V-CVbav MS Capp. Sist. 29

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: Late 16th century

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Capp. Sist. 29
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	720 x 503 mm
Other Identifiers	CCM: VatS 29 olim (Former shelfmark): I-Rvat MS Capp. Sist. 29
Notations	black void mensural
Copyists	Orfeo, Luca Music Orfeo, Franciscus Music
Relationships	Sistine Chapel (Cappella Sistina) (copied at)
External Links	images
External Authorities	RISM Online (sources/857000016)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	49 pieces from 10 composers

General Description

Composite of originally separate fascicles. Copied by several scribes, including Luca Orfeo and Franciscus Orfeo (inscriptions in manuscript 187r, 192r). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017

Physical Description

Some folios in poor condition due to ink corrosion; some music now illegible.

DIAMM, 2017

Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.

DIAMM, 2017

Watermark

crown surmounted by six-pointed star (not in Briquet).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Late 16th century; date 1592 on f. 192.

DIAMM, 2017

Ruling

Staff height 29.

DIAMM, 2017

Foliation

Inaccurate early foliation on lower right rectos; modern pencil foliation, 1-197, on lower center rectos (excludes all flyleaves)

DIAMM, 2017

Decoration

Watercolor initials on new ff. 22'-23 and 46'-47; other folios have inked calligraphic initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 5 Magnificats, 8 hymns, 20 motets = 34

Ameyden-1, F. Anerio-2, A. Crivelli-1, Guerrero-1, Marenzio-2, Morales-1, Nanino-5, Palestrina [Jo. Prenestini]-12, Victoria-2, anon-7

i + i + 197 + i paper folios, 720 x 503. Composite of originally separate fascicles. Some folios in poor condition due to ink corrosion; some music now illegible. Inaccurate early foliation on lower right rectos; modern pencil foliation, 1-197, on lower center rectos (excludes all flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. No index.

Copied by several scribes, including Luca Orfeo and Franciscus Orfeo (inscriptions in manuscript); see general index for other manuscripts copied by Luca Orfeo. Staff height 29. Watercolor initials on new ff. 22'-23 and 46'-47; other folios have inked calligraphic initials. Watermark: crown surmounted by six-pointed star (not in Briquet).

Late 16th century; date 1592 on f. 192. Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	In diademate capitis Aaron - 1a pars (of 2): In diademate capitis Aaron	Joannis Mariae Nanini	Nanino, Giovanni Maria
In diademate capitis Aaron - 1a pars (of 2): In diademate capitis Aaron Nanino, Giovanni Maria Appears on: 1v–3 Genres: Motet Source Attribution: Joannis Mariae Nanini
4v–7	In diademate capitis Aaron - 2a pars (of 2): In veste enim poderis	-	Nanino, Giovanni Maria
In diademate capitis Aaron - 2a pars (of 2): In veste enim poderis Nanino, Giovanni Maria Appears on: 4v–7 Genres: Motet
8v–11	Laetentur caeli et exultet terra	Arca. Criv[..]	Crivelli, Arcangelo
Laetentur caeli et exultet terra Crivelli, Arcangelo Appears on: 8v–11 Genres: Motet Source Attribution: Arca. Criv[..]
12v–14v	Sicut mater consolatur	Jo. Marie Nanini	Nanino, Giovanni Maria
Sicut mater consolatur Nanino, Giovanni Maria Appears on: 12v–14v Genres: Motet Source Attribution: Jo. Marie Nanini General Note incomplete
15v–18	Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare moerore II: Ego enim sum Dominus Deus tuus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare moerore II: Ego enim sum Dominus Deus tuus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 15v–18 Genres: Motet
18v–21	Jerusalem cito veniet - 2a pars (of 2): Ego enim sum Dominus Deus tuus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Jerusalem cito veniet - 2a pars (of 2): Ego enim sum Dominus Deus tuus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 18v–21 Genres: Motet
22v–25	Pastores loquebantur - 1a pars (of 2): Pastores loquebantur	fran.s guer.s	Guerrero, Francisco
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur Guerrero, Francisco Appears on: 22v–25 Genres: Motet Source Attribution: fran.s guer.s
25v–28	Pastores loquebantur - 2a pars (of 2): Videntes autem	-	Guerrero, Francisco
Pastores loquebantur - 2a pars (of 2): Videntes autem Guerrero, Francisco Appears on: 25v–28 Genres: Motet
29v–32	Cum autem esset Stephanus - 1a pars (of 2): Cum autem esset Stephanus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Cum autem esset Stephanus - 1a pars (of 2): Cum autem esset Stephanus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 29v–32 Genres: Motet
32v–35	Cum autem esset Stephanus - 2a pars (of 2): Positis autem genibus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Cum autem esset Stephanus - 2a pars (of 2): Positis autem genibus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 32v–35 Genres: Motet
36v–39	Hic est beatissimus - 1a pars (of 2): Hic est beatissimus Evangelista	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Hic est beatissimus - 1a pars (of 2): Hic est beatissimus Evangelista Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 36v–39 Genres: Motet
39v–42	Hic est beatissimus - 2a pars (of 2): Hic est discipulus ille	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Hic est beatissimus - 2a pars (of 2): Hic est discipulus ille Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 39v–42 Genres: Motet
43v–46	Surge illuminare (8vv) - 1a pars (of 2): Surge illuminare Jerusalem quia venit	Ioannes Prenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Surge illuminare (8vv) - 1a pars (of 2): Surge illuminare Jerusalem quia venit Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 43v–46 Genres: Motet Source Attribution: Ioannes Prenest.
46v–49	Surge illuminare (8vv) - 2a pars (of 2): Et ambulabant gentes	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Surge illuminare (8vv) - 2a pars (of 2): Et ambulabant gentes Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 46v–49 Genres: Motet
50v–53	Responsum accepit Simeon - 1a pars (of 2): Responsum accepit Simeon	Joannis Prenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Responsum accepit Simeon - 1a pars (of 2): Responsum accepit Simeon Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 50v–53 Genres: Motet Source Attribution: Joannis Prenest.
53v–56	Responsum accepit Simeon - 2a pars (of 2): Cum inducerent puerum Jesum	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Responsum accepit Simeon - 2a pars (of 2): Cum inducerent puerum Jesum Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 53v–56 Genres: Motet
57v–61	Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis	Morales	Morales, Cristóbal de (ca. 1500–1553)
Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–61 Genres: Motet Source Attribution: Morales Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentabatur Iacob de duobus filiis suis
61v–64	Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer Morales, Cristóbal de (ca. 1500–1553) Appears on: 61v–64 Genres: Motet
65v–69	Derelinquat impius	Felicis Anerei	Anerio, Felice (ca. 1560–1614)
Derelinquat impius Anerio, Felice (ca. 1560–1614) Appears on: 65v–69 Genres: Motet Source Attribution: Felicis Anerei
70v–71	Super flumina Babylonis - 1a pars (of 4): Super flumina Babylonis	-	Victoria, Tomas Luis de (1548–1611)
Super flumina Babylonis - 1a pars (of 4): Super flumina Babylonis Victoria, Tomas Luis de (1548–1611) Appears on: 70v–71 Genres: Motet
71v–72	Super flumina Babylonis - 2a pars (of 4): Quia illic interrogaverunt	-	Victoria, Tomas Luis de (1548–1611)
Super flumina Babylonis - 2a pars (of 4): Quia illic interrogaverunt Victoria, Tomas Luis de (1548–1611) Appears on: 71v–72 Genres: Motet
72v–73	Super flumina Babylonis - 3a pars (of 4): Et qui abduxerunt	-	Victoria, Tomas Luis de (1548–1611)
Super flumina Babylonis - 3a pars (of 4): Et qui abduxerunt Victoria, Tomas Luis de (1548–1611) Appears on: 72v–73 Genres: Motet
73v–75	Super flumina Babylonis - 4a pars (of 4): Quomodo cantabimus	-	Victoria, Tomas Luis de (1548–1611)
Super flumina Babylonis - 4a pars (of 4): Quomodo cantabimus Victoria, Tomas Luis de (1548–1611) Appears on: 73v–75 Genres: Motet
76v–79	Stabat mater - 1a pars (of 2): Stabat mater dolorosa	Jo. Prenestini	Palestrina, Giovanni Pierluigi da (1525–1594)
Stabat mater - 1a pars (of 2): Stabat mater dolorosa Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 76v–79 Genres: Sequence, Stabat Mater Source Attribution: Jo. Prenestini
79v–83	Stabat mater - 2a pars (of 2): Eya mater fons amoris	Jo. Prenestini	Palestrina, Giovanni Pierluigi da (1525–1594)
Stabat mater - 2a pars (of 2): Eya mater fons amoris Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 79v–83 Genres: Sequence, Stabat Mater Source Attribution: Jo. Prenestini
84v–86	Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	Jo. Prenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 84v–86 Genres: Motet Source Attribution: Jo. Prenest.
86v–88	Surrexit pastor bonus - 2a pars (of 2): Et enim Pascha nostrum	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Surrexit pastor bonus - 2a pars (of 2): Et enim Pascha nostrum Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 86v–88 Genres: Motet
89v–91	Jesus iunxit se - 1a pars (of 2): Jesus iunxit se discipulis suis in via	Joannes Praenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Jesus iunxit se - 1a pars (of 2): Jesus iunxit se discipulis suis in via Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 89v–91 Genres: Motet Source Attribution: Joannes Praenest.
91v–93	Jesus iunxit se - 2a pars (of 2): Et increpavit eos	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Jesus iunxit se - 2a pars (of 2): Et increpavit eos Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 91v–93 Genres: Motet
94v–97	Spiritus sanctus replevit	Jo. Praenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Spiritus sanctus replevit Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 94v–97 Genres: Motet Source Attribution: Jo. Praenest.
98v–100	Hodie gloriosa semper virgo - 1a pars (of 2): Hodie gloriosa semper virgo	Jo. Prenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Hodie gloriosa semper virgo - 1a pars (of 2): Hodie gloriosa semper virgo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 98v–100 Genres: Motet Source Attribution: Jo. Prenest.
100v–102	Hodie gloriosa semper virgo - 2a pars (of 2): Regina mundi	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Hodie gloriosa semper virgo - 2a pars (of 2): Regina mundi Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 100v–102 Genres: Motet
103v–106	Vidi speciosam sicut columbam ascendentem (2p. Que est ista que ascendit per desertum)	-	Victoria, Tomas Luis de (1548–1611)
Vidi speciosam sicut columbam ascendentem (2p. Que est ista que ascendit per desertum) Victoria, Tomas Luis de (1548–1611) Appears on: 103v–106 Genres: Motet
107v–110	[Lauda Sion Salvatorem] Quantum potes tantum aude	-	Anonymous
[Lauda Sion Salvatorem] Quantum potes tantum aude Anonymous Appears on: 107v–110 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem
111v–114	Tradent enim vos in conciliis et in synagogis	Jo. Prenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Tradent enim vos in conciliis et in synagogis Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 111v–114 Genres: Motet Source Attribution: Jo. Prenest.
115v–119	[Christe redemptor omnium] Conserva tuos famulos	Jo. Mar. Nanini	Nanino, Giovanni Maria
[Christe redemptor omnium] Conserva tuos famulos Nanino, Giovanni Maria Appears on: 115v–119 Genres: Hymn Source Attribution: Jo. Mar. Nanini
120v–128	[Christe redemptor omnium] Ex patre patris unice	Felicis Anerii	Anerio, Felice (ca. 1560–1614)
[Christe redemptor omnium] Ex patre patris unice Anerio, Felice (ca. 1560–1614) Appears on: 120v–128 Genres: Hymn Source Attribution: Felicis Anerii
129v–133	[Christe redemptor omnium] Ex patre patris unice	Luce Marentii	Marenzio, Luca (ca. 1553–1599)
[Christe redemptor omnium] Ex patre patris unice Marenzio, Luca (ca. 1553–1599) Appears on: 129v–133 Genres: Hymn Source Attribution: Luce Marentii
134v–138	[Christe redemptor omnium] Ex patre patris unice	Jo. Marie Nanini	Nanino, Giovanni Maria
[Christe redemptor omnium] Ex patre patris unice Nanino, Giovanni Maria Appears on: 134v–138 Genres: Hymn Source Attribution: Jo. Marie Nanini
139v–143	[Christe redemptor omnium] Tu lumen tu splendor	-	Anonymous
[Christe redemptor omnium] Tu lumen tu splendor Anonymous Appears on: 139v–143 Genres: Hymn
144v–151	[Christe redemptor omnium] Tu lumen tu splendor	-	Anonymous
[Christe redemptor omnium] Tu lumen tu splendor Anonymous Appears on: 144v–151 Genres: Hymn
152v–156	[Hostis herodes impie] Christum venire quid times	-	Anonymous
[Hostis herodes impie] Christum venire quid times Anonymous Appears on: 152v–156 Genres: Hymn
157v–159	[O lux beata Trinitas] Et principalis unitas	-	Anonymous
[O lux beata Trinitas] Et principalis unitas Anonymous Appears on: 157v–159 Genres: Hymn
160v–164	Magnificat Anima mea	-	Anonymous
Magnificat Anima mea Anonymous Appears on: 160v–164 Genres: BVM, Canticle, Magnificat
165v–170	Magnificat primi toni (8vv, all verses)	Jo. Prenest.	Palestrina, Giovanni Pierluigi da (1525–1594)
Magnificat primi toni (8vv, all verses) Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 165v–170 Genres: BVM, Canticle, Magnificat Source Attribution: Jo. Prenest.
171v–180	Magnificat Anima mea	Christianus Ameyden	Ameijden, Christiaan van der (ca. 1535–1605)
Magnificat Anima mea Ameijden, Christiaan van der (ca. 1535–1605) Appears on: 171v–180 Genres: BVM, Canticle, Magnificat Source Attribution: Christianus Ameyden
181v–186	Magnificat septimi toni: Anima mea	Jo. Marie Nanini	Nanino, Giovanni Maria
Magnificat septimi toni: Anima mea Nanino, Giovanni Maria Appears on: 181v–186 Genres: BVM, Canticle, Magnificat Source Attribution: Jo. Marie Nanini
187v–191	Magnificat octavi toni: Anima mea	Luce Marentii	Marenzio, Luca (ca. 1553–1599)
Magnificat octavi toni: Anima mea Marenzio, Luca (ca. 1553–1599) Appears on: 187v–191 Genres: BVM, Canticle, Magnificat Source Attribution: Luce Marentii
192v–197	Laudate pueri Dominum	-	Anonymous
Laudate pueri Dominum Anonymous Appears on: 192v–197 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Laudate pueri dominum

Composer	Compositions
Ameijden, Christiaan van der (ca. 1535–1605)	Magnificat Anima mea – 171v–180
Anerio, Felice (ca. 1560–1614)	Derelinquat impius – 65v–69 [Christe redemptor omnium] Ex patre patris unice – 120v–128
Anonymous	Laudate pueri Dominum – 192v–197 Magnificat Anima mea – 160v–164 [Christe redemptor omnium] Tu lumen tu splendor – 139v–143 [Christe redemptor omnium] Tu lumen tu splendor – 144v–151 [Hostis herodes impie] Christum venire quid times – 152v–156 [Lauda Sion Salvatorem] Quantum potes tantum aude – 107v–110 [O lux beata Trinitas] Et principalis unitas – 157v–159
Crivelli, Arcangelo	Laetentur caeli et exultet terra – 8v–11
Guerrero, Francisco	Pastores loquebantur - 1a pars (of 2): Pastores loquebantur – 22v–25 Pastores loquebantur - 2a pars (of 2): Videntes autem – 25v–28
Marenzio, Luca (ca. 1553–1599)	Magnificat octavi toni: Anima mea – 187v–191 [Christe redemptor omnium] Ex patre patris unice – 129v–133
Morales, Cristóbal de (ca. 1500–1553)	Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis – 57v–61 Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer – 61v–64
Nanino, Giovanni Maria	In diademate capitis Aaron - 1a pars (of 2): In diademate capitis Aaron – 1v–3 In diademate capitis Aaron - 2a pars (of 2): In veste enim poderis – 4v–7 Magnificat septimi toni: Anima mea – 181v–186 Sicut mater consolatur – 12v–14v [Christe redemptor omnium] Conserva tuos famulos – 115v–119 [Christe redemptor omnium] Ex patre patris unice – 134v–138
Palestrina, Giovanni Pierluigi da (1525–1594)	Cum autem esset Stephanus - 1a pars (of 2): Cum autem esset Stephanus – 29v–32 Cum autem esset Stephanus - 2a pars (of 2): Positis autem genibus – 32v–35 Hic est beatissimus - 1a pars (of 2): Hic est beatissimus Evangelista – 36v–39 Hic est beatissimus - 2a pars (of 2): Hic est discipulus ille – 39v–42 Hodie gloriosa semper virgo - 1a pars (of 2): Hodie gloriosa semper virgo – 98v–100 Hodie gloriosa semper virgo - 2a pars (of 2): Regina mundi – 100v–102 Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare moerore II: Ego enim sum Dominus Deus tuus – 15v–18 Jerusalem cito veniet - 2a pars (of 2): Ego enim sum Dominus Deus tuus – 18v–21 Jesus iunxit se - 1a pars (of 2): Jesus iunxit se discipulis suis in via – 89v–91 Jesus iunxit se - 2a pars (of 2): Et increpavit eos – 91v–93 Magnificat primi toni (8vv, all verses) – 165v–170 Responsum accepit Simeon - 1a pars (of 2): Responsum accepit Simeon – 50v–53 Responsum accepit Simeon - 2a pars (of 2): Cum inducerent puerum Jesum – 53v–56 Spiritus sanctus replevit – 94v–97 Stabat mater - 1a pars (of 2): Stabat mater dolorosa – 76v–79 Stabat mater - 2a pars (of 2): Eya mater fons amoris – 79v–83 Surge illuminare (8vv) - 1a pars (of 2): Surge illuminare Jerusalem quia venit – 43v–46 Surge illuminare (8vv) - 2a pars (of 2): Et ambulabant gentes – 46v–49 Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus – 84v–86 Surrexit pastor bonus - 2a pars (of 2): Et enim Pascha nostrum – 86v–88 Tradent enim vos in conciliis et in synagogis – 111v–114
Victoria, Tomas Luis de (1548–1611)	Super flumina Babylonis - 1a pars (of 4): Super flumina Babylonis – 70v–71 Super flumina Babylonis - 2a pars (of 4): Quia illic interrogaverunt – 71v–72 Super flumina Babylonis - 3a pars (of 4): Et qui abduxerunt – 72v–73 Super flumina Babylonis - 4a pars (of 4): Quomodo cantabimus – 73v–75 Vidi speciosam sicut columbam ascendentem (2p. Que est ista que ascendit per desertum) – 103v–106

Composition	Composers (? Uncertain)	Folios / Pages
[Christe redemptor omnium] Conserva tuos famulos	Nanino, Giovanni Maria	115v–119
[Christe redemptor omnium] Ex patre patris unice	Anerio, Felice (ca. 1560–1614)	120v–128
[Christe redemptor omnium] Ex patre patris unice	Marenzio, Luca (ca. 1553–1599)	129v–133
[Christe redemptor omnium] Ex patre patris unice	Nanino, Giovanni Maria	134v–138
[Christe redemptor omnium] Tu lumen tu splendor	Anonymous	139v–143
[Christe redemptor omnium] Tu lumen tu splendor	Anonymous	144v–151
[Hostis herodes impie] Christum venire quid times	Anonymous	152v–156
[Lauda Sion Salvatorem] Quantum potes tantum aude	Anonymous	107v–110
[O lux beata Trinitas] Et principalis unitas	Anonymous	157v–159
Cum autem esset Stephanus - 1a pars (of 2): Cum autem esset Stephanus	Palestrina, Giovanni Pierluigi da (1525–1594)	29v–32
Cum autem esset Stephanus - 2a pars (of 2): Positis autem genibus	Palestrina, Giovanni Pierluigi da (1525–1594)	32v–35
Derelinquat impius	Anerio, Felice (ca. 1560–1614)	65v–69
Hic est beatissimus - 1a pars (of 2): Hic est beatissimus Evangelista	Palestrina, Giovanni Pierluigi da (1525–1594)	36v–39
Hic est beatissimus - 2a pars (of 2): Hic est discipulus ille	Palestrina, Giovanni Pierluigi da (1525–1594)	39v–42
Hodie gloriosa semper virgo - 1a pars (of 2): Hodie gloriosa semper virgo	Palestrina, Giovanni Pierluigi da (1525–1594)	98v–100
Hodie gloriosa semper virgo - 2a pars (of 2): Regina mundi	Palestrina, Giovanni Pierluigi da (1525–1594)	100v–102
In diademate capitis Aaron - 1a pars (of 2): In diademate capitis Aaron	Nanino, Giovanni Maria	1v–3
In diademate capitis Aaron - 2a pars (of 2): In veste enim poderis	Nanino, Giovanni Maria	4v–7
Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare moerore II: Ego enim sum Dominus Deus tuus	Palestrina, Giovanni Pierluigi da (1525–1594)	15v–18
Jerusalem cito veniet - 2a pars (of 2): Ego enim sum Dominus Deus tuus	Palestrina, Giovanni Pierluigi da (1525–1594)	18v–21
Jesus iunxit se - 1a pars (of 2): Jesus iunxit se discipulis suis in via	Palestrina, Giovanni Pierluigi da (1525–1594)	89v–91
Jesus iunxit se - 2a pars (of 2): Et increpavit eos	Palestrina, Giovanni Pierluigi da (1525–1594)	91v–93
Laetentur caeli et exultet terra	Crivelli, Arcangelo	8v–11
Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis	Morales, Cristóbal de (ca. 1500–1553)	57v–61
Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer	Morales, Cristóbal de (ca. 1500–1553)	61v–64
Laudate pueri Dominum	Anonymous	192v–197
Magnificat Anima mea	Anonymous	160v–164
Magnificat Anima mea	Ameijden, Christiaan van der (ca. 1535–1605)	171v–180
Magnificat octavi toni: Anima mea	Marenzio, Luca (ca. 1553–1599)	187v–191
Magnificat primi toni (8vv, all verses)	Palestrina, Giovanni Pierluigi da (1525–1594)	165v–170
Magnificat septimi toni: Anima mea	Nanino, Giovanni Maria	181v–186
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur	Guerrero, Francisco	22v–25
Pastores loquebantur - 2a pars (of 2): Videntes autem	Guerrero, Francisco	25v–28
Responsum accepit Simeon - 1a pars (of 2): Responsum accepit Simeon	Palestrina, Giovanni Pierluigi da (1525–1594)	50v–53
Responsum accepit Simeon - 2a pars (of 2): Cum inducerent puerum Jesum	Palestrina, Giovanni Pierluigi da (1525–1594)	53v–56
Sicut mater consolatur	Nanino, Giovanni Maria	12v–14v
Spiritus sanctus replevit	Palestrina, Giovanni Pierluigi da (1525–1594)	94v–97
Stabat mater - 1a pars (of 2): Stabat mater dolorosa	Palestrina, Giovanni Pierluigi da (1525–1594)	76v–79
Stabat mater - 2a pars (of 2): Eya mater fons amoris	Palestrina, Giovanni Pierluigi da (1525–1594)	79v–83
Super flumina Babylonis - 1a pars (of 4): Super flumina Babylonis	Victoria, Tomas Luis de (1548–1611)	70v–71
Super flumina Babylonis - 2a pars (of 4): Quia illic interrogaverunt	Victoria, Tomas Luis de (1548–1611)	71v–72
Super flumina Babylonis - 3a pars (of 4): Et qui abduxerunt	Victoria, Tomas Luis de (1548–1611)	72v–73
Super flumina Babylonis - 4a pars (of 4): Quomodo cantabimus	Victoria, Tomas Luis de (1548–1611)	73v–75
Surge illuminare (8vv) - 1a pars (of 2): Surge illuminare Jerusalem quia venit	Palestrina, Giovanni Pierluigi da (1525–1594)	43v–46
Surge illuminare (8vv) - 2a pars (of 2): Et ambulabant gentes	Palestrina, Giovanni Pierluigi da (1525–1594)	46v–49
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	Palestrina, Giovanni Pierluigi da (1525–1594)	84v–86
Surrexit pastor bonus - 2a pars (of 2): Et enim Pascha nostrum	Palestrina, Giovanni Pierluigi da (1525–1594)	86v–88
Tradent enim vos in conciliis et in synagogis	Palestrina, Giovanni Pierluigi da (1525–1594)	111v–114
Vidi speciosam sicut columbam ascendentem (2p. Que est ista que ascendit per desertum)	Victoria, Tomas Luis de (1548–1611)	103v–106

‡ denotes primary source study

Verweij, Michiel. 2002. The Last Netherlandish Papal Singer and Composer in Rome. A Biography of Christiaanvan der Ameijden of Oirschot († 1605). Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 132-158. Pages: 13. Notes: contents list (partial); mention of ms; discussion.

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 7-8, 354. Notes: mention of MS; contents list (partial).

Jackson, Roland, and Bernhard Meier (editors). 1978-. Luca Marenzio: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ix, l-6. Notes: contents list (partial); transcription (partial).

Schuler, Richard Joseph. 1963. The Life and Liturgical Works of Giovanni Maria Nanino (1545-1607). University of Minnesota, Unpublished Ph.D. dissertation. Pages: I, 139-40, 234ff II, 9-17, 131-40, 398-405, 416-24. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 213-4, 327, 419. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 59-63, 482-3. Notes: physical description; contents list; incipits (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XIII, 28, 34. Notes: contents list (partial); concordances (partial).

Haberl, Franz Xavier. 1888 R 1971. Bibliographischer und Thematischer Musikkatalog des Päpstlichen Kapellarchives im Vatikan zu Rom. Supplement to Monatshefte für Musikgeschichte, . Pages: 11-2, 73-5, 105ff, passim. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description