, William (ca. 1540–1623)
Lullaby - 2a pars (of 2): Be still, my blessed babe Byrd, William (ca. 1540–1623) Appears on: 29v–30 Genres: Song
30v	Prostrate, O Lord, I lie	-	Byrd, William (ca. 1540–1623)
Prostrate, O Lord, I lie Byrd, William (ca. 1540–1623) Appears on: 30v Genres: Anthem
31	In fields abroad	-	Byrd, William (ca. 1540–1623)
In fields abroad Byrd, William (ca. 1540–1623) Appears on: 31 Genres: Song
31v	Constant Penelope	-	Byrd, William (ca. 1540–1623)
Constant Penelope Byrd, William (ca. 1540–1623) Appears on: 31v Genres: Consort song
32–32v	O sing unto the Lord a new song	-	Tomkins, Thomas (1572–1656)
O sing unto the Lord a new song Tomkins, Thomas (1572–1656) Appears on: 32–32v Genres: Anthem
33	Sing we merrily - 1a pars (of 3): Sing we merrily	-	East, Michael
Sing we merrily - 1a pars (of 3): Sing we merrily East, Michael Appears on: 33 Genres: Anthem
33–33v	Sing we merrily - 2a pars (of 3): Take the psalm	-	East, Michael
Sing we merrily - 2a pars (of 3): Take the psalm East, Michael Appears on: 33–33v Genres: Anthem
33v–34	Sing we merrily - 3a pars (of 3): Blow up the trumpet	-	East, Michael
Sing we merrily - 3a pars (of 3): Blow up the trumpet East, Michael Appears on: 33v–34 Genres: Anthem
34v	Why dost thou shoot	-	Wilbye, John (1574–1638)
Why dost thou shoot Wilbye, John (1574–1638) Appears on: 34v Genres: Madrigal (English)
35	Of joys and pleasing pains	-	Wilbye, John (1574–1638)
Of joys and pleasing pains Wilbye, John (1574–1638) Appears on: 35 Genres: Madrigal (English)
35v–36	My throat is sore	-	Wilbye, John (1574–1638)
My throat is sore Wilbye, John (1574–1638) Appears on: 35v–36 Genres: Madrigal (English)
36v	O ye little flocks - 1a pars (of 3): O ye little flocks	-	Amner, John (1579–1641)
O ye little flocks - 1a pars (of 3): O ye little flocks Amner, John (1579–1641) Appears on: 36v Genres: Anthem
37	O ye little flocks - 2a pars (of 3): Fear not	-	Amner, John (1579–1641)
O ye little flocks - 2a pars (of 3): Fear not Amner, John (1579–1641) Appears on: 37 Genres: Anthem
37v	O ye little flocks - 3a pars (of 3): And they cry	-	Amner, John (1579–1641)
O ye little flocks - 3a pars (of 3): And they cry Amner, John (1579–1641) Appears on: 37v Genres: Anthem
38	Lo how from heaven - 1a pars (of 2): Lo how from heaven	-	Amner, John (1579–1641)
Lo how from heaven - 1a pars (of 2): Lo how from heaven Amner, John (1579–1641) Appears on: 38 Genres: Anthem
38v–39	Lo how from heaven - 2a pars (of 2): I bring you tidings	-	Amner, John (1579–1641)
Lo how from heaven - 2a pars (of 2): I bring you tidings Amner, John (1579–1641) Appears on: 38v–39 Genres: Anthem
39v	A stranger here	-	Amner, John (1579–1641)
A stranger here Amner, John (1579–1641) Appears on: 39v Genres: Anthem
40	My Lord is hence removed	-	Amner, John (1579–1641)
My Lord is hence removed Amner, John (1579–1641) Appears on: 40 Genres: Anthem
40v	Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength Byrd, William (ca. 1540–1623) Appears on: 40v Genres: Anthem
41	Sing joyfully - 2a pars (of 2): Blow the trumpet	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 2a pars (of 2): Blow the trumpet Byrd, William (ca. 1540–1623) Appears on: 41 Genres: Anthem
41v–43	O God, the proud are risen	-	Tomkins, Thomas (1572–1656)
O God, the proud are risen Tomkins, Thomas (1572–1656) Appears on: 41v–43 Genres: Anthem
43v	Christ rising again - 1a pars (of 2): Christ rising again	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 1a pars (of 2): Christ rising again Tallis, Thomas (ca. 1505–1585) Appears on: 43v Genres: Anthem
43v	Christ rising again - 2a pars (of 2): Christ is risen	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 2a pars (of 2): Christ is risen Tallis, Thomas (ca. 1505–1585) Appears on: 43v Genres: Anthem
44–45	O Lord how long wilt thou forget	-	Anonymous
O Lord how long wilt thou forget Anonymous Appears on: 44–45 Genres: Anthem
45v	Salvator mundi (I)	-	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 45v Genres: Motet
46–46v	Absterge Domine	-	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 46–46v
47–48	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 47–48 Genres: Lamentations, Motet
48v	In resurrectione tua	-	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 48v Genres: Motet
49–49v	Adolescentulus sum ego	-	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 49–49v Genres: Motet
50	Jerusalem plantabis vineam (8vv)	-	Anonymous
Jerusalem plantabis vineam (8vv) Anonymous Appears on: 50 Genres: Motet
50v	Credo quod redemptor meus vivit	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 50v Genres: Credo (patrem omnipotentem), Mass Ordinary
51	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 51 Genres: Motet
51v	Homo quidam fecit caenam magnam et misit	-	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 51v Genres: Motet
52	In nomine (V) a5	-	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 52 Genres: In nomine, Viol piece
52v	In nomine a5	-	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine a5 Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 52v Genres: In nomine
53	In nomine a5	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
In nomine a5 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 53 Genres: In nomine
53v	In nomine a 5	-	Brewster
In nomine a 5 Brewster Appears on: 53v Genres: In nomine, Viol piece
54	De la court - 1a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 54 Genres: Chanson
54v–55	De la court - 2a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 2a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 54v–55 Genres: Chanson
55v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 55v Genres: Madrigal (Italian)
56	Ma la fiamma de l'alma	-	Hassler, Hans Leo (1564–1612)
Ma la fiamma de l'alma Hassler, Hans Leo (1564–1612) Appears on: 56 Genres: Madrigal (Italian)
56v	Musica e lo mio core	-	Hassler, Hans Leo (1564–1612)
Musica e lo mio core Hassler, Hans Leo (1564–1612) Appears on: 56v Genres: Madrigal (Italian)
57	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 57 Genres: Madrigal (Italian)
57v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 57v Genres: Madrigal (Italian)
58	Care lagrime mie	-	Hassler, Hans Leo (1564–1612)
Care lagrime mie Hassler, Hans Leo (1564–1612) Appears on: 58 Genres: Madrigal (Italian)
58v	Dolorosi martir', fieri tormenti	-	Marenzio, Luca (ca. 1553–1599)
Dolorosi martir', fieri tormenti Marenzio, Luca (ca. 1553–1599) Appears on: 58v Genres: Madrigal (Italian)
59	Now must I part (= Parto da voi)	-	Marenzio, Luca (ca. 1553–1599)
Now must I part (= Parto da voi) Marenzio, Luca (ca. 1553–1599) Appears on: 59 Genres: Contrafactum, Madrigal
59v	So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 59v Genres: Contrafactum, Madrigal (English)
60	So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 60 Genres: Madrigal (English)
60v	I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) Marenzio, Luca (ca. 1553–1599) Appears on: 60v Genres: Contrafactum, Madrigal
61	I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) Marenzio, Luca (ca. 1553–1599) Appears on: 61 Genres: Contrafactum, Madrigal
61v–62	Laudate pueri Dominum	-	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 61v–62
62v–63v	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	-	Sheppard, John (ca. 1515–1558)
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] Sheppard, John (ca. 1515–1558) Appears on: 62v–63v Genres: Motet
64–65	Deus misereatur nostri et benedicat nobis	-	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 64–65 Genres: Anglican Service Music, Motet
65v–66	Domine non est exaltatum	-	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 65v–66 Genres: Motet
66v	Libera nos, salva nos [I]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 66v Genres: Motet
67	Magnificat a6: (exc) Esurientes	-	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 67 Genres: BVM, Canticle, Magnificat
67	Libera nos, salva nos [II]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 67 Genres: Motet
68–68v	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	-	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 68–68v Genres: Motet
69	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 69 Genres: Motet
69v	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 69v Genres: Motet
70	Veni electa mea - 1a pars (of 2): Veni electa mea	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 1a pars (of 2): Veni electa mea Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 70 Genres: Motet
70v	Veni electa mea - 2a pars (of 2): Audi filia	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 2a pars (of 2): Audi filia Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 70v Genres: Motet
71	Cantate Domino	-	Nicholson, Richard (1563–1639)
Cantate Domino Nicholson, Richard (1563–1639) Appears on: 71 Genres: Anthem
71v–72	Blessed art thou that fearest God (II)	-	Anonymous
Blessed art thou that fearest God (II) Anonymous Appears on: 71v–72
72v	Veni in hortum meum	-	Lassus, Orlande de (ca. 1532–1594)
Veni in hortum meum Lassus, Orlande de (ca. 1532–1594) Appears on: 72v Genres: Motet
73	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 73 Genres: Motet
73v	Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	-	Mundy, William (ca. 1528–ca. 1591) (?)
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 73v Genres: Anthem
73v–74	Cante cantate	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Cante cantate Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 73v–74 Genres: Anthem
74–74v	A knell	-	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)
A knell Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?) Appears on: 74–74v
75	Alas, alack, my heart is woe	-	Anonymous
Alas, alack, my heart is woe Anonymous Appears on: 75 Genres: Song
75v–76	Holy Holy Holy, Lord God Almighty	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Holy Holy Holy, Lord God Almighty Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 75v–76 Genres: Anthem
76v	All ye people clap your hands	-	Byrd, William (ca. 1540–1623)
All ye people clap your hands Byrd, William (ca. 1540–1623) Appears on: 76v Genres: Anthem
77	O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 77 Genres: Anthem, Contrafactum
77v–78	O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) Byrd, William (ca. 1540–1623) Appears on: 77v–78 Genres: Anthem, Contrafactum
78v–79	Out of the deep (I)	-	Byrd, William (ca. 1540–1623)
Out of the deep (I) Byrd, William (ca. 1540–1623) Appears on: 78v–79 Genres: Anthem
79v–80	Behold how good and joyful	-	Anonymous
Behold how good and joyful Anonymous Appears on: 79v–80 Genres: Anthem
80v–81	How long shall mine enemies triumph	-	Byrd, William (ca. 1540–1623)
How long shall mine enemies triumph Byrd, William (ca. 1540–1623) Appears on: 80v–81 Genres: Anthem
81v	O Lord, make thy servant, Elizabeth [or James, or King Charles]	-	Byrd, William (ca. 1540–1623)
O Lord, make thy servant, Elizabeth [or James, or King Charles] Byrd, William (ca. 1540–1623) Appears on: 81v Genres: Anthem
82	Die hapless man	-	Wilbye, John (1574–1638)
Die hapless man Wilbye, John (1574–1638) Appears on: 82 Genres: Madrigal (English)
82v	I fall, I fall, O stay me	-	Wilbye, John (1574–1638)
I fall, I fall, O stay me Wilbye, John (1574–1638) Appears on: 82v Genres: Madrigal (English)
83	Unkind o stay thy flying	-	Wilbye, John (1574–1638)
Unkind o stay thy flying Wilbye, John (1574–1638) Appears on: 83 Genres: Madrigal (English)
83v–84	Flora gave me fairest flowers	-	Wilbye, John (1574–1638)
Flora gave me fairest flowers Wilbye, John (1574–1638) Appears on: 83v–84 Genres: Madrigal (English)
84v–85	I sung sometimes my thoughts	-	Wilbye, John (1574–1638)
I sung sometimes my thoughts Wilbye, John (1574–1638) Appears on: 84v–85 Genres: Madrigal (English)
85v	When David heard that Absalom	-	Smith, (W. ?)
When David heard that Absalom Smith, (W. ?) Appears on: 85v Genres: Anthem
86–86v	O give thanks unto the Lord	-	Giles, Nathaniel (ca. 1558–1634)
O give thanks unto the Lord Giles, Nathaniel (ca. 1558–1634) Appears on: 86–86v Genres: Anthem
87–87v	Behold, it is Christ	-	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 87–87v Genres: Anthem
88–89	Rejoice in the Lord O ye righteous	-	Davies, Hugh
Rejoice in the Lord O ye righteous Davies, Hugh Appears on: 88–89 Genres: Anthem
89v–90	God whom our offences	-	Byrd, William (ca. 1540–1623)
God whom our offences Byrd, William (ca. 1540–1623) Appears on: 89v–90 Genres: Anthem
90v–91v	Hear my crying, O God (2p. O Lord, I will dwell)	-	Anonymous
Hear my crying, O God (2p. O Lord, I will dwell) Anonymous Appears on: 90v–91v Genres: Anthem
92	All people, clap your hands	-	Weelkes, Thomas (ca. 1576–1623)
All people, clap your hands Weelkes, Thomas (ca. 1576–1623) Appears on: 92 Genres: Anthem
92v–93v	O Lord, rebuke me not in thine indignation	-	Anonymous
O Lord, rebuke me not in thine indignation Anonymous Appears on: 92v–93v Genres: Anthem
94–94v	Christ rising - 1a pars (of 2): Christ rising again	-	Tucker, Edmund
Christ rising - 1a pars (of 2): Christ rising again Tucker, Edmund Appears on: 94–94v Genres: Anthem
94v–95	Christ rising - 2a pars (of 2): Christ is risen	-	Tucker, Edmund
Christ rising - 2a pars (of 2): Christ is risen Tucker, Edmund Appears on: 94v–95 Genres: Anthem
95v–98	The country cry 'God give you good morrow, sir rise'	-	Dering, Richard
The country cry 'God give you good morrow, sir rise' Dering, Richard Appears on: 95v–98 Genres: Song
98v–99v	The cries of London - 1a pars (of 2): God give you good morrow, my masters	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 98v–99v Genres: In nomine, Song
100–101	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 100–101 Genres: Song
101v–102v	The cry of London	-	Anonymous
The cry of London Anonymous Appears on: 101v–102v Genres: Consort song
103	O amica mea - 1a pars (of 2): O amica mea	-	Morley, Thomas (ca. 1557–1602)
O amica mea - 1a pars (of 2): O amica mea Morley, Thomas (ca. 1557–1602) Appears on: 103 Genres: Motet
103v	All at once well met	-	Weelkes, Thomas (ca. 1576–1623)
All at once well met Weelkes, Thomas (ca. 1576–1623) Appears on: 103v Genres: Madrigal (English)
104	To shorten winter's sadness	-	Weelkes, Thomas (ca. 1576–1623)
To shorten winter's sadness Weelkes, Thomas (ca. 1576–1623) Appears on: 104 Genres: Madrigal (English)
104v	Whilst youthful sports are lasting	-	Weelkes, Thomas (ca. 1576–1623)
Whilst youthful sports are lasting Weelkes, Thomas (ca. 1576–1623) Appears on: 104v Genres: Madrigal (English)
105	On the plains, fairy trains	-	Weelkes, Thomas (ca. 1576–1623)
On the plains, fairy trains Weelkes, Thomas (ca. 1576–1623) Appears on: 105 Genres: Madrigal (English)
105–105v	Hark all ye lovely saints above	-	Weelkes, Thomas (ca. 1576–1623)
Hark all ye lovely saints above Weelkes, Thomas (ca. 1576–1623) Appears on: 105–105v Genres: Madrigal (English)
106	Say, dainty dames	-	Weelkes, Thomas (ca. 1576–1623)
Say, dainty dames Weelkes, Thomas (ca. 1576–1623) Appears on: 106 Genres: Madrigal (English)
106v	In pride of May	-	Weelkes, Thomas (ca. 1576–1623)
In pride of May Weelkes, Thomas (ca. 1576–1623) Appears on: 106v Genres: Madrigal (English)
107	We shepherds sing	-	Weelkes, Thomas (ca. 1576–1623)
We shepherds sing Weelkes, Thomas (ca. 1576–1623) Appears on: 107 Genres: Madrigal (English)
107v	I love and have my love	-	Weelkes, Thomas (ca. 1576–1623)
I love and have my love Weelkes, Thomas (ca. 1576–1623) Appears on: 107v Genres: Madrigal (English)
108	Give me my heart	-	Weelkes, Thomas (ca. 1576–1623)
Give me my heart Weelkes, Thomas (ca. 1576–1623) Appears on: 108 Genres: Consort song
108v	Now is my Cloris fresh	-	Weelkes, Thomas (ca. 1576–1623)
Now is my Cloris fresh Weelkes, Thomas (ca. 1576–1623) Appears on: 108v Genres: Consort song
109–109v	Cease now delight	-	Weelkes, Thomas (ca. 1576–1623)
Cease now delight Weelkes, Thomas (ca. 1576–1623) Appears on: 109–109v Genres: Song
111	Come clap - 1a pars (of 2): Come clap thy hands	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 1a pars (of 2): Come clap thy hands Weelkes, Thomas (ca. 1576–1623) Appears on: 111 Genres: Consort song
111v	Come clap - 2a pars (of 2): Phillis hath sworn	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 2a pars (of 2): Phillis hath sworn Weelkes, Thomas (ca. 1576–1623) Appears on: 111v Genres: Consort song
112–113v	Give sentence with me	-	Randall, William (I)
Give sentence with me Randall, William (I) Appears on: 112–113v Genres: Anthem
114–115	Let God arise	-	Ford, Thomas
Let God arise Ford, Thomas Appears on: 114–115 Genres: Anthem
115v–116	When I observe those beauty's wonderments	-	Tomkins, Thomas (1572–1656)
When I observe those beauty's wonderments Tomkins, Thomas (1572–1656) Appears on: 115v–116 Genres: Consort song
116v–117	Music divine, proceeding from above	-	Tomkins, Thomas (1572–1656)
Music divine, proceeding from above Tomkins, Thomas (1572–1656) Appears on: 116v–117 Genres: Consort song
117v–118	Oft did I mar'l [marvel]	-	Tomkins, Thomas (1572–1656)
Oft did I mar'l [marvel] Tomkins, Thomas (1572–1656) Appears on: 117v–118 Genres: Madrigal (English)
118v–119	Woe is me that I am constrained	-	Tomkins, Thomas (1572–1656)
Woe is me that I am constrained Tomkins, Thomas (1572–1656) Appears on: 118v–119 Genres: Anthem
119v–120	It is my well beloved's voice	-	Tomkins, Thomas (1572–1656)
It is my well beloved's voice Tomkins, Thomas (1572–1656) Appears on: 119v–120 Genres: Anthem
120v	Turn unto the Lord our God	-	Tomkins, Thomas (1572–1656)
Turn unto the Lord our God Tomkins, Thomas (1572–1656) Appears on: 120v Genres: Anthem
121	A le guancie di rose	-	Gabrieli, Andrea (ca. 1532–1585)
A le guancie di rose Gabrieli, Andrea (ca. 1532–1585) Appears on: 121 Genres: Canzon
121v–122	Ecco Vinegia bella	-	Gabrieli, Andrea (ca. 1532–1585)
Ecco Vinegia bella Gabrieli, Andrea (ca. 1532–1585) Appears on: 121v–122 Genres: Canzon
122v–123	Sacri di Giove	-	Gabrieli, Giovanni (ca. 1554–1612)
Sacri di Giove Gabrieli, Giovanni (ca. 1554–1612) Appears on: 122v–123 Genres: Canzon
123v–124	O passi sparsi	-	Gabrieli, Andrea (ca. 1532–1585)
O passi sparsi Gabrieli, Andrea (ca. 1532–1585) Appears on: 123v–124 Genres: Madrigal (Italian)
124v–125	Addio dolce mia vita	-	Gabrieli, Giovanni (ca. 1554–1612)
Addio dolce mia vita Gabrieli, Giovanni (ca. 1554–1612) Appears on: 124v–125 Genres: Madrigal (Italian)
125v–126	D'un si bel foco	-	Striggio, Alessandro (ca. 1536–1592)
D'un si bel foco Striggio, Alessandro (ca. 1536–1592) Appears on: 125v–126 Genres: Madrigal (Italian)
126v	Quei, vinto dal furor	-	Gabrieli, Andrea (ca. 1532–1585)
Quei, vinto dal furor Gabrieli, Andrea (ca. 1532–1585) Appears on: 126v Genres: Madrigal (Italian)
127	Ecco l'alma beata	-	Croce, Giovanni (ca. 1557–1609)
Ecco l'alma beata Croce, Giovanni (ca. 1557–1609) Appears on: 127 Genres: Madrigal (Italian)
127v–128	Basti fin qui le pen' e i duri affanni (10vv)	-	Marenzio, Luca (ca. 1553–1599)
Basti fin qui le pen' e i duri affanni (10vv) Marenzio, Luca (ca. 1553–1599) Appears on: 127v–128 Genres: Madrigal (Italian)
128v–129	Lieto godea sedendo	-	Gabrieli, Giovanni (ca. 1554–1612)
Lieto godea sedendo Gabrieli, Giovanni (ca. 1554–1612) Appears on: 128v–129 Genres: Canzon
129v–130	O misero mio core	-	Eremita, Giulio
O misero mio core Eremita, Giulio Appears on: 129v–130 Genres: Madrigal (Italian)
130v–131	Hence stars, too dim of light	-	East, Michael
Hence stars, too dim of light East, Michael Appears on: 130v–131 Genres: Madrigal (English)
131v–132	With angel's face	-	Norcome, Daniel
With angel's face Norcome, Daniel Appears on: 131v–132 Genres: Consort song
132v–133	Lightly she whipped o'er the dales	-	Mundy, John (ca. 1555–1630)
Lightly she whipped o'er the dales Mundy, John (ca. 1555–1630) Appears on: 132v–133 Genres: Consort song
133v–134	Long live fair Oriana	-	Gibbons, Ellis
Long live fair Oriana Gibbons, Ellis Appears on: 133v–134 Genres: Consort song
134v–135	All creatures now are merry minded	-	Bennett, John (fl. 1599-1614)
All creatures now are merry minded Bennett, John (fl. 1599-1614) Appears on: 134v–135 Genres: Madrigal (English)
135v–136	Fair Oriana, beauty's queen	-	Hilton (Senior), John
Fair Oriana, beauty's queen Hilton (Senior), John Appears on: 135v–136 Genres: Madrigal (English)
136–137	Sing shepherds all and in your roundelays	-	Nicholson, Richard (1563–1639)
Sing shepherds all and in your roundelays Nicholson, Richard (1563–1639) Appears on: 136–137 Genres: Madrigal (English)
137v–138	Tutt' eri foco amore	-	Pallavicino, Benedetto
Tutt' eri foco amore Pallavicino, Benedetto Appears on: 137v–138 Genres: Madrigal (Italian)
138v–139	[untitled madrigal]	-	Anonymous
[untitled madrigal] Anonymous Appears on: 138v–139 Genres: Madrigal (Italian)
139v–140	O sing unto the Lord a7	-	Amner, John (1579–1641)
O sing unto the Lord a7 Amner, John (1579–1641) Appears on: 139v–140 Genres: Anthem
140v–141	Holy Holy Holy Lord God Almighty	-	Bateson, Thomas (ca. 1570–1630)
Holy Holy Holy Lord God Almighty Bateson, Thomas (ca. 1570–1630) Appears on: 140v–141 Genres: Anthem
141v–142	Out of the deep (II)	-	Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?)
Out of the deep (II) Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 141v–142
142v–143v	Rejoice in the Lord O ye righteous	-	Jeffries (Jeffreys), Matthew (?)
Rejoice in the Lord O ye righteous Jeffries (Jeffreys), Matthew (?) Appears on: 142v–143v Genres: Anthem
144–145	O give thanks unto the Lord	-	Mundy, John (ca. 1555–1630)
O give thanks unto the Lord Mundy, John (ca. 1555–1630) Appears on: 144–145 Genres: Anthem
145v–146v	Awake up my glory	-	Davies, Hugh
Awake up my glory Davies, Hugh Appears on: 145v–146v Genres: Anthem
147	Lord enter not into judgement	-	Tomkins, Thomas (1572–1656)
Lord enter not into judgement Tomkins, Thomas (1572–1656) Appears on: 147 Genres: Anthem
147v–148	O Lord arise	-	Weelkes, Thomas (ca. 1576–1623)
O Lord arise Weelkes, Thomas (ca. 1576–1623) Appears on: 147v–148 Genres: Anthem
148v–150	O praise the Lord, all ye heathen	-	Tomkins, Thomas (1572–1656)
O praise the Lord, all ye heathen Tomkins, Thomas (1572–1656) Appears on: 148v–150 Genres: Anthem
150v–151	Fantasia a6 (III)	-	Byrd, William (ca. 1540–1623)
Fantasia a6 (III) Byrd, William (ca. 1540–1623) Appears on: 150v–151 Genres: Fantasia
151v	Fantasia a5	-	Byrd, William (ca. 1540–1623)
Fantasia a5 Byrd, William (ca. 1540–1623) Appears on: 151v Genres: Fantasia
152	Dorick [fantasy]	-	Bull, John (ca. 1562–1628)
Dorick [fantasy] Bull, John (ca. 1562–1628) Appears on: 152 Genres: Fantasia
152v–153	Fantasia a5	-	Anonymous
Fantasia a5 Anonymous Appears on: 152v–153 Genres: Fantasia
153v	Fantasia (I)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (I) Gibbons, Orlando (ca. 1583–1625) Appears on: 153v Genres: Fantasia
154	Fantasia (II)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (II) Gibbons, Orlando (ca. 1583–1625) Appears on: 154 Genres: Fantasia
154v	Fantasia (III)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (III) Gibbons, Orlando (ca. 1583–1625) Appears on: 154v Genres: Fantasia
155	Fantasia (IV)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (IV) Gibbons, Orlando (ca. 1583–1625) Appears on: 155 Genres: Fantasia
155v	Fantasia (V)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (V) Gibbons, Orlando (ca. 1583–1625) Appears on: 155v Genres: Fantasia
156	Fantasia (VI)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (VI) Gibbons, Orlando (ca. 1583–1625) Appears on: 156 Genres: Fantasia
156v	Fantasia (VII)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (VII) Gibbons, Orlando (ca. 1583–1625) Appears on: 156v Genres: Fantasia
157	Fantasia (VIII)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (VIII) Gibbons, Orlando (ca. 1583–1625) Appears on: 157 Genres: Fantasia
157v	Fantasia (IX)	-	Gibbons, Orlando (ca. 1583–1625)
Fantasia (IX) Gibbons, Orlando (ca. 1583–1625) Appears on: 157v Genres: Fantasia
rear flyleaf (recto)	... looking for her true love	-	Anonymous
... looking for her true love Anonymous Appears on: rear flyleaf (recto) Genres: Carol
rear flyleaf (verso)	Card lie down and wheel stand still	-	Anonymous
Card lie down and wheel stand still Anonymous Appears on: rear flyleaf (verso) Genres: Carol

Composer	Compositions
Amner, John (1579–1641)	A stranger here – 39v He that descended – 9v How doth the city – 10 I will sing unto the Lord – 8v Lo how from heaven - 1a pars (of 2): Lo how from heaven – 38 Lo how from heaven - 2a pars (of 2): I bring you tidings – 38v–39 My Lord is hence removed – 40 O sing unto the Lord a7 – 139v–140 O ye little flocks - 1a pars (of 3): O ye little flocks – 36v O ye little flocks - 2a pars (of 3): Fear not – 37 O ye little flocks - 3a pars (of 3): And they cry – 37v The heavens stood all amazed – 9
Anonymous	... looking for her true love – rear flyleaf (recto) Abradad – 28 Alas, alack, my heart is woe – 75 Behold how good and joyful – 79v–80 Blessed art thou that fearest God (II) – 71v–72 Card lie down and wheel stand still – rear flyleaf (verso) Come Charon come – 29 Fantasia a5 – 152v–153 Farewell the bliss – 28v Hear my crying, O God (2p. O Lord, I will dwell) – 90v–91v In paradise – 26v Jerusalem plantabis vineam (8vv) – 50 O Lord how long wilt thou forget – 44–45 O Lord, rebuke me not in thine indignation – 92v–93v O mortal man – 1v–2 The cry of London – 101v–102v [unidentified Italian madrigal] – 57 [unidentified Italian madrigal] – 57v [unidentified Italian madrigal] – 55v [untitled madrigal] – 138v–139
Bateson, Thomas (ca. 1570–1630)	Holy Holy Holy Lord God Almighty – 140v–141
Bennett, John (fl. 1599-1614)	All creatures now are merry minded – 134v–135
Brewster	In nomine a 5 – 53v
Bull, John (ca. 1562–1628)	Dorick [fantasy] – 152
Byrd, William (ca. 1540–1623)	All ye people clap your hands – 76v Come pretty babe – 27v Constant Penelope – 31v Delight is dead – 27 (?) Deliver me from mine enemies – 4 Fantasia a5 – 151v Fantasia a6 (III) – 150v–151 God whom our offences – 89v–90 How long shall mine enemies triumph – 80v–81 In fields abroad – 31 In nomine (V) a5 – 52 In resurrectione tua – 48v Laudate pueri Dominum – 61v–62 Lullaby - 1a pars (of 2): Lullaby, my sweet little baby – 29v Lullaby - 2a pars (of 2): Be still, my blessed babe – 29v–30 O God give ear (5vv) – 1 O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) – 77 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) – 77v–78 O Lord, make thy servant, Elizabeth [or James, or King Charles] – 81v Out of the deep (I) – 78v–79 (?) Out of the deep (II) – 141v–142 Prevent us, O Lord – 6 Prostrate, O Lord, I lie – 30v Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength – 40v Sing joyfully - 2a pars (of 2): Blow the trumpet – 41
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 69 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 69v Veni electa mea - 1a pars (of 2): Veni electa mea – 70 Veni electa mea - 2a pars (of 2): Audi filia – 70v
Croce, Giovanni (ca. 1557–1609)	Cinthia thy song (= Cinthia el tuo dolce canto) – 23 Ecco l'alma beata – 127
Davies, Hugh	Awake up my glory – 145v–146v Rejoice in the Lord O ye righteous – 88–89
Dering, Richard	Fantasia a5 (III) – 21v Fantasia a5 (IV) – 22 The country cry 'God give you good morrow, sir rise' – 95v–98
East, Michael	Hence stars, too dim of light – 130v–131 (?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 11v (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 12 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 13 Sing we merrily - 1a pars (of 3): Sing we merrily – 33 Sing we merrily - 2a pars (of 3): Take the psalm – 33–33v Sing we merrily - 3a pars (of 3): Blow up the trumpet – 33v–34 When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 10–10v When Israel came out - 2a pars (of 2): What aileth thee – 10v–11
Eremita, Giulio	O misero mio core – 129v–130
Faignient, Noë	When shall I cease lamenting (= Chi per voi non sospira) – 24v–25
Ferrabosco, Alfonso (the elder) (1543–1588)	Le rossignol plaisant et gratieux – 23v So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) – 59v So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) – 60
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	In nomine a5 – 53
Ferretti, Giovanni	So gratious – 26
Ford, Thomas	Let God arise – 114–115
Gabrieli, Andrea (ca. 1532–1585)	A le guancie di rose – 121 Ecco Vinegia bella – 121v–122 O passi sparsi – 123v–124 Quei, vinto dal furor – 126v
Gabrieli, Giovanni (ca. 1554–1612)	Addio dolce mia vita – 124v–125 Lieto godea sedendo – 128v–129 Sacri di Giove – 122v–123
Gibbons, Ellis	Long live fair Oriana – 133v–134
Gibbons, Orlando (ca. 1583–1625)	Do not repine fair sun – 13v Fantasia (I) – 153v Fantasia (II) – 154 Fantasia (III) – 154v Fantasia (IV) – 155 Fantasia (IX) – 157v Fantasia (V) – 155v Fantasia (VI) – 156 Fantasia (VII) – 156v Fantasia (VIII) – 157 (?) Out of the deep (II) – 141v–142 The cries of London - 1a pars (of 2): God give you good morrow, my masters – 98v–99v The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 100–101
Giles, Nathaniel (ca. 1558–1634)	O give thanks unto the Lord – 86–86v
Hassler, Hans Leo (1564–1612)	Care lagrime mie – 58 Ma la fiamma de l'alma – 56 Musica e lo mio core – 56v
Hilton (Senior), John	Fair Oriana, beauty's queen – 135v–136
Hooper, Edmund	Behold, it is Christ – 87–87v
Jeffries (Jeffreys), Matthew	(?) Rejoice in the Lord O ye righteous – 142v–143v
Johnson (I), Robert (ca. 1500–ca. 1560)	(?) A knell – 74–74v
Johnson (II), Robert	(?) A knell – 74–74v
Lassus, Orlande de (ca. 1532–1594)	Angelus ad pastores ait annuntio vobis – 73 Susanna fair (= Susanne un jour) – 25v–26 Veni in hortum meum – 72v
Lupo, Thomas (ca. 1571–1627)	Fantasia a5 (I) – 20-v Fantasia a5 (II) – 21
Marenzio, Luca (ca. 1553–1599)	Basti fin qui le pen' e i duri affanni (10vv) – 127v–128 Dolorosi martir', fieri tormenti – 58v I must depart (= Io partiro) – 25v I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) – 60v I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) – 61 Now must I part (= Parto da voi) – 59
Morley, Thomas (ca. 1557–1602)	O amica mea - 1a pars (of 2): O amica mea – 103
Mundy, John (ca. 1555–1630)	Lightly she whipped o'er the dales – 132v–133 O give thanks unto the Lord – 144–145
Mundy, William (ca. 1528–ca. 1591)	Adolescentulus sum ego – 49–49v Domine non est exaltatum – 65v–66 O Lord, I bow the knees of my heart – 2v–3a (?) Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] – 73v
Nicholson, Richard (1563–1639)	Cantate Domino – 71 Sing shepherds all and in your roundelays – 136–137
Norcome, Daniel	With angel's face – 131v–132
Palestrina, Giovanni Pierluigi da (1525–1594)	Vergine bella – 17 Vergine chiara – 19v Vergine pura – 18 Vergine quante lagrime – 20 Vergine saggia – 17v Vergine santa – 18v Vergine sol' al mondo – 19
Pallavicino, Benedetto	Tutt' eri foco amore – 137v–138
Parsons (I), Robert (ca. 1535–ca. 1572)	Cante cantate – 73v–74 Credo quod redemptor meus vivit – 50v De la court - 1a pars – 54 De la court - 2a pars – 54v–55 (?) Deliver me from mine enemies – 4 Holy Holy Holy, Lord God Almighty – 75v–76 In nomine a5 – 52v
Pinello di Ghirardi, Giovanni Battista	When I would thee embrace (= Quand' io voleva) – 24
Randall, William (I)	Give sentence with me – 112–113v
Sheppard, John (ca. 1515–1558)	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] – 62v–63v Libera nos, salva nos [II] – 67 Libera nos, salva nos [I] – 66v Magnificat a6: (exc) Esurientes – 67
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 11v (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 12 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 13
Smith of Gloucester	Set up thyself – 7
Smith, (W. ?)	When David heard that Absalom – 85v
Striggio, Alessandro (ca. 1536–1592)	D'un si bel foco – 125v–126
Strogers, Nicholas	Grant unto us, O Lord – 3a v
Tallis, Thomas (ca. 1505–1585)	Absterge Domine – 46–46v Blessed be thy name (= Mihi autem nimis) – 6v Christ rising again - 1a pars (of 2): Christ rising again – 43v Christ rising again - 2a pars (of 2): Christ is risen – 43v Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 68–68v Homo quidam fecit caenam magnam et misit – 51v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 47–48 O sacrum convivium in quo Christus sumitur – 51 Salvator mundi (I) – 45v Wipe away my sins [=Absterge Domine] – 3b–3b v
Taverner, John	The bella the bella – front flyleaf (recto)–front flyleaf (verso)
Tomkins, Thomas (1572–1656)	Almighty God, the fountain of all wisdom – 7v–8 It is my well beloved's voice – 119v–120 Lord enter not into judgement – 147 Music divine, proceeding from above – 116v–117 O God, the proud are risen – 41v–43 O praise the Lord, all ye heathen – 148v–150 O sing unto the Lord a new song – 32–32v Oft did I mar'l [marvel] – 117v–118 Turn unto the Lord our God – 120v When I observe those beauty's wonderments – 115v–116 Woe is me that I am constrained – 118v–119
Tucker, Edmund	Christ rising - 1a pars (of 2): Christ rising again – 94–94v Christ rising - 2a pars (of 2): Christ is risen – 94v–95
Vecchi, Orazio (1550–1605)	The white delightful swan (= Il bianco e dolce cigno) – 22v
Weelkes, Thomas (ca. 1576–1623)	All at once well met – 103v All people, clap your hands – 92 Cease now delight – 109–109v Come clap - 1a pars (of 2): Come clap thy hands – 111 Come clap - 2a pars (of 2): Phillis hath sworn – 111v Give me my heart – 108 Hark all ye lovely saints above – 105–105v I love and have my love – 107v In pride of May – 106v Now is my Cloris fresh – 108v O Lord arise – 147v–148 On the plains, fairy trains – 105 Say, dainty dames – 106 To shorten winter's sadness – 104 We shepherds sing – 107 Whilst youthful sports are lasting – 104v
White, Robert (ca. 1538–1574)	Deus misereatur nostri et benedicat nobis – 64–65 Lord who shall dwell – 4v–5v
Wilbye, John (1574–1638)	Die hapless man – 82 Flora gave me fairest flowers – 83v–84 I fall, I fall, O stay me – 82v I sung sometimes my thoughts – 84v–85 My throat is sore – 35v–36 Of joys and pleasing pains – 35 Unkind o stay thy flying – 83 Why dost thou shoot – 34v

Composition	Composers (? Uncertain)	Folios / Pages
... looking for her true love	Anonymous	rear flyleaf (recto)
[unidentified Italian madrigal]	Anonymous	55v
[unidentified Italian madrigal]	Anonymous	57
[unidentified Italian madrigal]	Anonymous	57v
[untitled madrigal]	Anonymous	138v–139
A knell	Johnson (I), Robert (ca. 1500–ca. 1560) (?) Johnson (II), Robert (?)	74–74v
A le guancie di rose	Gabrieli, Andrea (ca. 1532–1585)	121
A stranger here	Amner, John (1579–1641)	39v
Abradad	Anonymous	28
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	46–46v
Addio dolce mia vita	Gabrieli, Giovanni (ca. 1554–1612)	124v–125
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	49–49v
Alas, alack, my heart is woe	Anonymous	75
All at once well met	Weelkes, Thomas (ca. 1576–1623)	103v
All creatures now are merry minded	Bennett, John (fl. 1599-1614)	134v–135
All people, clap your hands	Weelkes, Thomas (ca. 1576–1623)	92
All ye people clap your hands	Byrd, William (ca. 1540–1623)	76v
Almighty God, the fountain of all wisdom	Tomkins, Thomas (1572–1656)	7v–8
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	73
Awake up my glory	Davies, Hugh	145v–146v
Basti fin qui le pen' e i duri affanni (10vv)	Marenzio, Luca (ca. 1553–1599)	127v–128
Behold how good and joyful	Anonymous	79v–80
Behold, it is Christ	Hooper, Edmund	87–87v
Blessed art thou that fearest God (II)	Anonymous	71v–72
Blessed be thy name (= Mihi autem nimis)	Tallis, Thomas (ca. 1505–1585)	6v
Cantate Domino	Nicholson, Richard (1563–1639)	71
Cante cantate	Parsons (I), Robert (ca. 1535–ca. 1572)	73v–74
Card lie down and wheel stand still	Anonymous	rear flyleaf (verso)
Care lagrime mie	Hassler, Hans Leo (1564–1612)	58
Cease now delight	Weelkes, Thomas (ca. 1576–1623)	109–109v
Christ rising - 1a pars (of 2): Christ rising again	Tucker, Edmund	94–94v
Christ rising - 2a pars (of 2): Christ is risen	Tucker, Edmund	94v–95
Christ rising again - 1a pars (of 2): Christ rising again	Tallis, Thomas (ca. 1505–1585)	43v
Christ rising again - 2a pars (of 2): Christ is risen	Tallis, Thomas (ca. 1505–1585)	43v
Cinthia thy song (= Cinthia el tuo dolce canto)	Croce, Giovanni (ca. 1557–1609)	23
Come Charon come	Anonymous	29
Come clap - 1a pars (of 2): Come clap thy hands	Weelkes, Thomas (ca. 1576–1623)	111
Come clap - 2a pars (of 2): Phillis hath sworn	Weelkes, Thomas (ca. 1576–1623)	111v
Come pretty babe	Byrd, William (ca. 1540–1623)	27v
Constant Penelope	Byrd, William (ca. 1540–1623)	31v
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	50v
D'un si bel foco	Striggio, Alessandro (ca. 1536–1592)	125v–126
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	54
De la court - 2a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	54v–55
Delight is dead	Byrd, William (ca. 1540–1623)	27
Deliver me from mine enemies	Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	4
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Sheppard, John (ca. 1515–1558)	62v–63v
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	64–65
Die hapless man	Wilbye, John (1574–1638)	82
Do not repine fair sun	Gibbons, Orlando (ca. 1583–1625)	13v
Dolorosi martir', fieri tormenti	Marenzio, Luca (ca. 1553–1599)	58v
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	65v–66
Dorick [fantasy]	Bull, John (ca. 1562–1628)	152
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	68–68v
Ecco l'alma beata	Croce, Giovanni (ca. 1557–1609)	127
Ecco Vinegia bella	Gabrieli, Andrea (ca. 1532–1585)	121v–122
Fair Oriana, beauty's queen	Hilton (Senior), John	135v–136
Fantasia (I)	Gibbons, Orlando (ca. 1583–1625)	153v
Fantasia (II)	Gibbons, Orlando (ca. 1583–1625)	154
Fantasia (III)	Gibbons, Orlando (ca. 1583–1625)	154v
Fantasia (IV)	Gibbons, Orlando (ca. 1583–1625)	155
Fantasia (IX)	Gibbons, Orlando (ca. 1583–1625)	157v
Fantasia (V)	Gibbons, Orlando (ca. 1583–1625)	155v
Fantasia (VI)	Gibbons, Orlando (ca. 1583–1625)	156
Fantasia (VII)	Gibbons, Orlando (ca. 1583–1625)	156v
Fantasia (VIII)	Gibbons, Orlando (ca. 1583–1625)	157
Fantasia a5	Byrd, William (ca. 1540–1623)	151v
Fantasia a5	Anonymous	152v–153
Fantasia a5 (I)	Lupo, Thomas (ca. 1571–1627)	20-v
Fantasia a5 (II)	Lupo, Thomas (ca. 1571–1627)	21
Fantasia a5 (III)	Dering, Richard	21v
Fantasia a5 (IV)	Dering, Richard	22
Fantasia a6 (III)	Byrd, William (ca. 1540–1623)	150v–151
Farewell the bliss	Anonymous	28v
Flora gave me fairest flowers	Wilbye, John (1574–1638)	83v–84
Give me my heart	Weelkes, Thomas (ca. 1576–1623)	108
Give sentence with me	Randall, William (I)	112–113v
God whom our offences	Byrd, William (ca. 1540–1623)	89v–90
Grant unto us, O Lord	Strogers, Nicholas	3a v
Hark all ye lovely saints above	Weelkes, Thomas (ca. 1576–1623)	105–105v
He that descended	Amner, John (1579–1641)	9v
Hear my crying, O God (2p. O Lord, I will dwell)	Anonymous	90v–91v
Hence stars, too dim of light	East, Michael	130v–131
Holy Holy Holy Lord God Almighty	Bateson, Thomas (ca. 1570–1630)	140v–141
Holy Holy Holy, Lord God Almighty	Parsons (I), Robert (ca. 1535–ca. 1572)	75v–76
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	51v
How doth the city	Amner, John (1579–1641)	10
How long shall mine enemies triumph	Byrd, William (ca. 1540–1623)	80v–81
I fall, I fall, O stay me	Wilbye, John (1574–1638)	82v
I love and have my love	Weelkes, Thomas (ca. 1576–1623)	107v
I must depart (= Io partiro)	Marenzio, Luca (ca. 1553–1599)	25v
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	Marenzio, Luca (ca. 1553–1599)	60v
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	Marenzio, Luca (ca. 1553–1599)	61
I sung sometimes my thoughts	Wilbye, John (1574–1638)	84v–85
I will sing unto the Lord	Amner, John (1579–1641)	8v
In fields abroad	Byrd, William (ca. 1540–1623)	31
In nomine (V) a5	Byrd, William (ca. 1540–1623)	52
In nomine a 5	Brewster	53v
In nomine a5	Parsons (I), Robert (ca. 1535–ca. 1572)	52v
In nomine a5	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	53
In paradise	Anonymous	26v
In pride of May	Weelkes, Thomas (ca. 1576–1623)	106v
In resurrectione tua	Byrd, William (ca. 1540–1623)	48v
It is my well beloved's voice	Tomkins, Thomas (1572–1656)	119v–120
Jerusalem plantabis vineam (8vv)	Anonymous	50
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	69
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	69v
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	47–48
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	61v–62
Le rossignol plaisant et gratieux	Ferrabosco, Alfonso (the elder) (1543–1588)	23v
Let God arise	Ford, Thomas	114–115
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	66v
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	67
Lieto godea sedendo	Gabrieli, Giovanni (ca. 1554–1612)	128v–129
Lightly she whipped o'er the dales	Mundy, John (ca. 1555–1630)	132v–133
Lo how from heaven - 1a pars (of 2): Lo how from heaven	Amner, John (1579–1641)	38
Lo how from heaven - 2a pars (of 2): I bring you tidings	Amner, John (1579–1641)	38v–39
Long live fair Oriana	Gibbons, Ellis	133v–134
Lord enter not into judgement	Tomkins, Thomas (1572–1656)	147
Lord who shall dwell	White, Robert (ca. 1538–1574)	4v–5v
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	Byrd, William (ca. 1540–1623)	29v
Lullaby - 2a pars (of 2): Be still, my blessed babe	Byrd, William (ca. 1540–1623)	29v–30
Ma la fiamma de l'alma	Hassler, Hans Leo (1564–1612)	56
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	67
Music divine, proceeding from above	Tomkins, Thomas (1572–1656)	116v–117
Musica e lo mio core	Hassler, Hans Leo (1564–1612)	56v
My Lord is hence removed	Amner, John (1579–1641)	40
My throat is sore	Wilbye, John (1574–1638)	35v–36
Now is my Cloris fresh	Weelkes, Thomas (ca. 1576–1623)	108v
Now must I part (= Parto da voi)	Marenzio, Luca (ca. 1553–1599)	59
O amica mea - 1a pars (of 2): O amica mea	Morley, Thomas (ca. 1557–1602)	103
O give thanks unto the Lord	Giles, Nathaniel (ca. 1558–1634)	86–86v
O give thanks unto the Lord	Mundy, John (ca. 1555–1630)	144–145
O God give ear (5vv)	Byrd, William (ca. 1540–1623)	1
O God, the proud are risen	Tomkins, Thomas (1572–1656)	41v–43
O Lord arise	Weelkes, Thomas (ca. 1576–1623)	147v–148
O Lord how long wilt thou forget	Anonymous	44–45
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	Byrd, William (ca. 1540–1623)	77
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	Byrd, William (ca. 1540–1623)	77v–78
O Lord, I bow the knees of my heart	Mundy, William (ca. 1528–ca. 1591)	2v–3a
O Lord, make thy servant, Elizabeth [or James, or King Charles]	Byrd, William (ca. 1540–1623)	81v
O Lord, rebuke me not in thine indignation	Anonymous	92v–93v
O misero mio core	Eremita, Giulio	129v–130
O mortal man	Anonymous	1v–2
O passi sparsi	Gabrieli, Andrea (ca. 1532–1585)	123v–124
O praise the Lord, all ye heathen	Tomkins, Thomas (1572–1656)	148v–150
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	51
O sing unto the Lord a new song	Tomkins, Thomas (1572–1656)	32–32v
O sing unto the Lord a7	Amner, John (1579–1641)	139v–140
O ye little flocks - 1a pars (of 3): O ye little flocks	Amner, John (1579–1641)	36v
O ye little flocks - 2a pars (of 3): Fear not	Amner, John (1579–1641)	37
O ye little flocks - 3a pars (of 3): And they cry	Amner, John (1579–1641)	37v
Of joys and pleasing pains	Wilbye, John (1574–1638)	35
Oft did I mar'l [marvel]	Tomkins, Thomas (1572–1656)	117v–118
On the plains, fairy trains	Weelkes, Thomas (ca. 1576–1623)	105
Out of the deep (I)	Byrd, William (ca. 1540–1623)	78v–79
Out of the deep (II)	Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?)	141v–142
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	6
Prostrate, O Lord, I lie	Byrd, William (ca. 1540–1623)	30v
Quei, vinto dal furor	Gabrieli, Andrea (ca. 1532–1585)	126v
Rejoice in the Lord O ye righteous	Davies, Hugh	88–89
Rejoice in the Lord O ye righteous	Jeffries (Jeffreys), Matthew (?)	142v–143v
Rise, O my soul - 1a pars (of 3): Rise, O my soul	Simmes, William (?) East, Michael (?)	11v
Rise, O my soul - 2a pars (of 3): And thou, my soul	East, Michael (?) Simmes, William (?)	12
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	Simmes, William (?) East, Michael (?)	13
Sacri di Giove	Gabrieli, Giovanni (ca. 1554–1612)	122v–123
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	45v
Say, dainty dames	Weelkes, Thomas (ca. 1576–1623)	106
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	Mundy, William (ca. 1528–ca. 1591) (?)	73v
Set up thyself	Smith of Gloucester	7
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	Byrd, William (ca. 1540–1623)	40v
Sing joyfully - 2a pars (of 2): Blow the trumpet	Byrd, William (ca. 1540–1623)	41
Sing shepherds all and in your roundelays	Nicholson, Richard (1563–1639)	136–137
Sing we merrily - 1a pars (of 3): Sing we merrily	East, Michael	33
Sing we merrily - 2a pars (of 3): Take the psalm	East, Michael	33–33v
Sing we merrily - 3a pars (of 3): Blow up the trumpet	East, Michael	33v–34
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	Ferrabosco, Alfonso (the elder) (1543–1588)	59v
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	Ferrabosco, Alfonso (the elder) (1543–1588)	60
So gratious	Ferretti, Giovanni	26
Susanna fair (= Susanne un jour)	Lassus, Orlande de (ca. 1532–1594)	25v–26
The bella the bella	Taverner, John	front flyleaf (recto)–front flyleaf (verso)
The country cry 'God give you good morrow, sir rise'	Dering, Richard	95v–98
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	98v–99v
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	100–101
The cry of London	Anonymous	101v–102v
The heavens stood all amazed	Amner, John (1579–1641)	9
The white delightful swan (= Il bianco e dolce cigno)	Vecchi, Orazio (1550–1605)	22v
To shorten winter's sadness	Weelkes, Thomas (ca. 1576–1623)	104
Turn unto the Lord our God	Tomkins, Thomas (1572–1656)	120v
Tutt' eri foco amore	Pallavicino, Benedetto	137v–138
Unkind o stay thy flying	Wilbye, John (1574–1638)	83
Veni electa mea - 1a pars (of 2): Veni electa mea	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	70
Veni electa mea - 2a pars (of 2): Audi filia	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	70v
Veni in hortum meum	Lassus, Orlande de (ca. 1532–1594)	72v
Vergine bella	Palestrina, Giovanni Pierluigi da (1525–1594)	17
Vergine chiara	Palestrina, Giovanni Pierluigi da (1525–1594)	19v
Vergine pura	Palestrina, Giovanni Pierluigi da (1525–1594)	18
Vergine quante lagrime	Palestrina, Giovanni Pierluigi da (1525–1594)	20
Vergine saggia	Palestrina, Giovanni Pierluigi da (1525–1594)	17v
Vergine santa	Palestrina, Giovanni Pierluigi da (1525–1594)	18v
Vergine sol' al mondo	Palestrina, Giovanni Pierluigi da (1525–1594)	19
We shepherds sing	Weelkes, Thomas (ca. 1576–1623)	107
When David heard that Absalom	Smith, (W. ?)	85v
When I observe those beauty's wonderments	Tomkins, Thomas (1572–1656)	115v–116
When I would thee embrace (= Quand' io voleva)	Pinello di Ghirardi, Giovanni Battista	24
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	10–10v
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	10v–11
When shall I cease lamenting (= Chi per voi non sospira)	Faignient, Noë	24v–25
Whilst youthful sports are lasting	Weelkes, Thomas (ca. 1576–1623)	104v
Why dost thou shoot	Wilbye, John (1574–1638)	34v
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	3b–3b v
With angel's face	Norcome, Daniel	131v–132
Woe is me that I am constrained	Tomkins, Thomas (1572–1656)	118v–119

Images © Public Library, Music Division, New York

Set: Mus. Res. Drexel 4180-4185

Type: Partbooks

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Fallows, David. 1993. The Drexel Fragments of Early Tudor Song. Royal Musical Association Research Chronicle, 5-18. Notes: discussion; contents list (partial); description of MS.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 159,194. Notes: contents list (partial); concordances (partial).

Monson, Craig. 1982. Voices and Viols in England, 1600-1650: The Sources and the Music. Ann Arbor. Pages: 133-58. Notes: discussion (with inventory).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I:172,176; II:76,79,86.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 56,61,156-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 33-4, 110,135-43,235-7.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: ll, 218; XII,115-7,120-1; XIII.206; XIX,326; XXI, 94-105,203; XXIII,146; XXIX,128,134; XXX, 178. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 363, 365. Notes: contents list (partial); concordances (partial).

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court. Cambridge. Pages: 362,375,378, 426-8.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX,228; XVIII,110; XXII,6-8,46-7, 53-5, 114-32, 173, 177-8, 181, 185-7; XXIII, 126, 128, 133; XXXVI, xix, 160ff; XLIV, 184,186,188-91,194. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XV,1847.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 59-62, 107-10, 166, 172, 175; XVII, 150-3, 158, 162. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description