Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1r | Non nobis Domine: Not unto us, O Lord | - | Anonymous |
Non nobis Domine: Not unto us, O LordAnonymous
Appears on:
1r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
NON NOBIS D[OMI]NE. / Yee ar the blessed of ye lord
General NoteAnnotations/Corrections: a text and a note/stem corr. in second line; text corr. near end of piece; signum congruentiae with some insertion ('e vin'?) in penultimate line (in Gloria patri); in top margin, before title, some notes; in bottom margin inscription: 'in all tyme when you will stand, vnto me you shalle hav' ; |
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| 1v–2r | Deus in nomine tuo: Save me, O God, for thy name's sake (II) | - | Anonymous |
|
Appears on:
1v–2r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
DEVS IN NOMINE TVO. / Saue me O god
General NoteAnnotations/Corrections: in second line of f. 1v and in second line of f. 2, each time signum congruentiae, with 'bis' written beneath or above; in penultimate line of f. 1v and in first line of f. 2 text corr.; text corr. also at beginning of second line of f. 2 (hence the music begins only a little into the stave); |
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| 2r–3r | Voce mea: I cried unto the Lord | - | Anonymous |
Voce mea: I cried unto the LordAnonymous
Appears on:
2r–3r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
UOCE MEA. / I cryde vnto ye lorde
General NoteAnnotations/Corrections: oin bottom outer corner of f. 2: 'I po[u]red,' (the first word of the following page); on f. 2v, in the two bottom lines: twice 'bis' written under a note; |
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| 3r–4r | O God, be merciful unto us | - | |
|
Appears on:
3r–4r
Genres:
Anglican Service Music, Anthem, Deus misereatur [Anglican = 2nd canticle at Evensong]
Voice:
[no designation]
Languages:
English
Clef:
c4
Voice Text:
DEVS MISEREATVR N[OST]RI. / O god be mercifull vnto vs
General NoteAnnotations/Corrections: text corr. at very beginning; first line of music extended into outer margin; |
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| 4r–5v | Evening Service: Magnificat | - | Anonymous |
Evening Service: MagnificatAnonymous
Appears on:
4r–5v
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
MAGNIFICAT. / My soule magnifieth ye lord
General NoteAnnotations/Corrections: Very first clef corr. from C4 to C3; two words added in text on f. 5; |
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| 5v–6r | Remember not, O Lord God (= Ne reminiscaris) | - | |
|
Appears on:
5v–6r
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
NE REMINICARIS. / Remembre not O lord god
General NoteAnnotations/Corrections: bis' under a note in penultimate line on f. 6; |
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| 6v–7r | Jubilate: All men rejoice | - | Anonymous |
Jubilate: All men rejoiceAnonymous
Appears on:
6v–7r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
IVBILATE DEO. / All men reioyse
General NoteAnnotations/Corrections: some corr. on f. 6v and 7, incl. lines lines clarifying which syllable belongs to which note; at end cipher as seen in vol. 74; in outer margin of f. 7, in different ink, 'John kyge'; |
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| 7v–9r | Benedicite (I) | - | Anonymous |
Benedicite (I)Anonymous
Appears on:
7v–9r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
BENEDICITE. / Praise ye ye lorde
General NoteAnnotations/Corrections: signum congruentiae in top line and at end of fourth line of f. 7v; some possible annotation at end of bottom line of f. 7v (a 'zs' on top? - but there is also a bit ink stain); bottom line of f. 7v extended into margin; at end (f. 9) cipher as on f. 7 and as seen in vol. 74; on top of f. 9, after title 'BENEDICITE' also 'BEN', but the later half erased/washed away; Notes: ofr two choirs a three parts; on f. 7v, there are clearly two different parts of the same piece, but in the following folios the separation is not clear; |
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| 9v–11r | Morning Service: Benedictus (Canticle) (I) | - | Anonymous |
|
Appears on:
9v–11r
Voice:
[no designation]
Languages:
English
Clef:
c4
Voice Text:
BENEDICTVS. / Praisid be thealmightie lorde
General NoteAnnotations/Corrections: In the left-hand margins, numbers 1 to 9 marking individual sections; uneven numbers on the versos, the even ones on the rectos; bottom line of f. 10v crossed out and this line entered as the last one on f. 11 - but without an extra numbering there; cipher entered at bottom of f. 10v (which would have been the original ending of the piece before the correction); |
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| 11v–14v | Domine dominus noster: O Lord, our Lord, how marvellous | - | Anonymous |
|
Appears on:
11v–14v
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
D[OMI]NE [DOMI]N[U]S N[OSTE]R. / O lorde our lord how marvelous
General NoteAnnotations/Corrections: In the left-hand margins, numbers 1 to 11 marking individual sections; uneven numbers on the versos, the even ones on the rectos; title on f. 11v half erased; on folios 11v and 12 only text entered and then both folios crossed out, the entry with music and text beginning on f. 12v; on f. 12v at top later ' O lord' and in outer margin short stave with a C1 clef (but no music); on top of f. 13 some faded/erased scribbles; at end cipher as seen in vol. 74; |
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| 14v–15v | Usquequo domine: How long, O Lord, wilt me forget | - | Anonymous |
|
Appears on:
14v–15v
Voice:
[no designation]
Languages:
English
Clef:
c4
Voice Text:
USQVEQVO D[OMI]NE. / How long O lord wilt me forget
General NoteAnnotations/Corrections: In the left-hand margins, numbers 1 to 4 marking individual sections, in order of numbers - on f. 15v there is probably a new section (as the no. 4 ends with a barline on f. 15), but there is no new number on f. 15v; text corr. in first line on f. 14v; at end cipher as seen in vol. 74; |
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| 16r | [blank staves] | - | - |
[blank staves]
Appears on:
16r
|
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| 16v–18r | Caeli enarrant: The heavens in their excellence | - | Anonymous |
|
Appears on:
16v–18r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
CELI ENARRANT. / The heavyns in their excellence
General NoteAnnotations/Corrections: In the left-hand margins, numbers 1 to 8 marking individual sections; uneven numbers on the versos, the even ones on the rectos; in bottom line of f. 18, at beginning signum congruentiae, towards end a small text corr.; at end cipher as seen in vol. 74; |
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| 18v–19v | Domine quis: O Lord, whom wilt thou count worthy | - | Anonymous |
|
Appears on:
18v–19v
Voice:
[no designation]
Languages:
English
Clef:
c4
Voice Text:
D[OMI]NE QVIS. &C. / O Lorde whom wilt thou count worthie
General NoteAnnotations/Corrections: minor text corr. in first line of f. 18v; at end of f. 19 three barlines and then cipher, but cipher erased/washed out; cipher entered at end of piece on f. 19v; |
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| 20r | Domine quis: O Lord, whom wilt thou count worthy | - | Anonymous |
|
Appears on:
20r
Voice:
[no designation]
Languages:
English
Clef:
c4
Voice Text:
lord who ys he
General NoteNotes: belongs to the previous one, just different voice part; different hand to previous pieces; |
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| 20v–22r | O Lord, rebuke me not in thy fury | - | Anonymous |
O Lord, rebuke me not in thy furyAnonymous
Appears on:
20v–22r
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O lorde rebuke me not in thy fury
General NoteAnnotations/Corrections: on f. 21 several text corr./additions and second and third line of music extended into outer and inner margin respectively; text corr. in penultimate line of f. 12v and addition in bottom line; |
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| 22r | [untexted] | - | - |
|
Appears on:
22r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
g2
General NoteNotes: different ink to previous piece; rather sketchy, with several ink stains, only about a third of the stave line used; |
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| 22r | [untexted] | - | - |
|
Appears on:
22r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c4
General NoteAnnotations/Corrections: in outer margin: 'Roland gferson & JR'[?]; Notes: in the same different ink, and of the same length, as the previous entry; |
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| 22v–24r | O Lord, Christ Jesu that art king | - | Anonymous |
O Lord, Christ Jesu that art kingAnonymous
Appears on:
22v–24r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O lorde chryst Jh[es]u that art kyng in glory
General NoteAnnotations/Corrections: in outer margin of f. 22v (erased/washed out) 'Jo hermanbyr'[?]; in outer margin of f. 23v some erased scribble (beginning with a Z?); Notes: two different parts: Ct ten. of Choir I on versos, Ct ten. of Choir II on rectos; |
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| 24v–25r | Praised be God our Father | - | Anonymous |
Praised be God our FatherAnonymous
Appears on:
24v–25r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Praysid be god, praysed be god o[ur] father
General NoteAnnotations/Corrections: bottom line of f. 24v extended into margin; Notes: two different parts: Ct ten. of Choir I on versos, Ct ten. of Choir II on rectos; |
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| 25v–28r | Morning Service: Benedicite (II) | - | Anonymous |
Morning Service: Benedicite (II)Anonymous
Appears on:
25v–28r
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Prayse ye the lorde all the workes of the lord
General NoteAnnotations/Corrections: barlines separating individual sections; Notes: two different parts: Ct ten. of Choir I on versos, Ct ten. of Choir II on rectos; |
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| 27r | Kyrie Responses in the Communion Service (1552 Prayer Book) | - | Anonymous |
|
Appears on:
27r
Voice:
[no designation]
Languages:
none
Clef:
c2
General NoteNotes: twice the same line of music, the top one with some corrections, the lower one being a better space-out fair copy.; |
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| 27v–28v | Nunc dimittis (I) | - | Anonymous |
Nunc dimittis (I)Anonymous
Appears on:
27v–28v
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Lorde now let thow thy s[er]vant departe in peace
General NoteAnnotations/Corrections: note corr. in bottom line of f. 27v; text corr. o f. 28; some annotations in top and outer margins of f. 28 (half erased/washed out): 'in die solemnis ta tis @ te [...]' - 'mid die solemnie ta tiss' - '[unreadable in pdf]'; Notes: stave on f. 28v entered very sketchily, free-hand; |
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| 29v–32r | Benedictus for four voices (Canticle) | at end 'mr tallis' | |
|
Appears on:
29v–32r
Source Attribution:
at end 'mr tallis'
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Blessed be the lord of israell
General NoteAnnotations/Corrections: some text and note/stem corr. on f. 29v; on bottom margin of f. 29v 'Derly beloved'; text corr. on f. 31v; Notes: Contratenor p[ar]te Secundus' on versos, and 'p[r]imus Cont[r]atenor p[ar]te' on recots; time signature not for second countertenor, only for first one (f. 30); at end of f. 30 'v[er]te foliu[m]', on f. 31 'verte'; this piece occurs only in the Lumley partbooks, see Harley, Tallis, p. 77; |
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| 32v–34r | Te Deum (II) | - | Anonymous |
Te Deum (II)Anonymous
Appears on:
32v–34r
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
We knowledge thee too be the lorde
General NoteAnnotations/Corrections: several hardly readable annotations on top of f. 32v, incl. '[...]sa' - 'John haryson' - [...]; in the same ink as these annotations, some annotation in music, after first phrase; top line of folio extended into margin; in bottom margin of f. 33 'Johns' written sideways; Notes: two different parts: Ct ten. of Choir I on versos (with C3 clef) and Ct ten. of Choir II on rectos (with C4 clef); flat not noted for first four lines on f. 32v, but always thereafter; different ink and writing to previous pieces; |
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| 34v | Nunc dimittis (II) | - | Anonymous |
Nunc dimittis (II)Anonymous
Appears on:
34v
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Lord nowe lestest thow thi seavant depart in peace accordynge to th[not readable] / Lorde nowe lettest thou thi servant depart in peace
General NoteAnnotations/Corrections: clef corr. in third and fifth lines of f. 34v; |
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| 35r | [untexted] | - | - |
|
Appears on:
35r
Genres:
textless
Voice:
[no designation]
Languages:
none
Clef:
c1
General NoteAnnotations/Corrections: C4 clef and some notes in bottom stave, but wiped out; Notes: four [untexted] parts (C1, C3, C3, F4); also in bottom stave some notes (after C4) but washed out ; |
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| 35v | [untexted] | John Johnson | |
|
Appears on:
35v
Genres:
textless
Source Attribution:
John Johnson
Voice:
[no designation]
Languages:
none
Clef:
f4
General NoteAnnotations/Corrections: under fourth line of music annotation 'j d[]bend bbassus and suocy'?; in bottom margin 'ye Avfixd AZof'?; Notes: five [untexted] lines, each having repeat sign s in the middle and at the end, then double barline; |
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| 36r | Pavan 'Marquese' | - | - |
|
Appears on:
36r
Genres:
Pavan
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c2
General NoteAnnotations/Corrections: in bottom margin 'Sar Marquese'; Notes: five lines of [untexted] music (different ink to previous page; also staves drawn much more free-hand); all except the third have a repeat sign at the end; repeat signs divide each line into three sections; |
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| 36v | Allemande | - | - |
|
Appears on:
36v
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
General NoteNotes: five lines of music (C1, C3, C3, C4, F4); |
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