D-Mbs Mus. MS 19

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: Before 1531

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 19
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 510 x 370 mm
Other Identifiers
  • CCM: MunBS 19
  • olim (Former shelfmark): H.C. 27; MaiM 43
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 54 pieces from 6 composers
General Description

Earliest layer (ff. 78'-91, 97'-120, 147'-173) copied by one or two scribes, whose hands also appear in MunBS 35-8 (BenteNW); ff. 1'-77, 92'-96, and 120'-146 probably copied by Lucas Wagenrieder. Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Binding

Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW).

DIAMM, 2017
Watermark

No watermark in earliest layer; watermark on remaining folios is coat of arms of city of Kaufbeuren (generally resembles Briquet # 1008ff)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Before 1531 (earliest layer); ca. 1531-40 (remainder of manuscript) (BenteNW).

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-13, groups some motets under one number

DIAMM, 2017
Foliation

Modern pencil foliation, 1-173, by J. J. Maier (some folios lack numbers, but all included in enumeration).

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses (1 with Proper and Ordinary sections), 2 hymns, 17 motets = 21

Gombert-2, (Isaac?)-1, Josquin-3, Senfl-6 + 7?, Willaert-1, anon-1

173 paper folios, 510 x 370. Modern pencil foliation, 1-173, by J. J. Maier (some folios lack numbers, but all included in enumeration). Original numbering of pieces, 1-13, groups some motets under one number. Ff. 1, 9'-10, 25'-26, 37'-38, 57'-58, 63'-64, 77'-78, 86'-87, 91'-92, 96'-97, 106'-107, 127'-128, 146'-147, and 173' blank except for piece numbers and titles. Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW). No index.

Earliest layer (ff. 78'-91, 97'-120, 147'-173) copied by one or two scribes, whose hands also appear in MunBS 35-8 (BenteNW); ff. 1'-77, 92'-96, and 120'-146 probably copied by Lucas Wagenrieder (see general index for other manuscripts copied by the same scribe). No initials or decoration. No watermark in earliest layer; watermark on remaining folios is coat of arms of city of Kaufbeuren (generally resembles Briquet # 1008ff).

Before 1531 (earliest layer); ca. 1531-40 (remainder of manuscript) (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–9 Quem terra pontus aethera colunt (6vv) [P106] Lud: Sennfl [= Senfl]
Appears on: 1v–9
Genres: Motet
Source Attribution: Lud: Sennfl [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Quem terra pontus aesthera colunt 2 Cui luna sol et omnia deserviunt
10v–17 Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum Nicolaus Gombert
Appears on: 10v–17
Genres: Motet
Source Attribution: Nicolaus Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum et consilium meum II: Tulerunt dominum meum et nescio ubi
General Note

RISM 1539, 3; Gombert GA IX (CMM 6/IX), p. 24.

17v–25 Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 17v–25
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi
General Note

RISM 1539, 3; Gombert GA IX (CMM 6/IX), p. 24.

26v–31 Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo [Josquin]
Appears on: 26v–31
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Memor esto verbi tui servo tuo II: Portio mea domine dixi custodire 17.14
General Note

RISM 1514, 1; Josquin GA Motetten II, p. 3

31v–37 Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire -
Appears on: 31v–37
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Portio mea domine dixi custodire
General Note

RISM 1514, 1; Josquin GA Motetten II, p. 3

38v–41 Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Josquin
Appears on: 38v–41
Genres: Ave Maria, Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum 23.6
General Note

RISM 1502, 1; Josquin GA Motetten I, p. 1

41v–43 Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 41v–43
Genres: Ave Maria, Motet
43v–47 O gloriosa Dei genitrix - 1a pars (of 2): O gloriosa Dei genitrix virgo semper N. Gombert
Appears on: 43v–47
Genres: Motet
Source Attribution: N. Gombert
Voice: [no designation]
Languages: Latin
Voice Text: O gloriosa dei genitrix virgo semper II: Que est ista que ascendit
General Note

RISM 1534, 3; Gombert GA V (CMM 6/V), p. 25

47v–50 O gloriosa Dei genitrix - 2a pars (of 2): Que est ista que ascendit -
Appears on: 47v–50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Que est ista que ascendit
General Note

RISM 1534, 3; Gombert GA V (CMM 6/V), p. 25

50v–54 Benedicta es caelorum regina (4vv) - 1a pars (of 2): Benedicta es caelorum regina Adrianus Vuillaert [= Willaert]
Appears on: 50v–54
Genres: Motet
Source Attribution: Adrianus Vuillaert [= Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina et mundi II: Per illud ave prolatum et tuum
General Note

RISM W 1106 (1539); Willaert GA I (CMM 3/I), p. 78

54v–57 Benedicta es caelorum regina (4vv) - 2a pars (of 2): Per illud ave prolatum -
Appears on: 54v–57
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Per illud ave prolatum et tuum
General Note

RISM W 1106 (1539); Willaert GA I (CMM 3/I), p. 78

58v–63 Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut [Josquin]
Appears on: 58v–63
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Mente tota supplicamus ut sicut filio 25.14 [Pars V of Vultum tuum deprecabuntur omnes]
General Note

RISM 1559, 2 (only pars V); Josquin GA Motetten I, p. 125

64v–68 Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens Lud: Sennfl
Appears on: 64v–68
Genres: Motet
Source Attribution: Lud: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Media vita in morte sumus quem querimus II: Sancte deus fortis sancte et misericors
68v–72 Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott -
Appears on: 68v–72
Genres: Motet
Voice: [no designation]
Languages: Latin, German
Voice Text: Sancte deus fortis sancte et misericors/ Heiliger Herre Got
72v–74 Da pacem Domine (M26) - 1a pars (of 2): Da pacem Domine in diebus nostris L.S.
Appears on: 72v–74
Genres: Motet
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnat
74v–78 Da pacem Domine (M26) - 2a pars (of 2): Quia non est alius qui pugnet -
Appears on: 74v–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quia non est alius qui pugnet
78v–80 Igitur perfecti sunt - 1a pars (of 3): Igitur perfecti sunt caeli et terra [Senfl?] (See BenteNW, 169-71, for discussion of attribution for pieces on ff. 78v-96)
Appears on: 78v–80
Genres: Motet
Source Attribution: [Senfl?] (See BenteNW, 169-71, for discussion of attribution for pieces on ff. 78v-96)
Voice: [no designation]
Languages: Latin
Voice Text: Igitur perfecti sunt celi et terra II: Et factus est homo in animam
80v–80 Igitur perfecti sunt - 2a pars (of 3): Et factus est homo in animam -
Appears on: 80v–80
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et factus est homo in animam
78v–80 Igitur perfecti sunt - 3a pars (of 3): Gloria patri -
Appears on: 78v–80
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
81v–83 Hymnis et in confessionibus judex [Senfl?]
Appears on: 81v–83
Genres: Motet
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Latin
Voice Text: Hymnis et in confessionibus iudex
83v–84 Benedicamus Domino (IV) (P128) [Senfl?]
Appears on: 83v–84
Genres: Benedicamus Domino, Motet
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino
84v–85 Et benedicentur - 1a pars (of 3): Et benedicentur in te omnes tribus [Senfl?]
Appears on: 84v–85
Genres: Motet
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Latin
Voice Text: Et benedicentur in te omnes tribus
85v–86 Et benedicentur - 2a pars (of 3): Eo quod timeas -
Appears on: 85v–86
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Eo quod timeas
84v–85 Et benedicentur - 3a pars (of 3): Gloria patri -
Appears on: 84v–85
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
87v–89 In diebus illis - 1a pars (of 3): In diebus illis salvabitur Iuda et Israel [Senfl?]
Appears on: 87v–89
Genres: Responsory
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Latin
Voice Text: In diebus illis salvabitur Iuda et Israel II: Et hoc est nomen quod vocabunt
89v–91 In diebus illis - 2a pars (of 3): Et hoc est nomen quod vocabunt -
Appears on: 89v–91
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Et hoc est nomen quod vocabunt
87v–89 In diebus illis - 3a pars (of 3): Gloria patri -
Appears on: 87v–89
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
94v–96 Deus qui sedes - 2a pars (of 3): Quia tu solus laborem et dolorem -
Appears on: 94v–96
Genres: Motet
92v–94 Deus qui sedes - 3a pars (of 3): Tibi enim derelictus est pauper -
Appears on: 92v–94
Genres: Motet
97v–100 Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica L.S.
Appears on: 97v–100
Genres: Responsory
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Pulchra Syon filia pro mortali tunica II: Ab estu mundi transfer nos
100v–102 Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos -
Appears on: 100v–102
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ab estu mundi transfer nos
97v–100 Pulchra Sion filia (P110) - 3a pars (of 3): Gloria patri -
Appears on: 97v–100
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
102v–106 Ave Katherina martir et regina virgo 2 Costi regis nata sponsa deo grata 6 Ora et inclina nobis verum Sina L.S.
Appears on: 102v–106
Genres: Motet
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: [Ave Katherina martyr et regina virgo] 2 Costi regis nata sponsa deo grata 6 Ora et inclina nobis verum Syna
107–120 Salve regina misericordie - Stella maris a trimatu [9 partes] (M95) Ludovicus: Sennfl
Appears on: 107–120
Genres: Motet, Salve Regina
Source Attribution: Ludovicus: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie/Stella maris II: Vita dulcedo et spes nostra salve III: Ad te clamamus exules filii Eve IV: Ad te suspiramus gementes et flentes V: Eya ergo advocata nostra illos tuos VI: Et Hiesum benedictum fructum ventris VII: O clemens O pia O dulcis virgo Maria
General Note

1a pars (Salve, Regina / Stella maris) - f.107v-109; 2a pars (Vita, dulcedo / Et in virginali statu) - f.109v-110; 3a pars (Ad te clamamus / Stabat mater) - f. 110v-111; 4a pars (Ad te suspiramus / Educavit suam prolem) - f. 111v-113; 5a pars (Eia ergo, Advocata / Stabat autem) - f. 113v-115; 6a pars (Et Jesum, benedictum / Moritur cum moriente) - f. 115v-117; 7a pars (O clemens / Assumpta nunc a Filio) - f. 117v-118; 8a pars (O pia / Stellato sedet solio) - f. 118v-119; 9a pars (O dulcis Virgo / Protectrix peccatorum) - f. 119v-120

120v–122 Salve regina (M96) - 1a pars (of 4): [Salve regina] Vita dulcedo [Senfl?]
Appears on: 120v–122
Genres: Motet
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Hiesum benedictum fructum ventris IV: O pia
122v–124 Salve regina (M96) - 2a pars (of 4): Ad te suspiramus gementes et flentes -
Appears on: 122v–124
Genres: Motet, Salve Regina
124v–126 Salve regina (M96) - 3a pars (of 4): Et Jesum benedictum fructum ventris -
Appears on: 124v–126
Genres: Motet, Salve Regina
126v–127 Salve regina (M96) - 4a pars (of 4): O pia -
Appears on: 126v–127
Genres: Motet, Salve Regina
128v–132 Missa Sine nomine: Kyrie Anon. Anonymous
Appears on: 128v–132
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sine nomine] [KGSA]
132v–137 Missa Sine nomine: Gloria - Anonymous
Appears on: 132v–137
Genres: Gloria (et in terra pax), Mass Ordinary
137v–144 Missa Sine nomine: Sanctus - Anonymous
Appears on: 137v–144
Genres: Mass Ordinary, Sanctus [& Benedictus]
144v–146 Missa Sine nomine: Agnus Dei - Anonymous
Appears on: 144v–146
Genres: Agnus Dei, Mass Ordinary
147v–148 Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant -
Appears on: 147v–148
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
148v–149 Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum -
Appears on: 148v–149
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sentiant omnes tuum
148v–149 Salve sancta parens - 3a pars (of 3): Gloria patri -
Appears on: 148v–149
Genres: Doxology, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
149v–150 Missa de Beata Virgine a3: Kyrie [Isaac?] (See StaehelinMI, 50, for discussion of attribution)
Appears on: 149v–150
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Isaac?] (See StaehelinMI, 50, for discussion of attribution)
Voice: [no designation]
Languages: Latin
Voice Text: [Missa De beata Virgine] [plenary Mass]
150v–156 Missa de Beata Virgine a3: Gloria (Tro: Spiritus et alme) -
Appears on: 150v–156
Genres: Gloria (et in terra pax), Mass Ordinary, Troped Gloria
156v–158 Alleluia. Sancta Dei genitrix virgo [Proprium de veneratione BVM] -
Appears on: 156v–158
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Sancta dei genitrix
158v–160 Verbum bonum et suave personemus illud ave -
Appears on: 158v–160
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum bonum et suave
161v–164 Missa de Beata Virgine a3: Patrem omnipotentem [Credo] -
Appears on: 161v–164
Genres: Credo (patrem omnipotentem), Mass Ordinary
164v–166 Praeter rerum seriem -
Appears on: 164v–166
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peter rerum seriem
166v–170 Missa de Beata Virgine a3: Sanctus -
Appears on: 166v–170
Genres: Mass Ordinary, Sanctus [& Benedictus]
170v–172 Missa de Beata Virgine a3: Agnus Dei -
Appears on: 170v–172
Genres: Agnus Dei, Mass Ordinary
172v–173 Beata viscera Mariae virginis que portaverunt [Proprium (de visitatione Mariae?)] -
Appears on: 172v–173
Genres: Communion
Voice: [no designation]
Languages: Latin
Voice Text: Beata viscera Mariae
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Isaac, Heinrich (ca. 1450–1517)
Senfl, Ludwig (ca. 1486–ca. 1543)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Sancta Dei genitrix virgo [Proprium de veneratione BVM] 156v–158
Ave Katherina martir et regina virgo 2 Costi regis nata sponsa deo grata 6 Ora et inclina nobis verum Sina 102v–106
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 38v–41
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 41v–43
Beata viscera Mariae virginis que portaverunt [Proprium (de visitatione Mariae?)] 172v–173
Benedicamus Domino (IV) (P128) 83v–84
Benedicta es caelorum regina (4vv) - 1a pars (of 2): Benedicta es caelorum regina 50v–54
Benedicta es caelorum regina (4vv) - 2a pars (of 2): Per illud ave prolatum 54v–57
Da pacem Domine (M26) - 1a pars (of 2): Da pacem Domine in diebus nostris 72v–74
Da pacem Domine (M26) - 2a pars (of 2): Quia non est alius qui pugnet 74v–78
Deus qui sedes - 2a pars (of 3): Quia tu solus laborem et dolorem 94v–96
Deus qui sedes - 3a pars (of 3): Tibi enim derelictus est pauper 92v–94
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 10v–17
Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 17v–25
Et benedicentur - 1a pars (of 3): Et benedicentur in te omnes tribus 84v–85
Et benedicentur - 2a pars (of 3): Eo quod timeas 85v–86
Et benedicentur - 3a pars (of 3): Gloria patri 84v–85
Hymnis et in confessionibus judex 81v–83
Igitur perfecti sunt - 1a pars (of 3): Igitur perfecti sunt caeli et terra 78v–80
Igitur perfecti sunt - 2a pars (of 3): Et factus est homo in animam 80v–80
Igitur perfecti sunt - 3a pars (of 3): Gloria patri 78v–80
In diebus illis - 1a pars (of 3): In diebus illis salvabitur Iuda et Israel 87v–89
In diebus illis - 2a pars (of 3): Et hoc est nomen quod vocabunt 89v–91
In diebus illis - 3a pars (of 3): Gloria patri 87v–89
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 64v–68
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 68v–72
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo 26v–31
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire 31v–37
Missa de Beata Virgine a3: Agnus Dei 170v–172
Missa de Beata Virgine a3: Gloria (Tro: Spiritus et alme) 150v–156
Missa de Beata Virgine a3: Kyrie 149v–150
Missa de Beata Virgine a3: Patrem omnipotentem [Credo] 161v–164
Missa de Beata Virgine a3: Sanctus 166v–170
Missa Sine nomine: Agnus Dei Anonymous 144v–146
Missa Sine nomine: Gloria Anonymous 132v–137
Missa Sine nomine: Kyrie Anonymous 128v–132
Missa Sine nomine: Sanctus Anonymous 137v–144
O gloriosa Dei genitrix - 1a pars (of 2): O gloriosa Dei genitrix virgo semper 43v–47
O gloriosa Dei genitrix - 2a pars (of 2): Que est ista que ascendit 47v–50
Praeter rerum seriem 164v–166
Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica 97v–100
Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos 100v–102
Pulchra Sion filia (P110) - 3a pars (of 3): Gloria patri 97v–100
Quem terra pontus aethera colunt (6vv) [P106] 1v–9
Salve regina (M96) - 1a pars (of 4): [Salve regina] Vita dulcedo 120v–122
Salve regina (M96) - 2a pars (of 4): Ad te suspiramus gementes et flentes 122v–124
Salve regina (M96) - 3a pars (of 4): Et Jesum benedictum fructum ventris 124v–126
Salve regina (M96) - 4a pars (of 4): O pia 126v–127
Salve regina misericordie - Stella maris a trimatu [9 partes] (M95) 107–120
Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant 147v–148
Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum 148v–149
Salve sancta parens - 3a pars (of 3): Gloria patri 148v–149
Verbum bonum et suave personemus illud ave 158v–160
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut 58v–63

denotes primary source study

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xxxi,50,76,78,56*-57*; III,186-8. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 25ff, 33ff, 89, 166-71, 227, passim. Notes: physical description; contents list; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII,513. Notes: facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I,x, xiii; IV,x; Vl.viii-ix. Notes: physical description; contents list (partial); concordances (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 22-3. Notes: physical description; contents list; concordances (partial).

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christopher metz

Thursday, 28 July, 2022

Inventory adjusted to show the various sections of Isaac's Missa BVM a3 on ff. 161v and following

Christoph Burmester

Friday, 24 April, 2020

Corrected typo in the first piece ; corrected attribution (and style) of the cycle on fol 78v-81 by Senfl. [NB there are other motet 'cycles' in database with incomplete attributions like this awaiting emendation.]

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description