PL-Wu RM 5892

Biblioteka Uniwersytecka, Oddzial Zbiorów Muzycznych, Warsaw, Poland

manuscript of polyphony: c. 1490-1500

Archive	Biblioteka Uniwersytecka, Oddzial Zbiorów Muzycznych, Warsaw, Poland (PL-Wu)
Shelfmark	RM 5892
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	330 x 230 mm
Other Identifiers	CCM: WarU 2016 olim (Former shelfmark): Mus. 58 olim (Former shelfmark): Mf. 2016
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Provenance	Poland
Contents	88 pieces from 18 composers

General Description

Main corpus apparently a composite of originally separate but related gatherings later bound together. Front flyleaves contain monophonic music;; main corpus and back flyleaf contain polyphony. Main corpus copied by one main scribe; two additional scribes, as follows: (1) ff. 57'-58, 120-131', 156'; (2) ff. 45'-46, 123 (FeldC). Back flyleaf apparently a fragment from slightly earlier, unrelated choirbook copied by a different scribe. Répertorial connections with BerlS 40021 and LeipU 1494. Copied in Silesia or Bohemia (FeldC). Acquired by Musikalisches Institut bei der Universität Breslau (now Wroclaw), probably from Silesian monastery secularized in early 19th century (FeldZ). Later transferred to present location.

DIAMM, 2017

Binding

Covers of new pasteboard over original wooden boards.

DIAMM, 2017

Watermark

(1) generally resembles Briquet #14593; (2) generally resembles Briquet #15372 and #15376; (3) generally resembles Briquet #4895 (ff. 120-131 only).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

dated c. 1490-1500 on the basis of watermarks (GancarczykKM)

DIAMM, 2020

Foliation

Modern pencil foliation, 1-156.

DIAMM, 2017

Decoration

Inked calligraphic initials on ff. 1-21, 92', 119'-125, 131'-144; inked Gothic initials on ff. 39'-48, some decorated with faces; other folios have no initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses (1 incomplete), 1 troped Kyrie, 1 Agnus (without text), 2 Mass Proper sections (1 fragmentary), 6 Magnificats, 16 office hymns (3 without text; some have additional Latin or Czech text in some voices), 3 processional hymns (1 with additional German and Latin text in some voices), 3 Lamentations, 45 motets (1 fragmentary), 1 motet-chanson (without text), 2 Latin secular pieces, 1 German secular piece, 1 French secular piece (without text), 1 Italian secular piece (without text), 6 textless pieces (2 fragmentary) = 95 + 3 complete or partial duplicates = 98

(Adam of Fulda)-2, (A. Agricola)-5, (A. Agricola/Josquin)-1, Aulenus(?)/(A. Agricola/Cuvenor)-1, (B.H.)-2, (Compère)-2, (Finck)-1, Flordigal-2, Frank [Bartholomeus]-1, (G.F.)-1, (Ghiselin)-1, Isaac-6, (Isaac/Martini)-2, (Josquin)-2, M.S.-1, (Roellrin)-1, Egidius Rossely-1, (Rupsch)-l + 1?, (Weerbecke)-3, anon-58

*Mass on ff. 1-6 entitled "Officium Aule[ni]"; see JustM for discussion of possible identity of composer.

**Composer named in text of "Venus stella splendens" on ff. 58'-59; see StaeBF for discussion.

*In Isaac's "Officium Rosarum" [= Missa Charge de deul\ on ff. 13-16 + 17'-22, the normal Agnus is replaced by the "Qui tollis" from Isaac's Missa La Spagna, with contrafact Agnus text.

ii + 156 + i paper folios, ca. 330 x 230. Main corpus apparently a composite of originally separate but related gatherings later bound together. Modern pencil foliation, 1-156. Covers of new pasteboard over original wooden boards. No index. Front flyleaves contain monophonic music in Gothic chant notation; main corpus and back flyleaf contain polyphony in white mensural notation. Main corpus copied by one main scribe; two additional scribes, as follows: (1) ff. 57'-58, 120-131', 156'; (2) ff. 45'-46, 123 (FeldC). Back flyleaf apparently a fragment from slightly earlier, unrelated choirbook copied by a different scribe. Inked calligraphic initials on ff. 1-21, 92', 119'-125, 131'-144; inked Gothic initials on ff. 39'-48, some decorated with faces; other folios have no initials or decoration. Watermarks: (1) generally resembles Briquet #14593; (2) generally resembles Briquet #15372 and #15376; (3) generally resembles Briquet #4895 (ff. 120-131 only). Répertorial connections with BerlS 40021 and LeipU 1494.

Ca. 1500; date 1517 in manuscript is later addition connected with lottery announcement (see FeldC). Copied in Silesia or Bohemia (FeldC). Acquired by Musikalisches Institut bei der Universität Breslau (now Wroclaw), probably from Silesian monastery secularized in early 19th century (FeldZ). Later transferred to present location.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r–6r	'Missa Auleni': Kyrie	Officum Aule[ni]	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Kyrie Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 1r–6r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Officum Aule[ni]
1r–6r	'Missa Auleni': Credo	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Credo Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 1r–6r Genres: Credo (patrem omnipotentem), Mass Ordinary
1r–6r	'Missa Auleni': Gloria	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Gloria Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 1r–6r Genres: Gloria (et in terra pax), Mass Ordinary
1r–6r	'Missa Auleni': Sanctus	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Sanctus Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 1r–6r Genres: Mass Ordinary, Sanctus [& Benedictus]
1r–6r	'Missa Auleni': Agnus Dei	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Agnus Dei Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 1r–6r Genres: Agnus Dei, Mass Ordinary
7v–8	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 7v–8 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena
8v–9	O admirabile - 1a pars (of 2): O admirabile Domine auxilium	-	von Fulda, Adam (ca. 1445–1505)
O admirabile - 1a pars (of 2): O admirabile Domine auxilium von Fulda, Adam (ca. 1445–1505) Appears on: 8v–9 Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Sancta dei genitrix dulcis et decora/Te laudamus
9v–10	O admirabile - 2a pars (of 2): Te laudamus Deus noster tibi laus	-	von Fulda, Adam (ca. 1445–1505)
O admirabile - 2a pars (of 2): Te laudamus Deus noster tibi laus von Fulda, Adam (ca. 1445–1505) Appears on: 9v–10 Genres: Contrafactum, Motet Concordances Although text begins like the version in Berlin 40021 & Leipzig 1494, it is different after the opening words.
13v–16, 17v-22	Missa Chargé de deuil: Kyrie eleison	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Kyrie eleison Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–16, 17v-22 Genres: Kyrie eleison, Mass Ordinary
13v–16, 17v-22	Missa Chargé de deuil: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–16, 17v-22 Genres: Gloria (et in terra pax), Mass Ordinary
13v–16, 17v-22	Missa Chargé de deuil: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–16, 17v-22 Genres: Credo (patrem omnipotentem), Mass Ordinary
13v–16, 17v-22	Missa Chargé de deuil: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–16, 17v-22 Genres: Mass Ordinary, Sanctus [& Benedictus]
13v–16, 17v-22	Missa La bassadanza = Missa La Spagna: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–16, 17v-22 Genres: Gloria (et in terra pax), Mass Ordinary General Note A contrafactum of the 'Qui tollis' section of the Missa La Spagna, re-texted with the Agnus Dei text, replaces the Agnus of the Missa Charge de deuil.
42v–43	Gaude Dei genitrix virgo immaculata	-	B.H.
Gaude Dei genitrix virgo immaculata B.H. Appears on: 42v–43 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix virgo immaculata
45v–46	Magnificat sexti toni [K.294]	-	Anonymous
Magnificat sexti toni [K.294] Anonymous Appears on: 45v–46 Genres: BVM, Canticle, Magnificat
49–57	Missa Quant j'ai au coeur: Kyrie	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 49–57 Genres: Kyrie eleison, Mass Ordinary
49–57	Missa Quant j'ai au coeur: Gloria: 3 partes.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Gloria: 3 partes. Isaac, Heinrich (ca. 1450–1517) Appears on: 49–57 Genres: Gloria (et in terra pax), Mass Ordinary
49–57	Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 49–57 Genres: Credo (patrem omnipotentem), Mass Ordinary
49–57	Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 49–57 Genres: Mass Ordinary, Sanctus [& Benedictus]
60v	Si dedero somnum oculis meis	-	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 60v Genres: Motet
60v	Que vous madame / In pace in idipsum 27.33	-	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)
Que vous madame / In pace in idipsum 27.33 Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521) Appears on: 60v Genres: Motet
61v–64	Magnificat (tone 5): Et exultavit [K.273]	-	Anonymous
Magnificat (tone 5): Et exultavit [K.273] Anonymous Appears on: 61v–64 Genres: BVM, Canticle, Magnificat
64v–70	Magnificat: Et exultavit [K.272]	-	Anonymous
Magnificat: Et exultavit [K.272] Anonymous Appears on: 64v–70 Genres: BVM, Canticle, Magnificat
70v–73	Magnificat tone 7: Et exultavit [K.356]	-	Anonymous
Magnificat tone 7: Et exultavit [K.356] Anonymous Appears on: 70v–73 Genres: BVM, Canticle, Magnificat
73v–77	Salve regina (II) [10 partes]	-	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) [10 partes] Isaac, Heinrich (ca. 1450–1517) Appears on: 73v–77 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
77v–82	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 77v–82 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas
82v–84	Magnificat (tone 8): Et exultavit spiritus meus [K.378]	-	Anonymous
Magnificat (tone 8): Et exultavit spiritus meus [K.378] Anonymous Appears on: 82v–84 Genres: BVM, Canticle, Magnificat
85	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 85 Genres: Ave maris stella, Hymn
87v–88	Salve festa dies (II)	-	Anonymous
Salve festa dies (II) Anonymous Appears on: 87v–88 Genres: Hymn
92v–93	Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut Despres, Josquin (ca. 1450–1521) Appears on: 92v–93 Genres: Motet
96v–97r	Dites moi toutes vos pensées = Dites le moi	-	Agricola, Alexander (ca. 1445–1506)
Dites moi toutes vos pensées = Dites le moi Agricola, Alexander (ca. 1445–1506) Appears on: 96v–97r Genres: Chanson
102v–103	Jam insignis oritur - 2a pars (of 2): Veris tempus advenit	-	Anonymous
Jam insignis oritur - 2a pars (of 2): Veris tempus advenit Anonymous Appears on: 102v–103 Genres: Motet General Note Compared with concordant mss, the two partes are reversed, and re-texted: the 1a (really 2a) pars is here "Hieronime inclite"
103v–104	Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia	-	Anonymous
Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia Anonymous Appears on: 103v–104 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam insignis oritur laetitia General Note Compared with concordant mss, the two partes are reversed, and re-texted: the 2a (really 1a) pars is here "O stelliferi conditor"
120v–130	Missa O Venus bant: Kyrie	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 120v–130 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
120v–130	Missa O Venus bant: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 120v–130 Genres: Gloria (et in terra pax), Mass Ordinary
120v–130	Missa O Venus bant: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 120v–130 Genres: Credo (patrem omnipotentem), Mass Ordinary
120v–130	Missa O Venus bant: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 120v–130 Genres: Mass Ordinary, Sanctus [& Benedictus]
130v–131	O gloriosa domina sanctissima virgo Maria	-	Ghiselin (Verbonnet), Johannes
O gloriosa domina sanctissima virgo Maria Ghiselin (Verbonnet), Johannes Appears on: 130v–131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O gloriosa domina sanctissima virgo Maria Concordances text here: "O domina sanctissima"; at f. 154v, same music as "O sacrum misterium"
132	Vita sanctorum (3vv)	-	Anonymous
Vita sanctorum (3vv) Anonymous Appears on: 132 Genres: Hymn
138v–141	Magnificat (tone 1) [K.149]	-	Anonymous
Magnificat (tone 1) [K.149] Anonymous Appears on: 138v–141 Genres: BVM, Canticle, Magnificat
141v–143	Salve regina (I) (2p. Eia ergo; 3p. O clemens)	-	Isaac, Heinrich (ca. 1450–1517)
Salve regina (I) (2p. Eia ergo; 3p. O clemens) Isaac, Heinrich (ca. 1450–1517) Appears on: 141v–143 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
151v–152	Regina caeli laetare alleluia	-	B.H.
Regina caeli laetare alleluia B.H. Appears on: 151v–152 Genres: Marian antiphon, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
153	Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 153 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note Untexted, contrafactum of the 'Et incarnatus' section
154v–155	O gloriosa domina sanctissima virgo Maria	-	Ghiselin (Verbonnet), Johannes
O gloriosa domina sanctissima virgo Maria Ghiselin (Verbonnet), Johannes Appears on: 154v–155 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O gloriosa domina sanctissima virgo Maria Concordances text here: "O sacrum misterium"; at f. 130, same music as "O domina sanctissima"
156	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 156 Genres: Hymn General Note incomplete; only Discantus & Tenor of 3rd section
[-]	Regali ex progenie Maria exorta refulget	-	von Fulda, Adam (ca. 1445–1505)
Regali ex progenie Maria exorta refulget von Fulda, Adam (ca. 1445–1505) Appears on: [-] Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Regali ex progenie Maria exorta refulget
[-]	Anima mea liquefacta est ut dilectus meus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Anima mea liquefacta est ut dilectus meus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
[-]	O miranda nimis nativitas baptiste Joannis	-	Anonymous
O miranda nimis nativitas baptiste Joannis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O miranda nimis nativitas baptiste Joannis
[-]	Hylaris musa ad te curio quibusque ceteris	-	Anonymous
Hylaris musa ad te curio quibusque ceteris Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hylaris musa ad te curio quibusque ceteris
[-]	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
[-]	Dies est laetitiae in ortu regali	-	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali
[-]	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: [-] Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
[-]	Paradisus trinitatis salve gratia plena	-	Anonymous
Paradisus trinitatis salve gratia plena Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Paradisus trinitatis salve gratia plena
[-]	Ave spes et salus infirmorum revocatrix = La martinella	-	Martini, Johannes (ca. 1430–1497)
Ave spes et salus infirmorum revocatrix = La martinella Martini, Johannes (ca. 1430–1497) Appears on: [-] Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave spes et salus infirmorum revocatrix [= La martinella]
[-]	Venus stella splendens	Bartholomeus [Frank]	Frank
Venus stella splendens Frank Appears on: [-] Genres: Motet Source Attribution: Bartholomeus [Frank] Voice: [no designation] Languages: Latin Voice Text: Venus stella splendens
[-]	Beata es virgo puerpera namque sedet	-	Anonymous
Beata es virgo puerpera namque sedet Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata es virgo puerpera namque sedet
[-]	Dies est laetitiae in ortu regali	-	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali
[-]	Dignas nunc Christicole laudesque	-	Anonymous
Dignas nunc Christicole laudesque Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dignas nunc Cristicole laudesque
[-]	Ave sanctissima civitas divinitatis aeterno = Alla battaglia	-	Isaac, Heinrich (ca. 1450–1517)
Ave sanctissima civitas divinitatis aeterno = Alla battaglia Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima civitas divinitatis aeterno [= Alla battaglia]
[-]	O virgo felix nondum edita O gloriosa	-	Anonymous
O virgo felix nondum edita O gloriosa Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O virgo felix nondum edita O gloriosa
[-]	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
[-]	Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim)	-	Finck, Heinrich (?)
Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) Finck, Heinrich (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa
[-]	Sanctissima virginum regina miseros	-	Anonymous
Sanctissima virginum regina miseros Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctissima virginum regina miseros
[-]	Ave praeclarum lumen tu vinea sine cultura	-	Anonymous
Ave praeclarum lumen tu vinea sine cultura Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Ave praeclarum lumen tu vinea sine cultura
[-]	Vultum tuum deprecabuntur 25.14	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum deprecabuntur 25.14 Despres, Josquin (ca. 1450–1521) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
[-]	Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: [-] Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
[-]	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: [-] Genres: Marian antiphon, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
[-]	Lumen ad revelationem gentium et gloriam	-	Anonymous
Lumen ad revelationem gentium et gloriam Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lumen ad revelationem gentium et gloriam
[-]	Maria salve virginum	-	Rupsch, Conrad
Maria salve virginum Rupsch, Conrad Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Maria salve virginum tu virgo gloriosa
[-]	Psallite deo nostro	-	Anonymous
Psallite deo nostro Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Psallite deo nostro
[-]	Super ripam Jordanis stabat beatus Johannes	-	Anonymous
Super ripam Jordanis stabat beatus Johannes Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Super ripam Iordanis stabat beatus Ioannes
[-]	In principio erat verbum et verbum	-	Anonymous
In principio erat verbum et verbum Anonymous Appears on: [-] Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: In principio erat verbum et verbum
[-]	Alpha et Omega summa sapientia que caeli	-	Anonymous
Alpha et Omega summa sapientia que caeli Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alpha et Omega summa sapientia que celi
[-]	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: [-] Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
[-]	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: [-] Genres: Marian antiphon, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
[-]	Jesus Christus nostra salus quod reclamat	M.S. [= Schmelzer?]	Schmelzer, M. (?)
Jesus Christus nostra salus quod reclamat Schmelzer, M. (?) Appears on: [-] Genres: Hymn Source Attribution: M.S. [= Schmelzer?] Voice: [no designation] Languages: Latin Voice Text: Iesus Cristus nostra salus quod reclamat
[-]	Jam fulsit sol de sidere Phebi hic	-	Agricola, Alexander (ca. 1445–1506)
Jam fulsit sol de sidere Phebi hic Agricola, Alexander (ca. 1445–1506) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam fulsit sol de sidere Phebi hic
[-]	Orante sancto Clemente apparuit ei agnus	-	Anonymous
Orante sancto Clemente apparuit ei agnus Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Orante sancto Clemente apparuit ei agnus
[-]	Corde et lingua rogamus	-	Flordigal (?)
Corde et lingua rogamus Flordigal (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Corde et lingua rogamus
[-]	Crux triumphans (2p. Jesus nomen)	-	Compère, Loyset (ca. 1445–1518)
Crux triumphans (2p. Jesus nomen) Compère, Loyset (ca. 1445–1518) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Crux triumphans decus potentium
[-]	Gaudeo cum laetitia tuis Mariam gaudiis	-	Anonymous
Gaudeo cum laetitia tuis Mariam gaudiis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeo cum laetitia tuis Mariam gaudiis
[-]	Oratrix exercituum regis regentis omnia	-	Anonymous
Oratrix exercituum regis regentis omnia Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Oratrix exercituum regis regentis omnia
[-]	Omnium rerum conditor simul et creator	-	Anonymous
Omnium rerum conditor simul et creator Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Omnium rerum conditor simul et creator
[-]	O virgo Dei nostra electa succure tuis	-	Anonymous
O virgo Dei nostra electa succure tuis Anonymous Appears on: [-] Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: O virgo dei nostra electa succure tuis
[-]	Gloria laus et honor	-	Anonymous
Gloria laus et honor Anonymous Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor
[-]	Vidi aquam egredientem de templo	-	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: [-] Genres: Antiphon, Vidi aquam Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem
[-]	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: [-] Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
[-]	De tous biens plaine est ma maîtresse	-	Raulin / Roelkin (1443–1485)
De tous biens plaine est ma maîtresse Raulin / Roelkin (1443–1485) Appears on: [-] Genres: Chanson

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) 'Missa Auleni': Agnus Dei – 1r–6r (?) 'Missa Auleni': Credo – 1r–6r (?) 'Missa Auleni': Gloria – 1r–6r (?) 'Missa Auleni': Kyrie – 1r–6r (?) 'Missa Auleni': Sanctus – 1r–6r Dites moi toutes vos pensées = Dites le moi – 96v–97r Jam fulsit sol de sidere Phebi hic – [-] (?) Que vous madame / In pace in idipsum 27.33 – 60v Si dedero somnum oculis meis – 60v
Anonymous	Alpha et Omega summa sapientia que caeli – [-] Ave maris stella – 85 Ave praeclarum lumen tu vinea sine cultura – [-] Beata es virgo puerpera namque sedet – [-] Dies est laetitiae in ortu regali – [-] Dies est laetitiae in ortu regali – [-] Dignas nunc Christicole laudesque – [-] Gaudeo cum laetitia tuis Mariam gaudiis – [-] Gloria laus et honor – [-] Hylaris musa ad te curio quibusque ceteris – [-] In principio erat verbum et verbum – [-] Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia – 103v–104 Jam insignis oritur - 2a pars (of 2): Veris tempus advenit – 102v–103 Lumen ad revelationem gentium et gloriam – [-] Magnificat (tone 1) [K.149] – 138v–141 Magnificat (tone 5): Et exultavit [K.273] – 61v–64 Magnificat (tone 8): Et exultavit spiritus meus [K.378] – 82v–84 Magnificat sexti toni [K.294] – 45v–46 Magnificat tone 7: Et exultavit [K.356] – 70v–73 Magnificat: Et exultavit [K.272] – 64v–70 O miranda nimis nativitas baptiste Joannis – [-] O virgo Dei nostra electa succure tuis – [-] O virgo felix nondum edita O gloriosa – [-] Omnium rerum conditor simul et creator – [-] Orante sancto Clemente apparuit ei agnus – [-] Oratrix exercituum regis regentis omnia – [-] Paradisus trinitatis salve gratia plena – [-] Psallite deo nostro – [-] Regina caeli laetare alleluia – [-] Regina caeli laetare alleluia – [-] Salve festa dies (II) – 87v–88 Salve festa dies toto venerabilis – [-] Salve festa dies toto venerabilis – [-] Salve regina mater misericordiae – [-] Salve regina mater misericordiae – [-] Sanctissima virginum regina miseros – [-] Super ripam Jordanis stabat beatus Johannes – [-] Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – [-] Vidi aquam egredientem de templo – [-] Vita sanctorum (3vv) – 132
Aulen, Johannes (fl. late 15th century)	'Missa Auleni': Agnus Dei – 1r–6r 'Missa Auleni': Credo – 1r–6r 'Missa Auleni': Gloria – 1r–6r 'Missa Auleni': Kyrie – 1r–6r 'Missa Auleni': Sanctus – 1r–6r
B.H.	Gaude Dei genitrix virgo immaculata – 42v–43 Regina caeli laetare alleluia – 151v–152
Compère, Loyset (ca. 1445–1518)	Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum – [-] Crux triumphans (2p. Jesus nomen) – [-]
Despres, Josquin (ca. 1450–1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 7v–8 Que vous madame / In pace in idipsum 27.33 – 60v Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut – 92v–93 Vultum tuum deprecabuntur 25.14 – [-]
Finck, Heinrich	(?) Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) – [-]
Flordigal	(?) Corde et lingua rogamus – [-]
Frank	Venus stella splendens – [-]
G.F.	Benedicta semper sancta sit trinitas – 77v–82 Benedicta semper sancta sit trinitas – 156
Ghiselin (Verbonnet), Johannes	O gloriosa domina sanctissima virgo Maria – 154v–155 O gloriosa domina sanctissima virgo Maria – 130v–131
Isaac, Heinrich (ca. 1450–1517)	Ave sanctissima civitas divinitatis aeterno = Alla battaglia – [-] Missa Chargé de deuil: Credo – 13v–16, 17v-22 Missa Chargé de deuil: Gloria – 13v–16, 17v-22 Missa Chargé de deuil: Kyrie eleison – 13v–16, 17v-22 Missa Chargé de deuil: Sanctus – 13v–16, 17v-22 Missa La bassadanza = Missa La Spagna: Gloria – 13v–16, 17v-22 Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. – 49–57 Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. – 153 Missa Quant j'ai au coeur: Gloria: 3 partes. – 49–57 Missa Quant j'ai au coeur: Kyrie – 49–57 Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. – 49–57 Salve regina (I) (2p. Eia ergo; 3p. O clemens) – 141v–143 Salve regina (II) [10 partes] – 73v–77
Martini, Johannes (ca. 1430–1497)	Ave spes et salus infirmorum revocatrix = La martinella – [-]
Raulin / Roelkin (1443–1485)	De tous biens plaine est ma maîtresse – [-]
Rupsch, Conrad	Maria salve virginum – [-]
Schmelzer, M.	(?) Jesus Christus nostra salus quod reclamat – [-]
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Anima mea liquefacta est ut dilectus meus – [-] Missa O Venus bant: Credo – 120v–130 Missa O Venus bant: Gloria – 120v–130 Missa O Venus bant: Kyrie – 120v–130 Missa O Venus bant: Sanctus – 120v–130
von Fulda, Adam (ca. 1445–1505)	O admirabile - 1a pars (of 2): O admirabile Domine auxilium – 8v–9 O admirabile - 2a pars (of 2): Te laudamus Deus noster tibi laus – 9v–10 Regali ex progenie Maria exorta refulget – [-]

Composition	Composers (? Uncertain)	Folios / Pages
'Missa Auleni': Agnus Dei	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	1r–6r
'Missa Auleni': Credo	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	1r–6r
'Missa Auleni': Gloria	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	1r–6r
'Missa Auleni': Kyrie	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	1r–6r
'Missa Auleni': Sanctus	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	1r–6r
Alpha et Omega summa sapientia que caeli	Anonymous	[-]
Anima mea liquefacta est ut dilectus meus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	[-]
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	7v–8
Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	[-]
Ave maris stella	Anonymous	85
Ave praeclarum lumen tu vinea sine cultura	Anonymous	[-]
Ave sanctissima civitas divinitatis aeterno = Alla battaglia	Isaac, Heinrich (ca. 1450–1517)	[-]
Ave spes et salus infirmorum revocatrix = La martinella	Martini, Johannes (ca. 1430–1497)	[-]
Beata es virgo puerpera namque sedet	Anonymous	[-]
Benedicta semper sancta sit trinitas	G.F.	77v–82
Benedicta semper sancta sit trinitas	G.F.	156
Corde et lingua rogamus	Flordigal (?)	[-]
Crux triumphans (2p. Jesus nomen)	Compère, Loyset (ca. 1445–1518)	[-]
De tous biens plaine est ma maîtresse	Raulin / Roelkin (1443–1485)	[-]
Dies est laetitiae in ortu regali	Anonymous	[-]
Dies est laetitiae in ortu regali	Anonymous	[-]
Dignas nunc Christicole laudesque	Anonymous	[-]
Dites moi toutes vos pensées = Dites le moi	Agricola, Alexander (ca. 1445–1506)	96v–97r
Gaude Dei genitrix virgo immaculata	B.H.	42v–43
Gaudeo cum laetitia tuis Mariam gaudiis	Anonymous	[-]
Gloria laus et honor	Anonymous	[-]
Hylaris musa ad te curio quibusque ceteris	Anonymous	[-]
In principio erat verbum et verbum	Anonymous	[-]
Jam fulsit sol de sidere Phebi hic	Agricola, Alexander (ca. 1445–1506)	[-]
Jam insignis oritur - 1a pars (of 2): Jam insignis oritur laetitia	Anonymous	103v–104
Jam insignis oritur - 2a pars (of 2): Veris tempus advenit	Anonymous	102v–103
Jesus Christus nostra salus quod reclamat	Schmelzer, M. (?)	[-]
Lumen ad revelationem gentium et gloriam	Anonymous	[-]
Magnificat (tone 1) [K.149]	Anonymous	138v–141
Magnificat (tone 5): Et exultavit [K.273]	Anonymous	61v–64
Magnificat (tone 8): Et exultavit spiritus meus [K.378]	Anonymous	82v–84
Magnificat sexti toni [K.294]	Anonymous	45v–46
Magnificat tone 7: Et exultavit [K.356]	Anonymous	70v–73
Magnificat: Et exultavit [K.272]	Anonymous	64v–70
Maria salve virginum	Rupsch, Conrad	[-]
Missa Chargé de deuil: Credo	Isaac, Heinrich (ca. 1450–1517)	13v–16, 17v-22
Missa Chargé de deuil: Gloria	Isaac, Heinrich (ca. 1450–1517)	13v–16, 17v-22
Missa Chargé de deuil: Kyrie eleison	Isaac, Heinrich (ca. 1450–1517)	13v–16, 17v-22
Missa Chargé de deuil: Sanctus	Isaac, Heinrich (ca. 1450–1517)	13v–16, 17v-22
Missa La bassadanza = Missa La Spagna: Gloria	Isaac, Heinrich (ca. 1450–1517)	13v–16, 17v-22
Missa O Venus bant: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	120v–130
Missa O Venus bant: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	120v–130
Missa O Venus bant: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	120v–130
Missa O Venus bant: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	120v–130
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	Isaac, Heinrich (ca. 1450–1517)	49–57
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	Isaac, Heinrich (ca. 1450–1517)	153
Missa Quant j'ai au coeur: Gloria: 3 partes.	Isaac, Heinrich (ca. 1450–1517)	49–57
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	49–57
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	Isaac, Heinrich (ca. 1450–1517)	49–57
Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim)	Finck, Heinrich (?)	[-]
O admirabile - 1a pars (of 2): O admirabile Domine auxilium	von Fulda, Adam (ca. 1445–1505)	8v–9
O admirabile - 2a pars (of 2): Te laudamus Deus noster tibi laus	von Fulda, Adam (ca. 1445–1505)	9v–10
O gloriosa domina sanctissima virgo Maria	Ghiselin (Verbonnet), Johannes	130v–131
O gloriosa domina sanctissima virgo Maria	Ghiselin (Verbonnet), Johannes	154v–155
O miranda nimis nativitas baptiste Joannis	Anonymous	[-]
O virgo Dei nostra electa succure tuis	Anonymous	[-]
O virgo felix nondum edita O gloriosa	Anonymous	[-]
Omnium rerum conditor simul et creator	Anonymous	[-]
Orante sancto Clemente apparuit ei agnus	Anonymous	[-]
Oratrix exercituum regis regentis omnia	Anonymous	[-]
Paradisus trinitatis salve gratia plena	Anonymous	[-]
Psallite deo nostro	Anonymous	[-]
Que vous madame / In pace in idipsum 27.33	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)	60v
Regali ex progenie Maria exorta refulget	von Fulda, Adam (ca. 1445–1505)	[-]
Regina caeli laetare alleluia	B.H.	151v–152
Regina caeli laetare alleluia	Anonymous	[-]
Regina caeli laetare alleluia	Anonymous	[-]
Salve festa dies (II)	Anonymous	87v–88
Salve festa dies toto venerabilis	Anonymous	[-]
Salve festa dies toto venerabilis	Anonymous	[-]
Salve regina (I) (2p. Eia ergo; 3p. O clemens)	Isaac, Heinrich (ca. 1450–1517)	141v–143
Salve regina (II) [10 partes]	Isaac, Heinrich (ca. 1450–1517)	73v–77
Salve regina mater misericordiae	Anonymous	[-]
Salve regina mater misericordiae	Anonymous	[-]
Sanctissima virginum regina miseros	Anonymous	[-]
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	60v
Super ripam Jordanis stabat beatus Johannes	Anonymous	[-]
Venus stella splendens	Frank	[-]
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	[-]
Vidi aquam egredientem de templo	Anonymous	[-]
Vita sanctorum (3vv)	Anonymous	132
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	Despres, Josquin (ca. 1450–1521)	92v–93
Vultum tuum deprecabuntur 25.14	Despres, Josquin (ca. 1450–1521)	[-]

‡ denotes primary source study

Gancarczyk, Pawel. 2001. Musica scripta: Kodeksy menzuralne II połowy XV wieku na wschodzie Europy Łacińskiej. 296. Warsaw: Instytut Sztuki Polskiej Akademii Nauk. Pages: 141. Notes: discussion of watermarks & dating.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xx, 29-34,65-7,85,87; III,38, 76-7,87-9. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 70ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: (I,119-20, passim; II,51ff,148. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Staehelin, Martin. 1972. Neues zu Bartholomäus Frank. Festschrift Arnold Geering zum 70. Geburtstag, 119-28. Bern. Notes: contents list (partial); mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 134-49,158-60,229ff,587-9. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 125. Notes: contents list (partial); concordances (partial); incipits (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III.iv; V.xxvii.lxxxii-lxxxiii, xcvi,113-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 17-8, passim; II, 13,66-8,110. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 350. Notes: physical description; contents list (partial); concordances (partial).

Feldmann, Fritz. 1955. Alte und neue Probleme um Cod. 2016 des Musikalischen Instituts bei der Universität Breslau. Festschrift Max Schneider zum achtzigsten Geburtstage, 49-66. Leipzig. Notes: physical description; mention of MS; discussion.

Salmen, Walter. 1954. Die Schichtung der mittelalterliche Musikkultur in der ostdeutschen Grenzlage. Kassel. Pages: 118-9. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Feldmann, Fritz. 1938, 1973. Musik und Musikpflege im mittelalterlichen Schlesien. Breslau: (1938) Hildesheim and New York: (1973 reprint). Pages: 142-53 Anhang II, 17-31. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Feldmann, Fritz. 1932. Der Codex Mf. 2016 des Musikalischen Instituts bei der Universiftät Breslau: Eine palaeographische und stilistische Beschreibung. 2 vols. Breslau. Pages: I-II. Notes: physical description; contents list; concordances; incipits; transcription (partial); mention of MS; discussion.

Feldmann, Fritz. 1930-1. Zwei weltliche Stücke des Breslauer Codex Mf. 2016. Zeitschrift für Musikwissenschaft, 252-66. Notes: contents list (partial); transcription (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXXI LVI. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

PL-Wu RM 5892

Biblioteka Uniwersytecka, Oddzial Zbiorów Muzycznych, Warsaw, Poland

manuscript of polyphony: c. 1490-1500

General Description

Binding

Watermark

Notation

Date

Foliation

Decoration

Surface

Census Catalogue of Music Description

Concordances

General Note

General Note

General Note

Concordances

General Note

Concordances

General Note