D-Mbs Mus. MS 260

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: 1539-50

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 260
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 285 x 209 mm
Other Identifiers
  • CCM: MunBS 260
  • olim (Former shelfmark): MaiM 202
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Low Countries?
Contents 104 pieces from 20 composers
General Description

Copied by two main scribes (ff. 5'-49'; ff. 50'-65), with later additions (ff. 65'-69) in a different hand. Some pieces have text incipits only. Repertorial connections with VienNB Mus. 18832. Probably copied in Low Countries (Rifkin, based on script); German pieces perhaps added in Augsburg (RRMR). Possibly belonged to Johann Heinrich Herwart (1520-83) of Augsburg. Herwart collection purchased by Wilhelm V, Duke of Bavaria, in 1585; placed in court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Binding

Original covers of brown-yellow parchment, with inscription 'Duorum vo.'

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1539-50 (RRMR).

DIAMM, 2017
Foliation

Other numberings: Modern numbering of pieces, 1-34; 36-106.

DIAMM, 2017
Foliation

New pencil foliation, 1-70, by J. J. Maier

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

100 bicinia* (1 with discantus part only), 4 German sacred pieces (later additions) = 104 + 1 duplicate = 105

*Drawn from 47 Mass Ordinary sections, 3 Magnificats, 10 motets, 36 French secular pieces, 3 Dutch secular pieces, 1 textless piece.

(A. Agricola)-1, (A. Agricola/Brumel)-1, (Appenzeller/Josquin)-1, Barbé-2, (Brumel/Jhan of Ferrara)-1, (Divitis)-1, (A. Fevin)-3, (Gardane)-18 + 2?, (Gardane/Le Heurteur)-1, (Gascongne)-6, Josquin-5, (La Rue)-3, (Le Heurteur)-1, (Le Heurteur/Sermisy)-1, Mouton-5, (Obrecht?)-1, (Peletier)-2, (Prioris)-3, (Rein)-2, (Sermisy)-2, anon-42

70 paper folios, 285 x 209. New pencil foliation, 1-70, by J. J. Maier. Modern numbering of pieces, 1-34; 36-106. Blank folios or blank staves only on ff. l'-5, 50, 69'-70'. Original covers of brown-yellow parchment, with inscription "Duorum vo." No index. Copied by two main scribes (ff. 5'-49'; ff. 50'-65), with later additions (ff. 65'-69) in a different hand. Inked calligraphic initials. Some pieces have text incipits only. Repertorial connections with VienNB 18832.

1539-50 (RRMR). Probably copied in Low Countries (Rifkin, based on script); German pieces perhaps added in Augsburg (RRMR). Possibly belonged to Johann Heinrich Herwart (1520-83) of Augsburg. Herwart collection purchased by Wilhelm V, Duke of Bavaria, in 1585; placed in court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Vol 4

Physical: In last sentence, change "VienNB 18832" to "VienNB Mus. 18832."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
5v–6 Se dire ie losoye dont me vient le souffrir Anon. Anonymous
Appears on: 5v–6
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Se dire ie losoye dont me vient le souffrir
6v–7 Summi regis sponsa digna cunctis Barbe
Appears on: 6v–7
Genres: Motet
Source Attribution: Barbe
Voice: [no designation]
Languages: Latin
Voice Text: Summi regis sponsa digna cunctis
7v–8 Salvatoris mater pia mundi huius spes Anon. Anonymous
Appears on: 7v–8
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salvatoris mater pia mundi huius spes
7v–8 In carne vale Anon. Anonymous

In carne vale

Anonymous
Appears on: 7v–8
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In carne vale
8v–9 Inter spinas flos fuisti sic flos flori Barbe
Appears on: 8v–9
Genres: Motet
Source Attribution: Barbe
Voice: [no designation]
Languages: Latin
Voice Text: Inter spinas flos fuisti sic flos flori
9v–10 Salvatoris mater pia mundi huius spes Anon. Anonymous
Appears on: 9v–10
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salvatoris mater pia mundi huius spes
9v–10 Ave virgo virginum ave lumen luminum Anon. Anonymous
Appears on: 9v–10
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave virgo virginum ave lumen luminum
10v–11 Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum [Josquin]
Appears on: 10v–11
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Per illud ave prolatum [Pars II of Benedicta es celorum regina] 23.13
10v–11 Missa Pourquoi non: Pleni sunt caeli et terra [Gascongne]
Appears on: 10v–11
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from Missa Pour quoy non]
11v–12 Missa O intemerata virgo: Benedictus Anon. Anonymous
Appears on: 11v–12
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit in nomine [from] Missa O intemerata virgo
11v–12 Missa O intemerata virgo: Crucifixus Anon. Anonymous
Appears on: 11v–12
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixus etiam pro nobis [from Missa O intemerata virgo?]
12v–13 Missa O intemerata virgo: Agnus Dei Anon. Anonymous
Appears on: 12v–13
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [from Missa O intemerata virgo?]
12v–13 Missa Venerabili Sacramento: Benedictus (only) [Prioris]
Appears on: 12v–13
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit in nomine [from Missa de Veneabili Sacramento]
13v–14 Missa Verbum bonum et suave: Domine fili unigenite Jesu Christe Mouton
Appears on: 13v–14
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Domine fili unigenite Iesu Christe [from] Missa Verbum bonum
13v–14 Missa Verbum bonum et suave: Crucifixus Mouton
Appears on: 13v–14
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixus etiam pro nobis [from] Missa Verbum bonum
14v–15 Missa Verbum bonum et suave: Pleni sunt caeli et terra [Mouton]
Appears on: 14v–15
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from Missa Verbum bonum]
14v–15 Missa Verbum bonum et suave: Agnus Dei II [Mouton]
Appears on: 14v–15
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Verbum bonum]
15v–16 Missa Venerabili Sacramento: Pleni sunt caeli et terra -
Appears on: 15v–16
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from Missa de Venerabili Sacramento
15v–16 Missa Venerabili Sacramento: Agnus Dei II [Prioris]
Appears on: 15v–16
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa de Venerabili Sacramento]
16v–17 Missa Pange lingua 4.3: Pleni sunt caeli et terra Josquin
Appears on: 16v–17
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from] Missa Pange lingua 4.3
17v–18 Missa Pange lingua 4.3: Benedictus [Josquin]
Appears on: 17v–18
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit in nomine [from Missa Pange lingua] 4.3
17v–18 Missa Pange lingua 4.3: Agnus Dei II -
Appears on: 17v–18
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Pange lingua] 4.3
18v–19 Pleni sunt caeli et terra (from unidentified Mass) Anon. Anonymous
Appears on: 18v–19
Genres: Anglican Service Music, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from unidentified Mass]
18v–19 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 18v–19
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [from unidentified Mass]
19v–20 Missa Pourquoi non: Crucifixus [Gascongne]
Appears on: 19v–20
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixus etiam pro nobis [from Missa Pour quoy non]
19v–20 Missa Pourquoi non: Agnus Dei II [Gascongne]
Appears on: 19v–20
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Pour quoy non]
20v–21 Missa Dites-moi m'avés pensé: Pleni sunt caeli et terra [A. Févin]
Appears on: 20v–21
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from Missa Parva]
20v–21 Missa Dites-moi m'avés pensé: Benedictus [A. Févin]
Appears on: 20v–21
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit in nomine [from Missa Parva]
General Note

FabregasMBC states that this is from the Missa Mente tota?

21v–22 Missa Dites-moi m'avés pensé: Agnus Dei II [A. Févin]
Appears on: 21v–22
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Parva]
General Note

FabregasMBC states that this is from the Missa Mente tota?

21v–22 Missa Alma Redempotoris Mater: Benedictus [Mouton]
Appears on: 21v–22
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit in nomine [from Missa] Alma redempotoris mater
22v–23 Et iterum venturus est cum gloria Anon. Anonymous
Appears on: 22v–23
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et iterum venturis est cum gloria [from unidentified Mass]
22v–23 Pleni sunt caeli et terra (from unidentified Mass) Anon. Anonymous
Appears on: 22v–23
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from unidentified Mass]
23v–24 Crucifixus etiam pro nobis (from unidentified Mass) [Rein]
Appears on: 23v–24
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixus etiam pro nobis [from unidentified Mass]
23v–24 Agnus Dei [Rein]
Appears on: 23v–24
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [from unidentified Mass]
24v–25 Et iterum venturus est cum gloria Anon. Anonymous
Appears on: 24v–25
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et iterum venturus est cum gloria [from unidentified Mass]
24v–25 Missa Es hat ein Sinn: Domine Deus agnus Dei [Gascongne]
Appears on: 24v–25
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus agnus dei [from Missa Es hat ein sin]
25v–26 Missa Es hat ein Sinn: Crucifixus [Gascongne]
Appears on: 25v–26
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixus etiam pro nobis [from Missa Es hat ein sin]
25v–26 Missa Es hat ein Sinn: Et resurrexit tertia die [Gascongne]
Appears on: 25v–26
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Et resurrexit tertia die [from Missa Es hat ein sin]
26v–27 Missa Es hat ein Sinn: Pleni sunt caeli et terra [Gascongne]
Appears on: 26v–27
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi et terra [from Missa Es hat ein sin]
26v–27 Missa Es hat ein Sinn: Agnus Dei II [Gascongne]
Appears on: 26v–27
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Es hat ein sin]
27v–28 Verbum caro 20.16 - 2a pars (of 3): In principio erat verbum [Appenzeller/Josquin]
Appears on: 27v–28
Genres: Motet
Source Attribution: [Appenzeller/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum [Pars II of Verbum caro factum est] 20.15
28v–29 Qui edunt me adhuc esurient et qui bibunt Anon. Anonymous
Appears on: 28v–29
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Qui edunt me adhuc esurient et qui bibunt
28v–29 Missa Sancta Trinitas: Et resurrexit [A. Févin]
Appears on: 28v–29
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Et resurrexit tertia die [from Missa Sancta trinitas]
29v–30 Missa Malheur me bat: Benedictus [A. Agricola]
Appears on: 29v–30
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [A. Agricola]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit [in nomine] [from Missa Malheur me bat]
30v–31 Missa feria (a5): Agnus Dei II [La Rue]
Appears on: 30v–31
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [qui tollis peccata] [= Agnus II from Missa de Feria]
30v–31 Magnificat Quarti Toni: (exc) Esurientes implevit bonis [K.464] Anon. Anonymous
Appears on: 30v–31
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Esurientes implevit bonis [from Magnificat Quarti toni]
31v–32 Missa Je ne seray plus (3vv): Sanctus - Anonymous
Appears on: 31v–32
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit [in nomine] [from Missa Je ne seray]
General Note

Benedictus only

32v–33 Le renvoye La Rue
Appears on: 32v–33
Genres: Chanson
Source Attribution: La Rue
Voice: [no designation]
Languages: French
Voice Text: Le renvoye [d'ung cueur esgaré]
General Note

a 2-part chanson in which the upper voice is taken - almost verbatim - from the Compere chanson of the same name, a 3-part work. The lower voice is different - perhaps the work of La Rue (or perhaps not). (from info provided by W G Kempster)

33v–34 Agnus Dei = Benedictus, Dominus dissipat consilia gentium [Brumel/Jhan of Ferrara]
Appears on: 33v–34
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Brumel/Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [= Benedictus, Dominus dissipat consilia gentium]
34v–35 Benedictus qui venit in nomine from unidentified Mass Anon. Anonymous
Appears on: 34v–35
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit [in nomine] [from unidentified Mass]
35v–36 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 35v–36
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [qui tollis peccata] [from unidentified Mass]
35v–36 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 35v–36
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [qui tollis peccata] [from unidentified Mass] [= ff. 42v-43, bottom]
36v–37 Missa Si dedero: Pleni sunt caeli [Divitis]
Appears on: 36v–37
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Divitis]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi [from Missa Si dedero]
36v–37 Sicut cervus desiderat ad fontes aquarum Anon. Anonymous
Appears on: 36v–37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sicut cervus [desiderat ad fontes aquarum]
37v–38 Missa Malheur me bat 9.1: Agnus Dei [Josquin]
Appears on: 37v–38
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [= Agnus II from Missa] Malheur me bat 9.1
38v–39 Missa Mente tota tibi: Benedictus [A. Févin]
Appears on: 38v–39
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus qui venit [from Missa Mente tota]
38v–39 Missa Mente tota tibi: Pleni sunt caeli [A. Févin]
Appears on: 38v–39
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi [from Missa Mente tota]
39v–40 In mynem zin heb ic vercooren Anon. Anonymous
Appears on: 39v–40
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: In mynem zin heb ic [vercooren]
40v–41 Ryc god wien sal ic claghen Anon. Anonymous
Appears on: 40v–41
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ryc God wien sal ic claghen
41v–42 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 41v–42
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [qui tollis peccata] [from unidentified Mass]
42v–43 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 42v–43
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [from unidentified Mass] [= ff. 35v-36, bottom]
43v–44 Missa Ista est speciosa (a 5): Pleni sunt caeli [La Rue]
Appears on: 43v–44
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt celi [from Missa Ista est speciosa]
43v–44 Magnificat quarti toni: Et exultavit [K.632] [A. Agricola/Brumel]
Appears on: 43v–44
Genres: BVM, Canticle, Magnificat
Source Attribution: [A. Agricola/Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Esurientes implevit bonis [from Magnificat Quarti toni]
General Note

Esurientes section only

44v–45 Plaisir n'ai plus mais vis en desconfort Anon. Anonymous
Appears on: 44v–45
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Plaisir nay plus [mais vis en desconfort]
44v–45 Jouissance vous donnerai, mon ami Anon. Anonymous
Appears on: 44v–45
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Joyssance vous donneray [mon amy]
45v–46 Le coeur de vous ma présence désire [Gardane?]
Appears on: 45v–46
Genres: Chanson
Source Attribution: [Gardane?]
Voice: [no designation]
Languages: French
Voice Text: Le cuer de vous [ma présence désire]
45v–46 Le contente est riche en ce monde Anon. Anonymous
Appears on: 45v–46
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Le contente est riche [en ce monde]
46v–47 Ami, souffre que ie vous aime [Gardane?]
Appears on: 46v–47
Genres: Chanson
Source Attribution: [Gardane?]
Voice: [no designation]
Languages: French
Voice Text: Amye souffres que je vous [ayme]
46v–47 untexted - -

untexted

Appears on: 46v–47
Voice: [no designation]
Languages: none
Voice Text: Textless
47v–48 Ich seck adieu wy twe wy moeten scheiden Anon. Anonymous
Appears on: 47v–48
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ick seg adieu [wy twe wy moeten scheiden]
48v–49 Magnificat primi toni: (exc) Sicut locutus est [K.467] Anon. Anonymous
Appears on: 48v–49
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sicut locutus est [from Magnificat Primi toni]
49v De mon triste desplaisir a vous belle Anon. Anonymous
Appears on: 49v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: De mon triste et desplaisir a vous
50v–51 Amour partes je vous donne la chasce [Le Heurteur]
Appears on: 50v–51
Genres: Chanson
Source Attribution: [Le Heurteur]
Voice: [no designation]
Languages: French
Voice Text: Amour partes je vous donne la chasce
50v–51 D'amour je suis desherite et plaindre [Sermisy]
Appears on: 50v–51
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Damour ie suis desherite et plaindre
51v–52 Content desir qui cause ma douleur [Gardane]
Appears on: 51v–52
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Content desir qui cause ma doleur
51v–52 Ces facheux sont qui maldisant daymer [Gardane]
Appears on: 51v–52
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Ces facheux sont qui maldisant daymer
52v–53 De mon ami je suis absente las quand sera [Gardane]
Appears on: 52v–53
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: De mon amy ie suis absente las
52v–53 Vivre ne puis content sans sa présence [Gardane]
Appears on: 52v–53
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Vivre ne puis content sans ta presence
53v–54 Disant hellas fortune hellas grief [Gardane]
Appears on: 53v–54
Genres: Motet
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Disant hellas fortune hellas grief
53v–54 Se j'ai eu du mal ou du bien dieu [Gardane]
Appears on: 53v–54
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Si iay eu du mal ou du bien par oublie
54v–55 La fortune de toi je fais mes plaintes [Gardane]
Appears on: 54v–55
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Las fortune de toy ie fais me plaintz
54v–55 Une sans plus je veulx aymer [Gardane]
Appears on: 54v–55
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Une sans plus je veulx aymer que jay mis
55v–56 Si mon malheur my continue je ne scay pas [Peletier/Sermisy]
Peletier (?)
Appears on: 55v–56
Genres: Chanson
Source Attribution: [Peletier/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Si mon malheur me continue je ne scay pas
55v–56 Souvent amour me livre grand tourment [Peletier]
Appears on: 55v–56
Genres: Chanson
Source Attribution: [Peletier]
Voice: [no designation]
Languages: French
Voice Text: Souvent amour me livre grand tourment
56v–57 Ta bonne grace et maintien gracieux [Gardane]
Appears on: 56v–57
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Ta bonne grace et maintien gratieulx
56v–57 Il me convient en tous temps et saison [Gardane]
Appears on: 56v–57
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Il me convient en tous temps et saison
57v–58 Mon petit coeur n'est point a moi [Le Heurteur/Sermisy]
Appears on: 57v–58
Genres: Chanson
Source Attribution: [Le Heurteur/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Mon petit cueur nest point a moy
57v–58 Las voules vous que une personne chante [Gardane]
Appears on: 57v–58
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Las voules vous que une personne chante
58v–59 Robin viendra tu a la veille sy tuy [Gardane]
Appears on: 58v–59
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Robin viendra tu a la veille sy tuy
58v–59 Nauraige jamais resconfort = N'auray-je jamais reconfort de vous [Gardane]
Appears on: 58v–59
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Nauraige jamais reconfort de vous belle
59v–60 Entre vous gentils galans qui demenes [Gardane]
Appears on: 59v–60
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Entre vous gentilz gallans qui de menes
59v–60 De jour en jour tu me fais consumer [Gardane/Le Heurteur]
Appears on: 59v–60
Genres: Chanson
Source Attribution: [Gardane/Le Heurteur]
Voice: [no designation]
Languages: French
Voice Text: De iour en iour tu me fais consumer
60v–61 My larez vous tousiours languir mon bien Anon. Anonymous
Appears on: 60v–61
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: My larez vous tousiours languir mon bien
60v–61 Aye pitie du grant mal que iendure [Sermisy]
Appears on: 60v–61
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Ayez pitie du grant mal que iendure
61v–62 Qui la voudra souhaitte que ie meure [Gardane]
Appears on: 61v–62
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Qui la vouldra souhaitte que ie meure
61v–62 Grace vertu beaulte bonte noblesse [Gardane]
Appears on: 61v–62
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Grace vertu beaulte bonte noblesse
62v–63 Or vrai dieu quil est enuieulx celuy [Gardane]
Appears on: 62v–63
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Or vray dieu quil est enuieulx celuy
62v–63 Jouissance vous donnerai, mon ami [Gardane]
Appears on: 62v–63
Genres: Chanson
Source Attribution: [Gardane]
Voice: [no designation]
Languages: French
Voice Text: Joyssance vous donneray mon amy
63v–64 Lon ma donne le bruict et renommee Anon. Anonymous
Appears on: 63v–64
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: Italian
Voice Text: Lon ma donne le bruict et renommee
64v–65 Puisque j'ai mis tout mon entendement Anon. Anonymous
Appears on: 64v–65
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Puis que iay mis tout mon entendement
65v–66 Ich ruf zu dir, Herr Jesu Christ Anon. Anonymous
Appears on: 65v–66
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich ruff zu dir Herr Jesu Christ
66v–67 Gelobet seist Du, Jesu Christ, dass Du Mensch Anon. Anonymous
Appears on: 66v–67
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Gelobet seistu Jesu Christ das du mensch
67v–68 Gelobet seist Du, Jesu Christ, dass Du Mensch Anon. Anonymous
Appears on: 67v–68
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Gelobet seistu Jhesu Christ das du mensch
68v–69 In dich hab ich gehoffet, Herr, hilf Anon. Anonymous
Appears on: 68v–69
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: In dich hab ich gehoffet Herr hilf
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Barbé, Antoine (–1564)
Brumel, Antoine (ca. 1460–ca. 1513)
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Divitis, Antonius (ca. 1470–ca. 1530)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gardano, Antonio
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Heurteur, Guillaume le (fl. 1530-1545)
Lheritier, Jean (ca. 1480–ca. 1551)
Mouton, Jean (ca. 1459–1522)
Peletier
Prioris, Johannes (Denis, Dionisius) (–1515)
Rein, Conrad (ca. 1475–1522)
Rue, Pierre de la (ca. 1452–1518)
Sermisy, Claudin de (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Agnus Dei Anonymous 18v–19
Agnus Dei 23v–24
Agnus Dei Anonymous 35v–36
Agnus Dei Anonymous 35v–36
Agnus Dei Anonymous 41v–42
Agnus Dei Anonymous 42v–43
Agnus Dei = Benedictus, Dominus dissipat consilia gentium 33v–34
Ami, souffre que ie vous aime 46v–47
Amour partes je vous donne la chasce 50v–51
Ave virgo virginum ave lumen luminum Anonymous 9v–10
Aye pitie du grant mal que iendure 60v–61
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum 10v–11
Benedictus qui venit in nomine from unidentified Mass Anonymous 34v–35
Ces facheux sont qui maldisant daymer 51v–52
Content desir qui cause ma douleur 51v–52
Crucifixus etiam pro nobis (from unidentified Mass) 23v–24
D'amour je suis desherite et plaindre 50v–51
De jour en jour tu me fais consumer 59v–60
De mon ami je suis absente las quand sera 52v–53
De mon triste desplaisir a vous belle Anonymous 49v
Disant hellas fortune hellas grief 53v–54
Entre vous gentils galans qui demenes 59v–60
Et iterum venturus est cum gloria Anonymous 22v–23
Et iterum venturus est cum gloria Anonymous 24v–25
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous 66v–67
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous 67v–68
Grace vertu beaulte bonte noblesse 61v–62
Ich ruf zu dir, Herr Jesu Christ Anonymous 65v–66
Ich seck adieu wy twe wy moeten scheiden Anonymous 47v–48
Il me convient en tous temps et saison 56v–57
In carne vale Anonymous 7v–8
In dich hab ich gehoffet, Herr, hilf Anonymous 68v–69
In mynem zin heb ic vercooren Anonymous 39v–40
Inter spinas flos fuisti sic flos flori 8v–9
Jouissance vous donnerai, mon ami Anonymous 44v–45
Jouissance vous donnerai, mon ami 62v–63
La fortune de toi je fais mes plaintes 54v–55
Las voules vous que une personne chante 57v–58
Le coeur de vous ma présence désire 45v–46
Le contente est riche en ce monde Anonymous 45v–46
Le renvoye 32v–33
Lon ma donne le bruict et renommee Anonymous 63v–64
Magnificat primi toni: (exc) Sicut locutus est [K.467] Anonymous 48v–49
Magnificat Quarti Toni: (exc) Esurientes implevit bonis [K.464] Anonymous 30v–31
Magnificat quarti toni: Et exultavit [K.632] 43v–44
Missa Alma Redempotoris Mater: Benedictus 21v–22
Missa Dites-moi m'avés pensé: Agnus Dei II 21v–22
Missa Dites-moi m'avés pensé: Benedictus 20v–21
Missa Dites-moi m'avés pensé: Pleni sunt caeli et terra 20v–21
Missa Es hat ein Sinn: Agnus Dei II 26v–27
Missa Es hat ein Sinn: Crucifixus 25v–26
Missa Es hat ein Sinn: Domine Deus agnus Dei 24v–25
Missa Es hat ein Sinn: Et resurrexit tertia die 25v–26
Missa Es hat ein Sinn: Pleni sunt caeli et terra 26v–27
Missa feria (a5): Agnus Dei II 30v–31
Missa Ista est speciosa (a 5): Pleni sunt caeli 43v–44
Missa Je ne seray plus (3vv): Sanctus Anonymous 31v–32
Missa Malheur me bat 9.1: Agnus Dei 37v–38
Missa Malheur me bat: Benedictus 29v–30
Missa Mente tota tibi: Benedictus 38v–39
Missa Mente tota tibi: Pleni sunt caeli 38v–39
Missa O intemerata virgo: Agnus Dei Anonymous 12v–13
Missa O intemerata virgo: Benedictus Anonymous 11v–12
Missa O intemerata virgo: Crucifixus Anonymous 11v–12
Missa Pange lingua 4.3: Agnus Dei II 17v–18
Missa Pange lingua 4.3: Benedictus 17v–18
Missa Pange lingua 4.3: Pleni sunt caeli et terra 16v–17
Missa Pourquoi non: Agnus Dei II 19v–20
Missa Pourquoi non: Crucifixus 19v–20
Missa Pourquoi non: Pleni sunt caeli et terra 10v–11
Missa Sancta Trinitas: Et resurrexit 28v–29
Missa Si dedero: Pleni sunt caeli 36v–37
Missa Venerabili Sacramento: Agnus Dei II 15v–16
Missa Venerabili Sacramento: Benedictus (only) 12v–13
Missa Venerabili Sacramento: Pleni sunt caeli et terra 15v–16
Missa Verbum bonum et suave: Agnus Dei II 14v–15
Missa Verbum bonum et suave: Crucifixus 13v–14
Missa Verbum bonum et suave: Domine fili unigenite Jesu Christe 13v–14
Missa Verbum bonum et suave: Pleni sunt caeli et terra 14v–15
Mon petit coeur n'est point a moi 57v–58
My larez vous tousiours languir mon bien Anonymous 60v–61
Nauraige jamais resconfort = N'auray-je jamais reconfort de vous 58v–59
Or vrai dieu quil est enuieulx celuy 62v–63
Plaisir n'ai plus mais vis en desconfort Anonymous 44v–45
Pleni sunt caeli et terra (from unidentified Mass) Anonymous 18v–19
Pleni sunt caeli et terra (from unidentified Mass) Anonymous 22v–23
Puisque j'ai mis tout mon entendement Anonymous 64v–65
Qui edunt me adhuc esurient et qui bibunt Anonymous 28v–29
Qui la voudra souhaitte que ie meure 61v–62
Robin viendra tu a la veille sy tuy 58v–59
Ryc god wien sal ic claghen Anonymous 40v–41
Salvatoris mater pia mundi huius spes Anonymous 7v–8
Salvatoris mater pia mundi huius spes Anonymous 9v–10
Se dire ie losoye dont me vient le souffrir Anonymous 5v–6
Se j'ai eu du mal ou du bien dieu 53v–54
Si mon malheur my continue je ne scay pas
Peletier (?)
55v–56
Sicut cervus desiderat ad fontes aquarum Anonymous 36v–37
Souvent amour me livre grand tourment 55v–56
Summi regis sponsa digna cunctis 6v–7
Ta bonne grace et maintien gracieux 56v–57
Une sans plus je veulx aymer 54v–55
Verbum caro 20.16 - 2a pars (of 3): In principio erat verbum 27v–28
Vivre ne puis content sans sa présence 52v–53

denotes primary source study

Bellingham, Bruce Allan. 1971. The Bicinium in the Lutheran Latin Schools During the Reformation Period. University of Toronto, Unpublished Ph.D. dissertation. Pages: I, 37-8, 220; II, 99ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 150. Notes: contents list (partial); concordances (partial); incipits (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: VIII, vi-xvi; XVIII, viii-xiv. Notes: physical description; contents list (partial); concordances (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 110-3. Notes: physical description; contents list; concordances.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description