D-Mbs Mus. MS 3225

Bayerische Staatsbibliothek, München (Munich), Germany

fragment: c. 1450-60

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 3225
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements 282 x 208 mm
Other Identifiers
  • CCM: MunBS 3225
  • olim (Former shelfmark): MaiM 87a
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 6 pieces from 1 composers
General Description

A bifolio, apparently the only surviving remnants of a larger musical manuscript. Copied by a single scribe. Of German origin. Recovered from binding of MS Lat. 22098 in Handschriften-Inkunabelabteilung of this library.

DIAMM, 2017
Binding

Modern blue-gray paper wrapper.

DIAMM, 2017
Watermark

similar or identical to Briquet #2447

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 16

DIAMM, 2017
Foliation

Modern pagination, 1-4. [Note, p.2 begins with a fragment, the end of a tenor: so the bifolio is presumably inverted: p.1 follows p.2, with p.4/3 coming earlier.]

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 hymns (2 incomplete), 1 textless fragment = 6

Anonymous

i + 2 + i paper folios, 282 x 208, recovered from binding of MS Lat. 22098 in Handschriften-Inkunabelabteilung of this library. Apparently the only surviving remnants of a larger musical manuscript. Modern pagination, 1-4. Modern blue-gray paper wrapper. Copied by a single scribe. Staff height 16. No initials or decoration. Watermark similar or identical to Briquet #2447.

Ca. 1450-60. Of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Deus tuorum militum - Anonymous

Deus tuorum militum

Anonymous
Appears on: 1
Genres: Hymn
2 [Tenor fragment; hymn for St Andreas] - Anonymous

[Tenor fragment; hymn for St Andreas]

Anonymous
Appears on: 2
Genres: Hymn
General Note

the end of a Tenor voice part; as the following piece is headed "Alius de sancto andrea" this presumably comes from a hymn to that saint.
2 Quos arte piscatoria (=Exorta a Bethsaida) - Anonymous

Quos arte piscatoria (=Exorta a Bethsaida)

Anonymous
Appears on: 2
Genres: Hymn
3 Pange lingua gloriosi corporis misterium - Anonymous

Pange lingua gloriosi corporis misterium

Anonymous
Appears on: 3
Genres: Motet
General Note

Ct II only from a 4vv setting (identified as one in Trent 88 by Bob Mitchell)
3 Exultet caelum laudibus - Anonymous

Exultet caelum laudibus

Anonymous
Appears on: 3
Genres: Hymn
4 Christe sanctorum - Anonymous

Christe sanctorum

Anonymous
Appears on: 4
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Vita sanctorum Deus
Concordances

apparently concordant with the Glogauer Liederbuch (Żagań partbooks) H.10r: there texted "Christe sanctorum", here "Vita sanctorum Deus"
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
[Tenor fragment; hymn for St Andreas] Anonymous 2
Christe sanctorum Anonymous 4
Deus tuorum militum Anonymous 1
Exultet caelum laudibus Anonymous 3
Pange lingua gloriosi corporis misterium Anonymous 3
Quos arte piscatoria (=Exorta a Bethsaida) Anonymous 2

‡ denotes primary source study

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS.  American Institute of Musicology. Pages: LCI.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 158-60,302ff.

Gerber, Rudolf. 1953. Spanische Hymnensätze um 1500. Archiv für Musikwissenschaft, 165-84. Pages: 168.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VI,1023.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 58.

Public Comments

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Robert J Mitchell

Saturday, 26 March, 2022

The Pange lingua setting is also in Trent 88 ff. 231v-232r.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description