GB-Lbl Egerton 3307

British Library, London, England

manuscript of polyphony: 15th century

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Egerton 3307
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Format	portrait
Measurements	292 x 213 mm
Other Identifiers	CCM: LonBLE 3307
Notations	black full mensural coloration in black void coloration in red full coloration in red void
Relationships	Wilson, Bernard (owner) ? Tissot, Jean Joseph Jacques (1836–1902) (owner) ? St George's Chapel, Windsor (copied at) ? Meaux Cistercian Abbey (copied at)
External Links	British Library online catalogue entry
Provenance	Cistercian Abbey or St. George's Chapel ? Meaux? England
Contents	67 pieces from 2 composers

General Description

Music copied by one main scribe (ff. 8-77) and two additional scribes (ff. 6-7 and ff. 77'-79, respectively); five text hands. Liturgical music in Part I for Holy Week; follows Sarum rite. Six concordances with OxfBS 26 (carols). Perhaps copied at Meaux Cistercian Abbey, near Beverley, Yorkshire (BukMR, GreM); copied at St. George's Chapel, Windsor (SchofN, McpeB). History of ownership prior to 19th century not traced; may have belonged to French artist Jean Joseph Jacques Tissot (1836-1902), who lived in London for a decade, beginning in 1872. Later owned by Bernard Wilson, of London; purchased by British Museum in 1944.

Pieces on ff. 6-7 and ff. 72'-75 in choirbook layout; motet on ff. 75'-77 has voice parts on versos in score layout, voice parts on rectos in choirbook layout; all other music in score layout.

DIAMM, 2017

Physical Description

ff. 1-5, 52, 56, and 85 cut out, leaving stubs

DIAMM, 2017

Binding

Modern covers of maroon leather; earlier (19th-century) covers of green cardboard, decorated with grape cluster and monogram 'JTJ' [ = Jean Joseph Jacques Tissot?], bound in at beginning.

DIAMM, 2017

Liminary Note

scrolls on f. 15 und f. 20 bear inscriptions "de cy en mieulx" (mostly erased) and "Mieulx en de cy"

DIAMM, 2017

Notation

Black full mensural with full red, red void, and black void colouration.

DIAMM, 2017

Date

1430-44 (McpeB)

DIAMM, 2017

Ruling

red staves

DIAMM, 2017

Foliation

6-88v

DIAMM, 2017

Foliation

Modern pencil foliation, 1-88

DIAMM, 2017

Decoration

Most initials decorated in red, blue, salmon, and black ink; initials on ff. 37', 49, and 72'-73 illuminated in green, blue, red, brown, black, and gold. Miniatures depicting drinking scenes on ff. 72'-73. Scrolls on f. 15 and f. 20 bear inscriptions 'De cy en mieulx' (mostly erased) and 'Mieulx en de cy' (perhaps puns indicating ownership by Meaux Abbey-BukMR, GreM). Red cross patonce at bottom of f. 15; similar but smaller cross at top of f. 20.

DIAMM, 2017

Surface

88 parchment + iii paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Part I: 1 K-S-A Mass, 3 Mass Proper sections, 7 processional hymns, 2 Passions, 5 motets = 18. Part II: 1 motet, 19 Latin carols, 5 English carols, 6 Latin/English carols, 2 Latin/English/ French carols, 1 textless piece in carol form, 1 Latin drinking song = 35. Total for manuscript = 53

(Dunstable?)-1, anon-52

88 parchment + iii paper folios, 292 x 213. Modern pencil foliation, 1-88 (ff. 1-5, 52, 56, and 85 cut out, leaving stubs). Blank staves on ff. 7', 19', 78', and 79'-88'. Modern covers of maroon leather; earlier (19th-century) covers of green cardboard, decorated with grape cluster and monogram "JTJ" [ = Jean Joseph Jacques Tissot?], bound in at beginning. No index. Black mensural notation on red staves, with full red, red void, and black void coloration. Pieces on ff. 6-7 and ff. 72'-75 in choirbook format; motet on ff. 75'-77 has voice parts on versos in score format, voice parts on rectos in choirbook format; all other music in score format.

Music copied by one main scribe (ff. 8-77) and two additional scribes (ff. 6-7 and ff. 77'-79, respectively); five text hands. Most initials decorated in red, blue, salmon, and black ink; initials on ff. 37', 49, and 72'-73 illuminated in green, blue, red, brown, black, and gold. Miniatures depicting drinking scenes on ff. 72'-73. Scrolls on f. 15 and f. 20 bear inscriptions "De cy en mieulx" (mostly erased) and "Mieulx en de cy" (perhaps puns indicating ownership by Meaux Abbey-BukMR, GreM). Red cross patonce at bottom of f. 15; similar but smaller cross at top of f. 20. Liturgical music in Part I for Holy Week; follows Sarum rite. Six concordances with OxfBS 26 (carols).

1430-44 (McpeB). Perhaps copied at Meaux Cistercian Abbey, near Beverley, Yorkshire (BukMR, GreM); copied at St. George's Chapel, Windsor (SchofN, McpeB). History of ownership prior to 19th century not traced; may have belonged to French artist Jean Joseph Jacques Tissot (1836-1902), who lived in London for a decade, beginning in 1872. Later owned by Bernard Wilson, of London; purchased by British Museum in 1944.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
6	Gloria laus et honor tibi sit rex crriste redemptor	-	Anonymous
Gloria laus et honor tibi sit rex crriste redemptor Anonymous Appears on: 6 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor tibi sit rex crriste redemptor General Note lower 2 voices only - Contratenor/Tenor
6v–7	Coetus in excelsis te laudant	-	Anonymous
Coetus in excelsis te laudant Anonymous Appears on: 6v–7 Genres: Motet
7v	[blank staves]	-	-
[blank staves] Appears on: 7v
8–10v	En rex venit	-	Anonymous
En rex venit Anonymous Appears on: 8–10v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: En rex venit mansuetus tibi
10v–11v	Gloria laus et honor tibi sit rex	-	Anonymous
Gloria laus et honor tibi sit rex Anonymous Appears on: 10v–11v Genres: Motet
11v–12	Coetus in excelsis te laudant	-	Anonymous
Coetus in excelsis te laudant Anonymous Appears on: 11v–12 Genres: Motet
12v–13	Plebs hebrea tibi cum palmis	-	Anonymous
Plebs hebrea tibi cum palmis Anonymous Appears on: 12v–13 Genres: Motet
13–14v	Unus autem ex ipsis	-	Anonymous
Unus autem ex ipsis Anonymous Appears on: 13–14v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Unus autem ex ipsis
15–16v	Passio Domini nostri Jesu Christi secundum Mattheum	-	Anonymous
Passio Domini nostri Jesu Christi secundum Mattheum Anonymous Appears on: 15–16v Genres: Liturgical work, Passion Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri iesu cristi secundum matheum
16v–17	Kyrie	-	Anonymous
Kyrie Anonymous Appears on: 16v–17 Genres: Kyrie eleison, Mass Ordinary
17v–18	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 17v–18 Genres: Mass Ordinary, Sanctus [& Benedictus]
18v–19	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 18v–19 Genres: Agnus Dei, Mass Ordinary
19v	[blank staves]	-	-
[blank staves] Appears on: 19v
20–24v	Passio Domini nostri Jesu Christi secundum Lucam	-	Anonymous
Passio Domini nostri Jesu Christi secundum Lucam Anonymous Appears on: 20–24v Genres: Liturgical work, Passion Voice: [no designation] Languages: Latin Voice Text: PAssio domini nostri iesu cristi. Secundum lucam
25–28v	O redemptor sume carmen	-	Anonymous
O redemptor sume carmen Anonymous Appears on: 25–28v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: O redemptor sume carmen
29–33	Inventor rutili dux bone luminis	-	Anonymous
Inventor rutili dux bone luminis Anonymous Appears on: 29–33 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Inventor rutili dux bone luminis
33–36	Rex sanctorum angelorum	-	Anonymous
Rex sanctorum angelorum Anonymous Appears on: 33–36 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Rex sanctorum angelorum
36v–37	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 36v–37 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia
37v–41v	Salve festa dies toto venerabilis evo	-	Anonymous
Salve festa dies toto venerabilis evo Anonymous Appears on: 37v–41v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis evo
42	Salve festa dies	-	Anonymous
Salve festa dies Anonymous Appears on: 42 Genres: Hymn
42v–43v	Crucifixum in carne laudate	-	Anonymous
Crucifixum in carne laudate Anonymous Appears on: 42v–43v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Crucifixum in carne laudate
43v–44	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 43v–44 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia
44v–45v	Dicant nunc Judaei quo modo milites	-	Anonymous
Dicant nunc Judaei quo modo milites Anonymous Appears on: 44v–45v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Dicant nunc Iudei quo modo milites
46–47	Alleluia. Salve virgo mater Dei	-	Anonymous
Alleluia. Salve virgo mater Dei Anonymous Appears on: 46–47 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia Salue virgo mater Dei
47v–48	Audivi vocem de caelo (3vv)	-	Tuder, John
Audivi vocem de caelo (3vv) Tuder, John Appears on: 47v–48 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Audivi vocem de celo venientem venite omnes virgines sapientissimae
48v	Audivi vocem de caelo (2vv)	-	Tuder, John
Audivi vocem de caelo (2vv) Tuder, John Appears on: 48v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Audivi vocem de celo venientem venite omnes virgines sapientissimae
49	Tibi laus, tibi gloria	-	Anonymous
Tibi laus, tibi gloria Anonymous Appears on: 49 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Tibi laus tibi gloria
49v–50	Princeps pacis strenue	-	Anonymous
Princeps pacis strenue Anonymous Appears on: 49v–50 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Princeps pacis strenue
50v–51	David ex progenie nata fuit	-	Anonymous
David ex progenie nata fuit Anonymous Appears on: 50v–51 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: David ex progenie
51v	Novo profusi gaudio	-	Anonymous
Novo profusi gaudio Anonymous Appears on: 51v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Novo profusi gaudio
53	Novus sol de virgine - The holy daughter	-	Anonymous
Novus sol de virgine - The holy daughter Anonymous Appears on: 53 Genres: Carol, Motet Voice: [no designation] Languages: Latin Voice Text: Novus sol de virgine
53v–54	Sol occasum nesciens	-	Anonymous
Sol occasum nesciens Anonymous Appears on: 53v–54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sol occasum nesciens
54v	The holy martyr, Stephen, we pray to be our succour both night and day	-	Anonymous
The holy martyr, Stephen, we pray to be our succour both night and day Anonymous Appears on: 54v Genres: Motet
55	Qui natus est de virgine	-	Anonymous
Qui natus est de virgine Anonymous Appears on: 55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui natus est de virgine
55v	Ave rex angelorum	-	Anonymous
Ave rex angelorum Anonymous Appears on: 55v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave rex angelorum General Note incomplete: f. 56 removed
57	Ave rex angelorum	-	Anonymous
Ave rex angelorum Anonymous Appears on: 57 Genres: Motet
57v–58	Cum virtus magnifica patris	-	Anonymous
Cum virtus magnifica patris Anonymous Appears on: 57v–58 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cum virtus magnifica
58v–59	Illuminare Jerusalem	-	Anonymous
Illuminare Jerusalem Anonymous Appears on: 58v–59 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Illuminare Ierusalem
59v–60	Ivy is good and glad to see	-	Anonymous
Ivy is good and glad to see Anonymous Appears on: 59v–60 Genres: Carol
60v–61	Anglia tibi turbidas	-	Anonymous
Anglia tibi turbidas Anonymous Appears on: 60v–61 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anglia tibi turbidas
61v	Benedicite Deo Domino	-	Anonymous
Benedicite Deo Domino Anonymous Appears on: 61v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicite Deo Domino
62	Johannes Jesu care	-	Anonymous
Johannes Jesu care Anonymous Appears on: 62 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iohannes Iesu care
62v–63	Saint Thomas honour we Through whose blood	-	Anonymous
Saint Thomas honour we Through whose blood Anonymous Appears on: 62v–63 Genres: Motet
63v	Enforce we us with all our might	-	Anonymous
Enforce we us with all our might Anonymous Appears on: 63v Genres: Carol
64	Exultavit cor in Domino	-	Anonymous
Exultavit cor in Domino Anonymous Appears on: 64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exultavit cor in Domino
64v	Princeps serenissime	-	Anonymous
Princeps serenissime Anonymous Appears on: 64v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Princeps serenissime
65	Ecce quod natura – Ecce novum gaudium	-	Anonymous
Ecce quod natura – Ecce novum gaudium Anonymous Appears on: 65 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce quod natura
65v–66	Almighty Jesu king of bliss	-	Anonymous
Almighty Jesu king of bliss Anonymous Appears on: 65v–66 Genres: Motet
66v	I pray you all	-	Anonymous
I pray you all Anonymous Appears on: 66v Genres: Carol
67	Ave plena gratia	-	Anonymous
Ave plena gratia Anonymous Appears on: 67 Genres: Motet Voice: [no designation] Languages: Latin, English Voice Text: Ave plena gracia
67v	Verbum patris hodie processit	-	Anonymous
Verbum patris hodie processit Anonymous Appears on: 67v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum Patris hodie
68	Illuxit leticia	-	Anonymous
Illuxit leticia Anonymous Appears on: 68 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Illuxit leticia
68v	Omnes una gaudeamus	-	Anonymous
Omnes una gaudeamus Anonymous Appears on: 68v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Omnes una gaudeamus
69	Alleluia pro virgine Maria	-	Anonymous
Alleluia pro virgine Maria Anonymous Appears on: 69 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alleluia
69v–70	Omnis caterva fidelium	-	Anonymous
Omnis caterva fidelium Anonymous Appears on: 69v–70 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Omnis caterva fidelium
70v–71	Comedentes convenite	-	Anonymous
Comedentes convenite Anonymous Appears on: 70v–71 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Comedentes convenite
71v	Gaudeamus pariter	-	Anonymous
Gaudeamus pariter Anonymous Appears on: 71v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudeamus pariter
72	Parit virgo filium	-	Anonymous
Parit virgo filium Anonymous Appears on: 72 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Parit virgo filium
72v–73	O potores exquisiti	-	Anonymous
O potores exquisiti Anonymous Appears on: 72v–73 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O potores exquisiti
73v–74	Vina qui non gustat pura	-	Anonymous
Vina qui non gustat pura Anonymous Appears on: 73v–74 Genres: Carol
74v–75	Cum regina sit in mari, dea potest appellari	-	Anonymous
Cum regina sit in mari, dea potest appellari Anonymous Appears on: 74v–75 Genres: Carol
75v–76	Cantemus Domino socie cantemus honorem	-	Anonymous
Cantemus Domino socie cantemus honorem Anonymous Appears on: 75v–76 Genres: Carol Voice: [no designation] Languages: Latin Voice Text: Cantemus Domino socie cantemus honorem Voice: [no designation] Languages: Latin Voice Text: Gaudient in celis etc.
76v–77	Cantemus Domino socie cantemus honorem	-	Anonymous
Cantemus Domino socie cantemus honorem Anonymous Appears on: 76v–77 Genres: Carol
77v–78	[untexted carol]	-	Anonymous
[untexted carol] Anonymous Appears on: 77v–78 Genres: Carol, textless Voice: [no designation] Languages: Latin Voice Text: Lauda salvatorum
78v	[blank staves]	-	-
[blank staves] Appears on: 78v
79	Lauda salvatorum	-	Anonymous
Lauda salvatorum Anonymous Appears on: 79 Genres: Motet General Note a partially-texted fragment only
79v–88v	[blank staves]	-	-
[blank staves] Appears on: 79v–88v

Composer	Compositions
Anonymous	Agnus Dei – 18v–19 Alleluia – 43v–44 Alleluia – 36v–37 Alleluia pro virgine Maria – 69 Alleluia. Salve virgo mater Dei – 46–47 Almighty Jesu king of bliss – 65v–66 Anglia tibi turbidas – 60v–61 Ave plena gratia – 67 Ave rex angelorum – 55v Ave rex angelorum – 57 Benedicite Deo Domino – 61v Cantemus Domino socie cantemus honorem – 76v–77 Cantemus Domino socie cantemus honorem – 75v–76 Coetus in excelsis te laudant – 6v–7 Coetus in excelsis te laudant – 11v–12 Comedentes convenite – 70v–71 Crucifixum in carne laudate – 42v–43v Cum regina sit in mari, dea potest appellari – 74v–75 Cum virtus magnifica patris – 57v–58 David ex progenie nata fuit – 50v–51 Dicant nunc Judaei quo modo milites – 44v–45v Ecce quod natura – Ecce novum gaudium – 65 En rex venit – 8–10v Enforce we us with all our might – 63v Exultavit cor in Domino – 64 Gaudeamus pariter – 71v Gloria laus et honor tibi sit rex – 10v–11v Gloria laus et honor tibi sit rex crriste redemptor – 6 I pray you all – 66v Illuminare Jerusalem – 58v–59 Illuxit leticia – 68 Inventor rutili dux bone luminis – 29–33 Ivy is good and glad to see – 59v–60 Johannes Jesu care – 62 Kyrie – 16v–17 Lauda salvatorum – 79 Novo profusi gaudio – 51v Novus sol de virgine - The holy daughter – 53 O potores exquisiti – 72v–73 O redemptor sume carmen – 25–28v Omnes una gaudeamus – 68v Omnis caterva fidelium – 69v–70 Parit virgo filium – 72 Passio Domini nostri Jesu Christi secundum Lucam – 20–24v Passio Domini nostri Jesu Christi secundum Mattheum – 15–16v Plebs hebrea tibi cum palmis – 12v–13 Princeps pacis strenue – 49v–50 Princeps serenissime – 64v Qui natus est de virgine – 55 Rex sanctorum angelorum – 33–36 Saint Thomas honour we Through whose blood – 62v–63 Salve festa dies – 42 Salve festa dies toto venerabilis evo – 37v–41v Sanctus – 17v–18 Sol occasum nesciens – 53v–54 The holy martyr, Stephen, we pray to be our succour both night and day – 54v Tibi laus, tibi gloria – 49 Unus autem ex ipsis – 13–14v Verbum patris hodie processit – 67v Vina qui non gustat pura – 73v–74 [untexted carol] – 77v–78 [No description] – 79v–88v [No description] – 19v [No description] – 78v [No description] – 7v
Tuder, John	Audivi vocem de caelo (2vv) – 48v Audivi vocem de caelo (3vv) – 47v–48

Composer

Compositions

Anonymous

Agnus Dei – 18v–19
Alleluia – 43v–44
Alleluia – 36v–37
Alleluia pro virgine Maria – 69
Alleluia. Salve virgo mater Dei – 46–47
Almighty Jesu king of bliss – 65v–66
Anglia tibi turbidas – 60v–61
Ave plena gratia – 67
Ave rex angelorum – 55v
Ave rex angelorum – 57
Benedicite Deo Domino – 61v
Cantemus Domino socie cantemus honorem – 76v–77
Cantemus Domino socie cantemus honorem – 75v–76
Coetus in excelsis te laudant – 6v–7
Coetus in excelsis te laudant – 11v–12
Comedentes convenite – 70v–71
Crucifixum in carne laudate – 42v–43v
Cum regina sit in mari, dea potest appellari – 74v–75
Cum virtus magnifica patris – 57v–58
David ex progenie nata fuit – 50v–51
Dicant nunc Judaei quo modo milites – 44v–45v
Ecce quod natura – Ecce novum gaudium – 65
En rex venit – 8–10v
Enforce we us with all our might – 63v
Exultavit cor in Domino – 64
Gaudeamus pariter – 71v
Gloria laus et honor tibi sit rex – 10v–11v
Gloria laus et honor tibi sit rex crriste redemptor – 6
I pray you all – 66v
Illuminare Jerusalem – 58v–59
Illuxit leticia – 68
Inventor rutili dux bone luminis – 29–33
Ivy is good and glad to see – 59v–60
Johannes Jesu care – 62
Kyrie – 16v–17
Lauda salvatorum – 79
Novo profusi gaudio – 51v
Novus sol de virgine - The holy daughter – 53
O potores exquisiti – 72v–73
O redemptor sume carmen – 25–28v
Omnes una gaudeamus – 68v
Omnis caterva fidelium – 69v–70
Parit virgo filium – 72
Passio Domini nostri Jesu Christi secundum Lucam – 20–24v
Passio Domini nostri Jesu Christi secundum Mattheum – 15–16v
Plebs hebrea tibi cum palmis – 12v–13
Princeps pacis strenue – 49v–50
Princeps serenissime – 64v
Qui natus est de virgine – 55
Rex sanctorum angelorum – 33–36
Saint Thomas honour we Through whose blood – 62v–63
Salve festa dies – 42
Salve festa dies toto venerabilis evo – 37v–41v
Sanctus – 17v–18
Sol occasum nesciens – 53v–54
The holy martyr, Stephen, we pray to be our succour both night and day – 54v
Tibi laus, tibi gloria – 49
Unus autem ex ipsis – 13–14v
Verbum patris hodie processit – 67v
Vina qui non gustat pura – 73v–74
[untexted carol] – 77v–78
[No description] – 79v–88v
[No description] – 19v
[No description] – 78v
[No description] – 7v

Tuder, John

Audivi vocem de caelo (2vv) – 48v
Audivi vocem de caelo (3vv) – 47v–48

Composition	Composers (? Uncertain)	Folios / Pages
[untexted carol]	Anonymous	77v–78
Agnus Dei	Anonymous	18v–19
Alleluia	Anonymous	36v–37
Alleluia	Anonymous	43v–44
Alleluia pro virgine Maria	Anonymous	69
Alleluia. Salve virgo mater Dei	Anonymous	46–47
Almighty Jesu king of bliss	Anonymous	65v–66
Anglia tibi turbidas	Anonymous	60v–61
Audivi vocem de caelo (2vv)	Tuder, John	48v
Audivi vocem de caelo (3vv)	Tuder, John	47v–48
Ave plena gratia	Anonymous	67
Ave rex angelorum	Anonymous	55v
Ave rex angelorum	Anonymous	57
Benedicite Deo Domino	Anonymous	61v
Cantemus Domino socie cantemus honorem	Anonymous	75v–76
Cantemus Domino socie cantemus honorem	Anonymous	76v–77
Coetus in excelsis te laudant	Anonymous	6v–7
Coetus in excelsis te laudant	Anonymous	11v–12
Comedentes convenite	Anonymous	70v–71
Crucifixum in carne laudate	Anonymous	42v–43v
Cum regina sit in mari, dea potest appellari	Anonymous	74v–75
Cum virtus magnifica patris	Anonymous	57v–58
David ex progenie nata fuit	Anonymous	50v–51
Dicant nunc Judaei quo modo milites	Anonymous	44v–45v
Ecce quod natura – Ecce novum gaudium	Anonymous	65
En rex venit	Anonymous	8–10v
Enforce we us with all our might	Anonymous	63v
Exultavit cor in Domino	Anonymous	64
Gaudeamus pariter	Anonymous	71v
Gloria laus et honor tibi sit rex	Anonymous	10v–11v
Gloria laus et honor tibi sit rex crriste redemptor	Anonymous	6
I pray you all	Anonymous	66v
Illuminare Jerusalem	Anonymous	58v–59
Illuxit leticia	Anonymous	68
Inventor rutili dux bone luminis	Anonymous	29–33
Ivy is good and glad to see	Anonymous	59v–60
Johannes Jesu care	Anonymous	62
Kyrie	Anonymous	16v–17
Lauda salvatorum	Anonymous	79
Novo profusi gaudio	Anonymous	51v
Novus sol de virgine - The holy daughter	Anonymous	53
O potores exquisiti	Anonymous	72v–73
O redemptor sume carmen	Anonymous	25–28v
Omnes una gaudeamus	Anonymous	68v
Omnis caterva fidelium	Anonymous	69v–70
Parit virgo filium	Anonymous	72
Passio Domini nostri Jesu Christi secundum Lucam	Anonymous	20–24v
Passio Domini nostri Jesu Christi secundum Mattheum	Anonymous	15–16v
Plebs hebrea tibi cum palmis	Anonymous	12v–13
Princeps pacis strenue	Anonymous	49v–50
Princeps serenissime	Anonymous	64v
Qui natus est de virgine	Anonymous	55
Rex sanctorum angelorum	Anonymous	33–36
Saint Thomas honour we Through whose blood	Anonymous	62v–63
Salve festa dies	Anonymous	42
Salve festa dies toto venerabilis evo	Anonymous	37v–41v
Sanctus	Anonymous	17v–18
Sol occasum nesciens	Anonymous	53v–54
The holy martyr, Stephen, we pray to be our succour both night and day	Anonymous	54v
Tibi laus, tibi gloria	Anonymous	49
Unus autem ex ipsis	Anonymous	13–14v
Verbum patris hodie processit	Anonymous	67v
Vina qui non gustat pura	Anonymous	73v–74

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‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Bent, Margaret. 1973. The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation. Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag, edited by Margaret Bent, 65–83. Munich: Musikverlag Emil Katzbichler.

Bent, Margaret. 1969. The Old Hall Manuscript: A Paleographical Study. Cambridge University, Unpublished Ph.D. dissertation. Pages: 102-5,279.

Hughes, Andrew. 1966. Mensural Polyphony for Choir in 15th-century England. Journal of the American Musicological Society, 352-69. Pages: 366-8.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: (VIII, ix-xi,44-132,135-58,174-9.

Hughes, Andrew. 1963. English Sacred Music (Excluding Carols) in Insular Sources, 1400-C.1450. Oxford University, Unpublished Ph.D. dissertation.

McPeek, Gwynn Spencer, and Robert White Linker (editors). 1963. The British Museum Manuscript Egerton 3307. London and Chapel Hill, N.C.

Greene, Richard Leighton. 1962. A Selection of English Carols. Oxford. Pages: 62ff, 170-1.

Schmidt, Günther. 1960. Grundsätzliche Bemerkungen zur Geschichte der Passionshistorie. Archiv für Musikwissenschaft, 100-25. Pages: 104-5,115-7, Plate 3.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 275ff, passim.

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: III, 121ff,181-4, Plate II.

Greene, Richard Leighton. 1954. Two Medieval Musical Manuscripts: Egerton 3307 and Some University of Chicago Fragments. Journal of the American Musicological Society, 1-34.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IV.

Bukofzer, Manfred F. 1950. Studies in Medieval and Renaissance Music. Pages: 113-75.

McPeek, Gwynn Spencer. 1950. Dating the Windsor MS. Journal of the American Musicological Society, 156-7.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 706; II,1340; VIII, 1183-5.

McPeek, Gwynn Spencer. 1949. The Windsor Manuscript: British Museum Egerton 3307. University of North Carolina, Unpublished Ph.D. dissertation.

Schofield, Bertram, and Manfred F Bukofzer. 1946), 509-36; XXXIII (1947. A Newly Discovered 15th-century Manuscript of the English Chapel Royal. The Musical Quarterly, 38-51.

Greene, Richard Leighton (editor). 1935, 2nd 1977. The Early English Carols. Oxford. Pages: 299-301, passim.

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1936-45],392-5.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description