E-Sc 7-1-28 (Cancioniero de la Colombina)

Biblioteca Capitular y Colombina (housed in the Institución Colombina), Seville, Spain

manuscript of polyphony: Late 15th century

Archive	Biblioteca Capitular y Colombina (housed in the Institución Colombina), Seville, Spain (E-Sc)
Shelfmark	7-1-28 (Cancioniero de la Colombina)
Surface	Paper
Numbering System	Foliation
Measurements	218 x 150 mm
Other Identifiers	CCM: SevC 7-1-28
Notations	black void mensural
Relationships	Colon, Fernando (1488–1539) (owner)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Online Catalogue Entry of Host Institution Books of Hispanic Polyphony
Provenance	Seville, Spain
Contents	95 pieces from 18 composers

General Description

NOTE: DIAMM inventory uses the modern pencil foliation (b.r.r.) which corresponds to the foliation recorded during photography. The folio numbers are about 1 digit out from the old roman foliation at the centre of the top of most folios.

First half of manuscript copied by two scribes; remainder more hastily copied by six additional scribes, two of whom copied only sacred works (LawesS). Probably copied in Seville. Acquired in Seville in 1534 by Fernando Colón (1488-1539), son of the navigator. See SevC 5-1-43 for subsequent history of Colón collection.

Cristina Urchueguía, 2010

Binding

18th-century covers, with inscription: 'Cantilenas vulgares puestas en musica por vários Esparioles' (AngS).

Cristina Urchueguía, 2010

Notation

black void mensural

Cristina Urchueguía, 2010

Foliation

Original ink foliation on upper center or upper right rectos, ii-cvii (excludes front flyleaf; ff. i, vi, x, xiii, xxiii, lvii, lix, lxvi now missing; 'lxxiiii,' 'lxxxii,' 'lxxxxii' omitted; two folios following f. lxxxvi not numbered). Two systems of modern pencil foliation is written in the bottom margin of the rectos, 1-98 at the gutter edge and 1-99 at the outer edge (some numbers in first system not visible on folios, but counted in enumeration; latter system includes front flyleaf). DIAMM inventory uses the modern pencil foliation on the outer edge of the bottom margin of the rectos; this was the foliation recorded during photography. These folio numbers are about 1 digit out from the old roman foliation at the centre of the top of most folios.

Cristina Urchueguía, 2010

Decoration

Large black inked calligraphic initials through f. xlvi'; sporadic inked calligraphic initials thereafter.

Cristina Urchueguía, 2010

Surface

paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Sanctus, 1 Agnus, 1 Magnificat, 1 psalm, 9 motets, 12 Spanish sacred pieces (2 incomplete), 61 Spanish secular pieces (9 incomplete), 1 Spanish/Latin secular piece, 2 French secular pieces, 4 textless pieces (1 incomplete) = 93

Belmonte-1, (Borote)-1, Cornago-4, (Cornago-Ockeghem)-1, Cornago-Triana-1, (Enrique)-2, Gijón-1, Hurtado de Xeres-2, Juanes-1, (Lagarto)-1, León-1, Madrid-1, (Moxica)-1, (Ockeghem)-1, F. Torre-1, Triana-19, (Wreede)-2, Wreede/(Enrique) -1, anon-51

i + 98 paper folios of an original 106, 218 x 150. Original ink foliation on upper center or upper right rectos, ii-cvii (excludes front flyleaf; ff. i, vi, x, xiii, xxiii, lvii, lix, lxvi now missing; "lxxiiii," "lxxxii," "lxxxxii" omitted; two folios following f. lxxxvi not numbered). Two systems of modern foliation on upper right rectos, 1-98 and 1-99 (some numbers in first system not visible on folios, but counted in enumeration; latter system includes front flyleaf). 18th-century covers, with inscription: "Cantilenas vulgares puestas en musica por vários Esparioles" (AngS). No index. First half of manuscript copied by two scribes; remainder more hastily copied by six additional scribes, two of whom copied only sacred works (LawesS). Large black inked calligraphic initials through f. xlvi'; sporadic inked calligraphic initials thereafter.

Late 15th century. Probably copied in Seville. Acquired in Seville in 1534 by Fernando Colón (1488-1539), son of the navigator. See SevC 5-1-43 for subsequent history of Colón collection.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Amor de penada gloria	-	Anonymous
Amor de penada gloria Anonymous Appears on: 1–2 Genres: Canción
2v–4	Pues con sobra de tristura	-	Enrique
Pues con sobra de tristura Enrique Appears on: 2v–4 Genres: Chanson
4v–5	Canten todos bos en grito / Hagan todos alegria	-	Anonymous
Canten todos bos en grito / Hagan todos alegria Anonymous Appears on: 4v–5 Genres: Canción, Motet
5v–7	Gentil dama non se gana	-	Cornago, Juan de
Gentil dama non se gana Cornago, Juan de Appears on: 5v–7 Genres: Chanson
7v–8	O pena que me conbates / Que en sofrir aqueste	triana	Triana, Juan de
O pena que me conbates / Que en sofrir aqueste Triana, Juan de Appears on: 7v–8 Genres: Vilancico Source Attribution: triana
8v–9v	Muy crueles voces dan	-	Anonymous
Muy crueles voces dan Anonymous Appears on: 8v–9v Genres: Canción General Note incomplete - missing last page with Contra
10	Doncella non me culpeis	-	Cornago, Juan de (?)
Doncella non me culpeis Cornago, Juan de (?) Appears on: 10 General Note text: Senora non me culpeys incomplete, Contra only
10v–12	Donzella por cuyo amor	-	Torote, Juan Rodriguez
Donzella por cuyo amor Torote, Juan Rodriguez Appears on: 10v–12 Genres: Chanson
12v–13	Nunca fue pena mayor / Numquam fuit pena magior	Jo. Vrede	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 12v–13 Genres: Motet Source Attribution: Jo. Vrede
13v–15	Donde estas que non te veo	-	Cornago, Juan de
Donde estas que non te veo Cornago, Juan de Appears on: 13v–15 Genres: Canzon
15v–17	Muy triste sera mi vida	-	Urrede (Wrede), Juan de (fl. 1451-c1482)
Muy triste sera mi vida Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 15v–17 Genres: Chanson
17v–18v	Oya tu merçed y crea	-	Anonymous
Oya tu merçed y crea Anonymous Appears on: 17v–18v Genres: Canción General Note incomplete, missing last page with Contra
19	Tanto quanto me desplase	-	Anonymous
Tanto quanto me desplase Anonymous Appears on: 19 Genres: Canzon General Note incomplete, Contra only
19v–21	Qu'es mi vida preguntays	-	Cornago, Juan de (?) Ockeghem, Jean de (ca. 1410–1497) (?)
Qu'es mi vida preguntays Cornago, Juan de (?) Ockeghem, Jean de (ca. 1410–1497) (?) Appears on: 19v–21 Genres: Motet
21v–22	Non puedo si non querer	-	Anonymous
Non puedo si non querer Anonymous Appears on: 21v–22 Genres: Canción
22v–23	Mis tristes tristes sospiros	-	Anonymous
Mis tristes tristes sospiros Anonymous Appears on: 22v–23 Genres: Canzon
23v–24	Ay que non se remediarme	J. d. leon	Leon, J.(uan?) de
Ay que non se remediarme Leon, J.(uan?) de Appears on: 23v–24 Genres: Italian secular Source Attribution: J. d. leon
24v–26	Pues que Dios te fizo tal	cornago	Cornago, Juan de
Pues que Dios te fizo tal Cornago, Juan de Appears on: 24v–26 Genres: Vilancico Source Attribution: cornago
26v–27	Con temor vivo ojos tristes	t[ri]ana	Triana, Juan de
Con temor vivo ojos tristes Triana, Juan de Appears on: 26v–27 Genres: Vilancico Source Attribution: t[ri]ana
27v–29	Siempre creçe mi serviros	madrid	Madrid, Juan Fernandez de
Siempre creçe mi serviros Madrid, Juan Fernandez de Appears on: 27v–29 Genres: Chanson Source Attribution: madrid
29v–31	Quanto mi vida biviere	-	Anonymous
Quanto mi vida biviere Anonymous Appears on: 29v–31 Genres: Vilancico
31v–33	Señora qual soy venido	cornago - triana	Cornago, Juan de (?) Triana, Juan de (?)
Señora qual soy venido Cornago, Juan de (?) Triana, Juan de (?) Appears on: 31v–33 Genres: Vilancico Source Attribution: cornago - triana
33v–35	De mi perdida esperança	J tr[i]ana	Triana, Juan de
De mi perdida esperança Triana, Juan de Appears on: 33v–35 Genres: Vilancico Source Attribution: J tr[i]ana
35v–36	Pues mi dicha non consiente	belmonte	Belmonte, ?Alfonso de (ca. 1470–)
Pues mi dicha non consiente Belmonte, ?Alfonso de (ca. 1470–) Appears on: 35v–36 Genres: Canción Source Attribution: belmonte
36v–38	Bive leda si podrás	-	Anonymous
Bive leda si podrás Anonymous Appears on: 36v–38 Genres: Canción
38v–39	Dama mi gran querer	-	Moxica
Dama mi gran querer Moxica Appears on: 38v–39 Genres: Chanson
39v–41	Porque mas sin duda creas	cornago	Cornago, Juan de
Porque mas sin duda creas Cornago, Juan de Appears on: 39v–41 Genres: Canción Source Attribution: cornago
41v–42v	No puedes quexar amor	triana	Triana, Juan de
No puedes quexar amor Triana, Juan de Appears on: 41v–42v Genres: Canción Source Attribution: triana
43	Laudate eum omnes angeli	-	Anonymous
Laudate eum omnes angeli Anonymous Appears on: 43 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Laudate eum omnes angeli
43v–44	Mi querer tanto vos quiere	-	Enrique
Mi querer tanto vos quiere Enrique Appears on: 43v–44 Genres: Chanson
44v–46	Mirando dama fermosa	-	Anonymous
Mirando dama fermosa Anonymous Appears on: 44v–46 Genres: Canción
46v–47v	De vos de mi quexoso	-	Urrede (Wrede), Juan de (fl. 1451-c1482)
De vos de mi quexoso Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 46v–47v Genres: Chanson
48	Andad pasiones andad	-	Lagarto, Pedro de (ca. 1465–1543)
Andad pasiones andad Lagarto, Pedro de (ca. 1465–1543) Appears on: 48 Genres: Chanson
48v–49	Quien vos dio tal señorio	triana	Triana, Juan de
Quien vos dio tal señorio Triana, Juan de Appears on: 48v–49 Genres: Canción Source Attribution: triana
49v–51v	Ya de amor era partido	triana	Triana, Juan de
Ya de amor era partido Triana, Juan de Appears on: 49v–51v Genres: Vilancico Source Attribution: triana
51v	De vida que tanto enoja	-	Anonymous
De vida que tanto enoja Anonymous Appears on: 51v Genres: Canción
52	Pues no mejora mi suerte	-	Anonymous
Pues no mejora mi suerte Anonymous Appears on: 52 Genres: Canción
52v	Al dolor de mi cuidado	Gijon	Perez de Gijón, Juan (ca. 1460–ca. 1500)
Al dolor de mi cuidado Perez de Gijón, Juan (ca. 1460–ca. 1500) Appears on: 52v Genres: Chanson Source Attribution: Gijon
53	Omnipotentem semper adorant	-	Anonymous
Omnipotentem semper adorant Anonymous Appears on: 53 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Omnipotentem semper adorant
53v–54v	No tenga nadie sperança	Hurtado de Xeres	Xeres, Hurtado de (ca. 1500–)
No tenga nadie sperança Xeres, Hurtado de (ca. 1500–) Appears on: 53v–54v Genres: Canción Source Attribution: Hurtado de Xeres
55	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 55 Genres: textless
55v–56v	Con temor de la mudança	Hurtado de Xeres	Xeres, Hurtado de (ca. 1500–)
Con temor de la mudança Xeres, Hurtado de (ca. 1500–) Appears on: 55v–56v Genres: Canción Source Attribution: Hurtado de Xeres
57v–58v	No consiento ni me plaze	-	Triana, Juan de
No consiento ni me plaze Triana, Juan de Appears on: 57v–58v Genres: Vilancico
59	Quanta gloria me dio veros	-	Anonymous
Quanta gloria me dio veros Anonymous Appears on: 59 Genres: Canción
59v–60	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 59v–60 Genres: textless
59v–60	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 59v–60 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus
60v–61	Sanctus & Benedictus	-	Anonymous
Sanctus & Benedictus Anonymous Appears on: 60v–61 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus (with Pleni, Benedictus)
61v	Di me triste coraçon	francisco della [torre]	Torre, Francisco de la
Di me triste coraçon Torre, Francisco de la Appears on: 61v Genres: Canción Source Attribution: francisco della [torre]
62	Amar y servir llorar y jemir	-	Anonymous
Amar y servir llorar y jemir Anonymous Appears on: 62 Genres: Canción
62v	Mortales son los dolores	-	Anonymous
Mortales son los dolores Anonymous Appears on: 62v Genres: Canción
63	Pensamiento ve do vas	-	Anonymous
Pensamiento ve do vas Anonymous Appears on: 63 Genres: Chanson
63v	Olvida tu perdiçion	-	Anonymous
Olvida tu perdiçion Anonymous Appears on: 63v Genres: Canción
64	Quien tiene vida en esperança	-	Anonymous
Quien tiene vida en esperança Anonymous Appears on: 64 Genres: Canción
64v	Niña y viña	-	Anonymous
Niña y viña Anonymous Appears on: 64v Genres: Canción
65r	O gloriosa domina excelsa super sidera	-	Anonymous
O gloriosa domina excelsa super sidera Anonymous Appears on: 65r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O gloriosa domina excelsa super sidera
65v–66	Es la vida que cobre	-	Anonymous
Es la vida que cobre Anonymous Appears on: 65v–66 Genres: Canción
66v–67	Propiñan de Melyor	-	Anonymous
Propiñan de Melyor Anonymous Appears on: 66v–67 Genres: Canción
67v	Aquello trate domingo	-	Anonymous
Aquello trate domingo Anonymous Appears on: 67v Genres: Canción
68	Nuevas te traigo Carillo	-	Encina, Juan del
Nuevas te traigo Carillo Encina, Juan del Appears on: 68 Genres: Vilancico
68v	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 68v Genres: textless
69v–70	Los hombres con gran plazer	-	Anonymous
Los hombres con gran plazer Anonymous Appears on: 69v–70 Genres: Canción
70v–71	Merçed, merçed le pidamos	-	Anonymous
Merçed, merçed le pidamos Anonymous Appears on: 70v–71 Genres: Canción
71v–73r	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 71v–73r Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
73v–74	Reyna muy esclareçida	-	Anonymous
Reyna muy esclareçida Anonymous Appears on: 73v–74 Genres: Canción
74v–75	Buenas nuevas de alegría	-	Anonymous
Buenas nuevas de alegría Anonymous Appears on: 74v–75 Genres: Canción
75v–76	Deus in adiutorium	triana	Triana, Juan de
Deus in adiutorium Triana, Juan de Appears on: 75v–76 Genres: Rondeau Source Attribution: triana
76v	Tu valer me da gran guera	Juanes	Juanes (ca. 1450–ca. 1470)
Tu valer me da gran guera Juanes (ca. 1450–ca. 1470) Appears on: 76v Genres: Canción Source Attribution: Juanes
77	In exitu Israel de Aegypto domus Jacob	-	Anonymous
In exitu Israel de Aegypto domus Jacob Anonymous Appears on: 77 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: In exitu Israel de Aegypto domus Iacob
77v–78	Maravyllome del syno me del santiguome	tr[i]ana	Triana, Juan de
Maravyllome del syno me del santiguome Triana, Juan de Appears on: 77v–78 Genres: Vilancico Source Attribution: tr[i]ana
78v	Pinguele respinguete	triana	Triana, Juan de
Pinguele respinguete Triana, Juan de Appears on: 78v Genres: Rondeau Source Attribution: triana
79	La moça que las cabras cría	triana	Triana, Juan de
La moça que las cabras cría Triana, Juan de Appears on: 79 Genres: Vilancico Source Attribution: triana
79v–80	A los maytines era	triana	Anonymous
A los maytines era Anonymous Appears on: 79v–80 Genres: Vilancico Source Attribution: triana
80	Juisio fuerte sera dado	-	Triana, Juan de (?) Cordoba, Alonso de (?)
Juisio fuerte sera dado Triana, Juan de (?) Cordoba, Alonso de (?) Appears on: 80 Genres: Vilancico
80v–81	Vyrgen dina de honor	-	Anonymous
Vyrgen dina de honor Anonymous Appears on: 80v–81 Genres: Canción
81v–82	Que bonito niño chiquito	-	Anonymous
Que bonito niño chiquito Anonymous Appears on: 81v–82 Genres: Canción
82v–83	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 82v–83 Genres: textless
83	Qui fecit caelum et terra	-	Anonymous
Qui fecit caelum et terra Anonymous Appears on: 83 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui fecit caelum et terra
83v–84	Ay Santa Maria, valedme señora	-	Anonymous
Ay Santa Maria, valedme señora Anonymous Appears on: 83v–84 Genres: Sacred Song, Vilancico
84	Dic nobis Maria	-	Anonymous
Dic nobis Maria Anonymous Appears on: 84 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria
84v–85	Benedicamus Domino	triana	Triana, Juan de
Benedicamus Domino Triana, Juan de Appears on: 84v–85 Genres: Benedicamus Domino, Motet Source Attribution: triana Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
85v–86	Benedicamus Domino	triana	Triana, Juan de
Benedicamus Domino Triana, Juan de Appears on: 85v–86 Genres: Benedicamus Domino, Motet Source Attribution: triana Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
86v–88	Juste judex Jesu Christe regum rex	triana	Triana, Juan de
Juste judex Jesu Christe regum rex Triana, Juan de Appears on: 86v–88 Genres: Motet Source Attribution: triana Voice: [no designation] Languages: Latin Voice Text: Iuste iudex Iesu Christe regum rex
88v–89	Magnificat anima mea Dominum [K.115]	-	Anonymous
Magnificat anima mea Dominum [K.115] Anonymous Appears on: 88v–89 Genres: fragment, Magnificat
89v–90	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 89v–90 Genres: textless
90v–91	Quia [respexit]	-	Anonymous
Quia [respexit] Anonymous Appears on: 90v–91 Genres: BVM, Canticle, Magnificat
91v–92	Non puedo dexar / Que non se filarum / Querer vieja yo	tr[i]ana	Triana, Juan de
Non puedo dexar / Que non se filarum / Querer vieja yo Triana, Juan de Appears on: 91v–92 Genres: Motet Source Attribution: tr[i]ana
92v–93	Petite camusette à la mort m'avez mis / S'elle m'aimera	-	Ockeghem, Jean de (ca. 1410–1497)
Petite camusette à la mort m'avez mis / S'elle m'aimera Ockeghem, Jean de (ca. 1410–1497) Appears on: 92v–93 Genres: Motet General Note texts: De la momera je n'estay / Petit le camiset
93v	Por bever comadre	triana	Triana, Juan de
Por bever comadre Triana, Juan de Appears on: 93v Genres: Vilancico Source Attribution: triana
94	Aquella buena muger	tr[i]ana	Triana, Juan de
Aquella buena muger Triana, Juan de Appears on: 94 Genres: Vilancico Source Attribution: tr[i]ana
94v–95	Dinos madre del donsel	tri[a]na	Triana, Juan de
Dinos madre del donsel Triana, Juan de Appears on: 94v–95 Genres: Canción Source Attribution: tri[a]na
95v–96	Juisio fuerte sera dado	tr[i]ana	Triana, Juan de (?) Cordoba, Alonso de (?)
Juisio fuerte sera dado Triana, Juan de (?) Cordoba, Alonso de (?) Appears on: 95v–96 Genres: Vilancico Source Attribution: tr[i]ana
96v	Como no le andare yo	-	Anonymous
Como no le andare yo Anonymous Appears on: 96v Genres: Canción
97	Pues que no tengo senora	-	Anonymous
Pues que no tengo senora Anonymous Appears on: 97 Genres: Canción
97v–98	Le povre amant qui est	-	Anonymous
Le povre amant qui est Anonymous Appears on: 97v–98 Genres: Chanson
98v	No tenga con vos amor	-	Anonymous
No tenga con vos amor Anonymous Appears on: 98v Genres: Canción

Composer	Compositions
Anonymous	A los maytines era – 79v–80 Agnus Dei – 59v–60 Amar y servir llorar y jemir – 62 Amor de penada gloria – 1–2 Aquello trate domingo – 67v Ay Santa Maria, valedme señora – 83v–84 Bive leda si podrás – 36v–38 Buenas nuevas de alegría – 74v–75 Canten todos bos en grito / Hagan todos alegria – 4v–5 Como no le andare yo – 96v De vida que tanto enoja – 51v Dic nobis Maria – 84 Es la vida que cobre – 65v–66 In exitu Israel de Aegypto domus Jacob – 77 Laudate eum omnes angeli – 43 Le povre amant qui est – 97v–98 Los hombres con gran plazer – 69v–70 Magnificat anima mea Dominum [K.115] – 88v–89 Merçed, merçed le pidamos – 70v–71 Mirando dama fermosa – 44v–46 Mis tristes tristes sospiros – 22v–23 Mortales son los dolores – 62v Muy crueles voces dan – 8v–9v Niña y viña – 64v No tenga con vos amor – 98v Non puedo si non querer – 21v–22 O gloriosa domina excelsa super sidera – 65r Olvida tu perdiçion – 63v Omnipotentem semper adorant – 53 Oya tu merçed y crea – 17v–18v Pensamiento ve do vas – 63 Propiñan de Melyor – 66v–67 Pues no mejora mi suerte – 52 Pues que no tengo senora – 97 Quanta gloria me dio veros – 59 Quanto mi vida biviere – 29v–31 Que bonito niño chiquito – 81v–82 Qui fecit caelum et terra – 83 Quia [respexit] – 90v–91 Quien tiene vida en esperança – 64 Reyna muy esclareçida – 73v–74 Salve sancta parens – 71v–73r Sanctus & Benedictus – 60v–61 Tanto quanto me desplase – 19 Vyrgen dina de honor – 80v–81 [untitled] – 68v [untitled] – 89v–90 [untitled] – 82v–83 [untitled] – 59v–60 [untitled] – 55
Belmonte, ?Alfonso de (ca. 1470–)	Pues mi dicha non consiente – 35v–36
Cordoba, Alonso de	(?) Juisio fuerte sera dado – 80 (?) Juisio fuerte sera dado – 95v–96
Cornago, Juan de	(?) Doncella non me culpeis – 10 Donde estas que non te veo – 13v–15 Gentil dama non se gana – 5v–7 Porque mas sin duda creas – 39v–41 Pues que Dios te fizo tal – 24v–26 (?) Qu'es mi vida preguntays – 19v–21 (?) Señora qual soy venido – 31v–33
Encina, Juan del	Nuevas te traigo Carillo – 68
Enrique	Mi querer tanto vos quiere – 43v–44 (?) Nunca fue pena mayor / Numquam fuit pena magior – 12v–13 Pues con sobra de tristura – 2v–4
Juanes (ca. 1450–ca. 1470)	Tu valer me da gran guera – 76v
Lagarto, Pedro de (ca. 1465–1543)	Andad pasiones andad – 48
Leon, J.(uan?) de	Ay que non se remediarme – 23v–24
Madrid, Juan Fernandez de	Siempre creçe mi serviros – 27v–29
Moxica	Dama mi gran querer – 38v–39
Ockeghem, Jean de (ca. 1410–1497)	Petite camusette à la mort m'avez mis / S'elle m'aimera – 92v–93 (?) Qu'es mi vida preguntays – 19v–21
Perez de Gijón, Juan (ca. 1460–ca. 1500)	Al dolor de mi cuidado – 52v
Torote, Juan Rodriguez	Donzella por cuyo amor – 10v–12
Torre, Francisco de la	Di me triste coraçon – 61v
Triana, Juan de	Aquella buena muger – 94 Benedicamus Domino – 84v–85 Benedicamus Domino – 85v–86 Con temor vivo ojos tristes – 26v–27 De mi perdida esperança – 33v–35 Deus in adiutorium – 75v–76 Dinos madre del donsel – 94v–95 (?) Juisio fuerte sera dado – 95v–96 (?) Juisio fuerte sera dado – 80 Juste judex Jesu Christe regum rex – 86v–88 La moça que las cabras cría – 79 Maravyllome del syno me del santiguome – 77v–78 No consiento ni me plaze – 57v–58v No puedes quexar amor – 41v–42v Non puedo dexar / Que non se filarum / Querer vieja yo – 91v–92 O pena que me conbates / Que en sofrir aqueste – 7v–8 Pinguele respinguete – 78v Por bever comadre – 93v Quien vos dio tal señorio – 48v–49 (?) Señora qual soy venido – 31v–33 Ya de amor era partido – 49v–51v
Urrede (Wrede), Juan de (fl. 1451-c1482)	De vos de mi quexoso – 46v–47v Muy triste sera mi vida – 15v–17 (?) Nunca fue pena mayor / Numquam fuit pena magior – 12v–13
Xeres, Hurtado de (ca. 1500–)	Con temor de la mudança – 55v–56v No tenga nadie sperança – 53v–54v

Composition	Composers (? Uncertain)	Folios / Pages
[untitled]	Anonymous	55
[untitled]	Anonymous	59v–60
[untitled]	Anonymous	68v
[untitled]	Anonymous	82v–83
[untitled]	Anonymous	89v–90
A los maytines era	Anonymous	79v–80
Agnus Dei	Anonymous	59v–60
Al dolor de mi cuidado	Perez de Gijón, Juan (ca. 1460–ca. 1500)	52v
Amar y servir llorar y jemir	Anonymous	62
Amor de penada gloria	Anonymous	1–2
Andad pasiones andad	Lagarto, Pedro de (ca. 1465–1543)	48
Aquella buena muger	Triana, Juan de	94
Aquello trate domingo	Anonymous	67v
Ay que non se remediarme	Leon, J.(uan?) de	23v–24
Ay Santa Maria, valedme señora	Anonymous	83v–84
Benedicamus Domino	Triana, Juan de	84v–85
Benedicamus Domino	Triana, Juan de	85v–86
Bive leda si podrás	Anonymous	36v–38
Buenas nuevas de alegría	Anonymous	74v–75
Canten todos bos en grito / Hagan todos alegria	Anonymous	4v–5
Como no le andare yo	Anonymous	96v
Con temor de la mudança	Xeres, Hurtado de (ca. 1500–)	55v–56v
Con temor vivo ojos tristes	Triana, Juan de	26v–27
Dama mi gran querer	Moxica	38v–39
De mi perdida esperança	Triana, Juan de	33v–35
De vida que tanto enoja	Anonymous	51v
De vos de mi quexoso	Urrede (Wrede), Juan de (fl. 1451-c1482)	46v–47v
Deus in adiutorium	Triana, Juan de	75v–76
Di me triste coraçon	Torre, Francisco de la	61v
Dic nobis Maria	Anonymous	84
Dinos madre del donsel	Triana, Juan de	94v–95
Doncella non me culpeis	Cornago, Juan de (?)	10
Donde estas que non te veo	Cornago, Juan de	13v–15
Donzella por cuyo amor	Torote, Juan Rodriguez	10v–12
Es la vida que cobre	Anonymous	65v–66
Gentil dama non se gana	Cornago, Juan de	5v–7
In exitu Israel de Aegypto domus Jacob	Anonymous	77
Juisio fuerte sera dado	Triana, Juan de (?) Cordoba, Alonso de (?)	80
Juisio fuerte sera dado	Triana, Juan de (?) Cordoba, Alonso de (?)	95v–96
Juste judex Jesu Christe regum rex	Triana, Juan de	86v–88
La moça que las cabras cría	Triana, Juan de	79
Laudate eum omnes angeli	Anonymous	43
Le povre amant qui est	Anonymous	97v–98
Los hombres con gran plazer	Anonymous	69v–70
Magnificat anima mea Dominum [K.115]	Anonymous	88v–89
Maravyllome del syno me del santiguome	Triana, Juan de	77v–78
Merçed, merçed le pidamos	Anonymous	70v–71
Mi querer tanto vos quiere	Enrique	43v–44
Mirando dama fermosa	Anonymous	44v–46
Mis tristes tristes sospiros	Anonymous	22v–23
Mortales son los dolores	Anonymous	62v
Muy crueles voces dan	Anonymous	8v–9v
Muy triste sera mi vida	Urrede (Wrede), Juan de (fl. 1451-c1482)	15v–17
Niña y viña	Anonymous	64v
No consiento ni me plaze	Triana, Juan de	57v–58v
No puedes quexar amor	Triana, Juan de	41v–42v
No tenga con vos amor	Anonymous	98v
No tenga nadie sperança	Xeres, Hurtado de (ca. 1500–)	53v–54v
Non puedo dexar / Que non se filarum / Querer vieja yo	Triana, Juan de	91v–92
Non puedo si non querer	Anonymous	21v–22
Nuevas te traigo Carillo	Encina, Juan del	68
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	12v–13
O gloriosa domina excelsa super sidera	Anonymous	65r
O pena que me conbates / Que en sofrir aqueste	Triana, Juan de	7v–8
Olvida tu perdiçion	Anonymous	63v
Omnipotentem semper adorant	Anonymous	53
Oya tu merçed y crea	Anonymous	17v–18v
Pensamiento ve do vas	Anonymous	63
Petite camusette à la mort m'avez mis / S'elle m'aimera	Ockeghem, Jean de (ca. 1410–1497)	92v–93
Pinguele respinguete	Triana, Juan de	78v
Por bever comadre	Triana, Juan de	93v
Porque mas sin duda creas	Cornago, Juan de	39v–41
Propiñan de Melyor	Anonymous	66v–67
Pues con sobra de tristura	Enrique	2v–4
Pues mi dicha non consiente	Belmonte, ?Alfonso de (ca. 1470–)	35v–36
Pues no mejora mi suerte	Anonymous	52
Pues que Dios te fizo tal	Cornago, Juan de	24v–26
Pues que no tengo senora	Anonymous	97
Qu'es mi vida preguntays	Cornago, Juan de (?) Ockeghem, Jean de (ca. 1410–1497) (?)	19v–21
Quanta gloria me dio veros	Anonymous	59
Quanto mi vida biviere	Anonymous	29v–31
Que bonito niño chiquito	Anonymous	81v–82
Qui fecit caelum et terra	Anonymous	83
Quia [respexit]	Anonymous	90v–91
Quien tiene vida en esperança	Anonymous	64
Quien vos dio tal señorio	Triana, Juan de	48v–49
Reyna muy esclareçida	Anonymous	73v–74
Salve sancta parens	Anonymous	71v–73r
Sanctus & Benedictus	Anonymous	60v–61
Señora qual soy venido	Cornago, Juan de (?) Triana, Juan de (?)	31v–33
Siempre creçe mi serviros	Madrid, Juan Fernandez de	27v–29
Tanto quanto me desplase	Anonymous	19
Tu valer me da gran guera	Juanes (ca. 1450–ca. 1470)	76v
Vyrgen dina de honor	Anonymous	80v–81
Ya de amor era partido	Triana, Juan de	49v–51v

Images © Biblioteca Capitular y Colombina, Seville

‡ denotes primary source study

Sociedad Española de Musicología (editor). 2006. Cancionero musical de La Colombina: Cantilenas vulgares puestas en música por varios españoles (s. XV). Madrid: Asociación Española de Documentación Musical.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 177-8, 198-201. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 5, 521, 523, 542, 544. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Bragard, Murray C. 1978. The Falsobordone: A Study in Renaissance and Baroque Music. Musicological Studies and Documents. American Institute of Musicology. Pages: 19-20, 26ff, 159. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 50, 70, 88, 96, 131-5, 150-3, 550, 563-4, 568-9, 631, 637-8. Notes: contents list (partial); concordances (partial); texts (partial).

Querol Gavaldá, Miguel (editor). 1971. Cancionero musical de la Colombina (Siglo XV). Monumentos de la Música Española. Barcelona. Notes: contents list; concordances; transcriptions; texts.

Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Notes: physical description; contents list; concordances; texts; transcription; efacsimile (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list (partial); concordances (partial); incipits (partial).

Lawes, Robert Clement, Jr. 1960. The Seville Concionerò: Transcription and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; texts; texts; mention of MS; discussion.

Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Pages: 122-4, 194-9, 201-49, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Anglès, Higinio. 1947. La música conservada en la Biblioteca Colombina y en la Catedral de Sevilla. Anuário Musical, 3ff. Pages: 8-9. Notes: physical description.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 103-6; V, 25-32; X, 31-3; XIV, 26-30; XXXIII, passim. Notes: physical description; contents list; concordances; texts; transcription; efacsimile (partial); mention of MS; discussion.

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 30, Facs. 20. Notes: physical description; facsimile (partial).

Anglès, Higinio. 1933. Die spanische Liedkunst im 15. und am Anfang des 16. Jahrhunderts. Theodor Kroyer-Festschrift zum sechzigsten Geburtstage am 9. September 1933, Regensburg. Pages: 66-7. Notes: physical description.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description