Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
2r | Litany (O Lord, arise, help and deliver us) | - | Anonymous |
Appears on:
2r
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
LITANIA. / O lord arise helpe vsand delyuer vs
|
|||
2v–4r | Te Deum (I) | - | Anonymous |
Te Deum (I)Anonymous
Appears on:
2v–4r
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
TE DEVM. / We praise the o god
General NoteNotes: at end: 'ffinis s yd'; |
|||
4r–4v | De profundis: Out of the deep | - | Anonymous |
De profundis: Out of the deepAnonymous
Appears on:
4r–4v
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
DE PROFUNDIS. / Out of the depe
|
|||
5r–5v | Laudate pueri dominum: Praise the Lord, ye servants (II) | - | Anonymous |
Appears on:
5r–5v
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
LAVDATE PVERI D[OMI]N[U]M. / Praise ye lord ye s[er]vants
|
|||
5v | Ecce quam bonum: Behold, brethren, how good and joyfull a thing | - | Anonymous |
Appears on:
5v
Voice:
[no designation]
Languages:
English
Clef:
g3
Voice Text:
ECCE QVAM BONVM / Behold bretherne how good z ioyfull a thing
General NoteAnnotations/Corrections: on top of f. 6 'IVDICA ME DEVS.'; writing in margin of f. 6, 'Jogon VoBarte'?; Notes: ending of piece missing; |
|||
6r | Iudica me Deus: Why art thou so heave, O my soul | Robarte Jonson | |
Appears on:
6r
Source Attribution:
Robarte Jonson
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
IVDICA ME DEVS. / Why art [tho]u so henye O my soule
General NoteAnnotations/Corrections: note/stave corr. in second line; signum congruentiae under beginning of last line; scribbles in outer margin next to music, incl. 'Jonson' and 'Robarte'; Notes: beginning of piece missing; not sure whether this would be Johnson the Elder or the Younger; |
|||
6r–7r | Omnes Gentes: O clap your hands together (II) | - | Anonymous |
Appears on:
6r–7r
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
OMNES GENTES. / O clappe yo[u]r hands [...] to gethyr
General NoteAnnotations/Corrections: many text corr. throughout, and staves extended into margins; |
|||
7r–8v | Non nobis Domine: Not unto us, O Lord | - | Anonymous |
Non nobis Domine: Not unto us, O LordAnonymous
Appears on:
7r–8v
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
NON NOBIS D[OMI]NE. / Not vnto vs O lord
General NoteAnnotations/Corrections: major corr. in music and text on f. 8; |
|||
9r–9v | Deus in nomine tuo: Save me, O God, for thy name's sake (II) | - | Anonymous |
Appears on:
9r–9v
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
DEVS IN NOMINE TVO. / Saue me O god [...] for thy' mames sake
General NoteAnnotations/Corrections: text corr. on f. 9; stave extended into margin on f. 9; Notes: on f. 9v, between this and the next piece: 'Item for egg[...]' - not readable; |
|||
9v–10v | Voce mea: I cried unto the Lord | - | Anonymous |
Voce mea: I cried unto the LordAnonymous
Appears on:
9v–10v
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
UOCE MEA. / I cryde vnto ye lorde
General NoteAnnotations/Corrections: on f. 10, end of fourth and of bottom line: 'bis' entered under notes; |
|||
10v–11r | O God, be merciful unto us | - | |
Appears on:
10v–11r
Genres:
Anglican Service Music, Anthem, Deus misereatur [Anglican = 2nd canticle at Evensong]
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
DEVS MISEREATVR. / O god be mercifull vnto vs
General NoteAnnotations/Corrections: on f. 10v, extra line of music entered in bottom margin, its place in original bottom line made cear by a cross.; |
|||
11v–12v | Evening Service: Magnificat | - | Anonymous |
Evening Service: MagnificatAnonymous
Appears on:
11v–12v
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
MAGNIFICAT. / My soule magnigye the lord
General NoteAnnotations/Corrections: end of 'magnifye' corr.?; text corr. twice on f. 12 and near end on f. 12v; |
|||
13r | Remember not, O Lord God (= Ne reminiscaris) | - | |
Appears on:
13r
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
NE REMINICARIS. / Remembre not o lord God
|
|||
13v | Jubilate: All men rejoice | - | Anonymous |
Jubilate: All men rejoiceAnonymous
Appears on:
13v
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
IVBILATE DEO. / All men reioyse
General NoteAnnotations/Corrections: 1.'and '3.' in left-hand margin, distinguishing two different sections of music; Notes: second section begins 'Entar entar, his mercy gate'; |
|||
14r–15r | Morning Service: Benedictus (Canticle) (I) | - | Anonymous |
Appears on:
14r–15r
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
BENEDICTVS. / A saving helth victorious
General NoteAnnotations/Corrections: 2'., '4.'. '6.', '7.', '9.', '8.' and '10.' in left-hand margin, indicating individual sections (in that order); on f. 14, two lines extended into outer margin; at top of folio 'beyt k'?; in bottom outer corner beginning of text of next page; at end of no. 10 three barlines and some cipher; Notes: Folios 14v to 15 read as one opening; |
|||
15v–17r | Domine dominus noster: O Lord, our Lord, how marvellous | - | Anonymous |
Appears on:
15v–17r
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
D[OMI]NE D[OMI]N[U]S N[OSTE]R. / O lorde o[ur] lord now m[ar]vellous
General NoteAnnotations/Corrections: In the left-hand margins, numbers 1 to 11 marking individual sections, each comprising of two lines of music; uneven numbers on the versos, the even ones on the rectos; on f. 17 (at end) same cipher as at end of preceeding Benedictus and beneath that 'great ame'; also an 'f' or '+' in bottom outer corner; Notes: the numbers in the margin group together two lines of much each, the separation of which is also indicated by barlines at the end.; |
|||
16v–19r | Caeli enarrant: The heavens in their excellence | - | Anonymous |
Appears on:
16v–19r
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
CELI ENARRANT. / The heaue[n]s in their excellence
General NoteAnnotations/Corrections: In the left-hand margins, numbers 1 to 8 marking individual sections; at end the same cipher as at the end of the preceeding two pieces; in the outer margin of f. 19 ' Blessed are they that kepe his testimonis' and at bottom of page (underlined) 'j[Z?] mvazzacer'? - at top of folio 19 also some crossed out writing; |
|||
19v | Usquequo domine: How long, O Lord, wilt me forget | - | Anonymous |
Appears on:
19v
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
USQVEQVO. / How long O lord wilt me forget
General NoteAnnotations/Corrections: several text corr. on this page; Notes: two separate bits of music on this page (the second beginning 'We praise ye father almightie'; |
|||
20r | Domine quis: O Lord, whom wilt thou count worthy | - | Anonymous |
Appears on:
20r
Voice:
[no designation]
Languages:
English
Clef:
c2
Voice Text:
D[OMI]NE QVIS. / O Lord who wilt thou count worthie
General NoteAnnotations/Corrections: [untexted] line of music at bottom of page (no key) and some notes on soves in bottom outer corner; |
|||
20v–22r | O Lord, rebuke me not in thy fury | - | Anonymous |
O Lord, rebuke me not in thy furyAnonymous
Appears on:
20v–22r
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
O lorde rebuke me not in thy fury
General NoteAnnotations/Corrections: several text corr. throughout; |
|||
22v–24r | O Lord, Christ Jesu that art king | - | Anonymous |
O Lord, Christ Jesu that art kingAnonymous
Appears on:
22v–24r
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
O lorde christe Jh[es]u that art kyng
General NoteAnnotations/Corrections: some insertion in top line of f. 23, later erased/crossed out; Notes: two different voice part - with one on verso, the other on recto; |
|||
24v–25r | Praised be God our Father | - | Anonymous |
Praised be God our FatherAnonymous
Appears on:
24v–25r
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
Praysid be god Praysed be god o[ur] father
General NoteAnnotations/Corrections: first word on f. 25 corr.; Notes: two different voice part - with one on verso, the other on recto; |
|||
25v–28r | Morning Service: Benedicite (II) | - | Anonymous |
Morning Service: Benedicite (II)Anonymous
Appears on:
25v–28r
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
Prayse ye the lorde all the workes of the lorde
General NoteAnnotations/Corrections: individual sentences/sections separated by barlines; in third line of f. 27r, text added; Notes: final section ('Blessed art thou, Lord') is entered twice: on f. 27v and on f. 28r (same music, same text); |
|||
27r | Kyrie Responses in the Communion Service (1552 Prayer Book) | - | Anonymous |
Appears on:
27r
Voice:
[no designation]
Languages:
English
Clef:
g2
General NoteAnnotations/Corrections: later pencil annotation at bottom of f. 27: 'Litany see vol. III. / 35'; in bottom margin 'Jonazzor reged'?; originally there also 'j[Z?] mvazzacer', as on f. 19, but erased/crossed out; at top of f. 27v: erased/crossed out text: 'Blessed is he that' and next to that 'ffoure parts / george' ('george' in a darker ink); |
|||
27v–28r | Nunc dimittis (I) | - | Anonymous |
Nunc dimittis (I)Anonymous
Appears on:
27v–28r
Voice:
[no designation]
Languages:
English
Clef:
c1
Voice Text:
Lorde nowe let thow thy s[er]vant
General NoteAnnotations/Corrections: on f. 27v, some heading crossed out, corr. in first line, which is also extended into inner margin (with a later '162' in pencil under this extension); several corr. and erasures in both text and music on f. 28; Notes: spread over recto and verso, with an inserted arrow indicating where the part continues on recto; some text corr. in the Gloria partri on f. 28, in the bottom line some notes split and some note/stem corrections.; |
|||
28v–30r | Te Deum (II) | - | Anonymous |
Te Deum (II)Anonymous
Appears on:
28v–30r
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
All the erthe dothe worship the
General NoteAnnotations/Corrections: on verso pages music and words written in different ink, some minor text corrections throughout; Notes: for two choirs - here Triplex of Choir II on verso, and Contratenor of Choir II on recto; on f. 28v, music in different ink than text (music brown, text black), on 29 all brown, on 29v text at least darker; concordance with Te Deum in Wanley MSS, which provides the missing two parts of Choir I (Tenor in e.420, ff. 80-82, and Bass in e.422, ff. 78v-80v); double barlines between sections of the music; |
|||
30v | Nunc dimittis (II) | - | Anonymous |
Nunc dimittis (II)Anonymous
Appears on:
30v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c4
Voice Text:
Lord nowe lettest thou thi s[er]vante depart in peace
General NoteAnnotations/Corrections: corr./erasure in second line; stem of penultimate note of piece erased; Notes: the same part is in vol, 76, f. 42v; |
|||
31r | Nunc dimittis (II) | - | Anonymous |
Nunc dimittis (II)Anonymous
Appears on:
31r
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
f4
Voice Text:
Lord nowe lettest thou yi servant depart in peace
|
|||
31v–32r | [blank pages] | - | - |
[blank pages]
Appears on:
31v–32r
General Note[small floral drawings] |
|||
32v–33r | [untexted] | - | - |
Appears on:
32v–33r
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
General NoteNotes: very uneven staves, as though drawn free-hand (esp. on f. 32v); |
|||
33v–34r | no title/untexted [In nomine?] | - | |
Appears on:
33v–34r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c2
General NoteAnnotations/Corrections: These two pages belong together and note different vocal parts, viz. 'secondus: modius', 'Contratenor', 'Tenor ye fyrste', 'Tenor the louste', 'prymus Bassus', 'Seconda Bassus', 'Prymus modyus'; additional stave drawn in bottom margin of f. 34; Notes: Later annotation on sheet fixed onto front flyleaf: 'The "In nomine" on ff. 33b-34 appears also in Add. MS 31390, ff. 23b-24, where it is attributed to Robert Parsons (d. 1570)'; |
|||
34v | [untexted] | - | - |
Appears on:
34v
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
General NoteAnnotations/Corrections: Several note/stem corr.; in first line a bracket and signum congruentiae; in second line fragment of text entered; at bottom of f. 34v: 'Berhard'?; |
|||
35r | [untexted] | - | - |
Appears on:
35r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
g2
General NoteAnnotations/Corrections: several corr. on the whole page; Notes: five different part noted on top of each in individual staves; a piece with two repeated parts; |
|||
35v–36r | When shall my sorrowful sighing (I) | - | |
Appears on:
35v–36r
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
When shall my sorowfull sything
General NoteAnnotations/Corrections: several corr. in second line; Notes: not in NG-list list of Robert Johnson (I) works - in Foster, Anthems, listed for a Robert Johnson that would be (II); |
|||
35v–25v | [untexted] | - | - |
Appears on:
35v–25v
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c1
General NoteNotes: three [untexted] fragments, with some corrections (the first continuing from last line of 'When shall my sorowfull', the second consists of a few notes that are all crossed out, the last on the bottom line, in F4 clef, going up to a repeat sign; |
|||
36r | When shall my sorrowful sighing (II) | - | |
Appears on:
36r
Voice:
[no designation]
Languages:
English
Clef:
c4
Voice Text:
When shall my sorowfull sythyng
General NoteAnnotations/Corrections: several corr., esp. in second line; Notes: not in NG-list list of Robert Johnson (I) works - in Foster, Anthems, listed for a Robert Johnson that would be (II); |
|||
36v | [untexted] | - | - |
Appears on:
36v
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
General NoteAnnotations/Corrections: in the inner margin voice part indicated; Notes: score of five [untexted] parts (C1, C2, C3, F4, C4); |
|||
37r | Pavana [?] | - | Anonymous |
Pavana [?]Anonymous
Appears on:
37r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
pavana fry Ches[?] / [untexted]
General NoteAnnotations/Corrections: Josh y horn says is my name and w[i]th my ha[...] y; Notes: some word erased/washed out under line towards the end; |
|||
37r | Galliard 'Primus' | - | Anonymous |
Galliard 'Primus'Anonymous
Appears on:
37r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
gallyard Pmu[s] Ches / [untexted]
General NoteAnnotations/Corrections: at end: 'God o? yt [=that]'; |
|||
37r | [untexted] | - | - |
Appears on:
37r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c3
|
|||
37v | [blank page] | - | - |
[blank page]
Appears on:
37v
|
|||
38r | [illegible title] | - | - |
Appears on:
38r
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
Voice Text:
[illegible] / [untexted]
General NoteNotes: staves are very much free-hand; |
|||
38v | [untexted] | - | - |
Appears on:
38v
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
f4
General NoteAnnotations/Corrections: several substantial music corr.; Notes: many shorter sections, separated from each other by repeat signs; possibly belonging to the the music on the following page? (see below); |
|||
38v | [untexted] | - | - |
Appears on:
38v
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c2
General NoteAnnotations/Corrections: medius' and 'tenor'; Notes: two parts, possibly belonging together; the top one has some illegible annotation at the end; |
|||
38v | [untexted] | - | - |
Appears on:
38v
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
General NoteAnnotations/Corrections: some illegible annotation in bottom margin; |
|||
39r | Galliard 'Innocents' | - | Anonymous |
Galliard 'Innocents'Anonymous
Appears on:
39r
Voice:
[no designation]
Languages:
none
Clef:
c3
Voice Text:
Innocents galliard Tenor of the gallyard Triplex merio? / [untexted]
General NoteAnnotations/Corrections: some note corr.; between bottom two staves some scribbles; at end of bottom stave arrow with question mark pointing up to the facing page. i.e. f. 38v (much later, in pencil); Notes: in the lower three voice parts, different writing to the 'galliard' on top of the folio; at bottom of folio empy stave with F4 clef; |
|||
39v | Pavin/Pavanne | - | Anonymous |
Pavin/PavanneAnonymous
Appears on:
39v
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pavin / [untexted]
General NoteAnnotations/Corrections: one note corr.; Notes: score in five parts (C1, C3, C3, C4, F4); |
|||
40r | Pavin/Pavanne | - | Anonymous |
Pavin/PavanneAnonymous
Appears on:
40r
Voice:
[no designation]
Languages:
none
Mensuration:
3
Clef:
c1
Voice Text:
Galliard / [untexted]
General NoteAnnotations/Corrections: five parts (C1, C2, C3, C4, F4), ascribed in left-hand margin: 'C / A / T / Q / B'; Notes: score of five parts; |
|||
40v | Galliard | - | Anonymous |
GalliardAnonymous
Appears on:
40v
Voice:
[no designation]
Languages:
none
Mensuration:
3
Clef:
c1
Voice Text:
Gallyard / [untexted]
General NoteAnnotations/Corrections: five parts (C1, C3, C4, F4, C5), ascribed in left-hand margin: 'C. / A / T / B / Q'; three different annotations (in different ink) in bottom margin upside town: 'By wyllyam garryson Blessed be the name off the Lord' / Blessid ys he that cometh in the name of the L' / 'Baesf Blessed ys he [...]'; |
|||
41r | Pavin of Albarti | - | Anonymous |
Pavin of AlbartiAnonymous
Appears on:
41r
Voice:
[no designation]
Languages:
none
Clef:
c1
Voice Text:
Pavin of Albarti / [untexted]
General NoteAnnotations/Corrections: five parts (C1, C2, C3, F4, C4), ascribed in left-hand margin: 'Cantus / altus / T / B / Q'; |
|||
41v | Galliard | - | Anonymous |
GalliardAnonymous
Appears on:
41v
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Gallyard / [untexted]
General NoteAnnotations/Corrections: four parts (C1, C3, C3, F4), ascribed to 'Cantus / medynus / Tenor / Bassus'; in bottom magin 'I. Loumlye'; |
|||
42r | [untexted] | - | - |
Appears on:
42r
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
General NoteAnnotations/Corrections: long French annotations at top of folio, after first to lines of music; Notes: two [untexted] lines of music, fragement; |
|||
42r | [untexted] | - | - |
Appears on:
42r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c3
General NoteNotes: four [untexted] lines of music (C3, F4, C1, C3), with several corr. and none complete; |
|||
42v | Pavanne | - | Anonymous |
PavanneAnonymous
Appears on:
42v
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g2
Voice Text:
pavana / [untexted]
General NoteAnnotations/Corrections: five parts (G2, C2, C3, F3, C4), ascribed to 'Cantus / alltus /tenor / bassus'; no ascription to bottom line, which is also in a slightly darker ink; some long annotation at the end of the penultimate line; |
|||
43r | Pavanne | - | Anonymous |
PavanneAnonymous
Appears on:
43r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
pavan / [untexted]
General NoteAnnotations/Corrections: five parts (C1, C3, C3. C3, F4), ascribed to 'Cantus / Alt[us] / quint[us] / Tenor / [Bassus]'; |
|||
43v | [untexted] | - | - |
Appears on:
43v
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c3
General NoteAnnotations/Corrections: crossed out annotation in bottom left-hand corner; fragment of some writing on bottom outer corner (torn away); Notes: score in four parts (C3, C4, C2, F3), below that also a single line with C3 clef; |
|||
44r | Allemana d'amor | - | Anonymous |
Allemana d'amorAnonymous
Appears on:
44r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Allemana d'amor / [untexted]
General NoteAnnotations/Corrections: five parts (C1, C3, C4, F4, C4), ascribed to 'Cantus / Altus / tenor / Bassus'; bottom line not ascribed, and also only a third of the length of the other parts; |
|||
44v | Sorpresa | - | Anonymous |
SorpresaAnonymous
Appears on:
44v
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Sorepresa / [untexted]
General NoteAnnotations/Corrections: five parts (C1, C3, C4, F4, C4); in front of lines variously 'Sorepresa / Sanpresa / Sarepresa / Sarepresa' (nothing in front of bottom line); some illegible annotation in bottom outer corner; Notes: the second line has a flat noted at the beginning; |
|||
45r | Bransle Bergers[?] | - | Anonymous |
Bransle Bergers[?]Anonymous
Appears on:
45r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Brande berges / [untexted]
General NoteAnnotations/Corrections: in bottom outer corner of fol. 44v, some wiped out name?; Notes: Brande berges' in front of the four top lines, cut-C only over penultimate line; bottom line on a free-hand stave; |
|||
45v | Sorpresa | - | Anonymous |
SorpresaAnonymous
Appears on:
45v
Voice:
[no designation]
Languages:
none
Clef:
c1
Voice Text:
Sarepresa / [untexted]
General NoteNotes: bottom line on a free-hand stave; |
|||
46r | Ronda | - | Anonymous |
RondaAnonymous
Appears on:
46r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ronda / [untexted]
General NoteAnnotations/Corrections: five lines (C1, C3, C4, C4, F4), ascribed to 'cantus / controalto / Tenor / [not asccribed / bassus'; first half of penultimate line crossed out; Notes: Ronda' in front of all lines; |
|||
46v | [untexted] | - | - |
Appears on:
46v
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c3
General NoteAnnotations/Corrections: By mr Burford pyttyn?'; four notes in bottom margin; some erased/washed out annotation between first and second stave; at top of third line stave 'ruger'; Notes: score of four parts (C3, F4, C4, C3); |
|||
47r | Desperada | - | Anonymous |
DesperadaAnonymous
Appears on:
47r
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
c1
Voice Text:
desperada / [untexted]
General NoteAnnotations/Corrections: four parts (C1, C3, C4, C3, F4), ascribed to 'Superiu[s] / Tenor / Quintapars / Contra. / Bassus'; |
|||
47v | Canon alin'd | - | Anonymous |
Canon alin'dAnonymous
Appears on:
47v
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
c1
Voice Text:
Canon alin'd / [untexted]
General NoteAnnotations/Corrections: bellow the score is a more skethcy stave without clef and a line of notes; below this: 'Tho soner paynse be pryste for crokyde age faste crepyde on whan all / payne kakynge is paste / man whylste'; Notes: C1, C4, C3, F4; |
|||
48r | Pavane: Canon per aliam viam reuersi sint in regionem suam | - | Anonymous |
Appears on:
48r
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
c1
Voice Text:
Pauane Canon per aliam viam reuersi sint in regionem suam / [untexted]
General NoteAnnotations/Corrections: some annotation before secone line: '[...] pars'; Notes: C1, C4, C3, F4; |
|||
48v | Pavane: Canon in Subdiatessarum Inferiorem parterm Non pudebit incipere | - | Anonymous |
Appears on:
48v
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
c1
Voice Text:
Pauane Canon in Subdiatessarum Inferiorem parterm Non pudebit incipere / [untexted]
General NoteAnnotations/Corrections: under first line, in different ink: 'Canon In subdiatessarum'; Notes: C1, C3, C4, F4; |
|||
48v | Canon 'invemes ad longum' | - | Anonymous |
Canon 'invemes ad longum'Anonymous
Appears on:
48v
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
c3
Voice Text:
hic Canone[m] inuemes ad Longum / [untexted]
General NoteAnnotations/Corrections: in bottom margin two notes and some erased/washed out writing; Notes: possibly belonging to the preceeding one?; |
|||
49r | [untexted] | - | - |
Appears on:
49r
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
General NoteNotes: C1, C2, C3, C4, F4; all five staves drawn free-hand; |
|||
49v | Canon 'unam mensuram imunabis' | - | Anonymous |
Canon 'unam mensuram imunabis'Anonymous
Appears on:
49v
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
c3
Voice Text:
Canon Vnam mensuram imunabis / [untexted]
General NoteAnnotations/Corrections: single line of music, crossed out; |
|||
49v | [untexted] | - | - |
Appears on:
49v
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
General NoteNotes: five rather sketchy lines of music, with several corr; darker ink to previous or following items; |
|||
50r | Versa desperada | - | Anonymous |
Versa desperadaAnonymous
Appears on:
50r
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
uerza desperada / [untexted]
General NoteAnnotations/Corrections: each line crossed out individually; some illegible annotation under bottom line (at 90° to stave); |
|||
50v | Seconda desperada | - | Anonymous |
Seconda desperadaAnonymous
Appears on:
50v
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Seconda desperada / [untexted]
General NoteAnnotations/Corrections: three middle parts ascribed to 'Tenor / Altus / Quintus'; Notes: C1, C3, C3, C4, F4; |
|||
51r | [untexted] | - | - |
Appears on:
51r
Genres:
textless
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
c1
General NoteAnnotations/Corrections: five parts (C1, C3, C2, C4, F4), ascribed in left-hand margin: 'Supera / Tenor/ Contra / Quinta pars', bottom line not named; some black-out in all but the second line; |
|||
51v | Galliard | - | Anonymous |
GalliardAnonymous
Appears on:
51v
Voice:
[no designation]
Languages:
none
Mensuration:
c
Clef:
g2
Voice Text:
Gaiilarde / [untexted]
General NoteAnnotations/Corrections: Quinta pars' over third line; Notes: G2, C3, C4, C2, F4; |
|||
52r | [untexted] | - | - |
Appears on:
52r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c1
General NoteAnnotations/Corrections: three middle parts ascribed to 'tenor / Altus / Quintus'; |
|||
52v | Allemande | - | Anonymous |
AllemandeAnonymous
Appears on:
52v
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
allemande / [untexted]
General NoteAnnotations/Corrections: five parts (C1, C3, C3, F4, C4), the second, third and fifth of which are ascribed to 'tenor / Altus / Quintus'; some annotations on the right-hand side of the page: 'O god the father / of y. hen' / 'O/god/the/father[...]' / '[upside down] Jhesus / The', some erased/washed out scribble in bottom left-hand corner; in pencil '137' between first and second line ('upside down', as it were); |
|||
53r | [blank page] | - | - |
[blank page]
Appears on:
53r
|