D-Mbs Mus. MS 43

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1557-60

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 43
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	505 x 362 mm
Other Identifiers	CCM: MunBS 43 olim (Former shelfmark): H.C. 64; MaiM 93
Notations	black void mensural
Copyists	? Steydl, Peter Music ? Daser, Ludwig Music
Relationships	Bavarian ducal Court Chapel (Hofkapelle) (owner) Albrecht V (1528–1579) (patron)
External Authorities	RISM Online (sources/456051001)
Provenance	court chapel of Albrecht V, Duke of Bavaria , München (Munich), Bavaria, Germany
Contents	53 pieces from 4 composers

General Description

Main scribe possibly Peter Steydl (BenteNW); ff. 76'-79 possibly copied by Ludwig Daser. Manuscript also contains 45 psalm texts and 2 canticle texts, without music (ff. 2-26). Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017

Binding

Original covers of discoloured white leather over boards, stamped with ornamental designs.

DIAMM, 2017

Watermark

coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1557-60 (BenteNW).

DIAMM, 2017

Ruling

Staff height 31

DIAMM, 2017

Foliation

Modern pencil foliation, 1-211, by J. J. Maier.

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, 1-15 (based partially on groupings by feasts; last piece not numbered).

DIAMM, 2017

Decoration

No initials on folios with polyphony; red rubrics.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Magnificats, 4 hymns, 22 motets = 30

Daser-1, Le Maistre-4, Mahu-2, Walter [Jo: Baltherus]-2, anon-21

211 + iii paper folios, 505 x 362. Modern pencil foliation, 1-211, by J. J. Maier. Original numbering of pieces, 1-15 (based partially on groupings by feasts; last piece not numbered). Ff. 1-1', 12-12', 14', 26'-31, 54'-55, 63'-64, 69'-70, 74'-76, 79'-82, 91'-92, 96'-98, 103'-104, 127'-128, 142'-144, 192'-193, 211', and three unnumbered flyleaves at end blank except for piece numbers, titles, and modern inscriptions. Original covers of discolored white leather over boards, stamped with ornamental designs. No index.

Main scribe possibly Peter Steydl (BenteNW); ff. 76'-79 possibly copied by Ludwig Daser (see general index for other manuscripts copied by the same scribes). Staff height 31. No initials on folios with polyphony; red rubrics. Watermark is coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff). Manuscript also contains 45 psalm texts and 2 canticle texts, without music (ff. 2-26).

Ca. 1557-60 (BenteNW). Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
31v–32	Veni et libera Dominica 1a. Adventus Domini Antiphona in Vesperis	-	Anonymous
Veni et libera Dominica 1a. Adventus Domini Antiphona in Vesperis Anonymous Appears on: 31v–32 Genres: Antiphon Voice: [no designation] Languages: Latin Voice Text: Veni et libera (Dominica 1a. Adventus domini Antiphona in Vesperis)
32v–36	In diebus illis - 1a pars (of 2): In diebus illis salvabitur =Ecce dies veniunt (Versus Responsorii)	-	Anonymous
In diebus illis - 1a pars (of 2): In diebus illis salvabitur =Ecce dies veniunt (Versus Responsorii) Anonymous Appears on: 32v–36 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Versus Responsorii: In diebus illis salvabitur (=Ecce dies veniunt)
32v–36	In diebus illis - 2a pars (of 2): Et hoc est nomen	-	Anonymous
In diebus illis - 2a pars (of 2): Et hoc est nomen Anonymous Appears on: 32v–36 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Versus Responsorii: Et hoc est nomen
36v–41	Veni redemptor gentium - 1a pars (of 2): [Veni redemptor gentium] Non ex virili	-	Anonymous
Veni redemptor gentium - 1a pars (of 2): [Veni redemptor gentium] Non ex virili Anonymous Appears on: 36v–41 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Ymnus: Non ex virili (=Veni redemptor gentium)
36v–41	Veni redemptor gentium - 2a pars (of 2): Deo patri sit	-	Anonymous
Veni redemptor gentium - 2a pars (of 2): Deo patri sit Anonymous Appears on: 36v–41 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Deo patri sit
41v–43	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 41v–43 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
43v–48	Deus a libano - 1a pars (of 2): Deus a libano (= Sicut mater consolatur)	-	Anonymous
Deus a libano - 1a pars (of 2): Deus a libano (= Sicut mater consolatur) Anonymous Appears on: 43v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus a libano (=Sicut mater consolatur), (Dominica 2a. Adventus Versus Responsorii)
43v–48	Deus a libano - 2a pars (of 2): Et gaudebit cor	-	Anonymous
Deus a libano - 2a pars (of 2): Et gaudebit cor Anonymous Appears on: 43v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et gaudebit cor
48v–54	Hymnus: Illumina nunc pectora =Verbum supernum prodiens; second text: Deo patri sit	-	Anonymous
Hymnus: Illumina nunc pectora =Verbum supernum prodiens; second text: Deo patri sit Anonymous Appears on: 48v–54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ymnus: Illumina nunc pectora (=Verbum supernum prodiens); (second text: Deo patri sit)
55b–57	Veni Domine - 1a pars (of 2): Veni Domine et noli tardare = Festina ne tardaveris (Dominica 3a adventus Responsorii Versus)	-	Anonymous
Veni Domine - 1a pars (of 2): Veni Domine et noli tardare = Festina ne tardaveris (Dominica 3a adventus Responsorii Versus) Anonymous Appears on: 55b–57 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veni domine et noli (= Festina ne tardaveris), (Dominica 3a. adventus Responsorii Versus)
55v–57	Veni Domine - 2a pars (of 2): Et libera populum	-	Anonymous
Veni Domine - 2a pars (of 2): Et libera populum Anonymous Appears on: 55v–57 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et libera populum
59–63	Hymnus: Qui condolens interitu = Conditor alme siderum, second text: Laus honor virtus	-	Anonymous
Hymnus: Qui condolens interitu = Conditor alme siderum, second text: Laus honor virtus Anonymous Appears on: 59–63 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ymnus: Qui condolens interitu (= Conditor alme siderum), (second text: Laus honor virtus)
64v–69	Pulchriores sunt oculi - 1a pars (of 2): Pulchriores sunt oculi (= Non auferetur sceptrum) (Dominica 4a Adventus Responsorii Versus)	-	Anonymous
Pulchriores sunt oculi - 1a pars (of 2): Pulchriores sunt oculi (= Non auferetur sceptrum) (Dominica 4a Adventus Responsorii Versus) Anonymous Appears on: 64v–69 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pulchriores sunt oculi (=Non auferetur sceptrum), (Dominica 4a. Adventus Responsorii Versus)
64v–69	Pulchriores sunt oculi - 2a pars (of 2): Et ipse erit	-	Anonymous
Pulchriores sunt oculi - 2a pars (of 2): Et ipse erit Anonymous Appears on: 64v–69 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et ipse erit
70	Auferte deos alienos - 1a pars (of 3): Responsorium Preparate &c.	-	Anonymous
Auferte deos alienos - 1a pars (of 3): Responsorium Preparate &c. Anonymous Appears on: 70 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Responsorium Preparate &c.
70v–74	Auferte deos alienos - 2a pars (of 3): Auferte deos alienos Praeparate corda vestra	-	Anonymous
Auferte deos alienos - 2a pars (of 3): Auferte deos alienos Praeparate corda vestra Anonymous Appears on: 70v–74 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Auferte deos alienos (Praeparate corda vestra)
70v–74	Auferte deos alienos - 3a pars (of 3): Et liberabit vos	-	Anonymous
Auferte deos alienos - 3a pars (of 3): Et liberabit vos Anonymous Appears on: 70v–74 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et liberabit vos
76v–79	Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus (= Initium sapentiae timor)	-	Anonymous
Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus (= Initium sapentiae timor) Anonymous Appears on: 76v–79 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dispersit dedit pauperibus (= Initium sapentiae timor)
76v–79	Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet	-	Anonymous
Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet Anonymous Appears on: 76v–79 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laudatio eius manet
82v–85	Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus	-	Le Maistre, Mattheus (ca. 1505–1577)
Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus Le Maistre, Mattheus (ca. 1505–1577) Appears on: 82v–85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dispersit dedit pauperibus (= Initium sapentiae timor), Responsorii Initium sapientiae Versus
82v–85	Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet	-	Le Maistre, Mattheus (ca. 1505–1577)
Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet Le Maistre, Mattheus (ca. 1505–1577) Appears on: 82v–85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laudatio eius manet
85v–91	De profundis clamavi - 1a pars (of 2): De profundis clamavi ad te Domine (= Memento mei Deus)	-	Le Maistre, Mattheus (ca. 1505–1577)
De profundis clamavi - 1a pars (of 2): De profundis clamavi ad te Domine (= Memento mei Deus) Le Maistre, Mattheus (ca. 1505–1577) Appears on: 85v–91 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi (=Memento mei deus), Responsorii Memento.
85v–91	De profundis clamavi - 2a pars (of 2): Nec aspiciat me	-	Le Maistre, Mattheus (ca. 1505–1577)
De profundis clamavi - 2a pars (of 2): Nec aspiciat me Le Maistre, Mattheus (ca. 1505–1577) Appears on: 85v–91 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nec aspiciat me
92	Ornaverunt faciem - 1a pars (of 3): Ornaverunt faciem templi	-	Anonymous
Ornaverunt faciem - 1a pars (of 3): Ornaverunt faciem templi Anonymous Appears on: 92 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Responsorium Ornaverunt faciem
92v–96	Ornaverunt faciem - 2a pars (of 3): In hymnis et confessionibus	-	Anonymous
Ornaverunt faciem - 2a pars (of 3): In hymnis et confessionibus Anonymous Appears on: 92v–96 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Im hymnis et confessionibus (= Ornaverunt faciem templi)
92v–96	Ornaverunt faciem - 3a pars (of 3): Et facta est	-	Anonymous
Ornaverunt faciem - 3a pars (of 3): Et facta est Anonymous Appears on: 92v–96 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et facta est
98	Sustinuimus pacem - 1a pars (of 3): Sustinuimus pacem	-	Le Maistre, Mattheus (ca. 1505–1577)
Sustinuimus pacem - 1a pars (of 3): Sustinuimus pacem Le Maistre, Mattheus (ca. 1505–1577) Appears on: 98 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Responsorium Sustinuimus pacem
98v–103	Sustinuimus pacem - 2a pars (of 3): Peccavimus cum patribus	-	Le Maistre, Mattheus (ca. 1505–1577)
Sustinuimus pacem - 2a pars (of 3): Peccavimus cum patribus Le Maistre, Mattheus (ca. 1505–1577) Appears on: 98v–103 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Peccavimus cum patribus (=Sustinuimus pacem et non)
98v–103	Sustinuimus pacem - 3a pars (of 3): Non in perpetuum	-	Le Maistre, Mattheus (ca. 1505–1577)
Sustinuimus pacem - 3a pars (of 3): Non in perpetuum Le Maistre, Mattheus (ca. 1505–1577) Appears on: 98v–103 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Non in perpetuum
104v–108	Omnia iudicia tua - 1a pars (of 2): Omnia iudicia tua (= Peto Domine ut)	-	Le Maistre, Mattheus (ca. 1505–1577)
Omnia iudicia tua - 1a pars (of 2): Omnia iudicia tua (= Peto Domine ut) Le Maistre, Mattheus (ca. 1505–1577) Appears on: 104v–108 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Omnia iudicia tua (= Peto domine ut), Responsorii Peto dominine
104v–108	Omnia iudicia tua - 2a pars (of 2): Quia erues sustinentes recte: ... eruis	-	Le Maistre, Mattheus (ca. 1505–1577)
Omnia iudicia tua - 2a pars (of 2): Quia erues sustinentes recte: ... eruis Le Maistre, Mattheus (ca. 1505–1577) Appears on: 104v–108 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Quia erues sustinentes (recte: ... eruis)
108v–112	Nos alium Deum - 1a pars (of 2): Nos alium Deum = Indulgentiam eius fusis	-	Anonymous
Nos alium Deum - 1a pars (of 2): Nos alium Deum = Indulgentiam eius fusis Anonymous Appears on: 108v–112 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Indulgentiam eius fusis (= Nos alium deum)
108v–112	Nos alium Deum - 2a pars (of 2): Qui non despiciet	-	Anonymous
Nos alium Deum - 2a pars (of 2): Qui non despiciet Anonymous Appears on: 108v–112 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui non despiciet
112v–117	Memor esto fili - 1a pars (of 2): Memor esto fili	-	Anonymous
Memor esto fili - 1a pars (of 2): Memor esto fili Anonymous Appears on: 112v–117 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Memor esto fili (=Omni tempore benedic)
112v–117	Memor esto fili - 2a pars (of 2): Et omni tempore	-	Anonymous
Memor esto fili - 2a pars (of 2): Et omni tempore Anonymous Appears on: 112v–117 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et omni tempore
117v–122	Domine Deus caeli - 1a pars (of 2): Domine Deus caeli = Spem in alium	-	Anonymous
Domine Deus caeli - 1a pars (of 2): Domine Deus caeli = Spem in alium Anonymous Appears on: 117v–122 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine deus celi (=Spem in alium)
117v–122	Domine Deus caeli - 2a pars (of 2): Qui irasceris et propitius	-	Anonymous
Domine Deus caeli - 2a pars (of 2): Qui irasceris et propitius Anonymous Appears on: 117v–122 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui irasceris et propitius
122v–127	Gaudent angeli - 1a pars (of 2): Gaudent angeli et exultant = Fidelis sermo et omni	-	Anonymous
Gaudent angeli - 1a pars (of 2): Gaudent angeli et exultant = Fidelis sermo et omni Anonymous Appears on: 122v–127 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudent angeli et exultant (= Fidelis sermo et omni)
122v–127	Gaudent angeli - 2a pars (of 2): Gratia Dei ille	-	Anonymous
Gaudent angeli - 2a pars (of 2): Gratia Dei ille Anonymous Appears on: 122v–127 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gracia dei ille
128v–131	Audi Israel - 1a pars (of 3): Audi Israel praecepta Et dabo tibi	-	Anonymous
Audi Israel - 1a pars (of 3): Audi Israel praecepta Et dabo tibi Anonymous Appears on: 128v–131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Responsorium Audi Israhel Et dabo tibi (= Audi Israel praecepta)
128v–131	Audi Israel - 2a pars (of 3): Israel si me	-	Anonymous
Audi Israel - 2a pars (of 3): Israel si me Anonymous Appears on: 128v–131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Israhel si me
128v–131	Audi Israel - 2a pars (of 3): Gloria patri = 21b with two texts	-	Anonymous
Audi Israel - 2a pars (of 3): Gloria patri = 21b with two texts Anonymous Appears on: 128v–131 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri = 21b (with two texts)
131v–133	Hymnus Jesu quadragenarie dicatur 2nd text: Quo paradiso redderes	-	Anonymous
Hymnus Jesu quadragenarie dicatur 2nd text: Quo paradiso redderes Anonymous Appears on: 131v–133 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hymnus Ihesu quadragenarie dicatur (2nd text: Quo paradiso redderes)
133v–136	Spes mea Domine - 1a pars (of 2): Spes mea Domine	-	Anonymous
Spes mea Domine - 1a pars (of 2): Spes mea Domine Anonymous Appears on: 133v–136 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Responsorium: Spes mea domine
133v–136	Spes mea Domine - 2a pars (of 2): In te confirmatus	-	Anonymous
Spes mea Domine - 2a pars (of 2): In te confirmatus Anonymous Appears on: 133v–136 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In te confirmatus
133v–136	Spes mea Domine - 3a pars (of 2): Gloria patri	-	Anonymous
Spes mea Domine - 3a pars (of 2): Gloria patri Anonymous Appears on: 133v–136 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri
136v–137	Antiphona: Spes mea Domine	-	Anonymous
Antiphona: Spes mea Domine Anonymous Appears on: 136v–137 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Antiphona: Spes mea domine
137v–141	Dixit Dominus mulieri	-	Anonymous
Dixit Dominus mulieri Anonymous Appears on: 137v–141 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dixit dominus mulieri
141v–142	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 141v–142 Genres: Benedicamus Domino Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
144v–169	Magnificat Sexti Toni [K.1146]	-	Walter, Johann (1496–1570)
Magnificat Sexti Toni [K.1146] Walter, Johann (1496–1570) Appears on: 144v–169 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus / Magnificat Sexti toni
169v–192	Magnificat Septimi Toni: Et exultavit [K.1147]	-	Walter, Johann (1496–1570)
Magnificat Septimi Toni: Et exultavit [K.1147] Walter, Johann (1496–1570) Appears on: 169v–192 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus / Magnificat Septimi toni
193v–205	Magnificat octavi toni: Et exultavit [K.896]	-	Mahu, Stephan
Magnificat octavi toni: Et exultavit [K.896] Mahu, Stephan Appears on: 193v–205 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus / Magnificat Octavi toni
205v–211	Magnificat octavi toni: Et exultavit [K.897]	-	Mahu, Stephan
Magnificat octavi toni: Et exultavit [K.897] Mahu, Stephan Appears on: 205v–211 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus / Aliud Octavi toni [Magnificat]

Composer	Compositions
Anonymous	Antiphona: Spes mea Domine – 136v–137 Audi Israel - 1a pars (of 3): Audi Israel praecepta Et dabo tibi – 128v–131 Audi Israel - 2a pars (of 3): Gloria patri = 21b with two texts – 128v–131 Audi Israel - 2a pars (of 3): Israel si me – 128v–131 Auferte deos alienos - 1a pars (of 3): Responsorium Preparate &c. – 70 Auferte deos alienos - 2a pars (of 3): Auferte deos alienos Praeparate corda vestra – 70v–74 Auferte deos alienos - 3a pars (of 3): Et liberabit vos – 70v–74 Benedicamus Domino – 41v–43 Benedicamus Domino – 141v–142 Deus a libano - 1a pars (of 2): Deus a libano (= Sicut mater consolatur) – 43v–48 Deus a libano - 2a pars (of 2): Et gaudebit cor – 43v–48 Dixit Dominus mulieri – 137v–141 Domine Deus caeli - 1a pars (of 2): Domine Deus caeli = Spem in alium – 117v–122 Domine Deus caeli - 2a pars (of 2): Qui irasceris et propitius – 117v–122 Gaudent angeli - 1a pars (of 2): Gaudent angeli et exultant = Fidelis sermo et omni – 122v–127 Gaudent angeli - 2a pars (of 2): Gratia Dei ille – 122v–127 Hymnus Jesu quadragenarie dicatur 2nd text: Quo paradiso redderes – 131v–133 Hymnus: Illumina nunc pectora =Verbum supernum prodiens; second text: Deo patri sit – 48v–54 Hymnus: Qui condolens interitu = Conditor alme siderum, second text: Laus honor virtus – 59–63 In diebus illis - 1a pars (of 2): In diebus illis salvabitur =Ecce dies veniunt (Versus Responsorii) – 32v–36 In diebus illis - 2a pars (of 2): Et hoc est nomen – 32v–36 Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus (= Initium sapentiae timor) – 76v–79 Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet – 76v–79 Memor esto fili - 1a pars (of 2): Memor esto fili – 112v–117 Memor esto fili - 2a pars (of 2): Et omni tempore – 112v–117 Nos alium Deum - 1a pars (of 2): Nos alium Deum = Indulgentiam eius fusis – 108v–112 Nos alium Deum - 2a pars (of 2): Qui non despiciet – 108v–112 Ornaverunt faciem - 1a pars (of 3): Ornaverunt faciem templi – 92 Ornaverunt faciem - 2a pars (of 3): In hymnis et confessionibus – 92v–96 Ornaverunt faciem - 3a pars (of 3): Et facta est – 92v–96 Pulchriores sunt oculi - 1a pars (of 2): Pulchriores sunt oculi (= Non auferetur sceptrum) (Dominica 4a Adventus Responsorii Versus) – 64v–69 Pulchriores sunt oculi - 2a pars (of 2): Et ipse erit – 64v–69 Spes mea Domine - 1a pars (of 2): Spes mea Domine – 133v–136 Spes mea Domine - 2a pars (of 2): In te confirmatus – 133v–136 Spes mea Domine - 3a pars (of 2): Gloria patri – 133v–136 Veni Domine - 1a pars (of 2): Veni Domine et noli tardare = Festina ne tardaveris (Dominica 3a adventus Responsorii Versus) – 55b–57 Veni Domine - 2a pars (of 2): Et libera populum – 55v–57 Veni et libera Dominica 1a. Adventus Domini Antiphona in Vesperis – 31v–32 Veni redemptor gentium - 1a pars (of 2): [Veni redemptor gentium] Non ex virili – 36v–41 Veni redemptor gentium - 2a pars (of 2): Deo patri sit – 36v–41
Le Maistre, Mattheus (ca. 1505–1577)	De profundis clamavi - 1a pars (of 2): De profundis clamavi ad te Domine (= Memento mei Deus) – 85v–91 De profundis clamavi - 2a pars (of 2): Nec aspiciat me – 85v–91 Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus – 82v–85 Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet – 82v–85 Omnia iudicia tua - 1a pars (of 2): Omnia iudicia tua (= Peto Domine ut) – 104v–108 Omnia iudicia tua - 2a pars (of 2): Quia erues sustinentes recte: ... eruis – 104v–108 Sustinuimus pacem - 1a pars (of 3): Sustinuimus pacem – 98 Sustinuimus pacem - 2a pars (of 3): Peccavimus cum patribus – 98v–103 Sustinuimus pacem - 3a pars (of 3): Non in perpetuum – 98v–103
Mahu, Stephan	Magnificat octavi toni: Et exultavit [K.896] – 193v–205 Magnificat octavi toni: Et exultavit [K.897] – 205v–211
Walter, Johann (1496–1570)	Magnificat Septimi Toni: Et exultavit [K.1147] – 169v–192 Magnificat Sexti Toni [K.1146] – 144v–169

Composition	Composers (? Uncertain)	Folios / Pages
Antiphona: Spes mea Domine	Anonymous	136v–137
Audi Israel - 1a pars (of 3): Audi Israel praecepta Et dabo tibi	Anonymous	128v–131
Audi Israel - 2a pars (of 3): Gloria patri = 21b with two texts	Anonymous	128v–131
Audi Israel - 2a pars (of 3): Israel si me	Anonymous	128v–131
Auferte deos alienos - 1a pars (of 3): Responsorium Preparate &c.	Anonymous	70
Auferte deos alienos - 2a pars (of 3): Auferte deos alienos Praeparate corda vestra	Anonymous	70v–74
Auferte deos alienos - 3a pars (of 3): Et liberabit vos	Anonymous	70v–74
Benedicamus Domino	Anonymous	41v–43
Benedicamus Domino	Anonymous	141v–142
De profundis clamavi - 1a pars (of 2): De profundis clamavi ad te Domine (= Memento mei Deus)	Le Maistre, Mattheus (ca. 1505–1577)	85v–91
De profundis clamavi - 2a pars (of 2): Nec aspiciat me	Le Maistre, Mattheus (ca. 1505–1577)	85v–91
Deus a libano - 1a pars (of 2): Deus a libano (= Sicut mater consolatur)	Anonymous	43v–48
Deus a libano - 2a pars (of 2): Et gaudebit cor	Anonymous	43v–48
Dixit Dominus mulieri	Anonymous	137v–141
Domine Deus caeli - 1a pars (of 2): Domine Deus caeli = Spem in alium	Anonymous	117v–122
Domine Deus caeli - 2a pars (of 2): Qui irasceris et propitius	Anonymous	117v–122
Gaudent angeli - 1a pars (of 2): Gaudent angeli et exultant = Fidelis sermo et omni	Anonymous	122v–127
Gaudent angeli - 2a pars (of 2): Gratia Dei ille	Anonymous	122v–127
Hymnus Jesu quadragenarie dicatur 2nd text: Quo paradiso redderes	Anonymous	131v–133
Hymnus: Illumina nunc pectora =Verbum supernum prodiens; second text: Deo patri sit	Anonymous	48v–54
Hymnus: Qui condolens interitu = Conditor alme siderum, second text: Laus honor virtus	Anonymous	59–63
In diebus illis - 1a pars (of 2): In diebus illis salvabitur =Ecce dies veniunt (Versus Responsorii)	Anonymous	32v–36
In diebus illis - 2a pars (of 2): Et hoc est nomen	Anonymous	32v–36
Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus	Le Maistre, Mattheus (ca. 1505–1577)	82v–85
Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet	Le Maistre, Mattheus (ca. 1505–1577)	82v–85
Initium sapentiae timor - 1a pars (of 2): [Initium sapentiae timor] Dispersit dedit pauperibus (= Initium sapentiae timor)	Anonymous	76v–79
Initium sapentiae timor - 2a pars (of 2): Laudatio eius manet	Anonymous	76v–79
Magnificat octavi toni: Et exultavit [K.896]	Mahu, Stephan	193v–205
Magnificat octavi toni: Et exultavit [K.897]	Mahu, Stephan	205v–211
Magnificat Septimi Toni: Et exultavit [K.1147]	Walter, Johann (1496–1570)	169v–192
Magnificat Sexti Toni [K.1146]	Walter, Johann (1496–1570)	144v–169
Memor esto fili - 1a pars (of 2): Memor esto fili	Anonymous	112v–117
Memor esto fili - 2a pars (of 2): Et omni tempore	Anonymous	112v–117
Nos alium Deum - 1a pars (of 2): Nos alium Deum = Indulgentiam eius fusis	Anonymous	108v–112
Nos alium Deum - 2a pars (of 2): Qui non despiciet	Anonymous	108v–112
Omnia iudicia tua - 1a pars (of 2): Omnia iudicia tua (= Peto Domine ut)	Le Maistre, Mattheus (ca. 1505–1577)	104v–108
Omnia iudicia tua - 2a pars (of 2): Quia erues sustinentes recte: ... eruis	Le Maistre, Mattheus (ca. 1505–1577)	104v–108
Ornaverunt faciem - 1a pars (of 3): Ornaverunt faciem templi	Anonymous	92
Ornaverunt faciem - 2a pars (of 3): In hymnis et confessionibus	Anonymous	92v–96
Ornaverunt faciem - 3a pars (of 3): Et facta est	Anonymous	92v–96
Pulchriores sunt oculi - 1a pars (of 2): Pulchriores sunt oculi (= Non auferetur sceptrum) (Dominica 4a Adventus Responsorii Versus)	Anonymous	64v–69
Pulchriores sunt oculi - 2a pars (of 2): Et ipse erit	Anonymous	64v–69
Spes mea Domine - 1a pars (of 2): Spes mea Domine	Anonymous	133v–136
Spes mea Domine - 2a pars (of 2): In te confirmatus	Anonymous	133v–136
Spes mea Domine - 3a pars (of 2): Gloria patri	Anonymous	133v–136
Sustinuimus pacem - 1a pars (of 3): Sustinuimus pacem	Le Maistre, Mattheus (ca. 1505–1577)	98
Sustinuimus pacem - 2a pars (of 3): Peccavimus cum patribus	Le Maistre, Mattheus (ca. 1505–1577)	98v–103
Sustinuimus pacem - 3a pars (of 3): Non in perpetuum	Le Maistre, Mattheus (ca. 1505–1577)	98v–103
Veni Domine - 1a pars (of 2): Veni Domine et noli tardare = Festina ne tardaveris (Dominica 3a adventus Responsorii Versus)	Anonymous	55b–57
Veni Domine - 2a pars (of 2): Et libera populum	Anonymous	55v–57
Veni et libera Dominica 1a. Adventus Domini Antiphona in Vesperis	Anonymous	31v–32
Veni redemptor gentium - 1a pars (of 2): [Veni redemptor gentium] Non ex virili	Anonymous	36v–41
Veni redemptor gentium - 2a pars (of 2): Deo patri sit	Anonymous	36v–41

‡ denotes primary source study

[No Author] None. Catalogue of Valuable PrintedBooks, Illuminated and Other Manuscripts, Autograph Letters, etc. ... Sotheby & Co. London: Sotheby & Co. Pages: 10. Notes: contents list (partial).

Greene, Donald Clarence. 1970. Mattheus Le Maistre: A Netherlander at the Dresden Court Chapel. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 58. Notes: contents list (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 186, 217-8. Notes: physical description (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 150. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 73. Notes: contents list (partial); concordances (partial).

Werner, Th W. 1920. Die Magnificat-Kompositionen Adam Reners. Archiv für Musikwissenschaft, 195-265. Pages: 202. Notes: mention of MS.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 66-7. Notes: physical description; contents list.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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