I-Mfd MS 2267 (Librone 3)

Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy

partbook: Early 16th century

Archive	Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy (I-Mfd)
Shelfmark	MS 2267 (Librone 3)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	487 x 340 mm
Other Identifiers	RISM: I-Md 2267 CCM: MilD 3 Other catalogues/source: I-Mfd Librone 3 Other catalogues/source: I-Mfd Librone 3 olim (Former shelfmark): 2267
Notations	black void mensural
Copyists	Gaffurius, Franchinus (1451–1522) Music scribal concordance [50] Text and Music
Relationships	Gaffurius, Franchinus (1451–1522) (compiler) Milan Cathedral (copied at)
External Links	Gaffurius Codices online
Provenance	Milan Cathedral , Milano (Milan), Italy
Contents	141 pieces from 13 composers

General Description

Copied by 8-10 scribes (KanP), including Franchino Gafori, who also copied ParmC 1158; scribal concordances with MilD 1, MilD 2, and MilD 4. The scribe who copied ff. 37-54, 57'-78, and 125'147 also wrote FlorC 2441 (RifSC). Most anonymous pieces probably by Gafori. Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

DIAMM, 2017

Physical Description

Paper manuscript; fols. III (modern flyleaves), 1 (an ancient flyleaf numbered ‘3’ in pencil by a modern hand), 217, III’ (modern flyleaves). The manuscript consists of 217 fols.; the foliation, written by Gaffurius himself on the upper right margin of each recto, starts with ‘11’ (as the codex is acephalous) and ends with ‘227’. The format is ‘in folio’: 487 × 340. The gatherings do not seem to have been altered during the 1950s restoration: 1–2 (8), 3–8 (10), 9 (12), 10 (10), 11–12 (8), 13 (11, a quinternion with leaf inserted after the first six), 14 (an artificial quinternion in which the first and the last folios, devoid of conjoint leaves, are pasted together with the following and the previous folio respectively), 15–16 (8), 17–18 (10), 19–20 (8), 21–23 (10). The paper shows no watermarks and is homogeneous in the en-tire manuscript. The writing-block is 487 × 340 = 41 [383] 63 × 24 [266] 50, with 10 staves + 10 lines of text (fol. 19r; often a stave is added in the lower margin in order to complete a voice part); the ruling, normally without indentation, is in lead pencil for the vertical bounding lines and in ochre ink for the staves. A double 20-mm rastrum was used, with 18-mm spacings: six prick-holes are visible on the outer margin, one corresponding to each pair of staves and the sixth underneath the last stave. In some gatherings an additional series of five holes is also visible, for the lines of text. Fol. 1v is completely blank, whereas fols. 11r, 36v, 98v–99r, 116v–117r, 124v–125r, 171v–172r, 196v–198r, and 227v contain empty staves (at fol. 227v there are several sixteenth-century probationes pennae, mentioning a certain ‘Antonio Maria’). The modern cover (518 × 360) is in wooden boards and leather and neomedieval in taste, with two clasps, cornerpieces, and bosses, and the logo of the Veneranda. Fabbrica del Duomo embossed at the top of the front board. At the top of the spine it bears, imprinted in gold, the current shelfmark (3), at the bottom the previous one (2267) (Pantarotto 2021).

Two fragmentary, non-consecutive loose folios have been recovered in the Archive of the Veneranda Fabbrica (now placed in a folder with shelfmark ‘Librone 3bis’ and labelled ‘Fragment 1’ and ‘Fragment 2’). They were probably sent back to the Archive as attachments after the 1950s restoration of Librone 3, to which they seem to belong for the mise-en-page and the scribal hand. Fragment 1 is the upper part of a folio: it measures 328 × 336 and presents an irregular external margin; the original foliation is partially visible: a ‘2’ followed by a ‘4’ or ‘6’. The recto contains empty staves, while the verso contains the Cantus and the beginning of the Altus of an anonymous Magnificat (a total of eight staves are visible, of which the last four are incomplete because of the material loss on the right side of the page). Fragment 2 is, instead, the lower part of a folio; it measures 270 × 327 and presents an irregular external margin. The recto shows six staves (the last of which added in the lower margin), with the Bassus of the second part of a motet for St Catherine by Loyset Compère, Gaude prole regia. The verso is completely blank (Pantarotto 2021). A more thorough discussion of the fragments in Filippi 2021a.

DIAMM, 2024

Binding

Modern covers of tooled leather.

DIAMM, 2017

Watermark

No watermarks visible.

DIAMM, 2017

Notation

black void mensural notation

DIAMM, 2017

Foliation

Original ink foliation, 11-227

DIAMM, 2017

Decoration

Some inked ornamental initials

DIAMM, 2017

Index

Original index of Masses on verso of unnumbered parchment flyleaf at beginning.

DIAMM, 2017

Surface

ii paper + i parchment + 217 paper + ii paper

DIAMM, 2017

RISM Description

RISM

LIBRONE 3

(Ms. 2267)

I-Md 2267

XVe/XVIe s. 217 ff. + 1 f. limin. parchemin n. ch. Papier, 480 x 330 mm. Foliotation ancienne: 11-227. Les ff. 11r, 36v, 98v, 99, 116v, 117, 124v, 125, 171v, 172, 196v à 198, 227v sont blancs. Notation mesurée blanche. 10 portées par p. Au v. du f. limin. parchemin, table originale du ms. Initiales ornées à la plume.

Ce ms., copié ca. 1500 au moins par 8 scribes différents, sort du répertoire typiquement milanais avec 5 messes seulement de Gaffurio (et 5 messes et motets de Josquin), alors que la préférence est donnée avec 8 messes et motets à Alexander Copinus dont la carrière s'est déroulée à Florence. Le ms. comprend un cycle de motetti missales; la Missa Galeazescha de Compère (n° 22 1-8) probablement dédiée au duc Galeazzo Maria Sforza, ou, mais avec moins de probabilité, à son fils Gian Galeazzo.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses (2 without Kyrie), 8 G-C-S Masses, 1 Gloria-Credo pair, 1 Credo-Sanctus pair, 1 Gloria, 4 Magnificats, 4 Lamentations, 47 motets (some arranged in cycles, as substitutes for Mass sections), 1 textless piece = 74

A. Agricola-1, Brumel-2, Compère [Loyset]-10, (Compère/Richafort)-1, Coppinus-5, Gafori-8, Isaac-1, Josquin-5, (Josquin/Mouton)-1, (Notens)-1, (Prioris?)-1, anon-38

ii paper + i parchment + 217 paper + ii paper folios, 482 x 340. Original ink foliation, 11-227. Modern covers of tooled leather. Original index of Masses on verso of unnumbered parchment flyleaf at beginning. Copied by 8-10 scribes (KanP), including Franchino Gafori, who also copied ParmC 1158; scribal concordances with MilD 1, MilD 2, and MilD 4. The scribe who copied ff. 37-54, 57'-78, and 125'147 also wrote FlorC 2441 (RifSC). Some inked ornamental initials. No watermarks visible. Most anonymous pieces probably by Gafori.

Ca. 1500 (AMMM). Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

Vol 4

Contents: Change "47 motets" to "45 motets"; change total of pieces from "74" to "72."

Composers: A. Agricola-1, Brumel-2, Compere [Loyset]-10, (Compère/Richa-fort)-1, Coppinus-4, Gafori-7 + 3?, Isaac-1, Josquin-5, (Josquin/Mouton)-1, (Notens)-1, (Prioris?)-1, (Rupsch)-1, (Weerbecke?)-1, anon-33

Physical: Copied by three main scribes; one of these also wrote portions of MilD 2 (HalpM), another also wrote FlorC 2441 (RifSC). Later additions by four other scribes, including Franchino Gafori, who also wrote ParmP 1158 and made additions in MilD 1, MilD 2, and MilD 4 (HalpM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
11v–14	Lamentations, lectio prima - 1a pars (of 6): Incipit lamentatio Jeremiae	-	Anonymous
Lamentations, lectio prima - 1a pars (of 6): Incipit lamentatio Jeremiae Anonymous Appears on: 11v–14 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentatio Jeremie … 4vx.Suivi de: Aleph. Quomodo sola sedet … Beth. Plorans pLoravit … Gimel. Migravit Judas … Deleth. Vie Syon … Jerusalem convertere … Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentatio Jeremie …Suivi de: Aleph. Quomodo sola sedet … Beth. Plorans pLoravit … Gimel. Migravit Judas … Deleth. Vie Syon … Jerusalem convertere … Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentatio Jeremie … 4vx.Suivi de: Aleph. Quomodo sola sedet … Beth. Plorans pLoravit … Gimel. Migravit Judas … Deleth. Vie Syon … Jerusalem convertere … Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentatio Jeremie … 4vx.Suivi de: Aleph. Quomodo sola sedet … Beth. Plorans pLoravit … Gimel. Migravit Judas … Deleth. Vie Syon … Jerusalem convertere … General Note [Lectio prima] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
11v–14	Lamentations, lectio prima - 2a pars (of 6): Aleph. Quomodo sedet	-	Anonymous
Lamentations, lectio prima - 2a pars (of 6): Aleph. Quomodo sedet Anonymous Appears on: 11v–14 Genres: Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Aleph. Quomodo sola sedet … General Note [Lectio prima] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
11v–14	Lamentations, lectio prima - 3a pars (of 6): Beth. Plorans ploravit	-	Anonymous
Lamentations, lectio prima - 3a pars (of 6): Beth. Plorans ploravit Anonymous Appears on: 11v–14 Genres: Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Beth. Plorans ploravit … General Note [Lectio prima] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
11v–14	Lamentations, lectio prima - 4a pars (of 6): Gimel. Migravit Judas	-	Anonymous
Lamentations, lectio prima - 4a pars (of 6): Gimel. Migravit Judas Anonymous Appears on: 11v–14 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Gimel. Migravit Judas … General Note [Lectio prima] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
11v–14	Lamentations, lectio prima - 5a pars (of 6): Deleth. Vie Sion	-	Anonymous
Lamentations, lectio prima - 5a pars (of 6): Deleth. Vie Sion Anonymous Appears on: 11v–14 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Deleth. Vie Syon … General Note [Lectio prima] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
11v–14	Lamentations, lectio prima - 6a pars (of 6): Jerusalem convertere	-	Anonymous
Lamentations, lectio prima - 6a pars (of 6): Jerusalem convertere Anonymous Appears on: 11v–14 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere … General Note [Lectio prima] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
14v–17	Lamentations, lectio seconda - 1a pars (of 5): He. Facti sunt hostes eius	-	Anonymous
Lamentations, lectio seconda - 1a pars (of 5): He. Facti sunt hostes eius Anonymous Appears on: 14v–17 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio seconda. He. Facti sunt hostes ejus …Suivi de: Vau. Et egressus est … Zain. Recordare est Jerusalem … Heth. Peccatum peccavit . . Jerusalem convertere ... Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio seconda. He. Facti sunt hostes ejus …Suivi de: Vau. Et egressus est … Zain. Recordare est Jerusalem … Heth. Peccatum peccavit . . Jerusalem convertere ... Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio seconda. He. Facti sunt hostes ejus …Suivi de: Vau. Et egressus est … Zain. Recordare est Jerusalem … Heth. Peccatum peccavit . . Jerusalem convertere ... Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio seconda. He. Facti sunt hostes ejus …Suivi de: Vau. Et egressus est … Zain. Recordare est Jerusalem … Heth. Peccatum peccavit . . Jerusalem convertere ... General Note Lectio seconda. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
14v–17	Lamentations, lectio seconda - 2a pars (of 5): Vau. Et egressus est	-	Anonymous
Lamentations, lectio seconda - 2a pars (of 5): Vau. Et egressus est Anonymous Appears on: 14v–17 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Vau. Et egressus est … General Note Lectio seconda. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
14v–17	Lamentations, lectio seconda - 3a pars (of 5): Zain. Recordare est Jerusalem	-	Anonymous
Lamentations, lectio seconda - 3a pars (of 5): Zain. Recordare est Jerusalem Anonymous Appears on: 14v–17 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Zain. Recordare est Jerusalem … General Note Lectio seconda. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
14v–17	Lamentations, lectio seconda - 4a pars (of 5): Heth. Peccatum peccavit	-	Anonymous
Lamentations, lectio seconda - 4a pars (of 5): Heth. Peccatum peccavit Anonymous Appears on: 14v–17 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Heth. Peccatum peccavit . . General Note Lectio seconda. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
14v–17	Lamentations, lectio seconda - 5a pars (of 5): Jerusalem convertere	-	Anonymous
Lamentations, lectio seconda - 5a pars (of 5): Jerusalem convertere Anonymous Appears on: 14v–17 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere ... General Note Lectio seconda. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
17v–20	Lamentations, lectio tertia - 1a pars (of 5): Teth. Sordes eius	-	Anonymous
Lamentations, lectio tertia - 1a pars (of 5): Teth. Sordes eius Anonymous Appears on: 17v–20 Genres: Lamentations Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio tertia. Teth. Sordes ejus …. Suivi de: Joth. Manum suam … Caph. Omnis populus ejus … Lamech. 0 vos omnes … Jerusalem convertere . . . Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio tertia. Teth. Sordes ejus …. Suivi de: Joth. Manum suam … Caph. Omnis populus ejus … Lamech. 0 vos omnes … Jerusalem convertere . . . Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio tertia. Teth. Sordes ejus …. Suivi de: Joth. Manum suam … Caph. Omnis populus ejus … Lamech. 0 vos omnes … Jerusalem convertere . . . Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lectio tertia. Teth. Sordes ejus …. Suivi de: Joth. Manum suam … Caph. Omnis populus ejus … Lamech. 0 vos omnes … Jerusalem convertere . . . Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
17v–20	Lamentations, lectio tertia - 2a pars (of 5): Joth. Manum suam	-	Anonymous
Lamentations, lectio tertia - 2a pars (of 5): Joth. Manum suam Anonymous Appears on: 17v–20 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Joth. Manum suam … General Note Lectio tertia Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
17v–20	Lamentations, lectio tertia - 3a pars (of 5): Caph. Omnis populus eius	-	Anonymous
Lamentations, lectio tertia - 3a pars (of 5): Caph. Omnis populus eius Anonymous Appears on: 17v–20 Genres: Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Caph. Omnis populus ejus … General Note Lectio tertia Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
17v–20	Lamentations, lectio tertia - 4a pars (of 5): Lamech. O vos omnes	-	Anonymous
Lamentations, lectio tertia - 4a pars (of 5): Lamech. O vos omnes Anonymous Appears on: 17v–20 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamech. 0 vos omnes … General Note Lectio tertia Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
17v–20	Lamentations, lectio tertia - 5a pars (of 5): Jerusalem convertere	-	Anonymous
Lamentations, lectio tertia - 5a pars (of 5): Jerusalem convertere Anonymous Appears on: 17v–20 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . . General Note Lectio tertia Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 1a pars (of 9): Incipit oratio Jeremiae prophetae	-	Anonymous
Lamentations - 1a pars (of 9): Incipit oratio Jeremiae prophetae Anonymous Appears on: 20v–24 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 2a pars (of 9):	-	Anonymous
Lamentations - 2a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 3a pars (of 9):	-	Anonymous
Lamentations - 3a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 4a pars (of 9):	-	Anonymous
Lamentations - 4a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 5a pars (of 9):	-	Anonymous
Lamentations - 5a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 6a pars (of 9):	-	Anonymous
Lamentations - 6a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 7a pars (of 9):	-	Anonymous
Lamentations - 7a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 8a pars (of 9):	-	Anonymous
Lamentations - 8a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Lamentations - 9a pars (of 9):	-	Anonymous
Lamentations - 9a pars (of 9): Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Incipit oratio Jeremiae prophetae	-	Anonymous
Incipit oratio Jeremiae prophetae Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Incipit oratio Jeremiae prophetae	-	Anonymous
Incipit oratio Jeremiae prophetae Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Incipit oratio Jeremiae prophetae	-	Anonymous
Incipit oratio Jeremiae prophetae Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
20v–24	Incipit oratio Jeremiae prophetae	-	Anonymous
Incipit oratio Jeremiae prophetae Anonymous Appears on: 20v–24 Genres: Lamentations, Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae
24v–27	Missa Je ne domando: Credo [Patrem]	-	Anonymous
Missa Je ne domando: Credo [Patrem] Anonymous Appears on: 24v–27 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo et Sanctus] Patrem 4vx Voice: [no designation] Languages: Latin Voice Text: [Credo et Sanctus] Patrem 4vx Voice: [no designation] Languages: Latin Voice Text: [Credo et Sanctus] Patrem 4vx Voice: [no designation] Languages: Latin Voice Text: [Credo et Sanctus] Patrem 4vx General Note Publ. cf. CMac M(D) n° 8[=Missa Elle est bien malade]
24v–27	Missa Je ne domando: Sanctus	-	Anonymous
Missa Je ne domando: Sanctus Anonymous Appears on: 24v–27 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Je ne domando.[Sanctus] General Note Publ. cf. CMac M(D) n° 8[=Missa Elle est bien malade]
27v–28	Missa Sine nomine (Re fa mi re fa): Kyrie	Agricola	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Kyrie Agricola, Alexander (ca. 1445–1506) Appears on: 27v–28 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Agricola Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie: … Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie: … Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie: … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, II.
28v–30	Missa Sine nomine (Re fa mi re fa): Gloria	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Gloria Agricola, Alexander (ca. 1445–1506) Appears on: 28v–30
30v–33	Missa Sine nomine (Re fa mi re fa): Credo	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Credo Agricola, Alexander (ca. 1445–1506) Appears on: 30v–33
33v–35	Missa Sine nomine (Re fa mi re fa): Sanctus	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Sanctus Agricola, Alexander (ca. 1445–1506) Appears on: 33v–35 Genres: Mass Ordinary, Sanctus [& Benedictus]
35v–36	Missa Sine nomine (Re fa mi re fa): Agnus Dei	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Agnus Dei Agricola, Alexander (ca. 1445–1506) Appears on: 35v–36 Genres: Agnus Dei, Mass Ordinary
37–38	Missa Sine nomine (4vv): Kyrie	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Sine nomine (4vv): Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 37–38 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie … Concordances A-Wn 1783[avec Credo attrib. à Yzaac] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, II.
38v–40	Missa Sine nomine (4vv): Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Sine nomine (4vv): Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 38v–40 Genres: Gloria (et in terra pax), Mass Ordinary
40v–43	Missa Sine nomine (4vv): Credo	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Sine nomine (4vv): Credo Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 40v–43 Genres: Credo (patrem omnipotentem), Mass Ordinary
43v–45	Missa Sine nomine (4vv): Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Sine nomine (4vv): Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 43v–45 Genres: Mass Ordinary, Sanctus [& Benedictus]
45v–46	Missa Sine nomine (4vv): Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Sine nomine (4vv): Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 45v–46 Genres: Agnus Dei, Mass Ordinary
46v–51	Missa Sine nomine: Gloria, Credo, Sanctus	-	Anonymous
Missa Sine nomine: Gloria, Credo, Sanctus Anonymous Appears on: 46v–51 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … General Note [Missa sans Kyrie ni Agnus dei] [mq. le début] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VI.
51v–52	O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa	[L. COMPÈRE ou J. RICHAFORT*]	Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?)
O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 51v–52 Genres: Motet Source Attribution: [L. COMPÈRE ou J. RICHAFORT] Voice:* [no designation] Languages: Latin Voice Text: O genitrix gloriosa mater dei speciosa General Note Publ. cf. Fr 2794 n° 8 Concordances *DK-Kk 1848
52v–54	Et in terra pax [Gloria] 'Cent mille scudi'	-	Anonymous
Et in terra pax [Gloria] 'Cent mille scudi' Anonymous Appears on: 52v–54 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra . . Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra . . Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra . . Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra . . Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VI.
54v–56	In illo tempore - 1a pars (of 2): In illo tempore Maria Magdalena	Allexander Copinus	Coppini, Alessandro (ca. 1456–1527)
In illo tempore - 1a pars (of 2): In illo tempore Maria Magdalena Coppini, Alessandro (ca. 1456–1527) Appears on: 54v–56 Genres: In illo tempore, Motet Source Attribution: Allexander Copinus Voice: [no designation] Languages: Latin Voice Text: In illo tempore Maria Magdalena Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 32, II.
54v–56	In illo tempore - 2a pars (of 2):	Allexander Copinus	Coppini, Alessandro (ca. 1456–1527)
In illo tempore - 2a pars (of 2): Coppini, Alessandro (ca. 1456–1527) Appears on: 54v–56 Genres: Motet Source Attribution: Allexander Copinus Voice: [no designation] Languages: Latin Voice Text: In illo tempore Maria Magdalena Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 32, II.
56v–57	Fiat pax in virtute tua et intercessione	Alexander Copinus	Coppini, Alessandro (ca. 1456–1527)
Fiat pax in virtute tua et intercessione Coppini, Alessandro (ca. 1456–1527) Appears on: 56v–57 Genres: Motet Source Attribution: Alexander Copinus Voice: [no designation] Languages: Latin Voice Text: Fiat pax in virtute tua et intercessione Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 32, II.
57v–58	Missa Ave maris stella 3.1: Kyrie	Jusquin	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 57v–58 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jusquin Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie . . . Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie . . . Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie . . . Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie . . . General Note Publ. cf. Ma 46 ii" 8
58v–60	Missa Ave maris stella 3.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 58v–60 Genres: Gloria (et in terra pax), Mass Ordinary
60v–63	Missa Ave maris stella 3.1: Patrem omnipotentem [Credo]	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] Despres, Josquin (ca. 1450–1521) Appears on: 60v–63 Genres: Credo (patrem omnipotentem), Mass Ordinary
63v–65	Missa Ave maris stella 3.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 63v–65 Genres: Mass Ordinary, Sanctus [& Benedictus]
65v–66	Missa Ave maris stella 3.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 65v–66 Genres: Agnus Dei, Mass Ordinary
66v–73	Missa Dringhs: Gloria, Credo, Sanctus	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Dringhs: Gloria, Credo, Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 66v–73 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BRUMEL Voice: [no designation] Languages: Latin Voice Text: [Missa de dringhs* ] Et in terra General Note [Sans Kyrie ni Agnus] Concordances SartoriB n° 41 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, IV.
73v–78	Missa De tous biens plaine: Gloria, Credo, Sanctus	-	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)
Missa De tous biens plaine: Gloria, Credo, Sanctus Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 73v–78 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … General Note [Sans Kyrie ni Agnus] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VI.
78v–82	Missa: Gloria, Credo, Sanctus	(GAFURIUS)	Gaffurius, Franchinus (1451–1522)
Missa: Gloria, Credo, Sanctus Gaffurius, Franchinus (1451–1522) Appears on: 78v–82 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Source Attribution: (GAFURIUS) Voice: [no designation] Languages: Latin Voice Text: Et in terra [Missa sans Kyrie ni Agnus] General Note [Missa sans Kyrie ni Agnus] f. 82-87ALEXANDER COPINUSPieni sunt, Benedictus et Agnus dei de laMissa n° 25 Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: I.
82–87	Missa Si dedero: Pleni, Benedictus, Agnus I & II	ALEXANDER COPINUS	Coppini, Alessandro (ca. 1456–1527)
Missa Si dedero: Pleni, Benedictus, Agnus I & II Coppini, Alessandro (ca. 1456–1527) Appears on: 82–87 Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: ALEXANDER COPINUS Voice: [no designation] Languages: Latin Voice Text: Pleni sunt, General Note Benedictus et Agnus dei de la Missa n° 25
87v–88	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Kyrie	ENRICUS ISAACH	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 87v–88 Genres: Kyrie eleison, Mass Ordinary Source Attribution: ENRICUS ISAACH Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie … Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie … Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie … Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie … General Note Fuga in dyapason. Et incarnatus[= Coment peult avoir joye]Publ. cf. Bc 18 n° 67
88v–91	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 88v–91 Genres: Gloria (et in terra pax), Mass Ordinary
91v–94	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 91v–94 Genres: Credo (patrem omnipotentem), Mass Ordinary
94v–96	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 94v–96 Genres: Mass Ordinary, Sanctus [& Benedictus]
96v–98	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 96v–98 Genres: Agnus Dei, Mass Ordinary
99v–106	Missa O Venus bant: Gloria	-	Anonymous
Missa O Venus bant: Gloria Anonymous Appears on: 99v–106 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … Voice: [no designation] Languages: Latin Voice Text: Et in terra … General Note [Sans Kyrie] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VI.
99v–106	Missa O Venus bant: Credo	-	Anonymous
Missa O Venus bant: Credo Anonymous Appears on: 99v–106 Genres: Credo (patrem omnipotentem), Mass Ordinary
99v–106	Missa O Venus bant: Sanctus	-	Anonymous
Missa O Venus bant: Sanctus Anonymous Appears on: 99v–106 Genres: Mass Ordinary, Sanctus [& Benedictus]
106v–108	Domine Deus	-	Coppini, Alessandro (ca. 1456–1527)
Domine Deus Coppini, Alessandro (ca. 1456–1527) Appears on: 106v–108 Genres: Motet Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hieremiae prophetae
108v–110	Magnificat octavi toni: Et exultavit [K.798]	F. GAFURIUS	Gaffurius, Franchinus (1451–1522)
Magnificat octavi toni: Et exultavit [K.798] Gaffurius, Franchinus (1451–1522) Appears on: 108v–110 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFURIUS Voice: [no designation] Languages: Latin Voice Text: Magnificat] Octavi toni. Et exultavit General Note Versets pairs Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
110v–116	Missa Montana: Gloria, Credo, Sanctus	(F. GAFURIUS)	Gaffurius, Franchinus (1451–1522)
Missa Montana: Gloria, Credo, Sanctus Gaffurius, Franchinus (1451–1522) Appears on: 110v–116 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Source Attribution: (F. GAFURIUS) Voice: [no designation] Languages: Latin Voice Text: [Missa] (Montana) Et in terra General Note [Sans Kyrie ni Agnus] Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: I.
117v–118	Missa carneval: Kyrie	F. GAFURIUS	Gaffurius, Franchinus (1451–1522)
Missa carneval: Kyrie Gaffurius, Franchinus (1451–1522) Appears on: 117v–118 Genres: Kyrie eleison, Mass Ordinary Source Attribution: F. GAFURIUS Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de carneval. Kyrie General Note Publ. cf. Md 2269 n° 88 Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: 1. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 10, I.
118v–119	Missa carneval: Gloria	-	Gaffurius, Franchinus (1451–1522)
Missa carneval: Gloria Gaffurius, Franchinus (1451–1522) Appears on: 118v–119 Genres: Gloria (et in terra pax), Mass Ordinary
119v–121	Missa carneval: Credo	-	Gaffurius, Franchinus (1451–1522)
Missa carneval: Credo Gaffurius, Franchinus (1451–1522) Appears on: 119v–121 Genres: Credo (patrem omnipotentem), Mass Ordinary
121v–123	Missa carneval: Sanctus	-	Gaffurius, Franchinus (1451–1522)
Missa carneval: Sanctus Gaffurius, Franchinus (1451–1522) Appears on: 121v–123 Genres: Mass Ordinary, Sanctus [& Benedictus]
123v–124	Missa carneval: Agnus Dei	-	Gaffurius, Franchinus (1451–1522)
Missa carneval: Agnus Dei Gaffurius, Franchinus (1451–1522) Appears on: 123v–124 Genres: Agnus Dei, Mass Ordinary
125v–126	Missa Galeazescha - 1a pars (of 8): Ave virgo gloriosa (loco Introit)	-	Compère, Loyset (ca. 1445–1518)
Missa Galeazescha - 1a pars (of 8): Ave virgo gloriosa (loco Introit) Compère, Loyset (ca. 1445–1518) Appears on: 125v–126 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa ... Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa ... Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa ... Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa ... Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa ... General Note Loco Introytus.
126v–127	Missa Galeazescha - 2a pars (of 8): Ave salus infirmorum et solamen miserorum (loco Gloria)	-	Compère, Loyset (ca. 1445–1518)
Missa Galeazescha - 2a pars (of 8): Ave salus infirmorum et solamen miserorum (loco Gloria) Compère, Loyset (ca. 1445–1518) Appears on: 126v–127 Genres: Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Ave salus infirmorum . . . Voice: [no designation] Languages: Latin Voice Text: Ave salus infirmorum . . . Voice: [no designation] Languages: Latin Voice Text: Ave salus infirmorum . . . Voice: [no designation] Languages: Latin Voice Text: Ave salus infirmorum . . . General Note Loco Gloria.
127v–128	Missa Galeazescha - 3a pars (of 8): Ave decus virginale templum Dei (loco Credo)	-	Compère, Loyset (ca. 1445–1518) (?)
Missa Galeazescha - 3a pars (of 8): Ave decus virginale templum Dei (loco Credo) Compère, Loyset (ca. 1445–1518) (?) Appears on: 127v–128 Genres: Motet Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Ave decus virginale . . . Voice: [no designation] Languages: none General Note Loco Credo.
128v–130	Missa Galeazescha - 4a pars (of 8): Ave sponsa verbi summi / Maris portus signum dumi (loco Offertorii)	-	Compère, Loyset (ca. 1445–1518)
Missa Galeazescha - 4a pars (of 8): Ave sponsa verbi summi / Maris portus signum dumi (loco Offertorii) Compère, Loyset (ca. 1445–1518) Appears on: 128v–130 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave sponsa verbi summi . . . Voice: [no designation] Languages: none General Note Loco Offertorii.
130v–131	Missa Galeazescha - 5a pars (of 8): O Maria in supremo (loco Sanctus)	-	Compère, Loyset (ca. 1445–1518) (?)
Missa Galeazescha - 5a pars (of 8): O Maria in supremo (loco Sanctus) Compère, Loyset (ca. 1445–1518) (?) Appears on: 130v–131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O Maria in supremo ... General Note Loco Sanctus.
131v–132	Missa Galeazescha - 6a pars (of 8): Adoramus te Christe (Ad elevationem)	-	Compère, Loyset (ca. 1445–1518) (?)
Missa Galeazescha - 6a pars (of 8): Adoramus te Christe (Ad elevationem) Compère, Loyset (ca. 1445–1518) (?) Appears on: 131v–132 Genres: Motet Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe . . . Voice: [no designation] Languages: none General Note Ad Elevationem.
132v–133	Missa Galeazescha - 7a pars (of 8): Salve mater salvatoris (loco Agnus)	-	Compère, Loyset (ca. 1445–1518) (?)
Missa Galeazescha - 7a pars (of 8): Salve mater salvatoris (loco Agnus) Compère, Loyset (ca. 1445–1518) (?) Appears on: 132v–133 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve mater salvatoris . . . General Note Loco Agnus.
133v–135	Missa Galeazescha - 8a pars (of 8): Virginis Mariae laudes (loco Deo gratias)	-	Compère, Loyset (ca. 1445–1518) (?)
Missa Galeazescha - 8a pars (of 8): Virginis Mariae laudes (loco Deo gratias) Compère, Loyset (ca. 1445–1518) (?) Appears on: 133v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virginis Mariae laudes General Note Loco Deo gratias.
135v–141	Missa L'homme armé sexti toni 6.2: Gloria	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 135v–141 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa General Note [Missa] L'omme armé [sexti toni. Sans Kyrie, ni Benedictus, ni Agnus].Publ. cf. CMac M(D) n° 15
135v–141	Missa L'homme armé sexti toni 6.2: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 135v–141 Genres: Credo (patrem omnipotentem), Mass Ordinary
135v–141	Missa L'homme armé sexti toni 6.2: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 135v–141 Genres: Mass Ordinary, Sanctus [& Benedictus]
141v–147	Missa Hercules dux Ferrariae 11.1: Gloria	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 141v–147 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin Voice Text: Ave salus infirmorum et solamen miserorum General Note = Missa Philippus rex Castillie Publ. cf. Bc 142 n° 148 Sans Kyrie, ni Benedictus, ni Agnus Concordances *B-Br 9126 "D-ddr-Ju 3
141v–147	Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo]	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo] Despres, Josquin (ca. 1450–1521) Appears on: 141v–147 Genres: Credo (patrem omnipotentem), Mass Ordinary
141v–147	Missa Hercules dux Ferrariae 11.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 141v–147 Genres: Mass Ordinary, Sanctus [& Benedictus]
147v–154	Missa Si dedero: Gloria, Credo, Sanctus [lacks Pleni & Benedictus]	ALEXANDER COPINUS	Coppini, Alessandro (ca. 1456–1527)
Missa Si dedero: Gloria, Credo, Sanctus [lacks Pleni & Benedictus] Coppini, Alessandro (ca. 1456–1527) Appears on: 147v–154 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Source Attribution: ALEXANDER COPINUS Voice: [no designation] Languages: Latin Voice Text: Ave decus virginale templum dei General Note Sans Kyrie Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 32, II.
154v–159	Missa sexti toni irregularis: Gloria, Credo, Sanctus	(GAFURIUS)	Gaffurius, Franchinus (1451–1522)
Missa sexti toni irregularis: Gloria, Credo, Sanctus Gaffurius, Franchinus (1451–1522) Appears on: 154v–159 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Source Attribution: (GAFURIUS) Voice: [no designation] Languages: Latin Voice Text: Ave sponsa verbi summi maris portus Voice: [no designation] Languages: Latin Voice Text: Aue sponsa Voice: [no designation] Languages: Latin Voice Text: Aue sponsa Voice: [no designation] Languages: Latin Voice Text: Aue sponsa verbi summi Voice: [no designation] Languages: Latin Voice Text: Aue sponsa uerbi summi Voice: [no designation] Languages: Latin Voice Text: Maris portus signum dumi General Note Publ. cf. Md 2268 n° 26 (messe entière)[Sans Kyrie ni Agnus]
159v–162	Missa Sine nomine: Kyrie, Gloria, Credo	(LOYSETICOMPÈRE]	Compère, Loyset (ca. 1445–1518)
Missa Sine nomine: Kyrie, Gloria, Credo Compère, Loyset (ca. 1445–1518) Appears on: 159v–162 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: (LOYSETICOMPÈRE] Voice: [no designation] Languages: Latin Voice Text: O Maria in supremo sita poli nos General Note Gloria & Credo only - Modena MS Mus IV has Kyrie, Gloria, Credo Publ. cf. CMac L(B) n° 6 Gloria et Credo seul1]
162v–163	Beata et venerabilis virgo que sine tactu	-	Anonymous
Beata et venerabilis virgo que sine tactu Anonymous Appears on: 162v–163 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata et venerabilis virgo que sine tactu
163v–164	Beatus ille venter qui te portavit	-	Anonymous
Beatus ille venter qui te portavit Anonymous Appears on: 163v–164 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beatus Me venter qui te portavit … Voice: [no designation] Languages: Latin Voice Text: Beatus Me venter qui te portavit … Voice: [no designation] Languages: Latin Voice Text: Beatus Me venter qui te portavit … Voice: [no designation] Languages: Latin Voice Text: Beatus Me venter qui te portavit …
164v–165	Magnificamus te Dei genitrix quia ex te	-	Anonymous
Magnificamus te Dei genitrix quia ex te Anonymous Appears on: 164v–165 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Magnificamus te Dei genitrix … Voice: [no designation] Languages: Latin Voice Text: Magnificamus te Dei genitrix … Voice: [no designation] Languages: Latin Voice Text: Magnificamus te Dei genitrix … Voice: [no designation] Languages: Latin Voice Text: Magnificamus te Dei genitrix …
165v–166	Virgo verbum concepit virgo permansit	-	Anonymous
Virgo verbum concepit virgo permansit Anonymous Appears on: 165v–166 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo verbum concepit … Voice: [no designation] Languages: Latin Voice Text: Virgo verbum concepit … Voice: [no designation] Languages: Latin Voice Text: Virgo verbum concepit … Voice: [no designation] Languages: Latin Voice Text: Virgo verbum concepit …
166v–167	Felix namque es, sacra virgo Maria	-	Anonymous
Felix namque es, sacra virgo Maria Anonymous Appears on: 166v–167 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Felix namque [es sacra] virgo Maria … Voice: [no designation] Languages: Latin Voice Text: Felix namque [es sacra] virgo Maria … Voice: [no designation] Languages: Latin Voice Text: Felix namque [es sacra] virgo Maria … Voice: [no designation] Languages: Latin Voice Text: Felix namque [es sacra] virgo Maria …
167v–168	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 167v–168 Genres: BVM Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum … Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum … Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum … Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum …
168v–169	O admirabile commercium creator generis	-	Anonymous
O admirabile commercium creator generis Anonymous Appears on: 168v–169 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium … Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium … Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium … Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium …
169–170	Quando natus es ineffabiliter ex virgine	-	Anonymous
Quando natus es ineffabiliter ex virgine Anonymous Appears on: 169–170 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quando natus es ineffabiliter … Voice: [no designation] Languages: Latin Voice Text: Quando natus es ineffabiliter … Voice: [no designation] Languages: Latin Voice Text: Quando natus es ineffabiliter … Voice: [no designation] Languages: Latin Voice Text: Quando natus es ineffabiliter …
170v–171	Germinavit radix Jesse orta est stella	-	Anonymous
Germinavit radix Jesse orta est stella Anonymous Appears on: 170v–171 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Germinavit radix Jesse … Voice: [no designation] Languages: Latin Voice Text: Germinavit radix Jesse … Voice: [no designation] Languages: Latin Voice Text: Germinavit radix Jesse … Voice: [no designation] Languages: Latin Voice Text: Germinavit radix Jesse …
172v–173	Magnum hereditatis misterium templum Dei	-	Anonymous
Magnum hereditatis misterium templum Dei Anonymous Appears on: 172v–173 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Magnum haereditatis mysterium templum
173v–176	Magnificat tertii toni [K.223]	-	Anonymous
Magnificat tertii toni [K.223] Anonymous Appears on: 173v–176 Genres: BVM, Magnificat, Motet Voice: [no designation] Languages: Latin Voice Text: Virginis Mariae laudes General Note Versets imp. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
176v–178	Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis	[J. MOUTON ou JOSQUIN*]	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 176v–178 Genres: Motet Source Attribution: [J. MOUTON ou JOSQUIN] Voice:* [no designation] Languages: Latin Voice Text: Sancti dei omnes orate pro nobis General Note Publ. cf. CFm 59 n° 28 Concordances *1504'
176v–178	Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas	[J. MOUTON ou JOSQUIN*]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 176v–178 Genres: Motet Source Attribution: [J. MOUTON ou JOSQUIN] Voice:* [no designation] Languages: Latin Voice Text: Sancti dei omnes orate pro nobis General Note Publ. cf. CFm 59 n° 28 Concordances *1504'
178v–180	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	JUSQUIN DESPRET	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 178v–180 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: JUSQUIN DESPRET Voice: Tenor Languages: Latin Voice Text: Que regina diceris Voice: Tenor Languages: Latin Voice Text: MJserere miseris Voice: Contratenor Languages: Latin Voice Text: Que regina diceris Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina Voice: Cantus Languages: Latin Voice Text: Que regina diceris Voice: Contratenor Languages: Latin Voice Text: Que regina diceris General Note … Publ. cf. CT 95-96 n° 31T et A: Ave regina ceLorum …
178v–180	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	JUSQUIN DESPRET	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 178v–180 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: JUSQUIN DESPRET Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Ave regina General Note … Publ. cf. CT 95-96 n° 31 T et A: Gaude virgo gloriosa …
180v–181	Maria virgo semper laetare quae tantam	-	Anonymous
Maria virgo semper laetare quae tantam Anonymous Appears on: 180v–181 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Maria virgo semper laetare quae tantam
181v–182	Sancti spiritus assit nobis gratia	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Sancti spiritus assit nobis gratia Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 181v–182 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gratia
182v–183	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 182v–183 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella
183v–185	Hac in die laudes - 1a pars (of 2): Hac in die laudes pie caeli iungant	[F. GAFFORIUS]	Gaffurius, Franchinus (1451–1522)
Hac in die laudes - 1a pars (of 2): Hac in die laudes pie caeli iungant Gaffurius, Franchinus (1451–1522) Appears on: 183v–185 Genres: Motet Source Attribution: [F. GAFFORIUS] Voice: [no designation] Languages: Latin Voice Text: Hac in die laudes pie caeli iungant General Note … Publ. cf. Md 2268 n° 27Loco Introitasi
183v–185	Hac in die laudes - 2a pars (of 2):	[F. GAFFORIUS]	Gaffurius, Franchinus (1451–1522)
Hac in die laudes - 2a pars (of 2): Gaffurius, Franchinus (1451–1522) Appears on: 183v–185 Genres: Motet Source Attribution: [F. GAFFORIUS] Voice: [no designation] Languages: Latin Voice Text: Hac in die laudes pie caeli iungant General Note … Publ. cf. Md 2268 n° 27 [Loco Deo gratias]
185v–187	Stabat mater - 1a pars (of 2): Stabat mater dolorosa	[F. GAFFORIUS]	Gaffurius, Franchinus (1451–1522)
Stabat mater - 1a pars (of 2): Stabat mater dolorosa Gaffurius, Franchinus (1451–1522) Appears on: 185v–187 Genres: Motet, Sequence, Stabat Mater Source Attribution: [F. GAFFORIUS] Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa General Note Publ. cf. Md 2269 n° 104
185v–187	Stabat mater - 2a pars (of 2): Adoramus te Christe	[F. GAFFORIUS]	Gaffurius, Franchinus (1451–1522)
Stabat mater - 2a pars (of 2): Adoramus te Christe Gaffurius, Franchinus (1451–1522) Appears on: 185v–187 Genres: Motet Source Attribution: [F. GAFFORIUS] Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa General Note Publ. cf. Md 2269 n° 104
187v–189	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	LOYSET [COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum Compère, Loyset (ca. 1445–1518) Appears on: 187v–189 Genres: Ave Maria, Motet Source Attribution: LOYSET [COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note [Sancta Maria quaesumus] Concordances 1503' Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: 13. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
187v–189	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	LOYSET [COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: 187v–189 Genres: Motet Source Attribution: LOYSET [COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Concordances 1503' Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense.* Veneranda Fabbrica del Duomo di Milano. Pages: 13. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
189v–190	Virgo verbum concepit virgo permansit	ALEXANDER COPINUS	Coppini, Alessandro (ca. 1456–1527)
Virgo verbum concepit virgo permansit Coppini, Alessandro (ca. 1456–1527) Appears on: 189v–190 Genres: Motet Source Attribution: ALEXANDER COPINUS Voice: [no designation] Languages: Latin Voice Text: Virgo verbum concepit virgo permansit General Note untexted Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 32,11.
190v–193	Magnificat sexti toni [K.158]	-	Anonymous
Magnificat sexti toni [K.158] Anonymous Appears on: 190v–193 Genres: BVM, Magnificat, Motet Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria General Note Sexto tono competit atque primo.Versets pairs Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
193v–196	Magnificat octavi toni [K.412]	-	Anonymous
Magnificat octavi toni [K.412] Anonymous Appears on: 193v–196 Genres: BVM, Magnificat, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Versets pairs. Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
198v–200	Salve mater pietatis - 1a pars (of 2): Salve mater pietatis et totius trinitatis	-	Anonymous
Salve mater pietatis - 1a pars (of 2): Salve mater pietatis et totius trinitatis Anonymous Appears on: 198v–200 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve mater pietatis et totius trinitatis
198v–200	Salve mater pietatis - 2a pars (of 2):	-	Anonymous
Salve mater pietatis - 2a pars (of 2): Anonymous Appears on: 198v–200 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve mater pietatis et totius trinitatis
200v–203	Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater	-	Anonymous
Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater Anonymous Appears on: 200v–203 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo praecellens deitatis mater
200v–203	Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit	-	Anonymous
Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit Anonymous Appears on: 200v–203 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo praecellens deitatis mater
200v–203	Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus	-	Anonymous
Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus Anonymous Appears on: 200v–203 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo praecellens deitatis mater
200v–203	Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae	-	Anonymous
Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae Anonymous Appears on: 200v–203 Genres: Motet
203v–205	Congaudeat turba - 1a pars (of 2): Congaudeat turba fidelium virgo mater	-	Anonymous
Congaudeat turba - 1a pars (of 2): Congaudeat turba fidelium virgo mater Anonymous Appears on: 203v–205 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Congaudeat turba fidelium virgo mater
203v–205	Congaudeat turba - 2a pars (of 2):	-	Anonymous
Congaudeat turba - 2a pars (of 2): Anonymous Appears on: 203v–205 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Congaudeat turba fidelium virgo mater
205v–206	Caeli quondam roraverunt ex quo nubes	-	Gaffurius, Franchinus (1451–1522)
Caeli quondam roraverunt ex quo nubes Gaffurius, Franchinus (1451–1522) Appears on: 205v–206 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Caeli quondam roraverunt ex quo nubes
206v–207	Imperatrix gloriosa potens et imperiosa	-	Gaffurius, Franchinus (1451–1522)
Imperatrix gloriosa potens et imperiosa Gaffurius, Franchinus (1451–1522) Appears on: 206v–207 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Imperatrix gloriosa potens et imperiosa
207v–208	Salve verbi sacra parens flos de spina	-	Mouton, Jean (ca. 1459–1522)
Salve verbi sacra parens flos de spina Mouton, Jean (ca. 1459–1522) Appears on: 207v–208 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve verbi sacra parens flos de spina
208v–210	Salve sancta facies nostri redemptoris	Jusquin Despret	Despres, Josquin (ca. 1450–1521)
Salve sancta facies nostri redemptoris Despres, Josquin (ca. 1450–1521) Appears on: 208v–210 Genres: Motet Source Attribution: Jusquin Despret Voice: [no designation] Languages: Latin Voice Text: Salve sancta facies nostri redemptoris General Note Publ. cf. Bc 20 n° 54
210v–212	Parvulus filius hodie - 1a pars (of 2): Parvulus filius hodie natus est nobis	-	Anonymous
Parvulus filius hodie - 1a pars (of 2): Parvulus filius hodie natus est nobis Anonymous Appears on: 210v–212 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Parvulus filius hodie natus est nobis
210v–212	Parvulus filius hodie - 2a pars (of 2):	-	Anonymous
Parvulus filius hodie - 2a pars (of 2): Anonymous Appears on: 210v–212 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Parvulus filius hodie natus est nobis
212v–214	Maria salve virginum	[C. RUPSCH]*	Rupsch, Conrad
Maria salve virginum Rupsch, Conrad Appears on: 212v–214 Genres: Motet Source Attribution: [C. RUPSCH]* Voice: [no designation] Languages: Latin Voice Text: Maria salve virginum tu virgo gloriosa Concordances D-ddr- LEu 1494 Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale.* Das Erbe deutscher Musik. Pages: 33. Feldmann, Fritz. 1932. Der Codex Mf. 2016 des Musikalischen Instituts bei der Universiftät Breslau: Eine palaeographische und stilistische Beschreibung. 2 vols. Breslau. Pages: II.
212v–214	Maria salve virginum	[C. RUPSCH]*	Rupsch, Conrad
Maria salve virginum Rupsch, Conrad Appears on: 212v–214 Genres: Motet Source Attribution: [C. RUPSCH]* Voice: [no designation] Languages: Latin Voice Text: Maria salve virginum tu virgo gloriosa Concordances D-ddr- LEu 1494 Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale.* Das Erbe deutscher Musik. Pages: 33. Feldmann, Fritz. 1932. Der Codex Mf. 2016 des Musikalischen Instituts bei der Universiftät Breslau: Eine palaeographische und stilistische Beschreibung. 2 vols. Breslau. Pages: II.
214v–216	Ne reminiscaris Domine - 1a pars (of 2): Ne reminiscaris Domine	-	Anonymous
Ne reminiscaris Domine - 1a pars (of 2): Ne reminiscaris Domine Anonymous Appears on: 214v–216 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Ne reminiscaris domine
214v–216	Ne reminiscaris Domine - 2a pars (of 2):	-	Anonymous
Ne reminiscaris Domine - 2a pars (of 2): Anonymous Appears on: 214v–216 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ne reminiscaris domine
216v–217	Tua est potentia	-	Anonymous
Tua est potentia Anonymous Appears on: 216v–217 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tua est potentia tuum regnum domine
217v–218	Contere Domine fortitudinem inimicorum II: Miserere nostri Domine te enim	-	Gaffurius, Franchinus (1451–1522)
Contere Domine fortitudinem inimicorum II: Miserere nostri Domine te enim Gaffurius, Franchinus (1451–1522) Appears on: 217v–218 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Contere domine fortitudinem inimicorum
218v–220	Vox infantis - 1a pars (of 2): Vox infantis sonuit dignus Ambrosius	Loyset [Compère]	Compère, Loyset (ca. 1445–1518)
Vox infantis - 1a pars (of 2): Vox infantis sonuit dignus Ambrosius Compère, Loyset (ca. 1445–1518) Appears on: 218v–220 Genres: Motet Source Attribution: Loyset [Compère] Voice: [no designation] Languages: Latin Voice Text: Vox infantis sonuit dignus Ambrosius
218v–220	Vox infantis - 2a pars (of 2): O doctor optime	Loyset [Compère]	Compère, Loyset (ca. 1445–1518)
Vox infantis - 2a pars (of 2): O doctor optime Compère, Loyset (ca. 1445–1518) Appears on: 218v–220 Genres: Motet Source Attribution: Loyset [Compère] Voice: [no designation] Languages: Latin Voice Text: Vox infantis sonuit dignus Ambrosius
220v–221	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 220v–221 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
221v–223	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 221v–223 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
223v–227	Stabat mater dolorosa	-	Anonymous
Stabat mater dolorosa Anonymous Appears on: 223v–227 Genres: Motet, Stabat Mater Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Missa Sine nomine (Re fa mi re fa): Agnus Dei – 35v–36 Missa Sine nomine (Re fa mi re fa): Credo – 30v–33 Missa Sine nomine (Re fa mi re fa): Gloria – 28v–30 Missa Sine nomine (Re fa mi re fa): Kyrie – 27v–28 Missa Sine nomine (Re fa mi re fa): Sanctus – 33v–35
Anonymous	Ave maris stella – 182v–183 Ave regina caelorum – 167v–168 Beata et venerabilis virgo que sine tactu – 162v–163 Beatus ille venter qui te portavit – 163v–164 Congaudeat turba - 1a pars (of 2): Congaudeat turba fidelium virgo mater – 203v–205 Congaudeat turba - 2a pars (of 2): – 203v–205 Et in terra pax [Gloria] 'Cent mille scudi' – 52v–54 Felix namque es, sacra virgo Maria – 166v–167 Germinavit radix Jesse orta est stella – 170v–171 Incipit oratio Jeremiae prophetae – 20v–24 Incipit oratio Jeremiae prophetae – 20v–24 Incipit oratio Jeremiae prophetae – 20v–24 Incipit oratio Jeremiae prophetae – 20v–24 Lamentations - 1a pars (of 9): Incipit oratio Jeremiae prophetae – 20v–24 Lamentations - 2a pars (of 9): – 20v–24 Lamentations - 3a pars (of 9): – 20v–24 Lamentations - 4a pars (of 9): – 20v–24 Lamentations - 5a pars (of 9): – 20v–24 Lamentations - 6a pars (of 9): – 20v–24 Lamentations - 7a pars (of 9): – 20v–24 Lamentations - 8a pars (of 9): – 20v–24 Lamentations - 9a pars (of 9): – 20v–24 Lamentations, lectio prima - 1a pars (of 6): Incipit lamentatio Jeremiae – 11v–14 Lamentations, lectio prima - 2a pars (of 6): Aleph. Quomodo sedet – 11v–14 Lamentations, lectio prima - 3a pars (of 6): Beth. Plorans ploravit – 11v–14 Lamentations, lectio prima - 4a pars (of 6): Gimel. Migravit Judas – 11v–14 Lamentations, lectio prima - 5a pars (of 6): Deleth. Vie Sion – 11v–14 Lamentations, lectio prima - 6a pars (of 6): Jerusalem convertere – 11v–14 Lamentations, lectio seconda - 1a pars (of 5): He. Facti sunt hostes eius – 14v–17 Lamentations, lectio seconda - 2a pars (of 5): Vau. Et egressus est – 14v–17 Lamentations, lectio seconda - 3a pars (of 5): Zain. Recordare est Jerusalem – 14v–17 Lamentations, lectio seconda - 4a pars (of 5): Heth. Peccatum peccavit – 14v–17 Lamentations, lectio seconda - 5a pars (of 5): Jerusalem convertere – 14v–17 Lamentations, lectio tertia - 1a pars (of 5): Teth. Sordes eius – 17v–20 Lamentations, lectio tertia - 2a pars (of 5): Joth. Manum suam – 17v–20 Lamentations, lectio tertia - 3a pars (of 5): Caph. Omnis populus eius – 17v–20 Lamentations, lectio tertia - 4a pars (of 5): Lamech. O vos omnes – 17v–20 Lamentations, lectio tertia - 5a pars (of 5): Jerusalem convertere – 17v–20 Magnificamus te Dei genitrix quia ex te – 164v–165 Magnificat octavi toni [K.412] – 193v–196 Magnificat sexti toni [K.158] – 190v–193 Magnificat tertii toni [K.223] – 173v–176 Magnum hereditatis misterium templum Dei – 172v–173 Maria virgo semper laetare quae tantam – 180v–181 Missa Je ne domando: Credo [Patrem] – 24v–27 Missa Je ne domando: Sanctus – 24v–27 Missa O Venus bant: Credo – 99v–106 Missa O Venus bant: Gloria – 99v–106 Missa O Venus bant: Sanctus – 99v–106 Missa Sine nomine: Gloria, Credo, Sanctus – 46v–51 Ne reminiscaris Domine - 1a pars (of 2): Ne reminiscaris Domine – 214v–216 Ne reminiscaris Domine - 2a pars (of 2): – 214v–216 O admirabile commercium creator generis – 168v–169 Parvulus filius hodie - 1a pars (of 2): Parvulus filius hodie natus est nobis – 210v–212 Parvulus filius hodie - 2a pars (of 2): – 210v–212 Quando natus es ineffabiliter ex virgine – 169–170 Salve mater pietatis - 1a pars (of 2): Salve mater pietatis et totius trinitatis – 198v–200 Salve mater pietatis - 2a pars (of 2): – 198v–200 Salve regina mater misericordiae – 221v–223 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 220v–221 Stabat mater dolorosa – 223v–227 Tua est potentia – 216v–217 Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater – 200v–203 Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit – 200v–203 Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus – 200v–203 Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae – 200v–203 Virgo verbum concepit virgo permansit – 165v–166
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Dringhs: Gloria, Credo, Sanctus – 66v–73 Missa Sine nomine (4vv): Agnus Dei – 45v–46 Missa Sine nomine (4vv): Credo – 40v–43 Missa Sine nomine (4vv): Gloria – 38v–40 Missa Sine nomine (4vv): Kyrie – 37–38 Missa Sine nomine (4vv): Sanctus – 43v–45
Compère, Loyset (ca. 1445–1518)	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum – 187v–189 Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum – 187v–189 (?) Missa De tous biens plaine: Gloria, Credo, Sanctus – 73v–78 Missa Galeazescha - 1a pars (of 8): Ave virgo gloriosa (loco Introit) – 125v–126 Missa Galeazescha - 2a pars (of 8): Ave salus infirmorum et solamen miserorum (loco Gloria) – 126v–127 (?) Missa Galeazescha - 3a pars (of 8): Ave decus virginale templum Dei (loco Credo) – 127v–128 Missa Galeazescha - 4a pars (of 8): Ave sponsa verbi summi / Maris portus signum dumi (loco Offertorii) – 128v–130 (?) Missa Galeazescha - 5a pars (of 8): O Maria in supremo (loco Sanctus) – 130v–131 (?) Missa Galeazescha - 6a pars (of 8): Adoramus te Christe (Ad elevationem) – 131v–132 (?) Missa Galeazescha - 7a pars (of 8): Salve mater salvatoris (loco Agnus) – 132v–133 (?) Missa Galeazescha - 8a pars (of 8): Virginis Mariae laudes (loco Deo gratias) – 133v–135 Missa Sine nomine: Kyrie, Gloria, Credo – 159v–162 O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa – 51v–52 Vox infantis - 1a pars (of 2): Vox infantis sonuit dignus Ambrosius – 218v–220 Vox infantis - 2a pars (of 2): O doctor optime – 218v–220
Coppini, Alessandro (ca. 1456–1527)	Domine Deus – 106v–108 Fiat pax in virtute tua et intercessione – 56v–57 In illo tempore - 1a pars (of 2): In illo tempore Maria Magdalena – 54v–56 In illo tempore - 2a pars (of 2): – 54v–56 Missa Si dedero: Gloria, Credo, Sanctus [lacks Pleni & Benedictus] – 147v–154 Missa Si dedero: Pleni, Benedictus, Agnus I & II – 82–87 Virgo verbum concepit virgo permansit – 189v–190
Despres, Josquin (ca. 1450–1521)	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 178v–180 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 178v–180 Missa Ave maris stella 3.1: Agnus Dei – 65v–66 Missa Ave maris stella 3.1: Gloria – 58v–60 Missa Ave maris stella 3.1: Kyrie – 57v–58 Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] – 60v–63 Missa Ave maris stella 3.1: Sanctus – 63v–65 Missa Hercules dux Ferrariae 11.1: Gloria – 141v–147 Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo] – 141v–147 Missa Hercules dux Ferrariae 11.1: Sanctus – 141v–147 Missa L'homme armé sexti toni 6.2: Credo – 135v–141 Missa L'homme armé sexti toni 6.2: Gloria – 135v–141 Missa L'homme armé sexti toni 6.2: Sanctus – 135v–141 Salve sancta facies nostri redemptoris – 208v–210 (?) Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis – 176v–178 (?) Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas – 176v–178
Gaffurius, Franchinus (1451–1522)	Caeli quondam roraverunt ex quo nubes – 205v–206 Contere Domine fortitudinem inimicorum II: Miserere nostri Domine te enim – 217v–218 Hac in die laudes - 1a pars (of 2): Hac in die laudes pie caeli iungant – 183v–185 Hac in die laudes - 2a pars (of 2): – 183v–185 Imperatrix gloriosa potens et imperiosa – 206v–207 Magnificat octavi toni: Et exultavit [K.798] – 108v–110 Missa Montana: Gloria, Credo, Sanctus – 110v–116 Missa carneval: Agnus Dei – 123v–124 Missa carneval: Credo – 119v–121 Missa carneval: Gloria – 118v–119 Missa carneval: Kyrie – 117v–118 Missa carneval: Sanctus – 121v–123 Missa sexti toni irregularis: Gloria, Credo, Sanctus – 154v–159 Missa: Gloria, Credo, Sanctus – 78v–82 Stabat mater - 1a pars (of 2): Stabat mater dolorosa – 185v–187 Stabat mater - 2a pars (of 2): Adoramus te Christe – 185v–187
Isaac, Heinrich (ca. 1450–1517)	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Agnus Dei – 96v–98 Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Credo – 91v–94 Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria – 88v–91 Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Kyrie – 87v–88 Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus – 94v–96
Mouton, Jean (ca. 1459–1522)	Salve verbi sacra parens flos de spina – 207v–208 (?) Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis – 176v–178 (?) Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas – 176v–178
Notens, Johannes	(?) Missa De tous biens plaine: Gloria, Credo, Sanctus – 73v–78
Richafort, Jean (ca. 1480–ca. 1550)	(?) O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa – 51v–52
Rupsch, Conrad	Maria salve virginum – 212v–214 Maria salve virginum – 212v–214
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Sancti spiritus assit nobis gratia – 181v–182

Composition	Composers (? Uncertain)	Folios / Pages
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	178v–180
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	178v–180
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	187v–189
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	187v–189
Ave maris stella	Anonymous	182v–183
Ave regina caelorum	Anonymous	167v–168
Beata et venerabilis virgo que sine tactu	Anonymous	162v–163
Beatus ille venter qui te portavit	Anonymous	163v–164
Caeli quondam roraverunt ex quo nubes	Gaffurius, Franchinus (1451–1522)	205v–206
Congaudeat turba - 1a pars (of 2): Congaudeat turba fidelium virgo mater	Anonymous	203v–205
Congaudeat turba - 2a pars (of 2):	Anonymous	203v–205
Contere Domine fortitudinem inimicorum II: Miserere nostri Domine te enim	Gaffurius, Franchinus (1451–1522)	217v–218
Domine Deus	Coppini, Alessandro (ca. 1456–1527)	106v–108
Et in terra pax [Gloria] 'Cent mille scudi'	Anonymous	52v–54
Felix namque es, sacra virgo Maria	Anonymous	166v–167
Fiat pax in virtute tua et intercessione	Coppini, Alessandro (ca. 1456–1527)	56v–57
Germinavit radix Jesse orta est stella	Anonymous	170v–171
Hac in die laudes - 1a pars (of 2): Hac in die laudes pie caeli iungant	Gaffurius, Franchinus (1451–1522)	183v–185
Hac in die laudes - 2a pars (of 2):	Gaffurius, Franchinus (1451–1522)	183v–185
Imperatrix gloriosa potens et imperiosa	Gaffurius, Franchinus (1451–1522)	206v–207
In illo tempore - 1a pars (of 2): In illo tempore Maria Magdalena	Coppini, Alessandro (ca. 1456–1527)	54v–56
In illo tempore - 2a pars (of 2):	Coppini, Alessandro (ca. 1456–1527)	54v–56
Incipit oratio Jeremiae prophetae	Anonymous	20v–24
Incipit oratio Jeremiae prophetae	Anonymous	20v–24
Incipit oratio Jeremiae prophetae	Anonymous	20v–24
Incipit oratio Jeremiae prophetae	Anonymous	20v–24
Lamentations - 1a pars (of 9): Incipit oratio Jeremiae prophetae	Anonymous	20v–24
Lamentations - 2a pars (of 9):	Anonymous	20v–24
Lamentations - 3a pars (of 9):	Anonymous	20v–24
Lamentations - 4a pars (of 9):	Anonymous	20v–24
Lamentations - 5a pars (of 9):	Anonymous	20v–24
Lamentations - 6a pars (of 9):	Anonymous	20v–24
Lamentations - 7a pars (of 9):	Anonymous	20v–24
Lamentations - 8a pars (of 9):	Anonymous	20v–24
Lamentations - 9a pars (of 9):	Anonymous	20v–24
Lamentations, lectio prima - 1a pars (of 6): Incipit lamentatio Jeremiae	Anonymous	11v–14
Lamentations, lectio prima - 2a pars (of 6): Aleph. Quomodo sedet	Anonymous	11v–14
Lamentations, lectio prima - 3a pars (of 6): Beth. Plorans ploravit	Anonymous	11v–14
Lamentations, lectio prima - 4a pars (of 6): Gimel. Migravit Judas	Anonymous	11v–14
Lamentations, lectio prima - 5a pars (of 6): Deleth. Vie Sion	Anonymous	11v–14
Lamentations, lectio prima - 6a pars (of 6): Jerusalem convertere	Anonymous	11v–14
Lamentations, lectio seconda - 1a pars (of 5): He. Facti sunt hostes eius	Anonymous	14v–17
Lamentations, lectio seconda - 2a pars (of 5): Vau. Et egressus est	Anonymous	14v–17
Lamentations, lectio seconda - 3a pars (of 5): Zain. Recordare est Jerusalem	Anonymous	14v–17
Lamentations, lectio seconda - 4a pars (of 5): Heth. Peccatum peccavit	Anonymous	14v–17
Lamentations, lectio seconda - 5a pars (of 5): Jerusalem convertere	Anonymous	14v–17
Lamentations, lectio tertia - 1a pars (of 5): Teth. Sordes eius	Anonymous	17v–20
Lamentations, lectio tertia - 2a pars (of 5): Joth. Manum suam	Anonymous	17v–20
Lamentations, lectio tertia - 3a pars (of 5): Caph. Omnis populus eius	Anonymous	17v–20
Lamentations, lectio tertia - 4a pars (of 5): Lamech. O vos omnes	Anonymous	17v–20
Lamentations, lectio tertia - 5a pars (of 5): Jerusalem convertere	Anonymous	17v–20
Magnificamus te Dei genitrix quia ex te	Anonymous	164v–165
Magnificat octavi toni [K.412]	Anonymous	193v–196
Magnificat octavi toni: Et exultavit [K.798]	Gaffurius, Franchinus (1451–1522)	108v–110
Magnificat sexti toni [K.158]	Anonymous	190v–193
Magnificat tertii toni [K.223]	Anonymous	173v–176
Magnum hereditatis misterium templum Dei	Anonymous	172v–173
Maria salve virginum	Rupsch, Conrad	212v–214
Maria salve virginum	Rupsch, Conrad	212v–214
Maria virgo semper laetare quae tantam	Anonymous	180v–181
Missa Ave maris stella 3.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	65v–66
Missa Ave maris stella 3.1: Gloria	Despres, Josquin (ca. 1450–1521)	58v–60
Missa Ave maris stella 3.1: Kyrie	Despres, Josquin (ca. 1450–1521)	57v–58
Missa Ave maris stella 3.1: Patrem omnipotentem [Credo]	Despres, Josquin (ca. 1450–1521)	60v–63
Missa Ave maris stella 3.1: Sanctus	Despres, Josquin (ca. 1450–1521)	63v–65
Missa carneval: Agnus Dei	Gaffurius, Franchinus (1451–1522)	123v–124
Missa carneval: Credo	Gaffurius, Franchinus (1451–1522)	119v–121
Missa carneval: Gloria	Gaffurius, Franchinus (1451–1522)	118v–119
Missa carneval: Kyrie	Gaffurius, Franchinus (1451–1522)	117v–118
Missa carneval: Sanctus	Gaffurius, Franchinus (1451–1522)	121v–123
Missa De tous biens plaine: Gloria, Credo, Sanctus	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)	73v–78
Missa Dringhs: Gloria, Credo, Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	66v–73
Missa Galeazescha - 1a pars (of 8): Ave virgo gloriosa (loco Introit)	Compère, Loyset (ca. 1445–1518)	125v–126
Missa Galeazescha - 2a pars (of 8): Ave salus infirmorum et solamen miserorum (loco Gloria)	Compère, Loyset (ca. 1445–1518)	126v–127
Missa Galeazescha - 3a pars (of 8): Ave decus virginale templum Dei (loco Credo)	Compère, Loyset (ca. 1445–1518) (?)	127v–128
Missa Galeazescha - 4a pars (of 8): Ave sponsa verbi summi / Maris portus signum dumi (loco Offertorii)	Compère, Loyset (ca. 1445–1518)	128v–130
Missa Galeazescha - 5a pars (of 8): O Maria in supremo (loco Sanctus)	Compère, Loyset (ca. 1445–1518) (?)	130v–131
Missa Galeazescha - 6a pars (of 8): Adoramus te Christe (Ad elevationem)	Compère, Loyset (ca. 1445–1518) (?)	131v–132
Missa Galeazescha - 7a pars (of 8): Salve mater salvatoris (loco Agnus)	Compère, Loyset (ca. 1445–1518) (?)	132v–133
Missa Galeazescha - 8a pars (of 8): Virginis Mariae laudes (loco Deo gratias)	Compère, Loyset (ca. 1445–1518) (?)	133v–135
Missa Hercules dux Ferrariae 11.1: Gloria	Despres, Josquin (ca. 1450–1521)	141v–147
Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo]	Despres, Josquin (ca. 1450–1521)	141v–147
Missa Hercules dux Ferrariae 11.1: Sanctus	Despres, Josquin (ca. 1450–1521)	141v–147
Missa Je ne domando: Credo [Patrem]	Anonymous	24v–27
Missa Je ne domando: Sanctus	Anonymous	24v–27
Missa L'homme armé sexti toni 6.2: Credo	Despres, Josquin (ca. 1450–1521)	135v–141
Missa L'homme armé sexti toni 6.2: Gloria	Despres, Josquin (ca. 1450–1521)	135v–141
Missa L'homme armé sexti toni 6.2: Sanctus	Despres, Josquin (ca. 1450–1521)	135v–141
Missa Montana: Gloria, Credo, Sanctus	Gaffurius, Franchinus (1451–1522)	110v–116
Missa O Venus bant: Credo	Anonymous	99v–106
Missa O Venus bant: Gloria	Anonymous	99v–106
Missa O Venus bant: Sanctus	Anonymous	99v–106
Missa sexti toni irregularis: Gloria, Credo, Sanctus	Gaffurius, Franchinus (1451–1522)	154v–159
Missa Si dedero: Gloria, Credo, Sanctus [lacks Pleni & Benedictus]	Coppini, Alessandro (ca. 1456–1527)	147v–154
Missa Si dedero: Pleni, Benedictus, Agnus I & II	Coppini, Alessandro (ca. 1456–1527)	82–87
Missa Sine nomine (4vv): Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	45v–46
Missa Sine nomine (4vv): Credo	Brumel, Antoine (ca. 1460–ca. 1513)	40v–43
Missa Sine nomine (4vv): Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	38v–40
Missa Sine nomine (4vv): Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	37–38
Missa Sine nomine (4vv): Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	43v–45
Missa Sine nomine (Re fa mi re fa): Agnus Dei	Agricola, Alexander (ca. 1445–1506)	35v–36
Missa Sine nomine (Re fa mi re fa): Credo	Agricola, Alexander (ca. 1445–1506)	30v–33
Missa Sine nomine (Re fa mi re fa): Gloria	Agricola, Alexander (ca. 1445–1506)	28v–30
Missa Sine nomine (Re fa mi re fa): Kyrie	Agricola, Alexander (ca. 1445–1506)	27v–28
Missa Sine nomine (Re fa mi re fa): Sanctus	Agricola, Alexander (ca. 1445–1506)	33v–35
Missa Sine nomine: Gloria, Credo, Sanctus	Anonymous	46v–51
Missa Sine nomine: Kyrie, Gloria, Credo	Compère, Loyset (ca. 1445–1518)	159v–162
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	96v–98
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Credo	Isaac, Heinrich (ca. 1450–1517)	91v–94
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria	Isaac, Heinrich (ca. 1450–1517)	88v–91
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Kyrie	Isaac, Heinrich (ca. 1450–1517)	87v–88
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus	Isaac, Heinrich (ca. 1450–1517)	94v–96
Missa: Gloria, Credo, Sanctus	Gaffurius, Franchinus (1451–1522)	78v–82
Ne reminiscaris Domine - 1a pars (of 2): Ne reminiscaris Domine	Anonymous	214v–216
Ne reminiscaris Domine - 2a pars (of 2):	Anonymous	214v–216
O admirabile commercium creator generis	Anonymous	168v–169
O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa	Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?)	51v–52
Parvulus filius hodie - 1a pars (of 2): Parvulus filius hodie natus est nobis	Anonymous	210v–212
Parvulus filius hodie - 2a pars (of 2):	Anonymous	210v–212
Quando natus es ineffabiliter ex virgine	Anonymous	169–170
Salve mater pietatis - 1a pars (of 2): Salve mater pietatis et totius trinitatis	Anonymous	198v–200
Salve mater pietatis - 2a pars (of 2):	Anonymous	198v–200
Salve regina mater misericordiae	Anonymous	221v–223
Salve sancta facies nostri redemptoris	Despres, Josquin (ca. 1450–1521)	208v–210
Salve verbi sacra parens flos de spina	Mouton, Jean (ca. 1459–1522)	207v–208
Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	176v–178
Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	176v–178
Sancti spiritus assit nobis gratia	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	181v–182
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	220v–221
Stabat mater - 1a pars (of 2): Stabat mater dolorosa	Gaffurius, Franchinus (1451–1522)	185v–187
Stabat mater - 2a pars (of 2): Adoramus te Christe	Gaffurius, Franchinus (1451–1522)	185v–187
Stabat mater dolorosa	Anonymous	223v–227
Tua est potentia	Anonymous	216v–217
Virgo praecellens Deitatis mater - 1a pars (of 4): Virgo praecellens Deitatis mater	Anonymous	200v–203
Virgo praecellens Deitatis mater - 2a pars (of 4): Anna te mundo genuit	Anonymous	200v–203
Virgo praecellens Deitatis mater - 3a pars (of 4): Pacis in terris chorus	Anonymous	200v–203
Virgo praecellens Deitatis mater - 4a pars (of 4): Ergo te nostrae	Anonymous	200v–203
Virgo verbum concepit virgo permansit	Anonymous	165v–166
Virgo verbum concepit virgo permansit	Coppini, Alessandro (ca. 1456–1527)	189v–190
Vox infantis - 1a pars (of 2): Vox infantis sonuit dignus Ambrosius	Compère, Loyset (ca. 1445–1518)	218v–220
Vox infantis - 2a pars (of 2): O doctor optime	Compère, Loyset (ca. 1445–1518)	218v–220

Set: Mss. 2266-9 (Libroni 1-4)

Type: Linked by Origin or Contents

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I-Mfd MS 2266 (Librone 4)

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I-Mfd MS 2267 (Librone 3)

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I-Mfd MS 2268 (Librone 2)

No images available

I-Mfd MS 2269 (Librone 1)

‡ denotes primary source study

Filippi, Daniele V (editor). 2024. Loyset Compère. Ave, virgo gloriosa (Galeazescha): A Motetti Missales Cycle from the Milanese Libroni. Middleton (Wisconsin): A-R Editions.

Filippi, Daniele V. 2021b. Gaffurius's Paratexts: Notes on the Indexes of Libroni 1-3. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 165-179. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2021a. The Making and the Dating of the Gaffurius Codices: Archival Evidence and Research Perspectives. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 3-58. Lucca: Libreria Musicale Italiana.

Cassia, Cristina. 2021. Gaffurius at the Mirror: The Internal Concordances of the Libroni. Reopening Gaffurius's Libroni, edited by Cristina Cassia, 181-215. Lucca: Libreria Musicale Italiana.

Pantarotto, Martina. 2021. ‘Scripsi et notavi’: Scribes, Notators, and Calligraphers in the Workshop of the Gaffurius Codices. Reopening Gaffurius's Libroni, edited by Martina Pantarotto, 59-164. Lucca: Libreria Musicale Italiana.

Pavanello, Agnese. 2021. The Non-Milanese Repertory of the Libroni: A Potential Guide for Tracking Musical Exchanges. Reopening Gaffurius's Libroni, edited by Agnese Pavanello, 217-269. Lucca: Libreria Musicale Italiana.

Rossi, Francesco Rocco. 2021. Franchino Gaffurio compositore. I mottetti. Ivrea: LeMus.

Cassia, Cristina. 2019b. Catalogo dei Libroni gaffuriani. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 291-389. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019b. Where Devotion and Liturgy Meet: Reassessing the Milanese Roots of the "Motetti missales". Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi, 53-91. Basel: Schwabe.

Cassia, Cristina. 2019a. La compilazione del Catalogo dei Libroni: problemi e osservazioni. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 275-290. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019a. Breve guida ai "motetti missales" (e dintorni). Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Daniele V. Filippi, 139-169. Lucca: Libreria Musicale Italiana.

Schmidt, Thomas. 2019. The Coherence of the Cycle? The Notation of the "Motetti missales" in Manuscript and Print. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Thomas Schmidt, 171-186. Lucca: Libreria Musicale Italiana.

Brown, Howard Mayer. 1987. Florence MS Magl. IXI. 164, Facsimile reproduction, with introduction. Renaissance Music in Facsimile. Garland.

‡ Brown, Howard Mayer (editor). 1987. Milan, Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale (Librone 1-3). Renaissance Music in Facsimile. New York. Notes: contents list; discussion.

Halpern, Lynn Elise. 1986. The Motetti Missales Repertory Reconsidered. Journal of the American Musicological Society, 491-523. Pages: 491-4, 509, 523. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Halpern, Lynn Elise. 1985. Motet and Mass-Motet Cycles in lhe Gafurius Codices. University of Illinois, Unpublished Master's thesis. Notes: physical description; contents list; concordances (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 189,240. Notes: contents list (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxix-xxx, 28, 60, 76, 86; III, 46-8. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 222-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xxxii-xxxiii, 78-104. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 306. Notes: physical description; mention of MS; discussion.

Noblitt, Thomas L. 1968. The Ambrosian Motetti Missales Repertory. Musica Disciplina, 77-103. Pages: 79ff. Notes: contents list (partial); mention of MS; discussion.

D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxii, xxvii, 52-8, 73-117. Notes: contents list (partial); transcription (partial); texts (partial).

D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 38-76. Pages: 64-71. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 478-80. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 146-7. Notes: contents list (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 26-7, 43-6, 89ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 3-5, 7-8, 11, 208-9, passim. Notes: physical description (partial); contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, vii, 78-93. Notes: contents list (partial); concordances (partial); transcriptions (partial).

‡ Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: A. Bortone, in AMMM I, Iff Census II, 152-153. Notes: physical description; contents list; concordances (partial); transcription; facsimile (partial); mention of MS; discussion.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iii; II, i-iii, vii, l-25. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

‡ Sartori, Claudio. 1957. La Cappella Musicale del Duomo di Milano: Catalogo delle Musiche dell'Archivio. Milan. Pages: 50-8. Notes: physical description; contents list.

Finscher, Lutz (editor). 1955-. Franchinus Gafurius: Collected Musical Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, passim; II, [iii]. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Sartori, Claudio. 1953. II Quarto Codice di Gaffurio non e del Tutto Scomparso. Collectanea Historiae Musicae, 25-44. Notes: physical description (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1346. Notes: physical description (partial).

‡ Jeppesen, Knud. 1931. Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano. Acta Musicologica, 14-28. Notes: contents list; concordances; mention of MS; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: V, viii-ix; VI, v; VII, vi-vii. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: IV, vii, ix; XX, xi. Notes: physical description; contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description